GROOVES for JAPANESE TAIKO PERCUSSION...

GROOVES for JAPANESE TAIKO PERCUSSION

User Manual

�is manual contains important instructions on how to install Grooves for Japanese Taiko Percussion. Please read through this manual carefully before installing the library.

�ank you for purchasing Grooves for Japanese Taiko Percussion. We hope you enjoy using this product in many creative musical endeavors.

SONICA INSTRUMENTS teamwww.sonica.jp/instruments/

Grooves for Japanese Taiko Percussion is a library of exclusive BFD2 grooves created for the Japanese Taiko Percussion (JTP) expansion pack for BFD2.1. All grooves were were recorded without quantization. �e grooves, performed by Ikki Hino on MIDI drum pads, faithfully reproduce the complex stick work, syncopations, rhythmic inflections, and ricochets that are integral to taiko performances.

In addition to solo patterns for ohdaiko, chudaiko, shimedaiko, and kane, Grooves for Japanese Taiko Percussion features ensemble patterns using all instruments. �ere are 970 patterns in all.

GROOVES for JAPANESE TAIKO PERCUSSION: 2

1. Welcome to Grooves for Japanese Taiko Percussion


2. System Requirements

• BFD v2.1 or higher (free upgrade from v2.x)• 1 GB or more of free memory (2GB or more is recommended)• 8MB or more of free hard disk space (We recommend installing the library data on a 7200 rpm or

faster hard disk volume that is separate from the OS and audio tracks.)

Important: Please make an FXpansion account if you haven’t yet to register your copy of Grooves, JTP, BFD2, and other FXpansion products.

Access the FXpansion website (http://www.fxpansion.com/) and login with your BFD username and password.

After logging in, go to SUPPORT > Register.Enter your SERIAL NO. included with your product.Serial numbers come in the format:TKGRV-XXXX-XXXX-XXXX-XXXX-XXXX-XXXX-XXXX-XXXX

*Grooves for Japanese Taiko Percussion is a collection of grooves for use with JTP.*Your system must also meet the requirements for your host application and BFD v2.1.

If you should forget your password or username…Access the FXpansion website (http://www.fxpansion.com/) and click “Forgot your login?” on the login page.

Enter your email address and click Submit. After confirmation, FXpansion will send an email to your registered email address with your account information and a link to change your password. Click on the link to bring up the Change password browser window. Enter a new password and click Submit. This completes the password change.

Register Your Copy of GROOVES for JTP Using Your FXpansion Account

Important: Be sure to install JTP before installing Grooves for Japanese Taiko Percussion. �e latest version of BFD v2.1 is required to use this product. Please make sure you have downloaded and installed the latest version of BFD v2.1 before installing Grooves for Japanese Taiko Percussion.

(1) Open the installer[Download version]After expanding the download archive, double-click on either “Grooves for Japanese Taiko Percussion Installer OSX” (Mac) or “Grooves for Japanese Taiko Percussion Installer WIN.exe” (Windows).

[DVD version]�e installer is included on the DVD. Insert the DVD, open the DVD contents, and double-click on either “Grooves for JTP Setup.pkg” (Mac OS X) or “Grooves for JTP Win Setup.exe” (Windows)

(2) Read the license agreement before installing and using Grooves for Japanese Taiko Percussion. Check the “I agree” checkbox and click Next. (Contact the support pages listed in Section 6 if you have questions about the license agreement.)

(3) On the Installation Path screen, click Browse and select the BFD2 folder. Make sure you select the BFD2 folder and not the Data subfolder or other folder. If you do not select the correct folder, the new sounds will not be available within BFD. Also, make sure you have enough space (8 MB or more) on the hard disk. Click Install to install the library.

Installed Components970 grooves in 43 palettes

Grooves appear in BFD2.1 with the genre “Japanese” and the library name “JTP Taiko.” �e grooves are organized in 43 palettes starting with the name “JTP_Session.” See Section 5 for more details.


3. Installation

In BFD2.1, select Load Palette and open the Palette chooser. �e chooser will list the 43 palettes that contain the grooves in Grooves for Japanese Taiko Percussion.

Name: JTP SessionxxGenre: JapaneseLibrary: JTP Taiko

Please see the BFD2 manual for instructions on how to use grooves and palettes.

Groove Types�ere are two types of groove patterns: ensemble and solo. �e ensemble patterns feature several taiko drums and kane from the JTP pack. An example palette is “JTP Session05 Ensemble 104bpm,” which contains the grooves Ensemble_S05_01, Ensemble_S05_02, Ensemble_S05_03 ….

�e solo patterns feature a solo performance of one of the instruments in the JTP pack. �ese patterns can be played on their own or in combination with other solo patterns. An example palette is “JTP Session15a Solo 3-4 75bpm,” which contains the grooves a_Ohdaiko_S15_01, a_Ohdaiko_S15_02, a_Ohdaiko_S15_03 … and b_Chudaiko_S15_01, b_Chudaiko_S15_02, b_Chudaiko_S15_03 ….

You can use BFD2.1 features such as Export Groove MIDI, Export Groove Audio, Export Drum Track MIDI, and Export Drum Track Audio to mix multiple grooves.

Please see the BFD2 manual for instructions on how to mix grooves.


