portfolio JOSEF POSPISIL

81
Ing.arch. Josef POSPISIL

description

This is my portfolio about architecture, urbanism design, visualizations and graphic design. Enjoy that and write me if you have any question.

Transcript of portfolio JOSEF POSPISIL

  • Ing.arch. Josef POSPISIL

  • forename: Josefsurname: Pospisil

    home address: Ing.arch Josef Pospisil Pametice Czech Republic

    home Contact: Tel. + Email: [email protected]

    // Born in Boskovice, Czech Republic

  • Education: / Secondary Technical School of Buildings and Constructions Kudelova Brno Field of study: Building and Structural Construction

    / Faculty of Civil engineering (University of technology in Brno, Czech Republic) Brno

    Field of study: Building and Structural Construction

    Web site: http://www.fce.vutbr.cz/

    / Faculty of Architecture (University of technology in Brno, Czech Republic) Brno

    Field of study: Architecture and Urbanism (Student No. )

    Web site: http://fa.vutbr.cz/

    / University of Bolton (University of Manchester), UK Field of study: Architectural Technology (Student No. /)

    Web site: http://www.bolton.ac.uk/BEE/Home.aspx

    / Private hours of fine arts by Ing.arch. Jir Hlouek

    Computer skills:

    AutoCAD - advanced ( years experience)

    ArchiCAD - professional ( years experience)

    Artlantis Studio - professional ( years experience)

    Adobe Photoshop - highly advanced ( years experience), licensed

    Adobe Ilustrator - advanced ( years experience), licensed

    RhinocerosD advanced ( years experience), licensed

    Cinema D - advanced ( years experience), licensed

    Octane render - advanced ( years experience), license

    prep D models for D printer or milling-cutter

    Language skills:

    English language - intermediate

    Slovak language - fluent

    Czech language - native language

    Spanish language - basic

    Work Experiences / Design project of Family house for planning permission and construction works, main architect: Ing.arch. Jiri Hlousek contact: +, investor: Mr Toman, contact: +,

    building place: Kretin, Czech republic, site: /.

    Job in design studio of Ing. arch. Lubo Frantik, Ph.D., contact: + , [email protected]

    - participation on landscape project of forest park Job in design studio Atelier Habina, main architect: Ing. arch. Martin Habina, contact:

    +, [email protected], web site: http://www.habina.cz

    - participation on project of block of flats and family house / Job in design studio A.P.E. design s.r.o, main architect: Ing. arch. Davdek Petr, contact: + , [email protected] , web site: http://www.arch.cz/davidek

    - design of blocks of flats inside old part of city Brno (Czech republic), approximate value of

    the project: ,mil. ,

    - design of family houses in outskirt of city Brno (Czech republic), approximate value of

    the project: ,mil.

    - design of extension of family house in city Brno-Zabovresky, approximate value of the

    project:

    - design of composition of family houses in outskirt of city Brno, approximate value of the

    project:

    Job in design studio Swanke Hayden Connell Architects in London. Work on financial center Beltone Financial HQ CIRO and skyscraper of capital city Astana

    web site: http://www.shca.com/

    / Production of visualization for spanish atelier Kubiko (centre in Madrid) including blocks of flats, industrial buildings, schools, art centres etc. Next cooperation about design and establishment

    working group for Kubiko studio.

    Competitions Design of FUNERAL HOUSE in Roudnice nad Labem (Czech republic), th position from projects

    Design of SERLACHIUS MUSEUM-GSTA EXTENSION in Mntt (Finland)

  • COMPETITIONS Before we can feel the new spirit which must envelop the days to come we must prepare ourselves to use intelligently the knowledge derived from all sources.

    Nostalgic yearning for the ways of the past will find but

    few ineffectual supporters.

    LOUIS KAHN (Louis I Kahn, :)

    Limportant dans la vie ce nest point le triomphe,

    mais le combat, lessentiel ce nest pas davoir vaincu

    mais de stre bien battu. Pierre de Coubertin

    Even thought victory is nice especially if the battle field

    is peaceful field of ideas and knowledge, we obtain new

    experience, knowledge and frequently new friendships

    with people participating on the competition. I have

    never regretted when I didnt win. New knowledge

    obtained during the work on a project will help next time

    to be better and build up buildings with higher qualities.

  • design, landscape architecture

    Finland/MnttSERLACHIUS MUSEUM

    The Gsta Serlachius art collection is one of the biggest museums in the Nordic countries; and it contains one of the most significant private collections

    of Finland. The Gsta Serlachius Fine Arts Foundation organised an open international competition for the design of an extension of their museum, the Joenniemi

    Manor. The extension was supposed to include new services for exhibitions; collections; conferences; offices as well as a restaurant with auxiliary spaces.

    A new main foyer and ticket sales facilities were also included in the new project. In total, the net floor area of the extension was about , m.

    The extension of the Museum was supposed to be compatible with its unique natural environment and it was also expected that it would keep a certain

    balance between the functional and technical characteristics of the existing building. In addition, the design should adhere to the principles of sustainable

    architecture. Therefore, the development of a good proposal was a sort of dare for me and the team of architects with whom I worked with.

    In order to connect the new building with the beautiful surrounding park, we decided to build up the new edifice in between an existing island and the

    mainland. Thus the building would replace a historical, but destroyed bridge that has previously connected the mainland with the isle. Our proposal

    allowed the practising of winter sports and the visitors could walk around the structure of the museum.

