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University of Montana University of Montana ScholarWorks at University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1958 Tomas Salvador| Contemporary Spanish novelist Tomas Salvador| Contemporary Spanish novelist Sandra Armstrong The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits you. Recommended Citation Recommended Citation Armstrong, Sandra, "Tomas Salvador| Contemporary Spanish novelist" (1958). Graduate Student Theses, Dissertations, & Professional Papers. 3920. https://scholarworks.umt.edu/etd/3920 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected].

Transcript of Tomas Salvador| Contemporary Spanish novelist

Page 1: Tomas Salvador| Contemporary Spanish novelist

University of Montana University of Montana

ScholarWorks at University of Montana ScholarWorks at University of Montana

Graduate Student Theses, Dissertations, & Professional Papers Graduate School

1958

Tomas Salvador| Contemporary Spanish novelist Tomas Salvador| Contemporary Spanish novelist

Sandra Armstrong The University of Montana

Follow this and additional works at: https://scholarworks.umt.edu/etd

Let us know how access to this document benefits you.

Recommended Citation Recommended Citation Armstrong, Sandra, "Tomas Salvador| Contemporary Spanish novelist" (1958). Graduate Student Theses, Dissertations, & Professional Papers. 3920. https://scholarworks.umt.edu/etd/3920

This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected].

Page 2: Tomas Salvador| Contemporary Spanish novelist

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éW «ÙA» %m %Wk m#3* dn the awWüqp»

Warn moMW# Mm tW W y #NMM W amxrW# Mm Wwmlm

km# bmy ##&* rnOW# Aw #W A0$ mhm WwlM t#m Mtb W» im them#

d l f f l W * bmuym* Borna tbm I W k mf 4A#%» % w tmm W # f # M e m À

mhm #md# Wcrnim# %wilâm wltb tWLr #l%NmimmtWW mw# %* mmct

Wmty W M w m w t mm dlfflmml» fw ' a» a # # the a*#tm

wtdMa^g » t tbm W mf Mm mma, DwW Wm $W# ml#m$ bm bmem*

WmaW %A# awaWm* -nAw* mfW mmmmm#mimdi Mm Mm

# # % # &

# length %wCWm*m moh awTimd Mm lAA» Md m# W W m im

mod hmr mmtWmmmm» # t M # t Wthmrmd

hmp4 %wM#f%er Wmd $m mtmy im Mm rom» Cm# M # t w

W d iWinWm thmt thm àm tor W* mmM hm mm godmg M iM ; Mm mym

w M d mo lo n g m r hmm^ # m tW W * <dP ymmMMmg m pm t y m t g H k w h m rm

m day* %m omly hop# mwxM h# fm AraMÆ# to kmm Mm mym Mommé

mt léemt might hmrm » day. Jmoimt&n mggmmtod thmt h* pot Mm hand

m##' #?##$ AmoMag tbm Mm#md im tMm mwmmr* % W i#

m # # # o tW ( t@r W in tii0 » * m tom dh mod # m l e t t m r m m â W # M # #

# m t t&Wchxlnmmm thmt he mm WKLm te hMp mmo#m* %m#w h#&ng.

Page 15: Tomas Salvador| Contemporary Spanish novelist

11

tW 'Whole JwtwWk rmaiLiW %eolie** #Êde* koeplAg

Me bW <m Me «3W0* S@ 0 Wce& te # tMe every M #t* thw

#Wmg % #M e Awx 3W nWb WM##, Wwevw# # * a W#

#R eW w W ea WWea# we# AW* <W

W W h %e WA# W i t e l e e ^ W e e # %*01*

*Ne i W p W i # a w Ww@ # e 1 * A w A e *W ^ ' d e l e W ) 1 W 1 & * M . e e f W h e re " w & # m m ^ W e e » * $A pW ### M e * « d e l

#% eete #» # M#Wr&* W lawme* pi#*m «0 e l l e é e w # * w M m W k : # i è t e , I W iW e lie M&& wp$ede W e%#% f& W le m*tebe dae. e&mW #»#

W ee W %Meoe wye m##W#»t#* Aw* elee# they W t Wm

m ell eewyew bed eeW th et they %m»e m eet A» eW%

elAWf#. eed tWy {(yee ep-W leMhg tM#

Wh# MerWe hewee etghtew yew# eld# # # m eliw d # e t #h#

m elly lew d W ee eed m e emdLee# thet W dW w # Me lem iCw her#

%#. Wmvwy teek tW f Ti WL&QeeMp me emetW wte end tw&p eem#

tm l oerrleg# for gmoted# eetm lly tew * ^ hmr hew m»h W

ewed#

thw# me eew W eeeille e #om e f P#$&#f tapeee# &* tWe

(ym# grew * gymt mebw ef eWtreem# I t m* th# m etm in tw

#111#$# te $0 eet *md getWr thee# emteeee# en the f lre t 8W ay

e ftw the #ep# hwm et #W& y#w^ IW yeoth m# Mn kea ler$M#

«MAeeee me erewned kb% fhar the d«y# %» Inenre A dr fthgr, thw#

m e n em lelW lew whieh #t#W # # t eagem m# m e In the grem

Page 16: Tomas Salvador| Contemporary Spanish novelist

AKP Wf ÿoppw* Isrgw t ggwWom a)w%& 6f Wse

wWi^ W imgip ,A0M4* jW lK t# had twm mWt t* go mS #*a$d

# » # 0 # <A % e # » # 0 Q w w m y #

I t %** t 0 th&A 0% #% , t h m , t W t W 'W # * <mm*

%#y dew w ar imçdnt&ü# id% ww W ielta* t# %#i* WiWmm

aeW W *» to W 1 W 0l%d«p@)y tw t ha levad Wr* Wt be <*#&

] w t A n d # w w W A t o o m a i w o W f o f I t # # » #odd a h a w q M

1 « W » < W ( t o w # # # W m ogaim I f b # # W d * w t m w g o t o p w w m d #

W r o f M # f M A t o # * w id vnU m d # % y * * $ tb & t w w n t % *0A M a ^ io o d

W f w*b bo f#@13y <W 1## b%r* to t I t w# W l&W# % b$# w g # ^

b# pl^aW A mObrow» to W # to hop# tWnWmg f t a Amw*

MamnAll* am# of the vfllmgwa W #wm T@d«» on bis #weea

ta %# gpw** fboy imot out to % o # t# trtod to

uorm Adoo to tW u mmv tbo mobyoom# W* W lod to laoto Mo #r»-

ooooo fOlt# Tndoo uoo jüwpioonoa for tbeo* doyo# oftw #l«ai bo

W w o ill# 3k # 0 o # # # m MWooo bod fowM onotWr owootbeoyt#

lAom obe #!M%tWly awrlod# Adoo yomtnod oln^o# IMo vao on

%lotaMo Wogpodo'* booouoo# oltboogb Jooiotdo uoa&tod do#qpw*Wy

to help %o yowg owootbwto^ bo hod boon #oblo to imtoMw* in

ooyuoy#

3# *5W wio do Aooo*

JUao uoo m# of tbo popoono vbo wor# not oWo to ooo fooint&#

A# ##0 oomtWmod o# oodioM? youth of tho vlllogo# but on» day

J W o t d k r o M io o d t W k I w n u o o # p o # t* # o p o o t who n o w « r o t e a

Iloo W booouo# of W # uowM oomr W * Mo w o o pBAWboa# AfW

that diooowy# fOointdR mod# o point boing vltb juw oftm#

Page 17: Tomas Salvador| Contemporary Spanish novelist

Cb» ma h # w a W M m g M e N

VDlma iwWlmg A w <W «Ad hwHpitWL* W ha dmw b@ #a# that

jW & m a t a ï M a g h # a W 3 y t » m a * o f # * v& % 3#* p m p la # Jëa& a tA )

m t e r W t W r a m * W r W t & e t o a i l # jW * m a w g a im g t h a t

â w t jàeüW* tw t&inga wWi< #%* m m # ÏW otW # mr#

my$D$ that belimmd i» wtmt # » Wd* or

$n # « t dW d #### té t nothlmg wr#*

&aü* ywraiatW# Wmw:# and. lo wdor to grom t&e powor of

faith# mlkod omr ta ïAma » my of m W l# t m e ohWng la tW o #

t b a v W f w * % p o t M a h a W i o t o t h o M d a t o f i t # M o o la g M a f l a t ,

thoo ho toâd tho poopa o tw t h# W mpWmd tho ow* aoÀ # # bo

muM #0# i t to ooywd lAo mmtod i t and oW bolioW i% it* W a

#m woMâ hoppinma ooA iooo# M l %o poMilo roAwoa t ie

gift* boowwa thay #gn*t W liw# i& Mm* oomamo ookad

jPoao ho dM oot koop th# ooo A* Mmoolf » i f i t oowOd do ao

mw»h# # 0 Aoowor mo that ho wmW to voAt o%t hia WppiROOa o#

boot ha aW d, to fW lorn throo# hio ow* ofPorto* %» yoaMvod

to rMma* the roy of aw# % volkod book to VWr# %o aw ooold ho

oow ahimiog through tho Mndoo wd opanad Ma hood* 1 lig h t ogmrgoa

fnm it* going toward the gmwd* Jhoimtdo* hmmw# ho W wmtod

th* pea^e to boll#»# in Juw, h#d boon ommwted ihto * %qqr of mm*

*%> f M < p $ W * 0 o M m m * # b 1 # m m o &# j W * p o m ##mp#r M ##alo» m m wtld* w reyo do oal* # * Moo per* #oio#ylo dM ridfimùol (to aa##oho tantol )%mto onmWo quo lao pMM*o# do M pmto no foeoon Awoo vooi##, qo# Iq owooguii W rooty# lWii%ooo on lo mm# d o Axon# * i l m o o y , o o m p # o o to n g a , y M o o p w M t i d ^ oMomp# 1» A do M omi#o$. qo# oo la fo do loo Modowoï**

Page 18: Tomas Salvador| Contemporary Spanish novelist

3

% * » » 1 # W o W i a * * VMiy # W 1 iA # m a a W m « W

H» W & Wàâ «R& A *ow <* M* % W

# * «ff # fW w 1%) WkT" te «&%##*?-' $W # w «à

M# &**# me * * to * kWk * W w W g&vm Mm* WW W Mmevérea

Armi W immd, h# hM Wm# tW W #e w t imte # » pww@

,M1 «MW %t# #W ##t 1$ m &&p$f

W a M W a m # m m r W # % W W # * m i # w e a t IR < w e f t w

M H a g a 0 W a * M m # h # W m ÿ # W r « M À W Ü y W e a # ^

tW W + %ltM& f&v# y#wr# e f tAmw mmieg# #W dW.#

M » # #@% ^ m # y # i# # a 0 w ####%%! y # w * t y hear %h«m

th# My m# #**m# hi# mM t# Me* Mth BmampaWk «M m# fMv#6 $*

m eo a g w ay M m * e m i ? w w # , #& *#)« *#e*r*% * t ^ W h W M e f# 4 W p *

$% m# tW ###%*# i« th* tern %* ia*# @#y of &m

Mqm vtth )Wh M##* SaMpaWe wmM Ixrw&k TQ> th*

dmxw* hy im $&# MlmMy ^WLWgAMg my%* t#

timw Mm w t# Wh#e he had IWrnt M l mAMd of

W wwM I****# but by tb&# Mm, th# Am me #p*MW fur th* #W **

Mwmmr, * t Mwgth, %#* #m# to 9M#WM* M the fw a of # # CW I

%*# BKMM&#* #x%W*A th* dmm# # * » , th* p*«#* Md not

pay * y attention to Mm, %i# mA# Mm angry m3 h* #oked t# »

oeyt pMo* M tting wmmyw# In MwwAt* RnoMy W **# orrootod %y

6 oorporM in the <l%vll Ôumrd and *%# oontooW to oewm yeare in

)M1* Be mrved an WMtixmal throo, howeor* fOr bod omaduot*

%on bo rotumoa to W oW M o, M# ow m# otlM oWM of

Mm, but «bmintdn rooogMnod that BaaproM# hod ohongod, that ho wo#

Page 19: Tomas Salvador| Contemporary Spanish novelist

^ WA ow# %» <«***@1 wM bad

aareaW B«pMXh6» 6a #a f$y#t 0 *0# W %f@#yed fWrniMa y#KM»

SamW* mmt tq M# Wwe W $Wb M% in WW

%#* W v«mt bma WmpiaWad aW Ma wa 6a the Wa#a*

%» mv co*p*w#üL af the Givil iWM aallM e# $e W» to l@t Ma

##i l#w# tW Wo*e, Mt b# twh«# λ da it* 1%» #w, %awta,

imA*md h$# Àkthm* tWt ha. im# lw*6n# and #t#arW ta mlk mt

i&to tw atwat# 4 #w>t# fif#a Amw %* h*w»# Mawd tW bay*

I&tap t&# GiMl <k*M and th* twwpabÿ&a atWW i*» &ma* vith

bwd gymmd#» *nd * fiy# %oW awt, %MP#h# pwWwd 6a tb#

flmw# Wbw * paeZ qf MaW vw* foW m daoraW# jaein"

tda bad %#q%yW to (W ta let W# a#m %«* bay and % had do&e a*

ty #ll0WiAg JW&t# fbr & mmwt ta b*x%* d*# W to r#<w»iy#

the bMWt intmaw faf B*%v#Wa* #m*

* # ô r & 1G& A» « p * $ # q m 6m»*,paS aM# iMwmàq {aw- Ima aallw; #»% w <Am dantre d# w ANWpo ëkaqp$da$ I adl* m <pW#ba #1 0#t#p aapww#%@p#p#» q a # # # a l%ag#dA #*. W M i» I * m m » v M a (pm %* aaW» Awjwio #@wM* «» fa##t(mw da «wgr»; *1 m#y# #*tamdWamt* a* tWa# d# Int."?

g* %#Wia d# tWAtimw'W %*»»*

Oa* aigkt at *&W#t Awiatdc notlc#* * li# t in %* bmwe of

DWaWn# an# of th# M#Nwt nan in VmlaWlla* %t$ping to inventif

gata* he Awnd MnnW# amdAMOy p»*6% np and dawn* Awn tb# 4na*

t(W arriTnd and jWbxt&a l#Kpn#d that Jb#n#a» Pkmiaia** wdf#* «&$

ebmt to hm* & Wy# %w th# nm* fiw <w #6t Ww», #Wlntdh

# E » A & W P#

Page 20: Tomas Salvador| Contemporary Spanish novelist

Mwlmd aWrijBg with MmWo- We f#w#. mad

WW#»* ÏW* &» %p@Wrm #*a m& ### tA- iwWh %» WMA

t h e < A ild$ f W i n g a 3 m a # $ » i f thdüa W y t o y $ w » hl@ w m , t w

# m W w W d amMwr W w » Re w&3 p3#R@#â # m R R lm i# # * .

w d a W A d l t o m m t W i r W y jW W w * h a W w * W

t W oM%d x m W Mm#

%{«d#io m# W&#taa # tM Wth 4# Mm m«R m& tmwWWm y

%(a#m W d # p W m jPw Mm f a tw m * % * M y M i l M 3 a a g t o M #

mthw wMl h# # five y##m #&$ # # M WH ^ to «W

hM fmtb#p «% tWi):' fWm* % w01 M omgtüwd md # to M#

f i x # o c m m W * % # n # » * M 1# y w # «CW$ W v m W *

#R A&twM$ M tM glfï* mho will ewMy aotim Mm.

MmwMl*. cm# to tho Worn» to tho m*

pmrmt# aW to # 0 tW Mty. j&hmt %# t#» ^ tw #ogyM

# t o mmo W * t h e m o th m o M M w * @ » # M g W kmg# Jm o in M a

thog#it ho aoMWt tw t #m aoeto* lOoWi vmrlod# Mthw# %#

d#n^t may wytMBgr*

Wwo# M% *M MMw thot « t # Wy togm to wy M#

U p # g K M m lly M m * i% o M M o w m t & w t3$m d w t w * # 0 W w M

hW to #m*o th# Wy# Wt tmho;* Tbo pmWt #% oMlM aW M#tW&

M tM o jh o h a to * % iA 6 i tw o h o m o W woo & W 4 # lo m m m A *

foarW * llttlo M Mo 04of WwW* ho Md %# :(Wdh8 tMt bo moeCUy

hod boo# tho Ohil'd for twoMy yomr* tbroo t %» plow he hod mode

for M%

2y M W # t t h * h o m o .no* i W k « M m ilo e t# # m W & womt W &

01# imto tb# otmot»

Page 21: Tomas Salvador| Contemporary Spanish novelist

7

wc» d* ï# WW* wdh#* % An wÆf» % l e # W & W w M & etw & w d e l a v i d a y d # 1 #

&e AWo t e * W # d » l a « ç t e g r ^ y ^ W a $ $ $ # jMKppMwdMa l a # # W k # y l a r e a l l d W b epeA m eid» w m l a jk A e r tK W % % y @ é « # > 4 e l a p & « i& W ÿ h a v l a W w m ^ w w y m aw w w * iM a m e # $ » e s e W à * ^

& # m # t w a W

0a* Wohw nW>t WWih» ## # #W1 Wy WàvW al%)g a

atyW». aws#mg a hmWQ* Im Ma ###* RÜJââ wl#:

yWxAk fhllAwW. Mm* The hey %mt *# ta %* (pwmyW «W

fWM #<À #*#«#& ta 11* # dWwwpW ëwwr* Th*p* ha m ###4 th#

hw#», #l«Ai *#$WW a &#*& 4a# W W W the wW l# It

h k p p m W t h a t h * W éb iw # * t e t w y % # 4 e g l e J W n # » * » A * #

ig ^ t te n e m w tw y # e t ,

%» eWÙd # * t#*M{g*w*«a4 4# 1# %$*# i*aWe*w in

th# fea W# le#* ef 4«%»* Se bad Wwm in mw homml

4t% * « a â # * t n e e n # v W # 4 # y * M * * % m Ü 3 y tW p e m r #

taé Aimÿ# W M# p#ywt# .m&e M* tek# thm «wy Amam lâw W#e,

i f W tb im , !lD#idfih e w * 4 f e r M a d e # i n e n e l d rM n e d o a e t l e ,

$ l t m W e n e m h t l M i l w t e M # ^ t e m * 9#emw*e h é «OwQw b e d

MAwel de# ihllwdaig M% W #& m# givm tW nW**w "kl

e e p l t# é * t y th # t e w e p e e p a * *

JeeinhA* vent te eieit th# eü eaetle In eedw te pÿeteet te

leidHh ebeet terying 4e# en Ma #n### % few4 tW hcy

eenld w* M# $W W k te M* md tb@y heeeme very gW fpiW *^

te^ ef thm leeWm# efW i#iWk% Aege#

"^SW^mdwp# jR B nJlA W P"»

Page 22: Tomas Salvador| Contemporary Spanish novelist

38

WWwm W» rtve*» vhWi to*

g tW" W#f %* & 1&A *fW .W

W w » # * N w w $ ÀM lf * W i # k 4 (Q » # f y&Wa

%%w m& {WUi4*i <wWL# #e# tW tW# tm# #&#* ^ %Wr

@ im ^ W 4 M g * l*Wkp6% m@ jüi 1 W i l l * W t lAwm t h e d«m@py o f t t i e

W o rn » m m W * % * W & v e « $ t o k W N w * d w i a # # o W # t *

# W d W a y ê a t o « # t W p w p l * o M t o m%% W » t $

JWemw i*oW& Wmolf cwad wt W kaW ty mwyew*

#*& tho Wow fOf Mxo. % the vlllo#rA v*p# WWLe to

^ tiw W teko rW # i* tW W Watl#:*- AfWwM*

%tWa roooiwd # moWL for %W eKtwWlmfy W#%y*

%M tho Iwimtdo wg# %)mt %» Me Wtteo

tW #tW#é to# **& fW# M# mm poimt of idw4 th&t lo wolity

#W Wo twwd oot to bo the oWiom of hie mm Wm#e W

Wlwoo# & wW#w «Lt tfpw If M W# Mlpad tho poo## of

WoWll# #ly fmr «olfimh wwMMmw.4o Mlp got i»to

Bwrnw. At tho tm# tdzm, Imwwr, h# roAwo# to bolio# that ho

hoe Wmrod i» t*i&% %wn tW # Me Woo aot We* pwo,

wmwth#!### <W h*e #OimW M*. to #W# Me AHow %«m W M i#

mxro %h#t tw poopl# of IWmwlll# W# grmm im imdWtWjWag; w

A temilt# Mnmlly h# dwmm mP tho tW lAw Mo gwWim mgM

Bolorodo Mil ooa# down to »oy to Mm# *(%*oe #hw* Awi#&*

WWoowo OWftO*'*

^ ^ IM oojii^iljl o . t h # j f t g w o * f h o # < * # W a -

o h m w t # M # t i o # t o o o m w M t h % w o , im % o f A W o W y ^

Page 23: Tomas Salvador| Contemporary Spanish novelist

19

W t W n K# * p # m c # i * a

&w 11# )%0W W» m #pWw w 0#tbÈag «oâ refw# tà

W * f A # $ W w # r W * ^ * % bw M # 0 8 # * » 3<»W # # H m é m W #

W {get # # % a # A * % $ w h * W W # M& p lw a* t e ««** eetO.

1*6 f0r It ;«W imwr oev#e #$ *t %» #@W## that It

wlli W eoet#» te 0*t W# Piw#&«K3r# W: %» jW r* jw>W tWe e«6

W m@@l im ?Q%#WKy #%@»*# M t*y MmW* aWm %m$# #a iRmaW

b y W # # # & m 3: g w # t e W 1 W t # # 6 * % » g a a N i o # % m *e W L la Mm-

%6t #a&* the imy W W l # %We* »## #%r h&m te #*e the

l$ae. MmwW# Wi JW Am#e my mt A%@a

twm# te %# liw of %«m** W ie gtw* a

tie retam w*#» i*#*# b* W w a w y w tlm pm t ih Ü fe w&

4 1 # # T h t# t W b e m W # w e w m W ^ m Ô y W b # a w w m ^ yw m *»

# a » . t e e , W & m e b e tW e # 1# M # l i À y M * W k i t W e t m g

W « m t â A # i e t # I t # %», t# # * 1» gt-w m a # # w W # W # # $

# l tW @ # b@ t # # a W # # a W i ^ m d h#^ to o * f W # t& a t W v a t i m 1»

#0* # lo# t W y %y ÿoemttv# mttm##. I t i# pmrniW# "Wmt W W w

dMWf hi# In itia l iBopiratiom Arm NM##** m the oM logBW of

the %lm 4# GmAtoy,"

%»# 3*gm& ### tW t CWbey m# # %### whW *# **o W om W vlth Mgwrhimm p#tw #$ md ioWgpmo# tb# a m*m aodogly #34 womam i*o ### in %#*# W»n md that after hi# death, he %*# w t # W tW to b##*om b##*w## h# W l aimed* aor t# hell, Wmwe he we# # feel, #«4 # w #!«### M# ooal he# Woo rnndmmodt# mod## rw tleW y to # # ve#t #r#o# (iyjloo# W flohtlo##

' b Bow W k # % . V* % f W W Co.# W * # 1 9 ^ S . ,

Page 24: Tomas Salvador| Contemporary Spanish novelist

t W w Im * « y W W ^ R %#!»**&'.

W <iM %W W W w #*$»$» fw #W y. GtW- $%#(%* A#"-

M t W $ g p w * m # # - 6 ^ .$ W . AH' ,# r m # , # W W $ # W 9 # » * .

V*#» jWüA$A& ÀmW w ## *l#e W «k&* % 1# tWtaemm# W t

$&#A» @Wâd àwUA iR IW^Wy imtll %» <W of mekW, lAile i%

K# #1110 p m w iW # v i# mA bm# to iwwWA # w # «Wi

1«A@KF* a^Wéey @*m# t# W Aor&a t$wt #» $&tb to mCtWiW Im

#w%# inWÜootwl omwwt. for eW oWwotWiio# of

fOH«# mm» 4 #*##' of W iüwWA)* wwto» #&

3 h t W % # o g m * J W W & * # #

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Page 25: Tomas Salvador| Contemporary Spanish novelist

* «

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Page 26: Tomas Salvador| Contemporary Spanish novelist

* M » l e * W W em *

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thé sWéé* é#t thé dow 3éé#Ag; ;tt ép«a béhW ba» W iété tb#

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%Kitb M tlé Té*n*éy a g -ÿWepwélA AéA#y, # é fÂ@A» hlR # i#é wWé

Page 27: Tomas Salvador| Contemporary Spanish novelist

la tma %e@* fbl&ya&GB#»# &a@

##*klag #9&* && fS»a& a&& thlR%&'&# la d&99&* aa& &h*& fad llsea

%à &8 #iàk* Sb» pute h$a3* %#g «B& *oB8&a*p# ealllag a doeter,

1%dk3%üKMdwt%&# 3übdw &%#%#* Se le

tkaUüdk%w«aaj&*lbwyd*3e &*%<#* a# t&# pô3a& o f 3a 33&&&*

Tbé*k%a i$#Cll%dba*& h@t tw&l&a; güboqdk 18b# iBsamalb» <aP &E&a j&tdbeaqp*4N% relAoKy,,

;%*&%% #&ee&*W&*dw*à* * A&db3#mw fup$dWk 0b#a#

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W W tWW #QT o f Mê IDamwa» ew- #)o# eu t A%r e eW e* :#et@ &

3P0*;B*E 2NN#k#e& TB!#;* è&w# 3k%M@w@K$ iwowK #*a*G# !*i*K tw* ZLosak *&t

%%*<wdb#a&,; 3Rü* eüaodtoKft <**% )%*(*&«***% xaodKhdbBgb, #dk tdbet @%i& o f

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a&Gadk» ixlak tg», BBo #**)«# *i*OP &A%ad> twxet !h*gp%N%K#i igadl 1**&3k* ihggr $%> fp&l;

IWbê ISap tb a gwkaMk 2%*%*' <*&*# *%»*%»:%# tw» 3L*adPa

IBbÿwBOggb *tl& t&w> 3#g*Mt W&K&3W& ed&e Tbàqglxgt i@& laeenpaaMk iüaedbf dtlxaser,.

