Steele Spring 2012-2013 Catalog of Plays and Musicals Revised

2 STEELE SPRING THEATRICAL LICENSING

2012-2013 Catalog of Plays and Musicals

© 2012 • Steele Spring Theatrical Licensing • Los Angeles, CA • (323) 739-0413 • www.steelespring.com

Table of ContentsAbout Us/Resources .......................................................... 3

MusicalsThe Marvelous Wonderettes ............................................. 5The Marvelous Wonderettes: Caps and Gowns ............... 7Winter Wonderettes ..........................................................88-Track: The Sounds of the 70’s ........................................9The Andrews Brothers .......................................................11Delphi or Bust ................................................................... 12EAT-TV .............................................................................. 13The Green Room ...............................................................14I’m Just Wild About Harry ............................................... 15Life Could Be a Dream ...................................................... 17Miracle in Bedford Falls ...................................................18North Atlantic ...................................................................19Route 66 ........................................................................... 20Summer of Love ................................................................21Tales of Tinseltown .......................................................... 22Why Do Fools Fall in Love?..............................................23

PlaysA Breath of Dusty Air ...................................................... 26Edgar Bound .................................................................... 27Freedom 85!...................................................................... 28Liberace! ........................................................................... 29One Christmas Carol ....................................................... 30Scrambled.......................................................................... 31See Jane Quit .................................................................... 32Watson...............................................................................33

Junior TheaterGotta Dance! .................................................................... 36The Grimm World ............................................................37It’s a Dog’s Life .................................................................. 38The Littlest Witch ............................................................ 39The Marvelous Wonderettes ‘58 .....................................40Piggy Nation ......................................................................41Rapunzel: Beginnings & Beyond .................................... 42Route 66: Road Trip ......................................................... 43

MoreROCS ................................................................................ 45Production Application ...................................................46How to Apply ................................................................... 47

Why Do Fools Fall in Love?

A Breath of Dusty AirEdgar BoundFreedom 85!Liberace!One Christmas CarolScrambledSee Jane QuitWatson

2012-2013 Catalog of Plays and Musicals

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............................................. 5 ............... 7

..........................................................8 ........................................9

© 2012 • Steele Spring Theatrical Licensing • Los Angeles, CA • (323) 739-0413 • www.steelespring.com

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3STEELE SPRING THEATRICAL LICENSING

For Your ConsiderationSteele Spring Theatrical Licensing is proud to present our new catalog of plays

and musicals. Flip through these pages to discover fantastic musicals with original scores, daring and award-winning dramas, delightful Junior Theater

selections, and our jukebox musical favorites!

You can count on us to always provide fi rst-rate rehearsal materials, the very best in customer service, and everything you need to produce a

top-notch production, whatever your budget.

No matter what you’re looking for, we’ve got your next box-offi ce hit!

Steele Spring Theatrical Licensingwww.steelespring.com

(323) 739-0413

Production ResourcesLook on each page to see which of the following resources are

available for your production.

• Rehearsal CDs – One for each actor isolating their character’s vocal part.

• Music Tracks – Fully realized music tracks to use in performance instead of live musicians.

• Logo/PR Pack – Includes high-resolution logo artwork, a ready-made show poster, a press packet with pull quotes and reviews, and reference photos to inform your design.

• Staging Manual – An offi cial directing and choreography manual to help you stage the perfect production.

• Choreography Video – A step-by-step tutorial showing how the choreography fi ts with the music.

• Design Pack – Full access to copyrighted costume, set, and prop design materials from the original designers; with sketches, photos, and everything you need to recreate their masterful work.

• Original Cast Album Recording

• Costumes – Rent costumes and wigs based on original designs.

• Sound FX CD and Incidental

Music CD

• Reference Recording – Demo studio tracks or live audio from the show in performance.

• ROCS – See page 45 for details about Show|Ready and Stage|Ready from Right On Cue Services.

Look on each page to see which of the following resources are

• Rehearsal CDs –

No matter what you’re looking for, we’ve got your next box-offi ce hit!

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“If it’s too silly to be said,it can always be sung.” –Voltaire

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“One irresistible musical! An utter charm bomb!” –The New York Times

The Marvelous Wonderettes takes you to the 1958 Springfi eld High School prom where we meet the Wonderettes, four girls with hopes and dreams as big as their crinoline skirts! As we learn about their lives and loves, we are treated to the girls performing such ‘50s and ‘60s songs as “Lollipop,” “Dream Lover,” “Stupid Cupid,” “Mr. Lee,” “Lipstick on Your Collar,” “Hold Me, Thrill Me, Kiss Me,” “It’s My Party,” and over 20 other classic hits! You’ve never had this much fun at a prom and you will never forget The Marvelous Wonderettes—a must-take musical trip down memory lane!

Cast: 4 Women

Setting: Springfi eld High School Gymnasium Act I: 1958 High School Prom Act II: 1968 10-Year ReunionOrchestrations: Piano/Conductor, Keyboard 2, Guitar, Percussion, Reed

Production Resources:• Rehearsal CDs • Choreography Video• Music Tracks • Design Pack• Logo/PR Pack • Original Cast Recording• Staging Manual • Costumes

MUSICALS • STEELE SPRING THEATRICAL LICENSING 5

Choreography Video

Original Cast Recording

MUSICALS • STEELE SPRING THEATRICAL LICENSING

“One irresistible musical! An utter charm bomb!”“One irresistible musical! An utter charm bomb!”