  • SERLACHIUS MUSEUMLocation of Extension Gsta Serlachius Fine arts Foundation is result of studies of the territory, current buildings placed on that and all related historical , environmental and cultural significances. Solitary position of Taavetinsaari in the landscape, its distance from shore of mainland, good visual relation to manor, its surroundings and parking plus advantageous connection to original ways and new ones as well make the island Taavetinsaari suitable position to place new museum building.Final position is based on mergence architectural, functional and landscape aspects. Idea of usage of the new building like a bridge, usage water surface with part of island like landscape scenery of atrium in the new building and simple service connection to the each function of the museum required chosen location connecting island with the cape. Museum is next solitaire in net of current buildings of the cape. Thanks to the distance and connection to the original symmetrical plant-lined paths leading to manor is achieved harmonic coexistence Joenniemi manor, its surroundings and new museum.

    Architectural features are based on functional requirements of circulation motion of visitors in exhibition area. Also sizes of all functions including in the museum, lighting and harmony with the landscape influence the shape and architectural features of the building. Circulation motion is used like main concept of primary part of the museum. Infers circle form of outer coat. Requirements to lighting lead to creation of atrium. Its shape is formed by inserted functions which have different sizes. The different sizes generate curved shape of the atrium. Increasing height of the ring from entrance to its opposite side is based on different requirements of each function placed in the ring. The museum is arched from island to the mainland over the cove of the lake Melasjrvi. The building is carry by support plate with pillars. The shape of plate with pillars is designed according to the shape of liquid between two solid boards. Exterior facades are made by glass boards with increased reflective effect. The surrounding landscape is reflected in the exterior facades. Interior spaces are glassed-in to the atrium except the part of exhibition areas for paintings. Atrium includes a sculpture placed on the pillar of original bridge led from mainland to island. The pillar together with the sculpture is on axis manor entrance foyer sculpture.

    MPST219

  • entrance foyer

    0.000 = 103.0

    + 6.000

    + 11.000

    exhibition

    archive exhibition exhibition storage storage

    0.000 = 103.0

    + 8.500 + 8.500

    + 11.000

    archive storage

    0.000 = 103.0

    + 8.500 + 8.500

    + 11.000

    + 6.000

    SERLACHIUS MUSEUM

    MPST219

    Section 01

    Section 02

    Elevation

  • 10 20 30 40 500m

    trical rooms

    info

    waste storage

    freezer

    restaurant

    shop.

    tickets

    ce

    o ce

    auxiliary room

    o ce

    storage

    toilets.

    Collections

    Joenniemi Manor Collection

    equip.

    additional ele

    entrance0.00 = 103.00 m.a.s.l.

    Section 01

    Section 02

    toilets

    service

    handling

    preparation kitchen

    archives

    artwork storage

    conservation

    cloakroom

    foyerstor.

    shop stor.

    o ce

    copy

    storeroom

    shower.

    st .facil.

    breakroom

    sculptures exhibition

    assembly hall

    chairstorage

    pedagogy

    back. space,storage

    localstor.

    TravellingExhibitions 01

    Chillout

    TravellingExhibitions 02

    Civil defence shelter(storage)

    bodega

    service

    servicestorages

    propertycontrolroom

    storages

    storages

    conference room

    toiletsstorage

    library

    lounge

    break room

    headmaster secretary

    exhibition Gustaf Adolf Serlachius and Gsta Serlachius

    reception

    service

    toilets cloakroom

    MPST219

    SERLACHIUS MUSEUM

    MPST219

    New sauna is situated on the foundations of old sauna. It is accessible by rowboat or by new building connection.

    The current exhibition in manor building is moved to the new building because of better conditions in new building. We propose oces and exhibition Gustaf Adolf Serlachius and Gsta Serlachius in the manor building.

    Sauna

    Second oor

    Manor building

    First oor

    Basement

  • 99,8

    99,8

    99,9

    102

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    1061

    07

    100

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    101,5

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    105,5

    107,6

    107,1

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    101,8

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    104,7

    107,1 106,0107,6

    102,0

    102,5

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    103,7

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    1100111

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    107,1

    unique trees

    park

    water

    sculptures

    sauna

    forest

    parking

    SERLACHIUS MUSEUM

    MPST219

    The circulation in whole area works in closed loops. Rowboat can be used as an interesting way how to get to the new atrium and sauna. The new building is accessible also from ice during wintertime.

    The manor is sited at a visually prominent location in very high quality landscape. All the intersting points are scattered in area. We respect the manor and keep it dominant. The new building is another interesting point in area which is linked with the manor by original tree alley. There is a sculpture on the pilot of old bridge as a virtual end of main axis.

    Flows

    Land art concept

  • wooden ceiling reective glass

    sandwich wall with heat insulation

    clear glass with reective layer

    exposed concrete system of rotatable lamelas

    storage entrance

    main entranceT2

    T1

    E1

    E2

    storage entrance

    main entrance T2

    T1

    E1

    E2

    storage entrance

    main entranceT2

    T1

    E1

    E2

    storage entrance

    main entranceT2

    T1

    E1

    E2

    exible panels_big formatssmall formatpeople ow

    view orientation

    exible panels_big formatssmall formatpeople ow

    view orientation

    traveling exhibition 1traveling exhibition 2Joenniemi collection (moved from manor)

    exhibition owstorage loading

    exhibition

    treatment and storage facilitiesclosed exhibition part

    T1T2

    collectionsE2E1

    SERLACHIUS MUSEUM

    MPST219

    Exhibition

    Rotatable panels

    Materials

    Exhibition space is divided into four parts and creates very exible exhibition space. When T1 is closed the chill out area is used as a connection part. The rotatable panels makes the space maximum variable and exible.