4. Loading and Specifications


JTP Session01 Danjiri 110bpmEnsemble_S01_danjiri_01Ensemble_S01_danjiri_02

JTP Session02 Ensemble 80bpmEnsemble_S02_01Ensemble_S02_02Ensemble_S02_03Ensemble_S02_04Ensemble_S02_05Ensemble_S02_06Ensemble_S02_07Ensemble_S02_08Ensemble_S02_09Ensemble_S02_10Ensemble_S02_11Ensemble_S02_12Ensemble_S02_13Ensemble_S02_14Ensemble_S02_15_end

JTP Session03 Ensemble 90bpmEnsemble_S01_01Ensemble_S01_02Ensemble_S01_03Ensemble_S01_04Ensemble_S01_05Ensemble_S01_06Ensemble_S01_07Ensemble_S01_08Ensemble_S01_09Ensemble_S01_10_end

JTP Session04 Ensemble 104bpmEnsemble_S04-a_01Ensemble_S04-a_02Ensemble_S04-a_03Ensemble_S04-a_04Ensemble_S04-a_05Ensemble_S04-a_06_endEnsemble_S04-a_07_endEnsemble_S04-a_08_endEnsemble_S04-a_09_endEnsemble_S04-b_01Ensemble_S04-b_02Ensemble_S04-b_03Ensemble_S04-b_04Ensemble_S04-b_05Ensemble_S04-b_06_end

JTP Session15a 3-4 75bpma_Ohdaiko_S15_01a_Ohdaiko_S15_02a_Ohdaiko_S15_03a_Ohdaiko_S15_04a_Ohdaiko_S15_05a_Ohdaiko_S15_06b_Chudaiko_S15_01b_Chudaiko_S15_02b_Chudaiko_S15_03b_Chudaiko_S15_4b_Chudaiko_S15_05b_Chudaiko_S15_06c_Shimedaiko2_S15_01c_Shimedaiko2_S15_02c_Shimedaiko2_S15_03c_Shimedaiko2_S15_04c_Shimedaiko2_S15_05c_Shimedaiko2_S15_06d_Shimedaiko1_S15_01d_Shimedaiko1_S15_02d_Shimedaiko1_S15_03d_Shimedaiko1_S15_04d_Shimedaiko1_S15_05d_Shimedaiko1_S15_06e_Kane_S15_01e_Kane_S15_02e_Kane_S15_03e_Kane_S15_04e_Kane_S15_05e_Kane_S15_06e_Kane_S15_07_end

JTP Session15b Solo 3-4 75bpma_Ohdaiko_S15_07a_Ohdaiko_S15_08a_Ohdaiko_S15_09a_Ohdaiko_S15_10a_Ohdaiko_S15_11_endb_Chudaiko_S15_07b_Chudaiko_S15_08b_Chudaiko_S15_09b_Chudaiko_S15_10c_Shimedaiko2_S15_07c_Shimedaiko2_S15_08c_Shimedaiko2_S15_09c_Shimedaiko2_S15_10_endc_Shimedaiko2_S15_11c_Shimedaiko2_S15_12d_Shimedaiko1_S15_07d_Shimedaiko1_S15_08d_Shimedaiko1_S15_09d_Shimedaiko1_S15_10d_Shimedaiko1_S15_11d_Shimedaiko1_S15_12

JTP Session07 Ensemble 120bpmEnsemble_S07_01Ensemble_S07_02Ensemble_S07_03Ensemble_S07_04Ensemble_S07_05Ensemble_S07_06Ensemble_S07_07Ensemble_S07_08Ensemble_S07_09_endEnsemble_S07_10_endEnsemble_S07_11_endEnsemble_S07_12_end

JTP Session09 Ensemble 150bpmEnsemble_S09_01Ensemble_S09_02Ensemble_S09_03Ensemble_S09_04Ensemble_S09_05Ensemble_S09_06Ensemble_S09_07Ensemble_S09_08Ensemble_S09_09Ensemble_S09_10Ensemble_S09_11Ensemble_S09_12Ensemble_S09_13_endEnsemble_S09_14_endEnsemble_S09_15_endEnsemble_S09_16_end

5. Palette and Groove Listings


JTP Session15c Solo 3-4 75bpmb_Chudaiko_S15_11b_Chudaiko_S15_12_endb_Chudaiko_S15_13_endc_Shimedaiko2_S15_13c_Shimedaiko2_S15_14c_Shimedaiko2_S15_15c_Shimedaiko2_S15_16c_Shimedaiko2_S15_17c_Shimedaiko2_S15_18c_Shimedaiko2_S15_19c_Shimedaiko2_S15_20c_Shimedaiko2_S15_21c_Shimedaiko2_S15_22_endd_Shimedaiko1_S15_13d_Shimedaiko1_S15_14d_Shimedaiko1_S15_15d_Shimedaiko1_S15_16d_Shimedaiko1_S15_17d_Shimedaiko1_S15_18d_Shimedaiko1_S15_19d_Shimedaiko1_S15_20d_Shimedaiko1_S15_21d_Shimedaiko1_S15_22

JTP Session16a Solo 3-4 98bpma_Ohdaiko_S16_01a_Ohdaiko_S16_02a_Ohdaiko_S16_03a_Ohdaiko_S16_04a_Ohdaiko_S16_05a_Ohdaiko_S16_06b_Chudaiko_S16_01b_Chudaiko_S16_02b_Chudaiko_S16_03b_Chudaiko_S16_4b_Chudaiko_S16_05b_Chudaiko_S16_06c_Shimedaiko2_S16_01c_Shimedaiko2_S16_02c_Shimedaiko2_S16_03c_Shimedaiko2_S16_04c_Shimedaiko2_S16_05c_Shimedaiko2_S16_06d_Shimedaiko1_S16_01d_Shimedaiko1_S16_02d_Shimedaiko1_S16_03d_Shimedaiko1_S16_04d_Shimedaiko1_S16_05d_Shimedaiko1_S16_06e_Kane_S16_01e_Kane_S16_02e_Kane_S16_03e_Kane_S16_04e_Kane_S16_05e_Kane_S16_06

