Visual Rhetoric 3

57

Transcript of Visual Rhetoric 3

Page 1: Visual Rhetoric 3
Page 2: Visual Rhetoric 3

1) Icebreaker till the ice get broke2) Oh, CRAP3) Some Color basics4) A little on rhetorical analysis

Page 3: Visual Rhetoric 3

Icebreaker:What’s song could come on the radio right now and cause you to say, without shame or fear, “This is my jam?”

For me: “Close your Eyes and Count to [radio edit]” by Run the Jewels.

Page 4: Visual Rhetoric 3

Last time, we dabbled in some CRAP and started doing some design and some rhetorical analysis.

Today we’re going to do a very, very quick-paced overview of some ideas that will be helpful: CRAP, then some color theory and then a bit about rhetorical analysis.

Page 5: Visual Rhetoric 3

CRAP

Page 6: Visual Rhetoric 3

This is Robin Williams. She’s not Mork, of course. May that Robin Williams RIP.

She is responsible for a great many awesome design texts that are reader-friendly. She wrote the Non-designer’s Design Book. It’s worth owning a copy, if you’re interested in design, and we’re reading most of it.

Page 7: Visual Rhetoric 3

1. ContrastBasically stated, contrast means that things that are similar look similar but things that are different look clearly different. This keeps your reader from becoming confused and creating relationships that aren’t present.

Page 8: Visual Rhetoric 3

It comes, of course, from literal contrast, the light-to-dark or black-to-white of an image. In design it often ends up being about color values.

Page 9: Visual Rhetoric 3

2. Repetition

Maybe the easiest of these four concepts to define, repetition is, just as you’d guess, repeating something– a color, a logo, a typeface, a type style.

It unifies and organizes.

Page 11: Visual Rhetoric 3

3. Alignment

Alignment is about positioning on a page. Nothing should be put on haphazardly. There should be a reason and a measurement that guides where things are placed in relation to each other.

Page 12: Visual Rhetoric 3
Page 13: Visual Rhetoric 3

4. Proximity

Proximity is very similar in theory to alignment, but it’s more about grouping and use of white space.

Basically: similar things are grouped together, different things require space.

Page 15: Visual Rhetoric 3

I want to start our consideration of color with some infographics, then some summary slides for us to use to discuss. The infographics are all links if you want to download this and look closer at them after class or at some later point.

Page 21: Visual Rhetoric 3

RED• Energy• Love• Passion and lust• Anger• Danger • Makes you hungry • Is considered “cheap” in advertising• But definitely draws attention

Page 22: Visual Rhetoric 3

BLUE• Stability• Calming• Is the most popular color in America• Creates comfort in advertising• Male (for kids)• Winter• Cold

Page 23: Visual Rhetoric 3

YELLOW• Energy• Not welcoming– paint your guest room yellow if you

want guests to leave quickly• Summer• Warm

Page 24: Visual Rhetoric 3

GREEN• Nature• Spring• Environmentally safe or friendly• Money!• Creativity• Fertility

Page 25: Visual Rhetoric 3

ORANGE• Caution• Is the LEAST popular color• Autumn (Pumpkin Latte? Yes, plz)• Halloween• Ohio sports (lol)

Page 26: Visual Rhetoric 3

PURPLE• Royal (and we’ll never be royals---royyyyaaaaaals!)• Premium• Grape• Exotic

Page 27: Visual Rhetoric 3

PINK• Female• Plush• For a long time, it was the LGBT color (before the

rainbow)• Love• Inner peace

Page 28: Visual Rhetoric 3

WHITE• Purity• Life• Premium/Deluxe (products)• Clean• Fresh• Death (ironic?)

Page 29: Visual Rhetoric 3

BLACK• Premium• Refined• Death• Professional• Also Death• And Death• Death, too

Page 30: Visual Rhetoric 3

Silver and Gold• Premium products• Sophistication• Valuable• Futuristic (silver, at least)

Page 31: Visual Rhetoric 3

We will do so much more with color, but one thing I like to talk about early on is that one of the very best ways to create a color palette for something is to draw it from nature.

Natural colors go together even if we think they don’t. It’s a paradox. If nature put them together OBVIOUSLY they go together and we’d feel comfortable seeing them together.

Page 32: Visual Rhetoric 3
Page 33: Visual Rhetoric 3
Page 34: Visual Rhetoric 3
Page 36: Visual Rhetoric 3

Rhetorical Analysis

Page 37: Visual Rhetoric 3

The point of rhetorical analysis

is merely to read with understanding.

(p. 320)

Page 38: Visual Rhetoric 3

Aristotle: Rhetoric may be defined

as the faculty of observing in any given case

the available means of

persuasion.

Page 39: Visual Rhetoric 3

Rhetorical analysis: to read/observe/critique

any “text” with an understanding of the context and available

means of persuasion.

Page 40: Visual Rhetoric 3

What does that include?

Page 41: Visual Rhetoric 3

Everything.

Page 42: Visual Rhetoric 3

EVERYTHING!!

Page 43: Visual Rhetoric 3

Ethos.

Page 44: Visual Rhetoric 3

Pathos.

Page 45: Visual Rhetoric 3

Logos.

Page 46: Visual Rhetoric 3

Kairos.

Page 47: Visual Rhetoric 3

Style.

Page 48: Visual Rhetoric 3

Audience.

Page 49: Visual Rhetoric 3

Purpose.

Page 50: Visual Rhetoric 3

Context.

Page 51: Visual Rhetoric 3

Metaphor.

Page 52: Visual Rhetoric 3

Story.

Page 53: Visual Rhetoric 3

Delivery.

Page 54: Visual Rhetoric 3

Culture.

Page 55: Visual Rhetoric 3

Not the “I didn’t think of that critical idea” everything.

Page 56: Visual Rhetoric 3

everything.

Page 57: Visual Rhetoric 3

Read for class: From Logo Design Workbook (linked from Canvas): read "Why a logo?" "What is a logo?" "The Ten Rules" and "Logo Development"