    Last layer of the outer facade is reective glass. The building reects beautiful nature around and grows together with suroundings. When the weather and seasons is changing the museum is changing too.

  • design, landscape architecture

    Roudnice/Czech republicFUNERAL HOUSE

    I decided to participate, collaborating with a team of architects, in a competition for the design of a funeral house. The project appealed to us since we

    should design a building figuratively neutral since it would be used by people belonging to different religions. However, the funeral house should contain a

    subtle symbolism strong enough to honour and commemorate the dead person. The space where the funeral house would be placed played an important role when we came to elaborate the design of the building. The area

    surrounding the building contributed to create the spiritual meaning that we pretended to associate with the funeral house.

    The access to the building includes a garden where people can spend some time in order to get calm, think and recall the dead person. The

    landscape architecture of the garden has been designed in order to reflect the feelings of desolation and mourning that the visitors experience at the

    funeral house. The building itself is divided into three areas. There is a low horizontal space where the preliminaries of the ceremony should take place. Other two

    conical spaces include the main foyer and the ceremony hall.

    SMUTEN S DO ROUDNICE NAD LABEM

    STROM SYMBOL IVOTA

    M 1: 500

    M 1: 100

    S

    VODA PECHOD NA DRUHOU STRANU

    MONUMENT SYMBOL

    ZAHRADA ODPOINKU

    OBJEKT

    KONCEPT

    ROZDELEN HMOT

    VYSUNUT OBJEMU ZAHRADA ODPOINKU

    ZAHRADA

    PARKOVIT

    ODVOZ RAKVE/ KREMACE

    CESTA ZESNULHOOTEVEN SN

    HBITOV

    PJEZD

    VYLOEN RAKVE

    HBITOV

    SMUTEN S

    VESTIBUL

    PROVOZ

    VEEJNOST

    LEGENDA PROSTORY PRO VEEJNOST

    ZZEM SMUTEN SN

    VYSTAVEN ZESNULHOMSTNOST PRO NEJBLI

    PCHODVCHOD

    SMUTEN S

    KONCEPT EEN SMUTEN SN V RMCI DANHO POZEMKU JE VYSTAVN NA DVOJICI ODLINCH SVT, KDE S JE PEDLEM MEZI TMITO SVTY. V RMCI POZEMKU JE JEDEN SVT OD DRUHHO DLEN CELM OBJEKTEM A STEJN TAK SE TATO SYMBOLIKA UPLATUJE V LENN CELHO OBJEKTU. ZLOMOVM A PECHODOVM MSTEM JE HRANICE MEZI VESTIBULEM, JAKO SHROMADIT POZSTALCH A SMUTEN SN, MSTA LOUEN A ODDLE-N DUE OD TLA.

    EFEKTIVN PROVOZ V RMCI PARCELY A JI PILEHLCH ZAJIUJE PODLN LENN NA 4 STI. JEDNOTLIVM STEM JE PIDLEN SPECIFICK EL. V PM NVAZNOSTI K ULICI U HBITOVA JE PARKOVIT ZAJIUJC 30 STN OSOBNCH AUT PRO SMUTEN S, 20 STN PRO HBITOV A JEDNO STN AUTOBUSU. ODDLENO JE OD NAVAZUJC STI GABIONOVOU STNOU, KTER ME SLOUIT JAKO KOLUMBRIUM. DAL ST JE VNOVNA ZAHRAD. TA SLOU JAKO PROSTOR PRO SHROMDN, PRO AS POTEBN PRO PPRAVU POZSTALCH NA OBAD, NEBO PO JEHO SKONEN SE POZSTAL MOHOU V ZAHRAD ZDRET. POZEMEK POKRAUJE SAMOTNM OBJEKTEM DLC ST PSTUPNOU PRO POZSTAL OD POSLEDN STI POZEMKU KAM JIM JI NEN UMONN VSTUP A NEDOCHZ TAK K POTKV-N ZAMSTNANC A POZSTALCH. POSLEDN SEKCE POZEMKU JE NAPLNNA DVMA FUNKCEMI. PRVN JE PJEZDOV CESTA PRO ZAMSTNANCE VETN PVOZU A ODVOZU POZSTALCH Z ULICE TEREZNSK. DRUHOU JE ZAHRA-DA NAVAZUJC NA SMUTEN S A SYMBOLIZUJE PROSTOR, KDE DUE POZSTALHO ME SPOINOUT.

    12345678

    SMUTEN SVNITN VESTIBULKRYT PEDPROSTORMSTNOST PRO VYSTAVEN RAKVEMSTNOST PRO NEJBLI POZSTALMSTNOST PRO SETKN PO KONDOLENCIPROSTOR PRO SETKN/ODVOZ NEBOTKAWC

    910111213141516171819202122

    MSTNOST PRO JEDNN S POZUSTALMIKANCELZZEM KANCELE/SKLAD/KUCHYKA/WCGARE VKLAD POHEBNCH VOZKRYT PROSTOR PRO VJEZD DO GARKOMUNIKACECHLAZEN SKLAD ZEMELCHPPRAVNA ZEMELCHKLIDOV KOMORASKLADATNASTROJOVNA TZBSKLADSKLAD ODPADK