JTP Session16b Solo 3-4 98bpma_Ohdaiko_S16_07a_Ohdaiko_S16_08a_Ohdaiko_S16_09a_Ohdaiko_S16_10a_Ohdaiko_S16_11a_Ohdaiko_S16_12b_Chudaiko_S16_007b_Chudaiko_S16_08b_Chudaiko_S16_09b_Chudaiko_S16_10b_Chudaiko_S16_11b_Chudaiko_S16_12b_Chudaiko_S16_13c_Shimedaiko2_S16_07c_Shimedaiko2_S16_08c_Shimedaiko2_S16_09c_Shimedaiko2_S16_10c_Shimedaiko2_S16_11c_Shimedaiko2_S16_12d_Shimedaiko1_S16_07d_Shimedaiko1_S16_08d_Shimedaiko1_S16_09d_Shimedaiko1_S16_10d_Shimedaiko1_S16_11d_Shimedaiko1_S16_12

JTP Session16c Solo 3-4 98bpma_Ohdaiko_S16_13a_Ohdaiko_S16_14a_Ohdaiko_S16_15_enda_Ohdaiko_S16_16a_Ohdaiko_S16_17a_Ohdaiko_S16_18a_Ohdaiko_S16_19c_Shimedaiko2_S16_13c_Shimedaiko2_S16_14c_Shimedaiko2_S16_15c_Shimedaiko2_S16_16c_Shimedaiko2_S16_17c_Shimedaiko2_S16_18c_Shimedaiko2_S16_19c_Shimedaiko2_S16_20d_Shimedaiko1_S16_13d_Shimedaiko1_S16_14d_Shimedaiko1_S16_15_endd_Shimedaiko1_S16_16d_Shimedaiko1_S16_17d_Shimedaiko1_S16_18d_Shimedaiko1_S16_19d_Shimedaiko1_S16_20

JTP Session16d Solo 3-4 98bpma_Ohdaiko_S16_20a_Ohdaiko_S16_21a_Ohdaiko_S16_22a_Ohdaiko_S16_23a_Ohdaiko_S16_24a_Ohdaiko_S16_25a_Ohdaiko_S16_26a_Ohdaiko_S16_27a_Ohdaiko_S16_28c_Shimedaiko2_S16_21c_Shimedaiko2_S16_22c_Shimedaiko2_S16_23c_Shimedaiko2_S16_24c_Shimedaiko2_S16_25c_Shimedaiko2_S16_26_endd_Shimedaiko1_S16_21d_Shimedaiko1_S16_22d_Shimedaiko1_S16_23d_Shimedaiko1_S16_24d_Shimedaiko1_S16_25d_Shimedaiko1_S16_26

JTP Session17a Solo 3-4 104 bpma_Ohdaiko_S17_01a_Ohdaiko_S17_02a_Ohdaiko_S17_03a_Ohdaiko_S17_04a_Ohdaiko_S17_05a_Ohdaiko_S17_06b_Chudaiko_S17_01b_Chudaiko_S17_02b_Chudaiko_S17_03b_Chudaiko_S17_04b_Chudaiko_S17_05b_Chudaiko_S17_06c_Shimedaiko2_01c_Shimedaiko2_02c_Shimedaiko2_03c_Shimedaiko2_04c_Shimedaiko2_05c_Shimedaiko2_06d_Shimedaiko1_01d_Shimedaiko1_02d_Shimedaiko1_03d_Shimedaiko1_04d_Shimedaiko1_05d_Shimedaiko1_06e_Kane_S17_01e_Kane_S17_02e_Kane_S17_03e_Kane_S17_40e_Kane_S17_05e_Kane_S17_06


JTP Session17b Solo 3-4 104bpma_Ohdaiko_S17_07a_Ohdaiko_S17_08a_Ohdaiko_S17_09a_Ohdaiko_S17_10a_Ohdaiko_S17_11a_Ohdaiko_S17_12b_Chudaiko_S17_07b_Chudaiko_S17_08b_Chudaiko_S17_09b_Chudaiko_S17_10b_Chudaiko_S17_11b_Chudaiko_S17_12c_Shimedaiko2_07c_Shimedaiko2_08c_Shimedaiko2_09c_Shimedaiko2_10c_Shimedaiko2_11c_Shimedaiko2_12d_Shimedaiko1_07d_Shimedaiko1_08d_Shimedaiko1_09d_Shimedaiko1_10d_Shimedaiko1_11d_Shimedaiko1_12e_Kane_S17_07e_Kane_S17_08e_Kane_S17_09e_Kane_S17_10e_Kane_S17_11e_Kane_S17_12

JTP Session17c Solo 3-4 104bpma_Ohdaiko_S17_13a_Ohdaiko_S17_14a_Ohdaiko_S17_15a_Ohdaiko_S17_16a_Ohdaiko_S17_17a_Ohdaiko_S17_18b_Chudaiko_S17_13b_Chudaiko_S17_14b_Chudaiko_S17_15b_Chudaiko_S17_16b_Chudaiko_S17_17b_Chudaiko_S17_18c_Shimedaiko2_S17_13c_Shimedaiko2_S17_14c_Shimedaiko2_S17_15c_Shimedaiko2_S17_16c_Shimedaiko2_S17_17c_Shimedaiko2_S17_18d_Shimedaiko1_S17_13d_Shimedaiko1_S17_14d_Shimedaiko1_S17_15d_Shimedaiko1_S17_16d_Shimedaiko1_S17_17d_Shimedaiko1_S17_18e_Kane_S17_13e_Kane_S17_14e_Kane_S17_15e_Kane_S17_16e_Kane_S17_17e_Kane_S17_18