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The Marvelous Wonderettes

Winter Wonderettes

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The Marvelous Wonderettes: Caps and Gowns

7MUSICALS • STEELE SPRING THEATRICAL LICENSING

“Critic’s Pick! A jukebox-musical phenomenon— entertaining froth of a rarefi ed order.”

–BackstageWe’re back in 1958, and it’s time for The Marvelous Wonderettes to graduate in this long-awaited sequel to the smash off -Broadway hit! Join Betty Jean, Cindy Lou, Missy, and Suzy as they sing about their fi nal year in high school, celebrate with fellow classmates and teachers, and prepare for their next step toward a bright future. Act two zooms ahead to 1968, where the girls perform as bride and bridesmaids to celebrate Missy’s marriage to Mr. Lee! Featuring “Rock Around the Clock,” “At the Hop,” “Dancing in the Street,” “River Deep, Mountain High,” and 25 more hits, The Marvelous Wonderettes: Caps and Gowns will have your audience cheering for more!

Cast: 4 Women

Setting: Springfi eld High School Gymnasium Act I: 1958 High School Graduation Act II: 1968 Missy’s Wedding Reception

Orchestrations: Piano/Conductor, Keyboard 2, Guitar, Percussion

Production Resources:• Rehearsal CDs • Design Pack• Music Tracks • Original Cast Recording• Logo/PR Pack • Costumes

Piano/Conductor, Keyboard 2, Guitar, Percussion

“Critic’s Pick! A jukebox-musical phenomenon—

8 MUSICALS • STEELE SPRING THEATRICAL LICENSING

“The perfect Christmas revue! Crackles with energy and joy!” –LA Weekly

The Wonderettes are back! This seasonal celebration fi nds the girls entertaining at the annual Harper’s Hardware Holiday Party. When Santa turns up missing, the girls must use their talent and creative ingenuity, plus some great holiday tunes such as “Santa Claus Is Comin’ to Town,” “Jingle Bell Rock,” “Run, Rudolph, Run,” “Winter Wonderland,” and 20 other seasonal favorites, to save their holiday party. The result is, of course, marvelous! This energetic and entertaining show is guaranteed to delight audiences of all ages.

Cast: 4 Women

Setting: Harper’s Hardware on Main Street, USA, 1968.

Orchestrations: Keyboard/Conductor, Bass, Guitar, Percussion, Reed

Production Resources:• Rehearsal CDs • Music Tracks • Logo/PR Pack • Design Pack• Original Cast Recording

“The perfect Christmas revue! Crackles with energy and joy!”


Conceived by Rick Seeber

“8-Track is an electric, energetic, and powerful good time!” –Los Angeles Times

Put on your leisure suits, halter tops, and platform shoes and get ready to boogie down through 10 years of ground-breaking music! With its propulsive rhythms and dazzling harmonies, 8-Track is a fast-paced musical romp through one of the most impassioned decades of the 20th century. This Baby Boomers’ dream come true features the music of The Emotions, The Carpenters, Labelle, Barry Manilow, Marvin Gaye, The Doobie Brothers, The Bee Gees, Helen Reddy, KC and the Sunshine Band, and many, many more. Rediscover the heart and soul of the forgotten decade with this joyously rousing, moving, and often downright hilarious musical in concert!

Cast: 2 Women, 2 Men

Setting: Single unit set

Orchestrations: Piano/Conductor, Electric Bass, Guitar, Percussion

Production Resources:• Music Tracks• Logo/PR Pack• Original Cast Recording • Reference Recording

Piano/Conductor, Electric Bass, Guitar, Percussion

Cast:

Orchestrations:

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8-Track8-Track

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The Andrews BrothersThe Andrews Brothers

EAT-TVEAT-TVEAT-TV

11MUSICALS • STEELE SPRING THEATRICAL LICENSINGMUSICALS • STEELE SPRING THEATRICAL LICENSING

Created by Roger Bean

“High spirits prompt smiles galore!” –Variety

A USO show is threatened with cancellation when a certain famous trio of singing sisters fails to appear, and it’s up to three earnest and determined stagehands to go on with the show! The Andrews Brothers is fi lled to the brim with over 25 songs made famous by the Andrews Sisters, including the showstoppers “Boogie Woogie Bugle Boy,” “Slow Boat to China,” “Don’t Sit Under the Apple Tree,” and “Ac-Cent-Tchu-Ate the Positive.” Mistaken identities and madcap adventures—imagine Bing Crosby and Bob Hope in a road movie of Some Like It Hot—along with the music of an entire generation highlight this wonderful valentine to the heroes of World War II. “No-holds-barred goofi ness!” –Los Angeles Times

Cast: 1 Woman, 3 Men

Setting: Backstage and onstage at a USO show on a small island in the South Pacifi c, 1945.

Orchestrations: Piano, Bass, Guitar/Uke, Percussion, Reeds 1, 2, and 3, Trombone, Trumpet

Production Resources:• Rehearsal CDs• Logo/PR Pack • Reference Recording

The Andrews Brothers


Backstage and onstage at a USO show on a small island in the South Pacifi c, 1945.