    1

    6

    72

    3

    45

    910

    8

    11

    12

    18 17

    13

    14

    151619202122

    IR VZTAHY 01

  • SMUTEN S DO ROUDNICE NAD LABEM

    STROM SYMBOL IVOTA

    M 1: 500

    M 1: 100

    S

    VODA PECHOD NA DRUHOU STRANU

    MONUMENT SYMBOL

    ZAHRADA ODPOINKU

    OBJEKT

    KONCEPT

    ROZDELEN HMOT

    VYSUNUT OBJEMU ZAHRADA ODPOINKU

    ZAHRADA

    PARKOVIT

    ODVOZ RAKVE/ KREMACE

    CESTA ZESNULHOOTEVEN SN

    HBITOV

    PJEZD

    VYLOEN RAKVE

    HBITOV

    SMUTEN S

    VESTIBUL

    PROVOZ

    VEEJNOST

    LEGENDA PROSTORY PRO VEEJNOST

    ZZEM SMUTEN SN

    VYSTAVEN ZESNULHOMSTNOST PRO NEJBLI

    PCHODVCHOD

    SMUTEN S

    KONCEPT EEN SMUTEN SN V RMCI DANHO POZEMKU JE VYSTAVN NA DVOJICI ODLINCH SVT, KDE S JE PEDLEM MEZI TMITO SVTY. V RMCI POZEMKU JE JEDEN SVT OD DRUHHO DLEN CELM OBJEKTEM A STEJN TAK SE TATO SYMBOLIKA UPLATUJE V LENN CELHO OBJEKTU. ZLOMOVM A PECHODOVM MSTEM JE HRANICE MEZI VESTIBULEM, JAKO SHROMADIT POZSTALCH A SMUTEN SN, MSTA LOUEN A ODDLE-N DUE OD TLA.

    EFEKTIVN PROVOZ V RMCI PARCELY A JI PILEHLCH ZAJIUJE PODLN LENN NA 4 STI. JEDNOTLIVM STEM JE PIDLEN SPECIFICK EL. V PM NVAZNOSTI K ULICI U HBITOVA JE PARKOVIT ZAJIUJC 30 STN OSOBNCH AUT PRO SMUTEN S, 20 STN PRO HBITOV A JEDNO STN AUTOBUSU. ODDLENO JE OD NAVAZUJC STI GABIONOVOU STNOU, KTER ME SLOUIT JAKO KOLUMBRIUM. DAL ST JE VNOVNA ZAHRAD. TA SLOU JAKO PROSTOR PRO SHROMDN, PRO AS POTEBN PRO PPRAVU POZSTALCH NA OBAD, NEBO PO JEHO SKONEN SE POZSTAL MOHOU V ZAHRAD ZDRET. POZEMEK POKRAUJE SAMOTNM OBJEKTEM DLC ST PSTUPNOU PRO POZSTAL OD POSLEDN STI POZEMKU KAM JIM JI NEN UMONN VSTUP A NEDOCHZ TAK K POTKV-N ZAMSTNANC A POZSTALCH. POSLEDN SEKCE POZEMKU JE NAPLNNA DVMA FUNKCEMI. PRVN JE PJEZDOV CESTA PRO ZAMSTNANCE VETN PVOZU A ODVOZU POZSTALCH Z ULICE TEREZNSK. DRUHOU JE ZAHRA-DA NAVAZUJC NA SMUTEN S A SYMBOLIZUJE PROSTOR, KDE DUE POZSTALHO ME SPOINOUT.

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    SMUTEN SVNITN VESTIBULKRYT PEDPROSTORMSTNOST PRO VYSTAVEN RAKVEMSTNOST PRO NEJBLI POZSTALMSTNOST PRO SETKN PO KONDOLENCIPROSTOR PRO SETKN/ODVOZ NEBOTKAWC

    910111213141516171819202122

    MSTNOST PRO JEDNN S POZUSTALMIKANCELZZEM KANCELE/SKLAD/KUCHYKA/WCGARE VKLAD POHEBNCH VOZKRYT PROSTOR PRO VJEZD DO GARKOMUNIKACECHLAZEN SKLAD ZEMELCHPPRAVNA ZEMELCHKLIDOV KOMORASKLADATNASTROJOVNA TZBSKLADSKLAD ODPADK

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    3

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    12

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    13

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    151619202122

    IR VZTAHY 01

    M 1: 100

    EZ PODLN

    POHLEDY BON

    POHLED ZADN

    POHLED ELN

    SMUTEN S DO ROUDNICE NAD LABEM

    DETAILN EEN 02

  • SMUTEN S DO ROUDNICE NAD LABEM

    STROM SYMBOL IVOTA

    M 1: 500

    M 1: 100

    S

    VODA PECHOD NA DRUHOU STRANU

    MONUMENT SYMBOL

    ZAHRADA ODPOINKU

    OBJEKT

    KONCEPT

    ROZDELEN HMOT

    VYSUNUT OBJEMU ZAHRADA ODPOINKU

    ZAHRADA

    PARKOVIT

    ODVOZ RAKVE/ KREMACE

    CESTA ZESNULHOOTEVEN SN

    HBITOV

    PJEZD

    VYLOEN RAKVE

    HBITOV

    SMUTEN S

    VESTIBUL

    PROVOZ

    VEEJNOST

    LEGENDA PROSTORY PRO VEEJNOST

    ZZEM SMUTEN SN

    VYSTAVEN ZESNULHOMSTNOST PRO NEJBLI

    PCHODVCHOD

    SMUTEN S

    KONCEPT EEN SMUTEN SN V RMCI DANHO POZEMKU JE VYSTAVN NA DVOJICI ODLINCH SVT, KDE S JE PEDLEM MEZI TMITO SVTY. V RMCI POZEMKU JE JEDEN SVT OD DRUHHO DLEN CELM OBJEKTEM A STEJN TAK SE TATO SYMBOLIKA UPLATUJE V LENN CELHO OBJEKTU. ZLOMOVM A PECHODOVM MSTEM JE HRANICE MEZI VESTIBULEM, JAKO SHROMADIT POZSTALCH A SMUTEN SN, MSTA LOUEN A ODDLE-N DUE OD TLA.

