Nathan Kriis Portfolio

15
 ARCHITETURE PORTFOLIO NATHAN KRIIS

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Nathan Kriis Portfolio

Transcript of Nathan Kriis Portfolio

  • A R C H I T E T U R E

    P O R T F O L I O

    N A T H A N K R I I S

  • P R O J E C T S

    P A G E 3

    P A G E 1 2 P A G E 1 4 P A G E 1 6 P A G E 1 8

    P A G E 6 P A G E 8 P A G E 9

  • 3 R D Y E A R S E M E S T E R 1P R O J E C T 2

  • LARGE IMPERMEABLE BUILDINGS

    BUILT FORM NEEDS TO FIT INTO THE LANDSCAPE OPEN PLAN, CLEAR PATHWAYS UN-OBTRUSIVE ROOF SHAPE COMPLETELY PERMEABLE BUILDING

    ILLEDGIBLE PATHWAYS ORGANIC BUILT FORM

    IMPACT TO THE DESIGN

    UNFAMILIAR TO SOUTHBANK PARKLANDS

    FAMILIAR TO SOUTHBANK PARKLANDS

    GREEN SPACE AND VEGETATION

    LARGE IMPERMEABLE BUILDINGS

    BUILT FORM NEEDS TO FIT INTO THE LANDSCAPE OPEN PLAN, CLEAR PATHWAYS UN-OBTRUSIVE ROOF SHAPE COMPLETELY PERMEABLE BUILDING

    ILLEDGIBLE PATHWAYS ORGANIC BUILT FORM

    PATHWAYS PUBLIC SEATING OPEN PLAN BUILDINGS (INSIDE-OUT, OUTSIDE-IN)

    IMPACT TO THE DESIGN

    UNFAMILIAR TO SOUTHBANK PARKLANDS

    BUILT FORM NEEDS TO FIT INTO THE LANDSCAPE OPEN PLAN, CLEAR PATHWAYS UN-OBTRUSIVE ROOF SHAPE COMPLETELY PERMEABLE BUILDING

    IMPACT TO THE DESIGN

    100mm SQUARE TIMBERCLADDING

    CURVED CONCRETESLAB

    TWO PHASE REINFORCEDCONCRETE BEAM

    STEEL REINFORCEMENT RODS

    CONCRETE COLUMNS

    EXTERIOR WALL

    REINFORCEMENT MESH CONCRETE FLOOR SLAB STEEL REINFORCEMENTCAGE PRECASTCONCRETE BEAM

    INTERIOR CEILING

    MASONARY BLOCKWALL

    SLAB ANCHOR BARS

    CONCRETE SLAB

    FOOTING SLAB BEAM

    1:50 WALL SECTION DETAIL C-C

    RECESSED STEEL GUTTER

    1000mm MASONARYBLOCK WALL

    CLADDINGANCHOR BOLTS

    STACKED EARTH

    GROUND FLOOR

    BUILDING SECTION A-A 1 : 200

    1 : 500

    1 : 500

    1 : 500

    1 : 500

    KITCHEN AND BAR FLOOR

    LOWER FLOOR (mutech)

    SUBMERGED FLOOR (food opera)

    1.

    1.

    1.

    2.

    5.

    3.4.

    6. 7.

    8.9.

    10.

    1.

    2.3.

    4.5.

    11.

    2.

    3.

    3.

    4.5.

    6.

    7.

    8.

    9.

    10.

    11.

    12.

    13.

    2.

    1. 2. 3. 4. 5. 6.

    7. 8. 9. 10. 11.

    3.

    4. 5.

    6.7.

    8.

    9.

    10.

    11.

    12.

    13.

    14.

    1. SEMINAR ROOM

    2. UNIVERSITY OFFICES

    3. VOID

    4. UPPER WORKSPACE

    5. INFORMAL REHEARSAL SPACE

    6. AIR CONDITIONING PLANT ROOM

    7. LECTURE THEATRE/PERFORMANCE SPACE

    8. OPEN BUILDING ENTRANCE, CAFE SEATING

    9. FLEXIBLE SPACE/PERFORMANCE SPACE

    10. ARBOUR

    11. CENTRAL CUT THROUGH RAMP

    12. SERVICE AND EMPLOYEE ENTRANCE

    13. WASTE DISPOSAL

    14. PLANT ROOM AND CIRCULATION EXHAUST

    1. GREEN ROOF

    2. ENTRY STAIRCASE

    3. CAFE SEATING

    4. CAFE

    5. COMMERCIAL KITCHEN

    6. WASTE DISPOSAL

    7. LECTURE THEATRE/PERFORMANCE SPACE

    8. STORAGE

    9. RECORDING STUDIO

    10. BATHROOM

    11. SERVICE CIRCULATION

    1. CAFE ORDERING PODIUM

    2. CAFE CASH REGISTER

    3. COMMERCIAL KITCHEN

    4. PLANT ROOM AND CIRCULATION EXHAUST

    5. FREEZER

    6. COOL ROOM / REFRIGERATOR

    7. FOOD STORAGE

    8. FOOD OPERA / RESTAURANT ENTRANCE

    9. CLOAK ROOM

    10. OUTDOOR BAR SEATING

    11. BAR

    12. FOOD OPERA EXPERIENCE ENTRY

    13. SERVICE ENTRANCE

    1. REHEARSAL SPACES

    2. BATHROOMS

    3. BUILDING ENTRY / EXIT

    4. LECTURE THEATRE

    5. STUDY SPACES

    6. UNIVERSITY STORAGE

    7. PERFORMANCE SPACE / REHEARSAL SPACE

    8. RECORDING STUDIOS

    9. WORK SPACE

    10. MANAGERS OFFICE

    11. EMPLOYEE BREAK ROOM

    1. ENTRY / EXIT

    2. PHASE 1 (private dining)

    3. BATHROOMS

    4. PHASE 2 (communal)

    5. SERVICE CIRCULATION

    as humans we live and interact across a widely diverse set of physical spaces. we each formulate our own personal meaning of place using a myriad of observable cues such as public-private, large-small,

    daytime-nighttime, loud-quiet, and crowded-empty. this project sets out to question the sense of comfort specifically playing with the feeling of familiarity

    1. 2. 3.