3&* dü*M* ***t jp&XNl idaaük 2w» j# ï&ocacîayc d&gktMwewm** odf %3&* 4RB3&B#*"d*%M& egoea*

doGlx» ia*e laécÜPCMwa. 13;#%** 1%* dElaMaQim»**# * plüpwn&tdb» Taalfk 3/àf4b tgr ta**

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mdbad&BBt 1%* 3üMdc #ck *5***üba& idb*ai %*» %«*# ,8*» edkdk:* 3Flx%a3Jkf 3Beiwk%o#

SMÜ&SMS %w%r IbaCLÏ l&la* tliat, Ixi %*&* <&#3Llr;bwt h* Wt 4b*3üke<% *8)0%d&

ai eaaaSJL «Hkllaï* 5%»*. ****#%%* agsik Tbaa; 1%83dt %w> «&* <***& %%&3jL a*#**Qr gk> *&»*

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OKüb <xT %K&* iB*3w*%k e%*I lïfto S&W& ]b&@act%w; ta** «îocop «BEtawr

t# e , ;W t###wopa& 48#aoep %#& tknmm baefm&o t i t l e d , !k*i&e

t&ê t#d &# #**# ü&a ***&# I t , eeâ *%#&# Ad#3a fopeatedïy*

SoG* a*l@KbGP ledloe ha** boead t%» aol#* «#& be%* coB#

Page 28: Tomas Salvador| Contemporary Spanish novelist

jLG 3L* a&ïjl sdüGSft» %**& &%%* jpuaR&ew» tüb@%9%gdb îBhaaa#

*f&$3iï 4&&a%rÿdlBaE t&Bs #&**&*%*& ifïtüb t&g**)# 1Kb# 'w***#) aara aaet

<WktCAG*a*&#a% tàaagr h> Ibo fd&B

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4a%i*Kf*#p mada#0KM&%% is*# fS&elqasdb&dbB* 6%%8 iBh#* <Rx*4baaa;& "bsr

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pwRwdbü^ML 4 & 4 b n * » 4 & e3 b 8 % aü B p * A A id b a% ]k K & » ty iaa* % 4 âaa9 t* iB a

6 f R#&a& ia&A th * &e#k* %b# d&C#aç9M* 0 l* a # tf& p e aee& eépaaê& B # t a

$&e3#y*gw&er&tl$# #f th# &*y# %hpau#h a v&m&t t# & p*ygkià&&let,

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3%oami*w*<«&idbab» jpaaor ,&f a**9B&t&dl%y&,. Ihe «bwedb**» ;#iwajb&&xi"4W9adk

4BbM& %x*$i (MX* %8MS$)G%k&3f #RafyB*gB*dt *& %*Sgn*#a*@3L jL%3&sa*;a #** <k aN&swa&db <*f iGRü*

odf )%&#* awbt# :8i» #3L#*> %%p<ASifftat t&s#üb la» sgagp thé 4&pjk*iWB iBy f<N*y

twk ##&** (KPjaoBax,

sdisdLti* akevsMpal i*%*&eôrwi*%güa <%%u*rfk64b*M# tdhaa aasgf 1%* «weqpwadüodbedt

v&ta* 4Kb*» i*xk. 4a%*t lip*» 3b»(dKdaa*; 35a*t %*odb iiawhêdbPiM» #*(>

<B@C9#pd& 4Wb#P& IBkw* ***%; ià* %ap(hL'db#gF asedk *& i&aybjüMXt ,@jP %&i*%w:Obo*a&* laodbedGgsw*#

Itew* iMktdbaa* 3a*a9k <uod j5badk* og b jOrog* «k iM**o*%*yp#af a%9]j»#M*e#*a*i t#&o Ihaa*

*& adkgaas zBsaof iG&w* îxyuwpe jbe -ülü&cdk 13»* *4W&xK32db#di Tçübtswgr t,ia*dc ï&cws»

iKbakt 3»#& aa%*#aarli%g "Wk** %x)3kK<w» «Ne*M*pikgdk&e*% )«*4* taxmg; *BP«K%r*3 jRwf ads

3kwa*yt ibws» dbay*; txedSar*) th# garis# <;g«K:BPe<%* 31%& iwomaGXk iKhdüdkài adh» eaea

jk&e%%$dk(%r ta# saazi gü!***!# a!b# ###* it)** «ygpdlnfk

a paajbe# eW hrW ee# a i# tywiggkt & %*$ a woom

!#w* t*M*i ;;t(dh*N*a, «cD(% S**:?»!*»* Tboarfar t e 4BbK* #W)*wi*, lÊÎ*»

M03#wWa W*m t# tkb 95# Ajpg^c**# ##w@b tW W ##

Page 29: Tomas Salvador| Contemporary Spanish novelist

f&BÂ tgrg&ap tw&lBf jy#Lüa1&wyB@dwBût#QB$

%dNd»%*%&*aayh*p9*8*@* tb * b&@B#ba&f %#$ f%&& tb#&

jWbÜa&eB a&ea* *&**&3»a&0d%HP%K#*&tb*y3aa&& th a t

3UbM#3&%&# h@9#* #Gf awaa ü&9*jMw%l#«Aia*a@m&#a G»**a la wltb

&*# #4#8*&&:aBwtbe<wÿ km#** hi%;aw& "Mb»

jüpdükàëb** %#**# #*#R]&L% hü& lWapi%MWN&3N*&QA#*e haming

a#W b*@ 3d& # % * # & % 8

#&& %*&1* t&# gollè# th a t th#:#**** pa%# igiBatebaa "bat th&t h& %*&

t& * B&0&a@ge e # *%& O& aee** b#eé% #* «&*# $& & te* * p & h » b $ e* 8 *

4%aesdijR&#A 10** ad g&db dxf #i *RxdKEÏ@k lodP sr&Kw» #n8Bk ao& ibedUGOj**

iBbi# g*(n**» <%f IRbdù# ikasnB*** *ah#db 3%Bt4dbRua iBa*rk&*RB@dt iBbcdb

*sia :g%?kb(8P tà9*%g#a l* t A3ktc%*Bdb», i&e & jpGMf&apl sNRÿûbpBqkak» &&3&%a& SSBea**

j*àd%* <*)& iPaar iKLl<ü*a4%*,. %8&&3ü» &w* 4b# aAüggp* *«*a#adb*aN9 iBbwdb

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d a * k w h # e e * t &*

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jWlMw&dthaâewBd of *e& p@ K i <nN W 3M B »% 3«& **t*$& 8doç*v i%odb%r

the ooafweioB ##ve*el of the mao «#ea$e*. Betehea la eae of the#*,

i&osf *%or8dLedb*3cr «KN&wWwftwk;, h e dj*edk!«M; 1%> ibg&a* j t estca* jba <& jN*8%s*çüba@dL#

%*eshSjüB& IbEA&aMk, lWhdDo@e&%%; tlaaS: î&to tfiSUl faett l<*G3e ftx r TbÉxa tabesae,,

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SxKwnïZawg !?c*%eek* <Modb#%;$ fskçjüxtw&f* iB/dkar &db@ <yg*k %%%?%* jü& eülsraaa*,

# o a fkC tl# gwaOüKêgp ea# *wp*gi o e 3b* -txaweasegt $&** ibeKk, %*&&#%? la*

#**ak*8*b i&*e3Lt%y; #i TikgBB* !&a*8*et%&e%% <%f jR&#Bp, CQb&S%*habB|f hdle «M m »

Page 30: Tomas Salvador| Contemporary Spanish novelist

3&

lb* 4Wb* ik ; jktmpedftdkgpfbak, *;& )«» jbewwaa* «mmodr IKki» **a&&x%#

3&* 4N*»#* 18wt 3bsdgr jpfr t&*9 W w w «&:%& Ssaar **$**@4» 1&83Jk3b%et 1*» #& ]pe3ll&*BB#k*

3%%*, edüFaüsmr a*e**Bdbe ik*** j*iww&n*+

3&adNoai:*%*t*aMEKB IBbdr «dMwwpi&o*** j%p<N& j&dw&GKik»# SB* 3%»a* iÜMâ&a*

%a*t*dbaà»*e iwi*» IwaSM* ibodWl %*ix* t*;**} 3%»t«dbwa jbp *& aaKSj&akî

agkO&NBKK&o m )d IBbad, $*» i*& *3h* j8%*#%db8&t "GNbBSjl %#&&:* 4w* aca iwrik&l*'

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Ibdü» i#c*8*@ &dk 4k "Baft IGbid* #*aw%QiN& 4%» sfadba#)*

ibo laeapgadLf 33b* sSjULeaKBlha %xg3Liew& aar* p*M%a««G4C%y ïtekÿkdüBg; tg» ax&dÜL&3kwa*dL

i&tfSWMBBütdwBBu, 33*880# 1**# idlik* *(b3ü# 1w* ipMMBBBMk *i %a]«db#ggp*;db **f SSalb»"»

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ibkdLdd) paülijb* elü&tdüoaws* 4ck <so* edr tdbaaa» k&w* «d&fybe«R&#d&9h*db#Bf#9* %>**

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iB«Mi $** 3ja#*N#%3Wg*dh#w. 33** *#*;& *aea*<%&*dbe&3F ta* tab* IbeawpdWüma; h#*#*»,

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dkNS&r# Slaogr laalok ifSkftaMpaat" wdkttt ta**a; t** jLdbNBtdLfSF 3a*twstNan* 3%oar

«NévüKMül **B*$re ia** **85 %mdLt aadt d%&o*#3ky «Kwa#**» i&KdSæa* goa;»*

,889* 1*0*1 arGsg* ):&*&* ]RtK&p%Qg***i* 4*or& <%f ik&M*i3r IdLdktBi; %(k*Mse #**&

tarda** t& SKBgdteNta t** Bbitadb*# IWhsct h * lhawi *aedb itwaa&ar @dbo&dbe8S ** <dbd3L*

Page 31: Tomas Salvador| Contemporary Spanish novelist

2?

& dbai %%&oh ber papeat# ba# oa&area

# Q P M d k C Ü 3 r3 « d b l» 3 aek a i& # b e y , l

9b Sa3*ador #db&*ve» & gGê& bdlaBë* b#G*w*a tb* eetia&e

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Tb#\à*&Kl&*3i&WMadüdWeme e f the teobeladlsxMMawHMwef erla#

d#$#*tlo& #** ob*le*#ly beeed ee 8#l#ad#r*a flr#t"hana esperienoe

ta* db# Ihe laParmatloa whloh thejpoaw&ow» e*a& ]ka#3M& jRpoo* l%»*1%apdüit#i la# adbete* iü* 18* ]Do8Ll%M*&xqE WAmple*

qpa* ibexwgdlü* laaai ldk&* ar 4 * ##%*& 4%* I&OOKfldha **%< & * # * » d e jbM m e% üpF im a* M d m * & & # B 2 b q & r* ü e j* & % tw w d **<%*#&* qpe, #gp9R&mm&Di@MKjUbw*)%*t*qBie8do le* te* lene# de la# hmell##* iW* 3pMKndü#4WMM# de alla# eoBoegoen" ela# iBterewwdkùübBe* Pbr ejemplet <%#yPb»tNqMT m# *1 peee gw#iaB& p MMWw&jLbMmi ewwdaek %d# qw*hf#d& #e :L&

Ifh* feeder <&**»%*& *#*01## nmtll the eod that E*t#h*Bl&al)üdk aet#a%br]dKÜkd a l l t t l # g lll* A atoKy 1bwMw&4*t&lA blad e f oeaA*» aie* Mogld b» d lffle s lt te writ# la Bbglleb, ehlla la dpaalah both

eod W #|e% are faalal#* werda and the rea&ep @#a eeally h# ml#~ aeorthreagh th * %#* * f th # premoga# and ;#&&*«

2B#l#*dbr, Ibad#* 3&f&aG9G> (î&realeaau Ig la de Garait* 1953), BP* 4"?

Page 32: Tomas Salvador| Contemporary Spanish novelist

dh» awKpidbak,. îBe ÿMarguagai dhkïfBadai 3j& ]W&a*N& **»3%%adhBndb* ikeawl jK&**9g*ié i&ea i#&*g*k* Ibadi &%wAe&*%db8@i <» le** j%BWt 4e*adh&&dM*edb* <B*edE&«*& jbP:q%88]bB%xa*adb* *&* 3l«ipeale& A a » Q P * ü l4 & * a& % w aa* * * d * lg * a* & %* 4dbm*&.B#1 *#ü|pa&4» dkk «w%p«db#*,"qp*» 4é%& &*i s**ajWK&db% 4&*3üm i;^M am ga # #R dWA #j($ é e 1 » p jü W » * a 4wm4*1 *k3«( dbk 3k*. aw&Btawp***; %M*adh* dh#d**&!dr i8&& spe#:f#*i*db&#3ba# i#&1b#BWLl4*B #*$#*« <%@a :l«M* %%&#*; jh*D*w*8 jr %&a#*&«kk $*#dWWe *o&epqr%B»iba&*$l@#3*B&ww** iWdba **& I@# pl*e 8#pAf*&@# 3F Ü&en :&& j&liWadbM*mara*! i li6qpdk> <b#!W8Ma*<&wa*«w# 6* go## 31 $ 3&# * & * # * * *

9Q*#*Ndksi*#dk**»e af de*# Boteaqdkdb*

gbptaüb#****; iaoiM&tjUoKWîl (%N*p gdf gaadklliM» 4*p ipea*!**# lOh# DlMNMKadbWk wdkt&

IhD a amwk. eamMAW 4Wb* ]m#dk&inK*k&*#k 4%%r t&wk SAxdLB*#* <*83) eüP

%&a&a*k t&M* gdbaaqr db*w*l«%>* jsadt id) tmacùka <*#*4* *wMN*##k*%gr* Bbagp#»*

3Ao@%** jPoap t#w* iPàdNdhar 3%) iBmmf idb@r :Badk#à*aa has 38&&if IhMa*"* i8#db**N!@ap

db»#*; ait&t* iBh*L& ]B#4w*b*& ta*#* la* lah* jüa the (Rtidll

%&BP j%od Sübed) i%» i*#dk *K»üB*!«N& idbawa 1%i#i *px* IbBj#* ep»* B%* *&*e says t&*et

3&*t*db*wa*<4 4&*w* #w* «t edf *w& aübB@Mkdb*B# %%&t j&éww» %*1& sük&tw»

idLwwNESgridbaKb iw&f3L9*WN*» dLf *a]p# <8118:*#" edf 38%*** <y»#wati; Sw*& i*g*a&

laetwdbaaB# tCWamotydh lb# ïBib3a**b*w& tatad) bdL* 3P#«Qr adf S<* a ipiMnald»

*f %#t*b*n** %ar **pe*l#n&8# #md en# amy p#fh*p# *#*#*# th * t t&#

a « ü & â f % a # ;q ^ a & &* * &WRtelb»%&B*

la **db4akM»iWW*g&*ggg@F*$*aaw*t#f, p*pfWM#jae3M*&idbMk*4g%*8

<*Bdkl]r !Mkg%pMr&*N* Ibt» B#it*üs#%k ai i%>al <»f lb3a*0(&* IboPb dKhi» ftaedb*)* dœ# laoit

%3&«Mf jUr jLt il# bjb# <*#;% er lüharb *f Ibla; %MB*dL#f 11* «wmaR* <%*#<» tüh# iBtWPdWBPi)

*35# <&ex#Bijkt*N& i*W8i ik adaBBip* 1b3.#ea*3<it3kl%qg 3a*#1%p(a#i*y&, i**%& 3a#tw*b«GB#<*

*t*MMW%i#:k #w##aw* 3ws Tb# <s#*KD#M)t*kl tata* ai 4*#%» «üT gp$i]kt»

Page 33: Tomas Salvador| Contemporary Spanish novelist

Ib th # pwe&a&e# aslsada* g&mee * jdwapk

M *W #al W*@PwW fiar th# yw* 107% ia the »W y Wo#

glaae* 8» %h#& gG## on to #gy egaethiag #&eat th* &&#&1

fb9%d#d *m 1844 «&*& t&* pg#p*#* o f pyoteai&Bg ro**! area* is

8p*a&* *b# #*B&e»e ef tb# G&v&I @9*ya &*ma 8#r*#& ###*& y$ar*,af

iM&litary aaty 3a other er*@# an* *%* obligea to wear their oalfbeme

ocma&eat&y* 3he&p live# or# highly regulated*

6oe job that taw Givil 3 P?9 h# to do %iee to eeowt

prieoaere fro* w e pert of the ooentry to aeother* ihl& wo# oallea

o&rri*8 out oa foot with two

gaerae'w&tehiag'GP to #&* yrieoaera* I f * #pi*@ner eeoopea, the

(Wbdl Cberd# wore lie&l# to hi# gwaishaeBt* The etory whidh fellow#

oeeoerB# ooe *adh #euera& 4* ppeao*,* The two Ouarae era 8er*ple

Bedreee Beile aa# aHveatre l&ula Gorvioe; the priaemer ia Ibao B&ae

aeaereyo y Argeadoaa* The joutaey bogia* in Mbria# a* Pered*# 1&

the grovlaoe of leda, and and* io Vitoria* the e&pital of the pro*

viae*(üfjÜL*Vâ. 3&» jk%umh#y tehee edkmma& jleye eal of oeoh

aAy<M*etihd** <dWqAar4#th*]Nmel* j# that*#iB&b#of4Meb

c h a p te r iUMwa* w& ieh e h o v a th e #&&#&«*# <%%%#*& t h a t d a y ,

38*$&ée# awm met out* The pri#eBepl&MMg*&i#üt* two atop*

ahead of 1Ww*(%hd& (kerde* with bia baole iolwB%hRd%btw*l«d hi#

tNK&k SRwoever they go tbBM%gbeTdÜüky&t&o Qüarëa oeo# ferwami

«Baewab ta%e a* elbow* Be*&qg]&%BWM&4aw»iiaie*e% they rel*w*e ldb%

2 9

Page 34: Tomas Salvador| Contemporary Spanish novelist

30

aaa #$*p back to their Borner paeitloB#

P*@p*8e &B t&e s&day #f the two OwBpae oaë the load*#* Re 1@

«&0W& fifty 2$e*& old# ead &a* &%&(& aad faa&iy* &&&ÿga%p* 1#

a&GB& t h i r t y y e a r# o&A 8R& g a # a rri9 & # 3& *y% sl& fb r ty w f lv * a ia g te e

o w t o f a * # h &«*&'* th e n r e a t f a r f i f t e e n a i& a te e , d g ri3 # w & & A & tia *

G aray**# h # 6 # P 0 ffa a r # t& kea o f f oaG t i e f e e t a r e #h##k& #8* "fhay

bagi# trB#aiiBg4%#0h)awM%tRgi*t<M8Pdkw**«*S etap eadh evealBg at

#9B8#t, #h#y try t# 9&aa tha&r eohedgle #a as to h# &m a a&o&»el##a

4kMe&#&«M8Wk%# ast&a* th# 3ao@& eff&e&al# aa# ib&B#e j&NwgpBj&Mp

the a&ght ia th# olty jail*

g%* Goard# ha#* aaaey far faed fo r thMm#a%*eei&o&i&wngp% T**t

it o&iy oo*er# the her# **oa#*it&»#, Gaoally th#y do &ot atop to

hgy Swaoh# hot rethar oarrythedr food &a th#ir ma8 bait

Ibfj» atream #& B&&@ay to *&t* TheOoard# #r**a%*#t#d t* he

theroagh&y familiar-with the lap# threogh whiOh they pa&# and

therefor* *t*p fro» time to tia* t# i%g@ir* *&#%& the heet .reatoe

to W»,

th* aatiaR of the novel i# eeea from aeey different polrte of

#&awt *r*?#*Mtly the #iewp*l8t 1# that of aee of tha ^Barda or of

Garay*» Gaaetlae# 3*l##dor let# t&* reader *li#t#& la# to the

thoaght# of the people wha* they paea* Oth^r time* the people atop

to talk to the GoardA, loo&lBg with pity, foar or in&iff#r#a@# a t

oarayo» OeoaAiaBally & prleot w ill eire a few word# of advice to

the Qaard# la their aieelae Of joetio# o& earth end oaoeuragaBeat

t* Garay* to h#*# fa ith la divine meroy* A# the three trewel dlang

ia##p<%B#lai*d3ar lad# contact with poop&o of varied eoeiel claaae*

or coctwatim#»

Page 35: Tomas Salvador| Contemporary Spanish novelist

@06 .day ÿesBg aoB fBP t#&ag

aa@#h#y *&@e %ha Qo&m&e g& ty vitb t&air ppipoAep, S&» tàlla'bwr

666 tb&t si&g* he baa beam *6 &&&, he wl&l h##é ta #o «&tb tbe:#&9$%

G#a*@B* 8%* tbam 6R&&a est ta them to- *@k. &f they yil& take bar

l&tt&e%oyaaMgri#H3%iaMKs* j&tlvafkpe v&#%* mmà#&6R#a4*4#M&tlNbgy

q*K&llb&1b*dk:aAP kB* t&* ae*& &#&< #ba dbll# 1* ee a%3s&dk*watayd&

t*» twi&3k itÈ;* %*w adh#» siwBO&ar 3**?%;# i(aM%aar

<%a «waaét&ke*" «waKw&iR&e** iKbw* ##*db* i9*w& (BaapeaF* :R**ad& 1%%*»

tdb(f #dP* **Me*s*3JL6(f iKkw» eld pamvW e edp l,*daa+ SRbagr «*%%» gdb&jLo*»

3b&(pladbB idkw> tu*#*# aet ie%t be 4ajka**%#*r idkwdk ifetf&ajgw <kf iKb*» «a%edbB*r&

)W*ea8«N*e «ajw&laodb #ftd3Ll areamedia l* i iü&adb apagpia*** lAbmgr dumnrW*» iKha» Chae&ie

1x> {**%%p aek* (KMhair labe** <k&&*:N**dk##* SSbagp Ikrgr *%> xa%*3l63k*gE&«**l

]p*<»tOb*a* la&IKh ik&N* f&aewrdk;* Ibtdb the jk&ta&mar ko xwdk T*mdk*p«*taBa% etaa&H&ax**

;ba*#Sqpa%', apasaewdk*» iabeib %%&* gpraa&ad&KlWtmar «awN* *aj&A iWhMkt t&w& l&ewrt iLaaagae&gee

jb ; 4b%w*& %*%idab l&ew; 4dh** jSmsewmdt jb* lahw; Gkwwpdk; *&%%* jLagMPjjRgb «*o*&

(dP IWha* e o M lm re jpg*&jüWM& GhKreqp*» !b# *k p p lw m e r . lï&e (Modükgw&G#»

j*mgm»$ %*%a ieqpaort*& ##*: jPOa *1)a*gp9i*de i*elb*a <%$**& twee g9&aad%jbk,

edt <bm<*&)r 'jfagpawais* Ihei mumpdbM*** ]L& *3* awtadl TfekbmMpOb& 4*w*ev*» <M9gN»

a *

On Idhat ska*' adP i&edt 1Kp<*K]bd&! tab#» Swkiai aMBcwGWop iodP $%NPb;p apte** t%> ibhw*

0&#rdbtav*r iktoell t* manddp* !&*peo&bk6f tb#

ifl3L%Gw;c i&GaaBid&e*» &dba 4& la lt, eomeagr tNemew» I # (seajle ibdUe <&lm%5&r66lb tx&I]L&

1%p %*88#&* I t jb* tübe BBW*8 f*xp aRfOPNg saBR D*: t$wm ifiJ]l@|26 tdbo Ifl

*SkCLiü*a#r, !Beam#a& $&Êgâa#&!&ÊljBE3BBiKt# (BB&aM&eSkoiUL: lEodL# d e(k sa d lt* %<*%;), p . #

Page 36: Tomas Salvador| Contemporary Spanish novelist

32

*P&» ëa#9A 8e* %&#&»'#%»

% #aie $ a % iBg fB T ia g t& e *8&&*e a«ee&g&* S a &e p o l i e « a t b ê b a l l -

r e p a s , &é'üa&G&#8 t h s y#e#& e ceem ü # th e a e a A try p e a p le ,

$&* yoo&G B & fle , th # &8&t t&w 2& Y il vbR&as* t&r&o. .#&8%%AP üo&pam a&d

the tw& &t&%#gap* Wha h%w* arr&v&ü $b& #51 %Ar&r@ «wc %9V@ corne te

Baee w&th t h e ï r c&l&a&gwea*

%&a&jÜBg ta&» jdnaaswgr Qb*r*%yo. *T&*3b3*# iKkdt sMfsaïtàt <&f 3&1#; 3k*

i*&j& jbai 3*àdt #4#&o#8 i*&p4b jüi IBbd* jPl%i*6 adL*j& laecr <*nd! 3h&X8&i] f

*sk 3d8S%> ï#àt %a**grii*a i& ic&d&ewt **&a 3&a%iPQxdb<B3At* 33b#%f Stea! a5&*%* gdh3üb3ape&

*W0(& %f#àP* iaawrpdLe*! tg&dÜrSwoaas 3pWKey& «fb** dWtakl.* jlfMbaor taharb %âa*%G3P9

]&mx5iaaorF%&#<* iSh*»*» aioan* ikjbMws* iBXa; {xpeüssüat sdlfts jle #1&3& Ldhfjüï#,

$h* )a*a& %M»iwo j&(M%ww**<& <*f !Bi%ftk»*dtA4; tMOKNWK» lal'Üba&Wjÿb &ii (w&taig&jjsar

*%# IsGB* (waOky IkaüMwpdt *&&***+ 1CB 4B*se%t (%f 3b3j* swcfëkMPï;, IB&w* laaaaeaK T#*e» <i.

aKpgMatdHkf** sdh** «w&k%*g ibiae iBaor a****» aaof&agr tühaa* %%e iwsa) tK&ZlSjbag; t** gpSim»

S***»* jkb jp&aretk &w» T*tA*ldl Ibag; Ssis' tw& ig&iMe Izi a/& Silai sicikaakf (uadi. iâb#Mc,

j*t *; i%tt 4dT lüldkBct anagp* ;*KK& jCet*#iape;ti**&, %*@ !wcR*3;t ]cI3uL IbGür* îtle girdbBeM*

Tb*M* laadk* ibl» *adh»)K%*mMk aw» türkS. asaor ja&ac&dbKGdb iw&zLe&i

p*e*w*k*M* ibdWo maar lüpdLoff ÿa& «ana* 4>{T %dLe elktawolcé <>&' &*%Bdladk&a& j3gw%3k&*-

]h»dbP«MiGu, 1Wkw& aüXw&a:» awoO «*%%%* <aa3pes"$*asdh0d cdT IKh** t&wxkfsk;, l i ) îbkü»

loata Td&K) ibBù&ew* 13b#* aaedrt jppiMWwcdkidwoMk tfïiüb iGaaragpo* Bkr apaoü&jksad* IKhat

h e h e e & jo b t o d o eo d tr i& e t o d e I t ^ I th o w t # o t t l n e t o o # a o tio & a l3 y

iB90&ve& * it& tb » 9ü& t b e t r i p &8 ?a% y b a r# o r h&& 8o& h e

1kbw&Ai*gM>:MGadl%ÿ' thae @Hva*tr*i Oa th* vey ha te l le B ileeetre

p&4t@r#Aope etorie# a&out h&a graaafkthee* *o#t of theee otorléG have

eao ra l» nad Silvoetr* lia& t* ta* to oa* a dey, Bÿ the a&eth Aqr,

ÿ e d ro e o l e b e e lB g têcwA&e w ith iB fla o B R tlo # o f t&e. q p ee* T k#y a r e

Page 37: Tomas Salvador| Contemporary Spanish novelist

th # &%#%* iü b iR # * a a # e * e b e s e e *

;* a M * |# 3 % # tA B a 9b@ *#a p&kt# db& db1bd& & e1% )4% x#& i$a#i#$itat& eB +

e o t b a t* # t& i&#y* Ba&nü*>l%MMNaa*## IM&md e a d B efv eo » the&

* * $*%%&# dew # *8& *w@* &* %&&1 @0 a o fwrtbar# A* « ad b # d e c g e a B t e f

'Wa*(kw#aia%p*bimB*t te g&te qp and i# <%%#&**»

tb # &9B#Mgr, i& ttaw R W w m t& a#, tb # **##*#%& :*dbMtaw38W #p*#w&8 f a r

48%%*##%** && p*#9d t& b* w&*&%%d%«ü**«d 1b» lb* Apport inf the

&&*&%. Qgapdi At f&*#t he leuguit# *aof&d*Rt th*t Qerayo ia hema&eaa

tw tw & a a h » f3 # d # e o & e e a a t ly w b a t & e#8y* h a e d e e e , h e f e e l* *

e@*B* hot eteedily @rewi«# fear e f h&m* #bie fear abarpeae eo#

m ig h t w&#8 th e y * 2 # fap ee& t e f& ad a& e& tey &o * e w a ll teeB 'dhm &

e i g h t f e l l * b e f o r e th e y &#*% re e a h e d t& e& r e d h e d s le d e tg p * A H v e e tr*

efraege* to wateh &e%tyo the f ira t half ef the alght* bot all*** ]b&m*

ee&f to fe ll e»l#ep* %&*#* 1# freot

« # id a b * r i# b t« a e d b y t h e iew hhM R*w»3W K & laQer#ye*@ eye*» i&KbMWfhme

ld W » * d m * ith th e 'b 8 tt< d flM W @ G * k %Be*%&8gih&*qMM8 ï td y e a # l a e i a t #

on kwq#*g &*Qd th e re a t# ^ the zdght*

A# the three **& tp«*#l alas# they gree la *a&er*taa&&R& inf

themeal*** aed g*oh other* dapeye, *t flret* he* no 18** i*f eeaaphog,

bot la eoateat t* gp eleag with tb# Qaerda* Wb*a he peallee* that

they kaow #bow% hi* erlae* hé hegl»* te feel * eeaae *f payer over

them, heeao## he &*ew* that they ere #»*& & llttl* &Gm&ai4%P]kb%

4B%*w#wdl3r3W3iMwdaN %&*#&» eot&ee* that the Oaarda ere beoeBlag

le* la their preeaatlo#* he prete&a* to he eve* mere ew&a&BBlve*.

