1. Joseph A. Colon 2. 30 31 CCKPG: Barcelona I AOBBE: Barcelona II Urban Analysis: New Orleans NOLA Building Arts Institute Tanzakademie 1730 Clio Street Faade ReNEW6 10 14 18 24 30 36 42 44 42 42 Congruent Geometries Exhibition Case/Exquisite Object Diptych Organic Form/Inorganic Transformations Jintang Urban Plan Project Directory Studio Projects Professional Projects Design Projects 3. TERRACED GARDENING PLANTER BOX GARDENING GREENHOUSE GARDENING NATURAL SLOPED PARK MARKET KITCHEN CLASSROOMS LA RAMADA OUTDOOR KITCHEN AREA DISHWASHING WATER COLLECTION CISTERN TOOL SHED CHANGING & RESTROOMS COMPOSTING & WASTE 1/2" = 1'-0" 1 Wall Section Detail 1/2" = 1'-0" 2 Callout of South Elevation 1/2" = 1'-0" 3 Callout of Level 5 h a - wooden variable drop ceiling b - concrete base/foundation c - concrete columns encased in wood cladding d - Double pane insulating glass w/ low-E coating e - earth f - wood raised floor over concrete slab on deck g - sprung floor over concrete slab on deck h - concrete slab on deck i - panelized wood louvers j - wood (oak) mullions k - W12x26 steel beams i d g j b j d i b j i f g h k a e c d b j i f k a e c d h g Studio Projects 4. SITE PLAN 1ST FLOOR PLAN 2ND FLOOR PLAN 6 7 The CCKPG project was a site redevelopment on an abandoned post industrial space, which included kitchen classrooms, productive gardens, and a market for produced goods. We addressed issues of collectivity and community at a time of Spanish economic crisis. It was critical to draw on Spanish traditions of community food preparation and eating as well as exploring new initiatives that contemplate cooking classes and urban agriculture as a means of social inclusion for different groups including immigrants and the elderly. The proposal seeks to accomplish this through site zoning based on geometric principles to result in the most effective spatial usage & enjoyment. CCKPG Cooperative Community Kitchen & Productive Garden L'Eixample District, Barcelona, Spain 5. PEDESTRIAN ACCESS VEHICULAR ACCESS PEDESTRIAN ACCESS VEHICULAR ACCESS COMMUNITY ZONE PRODUCTIVE ZONE PARK & MARK ZONE TERRACED GARDENING PLANTER BOX GARDENING GREENHOUSE GARDENING NATURAL SLOPED PARK MARKET KITCHEN CLASSROOMS LA RAMADA OUTDOOR KITCHEN AREA DISHWASHING WATER COLLECTION CISTERN TOOL SHED CHANGING & RESTROOMS COMPOSTING & WASTE 8 9 EXISTING SITE ACCESS PROPOSED SITE ACCESS GEOMETRIC STRATEGY SITE ZONING PROGRAMMATIC ZONING LATITUDINAL SECTION A LONGITUDINAL SECTION LATITUDINAL SECTION B SUSTAINABLE SYSTEMS 6. 10 FLOOR 1 UNIT PLAN SECTION A 11 SECTION B The ordinary building is the type of edifice cities are mostly made up of. In Barcelona, as in most large European cities, these kinds of buildings typically contain a vertical programmatic distribution of housing above ground-level commercial spaces (sometimes there is office space in-between the commercial space and the housing), and parking in the basement and is usually designed in the regional vernacular style of the period. The project thus sought to design a contemporary edifice in a historic setting. Therefore, this proposal rotates to give residents a dynamic way to live, exposed to light, views, and greenery at every effective opportunity. Another benefit the unique rotation yields is an intuitive method of determing units for a mixed-income building population. AOBBE An Ordinary Building in Barcelona's Eixample L'Eixample District, Barcelona, Spain 7. 12 13 FLOORS 2-10CIRCULATIONGREEN SPACESSTRUCTURAL WALLS TWISTING ROOFS STRUCTURE 8. 