JTP Session17d Solo 3-4 104bpma_Ohdaiko_S17_19a_Ohdaiko_S17_20a_Ohdaiko_S17_21_endc_Shimedaiko2_S17_19c_Shimedaiko2_S17_20c_Shimedaiko2_S17_21c_Shimedaiko2_S17_22_endc_Shimedaiko2_S17_23c_Shimedaiko2_S17_24d_Shimedaiko1_S17_19d_Shimedaiko1_S17_20d_Shimedaiko1_S17_21d_Shimedaiko1_S17_22d_Shimedaiko1_S17_23d_Shimedaiko1_S17_24e_Kane_S17_19e_Kane_S17_20e_Kane_S17_21e_Kane_S17_22e_Kane_S17_23e_Kane_S17_24

JTP Session17e Solo 3-4 104bpmc_Shimedaiko2_S17_25c_Shimedaiko2_S17_26c_Shimedaiko2_S17_27c_Shimedaiko2_S17_28c_Shimedaiko2_S17_29c_Shimedaiko2_S17_30c_Shimedaiko2_S17_31c_Shimedaiko2_S17_32c_Shimedaiko2_S17_33c_Shimedaiko2_S17_34c_Shimedaiko2_S17_35c_Shimedaiko2_S17_36_endd_Shimedaiko1_S17_25d_Shimedaiko1_S17_26d_Shimedaiko1_S17_27d_Shimedaiko1_S17_28d_Shimedaiko1_S17_29d_Shimedaiko1_S17_30d_Shimedaiko1_S17_31d_Shimedaiko1_S17_32d_Shimedaiko1_S17_33d_Shimedaiko1_S17_34d_Shimedaiko1_S17_35d_Shimedaiko1_S17_36_end

JTP Session18a Solo 3-4 145bpma_Ohdaiko_S18_01a_Ohdaiko_S18_02a_Ohdaiko_S18_03a_Ohdaiko_S18_04a_Ohdaiko_S18_05a_Ohdaiko_S18_06b_Chudaiko_S18_01b_Chudaiko_S18_02b_Chudaiko_S18_03b_Chudaiko_S18_04b_Chudaiko_S18_05b_Chudaiko_S18_06c_Shimedaiko2_S18_01c_Shimedaiko2_S18_02c_Shimedaiko2_S18_03c_Shimedaiko2_S18_04c_Shimedaiko2_S18_05c_Shimedaiko2_S18_06d_Shimedaiko1_S18_01d_Shimedaiko1_S18_02d_Shimedaiko1_S18_03d_Shimedaiko1_S18_04d_Shimedaiko1_S18_05d_Shimedaiko1_S18_06


JTP Session18b Solo 3-4 145bpma_Ohdaiko_S18_07a_Ohdaiko_S18_08a_Ohdaiko_S18_09a_Ohdaiko_S18_10a_Ohdaiko_S18_11a_Ohdaiko_S18_12b_Chudaiko_S18_07b_Chudaiko_S18_08b_Chudaiko_S18_09b_Chudaiko_S18_10b_Chudaiko_S18_11b_Chudaiko_S18_12c_Shimedaiko2_S18_07c_Shimedaiko2_S18_08c_Shimedaiko2_S18_09c_Shimedaiko2_S18_10c_Shimedaiko2_S18_11c_Shimedaiko2_S18_12d_Shimedaiko1_S18_07d_Shimedaiko1_S18_08d_Shimedaiko1_S18_09d_Shimedaiko1_S18_10d_Shimedaiko1_S18_11_endd_Shimedaiko1_S18_12

JTP Session18c Solo 3-4 145bpma_Ohdaiko_S18_13a_Ohdaiko_S18_14a_Ohdaiko_S18_15a_Ohdaiko_S18_16a_Ohdaiko_S18_17a_Ohdaiko_S18_18b_Chudaiko_S18_13b_Chudaiko_S18_14b_Chudaiko_S18_15b_Chudaiko_S18_16b_Chudaiko_S18_17b_Chudaiko_S18_18c_Shimedaiko2_S18_13c_Shimedaiko2_S18_14c_Shimedaiko2_S18_15c_Shimedaiko2_S18_16c_Shimedaiko2_S18_17c_Shimedaiko2_S18_18d_Shimedaiko1_S18_13d_Shimedaiko1_S18_14d_Shimedaiko1_S18_15d_Shimedaiko1_S18_16d_Shimedaiko1_S18_17d_Shimedaiko1_S18_18

JTP Session18d Solo 3-4 145bpma_Ohdaiko_S18_19a_Ohdaiko_S18_20a_Ohdaiko_S18_21a_Ohdaiko_S18_22a_Ohdaiko_S18_23a_Ohdaiko_S18_24_endb_Chudaiko_S18_19b_Chudaiko_S18_20c_Shimedaiko2_S18_19c_Shimedaiko2_S18_20c_Shimedaiko2_S18_21c_Shimedaiko2_S18_22c_Shimedaiko2_S18_23c_Shimedaiko2_S18_24d_Shimedaiko1_S18_19d_Shimedaiko1_S18_20d_Shimedaiko1_S18_21d_Shimedaiko1_S18_22d_Shimedaiko1_S18_23d_Shimedaiko1_S18_24