Percussion, Reeds 1, 2, and 3,

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Orchestrations: Percussion, Reeds 1, 2, and 3, Trombone, Trumpet

Production Resources:• • •

“High spirits prompt smiles galore!”

A USO show is threatened with cancellation when a certain famous trio of singing


Book & Lyrics by Michael ColbyMusic by Gerald Jay Markoe

“Ideal entertainment for the whole family.” –nytheatre.com

In this zany musical send-up of ancient Greek mythology, Candora is a young prophet-ess with a problem: her unfl agging truthfulness gets on everyone’s nerves! After being convinced by the stalwart Pectorus to apply for the lofty position of Oracle, the two set off on their mission to Delphi, only to run head fi rst into two other seers on the same mission. While being romanced by the dashing Cyclops and avoiding Hernia, the Greek Goddess of Inner Disorder, Candora must ultimately decide what (and even who) she wants in this epic and madcap musical adventure. “A delicious musical romp!” –Backstage


Setting: Ancient Greece

Orchestrations: Piano, Keyboard 2, Bass, Guitar, Percussion 1 and 2

Production Resources:• ROCS (see page 45)• Logo/PR Pack


Piano, Keyboard 2, Bass, Guitar, Percussion 1 and 2


Book and Lyrics by Jim GiancarloMusic by Darcy Danielson and Jim Malachi

“Innovative, scrumptious, and a hell of a lot of fun!” –Backstage

Noises Off ! meets The Food Network in this hilarious new musical! The energy is running high during the debut broadcast week of EAT-TV, the fi rst musical food network, and everyone involved has to “make it work” to pull it off : Cookie Coutrell, the dessert chef; Spirulina Jones, the health food chef; Vincent Van Rhine, host of the wine show; and Vito La Gusto, the hot Italian chef. With an ambitious producer, hardworking techie, major network deal, and a dash of sweet romance, EAT-TV is an inventive musical that serves up the drama and laughs with over 15 delightful original songs.


Setting: A low-budget cable TV studio

Orchestrations: Piano/Conductor, Keyboard 2, Percussion

Production Resources:• ROCS (see page 45)• Logo/PR Pack • Reference Recording

Book and Lyrics by Jim Giancarlo

the drama and laughs with over 15 delightful original songs.

Keyboard 2, PercussionPiano/Conductor,


Music and Lyrics by Chuck PelletierBook by Rod Damer and C. Stephen Foster

“A bright musical with breezy wit and irony.” –Los Angeles Times

John, Cliff , Anna, and Divonne live out their complicated lives in the green room of their school’s theatre department. Both hilarious and heartwarming, this modern musical gives an authentic account of the struggles these four college theatre majors have in fi nding their place in the world. The rock-infused pop score includes the outrageous anthem to virility “Nothing Can Stop My Boys” and a delightful take on the “there are no small parts” adage in the Songwriter’s Guild of America award-winning song, “It’s All About Me.” If you’ve ever been an actor, wanted to be an actor, or known an actor, you’ll relate to the Broadway dreams of these characters in this brand new sure-fi re hit!


Setting: The green room, present day

Orchestrations: Piano, Bass, Guitar, Percussion

Production Resources:• Rehearsal CDs• Music Tracks• Logo/PR Pack • Original Cast Recording

Piano, Bass, Guitar, Percussion

relate to the Broadway dreams of these characters in this brand new sure-fi re hit!

Piano, Bass, Guitar, PercussionPiano, Bass, Guitar, Percussion


Adapted by Gary Lamb and William A. Reilly From Brandon Thomas’ Charley’s Aunt

“Fun, fun, fun! Truly great entertainment.” –broadwayworld.com

An exciting new musical romp based on Charley’s Aunt, featuring nostalgic favorites such as “Daisy Bell (A Bicycle Built for Two),” “Aba Daba Honeymoon,” “You Made Me Love You,” and, of course, the title tune, “I’m Just Wild About Harry.” In turn-of-the-century Milwaukee, Jack and Harry need a chaperone so they can entertain their sweethearts. Enter their friend Benjamin to impersonate Harry’s Aunt, a rich widow from Brazil. Hilarity ensues when Harry’s Aunt actually arrives on the scene, and this musical farce of mistaken identity and madcap adventure climaxes in a delightfully happy conclusion.


Setting: The dorm rooms of Jack Chesney and Harry Whitman at Old Milwaukee University in Milwaukee, Wisconsin, May, 1910.

Orchestrations: Piano, Keyboard 2, Bass, Guitar, Percussion

Production Resources:• Music Tracks• Logo/PR Pack • Reference Recording

Adapted by Gary Lamb and William A. Reilly

University in Milwaukee, Wisconsin, May, 1910.

Orchestrations:

Production Resources:

The dorm rooms of Jack Chesney and Harry Whitman at Old Milwaukee

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“Critic’s Pick! Dream is so frothy, it fl oats.” –Los Angeles Times

Sh-Boom! Take another trip to Springfi eld and meet the Crooning Crabcakes, the boys banned from the Wonderettes’ prom, as they prepare to enter the Big Whopper Radio contest and realize their dreams of making it to the big time! Trouble comes in the form of Lois, who arrives to put some polish on the boys. Denny and Wally fall in love, Eugene falls apart, and along comes handsome heartthrob Skip to send the whole situation spinning. The ‘60s doo-wop songs say it all: “Fools Fall in Love,” “Tears on My Pillow,” “Runaround Sue,” “Earth Angel,” “Stay,” “Unchained Melody,” “Lonely Teardrops,” “The Glory of Love”and more. Winner of the Los Angeles Drama Critics Circle Best Musical Award, Life Could Be a Dream will leave you laughing, singing, and cheering—let’s hear it for the boys! “Seems certain to duplicate the runaway success of The Marvelous Wonderettes.” –Backstage


Setting: Denny’s Basement, 1960s.