3L&nk&Bg for a ehaaoe to eeoepe* aoweeer* the eig&leooe of the Osera»

Page 38: Tomas Salvador| Contemporary Spanish novelist

34

iqwBRBBGk* «tfibear awMd&Êiag il*a t3b# axaadt *dlta% 4i <%a$ftadl*L edf tab* GihPiCl

lab*) jMSKweeMP (So*)*)*»**) gCkaxwa i*B*I jbodK&PSMBlZIar %**pKw* 1&9K&p<B8@ 'asdl

j&&lwawÿta%*# (k* <i *Kp#M*dk«â jbijgb&aagr t h o teoit& i <&%;% :%dN*kjb&g; adk

«P& <&%(& sNNBGwa, t@&&%dkat hst <*&*«* tag* !%&#«* cwP iKbw* 4%üp**t lam aaa &*» iRoaM&egpmdÉ

eamS* *%%&**& bgr «a% <>*4ar;*;%*KR*a;# iagpuOles; t*& <M*«N*%w%k 1&ay&&Bu& l&o rw )

sdB&dQky <Sa$mR iBbd* &Kbg9%w#aF+ lawdK *(» iardgppèw* igy a&lJbeswf&xMs* IBhaqnaedrtaar

ta» $j& 4%alB& az*a «Gosdliih, IB&r t&w* t%&8M* t&wagf **%*#$& 95LtKaK%*&, 1*@ jPewGLe <&

gghswdb <dP «*** 4***ai i*Bew* #wP*%MStüLo& jpgw» *%&* lOkgkrdba*

%*& *WK*ww» Ik* GbesMp* t h e eaMBsodltaF <üP ibpsnfeaL tw> jS&o#* hdb*

(&*(Mbl*Qr iba iBktwKPiak*

3&W* la#e jSaRMOLiOüNBPdW; #db a&bpsft aBwwdl %q*pwyg8*DMaw* #**& (&&Bdb»*db*

<%BP<qp*i» tBb#@r lwKpdG%y ,**«%»&*&*? ihjbs &a *i $****<%* fwalKH iWhaor 3.****

3%w»t iwtwit Shii; dàrÊa**# ikit* *%*& iKhamk. tdbagr twqRjüa tx ) *M%gR%pa &düe tdlt& i ai

3%âai%*%%» edf ***% tewwwadbwMM** AjPtawr «âbeimüa (XaarB axf "kPscggdLlxyp

i#ta& Q m rayo, tabagp «waew* t%» *%**%* & %dbad iéd" agmagMxiaxy laH da S ilB t

«dWaaesqgb Üh*%y i&* 3n#db *8xa#MP*d&@*N$ tdb& t dbAeiR# la*** *%» 4%MBNdlt %&** 8R%ptb*M;*

4dk 1%t*Nrdki lübegr 4%k&*( ï# am » tk f td a * ; SkiabmMKBea*» 4k* 1%&$» ****%**&«**, jPSzai**

f%&B**a3kP i*ltafi%y& iWbdk# a**%k&

*W&3Wf at (kayagfe» , + iakw& faxC lxrttat 3w*4*&aR*aüW& db* ;%&*#» a iksdbBawk, #b&*t%k la ; dk*lj&& 4dl *BB**8*dk* a d * * d b d l i a f & U * ,p*o@ dop) p e p * *** OR bam bpe v am o id o t a p r a ia a d e , Æ awtp»**«& *, * é 1 # &&&&#»& g a * t* a * a * e ir& * q g # &a jw #t& G i* &* ]k*lM m aaN w 3d»t% 8dütiB % W K b ;* % * q g * p o d # a c o B ftm r # a l a im ieee& B eea ia d a 8 &o*» M ka, e l f&& y *1 a& bo* * 1 , 8&&v*a* t% * a& w ih , # 4 1 # # * * 9A 0w #êai& Bo a e h f * a # * i reg o e & l* # @o#*#**2

At QpÂB the thra# &**# etegped te imgglp# tba&p l&o&t&Bn 4%r 4&

#&%w8*&Mf a* a » d k @ *#ja9# ly#aôw @ b$ I b a * # ^ a lv a aw p # . B » 1# « B e v ia e e a

2% ka3$d4*k a*b,a& & *» e* 3$5"& 96

Page 39: Tomas Salvador| Contemporary Spanish novelist

jü* $)& ta*e iLSjRs <*? rwB%% aaeë iàïaaeanL

&*k 1%NK*3&# %M) *%B* ;p$g%PQMa&4dba#; t&M» .TmQ*dk *M& dkwü** IHXa: aadbdWL&oa*

jb& 4%» foa&BB 4& adbod) tdbl«a* **&3JL 3w#9**r ifësap *m%tk «arewt t%%BQqg%i %&dL# sfogCia

4&eaft$*%y !b&@ ]jbp*ùl33%pe## If)** Chaoaüle 49«H%0jb&9*» tdüa 1ba3:r ssod say! 3w*aap»

au* «MNo$* «w& tawâgr <%u& is#4& @%as3r* j&âdbeit* <aa tdbedkr wagr 1%B0&c aSnosi

btKxy iwaam* axt ta** adbewgBedka*» *a) idh#@r #**8**.

<%p $a#aQg*k. dût mm** s** iBSssiyww# .japaks***. #*%2%k* _ _ _ .

**6ù*pd& 1# 4B* 1Ü0 3n*]b&to dW» djetgedw* skaojLA#»:LabBK«M%;*];*@Sü9,* ,MüiSb#akt aü* v&a*k <&» %*,* eeapi» a,, 3k& aN)*ab»dWMS )@#gpaabkl*K 4%t <dl i&llWL*** 1%*%*xiar a#dt «BlgCb9 IKaOC#4** ib*«db& ë#iio*» @p#a*i&i*ke <K(adLl*K&, '»é1é@%MKB* ëx&o, Iba,»«edIN* «ül tÿaMk e<RGdi*»e@& :& 9*1 i& ;%&*% %*%#<M*adÜ8KM* 3r *haf3%ÈtdKf#q*k- <a*w#db» )$opdük# dkt- P*KP#k$9*k» làft»» idicüK&Sk àk* TfHKüfiük* 831 SMyMÜWaPk* ;B«w@ iSP#***M*n4B& *& IzetH* jLat%af*M#aa»t#M* %N9***&eare#!Bdb*a*ape* $iM*tMnp*ak t*& apW&WNMwrdü» dh» mayjkadkw* ;*a3aw&jh**3f *adbdkb&3MqpMWW*Bt&a&*B de &a a*G&*@*@ #ae#l d& 3a 4qp*B*# meriame** &e&*#a@y#e* *3a*&d*8+ sA»@w**i3#p» b*&49*p$**, &#ef*6o***, *o&a@aa*# # * 8*

<%g*k 4%Wi& !Pww6*d* iNax&tawodhd c e n 3be*t (paaapdUL##» iBü&dBb *%E*% jKG**%zk ar <wo%k 4Ü& ip&imiM»***)

ab&aJBBj&Gof *%&** v«@ry #*ioe@awdh%]L jba 4&eqpl<tt!bG(; th e 4aoaara%ft*mM*

qf tha %hr#e fearoee en# 813ve#t*# ae* 3#y@l «*&

&Gdleata& t# thalr datle# a* C&#H Qaarda, vlUlBg te auffar hmeahlp*

1& their work #a& laew&ta fro# the people, bat they are a&eo mary

ibaaaa* Ba&ro** 1# m &&& 9*a wb* like# te te ll remb&*ag eterl#* ead

whe b@éoB*e tlred fToa tb# leog jearoey* 8ilv@#tre la *er* e&tbwa&aet&e

and towerd &&* 3*b* t* froa t&e eBperleao*

ef th# oiaer %#a* Threogb tbeee two dbaraeteFO, Salvador triage new

ina&gh&e lat# the nature of the largaolaetioA of Givll Guarde* idb*

,%%&***** D edero* 3V %* *gk#f&Mmgbw*<&»1B*a&e S a lv a d o r ," 3W #^taaa ( a r t i a i e e e m tt& ià m iw ü H b a p lG y S s lv a & p r)

Page 40: Tomas Salvador| Contemporary Spanish novelist

jpBübaw» Igp iwBu&o3& IljAMdk swodt «q»;N»eKi@Z&l3F lühdt enaaîLlIsy (OdT aw*R iw&w* ;s*h34*

1# 1&tm& (*&%r&3L (baaapgL*

(&B8d&*s&%*;tdü%e» fS&a* 4kf%5*eib <&# 3p*w&3jMgF <%?** tab* asortKgkwiggr d&HxBjubaK*

<&eü**8K&;ybaa5B8; *%f %%&*& 3bB%*I IxbasGtygb iwhi&8#% *3eda*«w*&, 8WKI*N#ddbp**, 4*a(* C&8*ii3W&

ikpewpgüL* k*]aMadk*r .la fSnoBi tate spaxrt <>f *%*& laBwa j&Mkle

13**4> %** %3%cM*a iKba* 3d*Bd& w*;p i*&3L*

iK <*$*%)«%% 4Ül*Baa:%& gcf ipwaqp***»*» &a* ;*POMMldkN& ik&asetyÿb 'S&w* t8%aa%aodb*%r

of <3%*%gf4f #1ÏM» IWâdüdk;; adbewük t&i# 4MM*8gp» j*oàS ss&twdha# l&b* OtMKPck*,

Ibegp&ay; (w&twâb iGbwoa 3üB *i «wKïidLe*»* sGaawigdb*. There 4a& ta%e 4*vsüp 3%p#sM*Bd&

]p*4MBaâ%&3:i%$%r taMp& 3*%**? &aaaaü&a%f& xaesr dhawaM» (%#»N%ys> t%» !%%#%» ew&eiü&ear edWawaAc

#üf !slat S&kXadS ]paiB& iwodl %*shdL& jüp*' ïdlïIL&cqg* Ae thedün&iN) IbacwBBWN) aacaü&

#G#&w*8Kft«k; iüçKî êbeiMot*** imggp# oiP ?%&# *üv&«a)tü&3k& to %%&@ <%*Rg%a*ü&6*k*

ftWKXdbBwf Ida* jîedbtwMf aiagbit ü*yt ik&M* iBPijs# (&aa%a@o»** «aasiaeew*

faàp #w*esgp#3&6k @gr «kttüNkldüsjÿ hat* GkRuedü# l*##****» aamaadbaar*

Page 41: Tomas Salvador| Contemporary Spanish novelist

jgwggt Êdi 8%s33rsK&oa~*i; *h*mar iwemRsSL*** lEt la# <& jri<ÿ&3b*KM&3j&&;*a

«K5cw%3iP& of '%&%* #maWü& *%# <%r iWha*•|^Wr'W*a#egWfleÿlWlfPP* -

âW iw&K&c&t jüdN*M%4*& ;*8âwà3%& dhaadüKwr 1&o*&d I8aàr IRE aa t*%e aaldB* <>f iS*9ma#a%p',

inbe àj&pgL*ia& (Maw# xaadb# a#» ed? 3W&,i)Q0 %«&* %w*%Mb t/Swaa ia«w&& i#«db*aMsi%e

odF IKbe CiifÊjk Üksp #*8dt ;%By4; «wf *dh«*a I***» apewasgf %%%) jba

taets*" )j*te aedt «aoplgF iPwexstdk»#* iB& 2LSy# 1K&# Bekrakdaai eus fs&c&i

1**#* ]b*#Brla»$#;A3uy a* 4WÜ# j8%X%%8# 4dE iM@3%XB4k#s8P# !%#%> *#*%*

ib&WBR 4%a3jL#ct take j@p#BR&jdh ]üB%g&t*k, l i i tdb* ippsdLasga* 8*L&*%w3<8T grl?***

iweeaBRldNal $rwP63ia#dk&«w& tab* <*B iBhw#

"93*4b* sw tlr# * (BfxpdMdül «Ma îL& t f fomra sr w 3ai %Kba*k» r##w# mat# a l # # p i* y #%$*$#» fw 3^ w k *ew»ad* jBEWwat*! dw* 3La IXEsdlaij&o i@9K) (b t 3w& SAdhanMaHabt» TMp&aN*r%*o*Botwk *9RMd*a&&*6 aaHBRQaibM fpDdk **&%&&» %*iœ (9**. 1%#5b*%pyed*à%&@b#%) y à e e p a d ë #R a l %&%* 0 * &* G** <&dl *dü**%UN&MdW* iawwdü* l««Aa#*db) deed# «1 12 d# oata»%r# &e 19&1* Al 8 4# ea&u&re à# 1^43* Be#po@& #e gw*&6

haata #1 #&& 21 d* aarae d*:156&* 4*B<#w9 tül d ltlao pwBada dé *#pd&o&## aw# a*a*8 a la PlaeaMbyoe d# gü&*aé *&*mào&,*l

11* * f t&* too& tek* %&ao* t*twae& Jo&y 1941* wbe% t&a

d& f& elaB l e f t B e a la f e r QBe#*my* & a# '#*#*& 1 9 4 6 , t&*@

F*%*cB#a t* $p#»&él# àgmp&ig** #A& G attlae &a ük&db tha

&&9ieleB teék g art $r# ll3wBty#t*a %y map* dbewn in tb* @ppeo@&%«

They* ay» fogp Taajor ai*i*loa# la tha navel, en title d 1961, 1962,

1963* #B& *&& legldb,* la ad iltle n there i* a pyolerwe and a short

130*1 ebapter eatlti## *#eD*te flaal, aonata de emap eon eetpABbete,*

which aerve* a* en epilog**.

^^hüü«W k*t 5%%dbh $B 3& a& d& ë30f (B B re e le c a a B 8ielo& & e ]&%#«%, * S). *9

Page 42: Tomas Salvador| Contemporary Spanish novelist

æ

1SG8&1 le ëoapeàea short eeat&ons ar chaÿtere 3#

v h id b %he G w aate o f t&& %*p a r e e& ea fk g m tb # v lew p e& eta o f d i f f é r e n t

iBom&ân&'of ^ao i* W&epiBg * -Alary# g&a h» is.

t&G o&ïy dbara&ter y&o appear# aore Bbom oaae &B the aoeelf

8al#a&or ha$ tp&@& to ahow oe aa maByeapeGta a# poaait&e of

the V8rt*tb6 tr ip && toxeara fro# 8p&l* tbresgb BboBoe# whero the

i^pw & idbiad& & i#r*'W »#e:b& *3*& a t a&A i* # u & te a , ia ta 'Q e rw G o y t& w ? *

taaytK*ev*3agc*d a* eaoqaeri&g: hapoeey'Gh#irip*r&&&ixFikMdkdky$

l8 G&BQemyaa# their «#&&r8tiea 3%r (%*««& d&aeipa&Be aa& dbroao

eqeipmaot* the aetwal #*peri#Bcé* of warfare* the refgg&e far t&#

*oaBà#&, th* phyaioa& AiaGowParte* the he*@#hipa of the ed&S Aor&ng

a%B*e&àB w&Dter, both the &8&aiara and the e&*ïlleBGi#bo re-

@a&B#a «ear the tattle fro&tj the *&De*r* deeire of aasy of the

ëpee&eh eoiaief# to free the&w8eia& people froa Ooa&#B&*8 aod their

growiag &telïlü*&0BaaBt io the reeolt* they ware gattiog*

Bine# #A8h of the #h&ptera is very short aod th&ra ere ao

BRoy* it WBO&a be iappaeibl# to oweaartB* all of tha& bare. $wo

ape iaolyaed, however* ia orier to gi** eoo# idea of Saivadop*#

teohoiqB*,

Qal* Htaeid* a w&an&e# eeldier* fina# himeelf la a rade Shelter

for aa&ualtlae* He hae stepped o& a aiB*.*Qd hi* lags aro nearly

deatroyed* She woBoded lie OR straw i# aa ahondOBe# hege* where

t&ey%ao*dj*€KOari#M»a&&eb ]M%&ia*Btary eere. A# he

Oslo jQOtee the and bpgmM#gr(dri8Be<y&ber8, Be

*iis**a3zP 4w* t«&#%dk IB&gr i@%w& rwàMdb t<> %dba sw* !%e #&#%;* IbeZLiaMriByc

tkbedb it So Idbe (SydSy 4%) Tba ii jhaiidbftdl ia% tPh*»

expect to he evooB&ted within tha «ear f&tapG* bet the aa&Bl&Boe#

Page 43: Tomas Salvador| Contemporary Spanish novelist

a .

f

1 .&

i i i i

#

w

8

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y

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ff fA g

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Page 44: Tomas Salvador| Contemporary Spanish novelist

40

fSgA&aompüBiaB* t&arA «e» r*fs##ae*8 to tha aroAlty e f ta# Ogrmaa»,

o#%#Kd«lly?d*hP@gB#a ta t&e 9el@e an& %&*.àew#k

*81 i@we ]&&*'? a ï gu6i#*BG# a&8&&& wo p&efÿaê» *&ep&t* ÿ*p Ro&oai* l a N&ét&p, 3* ia»@Aa*t«* 3a daagpaaiodA# 3a o at& l& as* a#earaA & aa s a W m W a ta d a r r o t a %*@@» a n ta e , ##8&#qKd*dL 3aqg8* s#B gm&apg#* ao &&td# g&aeha&a-#* »aQà&**&8

**«# ;«#«» jüüiàé goa Bie**ao hakfa, v teto jaa 8#mË%ki y #B 1*8 poe&âe* d» la# a&f*a#a@r#* *o podëaa ao& a&e idUBkWB kwtÿfdAaMKb (RMdkwb adW8*9&aA** ôao&Babea app&eyra» dk#8#i%k liaaa» d* *&#&** a*** #1 fb*pa& gwa&Be* a i ]bw*3&iaa B&#*Bd*pe# 8*l#aà#.4m iagat* g## 1*8 *3aü#aa* 33**ab*o *% #wdykw*dWWkB*8de#&34d# 3# vee&ad,*)

BÈacÊaR&dbk 3k@t& **&# aàk&tdbaB au* t * t& oe* o aB id b * A psgG t

süadl dWbed dbe 3Bk%*(K&*L# 1st h i e %aredL*%;w#t 3Bk3k*:u&oar 3k&*Ge*w* 4&bw» *0&aP3r («P *&

*#e3bajb»y i*» #& aka#wp4*eMwr#

d&RP&k '&dk #*&d*a** * . #» *ep&n&*j*, RodS*l**o$ *8* w»' a*# làMpwjAl* l iw a d# y tm »

%&*%(**%&#**# Ihaas*;*;**» «aaSw* «& *#4*Mw» <%e&(kkciMaa :i#M* (tjo#, Im ^ KwA ioa awafwmSwkjkt «Rwalb»

)gp#*aKp*k «ai lak aNaadkpaw**;. aw*#!: *(%*&} |gaa%» iFsadka,*(Gl%H*#Mk*«*ÿ*W9% iBBdhE# Ibpgk)# law# amwdhdkw* ir Ibwaww* iakt lat (&*««%:%»*

lhadhk# Staw# j&o**N#*8%T&*R;#. # » 1& 4»*qp«%ip«%it«» (Hftaüfdl *Kl#«qp*s* aCtlkt* «üdüea* la»# agdPtk*# iBa«x*«ar*db&c# a i Ibaodbaw**

**0**» 181 adbdüElaa&ot *q*iMümd&» <»ON*i aCl iübaWbPtf g*** dh#*4W%*%P» i t 80 «a&dbk jboe1w*%db* ibaRdbiatodk) <&» Jhcdki*

(*a*»***M*awt (fwat «&t ]R)#NN*d&, 3r «ai jS#l%XB&E# if 4%b Ibô* :»«;&*» ikaaaRaüMàxülàat e«Kp#l&d3b»* jllwadbaa «dl Iwaaaaf (psa» i**wwachw8*wr 4* «%;* laajkwMM*» fkwaxsMa ib#*8xWh& düwmaolb* «NBpi** ik&eaBpxk» 3üB**dl*w* aci «M%p«wit*kj&* P«aM@ idp«aa $N$9âxpiMB 3F i&«&a(«xt:8*0P*l3a*%*@* ISL «gapaacpawit* «a* t*aa&dL4*% p#ms*#Ma*nAw#&i%#*a« . .

#$*&* # * 1 * g% *iw *iW Kkb& k*«HM & dt& r, p r lo # lp à & "**#&#, 5%#q9*IX** »lkdb#^ra*tqy1#*& aBb«& :N«a#» (krm&;p&8m*ddBiÀm#tMWbm4#&*î*at*k&bd&8B r##Qgiai* «3 r*ow#pae par* «moan&fayae aa #egal8* *o&]b& xaafit dw; Ibia 3m8aMr&a*«,f%&

2 â ü h * d a ^ g % à j& & e p p » i8 k 6 &

4 # # 0 m»* w

Page 45: Tomas Salvador| Contemporary Spanish novelist

#

èA &a t&e beek, ea&â&ae#» after flg&tïagfor aevBBBl daya*. a#8 %Rtdhl&g &&B gp&aa&e ai*,. tblake he- #aw#*8#e*'wh&eh'G*l%# ça the &ea8*-*ay%&g that $t w&Il b$ *&$& then*

t&#drd*eâ&, a&31 aamer 3#**# t&#@* Other# "Will for» jget 4&ftar glslBg a:@*a*I te tbe&r aothere* hat it* tb#asGpeofowk 1# aaaberea ta the gp#w*a «na v tll aoeagpeay

tgaaüüBd&s*#» 4M%a*%p*aaad** SkResamia*!!** «watgRooth* (goet 1*# gagawrtxH* %w; <p%e<Ü*a I0«#*6#i agdL***# TF 4M***af$MNB3h& iara jL& jg&<%eSj& düa& #oabd*w3e* 3k& «AatdGatdkeo aObBatt* *5*31 *wB&db*gh&, iapeaxeSK&A* dbaaabaxspaqpedh** l%B#«wi#a3a&4** <>#*& 3j» *&pdb)* adbs&*%B dbk #KPO@qp#d&#aT aK&*x*p%üt *k 3*»# 4a*0%&*w** iS# *er$1%af jhsat*» «&*%G# jkuadbiw* 3üà -kpiMuy&aü* jü*;**%4be*Ma&** a * **@ **#w%f3kPak*l%&*

:&G8*a"t*a&*db&* i***» 3*é*q*a** *%& 4N9*MbPsi dh* 3h> .:****# tdüieipwwr 3bB&*#@dL&#g% 3a*# #*K&ak*&tdk aawaf*;* eükesqap**ÿwRp *B*k (wksaék ;A*ap*ih&3:&#*Mk* 2:1 *k**wk:übajk» <*eiü*#****8rf%i #**#*& #àC%*M* *ül *&<%%*** 4*w#ik&# :l<t *gNe*Rtdh&* jL& 1b*3ü&%9##

3%*# *%pdÜLe*B8# *>f t&M» *%***(&, %gkRB*db* 3#***%, «MNiedba de «aaogr <%%% dMBtaAsaBGeak#*** a%& tépai;t*ai aa* ]l93h&* fkkliNkaiüP Isea jtaet 'OaangajBl**# iïb*» %*;**(& iüadt 4Maa *&f Iha.** inpaafBdki* *3W*e 4k iA*t*Kp#& *%f iüh* j0BaEAëS&d&&

jgggQk* !8Bü» jRedbbadt tw&&3b* 3w5*& a #4wa*gr ejf 34*v*&t :%*# %*&& jToüLI*** jgi SLasm* aa i@iagb*M»*Bh.p*M;a>"Gak5 SBa***!**» #pl%9L* W m* &W !badl «%&&**& 1%9#

4%k fq»t%#8 t*k Sjpaaai trllü* *%&«&* iR* (&%%k84**aL !b*Mp su* *t a^peaiifAt (keak&iaor,

«gadE $**t Iwar <** ia&è tam**g> tarajba vdth Ibia** Adb <%%#%* arkggp «rtkwBP jgaadla

iw&*> tdspe eOLfMk ISRpdüa*; t<> *KB*w%P @XH*d*k iQsadür *s*k&dKL*;M; saevs» j&eh. *M*saMN& «?& ipadbwesMKl* .jhxat; taMBeam» "t&wqr aygrliNea i*t t&# i%p*8%&*dh Iboaü&ear#

%AnA %B*k <*aüi ***& -&&*» iba*dc lier aaaagr* jSkkIvsw&aar*;; 35K5*a*aEawxgD tüheüt la» Ibaxâwqÿhdk Iwkolc jRpe*o Ra»»l& (gpldkf Bear «t (bead! IxrodKhsKr* tN&BBXÏfk, «Bbdl ïtl# 3üa#w%pdk*e, %**4: %w» i*e*t 8*>t ;*]L1<MAKS Iko ibfikaif Ix&olç 3%&* SLesRs, SSala jbs :Pe*" ta**»* laSw» tdtm K&w* ifean», Bffk !Pea» ia*SH*9 laha* 3dMM**

3%S*Ct?*%aQdP* jQgkk TPt 14W2

Page 46: Tomas Salvador| Contemporary Spanish novelist

App&B&Bt&y, t h a t 2 t% a ü e # & o f t h e #9& & lapé

#&*& 1 & # < d b # 3 ja m & d id a * t bd& om # %o'W *e)% *%r<wP iMbtsMANdk

1 # d b a a # e t& a t th & # #&&**% 4*&'#Wf(&&*j%d&dkNMRnM t e % #08& t% *a

*9*&&&&yv I tk&8&: %&&e &&P& #8ùt&@B i@ &a8&8#8& p R p tlF 3w e #%&*

y e a e e n , A&ao i t #&@%a li& a & y t h a t $b& m eat& a# w & th h i* O r ie a a

@ 8taal& y o e a u rp a G g o d t b e e ta e y w #a S B d la d a d t o fg & f& ll & el* 8 & o r* e

peoB & oe t o &&B 2k&@ed t h a t &o woH&d %@& I t l a h& e ta d b * Ska& a iagF

Tb»<x*MdWkaMd t o h a ag y a & 6 & o f S#Pop& , w h o se apo& & # g o t o t h e

v l d t q e w&a&o tb a l& o o e p #*%*%%*#%&%&* *a& w ho i * th e iw a r e o

# a r * » # t o f ' th e : ***#-

*jb#*WMR} %#*iaB*k 4W* <&WP*iM**dk #& 31e;; a&IjboKHBx* d e tsEjkwciK# <*9%* )**a «k&dü& if&skXau&iw» ]r aBBwwiawdb*;** S&*%8w&#«» 3&i%i*p#k* ]8aa&o;*k ;**wS#b iBgaao;** jbadbejRwaata# 3&%p*%p*k tf&Bdtedkk 3T 4mt*h##adbi,#No

*%*r iBhsMSe iw#w& Soac&f oap tab# keoBBijaedL&ggF taeyjSafis aa%&

t& dt %%p*a*tdk*B*f %üf jMLgpatdbsgk ia ; dbia%r&*Rx2j& t* ; jSoâ:Le$m*

(%G tab# o t $ w twKbdl* :9a3&#ww&o*»$# ,&tM;«GrI%9t3dB*w» <Kf IBb# esaodkltibNBH* <«i

IBbrn ibadktabeiAnoBPt; "tSw* askagÿtdüwàai <wp idbm» Ibo tdbaxir oj/bwüK&txsa,

IWb# heaNSà##*** ikmd <3#j*d*8a*%wr#w; t&w& p w g o n o l IbeaWKl** i%ita%

j&wgp* j&fi; « k il 4*af&p«G9*E%F

"ifkead# jBailSRaaowr xwae Ibtyxodi ]bk %>b«fiR&at&o*;##; «gspcwtldbptdboGwe db* sawoptcH* 3f tgReii&Dsh, dha iMSK»- tN&tdM» <*a <28* il«L BWwadGKlodt t y l t u r a lew* (wxpauseom*# ;y jL#* ja td L % p m o & M b a# j& d b @ iw m @ # & M k # # * d b B & w & e e e y d # a a a o r iA s , d # b«& oK #aoe 3 a g z* b . o#& R io& *^f

I s a d a i t i o a , I8 * ia ld & &S& iGQal& lehLl }% m % t% *#4w tdew A w ith o & t

3 o # & a & * B y o f th e o#*#& ta*& a a to p & e ï* ^ b * lopeeae& O B @&v*B o f tb #

fG b 3 iî& * P* 4 0 #

T%WÜk#db 3kA&**, y*d#p&oo GaKkx Vg&BBaa II,(H a a n a * saLthdW Rki, 3W 8#), * , 14&

Page 47: Tomas Salvador| Contemporary Spanish novelist

jaaawdbaogr «dP sasidBawpe, $saBM& db*dJl;r ipedbptkla* tdae i&o*%8t%ard* 3jk*dü86f

i&Ek taMWDddbaak* 4*B%x%Bg*8*ü&e(l tg r #$w* iRss** î8**<kgSdtp*k*M(N%Idt 4aa Idb# iw&af&BiP*

«Müdt $%* t&M* aqpxdbnya* $#>#a;8jUbpeG; 3*% tame {XSNBaeah, 3La**( *Rf jhaod: aaaS

;d&#H*P"*"CWB%ab& 3W**0%%;*& $w*M» twkeai osBB**»?*#* jba :83K> ea* 3N)D ipsqge** 3&&*

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lOwaas* (%e* i&*aü3Wk#%:dk& edT *d&aaa&Gtw*p9» 4%x& awa 4*o*8a aw; «wae :p«Mdl3aF

tb& a g#**#**#* w ee

<&%%%%# am# & <% *##$ f# * p e # * r . 2* **#**& t p %&#;a*RridbNMMdb#%;

gwa&m d # a@y#$

%&*%&*&** T**dada%#@ #pot#@ o* a & # ta # ; #*&* d&*&#&QBAflo td a a e é a e e â d b d # d a p %& p ea##& p#*6 2#Bl$ap *8 eayko 9&pdl* #GM»3&@;&4jb# *& rü&a*p**> #R%p#wr j&i (gl*8K&a esübêit 3k& A» Sbae :péw;tâa%t<M;»3Ga M w ie id B &S8 *%& iM&sMS&dbe:*; sàPeib&aRNGjürSwk aw; @0L IksaMk,***

t&KMgr jk* «*K%a*âGjüme<% l&ypc**B;t ta*9 taedgr o f %**& 4&131 f3üB&tükzyg iwpw*wp6

4& oaaaaB 0*&1, iM&e idk&8&a&&g&&dli*pa#p of eva&t#, AA& by th* diary

ea& eet& oee w& 3*h@ B#*8f 1& 21%* d i f f e r * # * 3&*«# « p a e e n e l*

iW a*ay% 8ii& #8 s a â a a y gae& ape h a r e B aa# ta k e a &p#B & dla%y:8&&mB&*r

M m a l f & * # #

(%&&ÜMK<b&jk&ak8t aw bta& j** PP* 34Am&&5

Page 48: Tomas Salvador| Contemporary Spanish novelist

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Page 49: Tomas Salvador| Contemporary Spanish novelist

dj» i*agüt*dü& 4&* Stak* <w*&3k#aw8W*M; l&üljgaak»***

a%ÿtdk%PK&, Tbüik jR&GaClSar saadi* %q» iKgasAsKbag ta&ad; $83» 3La2b$@Qr <&&#%* jkedk&adk

;&**%) 31 *<*%%& dk*

;*« *tB& TBgdiLlaa&t* "