JTP Session18e Solo 3-4 145bpmc_Shimedaiko2_S18_25c_Shimedaiko2_S18_26c_Shimedaiko2_S18_27c_Shimedaiko2_S18_28c_Shimedaiko2_S18_29c_Shimedaiko2_S18_30_endc_Shimedaiko2_S18_31c_Shimedaiko2_S18_32c_Shimedaiko2_S18_33c_Shimedaiko2_S18_34c_Shimedaiko2_S18_35c_Shimedaiko2_S18_36c_Shimedaiko2_S18_37c_Shimedaiko2_S18_38c_Shimedaiko2_S18_39d_Shimedaiko1_S18_25d_Shimedaiko1_S18_26d_Shimedaiko1_S18_27d_Shimedaiko1_S18_28d_Shimedaiko1_S18_29d_Shimedaiko1_S18_30d_Shimedaiko1_S18_31d_Shimedaiko1_S18_32d_Shimedaiko1_S18_33d_Shimedaiko1_S18_34d_Shimedaiko1_S18_35d_Shimedaiko1_S18_36d_Shimedaiko1_S18_37d_Shimedaiko1_S18_38d_Shimedaiko1_S18_39

JTP Session19a Solo 104bpma_Ohdaiko_S19_01a_Ohdaiko_S19_02a_Ohdaiko_S19_03a_Ohdaiko_S19_04a_Ohdaiko_S19_05b_Chudaiko_S19_01b_Chudaiko_S19_02b_Chudaiko_S19_03b_Chudaiko_S19_04b_Chudaiko_S19_05b_Chudaiko_S19_06c_Shimedaiko2_S19_01c_Shimedaiko2_S19_02c_Shimedaiko2_S19_03c_Shimedaiko2_S19_04c_Shimedaiko2_S19_05c_Shimedaiko2_S19_06d_Shimedaiko1_S19_01d_Shimedaiko1_S19_02d_Shimedaiko1_S19_03d_Shimedaiko1_S19_04d_Shimedaiko1_S19_05d_Shimedaiko1_S19_06e_Kane_S19_01e_Kane_S19_02e_Kane_S19_03e_Kane_S19_04e_Kane_S19_05e_Kane_S19_06

JTP Session19b Solo 104bpmb_Chudaiko_S19_07b_Chudaiko_S19_08b_Chudaiko_S19_09c_Shimedaiko2_S19_07c_Shimedaiko2_S19_08c_Shimedaiko2_S19_09c_Shimedaiko2_S19_10c_Shimedaiko2_S19_11c_Shimedaiko2_S19_12d_Shimedaiko1_S19_07d_Shimedaiko1_S19_08d_Shimedaiko1_S19_09d_Shimedaiko1_S19_10d_Shimedaiko1_S19_11d_Shimedaiko1_S19_12e_Kane_S19_07e_Kane_S19_08e_Kane_S19_09e_Kane_S19_10e_Kane_S19_11e_Kane_S19_12e_Kane_S19_13e_Kane_S19_14


JTP Session20a Solo Shuffle 104bpma_Ohdaiko_S20_shfl_01a_Ohdaiko_S20_shfl_02a_Ohdaiko_S20_shfl_03a_Ohdaiko_S20_shfl_04a_Ohdaiko_S20_shfl_05a_Ohdaiko_S20_shfl_06b_Chudaiko_20_shfl_01b_Chudaiko_20_shfl_02b_Chudaiko_20_shfl_03b_Chudaiko_20_shfl_04b_Chudaiko_20_shfl_05b_Chudaiko_20_shfl_06b_Chudaiko_S20_shfl_07b_Chudaiko_S20_shfl_08b_Chudaiko_S20_shfl_09b_Chudaiko_S20_shfl_10b_Chudaiko_S20_shfl_11b_Chudaiko_S20_shfl_12c_Shimedaiko2_S20_shfl_01c_Shimedaiko2_S20_shfl_02c_Shimedaiko2_S20_shfl_03c_Shimedaiko2_S20_shfl_04c_Shimedaiko2_S20_shfl_05d_Shimedaiko1_S20_shfl_01d_Shimedaiko1_S20_shfl_02d_Shimedaiko1_S20_shfl_03d_Shimedaiko1_S20_shfl_04d_Shimedaiko1_S20_shfl_05e_Kane_S20_shfl_01e_Kane_S20_shfl_02e_Kane_S20_shfl_03

JTP Session21a Solo 130bpma_Ohdaiko_S21_01a_Ohdaiko_S21_02a_Ohdaiko_S21_03a_Ohdaiko_S21_04a_Ohdaiko_S21_05a_Ohdaiko_S21_06b_Chudaiko_S21_01b_Chudaiko_S21_02b_Chudaiko_S21_03b_Chudaiko_S21_04b_Chudaiko_S21_05b_Chudaiko_S21_06c_Shimedaiko2_S21_01c_Shimedaiko2_S21_02c_Shimedaiko2_S21_03c_Shimedaiko2_S21_04c_Shimedaiko2_S21_05c_Shimedaiko2_S21_06d_Shimedaiko1_S21_01d_Shimedaiko1_S21_02d_Shimedaiko1_S21_03d_Shimedaiko1_S21_04d_Shimedaiko1_S21_05d_Shimedaiko1_S21_06e_Kane_S21_01e_Kane_S21_02e_Kane_S21_03e_Kane_S21_04e_Kane_S21_05e_Kane_S21_06