14 TRANSIT & EMPLOYMENT DISTRIBUTION SYNTHESIS 15 PROJECTED LAND LOSS/ LEVEE SYSTEM/TOPOGRAPHY URBAN FABRIC IN 1891 WATER TRANSPORTATION This project was an exercise in analysis, with New Orleans as our case study. By experimenting with various rendering techniques, New Orleans, and by extension, any urban area could be understand through different municipal systems. Synthesizingdiagramsinvisualappealingandinformative diagrams was the second phase in understanding architectural analysis and urban environments. UA:NOLA Urban Analysis: New Orleans New Orleans Region, Louisiana, USA 9. 16 TRANSIT & EMPLOYMENT DISTRIBUTION SYNTHESIS 17 CANALS & RAIL LINES IN 1883 URBAN FABRIC IN 1883 NEIGHBORHOOD PHOTO MONTAGE This next phase of the same project delves further into urban analysis by examining a specific New Orleans neighborhood and to investigate potential discoveries with our syntheses. The Trem is a unique district that is one of the first neighborhoods in New Orleans outside of the French Quarter, and the first one specifically for free persons of color. The research presents a tragic story however. Through diagrams and a synthetic model, Trems story reveals the governments unregulated use of eminent domain, especially in vulnerable, historic districts and the questions cities continue to face in the name of urban improvement. Urban Analysis: Treme Treme Neighborhood, New Orleans, Louisiana, USA 10. 18 19 SOUTHERN ELEVATION CULTURAL LANDMARKS & DISTRICTS SITE With the choice to situate the Building Arts Institute, a center for engaged learning and school of the Building Arts (carpentry, masonry, metalworking, etc.) in either the Valence, St. Roch, or Central City neighborhoods, Central City was the clear choice. Understanding the historical and sociological context withinthedistrictofMardiGrasIndiansandjazzmusicians daylighting as craftsmen, the Institute could celebrate that history while training students for the future. Adding in additional programing of music spaces, such as recording studios and practice spaces, would only further connect these legacies and solidify the BAI purpose. BAI NOLA Building Arts Institute Central City Neighborhood, New Orleans, Louisiana, USA 11. D LobbyOffices Exhibition Auditorium Classrooms Library Music Mechanical Support Residences Craft Building Clustering & Internal Programmatic Relationships STAFF RESIDENT ARTISIANS VISITORS NON-RESIDENT ARTISIANS (I.E. STUDENTS, LOCAL ARTISTS, ETC.) SO S S S G G G G E AE E E A A A D D D D C C C U U U L L L R M Educational Outreach Visitor CenterArtistry AC U E R G L S O M Can Vistor Center start to spatially peer in & percolate into Artistry... ... As Educational Outreach start to spatially support Artistry? Literal Translation Sectional Translation 24% 19% 16% 8.4% 7.5% 6% 4.5% 4% 3.8% 3.6% 2.3%0.9% Educational OutreachArtistryVisitor Center Library Auditorium Classrooms Mechanical Lobby Support Office Gallery Residences Demonstration Scale Transient V. StaticPublic V. Private Service V. Served Public Transient Spaces Private Static Spaces Private Transient Spaces? Needs Section to Be Understood Further Understanding Program w/ Site Context Application: Keep Programmatic Clustering Intact Readjustment: Consider Adjencies & Service Necessities Rotate: Integrate Users into Program Site Programmatic Considerations Public Spaces in direct relation with cemeteries Private Spaces interacting with private residences The Courtyard Condition The Courtyard Condition [Mass] The Courtyard Condition [Void] Private Spaces Not Competing With Private Residences Views from Public Spaces to cemeteries Access & Interaction with cemeteries 20 21 CRIME/POVERTY/VACANCY PRIVATE/PUBLIC SPACESGREEN SPACES PROGRAM CLUSTERING PROGRAMMING DEMONSTRATION WORKSHOPS ARTISTS' RESIDENCES AUDITORIUM GALLERIES LIBRARY MUSIC SITE 12. new orleans building arts institute 22 23 WESTERN ELEVATION EASTERN ELEVATION NORTHERN ELEVATION LATITUDINAL SECTION A LATITUDINAL SECTION B LONGITUDINAL SECTION 13. DN UP DN 24 25 PARTISITE STRATEGIES The project for the comprehensive studio is aTANZAKADEMIE, an academy for contemporary dance, supported and run by the New Orleans Ballet Organization. Working with a range of partners, venues and individuals it will create exciting opportunities to bring dance artists and communities together. It will train and educate students from around the world, offer residency programs, and present new and exciting contemporary dance. The school will offer day and night classes, not only to students enrolled in the academy but to anyone interested in dance. Special youth dance programs will challenge the perceptions of the art form and the dance profession by introducing fresh styles and approaches. TANZ New Orleans Tanzakademie Warehouse District, New Orleans, Louisiana, USA 14. 1/2" = 1'-0" 1 Wall Section Detail 1/2" = 1'-0" 2 Callout of South Elevation 1/2" = 1'-0" 3 Callout of Level 5 h a - wooden variable drop ceiling b - concrete base/foundation c - concrete columns encased in wood cladding d - Double pane insulating glass w/ low-E coating e - earth f - wood raised floor over concrete slab on deck g - sprung floor over concrete slab on deck h - concrete slab on deck i - panelized wood louvers j - wood (oak) mullions k - W12x26 steel beams i d g j b j d i b j i f g h k a e c d b j i f k a e c d h g 26 27 ROOF TERRACE PROGRAM DISTRIBUTION CIRCULATION GROUND FLOOR 2ND FLOOR 3RD FLOOR 4TH FLOOR 5TH FLOOR SITE PLAN 15. Styles of Dance HIP HOP Break - DROP - FREEZE - GRIND - JERK - KrumP - LOCK- POP - SLIDE - TURF MODERN BEND - CONTRACT - FALL - FLOW - GESTURE - LUNGE -SWING - SUSPEND - TILT BALLET Allong - BOUNCE - Elev - Jet - Pirouette - Relev - Retir - Waltz AFRICAN CELEBRATE - CROWN - DRUM - ImprovisE - KICK - MASK - SEGMENT - THRUST TAP Chug - clap - click - drag - flop - hop - PATTER - RIFF - STAMP - TWIST 28 ST. PETERS ST. ELEVATION LONGITUDINAL SECTION 29 PARTI FULTON ST. ELEVATION LATITUDINAL SECTION 16. 30 31 SITE PLAN STREET ELEVATION 1730 Clio is located in the historic Central City neighborhood, that is famous for being integral to the citys Mardi Gras Indian traditions as well as some of the first and longest lasting Black SocialAid & Pleasure clubs.Yet, as with much of New Orleans, Central City entered a decline beginning in the 1970s and with the aid of Katrina in 2005, much of this dense, bustling neighborhoods density, and by extension, street life, has been destroyed. New Orleans is having its Renaissance however, and organizations such as the Felicity Redevelopment Inc. are changing and contributing to restoring New Orleans. The 1730 Clio Street proposal works with Felicity as it seeks to restore density. Dubbed The Boathouse, this proposal is a contemporary duplex for a historic context. CLIO 1730 Clio Street Central City Neighborhood, New Orleans, Louisiana, USA 17. DN 1 278 SF Bedroom 1 02 438 SF Living Space 01 65 SF Bathroom 03 134 SF Bedroom 2 04 2 S102 1 S102 645 SF Living Space 01 75 SF Bathroom 04 136 SF Bedroom 2 03 220 SF Bedroom 1 02 1 S101 2 S102 1 S102 S103 1 S103 1 32 33 LONGITUDINAL SECTION SUSTAINABLE STRATEGIES LATITUDINAL SECTION A LATITUDINAL SECTION B WALL DETAIL SECTION FIRST FLOOR PLAN SECOND FLOOR PLAN 18. 