J* iw e» ik;pM *yBipdLk% RBaRid% *1kda8*3<U pT*83siR#3r 3K*ia% 0a9$

«&o#R A& * %*r 08* hot afta&Boaa talk*** a i&p&dk* "Rhapé lb* ]%&&&&»»

Sbe4»aQBp&4&o@# 4 & aa* e tap * #&* a*# * a

<d%%a@*#%**9&8**a#*S *B & 4pog èbgpoiWk&dbigbgrl&Bm aMMüKMkl#

t b i a k y l& l b e 8 ebb#& , 3k«ai% g% & a& jb ia * &ay#&*#@ aw ay t h e i r

pygpt *a& of t&* off&eapo «stare the #88 te ll# Jaime te

# b e a t i t f * t b e a e t e p a * t a « e a f b y ta t& e t o a p e a k t o a n o th e r e i a l a t e r *

lebbaag %#** Ja&a# t* oea*&aee& th&t the fowth #*a (aetyally

%&8Be& 9*#a&) 1# tb* l#*a#r of the jpeag# IWbao l&MNW*3k%mmwb ;&db&&

f a l lo w » h im s a d a r r e e t * h& e* 0 * e e a ro h & a g tb # l a t t e r * * p o o k & t# ,

j&#&3ae fgüodü» j& 3MM*a3bP*gr awadi «*0*#» ;%*%*a<%;*kOByf Thdk twa <»b@B|B&ay* h li*

<&odBh%N* ]Ba**oi& %M*a a#%8le<Hb#(& 4k; itzqaoBWpear !%&** $NBl3Lee (weaw&axitdüBlat, s:**

4*0 i j i IweuClea 1*%%%, t<> iKbo adbéd&<y%* #8i*%dk3b*A 3;% %tA(f OMWB

h en d o e fA # *

4 . m R o d b re « # % S a m i# » *

Jk x*e*k jl# 1b#MAow*h4% Iks t*Nk TpoülidN* ;#t%%tak%» i n 4*oEWGiK)t&OB tdLldb <i

aWBTdbaz' owaiw*, ^ iawa«* jü& IwaüieâL* :Bt*s#yg*Ba1%k lae** 1*1** «itèogr dk* 1bha*t

ibw* jba i*od& t h e spwosawKMMr b u t die pasoim* is$w*t kw* Itaa* tN#«*Q i&CMPowseA o f t&w*

aaNLoM*, !** laegr» îbdU* ]hdL&<M#i%p&Qf 4&f îldUft* 1%» dK#a«d;e*î ibstma*;! 4*#12L *%%%&

i ih a t lie 3** Sâs#* ft;u%*&*ar ( i f t&w* !**W*etM#aj& dL* law* < W # a ie » #* iGhWi cüsjü»%f

iketBBli cdT iKbet awdbamoOk"*»##! iMwadbBNi «ws tgi **ei; dB8%4&& Ixi at

iqBWNGdELGaBO <;m:%*aülef' %dk&,<db 3*e ***ejUha*$ (XMat :%* SBkPpadllai ]&* Mkdb*

Page 50: Tomas Salvador| Contemporary Spanish novelist

jk* iGWsKBdb# jS. jgcduak IWkk&dk&ei* "?* (%eaKee8Bi*& jp iwPtkodb» (k* 1PlxM%*%&aMi

9,f SSiBP* k e jk& tg f '$&** db*4%*cd&3iMw&# J8&

eleiW $be&\&* h*8 teug&t hi* fo3&o%g@* *# *#31 l&at t&#y &*&& *#0»

4 w W md tWn W» #f It* #31 #*0*

comdmed tA#t the am 1* Wm*, emmyA 1###1 3#*#*, #**##

%&** %*aA4P*dW&3b*3M**I%y tb* 3#*#k@»<dP<k jB*RB *f

j&dL&WMBBB *#M*a3*dL h* %d33a*(«B9» iGf tha*%at& a h9t&&«% l%d&*%%W&e8$eë

to dwMdüMQrjLt, #**B»$*%db%MN* %h&* %*Saaar4W*4R*&&#oa** BSGMq&Mybk

#w«b h*4*g*$ aml%&&&3*tcG8*kd%d*

adbKhs* xpadamtw# x*& 3*KB@dBh #k*KM4g9a*lwk**; «MPdEK tbaaftasbCM*, Tbstt Ik!.* 4*BdkK<yaQe

4M%& OB Sa&xa, #W #wp*« hd» SbiawgAdh#*»*

5k* *%*& 8w*B*w&e*; db* ?iiif%*ap aaaBiaaWK*

)|p* %**&)**«%,. 44 Ipwac dsugtlegpsM* ja* 3B#sf IBafak, (Si*:*** 1%> &&r,

SWlgggiiM** '%$*» <&&*4ws4%%p of #31 aü&BRKP«eidN» <N*ga&xQr» 3&* i«a%8;#$*8# !ai «**8,.

ir&*M%lxy; %Gtga*&*8* &%& Ib&ldbWMM*) Tb*** two if*2k&aq#*«4*n4* is 19)* i@3k) tdhSadb

&M* «kKPXM* Ik* #i #N*%#*py 4*$ tkh*» twoalE ***! 18** :&* t&w* mdttwt tdlsi

ta** 4h&Ck,OCO idltb wAsleAx tw* jU; <K5tm3slM*a igawdb (Bagr *1% t&*@

SMfdc*. #jPt**p eat aadwasdbwi 5k8*lR#tdL8ad&&(8k <%& %Br, IBodLa**** jbiemoegg*

h&&!b#iB#^08^1& b*%*&8 4btA*iaa&i#aqyiaa*3&a&*9 3&#a&g

:kw# MWbwx»* jkbthagmd Hdb0e:d*&lat&e4Bq#t

#*%%&&*# th# palloy fPGB th* h#4k* later &* hi* ppooeawp*

80 sisterly tb*& 3Rl@0üw*3#Qn*1&M*lMR&t&*#<f QOD and oven hlrae

%&, Bbla*# a# &&* %&*#pp*#*a«Bt,

6* *BA le# a*p#* Qr&*#*f

W&gB#l 3**n* i* #*&% out t* i#**#tig*te the death of a :aa& aad

t o a e o , m p p areo & ly aa ÿ b y % * a t# a h y g a a * A t t h e i r a p a r tm a B t b e q w eat& o a*

Page 51: Tomas Salvador| Contemporary Spanish novelist

iBBWt tNÇ889*k*$t «RlBdb IKBM& *8&dl *9à$45 1*&** lüMdl jR****# t&%@ 'tN&aab#***.

j& xaüKE&x&lgMBa. jh*d4ge%K lacsfiiAaR» iwoai tkaSaa*; «nrear 'G&wa *%»<%&*

$k%a*wa* jBNwaaüw&wiaükf haw» ;mddb$<*ed( aûLjyg&d* jl*aMa%%i;NKB*pi3w* sa&HkAt lük&jp 1%%%*

iShak igyartWKfgr* *Swea& 1«bm> «ffadbeaae#» ait !t3a% %w& j&echacM»#*

ia#&'W»a8&3*»d %a*i*iWwa%0A&éAM#t ##%%#*& aaS

iS% ad * *q%a *B %h# W&8&0» e e $& *t i t '#**&& ibe iqp&BMijGmRRiBwfaKdb.

*&ae+ fp*& *e@a &&p*6t&y «&e#* t&* k&te&e»* 8he he&6&@ alBk

3*6 *333*8 * 8&#*e, th#a tap tlad i t , 5#la# &*p#2ül a*% t* 1#***

f&agwPBPiat*# Tk&* %#* te ?***&&» $. ****@8 fse tb* 0##lb*&B8 @&#

!W tW a tüm ed th# # » m # 8 W % the w * t te

mai** 'ObD'K&o&ew &* epê*# te o&ear t&# a ir,. *&%$* the apa&tmaBt,

tek# ühet dh* ##*&#&, tué# the g## %p @*8 c&o## t&e w&o&ew* lett&Bg

####&o* *3## a&*@o**p th# *#@e&a*B%** gpwe##*, #e ah# %G*t dew#*

ata&r* t# enter th# epertaemt i& the !#QR*&a# idbe met the jaBstiam!

goal# who ver# ooaiAg te v ie it* $h# agal# had * key eo he epaaad

1Wb&(&aMr* T he ip d U e* *&& * & e# te r w er# o * l l# d , $h# 8#&& d id * o t

h#*e tia e t# r m * # t&# ##rd freath# vaadewrowt# B#*ne w$* oee#*

9&#d &R qgaetieai** the ag&t «ad *ao&#* Be later aotlced that it

i*w* *dkwd&Hg<*#t&dW3#8hd*t#aa&%# the er&ee*

1%. *##*# t i e a # N K L& !M *db*dhf

A yeeag a#*, fW&ia&eo# PW11&* eêwae te pelle# h&odgaarter*

eltb the etory that ha haa heea robbed ef 3,56$ peeetae which he

was a&o*t to eaod by peet&l oaoey lor&er 3er hi* edvartlelng Plr&,

% eeye that thrae ώ gGereewSea hi* #& a galet #tro#t. %RM8iIa&

4 # # o f ta w * s h a t a t h im , %%#*&&*# o f f h&* h a t*

Be did a#t reeiat further aeg &&&&#& emar theieaoey* ho idbmm* i8%a

Page 52: Tomas Salvador| Contemporary Spanish novelist

pel&A# i& order t* prove ik&e #tapy* j&%*pe#kaiW**l*eb

*Bd t&#& # d b e &*&&* t é t r y & t #8* 3&* l* e a & l6 8 & f th e %w&%*t#bel*

&e #w@& t h a t h a d th e t m l l e t #G&& tb ro g g h th e &a& %&*B 3b&&# &#& i t

#80* i t %h*r#db#* l&M8M»<%M%d&9a#* th&t fW&i*

a t* 3 * i&wtï&M%gF]hi8&&lf @«d $aMnBdk*% th e e to f p o f t&w$«WM&ad%t to

1*4 *Qe& *b3#y Ska#

&iA*ae&i*sWkp Tbdb&aa th# dear of a d#*&*m*a4gaat%wwd& dba? *W8»

i&evep to ratopa* Bbiwa* jgéwwe t&red &#r$ ,ae& aha la daegaygtat

jw*i#üLl iw* jphqpBMBt# @h* $* a&B8#&8# a &&&(* te &*& %*#«#&% dataew

aiaad to i i i l hta* finally a&a hear# himaomiogb hwt her o@&*a#

aa&emeti&B# &*#* bean at eoak a b&gh pita&'&8r!*&:i8é8-&hat ji#t

dwt ***%%%# ta# daoat a&# #awa@# te the t&eap, d**** Tba aaa, **»

«NaMdUW*Nt#a#*MRd%k* #*&3#*d8*a«w* who i& tare asaaae# the pa&ksa*

! a*a%#of gteatiea* t&# #tery 1# r**8a#tkR@t*d* %h# womaa*# death

teibra aha ao*&d aaaB&t the aria# we# ea aét of God* eaya the poiloe*

a#a (#8*8** bat geeewaehly Seaae). *$a#* ao&rt#.* %b8a the **&,

#d#üBà$%#%*ad&8#, replie#* 4B&, e# vep&a&r $<&* @a#*t# he ta*&d&$*

l@M*;MdUkWmw*k elreedy enraged #t hi* eellea* ee&fia&ne#*, etri&o#

hia ia the faee. Thee, addreeeiag the de*a wageo* he #aye* *&*

a*w*t# Mb* top*, %%#%#**

9L *2% *iea *&«

Beetiego Carr** a eo&a ama haeetle#* thief, braa&* late t&e ham#

4üF#k;M%MMWM*$%p4Kidhia&& &*%p. #hil* be i* #***ahia& for her a**##*

#&# woaapaatedlypetaeB#* Gear* fere** bor# ty thyeatoAiBg to k ill

Page 53: Tomas Salvador| Contemporary Spanish novelist

#

teg&ve llts&e «Aaay #heiP*&Ü Klba&» ib*<aw*

#% *#& #$ t a id& b dbe <#&&*&##% ë & & a 4 # % & # 8 ^ # y ô fa ï# * r& (d # a & k *

#&%*< leepêe t&e &@ü*o a*d @0## ta & er@*d*& #@pt *f tbe %&tp. j&a&* d#BÜy &* *B## * ps&&*#Re& &$* a8& $%&&&&** tb*t ba à# baÉBg#0&lo9«d# #or h@ %&e8# that the polio# ha*a tea# %pyl&# to get evl* d#B@* to @o8v&etib&a.f@p @waa@ely a toy poletB: t* h&@a&a abewt#* #*$ $$#adai he vleto**d&aw# ha# *#& *B& dboet# tb# toy* eoeaaiB# &%a. $be pelloeaaa,Baeea* aryeate hie* At heelgêort#»*, GaRpë* tbiaklD# that the pol&oe Ib& afidL K sdkaA 18# « i& ****#» «K&d%WMMW4M%ogi&lag* A 2 p l# o a o f th e

th* 1K&** b*@ lb#*& oowmtlag peeaepamhy f w e :9 # A #ho w&Oh## t o d#o& a# o@ * ao**% lo& f o r a BO» e ta * # * @aa

they had po&Ated oat Cere* heoeoe* &@ ea# the hQB&pe&wth#g*8a&th peraoa to pa*é'tb&tiàgr*

%0# ^k&4% % *Kj% b;Q3*M f'

^&d*4d%*yl# &aeg8#& to I&#f3a#*o#o* or the roaalBlBg pe#

t&oa of It, %he mother of the little girl #he hoa beeo rua gear 1#

aft lOSBKetMaikXedt tgr #*y;*p«yt&w»tdbo i»édbg&a&oaM@* asbat i# s&KMrle*! akhomat twRP IBROdbecBdtt joeadlKy; t3bad, hw» ;*8#x%# ibagr, !%üB#&3gF SNB**» axf iWbskioeKlggb&sürfr tâdke Ibear t%> 13* gpoZlSa* artedblao, iw&w*r<k t&*o jüBaçpedftoar (adhe twwa :?#%**

lhawp %m%a$M*8dt*a pepere aea# ##**%&)*;$ the iphaüww* *%%*%%*» ly eataWl, *9%Mf

heel # 0 0*##%*) permit# hep to remai% for the night io her hoBh@Dd'$

ioell. The two ere le ft ehMoe, ?MW%dag& the gea with hla heel iaible

wife*# lap*

Page 54: Tomas Salvador| Contemporary Spanish novelist

jstagp&aws jka :&13b*@ÜBr8d>é IBbat

jsagK&MfS tabedb *%%%%**» dboiwe awet îp&ar#* ]&* *gb& Bkwaeakla!» da& 8B&si%%r jabgBaNW»***

]&cm#8*%%p$ $2%& <%rdbB&%*8liB<y& «MaOar <w88%M;*w» %Rasjbs&e8ear&* IbeCb «pesei jba *%&*

a%%f iKh#» <dl@%m»t3wa*H& <%f Ii3d& C9P&G%&* 33%&*& sd&aagr 3Ls i*gd& 3*t 3k;%

TG#4c# j& 4)it%r tf&18b tdhdkSb f3#L%v%*a%XP <dbsr&o%MB&3r twa# a*» i%üp#rb,4;a**a

«eRBWKrSdüPWW* <wB# t&N» *»3d%3*dK%#«i*. iK&d&gi tOWaimse* 3ü* aa&t 'wsNpgrietaBwdaacdbagk,

*)&% ]&*** Bhüpaw; t&rlaH*#* jb* (i gpBog %?; adboa&A&wypek %*%$

ygadhagp# iBGw» sdP $*w> «M&sar&GM» 3%; '9S& jBSKtbpst 3&* 1h* $br

tab* 4k*%** ]Raea*SuM*t& %(MB jC&Mdbe&NMi lb#*» 3%#**KPkxWbad» adboaqf tdbst ;pe*w&«8P jU&

(5@*y*&**a@di *L&9*qg lalt& t t*&* <&*4wa*i%&#qk# 4Kh*d> %w# jk% jasawowekk IRbesa

iBb** *w*4%f&é%:e#K* awF -ka &*w»w*k &* **& 3b* adbOk* t%& jred&atw* 38%* iw&xü&g»

a W y ,

iW&(p%#3l IbwetWi 3b; .4qp%*wp@%it3ar *a; t&a* dbf&eMstdb*#**

$%* gaoatokadkKBdb* <wri#law&@ laed* <%aK0»&83b*;d8ar #@*9#*; a*;aBgboadkt6a& xgw*

gptpa l a 4*03,1%%%; <8rlx&*dk,. 83Joe#! %w* aq&gwNap** 3*>t <>a3gr i&G

1Wbl«; te o ic , Ibedb «dLeo iai 3g& j # jber ]pq%;#jBb3j» tawdb ? * jb* *& 3%**3L

peanecK* %dlt& tdboai Skilsqwdkxp Zi*#; %**?&%#& ;&%*& sdbaa* h@ «a&adLpsw* im*%gr agaà&i#

Page 55: Tomas Salvador| Contemporary Spanish novelist

39*P*&* zpgaamg&jBAB 1be<M*rw9 j&riàBAdk», (&R9L I*; 9k%Rd&& Ore&, & Ibogr edf 1S3#*;%ar w%k& j[a IbfadLadbsgf 4%> W *& $MPad&9#w&&gg%«& j5»«dWbed& ipaasyoar* *%»

(KasaBs jRroea *& @%&dk33a»**&@Aw i&apK&Sar aw*& hdb* jP&idbmar ae&e ib)%* laBàwBSBüt

j&aa> odP i*kf]U**dkb@; WlWMf ia» i& 4&*p*wfta*a*di «dbcaM»* IBhe awwaasd! Bswdb##' iodr (*%» apMosqp jbB <%a%iaa3*» %kwpaA*a&ilaw%# BBa; !%»$&**? îbaae tasfsMja IkXki «met

& * * * & % ##»* 1 * i&Mwa^k h e 4 # e a ^

a e o g y <% aa h i * g e rd w ta * # 1 * *&& gy*#& #»*&&& 1 * t o own a g u a*

3h* t&i*a oaAber ef t&* g@s# &* VSdal ayoa&** * aaieepBtty law

ifb*&8Kt, #* &* %dd&M*d&adKhNl3nm%&& ima8 of th#tgg*e*<QkWM*id&& doo*8*t &BOW wha& h# %**$* ow& of l&fb* Th* #bfea atténa ee&a* BKMd** #a# %e#f arowaâ tog&the* far #oae &&ae* 3&oy q** the aie&- a#a#e *0h3ao Baedb,* *Oeap#** 8ao&$#»" *a@ *#l awBoritoj* %h* la&tor, &* t&e

l&NMWMW (%&*«&* ha* n* $&80* to a##pri*a jbiamdof him,)AüüWb(*i##m* off#*# to &*&)%&& 3UbMta&*üà Boaea Bor * kha»*d& gee* well, tm* 0%*<bgpidM*k38*&&&» i* aawgv <k&%*Bü»s*dB#B ilo*» to %*3ü* lÊiiRa* atktaCidbiNf 3%3L ii* !p%arl*;ai* tdWa* 3bdü& ia*klv<%rdb9a3» 1&3a&iaodk I*» retwm t*> &%&#* j%rjb**k;fj&

Jkt l4*nygt*i oil i&Bl&oarllW» j&eoafgLckWB iat iali* fapiiwadte IhdU* idlaa i<> f%%px& abo&&*pi&*#, 9%*j5&*tt&l%gthqy a#*àiO a gpB* OmaovmdAg

l&ay i&>to aepaotideoot* B& &dk*ito4mga#wtha;d^#ti«d%&a8a of %*t#d«8t Aa <x%MmMMWd#o&#Bd oak* ft* a IL&dbt for h&8o&#*ratto* s&kKk# taetwto&aaa i# :l&0k&u%g18w aaAa&* the t&roo

jW % b#1% H daa#% #*aom a*Ü ##e» th e y *t#a& h ie ##% v ü B d a #

&L

Page 56: Tomas Salvador| Contemporary Spanish novelist

52

ea&M&y* la te r el %ith amother #%a, email *&&

S a la id v l t b e i& v a r, y & ieb h # &&& a to l a a «U& s f hl& fa& b ar* * deak*

9&#&y f& ra& h8l#M q& &* &a * à ro # a&e&a* iGh&e*1&w&#ai**&dkaB

th# Aoor v&il# *1 BeRartt* #8d Go&p&r» get tb@ o@8&« %$#% 3,*#%&##,

#1 #a&*eit* 8GBBQP» *aâ@he8 te the e&erk* *#»&& thgy- iwalk

A#*y ee&aly* She ether two ar# wwet&o&aa @l;SWa*rlt& tb at thgy

)B9*t 8*t appear te ham* à swap aeorae efBomeg^ 8bw@%#r%. Sb&@#&*<kMW*

f&Bt **eoaa##r 1& t&* home éf a&e&d @e te lle hie

laBdOadyt&a&t# *a& the tw* boaaa# gee*

-Q&Aaly fana *f ae* another*

After # e fW t WWk* they AeeWe tWy ahw*!# eMreea eaah

other hy amaher Saateed ef hy aame iw&ea they *r# *%erki&8.* Oh&eo

3&#dbtd31teQW8* 6ée#e** 3%# aa# al 8*Borlt» 3B&8B# 3b t&leT**y

tabesr !*%#«» i&d& 4%» (;&*** <***âF idbedbr abSeadbdWk&#w**

t%9*» BdWàht ta**2r $*)ldi %%* iasrqw* xa&me <&mqg if&aape*** 3k% e*M**t tlMBr

ÈadkB ia*e saextesr *%*& <%?*%*& "tkwepaa# lapeai 3&MMfia%e* SxÈcweadw* tAsegr ara j*ek

jpeOWLtwh, ia%* ]peüii<*e ****** (dk*;*& iNb«*& ta* lae*» of *q&@w* {***4**#*»#*#

the 8é%t *)o&* th#t #1 aeBérit# 9&*A# i* th* rotbiag #f a

1*MMd%*»%&dkAi!Bw*<würküR*w%* jdb&MeiMw&Cl (patte lata* Baria# th#

3#*t ehew&Gg the ao&ey 1* aooated and thaa te&ea oet f&r 8of#keqp&n$*

Th&a le th# boar ohoeen for t&e ha&&#qp* The tbre# a&ter tb# the&t&r,

hruahiag p*#t an eep&oy** eh* tr&ee te te&l t&ea the t&dket booth la

Q&oeed* 81 @e0erito oa&er# th* aen vho le ooaBtîB# the «oaey to'move

eeia# and begia* ta etu ff th* b&ll» lato *. ee&ohei* %b* employe#

iBdWw» 4&&]M*&yw*ai&g>:8bMa]&lei&#dk 4&Ba*Br bat i* eeen by

e l 6eB#rlte* wh* order# Gomper# to eheot &&&, Thea they g*&@&&y @o

oat of the theater, ta&lag the deed BBA*e revolver v lth them.

Page 57: Tomas Salvador| Contemporary Spanish novelist

T b a y re B * # s g tg a é e c " e t $& SoRop& to ea& le i t* .

%k@re th e p z a e e t t& d r ia k * t » ta& & , a& a t e g to r » t&e&p l o c t * 0&&

%l#&t 8aa##p* aag Gkl*# Sagdb g& #&t to fîad emoé %&meB à%a aeot %

ÿ p o o titü t» * ogem aa t » e a s e %p t o t& e ir s to S lo ü& th thom * B u t

they f&oà tb* dooe &od&#&* B& a*8o#tté* %&e 3a %&&t*pact3%@ btaoe&f

te wgQ#&. a8&'v*ryj88dhi&f&&a@ of tbe*, taftaea to ae##ar or te osaa

thoi&àor» #ba8 the &&Ü& ooRpl&lag* Ohio* B&gda pga&ùa her ëOBa t&&

*&*&*#* &6t %et&ef*&& t* 80» h&y hadly *&* le hart, 3b tksa #@@&lae#

h o # o«&lov#*@ h e h * e beeem #*

%«%*# Ohio* SG*#8fa a&#t*p I 94&9& eoBteeate pnaemeRlG, 8&e h&8

yoae to & goaGk foetooe t@&&*p th&A&l&# that %* oomia help her to f&a&

b <m6 h#6 tern foroed to W # oo t&# f%oor fer *ore two

TbowM&t i&%qdb#Wdkf*K#9#(* B& 8«&oRtto ha& pr#v&@9d%? '#&&&&&a the Gee&

&BwaaRd&a ahd beeoBO gêit* &mtep#&t#â 3a ïea&el#. Wbaa Gh&eo Baoda

toll* Tkta the a&rawBGtenea* sade» w&itk 3a*b#& teeaae i l l , *& #@Bop3to*

3a a f*8*, l##d& th&grdG&t* haw* of t&# ftrtua* t#3&o%t t&a**

they beat hi* aad hi* #if* toiiaKth* T&* i&aat aerslag 5&ab*l** feeep

h#e bfOkoB ead It 3# apparent that #h* will reeover*

31 @*BaMto o*@*Bl*ea one gar* he&&*gp* vMoh la to be th eir l&et

% r eoR* tlae#. %# three take a te%3 to * boW wWLoh rWW- room to

eoup&o# for ill& elt They faro# the driver of the teal

to eoter the botel v3t& the*. Cbloo SaBda ga*r&* the i&ogr and as iB#w»

(%%*&* a r r i v e b e a a k e * S h e a $*oa t& é& r h e a d * bdh3B& th eir

beOks* <>N%püMBi#ük&awt&»;*i*K»#re lGiÜb)]kdagFt#d3A@lSaÈor3tO

g»**T@#9ta&p*'Kl#ï3M%&<dr i&# **#8a@we#ead brlag* t&eoüwtom&râ dowa,

3& (kdkwita ead Goapere oboot aaoiaaoidhe ikieetodefOGd hie g irl,

%3a*&ly w&aa e l l the eoetooop* are le the lobby» e l i&d&orlto om mWe

Page 58: Tomas Salvador| Contemporary Spanish novelist

th e * t g th fü w v a lB e b lé a 1& a h e a p op th e f%e@r*

9G%%f jW&m&xadk# $ b e ly *#*&%** 3*8#düqfiW%» (&»«?.& 2t#y tbeww &g%3ay&

t& * te& epA eaàidüM m * a& 0 «ÙkM%&1büLW&*

3& 1**%*wüdükm# *&&&*# ta # süUwwka b l a e a e l l pddN

to& # % & K è& iataiy a f t e r t b a r o h b e p y e f t h e B b te l r$ j# ro * e& S e B e r it*

êetWB&e tb # gw& t » I t * p&a&G 1& h&e. fb tb o p * # éeek* . * f * * à q y e %a&a#

jBp*i% ÿ*#t&4G#»e* &*&&j*&»&apaa&#â %y * p o l ie # o ff ï& e p wb* 1* &

f% i# a a o f h i e , e n # to Wb@* &o h a * a e w tie m a a t& e lo # a o f &&e #oA«

9$&#1 (# 1 8 * B # r ité ) iafoM BB &1# fa& bee t h * t h # h a p re o a & tly eem a

ta» ÿiatol 3â oe* of t&* $*#& #p* *&%$$# fin&# t&* gaD*

#8d ebow* i t to &&é fpie&i* üb* glana#* et I t aa& then tmrBa the

oonvorae&loB ta other thiRge,

^be t&o&a##t %p#et* #& BeBorito, however* a a â ho end Goopar#

th r o * @11 th e je w e lr y GB& o th e r a b je o t# i n t o t h e ee&*

IStRMftlgr «üPt4Br%*R*R&8k #K& j&aBhorilt*» jaadl Ckxcgx*#* ;**db *&t t&wk

95h#gr -te» 'wx%##ôB#4b***i tShadk lübégf no Sbofwgaap Iw&w* s*@o&i 3ai (%5é%%o*t*.