JTP Session21b Solo 130bpma_Ohdaiko_S21_07a_Ohdaiko_S21_08a_Ohdaiko_S21_09a_Ohdaiko_S21_10a_Ohdaiko_S21_11a_Ohdaiko_S21_12a_Ohdaiko_S21_13b_Chudaiko_S21_07b_Chudaiko_S21_08b_Chudaiko_S21_09b_Chudaiko_S21_10b_Chudaiko_S21_11b_Chudaiko_S21_12b_Chudaiko_S21_13b_Chudaiko_S21_14b_Chudaiko_S21_15b_Chudaiko_S21_16c_Shimedaiko2_S21_07c_Shimedaiko2_S21_08c_Shimedaiko2_S21_09c_Shimedaiko2_S21_10d_Shimedaiko1_S21_07d_Shimedaiko1_S21_08d_Shimedaiko1_S21_09d_Shimedaiko1_S21_10e_Kane_S21_07e_Kane_S21_08e_Kane_S21_09e_Kane_S21_10

JTP Session22a Solo Shuffle 130bpmc_Shimedaiko2_S22_shfl_01c_Shimedaiko2_S22_shfl_02c_Shimedaiko2_S22_shfl_03c_Shimedaiko2_S22_shfl_04c_Shimedaiko2_S22_shfl_05c_Shimedaiko2_S22_shfl_06d_Shimedaiko1_S22_shfl_01d_Shimedaiko1_S22_shfl_02d_Shimedaiko1_S22_shfl_03d_Shimedaiko1_S22_shfl_04d_Shimedaiko1_S22_shfl_05d_Shimedaiko1_S22_shfl_06e_Kane_S22_shfl_01e_Kane_S22_shfl_02e_Kane_S22_shfl_03e_Kane_S22_shfl_04e_Kane_S22_shfl_05e_Kane_S22_shfl_06


JTP Session22b Solo Shuffle 130bpmc_Shimedaiko2_S22_shfl_07c_Shimedaiko2_S22_shfl_08c_Shimedaiko2_S22_shfl_09c_Shimedaiko2_S22_shfl_10c_Shimedaiko2_S22_shfl_11c_Shimedaiko2_S22_shfl_12c_Shimedaiko2_S22_shfl_13d_Shimedaiko1_S22_shfl_07d_Shimedaiko1_S22_shfl_08d_Shimedaiko1_S22_shfl_09d_Shimedaiko1_S22_shfl_10d_Shimedaiko1_S22_shfl_11d_Shimedaiko1_S22_shfl_12d_Shimedaiko1_S22_shfl_13e_Kane_S22_shfl_07e_Kane_S22_shfl_08e_Kane_S22_shfl_09e_Kane_S22_shfl_10e_Kane_S22_shfl_11e_Kane_S22_shfl_12

JTP Session23a Solo 140bpma_Ohdaiko_S23_01a_Ohdaiko_S23_02a_Ohdaiko_S23_03a_Ohdaiko_S23_04a_Ohdaiko_S23_05a_Ohdaiko_S23_06b_Chudaiko_S23_01b_Chudaiko_S23_02b_Chudaiko_S23_03b_Chudaiko_S23_04b_Chudaiko_S23_05b_Chudaiko_S23_06c_Shimedaiko2_S23_01c_Shimedaiko2_S23_02c_Shimedaiko2_S23_03c_Shimedaiko2_S23_04c_Shimedaiko2_S23_05c_Shimedaiko2_S23_06d_Shimedaiko1_S23_01d_Shimedaiko1_S23_02d_Shimedaiko1_S23_03d_Shimedaiko1_S23_04d_Shimedaiko1_S23_05d_Shimedaiko1_S23_06e_Kane_S23_01e_Kane_S23_02e_Kane_S23_03e_Kane_S23_04e_Kane_S23_05e_Kane_S23_06

JTP Session23b Solo 140bpma_Ohdaiko_S23_07a_Ohdaiko_S23_08a_Ohdaiko_S23_09a_Ohdaiko_S23_10a_Ohdaiko_S23_11a_Ohdaiko_S23_12b_Chudaiko_S23_07b_Chudaiko_S23_08b_Chudaiko_S23_09b_Chudaiko_S23_10b_Chudaiko_S23_11b_Chudaiko_S23_12c_Shimedaiko2_S23_07c_Shimedaiko2_S23_08c_Shimedaiko2_S23_09c_Shimedaiko2_S23_10c_Shimedaiko2_S23_11c_Shimedaiko2_S23_12d_Shimedaiko1_S23_07d_Shimedaiko1_S23_08d_Shimedaiko1_S23_09d_Shimedaiko1_S23_10d_Shimedaiko1_S23_11d_Shimedaiko1_S23_12Kane_S23_07Kane_S23_08Kane_S23_09Kane_S23_10Kane_S23_11

JTP Session23c Solo 140bpma_Ohdaiko_S23_13a_Ohdaiko_S23_14a_Ohdaiko_S23_15a_Ohdaiko_S23_16a_Ohdaiko_S23_17a_Ohdaiko_S23_18b_Chudaiko_S23_13b_Chudaiko_S23_14b_Chudaiko_S23_15b_Chudaiko_S23_16b_Chudaiko_S23_17b_Chudaiko_S23_18c_Shimedaiko2_S23_13c_Shimedaiko2_S23_14c_Shimedaiko2_S23_15c_Shimedaiko2_S23_16c_Shimedaiko2_S23_17c_Shimedaiko2_S23_18d_Shimedaiko1_S23_13d_Shimedaiko1_S23_14d_Shimedaiko1_S23_15d_Shimedaiko1_S23_16d_Shimedaiko1_S23_17d_Shimedaiko1_S23_18