15'-31 2" 5'-9" 7'-43 4" 15'-31 2" 5'-9" 6'-0" 3'-6"3'-6" 32'-0" 3'-6"3'-6" Drawn By: J. Coln Issued For: Date: REVIEW (N) WOOD BALUSTRADE (N) DOUBLE HUNG WINDOWS IN CORRESPONDING BAYS (x4 TOTAL) SIZE APPROXIMATELY 2'-10" WIDE x 7'-51 2" HIGH. VERIFY IN FIELD. (N) STUCCO CHAIN WALL MOVE STAIRWAY TO CREATE SIDE ENTRY EXTEND IRON RAILING EXPANDED PORCH AND STUCCO CHAIN WALL (EACH SIDE) 2014.07.31 Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 3/16" = 1'-0"A 2014.08.05 RECESSED LIGHTING (E) COLUMNS TO REMAIN (N) METAL FRAMED GLASS STOREFRONT Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 2014.08.04 B 3/16" = 1'-0"B PROPOSED FRONT ELEVATION 3/16" = 1'-0"A REINFORCE LOCK W/ (N) DEADBOLT ON EXISTING DOOR (N) HIGH IMPACT GLASS STOREFRONT WINDOW W/ TRANSOM (E) DOOR TO REMAIN. REPLACE HARDWARE TO IMPROVE SECURITY REMOVE (E) PLYWOOD REMOVE (E) SIGN REMOVE (E) SECURITY BARS AT DOORS AND WINDOWS, TYP. REMOVE (E) PLYWOOD AT TRANSOM INSTALL (N) SIGN ON (E) CANOPY ADD (N) LIGHTING FIXTURE FOR RESIDENTIAL ENTRY ADD (N) LIGHTING FIXTURES (x2 TOTAL) EXISTING FRONT ELEVATION NOTES (E) IS USED TO DENOTE EXITING ELEMENTS (N) IS USED TO DENOTE NEW ELEMENTS TO BE ADDED REPAINT ENTIRE BUILDING INSTALL (N) OPEN WEAVE SECURITY SHUTTERS Professional Projects 19. MartinLutherKing ThaliaSt. EratoSt. Oretha Castle Haley Boulevard Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 2014.08.04 1/100" = 1'-0"B LOCATION PLAN 1/8" = 1'-0" (APPROX.)A 1332 Oretha Castle Haley PATCH & REPAIR CRACKS IN (E) STUCCO RELOCATE DOWNSPOUT TO SIDE OF BUILDING & PATCH/REPAIR (E) STUCCO REMOVE (E) SIGN EXISTING FRONT ELEVATION Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 3/32" = 1'-0"A 3/32" = 1'-0"C EXISTING FIRST FLOOR PLAN 3/32" = 1'-0"B 3/32" = 1'-0"D EXISTING FIRST FLOOR PLAN 2014.08.04 3'-6"3'-6"14'-113 4"14'-113 4" 8'-111 2" 8'-7" 8'-111 2" 11'-0" 10'-41 2" 13'-01 2" 12'-31 2" 13'-103 4"14'-93 4"13'-53 4" Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 1/8" = 1'-0"A (N) 2'-10 3 4" x 4'-7 1 4" (VERIFY DIMENSIONS) WOOD DOUBLE HUNG WINDOWS (x6 TOTAL (3 ON EACH FAADE)) INSTALL (N) LIGHT FIXTURES AT ENTRY (x2 TOTAL) INSTALL SUSPENDED SIGNS LINE OF BALCONY OVERHANG INSTALL WALL MOUNTED DOUBLE DIRECTION LIGHTING (x4 TOTAL (2 ON EACH FAADE)) (N) TRADITIONAL GLASS AND WOOD STOREFRONT OPTIONAL SIGN BAND (N) AMBIENT NEON LIGHTING (x6 TOTAL (3 ON EACH FAADE)) (N) IRON BALCONY TO WRAP CORNER EXTEND ROUGH OPENING AT WINDOW HEAD TO MATCH ADJACENT WINDOWS REPAINT STUCCO (FRONT VIEW) OPTION #1 2014.08.04 PROPOSED ELEVATION 3'-6"3'-6"14'-113 4"14'-113 4" 8'-81 4" 11'-1" 10'-11" 7'-13 4" 7'-11 2" 7'-11 2" 6'-113 4" Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW OPTIONAL DOUBLE DOOR ENTRANCE 1/8" = 1'-0"A (N) 2'-10 3 4" x 4'-7 1 4" (VERIFY DIMENSIONS) WOOD DOUBLE HUNG WINDOWS (x6 TOTAL (3 ON EACH FAADE)) INSTALL SUSPENDED SIGNS LINE OF BALCONY OVERHANG (N) TRADITIONAL GLASS AND WOOD STOREFRONT OPTIONAL SIGN BAND (N) AMBIENT NEON LIGHTING (x6 TOTAL (3 ON EACH FAADE)) (N) IRON BALCONY TO WRAP CORNER EXTEND ROUGH OPENING AT WINDOW HEAD TO MATCH ADJACENT WINDOWS PROPOSED ELEVATION OPTION #1 (SIDE VIEW) INSTALL WALL MOUNTED DOUBLE DIRECTION LIGHTING (x4 TOTAL (2 ON EACH FAADE)) NOTES (E) IS USED TO DENOTE EXISTING ELEMENTS (N) IS USED TO