31ew*y*4%p, t*g#y fBbjaw» T*h(* &*y#yWbo4& t&ta* i%) *«&#%&& ihias fwLogr

4& j%)04%b#ll {g**** lÜb# IBSOCt aSüBwîMgf*

Bardkoff t&MB %**13L apaa#k «k odP m % ed pcA toem e * xspdterst t2W*

e ta a d a * S I B e B a r i te , r # # l i # i 8 * t h a t t h e y # r # a f t e r h im # l e a r e #

g%da&3ÿ* ovBdia* the po&iea* and @oa# to th* hoa# of hie father*#

a*i@dkr*M#;h 13hiaakdb*|f tkwa jpoOLlawk ;%POlb#B%;F iw%m*4& Jbao&E idbeape* SBhe i e

xCLasPSNKÏ idbwwa !ie i&rirl%## a*wi igo<a» <*y1; 1*» Ikxdk jh%r lbjus jPatdbaxT*

ISeadLis&iBy; *%&# deegwapxtt# ]pcN*i4&(Mt, ksft ]L#*dki%tg (ftaMBaygt** two iSLoa» «ygadbo#

«d& )@*X&o*d[t#* tw&kSNB (NBRW# )po*#8«t idtSj*h lb* fjbadb; dks *& gasolbagpPGgdaaat ^U%r$a»

asWB» tdbdkdk Ibid* d%kt$*er h$w* !* e t tg& i%* igpegrtMGeaKt» SB»

dUkaa» $31 *warariti&* <kg**egR, iwMai e d P to r Ibia; i%&t&w%r e z ir iv e e »

Page 59: Tomas Salvador| Contemporary Spanish novelist

33

t3l%&86 Stees: «& '**W&3L @*wadt iw*%t&3L 1%»

jBdfte '#%*& t%o3k&OH&* SBsea* %%& i&G#&09w*t%* ]b**By%Ma* iBbüls*» l&saa&a ibgwaoase#*

*&%*! <%a1l tdT ISb*» %*523l ?%%» jpüOl&iM» !?*8N*ü9& la&a&*

,ü$iïgGrl%%7 St&ei tk f j*tc%py 'G**& sPl&wa&J&y :*&K>odk *d& .& W U ^ t s*&<N%eüb*iba

güNT (f%# g&Tpvaw# Tbo&f&fk! ï*9%b 3G&&3L&gyg iKtai»

;3da*Maar@ i^ÿws&a# jb* *%8iy&GWM»a TbàdPoaN* %*@ iMKÜij*#*» ao8a*ÜKiariM*%Kt )b*wa

3ü%p$%$ga*%t 32% SkdBdapli#*#; f%ç$%KKP* -w@w> 4kf 4& 3*W%y*%P# lOÜSBaxms 1%) (WBt #%#

t&%» à^ütxBPPigr jRof' ibjü# dNsgkoàdw»*. :1b '%%*& Ikr&aÜL (Wwadk j%ü%3wyw8it 2hr* jkysw#***

tÿf&mwa iüs t%roin9 <Khadb a*G8jb*$gr ak* %MB*jp8;ww*32b* jPo*' %$** laoik&oswx <%C 3rotd*b*t;

A & t& eugk t&B à é t& à o &&&** *&G*m&AQawK:ü&i%B5r#8KdWa%w&

d b y 4 * 0 t& * % $ # d 3 r* * w # ï3 * # r * ge& B eipa& ay iB%erG*%&& i& tb *

tb p * » ÿ * y G g iB & a:* * t a * t&wy & e* 3 b t h l » eo # G * e t& 6 a , f # &* 'RBagoeB

%k*a*w&(%» idhdi «waBW&&<%8*3; ]&Bd& ^WkiékmwdfiayM ùoP S&a3bfS*&Gar*(k

aws?* düa #MR i*%ftdk5&* àaa SkawaSao iËl**g:N&*

" , , * ;&**& jK5K3BB%*%88EÊa& 3kp* t%y*# jh&PSR:**:BW»l4** ipLMhd&KB ]90**$'9* *3L 3k*dkt <&» Ilq*# 1%%Gél33k <Kp«N*e!wD%%a#1h**aa;%&* &#* 3ü& a*&%&x#di fWPPSL&gt ##ppEd&e3ü&$ SSoa (#OU&a«t qp%&*bG*N& %aR*&aj*B*% %*Q#M#1ar#L @%uM<w;ak%*dl *jL*8qp*%* dk»#%Kt*ari%i* '#3]Lo8, 3%%* jL#* (WKpdLÿdWxiaw* <*u4* %%; «wfttwacN* aamiwkW ]:&%*%» dk» jK*4a&4%Kf*d* %üL $**$<* %0*& #4%M*l4k f%&iab&!bK**,r 3Bo %B@ 4& Ry#p#p@p # , # * # 1 *3**& B M ea& 1 * q g * a o e l a te r # # * ?]bo# #l%ÜN*iMD <l*ü& xaawLt ;**& p#!m p # m ;a#1%*M*lak (&»& jgewwsdk; jpG*» eCL 3?eR%#dh», %%&<%# ikrjümjüaadL## era# #w> a**#**##umt*t %w&4M)tar*«; «Mae*; :*o%k*ta*t*;8*w; jr :nB%*e3kB0lb8j& <8Pjk%t%crfW& ar çfWWk* jBijB tBstxarsap# SKT db#jk*a i*# «ülfpiBat ip#% &u#ÿKH*i&#3jka*0aw* db) IsQiaieKt jr dh* aCl T&Lta&.fk*'

&a e a l a t e Z l l ^ e a t yoüR g n a n # f@ n a p p e r* # !# # # fà m i& y ,

&&a 3&fb% & # ###& * t a f i a d #em # e a a l g a e a a # f

Zvübgw ** B#d#Fe#.

Page 60: Tomas Salvador| Contemporary Spanish novelist

26

gad ataSiae ëaaa o f l8f#p*

aa&lGB a&aotiap&9*# %b v*&t* t&1b* to ao&ted& aw&4#*g**

0*h#rB. B&a hi* pBp@wk*ibdW#t&tadkwaAa8d him» 4#r

%At&#pe&'&&xg%B0iWb#%ai&b&@» &&8 &&&&&&%#%%&» f& 3Ma%K%a&*gR8#&

bwR%obem#aad &n*BKÆ&*p<Wf#ot&#abap8*#e*&^5a**

IwaemaiAw&alb*;#*#*

C&162 g&adb &B * *#%*&ilow# ap&elt* eage# far end

#a&l&QB8*t* #» le #wep& @l6&$ %y *1 #e8erlio, 1w&@&s*0#%w# <me*

ibadLB x-egepre^ime# I&ii* 'Igrejüojboyf 3b* j6o<*t$N*3]l twaa* &**:* iJbe

of 3**dLr TpSdSp-ir <WOg& %N& jb* {PfdLtwSuWBdk 4b* jgkk 30 jAa*r *w& Ibo ]kj2L&

iKBatAkda' %Na*i»o*t* %&»*py*i*p* idba **%?<» %** 1beH»o**aw( in IKkw* #a*qg#

jaa iWkwa SWIZt; <Kf (NpdbaNk* 4Wb*» 3*#%* <waa&o%w***% ]&» lbd*&ox&a*i* %%*%;& iai 4tp%NK*q*odb

1b* ]&**& tdh*Kk Swk %*8a#%@àt ida* :pa%)#1kW*%tw* dk»*%t t8%& leadl )o&a*m@ iBbavt

adbe ia* 3*%xfb* Ibsdb (&e*N& **@db *%%%*$ j&edbaop )*e 1b#*;#* *a& iwstdt** ;%*%*& dG*

&*#*jbi*gg 1b* <X#*kt&k tb* io&x% jAarlbw;*# 1b*3jl#ap- *o%& Ibdk# ÎBL# la&MKsygad

,#aWkW#*8b» #wpp<MB2* @a**» ia& )*&* ikwBtübeaüL* %%&# ]pp*f9ik>Bar ij%t*KBawft ]b#*I

jja 18%# ggaa* iPeaf dit* josa# **#**&, Ibe b iaowr Ihdk; dbeadlr;* i** t%> tcS# #%u8

tw* dboGuNRilb 4H*f* iJP &*k ja%jk%B#w& «dü&wWP ;(l#;p8%%* <wf aweti* ISedl tw» iKxt zaedb

a&#Eb%r3;ih#* bo adLgkrt )%**#; 1*&#*i aüb&if t*y iWM#3L%a@t hi# jawlXH%&*#; ftwp

iP#4hD8%#%S(%& dbi IBbi* 351*32* 4»f i##Npp1b#*

{kacgpapq; dkg IKh# :e*N*t #a3#*%ZW 4>f 1WB*k t$BPSW*, îb&jiM*tâK! Tay&iai

jRBGd&3%, *w*t ibcwf i]*t#3LIjy;**yt, i#B*kb]k» to MM #%qr læasâizy; jb% }%#

fbe&e poworfal *ad iagortaat wh** h* &*# * ##a In hi* h**#» K1 AaR*

#*&%o a ll tbia vb#6 b# &** taken %b# 9e&#ea $

*% bdk#& %**&*# a a a r t* o@& «& &#&#*# e n te * lo #eja*, ? + Q*mg*%#4T*d**l*rteakiMMf<R#<Bn&]k&4*%Mk, , *lAW&&,*l -e**Wb@N&# iÜ L x e sü tip i* *]8*#*p i$#etB **ea*e * a o lp e e * « . *& aB C hadh* q p e ba& dk

Page 61: Tomas Salvador| Contemporary Spanish novelist

iL& iUmdk&Bdb&adt dka «ma (Baaw&Bw , * 1M*d&k «t %*%*%*&*W w m dk* 13* iBawdbewdhe» 4%%*» gaadk* Bsa&wsp **&dh* id s Isaeam d%yt*xdLl#t«k« * 4 TC iMpdki à «earbe jpB%Üb*3k&«db& (Badkwadk) «*%$%%*

* l% 3 a madb&e&e 3 1 * 8 * 0 9 C a B a e la , a l g o » %&# g p a a a *o & - V&OK 3999$ y * 3 # 8 9 3 g h*b#& # * g & 3 it# a 9 4 # * * «#@ *9* . *. f8#3e$ d a g p # * * * , * <*%

T h P éu g k th e a & a y a e ta y o f @ r$ A y g e te* S*3**d@ r b& s %r&*8 t o t * I 3

1B9 !W%pt2PB%&0i&*B .ea& b a& th & e e t h r e e $ r e a r e a e & t e f e o e l a t y t o f

t& * a g e i a % a a a b t& 0 F 3& v*#

*% 33a* # 4 # * * to # :M B9haehee* &8e6&<&M8b SBWbdl jüm w üB t G e e s e a * B er#ee% $B #$ IQ & ae a a * 3 e * g o # a # h a a *8#9B$R*@ 9 9 * 9 3 * 3% pee$Ba. p*r& & a& f e # o e 8 ra a # f #pd&&*% àêa* B i le # * 8 # 3 k # 4 p * # # h * à e m 9 9 8 4 ê # g 9 98& é # e seaesipe*» ar 3Ü& «MMKNKIB& dk* im#L iwwréw*r&, Baçbew* «wwe :(%w* g e e # e W : « m a e e tra d * e w e& f ir a e a e e m o e t r e g e& e- *ee& d& $

*#>re*%twoadk; db&edür* * * <ie*» #]& «# «kon e l i8Podh*elH& c&e iam*i gpaeaqpa* dbe twaew; ik&SBqpcgi d:WyÜBi]Le#&$ %3:w>G ibieaagse

3wp* egw sl*# tw& 4*3«8p0dakm%& jLB(3B@g8%8jL&, Id t jB03jeata%Rk dk* «pel*# iilik&WBe g a ln e # *a&o«t tkpaawB 3w& «%&;%>» ipddbe» 38*6)%**#*)*$ (waa dliewsiaeaamne «d&cwp+ *** )be%> #**»* # ^ & e A * 9 9 B ]b p d b & 9 & g p 9 P M b 9 M l & ;% & *& * « K # u ü & p * b # e 9 U B * * 9 K A 9 ,d W * ê e q p » «R% à*mm & d b e # M d « r & # * 3 * & d a 9 # * db»& * g # e« m # & w % m :W * r* B epw m dS kw ;

lews ar#irl*p&«%b» ]&**« ItHbanae db» eartqwe #Ü5(N*$ l*p :«*%àj*t*k 1*8 1*L *h%a3L *%* «kp#Np«w**% t«p liaedb*)* «wrxaadhB,w %*o*Rb*# dLI#qpa3MK(w&a$ m laoadbm# gyUwrndba *& «ytas* SaoRdbeq** aSwetw* **n I&gMK (KtAawe !*###*# 3*%#M»j«Kr ima# eartWKfawstewkdk* #Ba«aip*L*. l&ows i***db$a!LBgN* lüGj&eadk&law# # g té a ]L3<*n<M& dk# iplGwetww* e wMiile m i e *k 3w»* SbdbpSMM» dk* (paawMra* a ils* ; fR&BlH9*]bea%>e# «i l a * ]%pmgbp*ws (?a#» awK&eaa <k «dkrtw* ItoBaarqw »,/#

CWT ShWlinadkKP*!» t*w»edb# IWbedb «M%53*tgr ia ; %%*a;*NG«dKb&* j%mx* Ita s SMowddh,

V@*g@e* B e â a r* # e g * 3 a h i s a rt& e& e*

E&dbmdk# & # q e * r id e b a a e r p a & o a te *% p ro * pde& teaaBPÜl& M K& M ^ y & a p & a a te e d a * 1 &**& 8 e la s M a e - P9R9Ab33 t W ^ 3 a e e c ie d a a f B oA m oa e esM e ) a a a t& e e a <3# # tt %af9$N&*K&%** ar h a ge awa la i «M»3ük %q@a*Kpimk (%» <;** awftawp

;]b»e*)i*n«MS Swaai dbs dkw%#«W)dh*rWMk die :l<w& xKiaoaa*; twscÆ**** %%*»^ la ts is * Î&* *B&qM*3jbet* za ; «N* i*a # W # $ 9 $ 3S#*4B «aaaa&ôkp ibaGfbo*» «ms (N&gqüLaw%s*i «A pdLotWP «ül ïsoBdbr** QaagQaetdaadk*#. «C&

Salvador, Tomas, Los atracadores. (Barcelona; Lois de Garait, p. 28%

3Ibid., pp. 260-261

Page 62: Tomas Salvador| Contemporary Spanish novelist

aeaso 1UB%& fseepezt d a 3%Bb@»&g8k, 3a* svap"» 4&G8*8P*&G%# <&# lbSB*%W& (BBaak ** a&a3AA&l&8S' @3**8 <&GKa&3db&4KlogytaK&& '9wL *&$ !3*N& a#9g&3k& d&& jtB*%&g;&&3ba iBoZlGy -y(# 5 # 3Ma%gUb*ao %a> jasdWas swaar <Mb*T* ;w#4be$']ka ame%ap«w;s8%i«h# *%&dei 4MR ;%4) *üLgtB&8%; 48*t%aGi%@8 <3ka 3a&

4TR&ÜSEWKWS SaodbBXS), jg&h. 8 l t ^

Page 63: Tomas Salvador| Contemporary Spanish novelist

oa&psaa 88*8B: 9BeE&'Q&W%BB

id& e& % *d*& ë 3b I t #28 lo d g e d peo#&@ o f @&1 d $ rf» re % t Taae*-«& &

%Ba#&:8Ê* . ^M*iGa 4*M w m *»;% ^& d*eA a& târgüe &%»«MB# *&B,È&#RKB&Ü8MMWbd* **$& *» *. . jb& ta& d& à «*#*&* a&p#@a 4& ceaàepo&ltiamG y la orGanmda oanfbolde de sa %Kü%&d&$*i%a** G&tagorë&f**

_ im $ % d & q # & d & i# d * # 4@ &8#dea, e a * m et* p a r* 3U#^4m%Rd%QMa%# 1*80*4*#* à # S u g a r .p& & »v**& r

*■

3bek 4# i&* *(###$#* e f th»

!W 45% aadW & % brea& e#w a*ry# f%a«M%d3%b eaa& eh a& aa& ar i@ &$#&&-

W ed A& a edber yole :*« th* eWgyter # r à stiaar

*%*&#* i%i «q%*#M*p*M*(db «Asaif&güp*,

l*r #X&*Ak*& SRBeajÜkb SaggwMpikidbapi*

I%i3j*%ütki» j* *%koa)# t*nW&P@aa; 4b& lkcagp&*%» 4%P(*a !&*#%%*&, (h% iWhe pObaBe

}%& zzSN&lw; «i j&fAagndC&gr B&s83L3ddRB*a*% ï&etûpgr 3b3*aoBf SMo eeSwo '&%*» ]bB3yb9a»*3

(wOÜaxM* <%f f%*le*aBGdbii»» jkB IRaüiBjkKr !bd» *4*ggk&**r3f @ft *& )%s4bal 4%**S *?***&#

#1 d5*i3lAif 3&ké3ta*%* jpg#" dBSmaoear» *dk dk&Bwaeap "k&wgy laaWMsaw &

adhdjpBB#& islP ts%8& #a*S 4%*Afî4wr idhdbe& lhaw» jfaedk (%%aw» 3ko jprros ]%Qaw*Êai»

%%EPlb o!T t&se icanrlea» lxx**w# «BOfdbejbR igoàkï txpidÿkB w&ii«d* taie aSuwiiaSjsn#

Tbe&jLema tasesr earn; i*a3:k#*y; tw? lühe Jkpadbe r e3Lt*%ya(d% j&& iwaaüLttar *& jüa

WbMmgb i&»&rd%% *bw *ab#ü& vG dW aet

]&K#&a0^êellgpldi&ÿ&übMdU 3%la&#cead'^e&3B(^d&g&#a*Atd&h

$B *& b (BaRwGam a j iQ & tM ük& a& B M #**

2 T h h l_ p , %1

Page 64: Tomas Salvador| Contemporary Spanish novelist

60

t&B Arab# tr Glrap t&o && th* tb@y #8t the

#p#&&&Ily3BRpk&a bo#»* *f ea#&ar àmAtrua&t #B& the# &@*t one &n

fbo# of t&e tge&tgwpGüB# bar* of &e%a with te&g* Tbo t&q#Ba*&&pB

&» #o#8&ü&aa, after üb&ok PB&oB&k oB& SkrklB retgra te tb& aity

aéo&oy* 3&ë Beat 6*y a *&3$ y&ll take the cav&ar te B&biaa&t

3L #8b@py Adam#* 8#*&*pe*

Adao* &# #0 Bag&&*& be#&B**awea v&o o%G# & faet B&taew&AgBdh

4KBR* dSoHMi )&. *%p(wgydb*dbOkf ikecdBxswkNWQdt i%*aK&(Mwa** %*agK&%ys $eod% *h8*8a%3L&%g

taüBKfask, 13181 lasüa&a&k, *ca&):ipaws** jb* IhaasdOLodt t%r IBegsp**), si

%Hktjbp*t of SdbWk &;%& *& 4%l;*paw»"**l%*ï#K& fwadKlcKO i&a3L3aN& SXaOb#»;

i&t #aKpd&MMk a*; iBsd dWgpiür*** aRroia 9Ü%oi;$*kp igy'iRdbg&d;* Ck*e j&egr /WSaas*

Sfaaadkvoq* *t iGsakegpps;* #%*Gp&B4g iühadb **O0L$st&e/' tR#3Jl lb# &a taheat aiigGbt 4&t

331*#;* %*» skla*» apdw&ez&psw* 3* 3be%ab*ak 3%po#& %#* #ysa*Pbe i%* %%*&%«& do

*Wlom$ iwagplxyg IWhait 1&*a* i%p*N*ea&e<# #a»d od" «wra ;qM%t$&#Mb*wS,

TRb* tMWKti »dtg!*& 4db*k jb* ]Le#w&8*&, j&0k%B*i <%*3#*e ,&(*& iKbagr

Idh# pKxrt^t %t#j*r3jF IbadBeip *M*%y*h1k %gr ikb** $N@*4b sK&tdbcwpiik&dK*# jWCtwar

ib&wk «NMIge ia i IbrauaadfbdMP#*! i&:*S IMh** ;%pei:fïib ]p#3Lli##dlf j&dleca* igaawSat f ta r

1%*3b9«WB)at ibe *3L%%» 3#wM* «& idhdLXa» %N5*%KM* a%»(B9%dbBqg )tl«i #%&ig&e&tdbs<**

Barnet *#a1b*CbM hdp%ap*@ &d %b8Êe%l%%F*üx> <%«%&* h t a l& v ia g

d&lalag eheaa tb* moyafR# and *a&l&Bg gago&iBG* aGd aewapapaee

&B the eftereaaa# 8» 1$ a&&* to apeak eight or too laagwage#, all

ef t&GRbadW&t botamOl ##GWG& to get d&en&, B&eigaly ;##&*%% !L*

&#&%&*. *3#e eight yew* *3d#r» a hers&##8 idiar aod aeoe&ep* 3b#

latter i# aeooeed af tb#ft* aad Reaet* a* * ggpaeoed ao#@*B&&8#, i*

Page 65: Tomas Salvador| Contemporary Spanish novelist

'bd&a&'K&Wb h l a t o t& e 9d&&ge « to & à teb %#*%#%* 3& (BNX& <&f

& P& ftügaRBB ^8 th e# » # *e&B&9A&5a0 th@% % %9&%"d#089#a

laëy %8# p88*a& c#f ëeüR&effglt meAoy &a;h&8 ÿbop»

jk, <yWGddB&3%a*aBd*t. Art** Qfdf&o**"

Adr&*B& i* &B It&liaa vamaa* who haa 3iv*a in tb* tblted $t8t*B+

*&# a*&*e &&* gem&l&Rg

d&aboaeat&f, &#%& ##pa#ei*H Ü a4#w »3& & T %&&**% *&a8#t*j*a *ha*l#t

Wbo aeaaSeffeit* B* 5* te8*do&l#y tall** %h@a t&@F *ra *ew* t&ay

*re pafgeot, be* a* they get o&d#r ao* eg# *@#3&y #e* that t&gy ap*

fBÜLae* 35%B*iR;%*ri& ta%@ Tbdltla; aawdk t*» jgalWt*** ifSdl gdF jat *& iMBsgr adbcwrt

t&a*»

SGiagf twkei; ad ff jiaange g%*aad&l1k&#*» «dT iKh* axKHaagr dbs <&&#&8aMs*üi (ültdkaer

4*348*8 tkw* )#*a3UhBa%ra*&*eaB» Ibogr&Kq;* i**33l&:Kg, *%*& geaBas&aag* l&#e;f&ewüI]3F

t3**3r<em*B iBhcWBg** awa*» i&dP ta%* awBowgr 3ka tBaaygîaqr*: iWhdbear aawaaiae ibb3%*ç(8b

& * b i* a a t& # t t& % r# e * a R # % * a t# a * ÿ t& * 3 % & i# * k 1&*y < *«*#* & *% #*#,

i#*w*a3ktaqg iWhgk ]L*%%B*db <%& #k l#a*yB*apl*a* iSpju#** 1%gdb****tk «üB&jf 1**

j%bag[ t&*e TpeSLldW* ta&jk&igg jPbar tdhaaa *ds !%o%4k Ispaaatagr, i***»**» ishagr awr*

(Saptwadt ta ; attsgp jAoar gp&a*d%düm#*

5# *Cb%a**g& IBodbaegr* , 1RL*dL*a%i*f** "

j&plaaagp*, *i EhB&*9**dW#B ?jüeaj&Bdü*$ ftnoai Btw&agpwrb, &#* tw&ktWR to peCLKtN*

boadQiwrter* to *K**ab*fU% 4Wb** ;8jk*«q9p*N**as«a& of %Kle i&BMxhtdb

tO&esk it twwooaaa*; «Claicr IMbrndb tw* AaaowR# RkDtatiaqg <wp tdbe sRfd&tesr fUa 3P&»

j&ga&awk** Bkxp IKt*) j%kP& ywwKxie, IKoabBBqp* Ibaa; tw&e*: dû* Sbatm* tdUB; ea;

<e*k4ba3Ll(88K*B* lab#* ***adbAdk#-3%Èak adT *& gjlBil tMsmwai i%a4b*j%*%w% %dh*K& $** jLosNkd

ia& Itimt ika 2)9dk*;***d;, T%N# <&%;%&«:**& *8***» layt SgdbexqpBk

Page 66: Tomas Salvador| Contemporary Spanish novelist

62

Ibaar i&BlwKfSwEwi* dtaaL&qwpew* *%&*; 3ay*%t <&t ILoaft sae*! i*%w» ;%f!%xr*WB jWb

%*:* taiedBf l%qpBdbBK*8*k jkearksk <wa&3r a jBe&f %*#gapeu» iS)#» Iba*; **& 4**twB%a3r tw&aapt aiwl dktaw* tdkdLlA %&' jb* <»qd> lMagdGn#f jBoar <xpsdhdk&

jCo*' $Nboai 3%*#ar #%%e <N0#> nor* j&%;r tlaedkr 15%$*%%*»,

{&* "g8#B#%dk&**t I*E%2L, l%(waé%M*ïiKBdM*?t

Xü&tMMagm* ipadCl;» $$%* #a&%w*%üb9 <%#aLl*w*1%&@6 <%f «wodE 8@f% 40%t3**kt**&*» **Bd %%&& 1ü*d( $%> TRKdtt * :#3a%at&' 1bcwKi*w»(HKBWwB* il

aütvx&i 3EBf&i4Rt twKptü&ewkt baib#** t<% ta*ÿr k&w* <MB&]Le*Mbl%w& j%p*a* T&wdkiBkw* ]b&$4;#r ,p#KPBW**dr twk *Mk)2L #d& iüb# jpac&BW* 3%w» %***&& <%f ikhai&fQF &*# i;o«N8 ikSai tmaadüoaw** i&asl #üb %&&a9b% «sSaw***; iWhet 42%*% {&%**%

%9pB*»* SkgfSjB# Bba» XK&g&ft jbdw* #&%&%* aü# tamoAo*;* $%*$* j#*) ]Ko%*%B3R**i@ (%*&#» 3k»64Æ(Ma idboaUGB* 3*&3ü& <pMN* ta IWh* *uu*p#wB$dLo@i tSwat Ihdü» adlv%&aegr }%***# %**! i**a%e$&i$*qg 1%* dk» tdW&k th# tWft^

"SBarnser Ib&dOF* !Rég*o*4b*%%> (bsgjpio*»'*le *2 Awpiwim, a jReatMp mxpwmAmt ibWrk Wi *&wir3&»*

tdb*» TDKMf iN&lg; iw» #k 3 b*$W)(BM*pa*aï» f(%r *,38# iMW%8au&*iw%« !&» dbs %%SQR%g%fb $**

%funp#K*1%8P 3EB4MA#%r& *Kt {pGdL&aw# SwMidkyoaNrlMKPah, *MS<*8%MK% <*f ]&*3K&8{g «üüe%4b#<&4& sdhe# ha» tür&ik& la» ÿdbmdbogpegdb «i HMlm ;%*ua <àa& wsaaaxk, M%* le» *q»&gh#«M*a Iby 't&w* aa%a :%a&*%dWLai*3ar ihLm&ta» »& Tbaor, Iditeàr I%* «go**»

«dLg&dk*ww»lx%g idW&) 1%;» jla*Mplü*aM ïaxagr a%#a iSot» àMk%8ibo*b 38*3 ikhegr#9# alZ te#lag#a hy * #**%# af luoy hwy* a live f&wa,t#da& %*<%%*# f&ig&&#a#ahy$&#8a&## #a8 d#pt* ewaydaowhay* 2t le

aga over by a ear. 3b* vendor dowead* tb# moB*y #@p tb* dead fawa, %b&ar puB obe» bâ** ##& t& * f b g r f& od th###a& v#e *#R&a 1 * t& e pdl& e*

etetlen» vhw* îÿle» le eoEyi led te gmy A» thé deap *%d te pay

Page 67: Tomas Salvador| Contemporary Spanish novelist

#

<a#aB!NQ(W* 4Bh*i imaoü&oop* ]&* tühwk 4Mf#i&aa& 3Pÿ3kwr a**a B*w&

@D 4# 4k. a&#g%t*aka1b* 4Mh*k tdheap* SRfSü**' Bl%*aa&3af tlPSja&a» tdbiid&3ridkd&gk &%89QF ta ri* # Ibe tdtt&i îa&Bk* jS&wt dbK*K*é@k twoo <W te# tr ltü i *&

iMamaagBB** ii iNp&jLt*k a%%a )b8$ka*w@*wk S%pe%&&«BPa%

{&» #a9*o&: # 3 . l&BWKfQa*, jkpBpai3%*edb@4*

!()%# {üpBBK&aepat vk) 3a*Mf saoAük tGodkMp iü&Mk *WB@ù «df jh&e&c akkl 1B@a%3%w** jüa 4% *wk%düMk édr *&Kr%N#l#ao«kiw*ü»;N& amaakl awxBd* Sa; 35*3%*» j&iÇLÉ 1Riaw&aNÜl3L#.;*» jjB a* 4K*%gr 4&a*wRpSkKr la&N» &**» Sb#*! 1%#& ;?***<* #af «Nü*)**#» «a* «à*

«BPû$t&t**etw%PiÜl *&%*: aN9Bd* 4%*%wqf3a*B«wk **& *& 4bP8dP$***»%k* sGodk sgb*;*&***»*% hdbaaw&f odRP jüi 1R&*gg&#wp #w» a* iKBsâiiiwkedk* :8ia* **@*21 iaataapawdk dü» swNwWB# iwAlKh tdbOG* )8> le ipesgr «MaewMMiWKÊggL, 8* ipaKaSgr Süyvs*» ** ggkeZ *9B**kl ]*%&**** ibtüb #0b» Ibaa» *a&#jü»tw*8 iWhcük be *wDQ%aawkladb* 3M),000 peMgalba#

*a»##t&ng I t jPoplhm jgWM&l» TdüdWb]%üWw$@d. «*è#&ü8r sdN&#*%dA#ey@QBg m*&, $ky father beg# a&ek to a oheae* ta b*WR8# 4M%pMdaW%dtdth t&la laga»

#ad dût of p&ty for h&r father** ê##p*r#t* oapAoetoe##, b» agréa#*

SL #ga&a«am3b*4* ibaeatrial*Ib rd * a jb w , 1* * jü8& #r a z a o o ti* * l a th e oem pagp o f lürqraw **