Orchestrations: Piano/Conductor, Keyboard 2, Guitar, Percussion, Reed

Production Resources:• Rehearsal CDs • Logo/PR Pack• Music Tracks • Reference Recording

Life Could Be a Dream

Logo/PR Pack Reference Recording

MUSICALS • STEELE SPRING THEATRICAL LICENSING 17

Dream is so frothy, it fl oats.”


Created by Mark Cabaniss and Lowell AlexanderBased on the screenplay It’s a Wonderful Life

“Some kind of wonderful!” –Bold Life Magazine

The beloved American fi lm, It’s a Wonderful Life, is transformed into a new stage musical in Miracle in Bedford Falls. George Bailey dreams of adventure and travel but circumstances keep him in his hometown. Frustrated by life and haunted by an impending scandal, George is visited by a heavenly messenger on Christmas Eve who shows him what the world would have been like if he had never been born. Miracle in Bedford Falls retains all the elements that have made this story unforgettable, while adding a brilliant and moving score. Cast: 2 Women, 5 Men, Expandable Ensemble of 10 or more

Setting: Bedford Falls, Christmas Eve

Orchestrations: Piano, Keyboard 2, Bass, Percussion, Violin 1 and 2, Viola, Cello, Flute, Clarinet, Alto Sax, Tenor Sax, Horn, Trumpet 1 and 2, Trombone 1 and 2

Production Resources:• ROCS (see page 45)• Logo/PR Pack • Reference Recording


Piano, Keyboard 2, Bass, Percussion, Violin 1 and 2, Viola, Cello, Flute, Clarinet, Alto Sax, Tenor Sax, Horn, Trumpet 1 and 2, Trombone 1 and 2

Created by Mark Cabaniss and Lowell AlexanderBased on the screenplay

all the elements that have made this story unforgettable, while adding a brilliant and

2 Women, 5 Men, Expandable Ensemble of 10 or more

Production Resources:Reference Recording


Book & Lyrics by Michael ColbyMusic & Lyrics by James Fradrich

“A smile with recognition at almost every line.” –Show Business

North Atlantic is an aff ectionate spoof of Rodgers and Hammerstein musicals. On a mysterious, remote island, Honey Snodgradd and Melanie Fong, members of the Iowa branch of the Teaching Corps, fi nd romance, bigotry, and the dream ballet to end all dream ballets. With South Pacifi c as its closest touchstone, this family musical, set sometime after World War II, features elements reminiscent of the entire Rodgers and Hammerstein catalog. Named Outstanding Production of the Year by Show Business Magazine.


Setting: Sometime after World War II on a small island in the North Atlantic.



“A smile with recognition at almost every line.”


“A toe-tapping, hand-clapping, laugh-out-loud treat!” –The Wichita Eagle

Take a dollop of Grease, mix in some Pump Boys and Dinettes and add a generous dose of Forever Plaid and you’ve got the high-octane fun of Route 66. Beginning with the sounds of 1950s Chicago and traveling along the “Main Street of America” to the California coast with the surf music of the 1960s, this exciting musical revue features 34 of the greatest “Rock ‘n’ Road” hits of the 20th century! Songs include “Dead Man’s Curve,” “King of the Road,” “Little Old Lady from Pasadena,” “Beep Beep,” “Six Days on the Road,” “Little GTO,” “Fun, Fun, Fun,” and many more. Get your kicks with this smash hit musical revue!

Cast: 4 Men (Expandable)

Setting: A large car-style radio dial sets the tone. All locales can be accomplished with pieces such as a fence, a hay bale, stools, and gas pumps.

Orchestrations: Piano, Bass, Percussion

Production Resources:• Rehearsal CDs • Music Tracks • Logo/PR Pack• Sound FX CD• Reference Recording


Piano, Bass, Percussion

Music Tracks Rehearsal CDs

• Music Tracks • Logo/PR Pack• Sound FX CD• Reference Recording



“Critic’s Pick! A fun-fi lled journey with a to-die-for score!”–Backstage

When a conservative runaway bride discovers the countercultural revolution of the Haight-Ashbury neighborhood of San Francisco, the hippies and dropouts of Golden Gate Park teach her to “Make Your Own Kind of Music!” This hippie, trippy musical features the powerful music of the late 1960s by some of the most infl uential artists of the love generation: The Mamas and the Papas, Donovan, Janis Joplin, Jeff erson Airplane, and many more. With such hits as “Crystal Blue Persuasion,” “War,” “One Tin Soldier,” “Spinning Wheel,” and, of course, “San Francisco,” you’ll love this fl ower power, feel-good musical experience! “Pure perfection! Foot stomping standing-ovations!” –Portland Daily Sun


Setting: Golden Gate Park, San Francisco, Summer, 1967.