    EFEKTIVN PROVOZ V RMCI PARCELY A JI PILEHLCH ZAJIUJE PODLN LENN NA 4 STI. JEDNOTLIVM STEM JE PIDLEN SPECIFICK EL. V PM NVAZNOSTI K ULICI U HBITOVA JE PARKOVIT ZAJIUJC 30 STN OSOBNCH AUT PRO SMUTEN S, 20 STN PRO HBITOV A JEDNO STN AUTOBUSU. ODDLENO JE OD NAVAZUJC STI GABIONOVOU STNOU, KTER ME SLOUIT JAKO KOLUMBRIUM. DAL ST JE VNOVNA ZAHRAD. TA SLOU JAKO PROSTOR PRO SHROMDN, PRO AS POTEBN PRO PPRAVU POZSTALCH NA OBAD, NEBO PO JEHO SKONEN SE POZSTAL MOHOU V ZAHRAD ZDRET. POZEMEK POKRAUJE SAMOTNM OBJEKTEM DLC ST PSTUPNOU PRO POZSTAL OD POSLEDN STI POZEMKU KAM JIM JI NEN UMONN VSTUP A NEDOCHZ TAK K POTKV-N ZAMSTNANC A POZSTALCH. POSLEDN SEKCE POZEMKU JE NAPLNNA DVMA FUNKCEMI. PRVN JE PJEZDOV CESTA PRO ZAMSTNANCE VETN PVOZU A ODVOZU POZSTALCH Z ULICE TEREZNSK. DRUHOU JE ZAHRA-DA NAVAZUJC NA SMUTEN S A SYMBOLIZUJE PROSTOR, KDE DUE POZSTALHO ME SPOINOUT.

    12345678

    SMUTEN SVNITN VESTIBULKRYT PEDPROSTORMSTNOST PRO VYSTAVEN RAKVEMSTNOST PRO NEJBLI POZSTALMSTNOST PRO SETKN PO KONDOLENCIPROSTOR PRO SETKN/ODVOZ NEBOTKAWC

    910111213141516171819202122

    MSTNOST PRO JEDNN S POZUSTALMIKANCELZZEM KANCELE/SKLAD/KUCHYKA/WCGARE VKLAD POHEBNCH VOZKRYT PROSTOR PRO VJEZD DO GARKOMUNIKACECHLAZEN SKLAD ZEMELCHPPRAVNA ZEMELCHKLIDOV KOMORASKLADATNASTROJOVNA TZBSKLADSKLAD ODPADK

    1

    6

    72

    3

    45

    910

    8

    11

    12

    18 17

    13

    14

    151619202122

    IR VZTAHY 01

  • SMUTEN S DO ROUDNICE NAD LABEM

    STROM SYMBOL IVOTA

    M 1: 500

    M 1: 100

    S

    VODA PECHOD NA DRUHOU STRANU

    MONUMENT SYMBOL

    ZAHRADA ODPOINKU

    OBJEKT

    KONCEPT

    ROZDELEN HMOT

    VYSUNUT OBJEMU ZAHRADA ODPOINKU

    ZAHRADA

    PARKOVIT

    ODVOZ RAKVE/ KREMACE

    CESTA ZESNULHOOTEVEN SN

    HBITOV

    PJEZD

    VYLOEN RAKVE

    HBITOV

    SMUTEN S

    VESTIBUL

    PROVOZ

    VEEJNOST

    LEGENDA PROSTORY PRO VEEJNOST

    ZZEM SMUTEN SN

    VYSTAVEN ZESNULHOMSTNOST PRO NEJBLI

    PCHODVCHOD

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    IR VZTAHY 01

  • WORKS No architect can rebuild a cathedral of another epoch embodying the desires, the aspirations, the love and hate of the people whose heritage it became. Therefore the images w have before us of monumental structures of the past cannot live again with the same intensity and meaning. Their faithful duplication is unreconcible. But we dare not discard the lessons these buildings teach for they have the common characteristics of greatness upon which the buildings of our future must, in one sence or another, rely. LOUIS KAHN (Louis I Kahn, :)

    I consider that the responsibility of architects is to find a solution that combines the splendor of the past, the benefits of modern technology and the personal creativity and aspirations of the architect. As each proposal represents a sort of legacy for the future, we should insist on our attempts to find certain harmony between modern and ecological results without eliminating the functionality of the building. The coexistence of aesthetic values and the requirements of the users is fundamental to achieve a high-quality result. Thus, it is possible to state that modern technology and the genius loci are the answers for the design of the buildings of the future.

