FMP

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Portfolio final doc for Fashion Communication

Transcript of FMP

WEBSITE

www.byhooknorcrook.blogspot.com

CHRIS NAWROCKI.

PHONE

+44 (0) 07789880307

EMAIL

chrisnawrocki@hotmail.co.uk

Editorial Fashion P h o t o g r a p h y

Photography, Styling and Layout by Chris Nawrocki

Dark Was the Night

winter 2011 shoot inspired by current high end men’s street wear collations.

GRaduate brochure

graduate brochure for 2010 fashion graduates.

Levi Strauss

levi strauss lookbook promoting the “buy now, wear forever” campaign.

dark was then i g h t

G R a d u a t eb r o c h u r e

L e v iS t r a u s s

F a s h i o nv i d e o g r a p h y

Videography , Styling and Post-production byChris Nawrocki

Levis “buy now, Wear forver”

a short film for the ad campaign “by now, wear forever” depicting the levi strauss brand.

Modisch magazine

a short promotional film depicting the launch of modisch magazine.

TOPSHOP STUDENT SHOP

Promotional film commissioned by toPshoP for there 2010 student shoP.

bob Dylan

visual recording of a photoshoot of bob dylan.

L e v i s“buy now,Wear forver”

M o d i s c hm a g a z i n e

T o p s h o pstudent shop

b o bD y l a n

C o n c e p tD e v e l o p m e n t

Concept, Design and layout byChris Nawrocki

Levi Strauss

a creative re launch of current clothing at levi strauss to re establish levi’s foothold on the jeans market. this project could poetically provide clients with guidance in areas such as concept development, production, branding, project management, marketing and creative direction.

Backbone magazine

a publication of innovative design. backbone looks into modern men’s lifestyle and clothing.

L e v iS t r a u s s

B a c k b o n em a g a z i n e

E d i t o r i a lM a g a z i n eA r t i c l e s

Words and layout byChris Nawrocki

DEAD FILM

AN EXPLORATION INTO OVER EXPOSED FILM GIVING IT MORE MEANING.

BOB DYLAN

WRITTEN UPON THE STYLE AND TIMES OF LEADING FASH-ION ROLE MODEL BOB DYLAN.

SURF LAND

A ONE ON ONE INTERVIEW WITH THE PHOTOGRAPHER JONI STERNBACH

s u r f l a n d

Joni Sternbach is probably the only I have come across in the past five of six years that I can call in my eyes a genuine photographer. Joni sets the benchmark for portraits, although her im-ages are only monograph the emotion captured within them is phenomenal. Join welcomes with open arms the difficulties brought with using old large format cameras along with the wet-plate process in inhospitable environments not meant for such equipment.

Not only is Joni i n c r e d i b l y talented, she is also well accomplished Her work is part of many public collections including the Museum of Photographic Arts in San Diego, CA and the Museum of Fine Arts, Houston. Joni also won Criti-

How long have you been in the business of photography?

I have been taking/making pictures seri-ously since about 1975. I’ve worked in the field ever since; first at Soethby’s photo-graphing and printing the catalogue art work and later as a professional B&W printer at Portogallo in NYC, printing for the likes of Mary Ellen Mark and Dennis Stock etc.

How did you go about sell-ing your first photograph?

The first photograph I ever made money from was in school--and I won a prize with the Village Voice. The first photograph I ever sold I think was to the Bibliotheque Nationale in Paris, France.The curator then had a small budget for up and commers, like myself and I was lucky to have some early work in their collection.

What initially interest-ed you into photography?

I began studying fine arts at the School of Visual Arts and photography was a required course. It didn’t take long to fall in love with the medium.What would you say is more impor-tant Good Knowledge/Good Equipment?

I’d say it’s the marriage of the two. One does not work so well without the other.

cal Mass along with Peter Van Agtmael and has had her book “SurfLand” published.

SurfLand: 10.02.15 #3 DanielStatement / 8” x 10” unique tintype. Rincon