Orchestrations: Keyboard 1/Conductor, Keyboard 2, Bass, Guitar, Percussion, Reed, Trombone, Trumpet 1 and 2

Production Resources:• Rehearsal CDs • Logo/PR Pack • Reference Recording


Cast:

Orchestrations: Keyboard 2, Bass, Guitar, Percussion, Reed, Trombone, Trumpet 1 and 2

Cast: experience! “Pure perfection! Foot stomping standing-ovations!”

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Book & Lyrics by Michael ColbyMusic By Paul Katz

“Delicious satire!” –The New York Times

Singin’ in the Rain meets Hollywood Babylon! On a farm in Walnut, Iowa, Ellie Ash aspires to screen immortality. Hollywood-bound screenwriter Elmo Green rides by on his bicycle and is immediately smitten with Ellie, who joins him on his journey west. In Hollywood, Ellie and Elmo work with a wild array of characters reminiscent of Ethel Merman, Gene Kelly, Mario Lanza, and Joan Crawford. Ellie quickly becomes America’s Sweetheart as the “Girl of a Thousand Sounds,” but when a gossip columnist exposes a few dirty little secrets, Ellie has to claw her way back to the top before the new “it” girl takes her spot. “Wacky fun! Suggests Dames at Sea crossed with Carol Burnett’s entire oeuvre. Delicious, tuneful, winning.” –Los Angeles Times


Setting: Tinseltown. All locales can be suggested using a unit set.






“Nostalgic, funny, enchanting and delightful—don’t miss it!” –Ravalli Republic

Sally, Florence, and Dee Dee show up unannounced (food and booze in hand) for an impromptu bachelorette party to celebrate Millie’s upcoming nuptials. As the celebration picks up steam and the drinks fl ow late into the evening, the girls reveal scintillating details about their love lives, and we soon discover the well-kept secret of Millie’s missing fi ancé. Featuring classic songs from the 1960s such as “My Boy Lollipop,” “I Will Follow Him,” “You Don’t Have to Say You Love Me,” “Hey There Lonely Boy,” and many others, including the title song, Why Do Fools Fall In Love? reaffi rms that, during life’s struggles, true friendship will unveil its everlasting strength—and it does so with a rockin’ beat!

Cast: 4 Women

Setting: Millie’s living room with attached kitchen, ‘60s era.


Production Resources:• Rehearsal CDs • Music Tracks • Logo/PR Pack• Reference Recording


Millie’s living room with attached kitchen, ‘60s era.

Piano, Keyboard 2, Bass, Guitar, Percussion

Production Resources:• Rehearsal CDs • Music Tracks • Logo/PR Pack• Reference Recording

2424

Liberace!

EAT-TV

Summer of Love

PLAYS • STEELE SPRING THEATRICAL LICENSING 25

“Life shouldn’t be all work and no plays.”

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PLAYS • STEELE SPRING THEATRICAL LICENSING26

By Perry Steele Patton

A stirring comedy with Southern charm.Former beauty queen Ima Jean Walker returns to her hometown after a twenty-year absence, self-assured of winning a local contest she believes will jump-start her long-delayed country music career. Tempers fl are and southern sparks fl y when her famous high school rival appears in a whirlwind and upsets Ima Jean’s unfulfi lled dreams of stardom. A Breath of Dusty Air is a touching story of loss, longing and never forgotten dreams, reminding us that voices from our past never fade away, but remain to whisper of journeys long since forgotten.


Setting: Continental Trailways Bus Stop and Diner in Mammoth Spring, Arkansas.

Production Resources:• Logo/PR Pack

PLAYS • STEELE SPRING THEATRICAL LICENSING

Continental Trailways Bus Stop and Diner in Mammoth Spring,



By Seth Gilbert

A thrilling drama set at the intersection of intellect, loyalty, and deceit.

Edgar, an aging but once prolifi c writer, lives in a Hollywood Hills mansion with his protégé, Harry. Harry’s translation of a newly discovered Greek play is up for publication, but there is a catch: Edgar has to write the introduction. When Edgar’s drinking threatens to kill the deal, the household is overwhelmed by rivalry and deception. As Harry’s wife attempts to fi x the problem, the pool boy spurs on talk of the gods, prophecy, and great questions, and Edgar Bound begins to resemble the play of Harry’s translation. With a principal character inspired by writer Gore Vidal and a story inspired by Aeschylus’ Prometheus Bound, Edgar Bound is a thrilling play from a bright, new American voice.


Setting: The poolside of a beautiful courtyard of a Hollywood Hills mansion.


By Seth Gilbert

The poolside of a beautiful courtyard of a Hollywood Hills mansion.


By Debra Hale

“A remarkable theatrical experience that expands our understanding of what theatre can be.”

–Simcoe ReformerSybil, a feisty but fragile 85-year-old English immigrant, breaks out of her retirement home after hiring a personal assistant, Kate, with a shady past. Sybil takes us on the journey of her life, reliving her relationships and experiences leading up to where she is today—which is not quite where she would like to be. The story shifts from present day (a Jamaican diner, Sybil’s lake house and retirement home) to her memories of serving her country in Britain during World War ll. Freedom 85! will have you laughing one moment and crying the next as two actresses portray 15 characters in this heartwarming and delightful acting tour de force.