  • reconstruction, extension

    Brno/Czech republicFAMILY HOUSE The original building is situated in the city of Brno at Horova Street. This part of the city is a calm neighbourhood with family houses and some gardens. The investor decided to reconstruct the original building by adding a new residential part. The shape of the parcel, its slant and orientation to the south were decisive aspects for the design of the new residential part. In my proposal, the new residential part is divided into few different levels according with the slant of the parcel. The fact that the narrow parcel in which the residential area should be built up is orientated to the south complicated the lighting of the rooms. Therefore, I decided to create a central hall and to connect the rooms with atriums that will allow the entry of the exterior light. To improve lighting in corridor and offer views to garden, the east facade is designed from parts panels. These panels change their position in turns

    regarding to the corridor. Two different positions of panels allows to make vacancy between them. This allows to get in more light and offer views to garden. The structure of the house is made up of cast-in-situ concrete and some parts are proposed as tilt-up constructions.

  • design

    Znojmo/Czech republicFAMILY HOUSE This house is situated in the city of Znojmo. The historical center of the city includes few valuable historical monuments. One of the most important landmarks of Znojmo is the rotunda of Saint Katerina. The designed house is not placed in the city center, but it is situated in the south part of the city next to a park. The investor has asked for the design of family house for four members including a private space in his plot of land. The creation of a private space was a big challenge since the parcel is surrounded by high blocks of flats. In order to provide the house with certain privacy, my proposal uses the entrance corridor to the kitchen and the garage as a sort of shield against the lack of privacy caused by the blocks of flats and the presence of a road next to the house. Those rooms destined to the whole family and visitors are placed at the ground floor adjacent to the entrance. At the end of the ground floor we can find the rooms for children and a bathroom. In the first floor there is a spacious bedroom with bathroom and a cloakroom. Next to the bedroom there is an enclosed terrace that keeps the privacy of the room and offers an exterior sheltered space.

  • urbanism, design

    Brno-Lisen/Czech republicNEW RESIDENCE AREA The investor decided to build up a new residential area in a part of Brno called Lisen. The new residential area was supposed to contain a series of comfortable family houses. However, the slant of the terrain complicated the design of the residential area. Besides, the area should include a series of different house types with different levels of comfort and price. The variations in the styles of the houses avoid the monotony of a residential area with an unique patter for all the buildings. The final proposal contains different kinds of houses with different designs and diverse prices. The most comfortable houses are situated on the

    north part of the land next to road in BLOCK II. These houses contain an atrium that can be adjusted according with the specifications of the investor. The houses at the south side in BLOCK I have a lower price since the residences are smaller. Nevertheless, these houses also include a small garden. Besides, a part of the roof is converted into a terrace. BLOCK III includes houses which have one floor made from wood. The specific slant land there causes the terraced lay-out of these houses. The new residential area includes a green park with trees and a playground.

  • design

    Astana/KazakhstanSKYSCRAPER ASTANA I participated on this project during my short term collaboration in atelier SHCA in London. This skyscraper is in Astana, capital city of Kazakhstan. I worked together with a group of architects and designers and our task was to provide other workgroup with visualizations, D models and animations. I also

    cooperated as a consultant of mass and space arrangement of all the implied functions. The retail is located at low level and arranged to provide primary and secondary routes through the development to help orientation while encouraging a unique sequence of spaces of differing scales. Winter Gardens on the roofs are heavily planted, providing break out spaces from the mid level lobbies and linking the retail areas. The design of the retail with primary and secondary circulation routes provides maximum flexibility for the letting strategy and allows units to be combined and subdivided to respond to market conditions. Each of the uses is accessed through dedicated private space. A necklace lobby space at level will provide access to the towers for office and residential. This area will also link to the Wintergardens, and connect down to the retail bellow.

  • design

    around the WorldVISUALIZATION, GRAPHIC..... One of my hobbies is to work with D models, visualizations and animations. As I consider that every experience is good to develop our skills I decided

    to cooperate with a few ateliers in order to help them to develop their ideas and to improve my abilities. The collaboration I offered to the different studios involved the selection of materials and the development of new products. Thus, I collaborated on the elaboration of basic drafts for new projects, on the creation of the D model and on the making of photo-realistic images and physical models. My experience collaborating with different architecture studios

    was quite gratifying since people were satisfied after checking how I was able to represent their ideas in a clear, realistic and comprehensive way.

  • structural plans, technology

    Czech RepublicPROJECT DOCUMENTATION In order to be able to give shape to a project according to his ideas, an architect requires to have a good knowledge of structural engineering, structural analysis, geology and chemistry among others. Not only because my design and graphic skills are appropriate, but also because I have studied four years of Civil Engineering at a specialized high school and I have graduated from the Brno University of Technology in Architecture and Urbanism, I consider I am able to offer to my customers a detailed project of a given building from the first sketches to each structural detail. Besides, my experience as a site engineer has helped me to understand the constructions in a more precise way and to be aware of the workflow involved in the construction of a building.

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    5013

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    63 12037 40

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    20 300 15 200 120 535 120 85 25

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    LEPEN DEVN NOSNKY

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    VNIT

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    TKA

    MVC

  • EDUCATION A man is always greater than his works because he can never trully express his aspirations. To express oneself in music or architecture, one must employ the measurable means of composition or design. The first line on paper is already a measure of what cannot be expressed fully. The first line

    on paper is less. LOUIS KAHN (Louis I Kahn, :)

    Since the moment in which I became immersed in the study of architecture I

    was concerned with the idea of finding a way of expressing the

    immeasurable and represent on paper the designs conceived in my mind. As

    the previous quotation by Kahn indicates, one of the main problems of the

    architect is to overcome the restrictions imposed by our technological

    limitations; architecture can only be represented by the measurable means of composition and design. However, I was determined to use my knowledge of

    civil engineering together with my creative imagination in order to establish a

    sort of communion between my works and society and to transcend the

    restrictions of design. After several experiences, I came to understand that in

    order to provide with meaning a certain proposal, the architect should take

    into account not only his personal aspirations, but also the idiosyncrasy of the

    place in which the proposal will be set. By considering the place, time and

    circumstances connected with each of the proposals one will be able to

    become near to perfection and to provide the next generations with a

    marvelous legacy.