DENOTE NEW ELEMENTS TO BE ADDED 2014.08.04 REPAINT STUCCO Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 1/8" = 1'-0" (APPROX.)A PATCH & REPAIR CRACKS IN (E) STUCCO REMOVE (E) UNUSED ELECTRICAL CONDUITS ADD SCUPPER, ASSESS CONDITION OF DOWNSPOUT, AND REPAIR AS REQ'D. 2014.08.04 36 37 As a Tulane City Center Public Interest Design Fellow, I had the privilege of being assigned to Faade ReNEW. Faade ReNEW is a project that incentivizes business and property owners to revitalize their storefront faades in four targeted corridors in the city via a reimbursable grant program. Tulane City Center worked with NORA (the New Orleans Redevelopment Authority) led by Melissa Lee and CLIO Associates, vis--vis founder Beth Jacobs, as we we provided design assistance to the business owners in order to strengthen their applications. By researching historical documentation, examining existing urban context, and meeting with the owners, we were able to present designs that restored the integrity of buildings (of varying conditions), provided much needed facelifts (via project proposals to the corridors, and met the desires of the owners. Facade ReNEW New Orleans, Louisiana, USA 20. Issued For: Date: REVIEW 3/16" = 1'-0"A 2014.08.05 11'-9" 3'-6"3'-6" 15'-31 2" 7'-43 4" 15'-31 2" 1/8" = 1'-0"A (N) DOUBLE HUNG WINDOWS IN CORRESPONDING BAYS (x4 TOTAL) SIZE APPROXIMATELY 2'-10" WIDE x 9'-101 4" HIGH. VERIFY IN FIELD. (N) WOOD BALUSTRADE (N) STUCCO CHAIN WALL Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 3/16" = 1'-0"A 3/16" = 1'-0"B EXISTING PLAN 7'-43 4" 6'-0"5'-9" 2014.07.31 38 39 EXISTING CONDITION #1 PROPOSED CONDITION #1 EXISTING CONDITION #3 PROPOSED CONDITION #3 EXISTING CONDITION #2 PROPOSED CONDITION #2 21. Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 DISTRICTING Building FabricDensityGateway to the City District Arts & Culture Districts Low Density Residential High Density Residential Mixed-Use Zones Shopping Districts Central Business District Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 Northern Wetland that serves to clean and filter water as it travels through the urban canal (and further downriver) Park that acts as commodity for all of Jintang Hosts amentities such as concert stands, hiking, green lawns, sports fields, etc. Green zones that meet the rivers edge in natural, minimally developed designs. Public Parks that act as points of centrality or destination throughout New Jintangs many districts and introduce nature in urban contexts Southern Wetland that serves as flood retention, filtration system, and public park amenity FILTRATION WETLAND CITY-SCALE PARK RIVERFRONT GREENS NEIGHBORHOOD PARKS URBAN WETLAND OUTDOOR AMPITHEATER CITY-SCALE COMMUNITY GARDEN LAKESIDE EATERIES PARK VISITORS CENTER SPORTS COMPLEX NATURAL ZONES CITY-SCALE PARK .25 _SECTION 1 4 _SECTION 4 3 _SECTION 3 1.25 _SECTION 2 4.75 _SECTION 5 5.5 _SECTION 6 7.375 _SECTION 7 10 _SECTION 8 15.75 _SECTION 9 21.75 _SECTION 10 Design Projects 22. 