Cast: 2 Women

Setting: Multiple locations in the present and past


Cast: Cast:

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By Douglas H. Baker

“A most animated, intimate evening of drama.” –City Life News

A classic Christmas tale with a simple and exciting new twist! With one actor and over 35 distinct characters, this one-man tour de force is an animated and intimate evening of theatre that everyone in the family will love! Utilizing only three unmatched chairs and the power of one, Dickens’ famous story about selfi shness and selfl essness is stripped down to its bare essence, eschewing the usual opulence of the holidays and focusing on what is of utmost importance during the season. Your audiences will love all of Dickens’ colorful characters as they spring to life with a treasure trove of moral lessons for one and all. No scenery, no costumes—just one actor and a timeless story. God bless us, every one!

Cast: 1 Man

Setting: 3 unmatched chairs


By Douglas H. Baker



Production Resources:


By Beth Kander

Winner of the 2012 Charles M. Getchell New Play AwardSara is wisecracking, single, broke, and secular. Neshama is serious, married, infertile, and Orthodox. When fate, God, and Sara’s Episcopalian roommate bring these two Jewish women together, each must question what really matters, what they really want—and what they’re willing to do to get it. As Sara considers donating her eggs, and Neshama ponders accepting them, both women fi nd themselves unexpectedly scrambled.

Cast: 5 Women

Setting: The present. An apartment, a coff ee shop, and the Reuben home.


Winner of the 2012 Charles M. Getchell New Play Award


By Beth Kander

“A playful Southern romp that is blessedly free of cliché.” –Lexington Herald-Leader

Jane, a neurotic waitress, needs to quit smoking. Her loved ones concur—so when she announces that she’s quitting “for real,” they’re supportive. In fact, they’re a little too supportive. Each has a problem—from a looming divorce to a sexual crisis—and nobody wants to bring Jane any news that might lead her to quit quitting. With all of these secrets fl oating around, who would suspect that Jane is keeping the biggest secret of all?


Setting: The present. The South. Minimal. Both acts take place in a kitchen.



“A playful Southern romp that is blessedly free of cliché.”



“Inventive, epic comedy.” –Los Angeles Times

A mystery. A legend. An enduring friendship. Watson tells the story of a good man trapped in the shadow of a great man. This high-energy and theatrical play balances comedy and drama as it recounts the last great tale of the legendary Sherlock Holmes as seen through the eyes of his trusted friend and colleague, Dr. John H. Watson. From pantomime to Punch and Judy, high comedy to dramatic mystery, Watson tells a grand tale. Funny, moving, and theatrically innovative, this take on Sir Arthur Conan Doyle’s heroes and villains will captivate your audiences until the very end! “A real crowd pleaser!” –Backstage


Setting: Various locations. All locals can be suggested with bentwood chairs, wooden crates, bookcases, and steamer trunks with a few other choice set pieces.

Production Resources:• Logo/PR Pack• Incidental Music CD

“Inventive, epic comedy.”

chairs, wooden crates, bookcases, chairs, wooden crates, bookcases, and steamer trunks with a few other choice set pieces.

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The Grimm World

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Route 66: Road Trip

The Littlest Witch

JUNIOR THEATER • STEELE SPRING THEATRICAL LICENSING 35

“You’re never too old todo goofy stuff .”

–Ward Cleaver, “Leave It to Beaver”

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JUNIOR THEATER • STEELE SPRING THEATRICAL LICENSING36

Book & Lyrics by S.J. HenschelMusic & Additional Lyrics by Jim Schmitt

A clumsy prince, a sleepy princess, an evil spell, and a kingdom fi lling with ducks. “You’re probably wondering what is going on here,” sings Lord Chamberlain at the top of this musical fractured fairytale. He tells of a spell cast upon the princess, who awakes each day with her shoes ripped and so exhausted that she sleeps the day away. The king and queen have off ered half the kingdom to anyone who can break the spell, however any who fail (and many have) are transformed into ducks. Along comes a prince and his trusted sidekick, who set off on the adventure of their lives to save the princess. Based roughly on The Twelve Dancing Princesses, Gotta Dance! is a whirling, twirling delight for the whole family.

Cast: 5 Women, 4 Men, Expandable Ensemble

Setting: The kingdom. The palace. The woods nearby. The magic lake. The ballroom.

Orchestrations: Piano, Bass, Percussion, Flute, Oboe, Alto Sax, Trumpet, Trombone, French Horn

Production Resources:• Rehearsal CDs • Logo/PR Pack• Music Tracks • Reference Recording

Cast: Setting:

Cast: Setting:

Cast: The magic lake. The ballroom.Setting: The magic lake. The ballroom.Setting:

Cast:

JUNIOR THEATER • STEELE SPRING THEATRICAL LICENSING


By Adam Neubauer and Samantha Levenshus

“A demented and family-friendly mash-up of the Brothers Grimm!”

–Backstage

Enter the familiar world of “Once Upon a Time,” as a chipper Minstrel takes you (and a small, curious boy), on a journey of epic proportions. In a magical forest we fi nd the characters from the Grimm’s tales; Hansel & Gretel, Snow White, Cinderella, and The Frog Prince all working their way to their own happy endings. Along the journey, their tales collide at a breakneck pace, keeping these age-old stories feeling fresh for the 21st century. Devilishly funny and brimming with wit, The Grimm World will bring out the kid in everyone. “Colorful and entertaining, with just a pinch of cynicism, and a large heaping of humor.” –Life in LA

Cast: 5 Women, 6 Men, 1 Woman or Man, Expandable Ensemble

Setting: A magical forest. Each scene can be created using a unit set.