JTP Session23d Solo 140bpma_Ohdaiko_S23_19a_Ohdaiko_S23_20a_Ohdaiko_S23_21a_Ohdaiko_S23_22a_Ohdaiko_S23_23a_Ohdaiko_S23_24a_Ohdaiko_S23_25a_Ohdaiko_S23_26a_Ohdaiko_S23_27a_Ohdaiko_S23_28

JTP Session24a Solo Shuffle 140bpma_Ohdaiko_S24_shfl_01a_Ohdaiko_S24_shfl_02a_Ohdaiko_S24_shfl_03a_Ohdaiko_S24_shfl_04a_Ohdaiko_S24_shfl_05a_Ohdaiko_S24_shfl_06b_Chudaiko_S24_shfl_01b_Chudaiko_S24_shfl_02b_Chudaiko_S24_shfl_03b_Chudaiko_S24_shfl_04b_Chudaiko_S24_shfl_05b_Chudaiko_S24_shfl_06c_Shimedaiko2_S24_shfl_01c_Shimedaiko2_S24_shfl_02c_Shimedaiko2_S24_shfl_03c_Shimedaiko2_S24_shfl_04c_Shimedaiko2_S24_shfl_05c_Shimedaiko2_S24_shfl_06d_Shimedaiko1_S24_shfl_01d_Shimedaiko1_S24_shfl_02d_Shimedaiko1_S24_shfl_03d_Shimedaiko1_S24_shfl_04d_Shimedaiko1_S24_shfl_05d_Shimedaiko1_S24_shfl_06e_Kane_S24_shfl_01e_Kane_S24_shfl_02e_Kane_S24_shfl_03e_Kane_S24_shfl_04e_Kane_S24_shfl_05e_Kane_S24_shfl_06


JTP Session24b Solo Shuffle 140bpma_Ohdaiko_S24_shfl_07a_Ohdaiko_S24_shfl_08a_Ohdaiko_S24_shfl_09a_Ohdaiko_S24_shfl_10b_Chudaiko_S24_shfl_07b_Chudaiko_S24_shfl_08b_Chudaiko_S24_shfl_09b_Chudaiko_S24_shfl_10c_Shimedaiko2_S24_shfl_07c_Shimedaiko2_S24_shfl_08c_Shimedaiko2_S24_shfl_09d_Shimedaiko1_S24_shfl_07d_Shimedaiko1_S24_shfl_08d_Shimedaiko1_S24_shfl_09e_Kane_S24_shfl_07e_Kane_S24_shfl_08e_Kane_S24_shfl_09e_Kane_S24_shfl_10e_Kane_S24_shfl_11e_Kane_S24_shfl_12e_Kane_S24_shfl_13

JTP Session25a Solo 160bpma_Ohdaiko_S25_01a_Ohdaiko_S25_02a_Ohdaiko_S25_03a_Ohdaiko_S25_04a_Ohdaiko_S25_05a_Ohdaiko_S25_06b_Chudaiko_S25_01b_Chudaiko_S25_02b_Chudaiko_S25_03b_Chudaiko_S25_04b_Chudaiko_S25_05b_Chudaiko_S25_06c_Shimedaiko2_S25_01c_Shimedaiko2_S25_02c_Shimedaiko2_S25_03c_Shimedaiko2_S25_04c_Shimedaiko2_S25_05c_Shimedaiko2_S25_06d_Shimedaiko1_S25_01d_Shimedaiko1_S25_02d_Shimedaiko1_S25_03d_Shimedaiko1_S25_04d_Shimedaiko1_S25_05d_Shimedaiko1_S25_06

JTP Session25b Solo 160bpma_Ohdaiko_S25_07a_Ohdaiko_S25_08a_Ohdaiko_S25_09a_Ohdaiko_S25_10a_Ohdaiko_S25_11a_Ohdaiko_S25_12b_Chudaiko_S25_07b_Chudaiko_S25_08b_Chudaiko_S25_09b_Chudaiko_S25_10b_Chudaiko_S25_11b_Chudaiko_S25_12c_Shimedaiko2_S25_07c_Shimedaiko2_S25_08c_Shimedaiko2_S25_09c_Shimedaiko2_S25_10c_Shimedaiko2_S25_11c_Shimedaiko2_S25_12d_Shimedaiko1_S25_07d_Shimedaiko1_S25_08d_Shimedaiko1_S25_09d_Shimedaiko1_S25_10d_Shimedaiko1_S25_11d_Shimedaiko1_S25_12

JTP Session25c Solo 160bpma_Ohdaiko_S25_13a_Ohdaiko_S25_14a_Ohdaiko_S25_15a_Ohdaiko_S25_16a_Ohdaiko_S25_17a_Ohdaiko_S25_18b_Chudaiko_S25_13b_Chudaiko_S25_14b_Chudaiko_S25_15b_Chudaiko_S25_16b_Chudaiko_S25_17b_Chudaiko_S25_18c_Shimedaiko2_S25_13c_Shimedaiko2_S25_14c_Shimedaiko2_S25_15c_Shimedaiko2_S25_16c_Shimedaiko2_S25_17c_Shimedaiko2_S25_18d_Shimedaiko1_S25_13d_Shimedaiko1_S25_14d_Shimedaiko1_S25_15d_Shimedaiko1_S25_16d_Shimedaiko1_S25_17d_Shimedaiko1_S25_18