  • urbanism proposalOLD CITY BRNO Originally, the old part of the city of Brno was an industrial area. In the course of time, the industrial factories were removed and one of the most

    important squares - Mendel square - was adapted to serve as traffic junction of the public transport. The adjustments made in order to readapt its

    function caused considerable damages in the original face and purpose of the square. The new function of the square restricted the potential uses of

    the public space since pedestrian uses were limited by the different bus and tram routes crossing the square. Cultural events and free time activities

    could not take place in a square whose main purpose was to serve as traffic junction.

    The new proposal solves the problem with public transport and offers a new urbanism master plan for the Mendel square. The solution for the

    transport junction is derived from the city plan of the old part of Brno.

    The current traffic solution uses one wide road crossing Mendel square for both directions. Consequently, the road takes the strain of a heavy

    volume of traffic. Conversely, the new proposal separates the different directions to individual roads on the west and east sides of the Mendel square.

    The new city is supposed to grow up in an area where there was a large factory. However, in the new proposal this area is destined to shops,

    offices, hotels and entertainment facilities. It is remarkable to highlight that the height regulation allows building up higher edifices in the new part of

    the city. The new proposal reduces the amount of traffic to a minimum. Thus, pedestrian areas are made primary and a public garden is included in order to

    give priority to leisure activities.

    city Brno

  • PDF Created with deskPDF PDF W

    riter - Trial :: http://www.docudesk.com

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    nna

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    kostel sv.Leopolda

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    restaurace

    Vaclavska

    Hybesova

    Hybesova

    Annenska

    Leitnerova

    posta

    Kridlovicka

    Kridlovicka

    Kridlovicka

    Kridlovicka

    Ypsilantiho

    Krizova

    Krizova

    Nadvorni

    Naplavka

    Vystav

    ni

    Zednikova Rybarska

    Belidl

    a

    Porici

    Porici

    Porici

    Veletrzni

    Rybarska

    Rybarska

    Rybarska

    Veletrzni

    Veletr

    zni

    Vystav

    ni

    Hlinky

    Hlinky

    Hlinky

    Mendlovo nam.

    Mendlovo nam.

    Vaclavska

    Kridlovicka

    Naplavka

    Nadvorni

    Porici

    Porici

    Porici

    Krizova

    hala RONDO

    Mendlo

    vo nam

    .

    Zahradnicka

    Mendlovo nam.

    Fakultni nemocnice u sv.Anny

    mat.skola

    zakladni skola

    OLD CITY BRNOANALYSISheliport

    tram

    bus

    trolleybus

    COMPLETED BLOCKS PUBLIC SPACE FUNCTIONS

    PUBLIC TRANSPORT

    IMPORTANT PARTS GREEN PARTS

    NOISE ANALYSIS

    HEIGHT ANALYSIS HISTORICAL MAP 1922

    HISTORICAL MAP 1815

    HISTORICAL MAP 1400

    1

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    12345678

    _exhibition center_brewery_monastery, cathedral_hospital_Mendel square_parcels of previous factory_production facilities, shops_river Svratka

    Ke spracovnn urbanistickho nvrhu tak problemtatick casti jako je star cast mesta Brno bylo nutnspracovat a obstarat si analyzy jednotlivych aspektu vstupujicich do usporadani hmot a komplexnho fungovntto casti Brna. Dve oblasti se ve stare casti vyzadovali zvysenou pozornost pri jejich reseni. Jednim byla oblast Mendlovanamesti, kterou bylo nutne resit ve dvou rovinach - urbanisticke usporadani v souladu s dopravnim resenim.Druhou casti byla oblast byvaleho tovarniho arealu nabizejici moznost rustu moderniho centra ve stare castimesta Brna. Dulezitym faktorem ovlivnujici cele reseni bylo dopravnim reseni protoze oblast Mendlova namesti tvoriladulezity dopravni uzel.

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    ORIGINAL STRUCTURE OF BLOCKS

    exhi

    biti

    on c

    ente

    r

    rive

    r Svr

    atka

    villa

    Mis

    trov

    skyc

    h

    hotel

    offic

    e, s

    hop,

    en

    tertai

    nmen

    tp

    arki

    ng h

    ouse

    media

    teca

    bre

    wer

    y

    mona

    stery

    shop

    ping c

    enter

    shop

    ping c

    enter

    spa

    sport

    cente

    r

    office

    exte

    nsio

    n of

    hos

    pita

    l

    cathe

    dral

    GA

    LER

    Y- o

    rigin

    ally

    fact

    ory

    PROPOSAL OF STRUCTURE OF BLOCKS

    ELEVATION STRUCTURE

    PROPOSAL FOR TROLLEYBUS

    current roadsproposed roads

    current tracks

    proposed tracks

    proposed buildingsproposed buildings

    current brewery and cathedral

    current buildings

  • urbanism proposal

    old city BrnoMENDEL SQUARE

    The new design of the Mendel square solves the problem with traffic and offers a new urbanism conception. The traffic flow of cars is reorganized in

    two individual roads situated at the east and west sides of the square. A tunnel placed at the west side of the square connects it (the square) with the upper

    part of the Uvoz Street. The public transport services are centralized in the south part of the square. Therefore, the north part of the square remains free

    for pedestrians and this makes possible the reorganization of the urbanism structure. The new urbanism structure allows the creation of three new squares

    surrounded by new buildings that insulate the square from the traffic noise of the nearby roads. Besides, two of these squares are also surrounded by

    some historical buildings that improve the aesthetics of the square.