Production Resources:• Sound FX and Incidental Music CD• Logo/PR Pack


Production Resources: Sound FX and Incidental Music CD

• Logo/PR Pack

By Adam Neubauer and Samantha Levenshus

“A demented and family-friendly mash-up


Book by Peter ShamMusic by Randall Kramer

Additional Script Material by Steven D’Addieco

“A howling entertainment success!” –The Buff alo Evening News

With a street quality like a modern-day Oliver!, this charming musical follows the adventures of a golden retriever named Bo as he works his way out of a sticky situation. Bo meets cuddly friends and growling enemies along his journey to a heartwarming and happy ending. It’s a Dog’s Life is “doggone” fun for the whole family with great music that will have your audience humming as they walk up the aisle.

Cast: 5 Women, 9 Men, Expandable Ensemble

Setting: The outskirts and inner streets of a big city. Unit set with simple items to suggest each scene.

Orchestrations: Piano

Production Resources:• ROCS (see page 45) • Logo/PR Pack • Reference Recording


Orchestrations:Production Resources:


“This imaginative show is more treat than trick.” –Los Angeles Times

The Easter Bunny better hop quickly, Santa Claus better hold on to his trousers, and the whole barnyard better sing the blues because one little witch can’t get her fi ll of tricks. This little wonder wishes every day was Halloween and creates witching mayhem wherever she goes. All seems to be just fi ne until a giant spider and a rapping record producer get in her way, and The Littlest Witch will have to play nice if she wants to learn who her real friends are. Featuring 10 great tunes, The Littlest Witch rises to every holiday occasion.

Cast: 1 Woman, 6 Women or Men, Expandable Ensemble up to 15

Setting: Your imagination

Orchestrations: Piano/Conductor, Bass, Guitar, Percussion, Violin

Production Resources:• Music Tracks• Logo/PR Pack• Reference Recording


Orchestrations: Guitar, Percussion, Violin

Cast: Expandable Ensemble up to 15

Setting: Expandable Ensemble up to 15

Piano/Conductor, Bass,

“This imaginative show is more treat than trick.”


Make it home by curfew in this prom-only version of the off -Broadway hit!

The Marvelous Wonderettes ‘58 takes you to the 1958 Springfi eld High School prom where we meet the Wonderettes, four girls with hopes and dreams as big as their crinoline skirts! As we learn about their lives and loves, we are treated to the girls performing such classic ‘50s songs as “Lollipop,” “Dream Lover,” “Stupid Cupid,” “Lipstick on Your Collar,” “Hold Me, Thrill Me, Kiss Me,” and other classic hits! You’ve never had this much fun at a prom and you will never forget The Marvelous Wonderettes ‘58—a must-take musical trip down memory lane! The smash off -Broadway hit is cut down to Act 1 only in this Junior Theater reworking of The Marvelous Wonderettes.

Cast: 4 Women

Setting: Springfi eld High School Gymnasium, 1958 High School Prom

Orchestrations: Piano/Conductor, Keyboard 2, Guitar, Percussion

Production Resources:• Rehearsal CDs • Choreography Video • Music Tracks • Design Pack• Logo/PR Pack • Original Cast Recording• Staging Manual

Make it home by curfew in this

Springfi eld High School Gymnasium,

Keyboard 2, Guitar, Percussion

Production Resources:• Rehearsal CDs

memory lane! The smash off -Broadway hit is cut down to Act 1 only in this Junior Theater


Book & Lyrics by Richard RosserMusic by Alec Wells

“Piggy Nation is worth altering afternoon naps!” –The Norman Transcript

Piglet Sammy Hamhock is on summer vacation and can’t wait to join his Dad on Piggy Patrol, where they snout out Piggy Behavior throughout town. However, as Sammy’s Dad tickets other animals for Piggy Behavior, he is often a Piggy himself. Along their route, Sammy meets a leopard named Lacey and it’s love at fi rst sight. However, when his Dad’s behavior causes Lacey’s mom to put the kibosh on their relationship, Sammy realizes that his father is the biggest Piggy of all, and Sammy must teach his father a lesson in thoughtfulness and consideration. Featuring an original score richly layered with blues, rock, rap and gospel infl uences, Piggy Nation is fun for all ages!

Cast: 12 Women, 8 Men, (Flexible Casting)

Setting: A piggy neighborhood, multiple locations.Orchestrations: Piano

Production Resources:• Music Tracks• Logo/PR Pack• Reference Recording

Book & Lyrics by Richard Rosser


12 Women, 8 Men, (Flexible Casting)


Book and Lyrics by Alison McGarryMusic by Brian Leader

Select music inspired by Alison McGarry

“Delightfully humorous, clever, and catchy!” –On Stage

In this new twist on the old pony-tale, Rapunzel is more than just a damsel in distress who’s long overdue for a haircut; she’s a daring dame who is determined to solve her own problems. A garden of singing fruits and vegetables, a wisecracking rat, a good-hearted bluebird, a sage cricket, and a fl ying squirrel (who can’t fl y) all help her along the way in this imaginative new fairytale musical.