T a rë , &* %** *A È qport& n# ba#& o*#8, 3 b &# t& ir ty k tb r # # y * a r* o i a ,

t0B*rri#a and llvo# with a a*##$ @ar#, altbou#& be& llttl* tige far her* 8h» ha# #$**KeBt&y3â*t a a*&ü#&&# riag which was her

oothar*#* Aotüally* tbe&gh S&ieoia d#e* aet &aew thia# *h* *a# eaaa&aa by aaeb d*& BBagga, abo ha# %#&#& th# riag# leepea

aa the Sabbath for Rabat with a pretty WQBBR j&amad iMb&pa, en Tühon

Page 68: Tomas Salvador| Contemporary Spanish novelist

66

#&oa&, 6B& t& e y %*&& & &#&& a e rto o A i8& tb » i* R p :b % d k

t%*. 1Ba%kgdé&E',. 1B3k&Ê*&&:* attegeat #t %w»aa8*a*t; 'wdLt&t ai gRO&a* 4>f «a**t tdkibeh hw»

&&%#%***&% 4#* a#r3a&o'#ee&§% aQpMN#%%rtau*d#t&&ta'3#3ww& 3üN%0*p* %B &i8; *È8KBWM%r <*&& &*a4ada#%dM %r4ga*dk8 ta #arg% *%>

i#*M3 &adk &a* %*ta%%w# t#*»*%kag* %$KLMtjd&w&#e

&Q& @*a*r#a8 th#t h» #&I1 fia&'b«ri%g8&&*

3 8 ^ 4yàa*ad& <&*&#** % Bt*B#e&i*p&a*

8% 0#dbt &BGcto@ M *#*, 3 * $ p e s t a i sag& gy*» $ a % 8& 8l*r, idbe#*

ha&hy &# %p3t3*8 lstt*r* ta "pssMP&I#* *11 evsf th» v6#&&, %b*&

%* 3MNWübmw* a ipsgaast fk«R4L<XB0Nwq*N%&@Gt ia 33aa&<%* dkdAMma&&&Q&

sM &'to'W hepa t8w@pdWm&*aw&te ot*@a*Mkk Iw & iac ltsa to «mad&üar j&r&8B&

&& BB#ai3* $&#&# l#a%#4b#*wK&t* &**a Qüawëb

Idbo&d&f &## &#d @oq%oMüM&es $a t&e i%w%pdbB&i%iD@# 4& BGadkypCLk 'Bh*

p p ieaesp K d W d 1%f 3%&s %p*s&%&*a iwkaa

t&m&ï# dkMKbüNf ibo #& *ata t«#3%wwM*jbBk2%BgBd&f. B& &B#*di8tGay h&pe* & ppatty saeretery &mg sa afTlo* Say, Sqy* 3#000 ta## of kigh*

(pMükt ib sgB Ü M as** j> a a %b%&ü3* # a a * a & l* I t # t 1 0 0 p a r a s a t p& of& t

ta t&# aea ta $&mar, 9h* 1* «atwally an *#*&% far th* Qblaa& 80*#M&*

aant la Boraaea* %bia aoe apsratlao 8#%## hlm & rich Béa, Ha pro*

pose# *a*r&*8» ta h&# saeratapy# a&a #a@#pt*f sad thky ga ta ëa&to#,

2&SW&3* s a * aoB& amat& aa % oàaÿaoa& a a d tw sl& a#8*t#& p*

Staea 1* a&Sa & brief flB#l obaptar antlt&aü*» # , ;?;&& awmRb»

OgoB**,* whlob aeasiste af diaoanaaataa *wKLS&aaiKiaBWM%Ma&t&#m4B*N%& dbap& aepe** a a a aarw a& tâ a f T S a a lsy # « ad V h ld b a&R&t b a t t e r b a e a beam

m l t 'W *

Page 69: Tomas Salvador| Contemporary Spanish novelist

iMkeabaüàaow» tdhiadb @@s%adsy%*8 düB iÜhK* tmmoaf&naatk&aK* «üf idhSa*

:&e jadbadJb*:* 1K» tdbedl %9F 3***** TS&GWBGQr tdP Sjb#»

3K%9d! *&#a@ül 3%pjWpe* ia* tdbKdb <& sâ&odbQxNt sa f 3UUÜ; 3ün ISapqweibbqwi iaf fÿbpsdi

tatPdR&gga ta** 4k*4*ad%BA3Ül *%%8aktaaa*» <dP IdbiiMkÿtwgWPf*;* «dP dLk* aaakK%K&1üüal%*,

i&a Thet&i %%y9S)I#h eswehi e%wx%Mw:1%ap Ikaa* <k aaamgHbBor o f iBhat tywak i&aaS jb& jkotape*

dhaoedl aa& f%Gs*k im%y jEb t&w» %%a:Mr&ER** (dbegptaor. 3M& dUe ;pa@s*&tdb@ iBhafk 2B&3üm&*

(&aa? (&p# Ig&ai 3ak#gdüp#:ib&(8& jRer &%«» <N%&adbptK*4dbe& o f $}kW . j%PO«;JE@k

;RM&adW%; a& ae# #@Ae&y ev& py taae4 m * s& 3 % # 3 w p * %yp* e f «*388 aaB tb *

p@&&a# lB*9#Atof$ 3%****4, $a*y# % (blF&y *Mada##& *9&e i& &e#t of t&a**

ï ^nap* i* @a* of 8el**a@*^# ao*a&e, %h* #&*&&&*

a a * ^ # t W&&ab3a t&* ge&fÿia# 9pi8ai*&** 1* maea &e#t a&g&t of aaB baw*

#&#*##** %&** or &»** &Bta&4mdb*&wl

8imo# A chmpàOtar # o Mm A mdaw t#3# && on# dh#t«r mqy #e

1BR* <*&##*& «&*raet#r &n **etber& *# * ,3r:b%jMWMd

dWG&ea** ###%# to 1b@i*% jKBbAgpkib&*%h4MWNAaj*&t&m aiSaaioa t&et Bma*

@&*r la & *hat#i**

]b<M M e3r<a*% d*T @ k&**dar lA d asd a# # # a a a # g@&8* o r phm aaa# t o $ b *

leaguag* of the oaiR Ohareater* jydgiag ty t&e Sbg&l&b or AaaplooB ia

obaptor 7, he ha* oB&y the aaaile&t aamttertog of foreign tongw*#*

Bo&er syi&f end hi# Aaepioan fpfanda oee auoh oa&lke&y oappeagloa* &e

#*y %*9edWt%*%hf**i*o& *&gey #* *#&*&(***'<&»:Uk:Llg& Bereoho* do 3a

3&%&*r«*4 The *2 the** ho@oe*e#od%MaNdkr

*BB9y$8#o*a

S sa le e d e & t p* 3 3 $

4 % W W

Page 70: Tomas Salvador| Contemporary Spanish novelist

8&iv*a&p be* abeeaa æ t&a of t&&e g#B#@a%'aGV8l&IB&* ^helbeaeoma of &le axtpea* laa&B&ee sad l@e& of v&Il power boa va&ted %&a Ufo# fe iled to find- oay ra a l ea&à&fa&tÈGA# le a t t&#

womBB. &@ %Qvc#f asA ha*, beaow# d&eop&antod *#& aanfwaoA#

ia t&a aP98&9GB * G&ta%w'Bbo h*& îb * & x & & 3 rb d & :B M aa$ d k & * R y * # i8 k 8 d M d # d # tR 8b& é* $#& V bo* * f t* p

tet&piRg* bq&lt o* tb* @&&e of # aoBnte&a B$*P #a e$t*toSg##* #hie&4 a&e# &# 3Bt#a#*& th&t hi# obl&aeea aaâ gfaw&*

* b l& 8 » # 6 #&#8&d g p o * # p «#& I l v # w ltb a w # o ay e e* w & tbow t h e e lo g t o

eo d k * . 0&.& ta r # # # # .# # # # t h e t o p o f t h e ae8& t& & e h e p l a a t e â a T im #»

y&fdi* %t i # bOB* t h a t J 0 # 4 , # t th e ##* o f f o r ty * b a g la # th e fo m al*

&*&&# tsdkof &$e %&#e* 81# #&fO* who bm# le ftb& e t# & y e e r# b e f o r e t h e t& o e # f t b * e to r y * b a d b e e # t h e f i r s t t o

B *8# t b e d l f f e r & R t l e v e l # o f t& e fb e p # * p # f iv e * i& é e e a e a »

d& a# o r d e r f ro m t h e t a p o f tb e g e p K B tk b ;* jb tiR B b k 3kk<&WN#«k *&

Pe#m@ do 30# Aee&lasoa* 3#* Buerto*. 30#f eneQ&B &«&%*0# oaab of the## level#, foreiag bÈoao&f to reoell tbe &08t importaBt «vont# vbl# took plao# them eddm##!)^ M# ^loa^W to ta# person who 1# moot o&oeoly eeaneqted with eaOh pertioolar level,

fh# firs t day* in the vineyard* be rema&w# hi# youth and his f irs t üoeting iwith Andrea, She had some to live at the haeieoda at the a@e of *1%, wh#B her mother carried Joe#** UBole QsilleM#D, She and lOa# ueed to p&ay together i* the viGsyard* mekia* fan of JOsd*e ol&Sr brother Bsdro,. who ha# reaohed the age where ha w*s igtamNMbei

#6

Page 71: Tomas Salvador| Contemporary Spanish novelist

2xk Ik&gg IhcAipe tdb* <L*3%, tRoawf dKLBiKstw* *&t#

tMpwwara Ibia* (pnKB*&g%pb%*@?* "pem*eg%&@3L BsgreKB&BLlitgr d&aodb&adk&a t&*»

« b e d saw $& & ##*& 3 % a# B 4 & ai

l # 3 # d %«#&#&&?& i t % aa %*&&<#*$%& & la

4d#Ü W % N m *8#g2tm #A hildrêa fhN ajW ^p3hM q& *w düa3jt^ <#% ##& *

Æ e#dfa:@ pW k8P * * d d & e a w&e& b e i* * » f l f e a p a M M e t d W ^ f & a f g t b & r

I# w * id ü # d 0 a a 1 & * 4&#%1 y&p* Sbad###* * * # v o # y

( b a d * f t& *<& & *B 3%A&aMB&p 4B a 6 3 * 8 *A dQ & 3W aiw *aag t o b&8 tk p # *

th& »typ& W & 4& 0% A i«w d& f

jW a w # B W d k & * tÈ # w g & t& * & aw #b « w d b f& e m ï& d ^ ^ b a d k l t *

*Ra% *K«% 8düü^ t&m â # tb @ r e o s * h e ld &

tRKpq» (**tNKp*&l spaàhPiw;, *&*& *Ct3. t&*» !***:#*% <wf IBs** h<*wfM> tasos» ibzgrlBN:

1k* f»@a83M*%l<wkt<* sK ttti tüàp <%***&« SPbdi e3*33b&*q*A 1#*%%* îilaSaews Tbe&dbod ta**

dhsçHP jbsapb 4y&tH*idt# iKba* an&c#a, IlsNakdüagf t a tgaeqxüggb a* ;%aq*; «>f sgSaBBd**

#%8kKpjbKiKN&1&**T* 9NR# o f jhüewK*** aaecdwa* idbes%g%f& adM* jüa&ib *& %a%ad os* *#%»

a&wS i n :b«F jRcdyRbdt twod aap@jBb#*»#Mf&i ibgqÿ*** 1%» tiagr# Bkpp i*a#&

:w&32L<x% tfu* 1k* l&sr» iRp*** Ihibe lü&dBlry; iP&awBih» #à& a&Mpiüog;*

!ÏÎKl@ «KwaiBedt 1%) SaosT 1ü& le** tübe v o ia a i&f «w&othatr aôRG i?1%* ïiacS (kies* a&t

'S&we 4tgK* (* f jeoofcai %%>:(#%;* ï&mwrgq&BX* *#&<* inKrsr swodt *%gaact*Kt<Ka1*i*

w%w* «kRMdaka, j&kdait&agb 1w> Ibaar 3M&o;&*

A**oM%8qr isagai j& lib a &*;&;*& iga* %****; e3k»*w*B oj%Pt ]pb tteo d 1%> 3&e

&%8» *40*25 <*f %*a** (dT jk>8<2*i* <WlK;i*08, laNBgpB&dW&WB* TW%WO $*#**

t**od&w#k2 <*f Ibeap <a$*C%y ]b*dkr^ 13%** cksy t*w* tü&aLld&üe&t 2%*#:%% la

imoKX&@a& jaaeyÿ* .JüWNa* 3a* «* <***%*, a&Bdt BK&ojLte** (&cdüGW*I jLt lao !baor <yw*&«

38%* ddüa isedk pdüggf td lti* Idhe tes&gp» <%hari«ük$ (89 GaMaar Jt&ptw;* ja** eds*

<*@3wle6 3jb* 1b%ü& 4&13L t&se jÀ9*d&%iF ïnàÿMf lübad& <üaB)% dbggr Gïwa iplaM&Bd tJs# jLüawg**

Page 72: Tomas Salvador| Contemporary Spanish novelist

&B âwp *0 i t I*

aB ibop- b e â st:a& 0b% # tbed&ild a&ept oa t&& floor#. B&eit*» t#e&BB v@*y i l l , Obi &@f Bothap ga&& h&r

me# a # b a y bad# ( b e B ig h t a h e w a e l e f t && t%& o a re o f % aapv& B t

who fe ll 881*9# dBPiBg the eight, lb the aeyB±n& 5&Glto#iaaB feunâ e& th e f l o o r t e e i d * h e r b e d , &**&* B le e p in g th e r e e e t h a t h o e # eag *

i&Bdl&ibemeeibed, 'Bbefe&ftar the image va# %ept la the tea ana the yeeerwe# looked*

(Wt&wt&da&dw^of hd#e*8Biaet&e# of hi# life , #o*i go*# t* amwbweof t&# f ilte r t tee##* ]&gM»38»*KkbRNWw#%dedeed f&t&ee#

JœéreaeaAére, hod gone to Bngland #& the age of fifteen* When oho BetMfo#& her rolatlemehlp w&tb Jo*i had ch*Bg*&* Oœ day 88 the #*#&e de lo# &*ell#ooe Æ&#4 d#el#ped hie love to Aodpea,$ h # o p i t i e l a e d h i# la* * # # # # * b u t b e d e fe n d e d h i s o o l f b y o la im iB g

that itlhadi&e&eino eae;*ny:bam& iaBi t&at a# làm# ## i t #0Bti8#A& not to do #0 , ehe abeeld aeeept hl# ABibeim*#,

%Nh#ngo W%&*laree year# p&eeed. Daring tki# time other young aa&i&soo to

#g#va haiei to oouet Andrea* finally, however, ehe told Joed that #&# loved him and would do #o until sooethiBg be did deatroyed Ibarl o v e , T b# w ed d in g iw »#2

f o r t h a i r Lww^f

« .* t * K b ia f a n d th e ooup& e'w eB t

$ h i# wa* th # eoeoB d t i n o I n b i s

life that Jo#4 had beea away fro& theloedepend# tb# fourth day beeid# the p##d talking to & oreatwra

w&oohg addr*#### a* 1& Boet&a Dg*oaao*&&&* 'Bbia ;&B'Wa&iMd3WMa& per#*# y&* killed hi# daughter# Bari# Duloe* in 19&6, nmrrly ten

Page 73: Tomas Salvador| Contemporary Spanish novelist

69

yqwaag* /Wbewat IbwKt 3%&8a»e i&jMhear iübegr 1*2%%; A*k%an»a !ha%&

(& ISB&gr {giadk* lü**» s#*** tAw *dP !%8p p*%ria&ta&* %*&&

%K*e*i <WB3w»ag» $dh4W& lüb*; trndbgr t**8 a%*& iWbmi 2M»srb <,f i&hK* l&sfallar 3*0»»

apGxwBadbdKl Igdaa :%d@» j/&* (&%*& dk&;r td&e** 3#aad&ai/%%#<% laBue dfSs# ipgewci; sd&â,

a*w8a%B*L iboikS i%GW*d( tw» lba2o& iBtwret <wP ikegr tdhdaa» edhar ;%p8%)ewp@<& ibo {gt» ijat*»

'$(%&%: t&i«K flsM&a $<& lübe; #*%rw& asodl aa&i» dk>%*i 1b& iwadkc8t

1#%» S&agr **Bck ]ü&adb@%* l&e laeaf iksOUk* 5&8<%a aauaég» <**(BPiw&Ea& *%&*&# Eha ta**;

4ea@3@8Ri#<E $%r IhdWK làtK&li# <&udL13k*gi**i jkQdüPa*&*** (P**qBdR&ia$9dP# dl {gsasïsBvear

twa# jPtRaiwB IWkBpjbt l&wCLoik*# dba#*% 1bo4%gr 13b8*kt!b%$' aaa Iktw* 4&(w*%%r

i**w» <%*]&#*&+ ia9bo idikBygBKWi#** )*#:r *w* 4se%8M*a lop- 4aPGWGjbag&, ibuii #*8341

tA3@f& ##&*» taacl 3%p«Mf3b@twal3r iMWaedbMMS #& 1b3#&f get laeg" tatdkBb iBCtBti Swans*

%%*&*& &#r *8*e&WMk in*Ka#&#y*ei*fAMT#aif#Ab3bda##bd

! # # % # # v& dbA #8#

n& & dbf% % k% *a jk d l# & te tw&3$ Hw

%wpi«a* Aoap#*, w&a hA# pp@0&8*a to &e*a a*#f ga&il ha e&eu&S betray

her, 3A#t $W#*&&ka#i*. 8», &B tup», (bit the& Bw#*» %&&*& be# b»»

tpgyad &&#$ for hie g*»9&fh&bap &*& geo# #*#&&*#& &i» that at Baema

#*&*% be wew&& 4@&y flad tb# aoBeowor &*pp&oa#e t&ateeaa# ia the

üaüural ooorae ef l&fe and death, but »& nie&eaee or %Bhapp$ne*@

oBuBed by th* ambtt&a&a @r ao&f&ah aet&veo of oa»,

The gardeee are the fl&el level vhieb J*#4 viait#. Bar toa

y e a r * h * b a d b e e e 1 » & a t a t e o f e tw p e f a o t tg » , r e g a r d e d e e la a a a e b y

the aaebepe of the beaeebold* Gkt*eiat&e Jblyt 1996* the C&v&l

W ar b ro k e gut* dad#** wa* etlll *& Bar6e&@&&, but b ao aG o e « b e waa

gB@lle& It vae quit# eaey to arrange her paptra aod 9be left iBmadlw

4*ta%y.BQr 8»dl*Bd* 3» the t#B year# that ahe ba# be*» aone* deatb

Page 74: Tomas Salvador| Contemporary Spanish novelist

TO

a*w dWbdbKUdbea IWa&aoao&sea&iegdri&M* b#gam$xdW A fta y *düs

&e&t&* j%w#%dü*9dlf baoüaetpdHk» :1&I* f&o#33g% jkw*#i#a,

t& a #8f@#%K8% fwAKwl 3&6a t * e e a a daw * ia> 1#9& jg ap g aaa , t&&R&dÆ^tüüdk

tR*3dd%%idWüiiWb» i**l% w oü i# %#&# !%& ifp ô B t è g r d * t d # a l « # 1db&&

vtwh Joaga R Ao thé ger&aaa, joat gltt&ng, #ith a etiek &a h&B hao##

Whea the Civil W&r v*8 ever, Joaf hod hope# that Aadyea mma&a

eaae &a#k t* bio* 3b t&@ a#BatiB&* &@ @88 hie andle OK&lleBae eet

* 0 * t*> %%&%%&&& ]&»*#* B b ia i* a&Mt ;bi<am&#r t o *&**&& «awRw^traBasy

,&%*& ae& d

3%%@B tl%b i*#ch9B<& 1&#3kS 1&**' tcmo&Bb *yat% dk%8&tl;y& jRaa****» Swgptü» <%C

;&8*Br«wa**; r*ft%8iR+ jk t tw> «k»(KU&*& 4*> ig* iWha%)%w0b 1%h*& fjkve IsnfeOü»

(%f iWbdk e*ft«dbe* (qpeaagjjag i& d a y i*% «keaüt <%ee 1%) ipveî&uw&te %%&& jldüPe.

jit &}** <*&(% <df iühçt i%*%> dkxg**, !be dk%db&«Kf lb* (go t*> 3Sag0b*%& a&Gct t*» Taeg;

j&Bckr«w& 1%: (NB8K* lü&eük tfit& Iiin& <*> Rueva IW&dLaj to iftwMPik IdUEb lOKwBü!#

%%*#<* id» ft fdT {Mwamaijbiül jS&.j%;gBa%g{%i @a%&

j&kI%#GkSSWBdOl3&k* IKkW* *akf]li<%p soyawL, a&cdbMW&ca' <%&3:l8 laes t&w3i> tab*

ipsath odP 4**]hf*;ibl<*o :1a t&XF<*a(2i ;%Bw%it.iv%» ewotx&eai, ]&i j3& jZaUBBdSdSl %**

a&tCMM* t«* Kbw; tWkgdbed! 3xÙ%* <%f ;& ##*& etwo h a a *w%«*r 1kBil@6 i%> ju ss# * # ,

Ibwdb Ibewk **&t pawaw&s* jsndt jklSdk t3&* iwosrlcl «upcmaodt !%&%& ca%@a%B9NS ccOfl

;pf9#negw9«w3* IBo (?et tJ%ea&, ill* t*> %Ie(g*x%*yi&t<k, tc» (p> Tb&fdktairtl,

35% 3*#L&v*w3<%r iSEP&i** 3b* igpdk&R&mdkio w 3s* gjbmw» îPoew* i& (MsCMOKuS

iB&NBo#e*".te 49» gfudt @%%3 jTiawa &*%3%%k*# tw5 tarjasg Thawr Tsaq&e* t*%& aMBÊw&a*' !k*

Iao;*ait& iKkwxt ;*%*& 3MBÇw}(p&i3M& }%&*; cWtassgpk* aettdktaadk» oaaG IbaOLp iiSzi

Bsakw* j&QGWPt&Kligg «üadb scf 1Bbg> j%kad& <%f )%&<*

38*8rij& I&aSbMi** i@€WK*&; saagf %** iB0*%*3a*8Pe& jB&sdtte aü**3L a&aiLt&k lWh*&

ibeas 3PGW%P3 ia; sfbdbeh JR&awS if**; «njo3c jbo saBgr %*% (%gtii\R*3jaBdb 1%> iGkw*

Page 75: Tomas Salvador| Contemporary Spanish novelist

%

ta e g g g b ük& ëb jb e i a td b s&8B*d a f t e r h@ # a a a e a t b e a k t é e a r t h ,

f&VB é a y a je * # »p@&8# th & m k lB g '# f kl#ip&a&:k&Rs!B8r1*&3UB&NW*%

t e th e- tta a 'w b e B J a a lo td b b a g la # t e WBd&pmtaaâ h im a a ïf an 8 h i# f e l l a *

# # 8 * G ee Z e e la t h a t , l& k e J a e ia td B , J o e * v & ll b e a b le t * w ork e a t

b i a e a lv a t& o a *

Page 76: Tomas Salvador| Contemporary Spanish novelist

<%KWP%Bai%a8&# :B%&&D8B9 SB .&& OBGB&I&àB

3& %d# m*A&Ka* t a Badlma&A &a && oaBar&&Ha» @aya that

tb&'WQBBBi&&tb'db8R'&@ haeihia e@B*ey»*%ie& &# %gB#&y f&#%&t&089**&9#G 3p#o* B& #%&*&*« « * Beew&té a If*#* #a#&

dialog*#, pee* qoe c lla , foeate d* *&or, #* *%p&i#a#a «Büerd* füGBt# de vid8«*&

ïteae i# füptyw&w* y#*p# @&d, eigh& geae» elda& tba# tba #u#&Gr» Sbeie aefeiêd aad appeapa to &*vo &#oei#& poaitioQ o f oom# pMWoeooe*.

Tk# owtbGr &B ale*i&**ri9d*g&H& 4bMk<*083r<%%a3aM%3dRbdb% Bmet&o# la & 0#et&ia botdl i#&Q#

every 3ha##&oy* 3m tba o@*& Fooeep* eewaSZy two other people*$B8d# aod %#eBe lieteo to t&e&r ooBVeroatioa* tbaeogh am o&r veatia t&e veil* Qaeelly tke ooBV»p*&tiome of t&e other two or tboirApoaial proà&oQe touoh oa what $b##8 eod I###* have beee dleea&&&B&*

%%* «K#dô& of t&e ravel oovera a period of ebeut a year amd a Ibdlf # $&* b o o k i # d iv id e d i a t o t e a o b a p te p # * Th# oaaV eraat& G aa bO"

two&B %*a&9 @o& :&Me% «a#iAüüa**iaordiBarypeiBt, taw&bet&iaketo h iaeelf ie givea iB heavy print, th e ir letter* are in italiee,and the ooaver»BtieB# overheard are in â&aller print, indaated andwith a vertioal line alon# the le ft margin,

-*Bidloi d# amor#fOB** aad 3r@B* recall tbe&r fire t ##atia&* Sheibod gone toibie

hooae to aak hio to autograph a book for her and l&ter wrote hia a than&wyoa letter* Several tiae* after that he had called a t her home.

SgGelaeack&xt l&Madbs. iBSjil<%aca; @ai 3Ua aaaaaxrjw&édL* f B@p@alou&$ &ui@Ù .W ^ r ’WWPf*iPVW*w‘"W***®*VV*'T

d # G a ra it* 1 9 5 6 ) , p rg fb o # .