42 43 Descriptive Geometry Repetitive Elements Circulation/Envelope Axis/Density Dispersal/Spatial Overlay Descriptive Geometry Repetitive Elements Circulation/Envelope Axis/Density Dispersal/Spatial Overlay The First Phase of this project was a comparative analysis between a complex organic specimen and a precedent work of architecture. Rendered here are a pomegranate and Corbusier"s Villa Baizeau. The Second Phase was extracting the diagrammatic analysis into the physical and digital realms so as to understand the systems at work in the building and reveal it in a visually appealing and informative manifestation. Congruent Geometries DSGN 2200 / Professor: Scott Ruff / Spring 2013 23. .25 _SECTION 1 4 _SECTION 4 3 _SECTION 3 1.25 _SECTION 2 4.75 _SECTION 5 5.5 _SECTION 6 7.375 _SECTION 7 10 _SECTION 8 15.75 _SECTION 9 21.75 _SECTION 10 44 45 EXQUISITE OBJECT DRAWING SERIAL SECTIONING SCALAR CONTEXTUALIZATION EXQUISITE OBJECT Using an exquisite object, (in which I chose a door lock, pictured above) a case was abstractly constructed to illustrate the kinetics and operation of the object. The case was derived from the drafted drawings that were produced. Digital work was utilized to further enhance and interpret the approach, as well as the introduce the fundamental application and different operations in Photoshop and Illustrator Exhibition Case / Exquisite Object Diptych DSGN 1200 / Professor: Sheena Garcia / Spring 2012 24. 46 47 Organic Form / Inorganic Grid Transformations AVSM 1100 / Professor: Nate Petty / Fall 2011 25. Tulane Regional Urban Design Center Interpretive Urban Design Seminar DISTRICTING BuilDensityGateway to the City District Arts & Culture Districts Low Density Residential High Density Residential Mixed-Use Zones Shopping Districts Central Business District Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 Northern Wetland that serves to clean and filter water as it travels through the urban canal (and further downriver) Park that acts as commodity for all of Jintang Hosts amentities such as concert stands, hiking, green lawns, sports fields, etc. Green zones that meet the rivers edge in natural, minimally developed designs. Public Parks that act as points of centrality or destination throughout New Jintangs many districts and introduce nature in urban contexts Southern Wetland that serves as flood retention, filtration system, and public park amenity FILTRATION WETLAND CITY-SCALE PARK RIVERFRONT GREENS NEIGHBORHOOD PARKS URBAN WETLAND OUTDOOR AMPITHEATER CITY-SCALE COMMUNITY GARDEN LAKESIDE EATERIES PARK VISITORS CENTER SPORTS COMPLEX NATURAL ZONES CITY-SCALE PARK 48 49 DISTRICTING CITY-SCALE PARK In this interpretative design seminar, designing an urban plan for Jintang was a creative exercise in urban planning - in the largest sense. Located an hour Northwest of Chengdu, though Jintang is a small town, projections indicate it will see rapid growth. Thus, my proposal seeks to distribute amenities and zones in a diverse effective way, with sufficient public transit and green spaces for all. Jintang Urban Plan RBST 4400 / Professor: Grover Mouton / Spring 2015 26. Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 HIGHLIGHTED STREET GRID Street Grid Automobile-Only Roads Primary Roads & Thoroughfares (~30m wide) Secondary Avenues (~15m wide) Tertiary Roads (~7m wide) Pedestrian Pathways (~7m wide) Pedestrian Waterfronts (~7m wide) Two New Bridges Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring NON-ROAD NETWORKS Midtown Loop Line that connects Recreation Island, the universities, and North Park, along with other culture and shopping hubs. Historic Jintang Loop Line that connects Old Jintang and New Jintang Uptown Loop Line that services the primarily residential parkside district Parkside Line One of two lines that service the North-South axis of the city A non-road based light rail line that acts as its own street, open- ing the ground level to pedestrian, retail, and commuter traffic Riverside Line One of two lines that