  • proposal of vacant lot

    Mendel squareKRIZOVA STREET

    The complicated situation of the vacant lot at Krizova Street made from the design of the place a sort of challenge for the architect. On the one hand,

    the traffic of the street is quite heavy. On the other hand, the street is connected with a series of streets that make the reorganization of the urbanism a bit

    difficult. Besides, we should take into account the presence of private parcels and houses that could not be rearranged and the existence of an entrance

    to a private yard inside a block of flats.

    The changes made by my proposal are in accordance with the surrounding buildings. The project respects the proportions of the existing buildings,

    but for their construction modern materials and technology are used. The vacant lot was divided into four different parts in order to avoid the monotony of

    a single huge house and to respect the disposition of the adjacent buildings. Each of the four parts is appointed to fulfil a specific function in accordance

    with its position in relation to the Mendel Square. Thus, some office buildings and a hotel are placed next to the Mendel Square. Modern materials that fit

    with the function of the buildings are used. In opposition to these service buildings, I have design a number of blocks of flats that are situated in a distant

    position from the square. Traditional materials were used in order to decrease the price of these blocks of flats. Each of the blocks of flats includes a shop

    or a restaurant in the ground floor. They also provide a solution for the problem existing with the entrance to the yard.

    Inside the block there is designed a block of flats with better privacy. Glassed-in walls were designed in order to get in more sunlight. The ground floor

    is not used for flats, but it is a free open space. The next floors are supported by columns; this design allows us to use to use ground floor for leisure

    activities and it works as a shelter in case of rain. The garages are designed with a lift system and without long ramps

  • parterrefunctions

    possible development of blockfunction scheme

    office

    hotel

    flatdevelopment of houseinside the block

    vertical way

    vertical way

    view from hotel's restaurant distribution food in hotel

    transport food by lifts tosixth floor with restaurant

    New urbanism proposeadjusted Krizova street as apedestrin zone. Only publictransport is allowed there. The vacant lot was dividedinto four different parts in orderto avoid the monotony of asingle huge house and torespect the proportion of theadjacent buildings. Theproportion used for the partshelps integrate new hi-techfacades into historical buildings. Each of the part includesspecific function. A allocation ofthe functions is made accordingwith profitability of the parts. Theparts near to Mendel squarecontain a office building andhotel. A further parts containblocks of flats. Facades were designaccording with the function ofthe building. Each function hasdifferent aesthetic andtechnological criteria. The officebuilding and hotel have facadefrom modern materials andtechnologies suitable to theirfunction. The blocks of flats usetraditional, cheaper materialsand technologies in order to beprofitable.

  • view inside the courtyard

    new block of flats in courtyard

    section of block flats section of hotel

    section of block flats

    elevation from Krizova street

  • design, landscape architecture

    KromerizFLORAL GARDEN

    The gardens of Kromeriz are declared patrimony of the humanity by the UNESCO. The landscaped area is divided into two different parts: a baroque

    garden known as the Floral Garden and a large manor house garden used liked a landscape park during the th c. The North-eastern part of the Floral

    Garden was strongly damaged during the last century and the intention of this project is to find a solution to solve the deterioration of the garden.

    It is important to bear in mind that for the reconstruction of the gardens the architect should take into account a series of circumstances. First of all, the

    proposed changes should be in accordance with the character of the garden. Secondly, my intention was to create an area trough which the visitors could

    walk around the garden. This area would offer a series of facilities for the access to the garden.

    The proposal keeps the original geometrical subdivision of the Floral Garden. However, three sections have been divided into smaller parts also

    following a geometrical pattern. The borders between the three sections are linked with the axes of the Floral Garden. Each of the sections has a

    particular design in accordance with its specific function. Thus, the northern section offers a sort of gallery and floral exposition. The middle section is

    occupied by a restaurant placed at a higher level than the water tank. The restaurant is surrounded by a line of trees which would offer shadow during

    summer. The southern part contains several glasshouses.

    In the project the original wall bordering wall of the garden has been removed in order to open the garden to the city. Instead of the wall, I have

    decided to limit the garden from the street by creating a water area with two small bridges.

    The proposal also includes the reconstruction of the central head-office building. Besides, a new center for garden and landscape architecture is

    created. At the southwest part of the garden, new facilities buildings such as glasshouses and an aviary have been added. At this area of the garden a

    labyrinth has been created in order to increase the beauty of the natural landscape.

  • master plan

    plans of new design current building

  • plan of floral garden

  • sections and elevations of caffee

    plan and section of galery

  • A.01.1 Diplomka 1.PDFA.01.1 Diplomka 1

    A.01.3 Krizova 1.PDFA.01.3 Krizova 1

    A.01.4 Krizova 2.PDFA.01.4 Krizova 2

    A.01.2 Krizova 3.PDFA.01.2 Krizova 3