JTP Session25d Solo 160bpma_Ohdaiko_S25_19a_Ohdaiko_S25_20a_Ohdaiko_S25_21a_Ohdaiko_S25_22a_Ohdaiko_S25_23a_Ohdaiko_S25_24a_Ohdaiko_S25_25a_Ohdaiko_S25_26a_Ohdaiko_S25_27a_Ohdaiko_S25_28a_Ohdaiko_S25_29a_Ohdaiko_S25_30a_Ohdaiko_S25_31a_Ohdaiko_S25_32a_Ohdaiko_S25_33a_Ohdaiko_S25_34a_Ohdaiko_S25_35a_Ohdaiko_S25_36a_Ohdaiko_S25_37a_Ohdaiko_S25_38a_Ohdaiko_S25_39b_Chudaiko_S25_19b_Chudaiko_S25_20b_Chudaiko_S25_21

JTP Session26a Solo Shuffle 160bpmb_Chudaiko_S26_shfl_01b_Chudaiko_S26_shfl_02b_Chudaiko_S26_shfl_03b_Chudaiko_S26_shfl_04b_Chudaiko_S26_shfl_05b_Chudaiko_S26_shfl_06c_Shimedaiko2_S22_shfl_01c_Shimedaiko2_S22_shfl_02c_Shimedaiko2_S22_shfl_03c_Shimedaiko2_S22_shfl_04c_Shimedaiko2_S22_shfl_05c_Shimedaiko2_S22_shfl_06d_Shimedaiko1_S22_shfl_01d_Shimedaiko1_S22_shfl_02d_Shimedaiko1_S22_shfl_03d_Shimedaiko1_S22_shfl_04d_Shimedaiko1_S22_shfl_05d_Shimedaiko1_S22_shfl_06


JTP Session26b Solo Shuffle 160bpmb_Chudaiko_S26_shfl_07b_Chudaiko_S26_shfl_08b_Chudaiko_S26_shfl_09b_Chudaiko_S26_shfl_10b_Chudaiko_S26_shfl_11b_Chudaiko_S26_shfl_12b_Chudaiko_S26_shfl_13b_Chudaiko_S26_shfl_14c_Shimedaiko2_S22_shfl_07c_Shimedaiko2_S22_shfl_08c_Shimedaiko2_S22_shfl_09c_Shimedaiko2_S22_shfl_10c_Shimedaiko2_S22_shfl_11c_Shimedaiko2_S22_shfl_12c_Shimedaiko2_S22_shfl_13d_Shimedaiko1_S22_shfl_07d_Shimedaiko1_S22_shfl_08d_Shimedaiko1_S22_shfl_09d_Shimedaiko1_S22_shfl_10d_Shimedaiko1_S22_shfl_11d_Shimedaiko1_S22_shfl_12d_Shimedaiko1_S22_shfl_13

6. Support


Important: FXpansion products are regularly updated. Please check that you are using the latest version by accessing your FXpansion account athttp://www.fxpansion.com/.

If you experience difficulties using JTP that you cannot resolve after reading this manual, the BFD2 manual, and the user guide for your host application, please consult the following support pages.

When contacting support, please describe your problem in as much detail as possible (what is going wrong when and where? any error messages? etc.) to speed up the problem-solving process. Also, please have the following information at hand when contacting support.

*You may also be asked about your computer model, installed memory, and peripheral devices. Have your manual accessible for quick reference.

• Registered user’s name• Registered user’s phone number/email address• Product serial number• Product version• Host application and its version• OS version• Product manual (pdf file)• The nature of the problem: what is it, when does it happen, what are the error messages?

• JAPANESE TAIKO PERCUSSION• GROOVES for JAPANESE TAIKO PERCUSSION

FXpansion support and FAQ pageshttp://www.fxpansion.com/support/

FXpansion support forumhttp://www.fxpansion.com/forum/

[Download versions]

• JAPANESE TAIKO PERCUSSION• GROOVES for JAPANESE TAIKO PERCUSSION

Support and FAQ pages in Japanese onlyhttp://www.minet.jp/support/

SONICA Japanese pagehttp://www.minet.jp/sonica/

[DVD versions]

SONICA INSTRUMENTSmanufacturer sitehttp://sonica.jp/instruments/

Note: the manufacturer does not offer direct support from this site.

[DVD version only]User RegistrationA Japanese user registration card is included with each of our products certifying that the product has been legally distributed within Japan. Please return the self-addressed user registration card to us promptly after your purchase if you wish to obtain product support in Japanese. Feel free to contact us if any of your details (email address, phone number, etc.) change after registering.

*It may take longer to register and respond to users who do not register with the prescribed form.

This manual is produced independently by the SONICA INSTRUMENTS team.

Unauthorized distribution and reproduction are prohibited.

Credits


IKKI HINO — PerformanceTOMZUIN H — Production

MIDI editing by Tomzuin HArt work by Noriko HatakeyamaPhotographs by Keita IkedaWeb design by Yoshinori Fukuoka (Arrows Lab.) and Masayo SasakiDemo movie and manual design by Yoshifumi YamaguchiMarketing & translation by Craig LeonardExecutive producer: Tomohiro Harada

Special thanks to Taikoshyu Ikki, Takahiro “Hakase” Suzuki, SKoT McDonald (FXpansion), Angus Hewlet (FXpansion), and Shion Tamura (Media Integration).

GROOVES for JAPANESE TAIKO PERCUSSIONCopyright 2008 SONICA Co., Ltd. All Rights Reserved.

All trademarks acknowledged. “BFD2” is a trademark of FXpansion Audio UK Ltd. Mac is a trademark of Apple Computer Inc. Windows is a trademark of Microsoft Corporation. Other trademarks mentioned are held by their respective owners.

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