service the North-South axis of the city A primarily commuter rail. Street-Based Light Rail Independent Light Rail Urban Canal Water SystemsLight Rail Lines Tulane Regional Urban Design Center Northern Wetland that serves to clean and filter water as it travels through the urban canal (and further downriver) Park that acts as commodity for all of Jintang Hosts amentities such as concert stands, hiking, green lawns, sports fields, etc. Green zones that meet the rivers edge in natural, minimally developed designs. Public Parks that act as points of centrality or destination throughout New Jintangs many districts and introduce nature in urban contexts Southern Wetland that serves as flood retention, filtration system, and public park amenity FILTRATION WETLAND CITY-SCALE PARK RIVERFRONT GREENS NEIGHBORHOOD PARKS URBAN WETLAND NATURAL ZONES Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 PROGRAMMING PUBLIC LIBRARIES RIVERFRONT MARINA ARENA (FOR BASKETBALL) STADIUM (FOR SOCCER) MUSEUM (OF JINTANG) VISITORS CENTER (& CONVENTION) MEDICAL CENTERS PUBLIC AMENITIES PUBLIC SCHOOLS POLICE PRECINCTS FIRE STATIONS Police Coverage School Districts Fire Protection Hospital Range 50 51 STREET GRID NON-PEDESTRIAN ROADS DENSITY RAIL LINES WATER SYSTEMS PHASE 1 - BREAKING GROUND PHASE 2 - FILLING OUT PHASE 3 - COMPLETION PROTECTIVE SERVICES SOCIAL SERVICES 27. Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 COMMERCIAL DISTRICTS CENTRAL BUSINESS DISTRICT District that is home to the largest offices and businesses Used as a signal at the sourthern end of the city to establish a skyline, distinct and marketable for Jintang SHOPPING DISTRICTS Districts that encourage the healthy habit of (sustainable) consumerism Hosts storefronts, malls, whole shopping avenues and related offices and services Max. Height: 50m (150) Min. Height: No less than 3 floors Setbacks: Min = 0m (0) Max = 3.25m (10) Parking: 25% of occupancy, 75% of workers must be On-Site or in neighborhood Open Space: 15% of Site Green Spaces: 10% of Site (at or above grade) Typology: Large building footprints with sufficient relief for pedestrian occupancy and parking (as necessary) Max. Height: 150m (500 ~ 50 floors) Min. Height: No less than 10 floors (Vertical) Setbacks: after 80m (200) Parking: 80% of occupancy, must be On-Site Open Space: 10% of Site Green Spaces: 10% of Site (at or above grade) Typology: Massive structures that have more vertical direction; site conditions allow for orientation towards urban wetland Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 CULTURAL DISTRICTS GATEWAY TO THE CITY DISTRICT District that serves to be transition from old Jintang and New Jintang Houses visitors center, city and regional museums; Other landmarking elements ARTS & CULTURE DISTRICTS Districts that serve as cultural spirit of Jintang Hosts theaters, nightclubs, museums, dance schools, demonstration resturants, art galleries, and other institutional build- Max. Height: 50m (150) Min. Height: No less than 3 floors Setbacks: None Parking: 50% of occupancy, 50% of workers must be On-Site or in neighborhood Open Space: 20% of Site Green Spaces: 25% of Site (at or above grade) Typology: Monumental building footprints (in either vertical or horizontal directions)with sufficient orientation to views, parks, and water Max. Height: 30m (100 ~ 10 floors) Min. Height: No less than 4 floors Setbacks: Max = 1.5m (5) Parking: 50% of occupancy must be within neighborhood scale Open Space: 15% of Site (20% if O.S.s are located interiorly Green Spaces: 15% of Site (at or above grade) Typology: Structures that are similar to in footprint to Old Jintang or that are existing structures Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 RESIDENTIAL DISTRICTS HIGH DENSITY RESIDENTIAL Zoning for high-intensity residential High rise condos and apartments Primarily for commuters within the city, transit riders, and citizens who yearn for a denser style of living LOW DENSITY RESIDENTIAL Zoning for less intense residential Walkable streetscapes and multi-family dwellings will be common Primarily for family, vacation, retirement & second homes Max. Height: 15m (50) Min. Height: No less than 3 floors Setbacks: Min = 4.5m (15) Parking: 85% of occupancy must be On-Site Open Space: 30% of Site Green Spaces: 35% of Site (at or above grade) Typology: Attached dwellings withring-like orientation to create inner courtyards, front yards and maximum views outside of the block Max. Height: 90m (300 ~ 30 floors) Min. Height: No less than 6floors Setbacks: Max = 6m (20) Min = 1.5m (5) Parking: 75% of occupancy must be On-Site Open Space: 15% of Site Green Spaces: 25% of Site (at or above grade) Typology: Thick footprints that are vertically directioned and oriented around courtyards and towards views Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015 MIXED-USE DISTRICTS MIXED-USE ZONES Zoning that incorporates residential, commercial, office, and community programming Seeks to create neighborhood scale & zones of transition between zones by both the scale of developments and the makeup of the respective zones Max. Height: 35m (120) Min. Height: No less than 4 floors Setbacks: Min = 1.5m (15) Parking: 75% of occupancy must be On-Site or in neighborhood Open Space: 25% of Site (30% if O.S.s are located Interiorly) Green Spaces: 35% of Site (at or above grade) Zone Specific: MUDs adjacent to residential districts must be 20% community spaces MUDs adjacent to shopping districts must be 45% office and 40% residential MUDs adjacent to office zones must be at least 25% residential 30% community, and 20% retail spaces Typology: Dense pattern of buildings that follow the rythyms and symmetry of adjacent districs, are transitional heights and create open spaces within its respective organization PARKSIDE DISTRICT SECTION 50 51 EXISTING STREET CONDITION EXISTING RIVER VIEW POTENTIAL STREET CONDITION POTENTIAL RIVER VIEW URBAN SECTION CUT 28. pretive Urban Design Seminar Spring 2015 Height: 50m (150) Height: No less than 3 floors acks: None ng: 50% of occupancy, 50% of workers must be On-Site or in neighborhood Space: 20% of Site n Spaces: 25% of Site (at or above grade) ogy: Monumental building footprints (in either vertical or horizontal directions)with sufficient orientation to views, parks, and water Height: 30m (100 ~ 10 floors) Height: No less than 4 floors acks: Max = 1.5m (5) ng: 50% of occupancy must be within neighborhood scale Space: 15% of Site (20% if O.S.s are located interiorly n Spaces: 15% of Site (at or above grade) ogy: Structures that are similar to in footprint to Old Jintang or that are existing structures MartinLutherKing ThaliaSt. EratoSt. Oretha Castle Haley Boulevard Sheet No.: Drawn By: J. Coln Issued For: Date: REVIEW 2014.08.04 1/100" = 1'-0"B LOCATION PLAN 1/8" = 1'-0" (APPROX.)A 1332 Oretha Castle Haley PATCH & REPAIR CRACKS IN (E) STUCCO RELOCATE DOWNSPOUT TO SIDE OF BUILDING & PATCH/REPAIR (E) STUCCO REMOVE (E) SIGN EXISTING FRONT ELEVATION