Page 77: Tomas Salvador| Contemporary Spanish novelist

93

a&dSdwéBiBgt&a&dhA hapaelf we# a apiter* 4%MhwNk&1b9 3MMBÏ ètKM&c

*& eb@ a 3 a # t f&ü&e&aâ* a& 3#B gt& the& p &ai&t&oadW bp<d&By&d f r a o

te t&a&iaf !&#«%#;» jWt18wüüriB#dd&#%&#e8 tègy f&oA

t&a&-&hgf le b&l8#!m%ba 3a %&»:&&%& 3xxa%taKt%& @&

aü#?*8 t %B tb&iwdLI* &3RMm0 coü$&e, %arf&iB*&]wa%8M%t 8## 3* the

other room# AppBraat&f they aro ewectbeaptd #08 I t la t&o f&ret

tarn# they &**e:m*ae lava,. $&*€&$$ *0*2 9% aowthat 3t Is too late#

a@8 toraeao #ee#i##* tgiaaKBy her* 3%# ygüAglovotwtwOeB B&p3& oa&

i&Gta&mB t&e *** %o** 8&&*&p t&twea Toad* aad ïre##* aa~-

t&oegh #&* ha# bad other affair* wpg#&pQ*%y*

*y&d&a*p» dh* ]k* 4&#*%P*%a&aM%3dki*

$h# oe#p&& &B the 8a*t roq& apa eallod Batataa and a*

&aa h#a& Boa&&# to leaks :!#*» to h#p* S&ia raoim#* Baade :&ad %r*w&

o f the f3 r* t time they 8#&& love and the aaae t&iea happenae to

IkGdbt tweawea he had so t teem oar* i f sbo wanted it* 9haiaaalkb»S

i%t 111* tdwas (Modt SMaOpadk $*3:& SPOCMOiMR*» %&a a4dIj>*«ws%8C3d&s@*o*k*

*gDdüK3a)gÿk dk) ikia&Bqpea {*w#4M&#e*

3%8cdw» ;%acf -dkkeijr* ia%*5 3Loim». IBsra&s IcecL&t&tey; iKbedk

(lewfjas* (&lt* 2 0 %%p*fC3%%*8* ZkeMR** SPha# gwacgsla jbg iSh*). zuaaft srcKwa (%?%> jPGSRasai

azKi iSyrbasKicf, iw&w> ibaoi 3%9MKP(; %%p@n;l«ma#sf hwsd &****$ SbennaoN»* I#s IbawG jggspwis

4kia»adt oiT îteq* aaad loflb» 8%*o%* {Eft*MPtMk*s9a she Stac! *i3*i tqaXgr, i& Tbogp tdbgt

d&«K* $Kt IWbd» (%g* odP tabrsMB 3ae*it&%B* iSgqr t&%@gr 2$&1> sygajkn, txtt "Le

the saawKntcln*» <>s4#*&o has taaofsriaKS* 3\b*g% try *%> 3Pe%)ajpti#gr t&t&jkr iBoaraa&r

jR&eü&fqÿes lead; tK>t$i *%&;%& iKhadb khwd*" 34)9%; 1s*e dlbed ewsd tabegr aws ]be%y;@gf

&!ia** ecngdBhdbog 3j% (hoBgasas. ]Bpa%H8 ibeZL&a 1&*s%Ba i& js&B%I3jKr 4axqp«wrl<R3(M@ iWbadk

iaapBdaoad tks at d&riaRaa cdT 'aers, htat t&OBa&e hsaotmt lübcct iëber 3a zBELllsr

Page 78: Tomas Salvador| Contemporary Spanish novelist

hM n&ülf# th * g w e e tlo B a f e& B G W lty b e tw ee#

3bad& f@g&8 t&A& i t &a jB^b (Hübri88M M W M M #8grSB& t8aM >t8dk#i3% aaat

e is& e tp q & b R e p a ra ie e le v e rm , t h a a && a sk * &#p i f g&# &a& ha# @ù a a a y

3 * v ee# t& a t d b e &BêW& haw t e ÿ ea te& a 1@#@ %&#& a h e doaB B *t #*8% i t *

3 h i# oa& ae h e p e n g # ? and ab@ ia # ie t@ iô A t h e i r &»8#&Gg*

MQid&oge a * l a #

3ba*e &a# welttea t% I&eae *«& aha &%* *8e@#& to eom# a#&i& to

*tb#&p .po@&** 3&i& tiao ia tbe other roo»*#* two bgBa#e$ge& voaaa,

3b*8*. *@y* t h a t pBPhopa a&# k ao # * them * & IthaBg& t& eeo a r e m aoy o f

tbomi# & ait#" l i k e Ba&ea&oB#* @ho #8g# t h a t pey& ape tot& aaB aa&

woaaa tdko lo#e p&yt&oyB of t&* aaao ##% on oaoaaia# baaaaBo t&ey &o

not feal that i t i* a ein agaioat th#±f bM#b*nâe or wivoB. Toad*

#8%» her i f obe haa «van lOvod a warne# ao# ahe rein### to aaswar*

oho w ia& a* t o la a a o iaA e& iata& y and n o t t o # e o t l a t h i e

rooM &0R&&*

*%&d&o@o# a# loe oeio$*

jlBK%A&3atw t&# daôido to co%# took and apend t&g %&olo

sight together* I t le the ^aooh# «da $an Zqan** 3uriRg tboieaoth

t& a y h e * o % *t e laew h aro * . 3 h t& o n # % tT o o o l8 & a * * , :Pàna6%* id&»

le joaloo# of aoeap&o, tboi*s8B& h# l a -with* Me aoco### hay oT

4&ellb*P*te&y trying to at&poot other man and e#peol@31y of flirtin #

with her oou&ia* although #be o&ala* that the oowein eomae to her

houa# only to v ie it th e ir greadmother* Coe time B&rain ead Boaprlo

swat to a hotel aaà wee gBab&* to @9*8 the doer a t the

e&teanae* Ba#arlo* however* %a#y fraa ppevioue oBperienoa that i t

Page 79: Tomas Salvador| Contemporary Spanish novelist

75

t o aa& l o& tolbefB :a#&w3B9i&8a&j&Md9 4b)

o p a a 9&*' 3%e #&%e a o e t o f ïe o & g e a t hag g g ag # t o le a n e &mâ ?@wd& &&

th e l o é t a o a tb . Be beooB&B j& o& ega o f %ap fG ra e r lo o se # * t& ag& aa#

t&at 9h&%&33 t&ye o f bamae ake hae o f th e -&%&&#»* B&a

tbaogbt# sopaea&G the too ao# th* ro o t o f the a&gbt le*p&&%oâ fo r

% # * *

3%yW&iKP& *0 #w#ggf1k»33#*o rgj&wd 3Ba& Jbeo j\8r eaob

(ÿW&BP th o & tawgrjw&db t o t * e*%Mw#UdHy B iaA tA a o f d ^ ÿ b t* l o tb o T w ad k

ameoB i a a yo%##1&Ub&5 4$dap&B* 9%M»|BbR& :h8$ t e # R S a ja ^ a C L K lb e r l i f e ,

&&t *&w»3%B8%gT3aB &&B f«*wedd%F 3büBt 3k&B4%&0bt *9 t&o;M*MC&&of aa

a a o id b o t ^ IkdWb i&rao* a a # T bsdbaoM » 4be8@h#& t y t&& t h e

TKL&aâseeupla 8&0#to*«%&fMüai*y#b#ri#Q& f*@& t&*& i&wd&'t&a&ibe&e

18 atreagthOBoa taatRy#itaw*3kMN*4&f B&e othar two,

*%%&d5k8%pi dW* 3b& iüaçpiiadbadL*

3&#M#AB*#mdU%@i#A&##ojbtb8ae%t toga twfoM Ira# 80& 3b*de*%Tl*@i Gbo $* oig&t ye&p# oldor t&a#. he aa# i* vorrlod a&o&t laatldbmsdw# «&* sd31 t#e&o&^ tamma while h* 1# a t m & rol&tlvolp

youa# Ran* 2r&&8*wdbB'A8a&5t#*db%dJ&1%K%@* of bar ühaa he tiros «ürîK8\ !b tali# Awaetto try to gwaea hie future aotloca tn t

rather to live In the proeeat. Beeidee, he aaye, eha la looking &t the future with the eye# of the preaentwwthgt le, 8ho aey not glweye feel the eama #&oat l**e oe #h# doe# aew* %r#&e 1@ not #&tl#f&8â

with 3badb*e argoment* #od refu### to dlaaua# t&a matter further* loGletlag 8B leaving iRmeaiately*

Page 80: Tomas Salvador| Contemporary Spanish novelist

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jb& 3üei%» dSsf '%%**&%» %i8&db%&i«eBa&* %%*& xaoegAlf* &$& idb* %%eof%

3%@*8B *NP* *%k@3Li@*t idkai; t&aB#ar ikpv#; ddBPGdLr i&a 1b%%%a&dk8ss

t@b #&&#&#, PdKkb o f "kg&Bgib

iapos* h*8#dlf @8 &@p iB e**py%h&G8* *# tpyiag t*:*e&a bee f&al

iBfoeSAy*. $k ba# * @e**t ta&oat* dbo eey#* ##* a&# oa&y a liS tle ,

*#& h& f@@&* aa her AAmirati#o#: Ska #*ye aha &o a&og* to ra&al

iWadl h# «ükBdba*; :bw» este*! âU sdba i&gMB* IbewsegBae {*&# j&a '*b*yp%i) aaa

iBdkk ask:*;*!»* 1bN:Gw& IKbdb&h** tdhaüt SBogwKa Shew; j&*3dk IBba» %*%y 4il#wd&

Ibêàp* '&&*%& Ike 3baw# «a&agr taedbs# ibaof* laadl iüsai) 3*» iaiJCl ]b&9%* 1*8?

4No3ar a* auoayg tak *B& IB***!* ibSQr a*a;ç&*iK&$%aa« 38* tdsad: %*» twa*

w ad ]haa* «a* s*&tw%p:Lal $<%r <& tw&cde «w*a s&xsaajkes#; $%» ]h*t hewr 3%*a%) !%&*

iS&K» jW* lK**ap###aBgr tgagMk tdb#*% Ikosg#» IbaGKla* &WKP idkKMAl; the Tbcwdk <*o<& Iw*

«WKEüâadkgNwaawBB

#g&&dOLogN* dk# ]w& 4WB&*N%a*&*

ISMMB** &%w* tmriipb#** lKh#d& a*%* %&33L «wet 4»oa»e iba !&la% jagpa&B*

#h»pe*A*# la * * h&a %&&&»&* %%Æh&ptha&to

<w& %#*&%% i t , &#$

at laBgtk laamaa aod goae haoe* Wbar* ia a fr##*y of work ha fl&iahea t&e Aovbl* aoA*w**ged ia h&g o ffe rt by h ie wlf##

Skülinadkâr'fk i n s p i r a t i o n iS sr Bb*; *x*o& iwga; akagiwytac&ltNB fhrqaB

j&B j8Ba%& Igp 3b#db* 33a1*P*e (3L((X3$ ]L58&B)ik

'%PS2üdBaM"*,ut*%jQwyBék» <3*<; «paà» aoaask irawKiaapgM&aaaea;;*» *%&**o«& 4&0#; iM**%@aua#üPd**iey*M*,:

Page 81: Tomas Salvador| Contemporary Spanish novelist

ew%& j&BaLeGa&adbe saaa, <* *%%&

i3%L&9%K%e8»**t *a#E3%)a<} iaa tepSJk&xy; jB l ]ü& 3bB i%)

i%@dMw& o*t #t t&w;**;' %&%&«&* $** 3%&8 .oaft %xp@%rltMa833f 4%**kKt*w% $db ]b*04g%k,t

a # «ÉKR&a t e y * a * #ov@& on gaa& @f$a& tbam ec

*%ta**#**ater, ted& artiste* t&*B* 6*8* &*&#r y é*é*êho teetay es*, tea*# *o& toda earn t*@@pea& ëh* %* h e tpe##8*-e@ B in te g f ld a g y p*a%&& t&Qe* &*48A*%@* ai#g&8&iBa& h& ner» T e o e a a * h * g8#r&& * 1%***# im t* « A * t* a % x k 4dL < * * # t^ * 3 a3 # 8 8 % * A * b h * & 8#haâa p e r*

a * àw a#* iB t& B se* iB te le e tw ü l ,fwtpNMdWk* #M# 3n» i3&#M»438*p**%e b*te3imd»*&

3P» * a * g * <&l#2Lo{m%adb* o o a loomt tQSBwge&dba jR&Ch. tÊAaa«wgwM* 4& & ip*e96odb*s# &*

$&e db*g*KHm ]*##ae t# t* «MH&antial te v%*& Sbaa&aiaBA 3&#8# ïwpw*

4# t& * sK * d * id P *& #]#«#& #

3 a tb a < d & # p !M * m * a * * té tb M * < m t aP d b a& B aw k « e jB & tw p e * a b lv » *

d * y jadWk@üMMkiWb&t Wb#p# 1# # * e* **&&«*##&** Twyü#*@a i&ar%o#a* o s a

a 3 a a * l t y i

*0% *üda<hN i spMPmMB&e puadeaadÜWMMM* al& o# o $ * e %&%eAakak <&%*%*&*&&# S a w ï&<MM&8dbh%ai&9B&& # #(%jb@eü& ]L#(* TMKP(ladk#*,k*H&

*9& iSdWÜaqgSk «eftdi g * swwfg*» q w %** jLBgpa3#t&*]Po*KKb3b*BB&%db* ipèahgcH* 9s**M#BdH; 4& {gteooa (Baas. SÜLgagprya $&9 jpadWdk» *& 3Bm#aw» (yoa 4#gd%#M*#«K»A 3L@4* g**e#Kk&ee»Ga SamgNwriaKatwa#]peüi& ^bkÏNitijrlgw* **% 3L& #ka<%&rjü&*di**s»

jü k *4* *N»t BBW» * f i&aSsKeckxfiha Isaadb T aooie,

It* ) %k*j*Nr iw«wdki*»*ws jk; 1üb#» la&elc âdT :s*83Li#t%* fUlaOLoaa#** "1*9*#* ora!

3Bp8B* â3MM#I)F ahay aaGrt&&a*% 4kpiifi«& <KP laoasgegypaj&o*!* %%a» %a&%%&te tfwegr

'SswciTnMÏeKP*. jgg&t $*r«wBaew)

% « # »» *

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^ i f e ia . . p . m

Page 82: Tomas Salvador| Contemporary Spanish novelist

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jbo#** t&BG3r gakwsyg#* jbat#» %& db&egp, ÿâ%33jpah%Ba*&<aa3L <W5*nFa&i9WKtdb»G

t&ü&ddb SLeaa&a* «ài dk&e» saridlflbajkaSk&tBr *%) Ikha» %M»eak*

aa& düP isha» $wp$Wl2yLedka3L&tBr tdiüh «ü&K&e&t {&a3z**w&B&" sapi't*w& (aagr

Ibet (SB o n e jb» )*$&&*&& IhaRN&âi jks IWhdüaïc&pg; Ibo Ibjbaaw&SjP tahCNB

3&r<%awé 0Rï*w%fi&* ?%& liïf* iarei&R ccP lKh4fQ4 b4> t*& #$gr* i&g; 1%*

y g a a * *

sytOwe# iK9d*«K&&*»*f *(%%*. *** 3Gp«wtedl ïfjbaBa* *Cl#Ba <*8«faEK&*k IkKB&x&daB <gsd&e#N& tig&dlaep* jBQgw* dke<K8**%* Ï2i*«eâ?*M&

jl j&;**WbàKP i#a*dkaw*#*&, 13b(M*g#t $w**#38*%* Xkcdi @ 'vagpy i#gp*Mrt<8*& <%*#)*

3a* Sk&li8;dkwf*4* «üütKBBpdk t%» dË&#*&#@F 3a&@ :&4NBP*t&a%gt %a %%** 3&&3N*t jB&a&pdhwp

%M# Bftadbe#* 1b** h*w» #**3; &#*& *% $&"**(% dbiwùL <&f Imaii tüüéWk

X*P*M8e*M&» t:* gôMOGM* *%b»*iCBÙLt%àP«Ma I*? :r*«Ll33r 3w** 1&* gpliR*# a <Bpajk5a%&aG&

BdP 2%a*üb*8r?@ IBÈcLaWK. (&BUB%&*anÊ*%&adk 96%BQM& jL& %%**&& i%gdk awpgea #pt *tl& SNBBwa*

Ix&Bül ik* iBba* IwweüK* i&odt adb appSNpy * p pw 4bim itiy taxig** 1» ii@BM3Gü#taMBlü& î%iai

«BPOEK&tdüBBük Ooa «8é@%qp&d* <dr iWhdks âaxgr b#* jhrqawa ida*** IBesaE» jwadl ]bpe%B&

*#* iïi#BPS#8d%*g iKh%*'1&p*jsiB lass' jas 2*98NRp*a; j&gggWKggc* 3$ 3sr a#*e tdbo

aa& 3**ra ta # ]baol&ap4* Tx&t, ajMbaar .e3&* leew* tqwadk&awM» iKhalb jWi da* ak&Isngdkar

ü b e baü&$

ib a d a ^ 1% a#a*ra#ëB #ù& pad#i i8#poa'@B :l&<x&Wu %%» *%* <*R :&# *3&i*wa** dkaodh* ]*o*9B%q» SkRcdb* le* <)«& <Naa#t&]k>*15# «MO &* toaasMML* a»Bif t e a * <&eül «wpdk* de* «*& jpaap&(*&(pa# !#3L jMQF j&#db«K* gdRpMM* «w* ïaadbkpêi&f (sggRtA&ltd M (SewHWwwwyfakk 3T (Nsemt* qm&e IÎÏ5ü#w* lILo8s& «##sig#KB*edb#

3b& jpedkoa 8** 3Btad&a ar ]b& *#s*ar**» dk» ib*ad&a%;

Page 83: Tomas Salvador| Contemporary Spanish novelist

GABO %&&&

88&VA#8pt@ &e&e@t #@#*1* eoH êw pae 3$2& i& t& *

pB&Bl @G&emF #@ gt6 9B th e a o r th e r a a e a a * e f A fr le a * « e e p %G&@&@r,

@B& ta k e » #& #*# b » t# e e a th a ry o a p # &@#& e&# 1891* %be a o # * ! &s

d&%38#a l# t& i&w a o i# p a r t e , *&e& o f w h ieh &* d b p th e r 41v&&»A i a t o

th r e e 'S e e te b a la e # * #Gnt*&K&ag t h r e e e h e p te y # e#ob* 3# a a & itio B th e r e

$e&j#&G@mBpy -8B&6 * # tb i * * # e * ,# la a g y*e& $ 8 t h e p r t e e p * emd a a

«pgema&K # h $ d b !&#&%%&%* IRw* tghOwd& d W & g e a a l d e G e o te * * &)a&p4B#

e& a * a #% #hw m & % & as#^Pi8*t8#% m gp8eBt a f t h e a ifB o n a P t

$ R # tlaG » a f tbejpr& KM & f

N b e t o f th e p rle e m e y e l i v e a n 3 i f k i a o i p e l , g b ie h eaG e& ete a f

a la m a n a t t a w ith , a tm * apAAp&p Aà a h t d h t h e y e l# * p * ^ b * & r ie o B # re

a r e d&$&a*a i n t o %&&# B r ig a d e # %&th #pppos& a@ & 8ly o e e & oadrea:M 9&

i& e& eb* S h e m ea e r e eee& gaed t o # B r& gede w& th r e f e y e e e e t e th e

&3B& o f A r io e t h e y h& *e a o a B & tte d , * e th & t * 1 1 t h e th & e v e e # r e t a »

a & th e r* e l l t h e a w p d a r e r e i n t h e #*a& p l a c e , e t a , S h e B e p ia & to i e

f o r t h o e e who a y * w & G & ##elfle& o r l a t r 8 & * l t , o r f o r t h o s e l e f t o v e r

%he# # 8 y o % e B r i g a d e h e g o s e e t e e l a r g e * 8 1 aw eho 1 * a n o t h e r p a r t o f

t h e p r i e c R ü h e r e ^ a n a r e # w @ & f % ^ # o l j ta r y o o R f lB * B * B t .and w hop* t h e

" t n e e r r i g i b l e e * a r e k e p t* l a a d d i t i o n t o th # * * tw o a a i n a r e a # t b a r e

a r e l a t h e p r l a o a t h e s h a p e , t h e a g r i e a l t w r a l e e l o a l e # * a n d t h e h o e *

p i t a l » $ 0» # o f t h # p r l e o n e p * w ho w o rk I n t h e # * p l a c e # a r e a l lo w e d t o

# l * e p t h e r e * V h l l # o t h e r # # & # * p l # t h # d # p e o d ln # O B t h e omo%m&

o f t i m e t h e y h * * # e e r v e d * A p r l a o n a r &# # 1 1 * 1 8 1 * t # w ork o n l y j& f ta r

h a B ln # a a r v e d a t l e & a t h a l f o f h i # a e e t e n o * . S o s # p r l a e n e r * who h a v e

eboGB g o o d h e h o v lo p a r e g i v e n t h e j o h o f p & in t& lB ln g I n t e r n a l <ara@r*

7 9

Page 84: Tomas Salvador| Contemporary Spanish novelist

80

ïQbaar #ofa <*a3ÜL@(I dG#T*aodWkB*; c*i taxadjr awüpirie*

aamd iKhat tjWk3at <xP 4ühjk& %Kw8f <%wsw** ;(%%%& * ]pp4b9(a»a%';#&w&

*& :P«M& <%P «ws&MWGKxS 1w> B*a3art#ük&,4&&aw%l;d&*aw* jWR&,i8wwd%I

tdba*» %M*eH%6#*Kfgf,

#fi8BedL8Ka» $*yf*k tkïodkk, )& 1bw«att3R*y*&&*"d]W& jüagfL&gMRÎdua. iSBMR

%«&ee»e 8&dbà#8a& *«I Qkt***»* àatep* Gw&t#, h#*#*# Ibeea #**&8a&aa ta twN&*# ÿ***e &B pplaab ]&&&&*& xk)*m& i&w*maa baé h&t father @a& *a& Or&ata* *#m#&a#p*a I t j&*t

t h a t h a aheg& d %» p*B& ahed* 9&ma# h * t a #

*#& Gflet** ta a**&88#& t* t&* Bepd&ttô» One *f the peia*# aajataBta, Aatoat* Bbliee, t*h*a a great deal ef tatepeat In th» a** prleoBer,

Biao* the latter &e #e fowag# Nbl&oa t&to&a that paphapa threa0h:h&8 ggidaBae aod a&eowegeaeat h* ta# help Mere to we hi* expepieaee# iB -Qewta .$& ag&h a. way A* to he &hl» to llv* a motmal* gaefgl life

whaa h* laavoB*

Oaplag oG* of *el Opiet**#* flre t day* in the pet&o* oae of the priaoA bwlllaa aaka hi* ft# hi# toot#. *E1 Gpleto* re&ovea the# ewA atom the other aea 1* not lookiBg* hit* hi* in the fae# with then. MWliba, -who ha* eeon the inoidawt* oaod# the lOthep .*#& to apena three

Ceye in aolltary ooaflnamBot, an& trio# to explain to **1 Grleto* the two po##ibllitioe a prieoaar ha#"*oith&r to hoeoMO teagh and otay there for life* or to ondwro, hoop out of treehie* aod get out in twelve year#* He *#k# *#1 Grlato* to go barefoot for a weak# eerrying hi* boot#* 4# a roeult of thi* incident *01 Grieto*## #lckB*BO heoo*oa

Page 85: Tomas Salvador| Contemporary Spanish novelist

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âüe 4*5 'Ühcf "Sdactli ïkilggwïë* tdbesMb kw»

<WA <B8*%d3*33i t%)«wü&9Qr* "elL %&&8aKbrç/ cakfpiarbadl fS#p t&se 3kWd&*

1*9$?: ;jb: %dla (Sldw&daHs* TZ&*< %a&8 Tboaas. 3Ü& ;%Flj&o& 'Tsar askflü&oat 3%wG3%; 3s%S tdbt»

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tw t«W& W* mWk aW* 1#» i#

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##*&*&%& i& iB # p d # # * # & d W # a e * a & w % ^ B a * a to

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takooM» 1Wb@ 3M*a c*x ta&# ;f3a*oa\, dû* «aae gQ9A3C& tdbpe&g**

tdbidüb Idb# 3kw%k tdbea& fBB&düagf tü%e3ar 3NBox*&# <%;%* 1übe<*eg4b idbiadh isbe

**p&aW08%@P* <M»e«WKiaaa#kl23r in&aw»!*# Tfladlt*; «mà ;%*N*6*kgaw#* &jr ta*& {goaMPd *%:

Ikkw* e*it*K&ab& 3k# jPdbraik tapjJbedf.

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'*%kyt#wa*iL#i*;* t*> tkglk a@ 3i&e iüXMWwanygeaP# jPiMBfiLB;» tjbadb dSass»

tiNKP (NSBtw&adk %r&ta* twmi&eaaedl <Nr3bs%;w&]k# <!#w*Sm>y w&wet» ia* *p&e<% düa ]ï&S8«

%&** (kwamgaga&emt twBRxa# dbeiak th# *i*q;%#adk* twCiauiky; t%> imadlt 4& smsawr*

i&a&teüf ISoCUaw# 3P#<H»jkf#M# 4& 4br@oR#jP#af tx> * *#odh@l ia* %#adbr&d* I6& awBlea

ta*et (k»BB8*%M&eawl> t*» %)üdb 'q&er&«uBP3L#**&'* 3aa <*«** tüf ik&M* <;h#yp@ «it Ühw& tend

iBhw; îpeispt ixhjUdh iübei (hGosaeaa&aatk T%r<Nmdk»@<i Ibe a)#* ISaftoax; 3&e ïaMamee; BRgaJifUk

#*y* goed&p» t# #Bbt#eFi#t*,* tailing him sgaia te have gpoG beh&viar#

%### 3##$# l*tap Bbliaa, %#t#aa, aow #a 3h$i*Bdüwr%&»!BBabaiaa»

;D@ri*g hi# *&*&###» *B&t#@#iatG* hae triad to oeoap# and hao beaa

oewgbt* jRbm*3MMüMX to hlo seRtangw T3#<k8Baya&3Bt(lid

Page 86: Tomas Salvador| Contemporary Spanish novelist

$2

fu lf il l his pygulG? ta %SbtaarSato* 1$ aev &n solitary

GOKf&B&#a%& 3& &1 Beske» vic&ta &%r t&a&eT %#8*ielG& &e tey

t* %alÿ&lG g tart cvaev at&k31&a^G #9g%8at *%b&aor3#t6* Is sent

ba%% to %1 2;&lw8&#Gl, dberG #&&qu@Btly game» ^la^Bemaaaser to

'6%1& jü&]UM%#& %&GUkw&iA%*MMK%& As barlBg *BGte@ri*ta* *BpolBt#a

tk%* &&** %&* l& ttef &a# b@«& ia polsoB ô*ve& y&aro*

{&a* laf &3j* 4N» jg@#d& à&BjZadà&k* bo jaarb <** jbagw:33%@%3Lg& tdbicdh fwooas&aPk*

apbe%Kii#%g jB9*a%3 1bedh**w*8 jA3dÉajygbi& 4*N$ jk,Bb, fSggsetdb:*#; aaao la)*)

aaot» léSbkigt t<* *dü&# #%%t aWBRaytiaaeB a**#* *%Kl#Bedb&$* et IbKBBeawRKwal

idbgr 13DMRI t<y **» oas (pModl twmhmü; tüLt&t tï# sdlgBdk gB;*8s@8 ksep &db& CBDagwaogr

jk a l& % & ia iw ü % b *

1* #PéwtOÿ<dü&3&d t&A other

%*&8«mae* &tot to *&etB*Rby&/*i&%*ta#yw*g3d ]U#a»%dAl#ta&A over

#e leader qf t&* Brlgod*, tet h* da##**t eama&t blmsalf* Thao ea#

4&ay %#1 ëabelliete* la eta&bod ta death &od* w&tba&t t&e&r leed&ri the

prieoBOf* hoooQ# #orw&y. Malle* ateet» the rgaoe th&t *B&taa*i*to* ie

ta te the r#%t lea&er af the 8i%th Brigade* thlekleg that tb&e iKiH

oelB the aee dove* 8o celle *Bot**pi#to* i& te eak hia gbout **1

(k;h«&ajlet%&f#* death, tait 4*Bwyt«K%pj;8t<>* .a&BP* )** %a*o*M# !%6ta%i%kg:, Idstaap*

4ÜS tüba ha ibüSlLe <dh*t otdhea» Bwaslx&p** odP ta* ]&pjLgadk& iBhadb Sea twk*

i&MdLd*K% l%> *M»o@8# the *#w ilawMlaar aaai i&e&a jUT eaayqei* !k*w%w#( w&w* &üLl]k*d

**wL (&a*N&13jL*t%k4t* ISosa» *%f t%h» isans aw%y i t iwea; iqpolM&tükp «t g H arta la

SSbysagM»,*' #i grilaoneap jüpoas dw&olBheor l&plgp&di** «%k)tawaz lei*)* tewaps tîsa

o&üaaipoxw* <xE%r ihijp (Kiewpfa), <8)*3C&**%g**; "g&agpgy*»* Ibe <t <Kod

*&]le lïiBk* 3Le1&er 'kwK» twapsrlgama, feauriasg IWbadt idbagr tw&B **i3]L T%*

Ba&pdeaNRï# otuif*»*# Ibo jbasriiyg ïjKÜüBd #<& Gbdballiaft*^* *db "NSaieesK»****

Page 87: Tomas Salvador| Contemporary Spanish novelist

ilbegf eaasli ta> GWogdB&Mwr ]pea%a3L 3j»8dwlt%*tjU)& a*% (i ;wM)i%»edklTm@

B*kB**QaM@ «wBdl #laelhMcpjjBtw»* 14) 3/*f% 1dA*> ildwwGbpr eif &dL@i EWdlgpkdbn

3%b3ù&8*i juB @0 48db*4N»war8jée** «r& 'Bb*> %**;F iaad) ikwrstdKf coalk,

aUb lagxitw) 4*f J&3CL Tb&jg iKARaaftsk* ik&w&t Ibai aMiqpaaetx* <k tarew&eK&ear «WB<* laaàMeua

g@a&a*

3Ï1 0ah6 t** vadbab jkSjbEtaaBMb #@odk6B@l*;s «KffüarlbB t*> a*%&» sNOGw*",

IbÈdbüyg <*adk «dP *& afosxayg axwi It&a» dPMwolaaadl !PeKKl**R& %*8d%%p*::Mhai

j&KNB*# (%P 4Kb** 3%rjk*»k* ISbOWLak 390#*) tdaed) odUBwnaa&i %wo, tM&rwaaaJC&s î%a9

fà&lSAOdî* *Modl #nB9r&ÊWKPjWidke*t laammiBP jgedk anatapidt# &l%8 ipftlewpB iw*Cl3j%, etlJH

4db** forlaie*) sw; a& Tdhgdl* laa*aki%lt) i*gr ïwkadBBü» (& «bewwSswp ib& Toadl:**

tain *%rdk9@» tatabdbB iKhwo IBpdkgMw!*),

4*B0k iaodkt *M*aw&t *21 !%a*w*3L **& ,%aM&a%dk;%#dk). i#& :aiwyiN&4pqp*&]L3àapdb*. ]&<; (psaBd**, &#» tRB«o!*%e, <M* (*94) :wwMyi%rtN& a&*ho# bOmea #***&&& a, ##& n#a##ld#a, ia &01 P8&&1, d&4*KM%ü&*&%K%a**ë q%@ elf?## p*r& e@* 9Pa#l*a & ###**&

A frlAod of Wal&Baf# ha* tol& hi* that tb* l&tter he* *@g& 1* *Bot&»

oriato* *8 iaag# %f hia**&f, amd ha# treated hi* as he hl*8e&f wog&a

&*»e %lab#d t* b* treated wader #ia&3*r

*, # ,h* pe%#i#t&d* el oareialsao * tr«*d# d# toda 3# #8* h* #***3*» Bated, elerteaeat, *&d anve* j*oer & *#* hoGhre# A1 aoBhaohe iBgeago, pealoael,Ddt&e a* aateKe, eoeedf* wa boahre enter* y firme.%y*ted, ohaea&eaad* par el problwaa qne laioaert» del "Oahalllat** nea planteaha, nue$*8ente ao volvld # * e B e * n tr# p i # * e l sA re * q u a a e d la a t# # u a e B r lf lo * * pedla reaelver la altoae&dn, Bated #a hüblera aaerl- flcede* Bated «aerified aw eontrefigera* r;y* le fellelto*

*81* em bargo* ]kk4hwqpMM%&>;p#r j30 lhabG r a a b ld e ear leal* Bateà deblere haber dleho* *gwe a# head*

3^&ùbMBk#\ TBam&b (B a rc e lo n e * S d io ie B e e D e e tla e *# 9 8 3 * P t 3 0 6