    4. 5. 6. 7.

    8. 9.

    1. SERVICE ENTRANCE

    2. STAIR CASE

    3. PLANT ROOM

    4. FREEZER

    5. COOL ROOM

    6. FOOD STORAGE

    7. BAR

    8. PHASE 2 (food opera)

    9. PHASE 1 (food opera)

    GROUND FLOOR

    BUILDING SECTION A-A 1 : 200

    1 : 500

    1 : 500

    1 : 500

    1 : 500

    KITCHEN AND BAR FLOOR

    LOWER FLOOR (mutech)

    SUBMERGED FLOOR (food opera)

    1.

    1.

    1.

    2.

    5.

    3.4.

    6. 7.

    8.9.

    10.

    1.

    2.3.

    4.5.

    11.

    2.

    3.

    3.

    4.5.

    6.

    7.

    8.

    9.

    10.

    11.

    12.

    13.

    2.

    1. 2. 3. 4. 5. 6.

    7. 8. 9. 10. 11.

    3.

    4. 5.

    6.7.

    8.

    9.

    10.

    11.

    12.

    13.

    14.

    1. SEMINAR ROOM

    2. UNIVERSITY OFFICES

    3. VOID

    4. UPPER WORKSPACE

    5. INFORMAL REHEARSAL SPACE

    6. AIR CONDITIONING PLANT ROOM

    7. LECTURE THEATRE/PERFORMANCE SPACE

    8. OPEN BUILDING ENTRANCE, CAFE SEATING

    9. FLEXIBLE SPACE/PERFORMANCE SPACE

    10. ARBOUR

    11. CENTRAL CUT THROUGH RAMP

    12. SERVICE AND EMPLOYEE ENTRANCE

    13. WASTE DISPOSAL

    14. PLANT ROOM AND CIRCULATION EXHAUST

    1. GREEN ROOF

    2. ENTRY STAIRCASE

    3. CAFE SEATING

    4. CAFE

    5. COMMERCIAL KITCHEN

    6. WASTE DISPOSAL

    7. LECTURE THEATRE/PERFORMANCE SPACE

    8. STORAGE

    9. RECORDING STUDIO

    10. BATHROOM

    11. SERVICE CIRCULATION

    1. CAFE ORDERING PODIUM

    2. CAFE CASH REGISTER

    3. COMMERCIAL KITCHEN

    4. PLANT ROOM AND CIRCULATION EXHAUST

    5. FREEZER

    6. COOL ROOM / REFRIGERATOR

    7. FOOD STORAGE

    8. FOOD OPERA / RESTAURANT ENTRANCE

    9. CLOAK ROOM

    10. OUTDOOR BAR SEATING

    11. BAR

    12. FOOD OPERA EXPERIENCE ENTRY

    13. SERVICE ENTRANCE

    1. REHEARSAL SPACES

    2. BATHROOMS

    3. BUILDING ENTRY / EXIT

    4. LECTURE THEATRE

    5. STUDY SPACES

    6. UNIVERSITY STORAGE

    7. PERFORMANCE SPACE / REHEARSAL SPACE

    8. RECORDING STUDIOS

    9. WORK SPACE

    10. MANAGERS OFFICE

    11. EMPLOYEE BREAK ROOM

    1. ENTRY / EXIT

    2. PHASE 1 (private dining)

    3. BATHROOMS

    4. PHASE 2 (communal)

    5. SERVICE CIRCULATION

    as humans we live and interact across a widely diverse set of physical spaces. we each formulate our own personal meaning of place using a myriad of observable cues such as public-private, large-small,

    daytime-nighttime, loud-quiet, and crowded-empty. this project sets out to question the sense of comfort specifically playing with the feeling of familiarity

    1. 2. 3.

    4. 5. 6. 7.

    8. 9.

    1. SERVICE ENTRANCE

    2. STAIR CASE

    3. PLANT ROOM

    4. FREEZER

    5. COOL ROOM

    6. FOOD STORAGE

    7. BAR

    8. PHASE 2 (food opera)

    9. PHASE 1 (food opera)

  • 3 R D Y E A R

    S E M E S T E R 1

    P R O J E C T 1

  • 2 N D Y E A R

    S E M E S T E R 1

    P R O J E C T 2

  • 2 N D Y E A R

    S E M E S T E R 1

    P R O J E C T 3

  • 2 N D Y E A R

    S E M E S T E R 2

    P R O J E C T 2

  • 2 N D Y E A R S E M E S T E R 2P R O J E C T 1

  • 2 N D Y E A R

    S E M E S T E R 2

    P R O J E C T 3

    D A Y R E N D E R

  • 2 N D Y E A R

    S E M E S T E R 2

    P R O J E C T 3

    N I G H T R E N D E R

  • 1 S T Y E A R

    S E M E S T E R 2

    P R O J E C T 3

  • 2 N D Y E A R

    S E M E S T E R 1

    P R O J E C T 1

    M O D E L P H O T O S

  • A R C H I T E T U R E

    P O R T F O L I O

    N A T H A N K R I I S