JOSEPH

BROW

N BA

(hons)

Contact No.EmailWebsite

+447837764193

josephmichaelbrown@gmail.com

cargocollective.com/josephmichaelbrown

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The suitcase market could easily be recreated-within the Deptford area, the plot allocations can be placed within secondary positions, potentially along the existing route one.

This will encourage parrellel trading of informal and formal trading, encouraging people to begin trading objects themselves.

Route One

Carriage Ramp

Existing Area of formal trade.

Suitcase allotments

Under used market area;potential for suitcase trading

URBAN FLEX Extension of scheme along route one

1. Deptford Market RailsSECOND YEAR, FINAL SEMESTER

Carsten Jungfer & Colin Priest

(Drawn in AutoCAD/Illustrator, rendered in photoshop). Final Image from my second year, first semester project produced in conjunction with Deisgn for London (DfL). The simple project addressed the needs for the individual market traders. The rails could be moved simply, and easily customised, adapting to the requirements of the individual traders.

2. Deptford Suitcase MarketSECOND YEAR, FINAL SEMESTER

Carsten Jungfer & Colin Priest

(Drawn in AutoCAD/Illustrator, images added with Photoshop). An Axonometric from year two, semester two. Deptford Suitcase Market, an informal market that encouraged local trade in an ad hoc environment. A tea house also featured on site, an area to act as an open forum for traders to discuss current market issues. The image shows the relation of the Suitcase Market within its direct urban context, discussing how these ad hoc trading spaces could be spread along a specified route.

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4. Deptford Embodied ArtefactSECOND YEAR, FIRST SEMESTER

Carsten Jungfer & Colin Priest

(Hand made model, steel and leather). Embodied Artefact, as part of the second year brief, we were asked to create an object that embodied our architectural ideology. The arctefact embodied the idea of an architect that can respond to individual needs, as well as embracing past knowledge.With more use,the artefact rusted, leaving a trace of interaction, specific to the users chemical composition.

3.Deptford Suitcase MarketSECOND YEAR, FIRST SEMESTER

Carsten Jungfer & Colin Priest

(Modelled in Rhino, edited in AutoCAD/Illustrator, Photoshop textures). Final Section from year two, semester two. Deptford Suitcase Market, an informal market that encouraged local trade in an ad hoc environment. A tea house also featured on site, an area to act as an open forum for traders to discuss current market issues.

5. OB1 Live Creation TheatreFIRST YEAR, FINAL SEMESTER

Jane Anderson & Colin Priest

(Letraset, Timber, Reused corrugated plastic board, concrete). An intimate project completed by a selection of first year students, in collaboration with Creation Theatre. Design and build project for the Creation Theatre Company, Oxford for their site-specific production of Twelfth Night in the Said Business School. The brief; to design and build an Information booth in Broad Street, Oxford for the evenings & matinees as well as an advertising hoarding. The designed echoed the surrounding shopfronts.

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6. Deconstructing HamletTHIRD YEAR, FIRST SEMESTER

Jane Anderson

(Montage, Charcoal, Pencil and Paint) A sequencial series of drawings, proposing the deconstruction of Hamlet. This first year project dealt with temporary theatre design for a Shakespearean play. As the story developed, the stage could be deconstructed in relation to Hamlets state of mind.

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7. The Oxford Street Movement RecorderTHIRD YEAR, FIRST SEMESTER

Sarah Stevens & Patrick Bonfield

(Modelled in Rhino, rendering in 3DS Max, finished in Photo-shop). Final Renders from year three, semester one, the bried was an environment that would take people outside of their usual consumerist existence.

8. The Oxford Street Movement RecorderTHIRD YEAR, FIRST SEMESTER

Sarah Stevens & Patrick Bonfield

(Drawn in AutoCAD/Illustrator). Final short section, as people moved along the neighbouring oxford street, sensors would record their movement, channelling back to the main reflection chamber, where inhabitants could experience the ticking of Oxford Street activity, this noise then be recorded in the facility’s basement.

1: 50 / SECTION A - A1. Sensor Pivot Points, containing a dynamo producing any electricity that might be needed2. Kinetic Movement of Tappers, connecting to the hollow chambers, each panel has a different thickness, producing a different tone of sound.3. Hollow Acoustic Skin4. Nocturnal Speakers5. Internal Microphones, recording interior noise6. Hanging Seats, producing a clanging sound any time a person interacts the seat.7. Recording Hub, storing up to 414 days of audio, with the potential to be extended

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1: 100 / SECTION B - B1. Pedestrian Sensor ends, rubber tipped as not to cause discomfort if you happen to knock into one2. Wind Sensor end, a rubber paddle is fitted, any wind that blows through Oxford Street will sway the sensor, causing a tap.3. Oxford Street Pavement, a cluster point for sensors4. Step access, creating a “u-bend” effect, cancelling out any sound that might come from Oxford Street5. Disabled access6. Barrett Street7. Recording Hub, tapping at any interction with the Oxford Street sensors.

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UNCOVERED REALITIES The Device - Trace Maker

1. Confortable Handle2. Reservoir Fastening3. Reservoir4. Drip Tip5. Foldable Fastenings 6. Canvas7. Water Collection Canal8. Foldable Fastenings

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9. The Oxford Street Movement RecorderTHIRD YEAR, FIRST SEMESTER

Sarah Stevens & Patrick Bonfield

(Drawn in AutoCAD/Illustrator). Long Section, the sensors spread across Oxford street, interating with the elements as well as people, providing an accurate reading of activity.

10. Trace MakerTHIRD YEAR, FIRST SEMESTER

Sarah Stevens & Patrick Bonfield

(Hand made device, recycled umbrella, copper, steel, fabric). A device exploring the forgotten individual histories of Oxford Street. As rain water collected in the under carriage of the umbrella, it would filter through the device, oxidising the copper, turning the water green. The water would then drip behind the user, leaving a temporary trace of their existence.

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Black Ink Cartridges

Personal ComputersMobile Phones

Microwaves

TelevisonsStereos

PLASTIC | GLASS | METAL

T H E R M A L DEPOLYMERIZATION

P O W E R

Stored as Downgraded Petroleum Forming of Required

Watch Pieces

Assembled by the W a t c h m a k e r s

Collection of Precious Metal

U R B A N M I N I N G

EXPLANATORY DIAGRAM Final Scheme

Sun moving over the site

The electrical waste is collected off Oxford Street, being processed and disassembled into their various raw component parts. These are then smelted in the three blast furnaces, before being formed into the the needed parts. Taking an item that usually is upgraded and changing a product that has the potential to become an item high value, both in terms of craftsmenship and material. The watchmaking towers, move in relation to the sun to gain optimum sun light, casting an ever changing shadow on to Oxford Street.

11-12. The Worshipful Company OfTHIRD YEAR, FINAL SEMESTER

Sarah Stevens & Patrick Bonfield

(Modelled in Rhino, finished in Photoshop/Illstrator) The Worshipful Company of Electrical Scavengers and Watch Makers would house watchmakers, living a monk like existence, teaching and studying the art of Watchmaking. The watchmakers would create watches using the remains of disposable electronics. The Livery would act as an Embassy of sustainable production and living, on the consumerist capital, Oxford Street.

12 VISUALISATION OF PROPOASALWatchmaking Cells

Transfer point

Watch pieces Archive

Oxford Street

Blast Furnaces

Production chamber