Page 88: Tomas Salvador| Contemporary Spanish novelist

qaae (Idbggaafexn i&CM) <**; b3a)e&&a;, <39*1 iw*<gp*di3MBea& ;r *4&ji%A tied» jizygGBftdkRdawpj %*93%> 4%& 4kidBCW*B <%%*&*aa33maftak» jpSKetpae» *W& IkliaaGM* ibeM&& :3ai Tf&dkt ipcor **&4dl3os1&&, fdhrst Tr&db&* 3d»jk*P i$«* affOdE** TP *)* Id* %%&**»» * ,1ÜG«dbiaMak*(***

s%BGdbed8rjü***»*'iadMP@3be$H* tiad! oÜüoaGgWH* ;p*%@3%»]bag2bo@Ll33F 1Kb*xMaj0hdM:&

tWbK* twwa&c, %Q*e%% %%; <aat%aM* 1*be %*»&<*&& &w& jba irewtlSar <%a3;y %% t%SlKb"»

<Ma1> a ,dkKP$**11*& TühdLl«d»9*d&@r# 38*> IWhdkogp* 3Mq]L&aak*et tagy 3&o** <& tKLoKk,

ikKit (kOdBtjbowLLIgp î**êi t<) ahsaw* the :%&:& 3haam*%*i<w*# 4BdP gspleeB lift». %%r

idb* &rK% ()f tlRB IbCKdk* &wk its ag&apQaog !&x%ï xwadbqïpa* a&âlgk 4%& *%iN*idb& **o&r he

aW l *e$#

IBwgtlxaa iMbai aaada* tdhA*a$ iaawS 4MaBa*tdkg*8* <>vqMP*&&#K&Q*dbag 4.t* 18h*t

49kW*«3»$iki**a** (WP 3kB ippjUKds* agp**;%iM*tai)r 8a&9%w3<KP )*&%; *%»$:& *%>

Ahd ibiü# i)C#B#db@#WP*db3k@ ipeewkiure)» <8% idh*» %a%ÿT*fj:*3L s*t&a>-*(p <%f

IWbe ;9rij*e%k aaaâ ikS*» 3L&jR* <xP 1%%*» *iraw»etHKm## 35f 3)1* dkw*anr&!P$djO%u; «wr#

fseti #&c*i**a1kte («g*# jai %*» 3N*aa;*%% 4%» db@u#f& iWb&db ik&egr a%r@f)

:laMBadb taaxgr aorn# a%HaidER<*3*M&* i&> IKbjU* jBaük&e i%bm6i|g*3& àwKya*

*45&d&E&j08t *** %** i*a*ü&;q>'<&eàù6*%*#*># jÜagppdMSja»-KMWatdt, i&e 'ldk (àBBWÜüKidkk Warn* H#vnd» #i ***& db* xatenacdb** da* dk; tw*dah&*,» <%* iMaüTgBwKGxwa*,dk» «K&SüLaxaldas**» «>oi%f)jB*dha i& tgoai «wetükvjk&Bdt jü&fSpe&auRam:*»*db* I%ewM**NO«* de <3a*db#MB&M»*T, db» 1krdL*1%M* dh» €b*aK)gnpeana%WB«k3B* (kl d&eClUM» iKjhfid&Bdi»#*» 3p %q#*WA#dbadh9#M» ei adî aKawapt <& edf 3%&*Bo 4&#%k*(Ma* *ykm*B&saàk 3T iamaww&awQdüMMKlA# )i*p*&&Gw& 3T **># ak&*gp»f 3kf im <%**<%** dawBoiladhap* jSraiMaaxaeBü* i&lqiae Sa* Ikfawgadb» #dl «wt*wr c&e ^ aympjgf i t*t *MX#dbpe«KSt4*e%*> *Ms «Cl crm* eaben taw&à*» 3*w TzlawKrlawa dkadl ÀdMdban», ibodbwB IL** pakBidMWM;, Ibodkt# ]L#Mi ;y IbBjbwwwB*Ihadh** 3b&«k i%w%o«qap*MB@dboiw»* ar 4*%8$w* Ibaa jPcdbBaw;«*2*

i%EkdliM*3<Mr, jagBs ]p, iagMT

2hHb*%*8%Kt* JtdL**» I&&MN& i& *H#*m;p#yp«ar aartdkaük» ewsedi 4%; 4dbe w l t e r Igy

Page 89: Tomas Salvador| Contemporary Spanish novelist

pyodkw ddkM B M M R b 3&&B - v B p e a t & l l t g t e a ë ï d #

d*m%ddk% 4%>3Kk;4aM&#& eak* h&*atqMH%wr ik*i**&dh* #»# l&keBoet < xB db a% per& % y ü f i t a r e , i* 3 & tM & wM bs& t i& W Bpeb f o r a o v * lt# t

lka*da*K&g%%B ,a%%i i9%db3i*e1< B s a lk tg p . Ë W % A 00i*. jggL !ïj& <;@za*a:a4di%Mg

4W&4%ü%%h&3f «Kp T4G4waRR»*M##j&&4M&,i* jb* ioawa j#a*dk «ktdaeBSpikt lühwpwggb xaod; in e e g r

«k%o*a&@heft:3Lf -A&wata***» !k* 3831 h e m m b k idbewawk 3MP9dba*;o;ül«p& lao i?* * ; dtowaBwigpa

-t&BPegqi&k %%&**» dWl2%%aaHKod& 3a***&j* <dP <%e;%#dK&9M%*&*4W* 4%# 1b6 r#«NGBfy4»e1* iKbai

p a e t (wodt TwdWSk lü*** j# * # * ;, 4&gaQQgak dL& jaEiU:i& & * t* * * **t<a*3r

*dP *M* 4*&#MM****dbqgp dkkdk&te&tsM* *t <Wha*}$*8P 4b> i**Kd& <&a@r# % $B%

gBda&gXBG» *i awkSdLedi «wT jbn1w***<p#k%*K&#d( iKààÜüI *s%ig3bo«& aüB

IbtcdhodLgtK; %;#*%* dLt sscdb aAsp t&w» 3*atüll<h&*&o# (%f 3kajL@ ISoBMiBt)**

]a&i#b&3F )%& ABBZw&Wk» '**** üMBBSfSRtWBdk&o*» odP akklsfàdbKpi B ioqiM&la&3rewigew& *Ctl #%e laagr fyaexA t&i# ilawse#» «aRgpaajjeediic** <Kf lb*

t&w* lS&{0*23r*ÿOL*x9na<! tOPdkar <>f j83Lj&IKE#Wal%bf

gkdLvaw&ogr }w%B <*&KN#e*i to tdpiiw» «*& idLdk: %%wri*ft@r odT 1%*»(Sli*!3jG& 3Loma, iw*i\ (xrjbae ddnc! **LK&<%a9 kjjBÏs o aaaoitadL 4dbK*XPc*&jWk&8w*» &oe aA raoa& ore* a e e v e a &e a Tm&&db f o r #%#&&& o r# W k d a & iW M a % le a

8 peydhologlaa& atoAy, aad ,&$ &r# pp3m*r&Iy advGBtw»%g#e&#, Jao&Kt&D io Bl#toel&m d@ 9alaar4ïi* la given & eeaooa ohoa&e at life and 1# *&&* to attei# salvation thpcwgh hi* york with theg e o p le o f V a lo a a i llo * F ov v p i t# r * m ine* D en te h a v e c o ro d o r d a re d

to attempt & deaerigtioB of the after life , hat in the la tter navel» Salvador hae e8derte%*& the t&ak with boiawBM {#*3

0 5

Page 90: Tomas Salvador| Contemporary Spanish novelist

i&aa) GdC Sk&iqaw&tKP*** aSwpea&gt&ig i&8 ]&&j& iaitewim» twp tgadkKPsdxaaS

&%k jfiadbaxMlaui dk&

i&@af&Qg; tanpad:* 3&k gpaneapajl tazegr agn» <*o&gp&*Rg !&BdkS9iba%*&&at Bxseskl tqp

ï&odb», !l4Gfà]Mby\ a%*3 (*Kü%liao%&* T&wgy (%*%& aw> s*a&3L dk»f%üwK& tdbaii adb i8%» iGBK* <üP #&ù$& fxyesOL iü&e speww&eqr j&»e3ü» )«a Scncmae '%&*& %8n&4w%gKtBij*t irasTF tnsaJlt#*%& (üaeamB jüa imo- 1be*%&eK*ey "tü ccw&ftH;» IBbak <&wspi&8**Nr* adT <*M» tkONiËl txH ai

Iiübewia (Kf iB&olübQap.

ïSalvaâor a<»eA vaKF<*&éfa%a%8W#pdbi&w hi»iww%&e, 3h

^ '■Wfi.W*' ■PS'WWW.'W'

dbk3aQËBal*&# 9&& aet&Oëe t&» amogat <ofh&#$&&ioQl data aad th& nlamt* d é ta il v itb %&&#& t&& eattiaga are

i&eeopibA&f Sd&àw&oy &# #&&» t e w@#*# t h i a r*@#*po& a& t*ela& i n t o

the baekgpooBd *e *killfü&3ÿ* e* BateraHy, th a t the reader feel#

he &e a pert of tb* eteryi

$&* ér$a# aovel* are baaed ee hie peraoaal «Kpgrieaee* the

p#yahe&ogy of the arlm&oal# e&eerly steme fro» hie d ire s t eoataet

Twlth thea awS fpom the ioatght $nt@ ora*&n*l pgyoholegy he h*e

gaine# fro* hi* peiloe work* Ba le at hi* beat %&en he cemblB**hi# kae*&#dg# of erlB&éal# qad pollo*Q*& with a i&eR*lB*l&g haSh»gygwad* e# 1% baevla g* sraeo* and C*be de ?ara. or ubea ha ohooeae

'to i&eai e lth the proh&oe o f what 4ri%## ÿ**B# geoÿ&e to orlme, a*

lA f4 * atrAA*gaf*#.

Selyed&yf# ety&e 1* geoally almp&e and ôlreot eog his laegGage

etralgktforwand* th l» ooMoeotloa aayat

"T*8&* Salmw&Br 4»#i#a*MB3%Kk* %Gtah&e* Babe Ü8%M8\ eahe hK*&w**Ki j&d*adbb eat* l&grariü&iaîüwhgaeno; ee iw**BEtl3L eÜÿawKPiGBdkxf gf goa t%r«M&lart& *fgaedll34> gr ajUaawpM» %%&%*%?#&,

Page 91: Tomas Salvador| Contemporary Spanish novelist

a ?

jwsaawo a** i&Garbeaü&açwo ise isest gaa6«M@4i%%n*aRtK; *dl4*% $%*%%) 4R%p3b&1b@3u *38&a40O*%G!b&*"<%9W5 3kX0 Xadw# 4@ *f8# ZdWOtKXpgW; %%& 3%88M&33)33A&B @ i#a&*p&**&0R 4&1 tqpoartyo&o |%SM& dh* «acEorGgdL##*» SLlawgGu; d[@ ipjhmMü&dbüI 3f dha i9üiÿ&8ik&db&****

jSaCLvXa&G*» Id» 3ak&aP& <MBBmr&Ew#&%q$ tdhaqk %w» *b»@]k8 taW#* s*2*1b*%d* %dLt&i

tdhdba& :&#& la ; to&%&B3ljLl(%r* Ik ta @&w&p«weix%rjb8ad&l«a& <xT dbaeKflasGBMS* iBea*

<BK2üRBLU9**»HkKaeap 35f3j&p 1208 t&aa sBtagadboa** *%t ]BigWKgg& *a%S G&w* t&Fwr

ifeads 1baa&bs@?e jàxxl 3üpeK%m*8*%& aaaki 3j& *%&«& 3%*BIT&8**8 <&e RBr* SSaGbbaa*****

*#*9*8% )%*Æf 3jsé&c «dF i%MdhKPdftdKnajl%%% oiP i&s iso%% o w esdlta#** .

îRbdü» !aiagp*g%e#w»4Rit«dkik*B i&f' ttw* Jko*Q*l<*Rx* %M»eï&ia* !ü$

!B«qp*M%&«dL3aF 4&*)K&«WP dkBi*; zkotabij&g '&*#& <*og# ig> ]LÀep**ar awadt ggat lid b e

lapogüsaa*)* QdbaawM* 0%*& be d*>ü$f& iS#3l*BBaoar?ak 3%»aZ& %Ba6k*yift«8adk&ni; cdf

<%P **1@ ed&hgwr %Ma**48%;B*Ele&* éübmaMMdbewme*

jbB*dKhw*r i0*H*&B3#dM# 4*f iBa3k**%cüP*3» db* *%&#* dh&elJ»# t** *8to*r adPf Ibdk;

4WP%%#li;l<wa$ Tpaadb&j# i%ndb#&i*td9adb&b3wk jam a* «Ma3jP*#%&Q%%&t4K% «DBüi* T*%» sa&srb

a%b&gBk*iy& «9%ai9p3b&* a r e 1%; %#p ftaaxk* dba D & Ê b m e# * m l a « w # * # M b d isodl

H g k û L ïÉ m a a ^ 1b t& » 3 * % b # v a H & 4 A @ jd & m d b a tw # # ( a ^ g & e w M ^ o f

jBcQP*3jB&iM0%%<* *%%& jpSBMKBMM* :i* îll&eSSr 4&e 4»i8r3&*» a*o*d& ziaadbesM* *%& ;%*cbBedK&**

amd

He taikawK lam ftlowkedk e8ti)d # * ah jba&jLg&db la* aqppewxpfkBg; ia* ^dbe (ow**

loanmBüü** 3bk rwMadly «hmBagr og%@ 3%e a$N»*39* ika lila f tmaa awGBwe 4*&i#*a# If*

t)*a iNrcdUocs# "thA <g%13x>GBW}, (WEkl t%& aqpiMM&n; t8*3<%r f i l e etna %#*%*; a e

t h e p r o t a g e n l e t o f I& d l& ao a e a l a o e e u f i d a d . 3h G üem âa 8 e B re a o a

a a h o a a a k e f n&weC T gad # S e lv a d o p o o a e a b rie f& g ^ s a t e t h e e c e * * . I n

;2&0. t h e eo& d& er % ba k a e p e a d i a r y a e a t i o a e T ooda

8&&v#do%Y yk& l e wûon&ed a&d i a b e i n # 0h l# p #8 b e a k t o S p a in *

3k& B b#6b Bk&dkw% a a b S i& * * %k 14$

Page 92: Tomas Salvador| Contemporary Spanish novelist

tfiae W b# be #&M@ral2y f&Üa aleoyaBly*

%B *&& aeaped** a* 8$*%*? Ba&B&e* he hae tpleü to %p&t* & fwogr

otory, ho* the peeo&t &e r*th*p r&a&OQ&aa# ao& t&# r*&a*& be

]%*&)%#& 2Bd&ia*eAdae#t* Sb aüGeaada te&tmr $& h@48#»e Be@&6#o la the kio& of o&& iG@R who mtoht try to he fboay e»d

fbil* aaa we fORg##* h&a foR %&&*,

ihreoghOKt $*3**&op*e aovd&e eaee t&* them# of aad pwa*

id&maat,* It 3a aoeo ##oeoi#I%y &o 3Bed* laond** #*&«& iw$wkp«t

x&eawrlar «MMBpgr aibetgr ifSt&i <8%&aw» «and 't&N* ênmeaiibaaüL $&%Bjk8%@&RQlb odF

(prtedbaeCl* 3*i *MQ&w& &&%jé*r 3%p*Ki %ak IPweart#)* 3h&3aMAdb*p Tpodbot* <%it 't&nat **Ct (BaiMklldKeo #3ü»8*w&t*i* jb# #wa aeoai&Dar *4)#%*a*û*itüLe iSoB» t)w imoBWMs'#* doeth #8 i f h# had killed bwr* 3a tb @eàil3A

the the## 1# 0* two I###!** the ftpet 1* that of S&Bda the

t&ftbeex&eàr tdhf» gpasN* i&tüBNPe b&w* %q;#rtwl1y t«> 4*Qea#/t ]*4*k «sadf *ws %)ua%ijdbw.

apwcdk toM* 1%& ***dLt iwaxtdGl iKbw@ «WBdt <%f iKkM* leoaüldt %*o eaai (sndbse*%*û& lKh%i **#<%)**% jb* t&B&t oaf l&Basreabdbk, t&we a tv ill i&iai ijkw» a# <BPi%#]L

Iko ja*K&RN&l#; ewadi jUolwaniaB t*)w«upd[ !%1<* srlft» «oce! #&o%i, lasaa idtw) 4%nda log* tg r

lo&k% eiWFythtag»33& ]bBw& mtpeoedoma* f&akLtsK&cor &%%&#%» <&* e**o*f iWawLt {tcdk&jptgr jle ipeeetClar

R@ep#Mih&Bf%r tW#ot&##of'##yow%%#R6sbM&a* ewalT» IBhea ftAoaa ta%& pgd&pga&e&TbSI-itBr tdbcHpejaag lbadb#eH&o Tp&aÿbt #**% igpoasg;

jj% tdbo tâtep *%iB (Lll jptaaiadbedl &or dkkeidb, 3%; j8a&i53HG8k *%k>t*k»

<8r33*t<r* dba «ci #%#*p3o <dP ai jgaw* idba#** ;*a:UL*)8aa%db <a:o<M*db& kdke ixrdhae*

80po Salvador la t&yïRg to Gho# the fu tility of look&Rg aoa lap for iüaKüriMK&BM #ipm&o#@wre ohioh her&ea* them age&aot aooiety ea& %##adb farther arlae fro& prl&oa eomteet#* #*v*rthe&e#a he rooegcisee that oriae #o$t %* pUBlahed e&& the oria&nal oaaaot he allowed to #& free.

Page 93: Tomas Salvador| Contemporary Spanish novelist

m # hÈKAaAa #*@2 ^ ' la t, sa***»

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Page 94: Tomas Salvador| Contemporary Spanish novelist

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a&gemtai a&tg*»

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Go* BGdha @K#to ;L&jgp8&wM& iw&1kdb3#<&#3#Bdda# e#p#aial# @*B&* #n;k&]PMq&BMMüWbdb$w*t4*l», A&ar* biea, %e p*P98*(p*& # i 08*9*0 a l Y&@* y ol# Twy*B*o*«3t#po@a$ %o* navels*pgeqe* B& v3d* h* a&ëe haptaot* lad* *oa#lio*a* goe ad«R<&M*SSaaWkcM; (e esBiJkgwelOdh* dk* ]Loa oakoarilbeama* dho mi laG&R&aba#**(R»ow> ]b* jL3a*B*> 3L*i)$w»aisï :f aaduB iBpydbw&JoH» lao #<m aamaagwt*

i&oar 3a) <ÿoH» twptw&aWw» 33#*# sait gM&HT 3*%&a (#*; düLowa *BBd&r)*4KK%0b(8*aj&t*k *%& i&GM&cyr liai aia*9mc*i* *B& aa&oap ]r «dl "tan&Sakj** ssmaw"adbdkùatdem» «a ** #& data aar* twea* o aalo , peee 3* %o poedeW%*mo«

jkwart,* dû* 3L#* TKf»%kl#w» <%*> tüHwt* aOL (SRWWKK), 1BSK&& BOBiBS 3S833&5& awaia), :ëa; jWPSBWGWaoCRqBàk» I3ISKBG*B%& a# %*&3jW%DUKi, *w%;r aetoar dk» :k&#

QWWaOQSPD* ]P iJk 1#BWWB& («Ba&MW* sobre ]Lo ojaS* <%& :i«H) 48&dh&r«H* do <&&«aaÊ*it4H* «os est <9098RIWl IBS ?lR9Êk08 (ItPeiR&o *CübüPdbwa (te IkrGBÜaHaai" ;r *i%*gdk*twü& d* ]Li1b*r,dboom*"]t 3â& ïBüRjWGASI, $N)S39L 3&B3BR, DIfiaiDB 29D <h&#tGr&8 d$ l*«yHhd*&da Aeul*# oa 1* awüL (ü # 00Bb*t&,at*) gagWB%X3]g&TWk<%HBBQ%May 6*88 9B %#&& (B#t* idUMüwiaMMdbüdwb oa*&#d&ts d*

%b ta t# l, doe# llbpo# *0 aei* d&oe* i&*4dük% axora p iti& g lt*#R*B&&4#8;UkiMMdWM*k(88M&b y fü n & s& e e 0 * 1 *& r*aio i& 9 l a Gpitlo#*, ga# ooBO#d#8 28 oeitiào* sepapol*#, te&oe lom dBe#,4& l a %wj<Mr XM)viü&*b *dl %w*jkMP «ghawgfo **1 laajkar lltx p o <&# *e#êcMB. 3&#^M»t#*d*&4mpe#b&&aa&» tjÜWmdaaMQr p&UüistBaerm^Wao s&gp sa f eomo *1 *BÎ)« Bs la# r*td# q%* a* gwedsB likroa* loe y*$oo, vsgsbondao y jü *80 aoa a l* owsteo h lje* ,

%%MTibxb4dUbb iNMkdladk** verdi la d illo g itad 4e ae te r en %«& re**&* a l pereoBslidsd* 80 obetaota* n* oftexao e&ooérmmeate papa eoM&eatsp a Isa ppsgwnt*# gee teng* * tla n hsesr#**

28 euanto * eetüa&o* éfltl@ 8a,d* 2I* otpea* ta&gp v*rloe o&loaee llaaaa de oritloA# sualtsa y oatrevieta*, 1@ go* teogo peoe* son eetodloB #ote* o ie ebrsa en coai%*to, 8e todoa aedoe#

Page 95: Tomas Salvador| Contemporary Spanish novelist

# 8 * bié& ap#A h e e e d o # a8oa$ #& h& aa * e 4% 8 o a*h*&&8 ée 4G&&0 6e ?ap*R* aagoreoeate ia aée &mpQrt&8&@ d# taa#e*.

0 8 d g g e e è é #f& eadr»e& & , p e e a i %e p o ad e e*ev% p pwk& og8p&*$*f mi paaerem**' #o tiea* ad# guw deGirmeaZ amëa&ad»;p&&o para #Bv&*&â8lA, 1* a&jwoAa %&& d* la# erfti&aa apa*%0#&d#a hae* df#**

$ b ia d « * * a * * B * # d b ià e * l tr# b & jb 3 9 * pw#@& #*t@& h a e e f* Be <â%dd& 4%e * e y a # e x p e r t* a n I l t w a t w a * 8 # e d # a e fd t& o * <&* a e td b i# * e i a e l o p e rm ît# *

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Page 96: Tomas Salvador| Contemporary Spanish novelist

m s m i K B

#%&#*><&&'**#&** iB* $&0d* (WüMBdkwr

S& dgc&#8#* la t* r * * # B t* , 9@r #do0 #B avo3#e3aa& d@ a *]jQa#aô&*%w d&t#*#b dk(da%% y v& Aï4@a*a8d& 8% to ta l fomsa <&» *&pf*8&d#* 8% vioawl**&db *%&*&& al géoer* lita ra rlo r%& ogltlva*8@ go* «ntr# e l eaorito# y a# #*%$& @& vm eata&l»cl*waD 98tamdwwt t&**wdMkdkwdAfbar#*8 gy# 0ÜI&&B& *8 'UB& Aa*&6&:p#&G&eü& y *b#oîwt&i3@*'b&et& oeB]&*%&pal&&8af % aata B*t9pa3ideâ, toR di* jBüeü&i ab» <%9*8»«ygwdÜP* awe Zlat 4%*# aaow* #w%y%o aai <dl jiai&M) gr *ua#f cwsosfïaafta» <& %*0**&4aww** 34*adheap**** 4&;i %**kMb4t de Slei Bw&enMk&d&B, Tf (dhwapmi. s&oat Isriada j&adbej* i*G%%9dd&«%r#w;&*NB*M* :l#k dBHWLsNk *BPiM#]kk 41# ïkaadü» SSadLtSkakxp, #w*e "i&ai&o** 3dW**M#!a; <3%MB 4M& ]piN)«M* 30%M* h# 4adam«M%%<%e ia%k esdBbad* dbe xacdbaÆwle»

«Lt#waak db& jLawt «aamdlaw* 3w* .oldkwaldb» {gagLaas&caae* ibmsi laredKleMac*; <k9B«& «41 db» ]&4jb#%9K%%%M& %r «1 fKla*&@4% dk* iaeapeakIô*%B, IPjheWNB** %Mxkx*#lb» aa 4*#dba* a%;**u# pwqw **0#db& dit imKPdi# tk* 'G9dL«w& 4& IL&Taro sedb; i*&%w;#SL*dh&, ladt* *A#dbo*%&& d# IkwiWB# ;S#3b»**&car* 98 :WW%w> db* #B*w*i4;D;*%à awaartlbad* dh& jboarkgorgMÜk dh» #w;*w*ilWÜk&dkw@$ db* %*&.»i8*Kfjak gr #p***a4K*#L datl iboidbam**

*<&#&*> db& Tr#8%k* IQ#*» 1bp»walaN&4k aOl !%*cwkl #&» tRgwatai *& aibo#*» db*l %*»# *%»dki #B&g3b& gr »üL «Bétdar* wsdtjü&adkwM; db» ta&l laewAKBHBrik* gr db» jü&B ]p«ün»#** iwkjkwp (ÿOKk 3%Kp%sea*m**Bt** <&»&#*& lagnpsam*#» «as «a* jb»ta»d%o* 1b*k |9n»tw*%K#db><&0j; <K*e»Wàf P»»* ISO* gwüptdk, lb%4B»a4&a#KB**)8 #& lOG OjkMb #k 34k SMBBlÜB ]F #& #*oaü**wi%F 4kl lüpjkaik» <**sw»Gd&#«a*]k» 4%* Zlma* <k*B4Ii#K&e$%Mk {Nacwk&a# «Bs fagt»»"+ IK&qa; id&cwi* i»# lahMadG*, ia*k aqaadbp# <&e2Lo;x»«N>* i&Qgaf*N*i#%B#w%t4k* de lia e#R* dWbedWlB W *m «& «ma# igodbpsaao* db> laiawwpdük, dk> «WB6ama3Jk)#K%, i&&(W&jk&k#, db; #&#* iBdüs&aadüRülk) #*B*dCiiN&S<> a, eüw» {wat&vjb&adL *a&»fSP*&BaB*ua#* db» l&aaskfKM;* iS# i3«w:ha*8)*%s, de ta»&xdk#*%& 3? db& <&ê3M&B*%*rawüs<k. a&B «& (ïaüLWxk gr 2%»oa%#db#&(H*e <& #*( adl##, a adl lodkaa**, #&#;&*4&0#*» irlY»RB#dLa gr ibp#w»CMKndb*#*>la* 3ja$%il#M> yr «hsadkmg*»* %%» toi (Aiodkro (BeawxlsKlor, jRpowHBxwaaayte <l«M*&3ü»d(%p, lal igwwi îs* tkpàw&md** «Cl «witwBr <&» *%G%HKt<k& d@ 33P«N*e#*f la# iBSBWdÜM) #***%%p%WB *83 <& <p*B 0»kb*»t 4bad(ws 3.j& an** sdLadbkd**» gr t*k#«H»&8, Iwsd## 3ü*a ilaKkosqprgawadUfBMM* 3r ]b& snaSawae* %*gé& gülad eat# là al*#@ d#l 13%#*; *& là fuiaa, porgu# aon puiaaa, d*eB*j*e d# b*8bp0 le g*@ *gg& àlie&tà a*9l&o poMaB* fw*p**:y gaa mtna#rid*a impr##i*o*Bt#»# *#i ae pragontaraa a :*! qy* hay\md»!hà#- a*»* qu# #1 hea&pe* la# rstaaa del hos&ref, dlee ga pafeowaj*,&»! libpo* $8*4# Salvador ha paaatra&e an eeta ro&na, ha buBoado 1& triâ t# bail#** A# la raina honana y *# h* entragad* a a lla eon amor* *08 tàrngra* oon **mpr#o#&d&, #6 oon intanoidn de diaoelpa pepo eî00& @#p*r#B#à 4& ayod* y de aan* qoe #e tiand#*

j q u i à p o re o * l e q o a h a y * 4 » # 1 1 4 d à l e a m o W o a io a x te imo q # e8*G hrindà *1 novallata* 1* deBeidad hoBana de eetoa Riagrahl* p&»aaAe# goa awa deatre 4&» «ma delit&a# â# eo# vieies, de sa» t*j#sa&* aoa bos&pà#* #B8#«,rQ&o*8 de ba&bp##; raina» é& homkpee qoe en an t&9B&o ne la füaro#, ein* todo» oeento oenoa algMoe#* olganes hombrea

92

Page 97: Tomas Salvador| Contemporary Spanish novelist

:&ag8ali&e* 3a; (dteyga 3r «wrriübadbo* zSeiaraa a»* eC& 3%83u&I,3F jBgedf (Mxaaime 'BBdbeaB&eK) e*i «üllfH&l $ 4*& Beÿwal 3*M» ïwa&dltGw&tÆws <&a (>$*%; «waBdH» 3T 3üB* :2%war*B&» !&<%& #K&a3k@, :%<*& <ao@mr&(*p$H» <#). gwa&w&ntklgGw» %%%&*

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Page 98: Tomas Salvador| Contemporary Spanish novelist

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