Cast: 4 Women, 2 Men, Expandable Ensemble of 8 or more

Setting: The Garden of The Witch’s Castle. The Castle Tower. A Dungeon. The Forest of Doom. A Small Cottage.


Production Resources:• Rehearsal CDs• Music Tracks• Logo/PR Pack


Piano, Keyboard 2, Bass, Guitar, Percussion

Production Resources:•



This cross-country musical is now just the right size for teens and tweens!

Take a dollop of Grease, mix in some Pump Boys and Dinettes and add a generous dose of Forever Plaid and you’ve got the high-octane fun of Route 66 Road Trip. Beginning with the sounds of 1950s Chicago and traveling along the “Main Street of America” to the California coast with the surf music of the 1960s, this exciting musical revue features some of the greatest “Rock ‘n’ Road” hits of the 20th century! Get your kicks with this smash hit musical revue, newly imagined in this Junior Theater reworking of Route 66.

Cast: 4 Men (Expandable)

Setting: A large car-style radio dial sets the tone. All locales can be accomplished with pieces such as a fence, a hay bale, stools, and gas pumps.

Orchestrations: Piano, Bass, Percussion

Production Resources:• Rehearsal CDs• Music Tracks• Logo/PR Pack• Sound FX CD• Reference Recording


• Rehearsal CDs• Music Tracks• Logo/PR Pack• Sound FX CD• Reference Recording

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JUNIOR THEATER • STEELE SPRING THEATRICAL LICENSING 45STEELE SPRING THEATRICAL LICENSING 45

Steele Spring Theatrical Licensing is proud to off er ROCS Performance Solutions for select shows from our catalog.

Performance revolutionized.

With Show|Ready™, you can virtually send your music director home with each and every member of your cast! Show|Ready™ allows you to play a customizable rehearsal track of your show, complete with individual vocal parts, on a Mac, PC, or iOS device.

You’ll have complete control over which parts you hear, and be able to modify the key or tempo and cut, vamp, or repeat measures as you please. With Show|Ready™, songs can be sorted by show order, cast member, ensemble, or dance number. All shows include the Piano/Conductor, bass, drum, and individual and ensemble vocal parts.

Show|Ready™ makes it easy for music directors to communicate with their casts, as the edits made are saved locally and distributed via the internet to cast members. This enables your entire cast to rehearse correctly from the beginning, saving you valuable time and eff ort.

Coordinating a full size orchestra to play for your performances can be a costly and diffi cult undertaking. Stage|Tracks™ are state-of-the-art performance tracks featuring world-class studio musicians and provide a great sounding, yet cost eff ective alternative.

Stage|Tracks™ high-quality comes complete with astounding fl exibility, as it can be edited to integrate your individual changes from Show|Ready™ right into your performance track.

enables your entire cast to rehearse correctly from the beginning, saving you valuable

Coordinating a full size orchestra to play for your performances can be a costly

PRODUCTION APPLICATION

Title of Musical/Play ___________________________________________________________________________________

Promotional Code _________________________Today’s Date ___________________________________________

ORGANIZATION INFORMATION ❏ Check here if you have worked with us before.

Name of Producing Organization _____________________________________________________________________

Contact Name & Title _________________________________________________________________________________

Mailing Address _______________________________________________________________________________________

City __________________________________________________ State _______________ Zip _______________________

Phone __________________________________________________ Fax ___________________________________________

Direct Phone for Contact ______________________________________________________________________________

E-mail ____________________________________________ Website ___________________________________________

Your theater is: ❏ Regional ❏ Dinner ❏ Community ❏ School❏ Children’s ❏ Commercial ❏ Other (please specify)

_________________________________________

Your theater is a member of: ❏ LORT ❏ TCG ❏ AACT❏ NAMT ❏ NDTA ❏ PACT

Your organization is: ❏ Equity (AEA) ❏ Non-Equity

Are your actors paid? ❏ Yes ❏ No

PERFORMANCE SCHEDULE & VENUE INFORMATION

Opening Date _______________________________________ Closing Date __________________________________

# of performances ___________________________________ Seating Capacity ______________________________

Average Audience Size _______________________________ Ticket Price Range ____________________________

Average Ticket Price ___________________________Date of First Rehearsal ________________________

(Musical Only) Previous Two Musicals Presented _____________________________________________________

(Musical Only) Royalties Paid for Above ______________________________________________________________

Name of Venue ________________________________________________________________________________________

Venue Address _________________________________________________________________________________________

City __________________________________________________ State _______________ Zip _______________________

E-mail, fax, or mail completed form [email protected] • Phone: (323) 739-0413 • Fax: (818) 232-9158

Steele Spring Theatrical Licensing • 3845 Cazador St., Los Angeles, CA 90065A Royalty Quote/License Agreement will be returned via e-mail within 3-5 business days.

Visit www.steelespring.com for more information.

___________________________________________________________________________________

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Check here if you have worked with us before.

Steele Spring Theatrical LicensingA Royalty Quote/License Agreement will be returned via e-mail within 3-5 business days.

STEELE SPRING THEATRICAL LICENSING 47

Considering one of our shows?Visit our website to listen to music from the shows, as well as to order perusal scripts

and perusal packs with vocal scores and full score samplers.

Apply online!It’s quick and simple!

Point, click, and play at www.steelespring.com

orComplete and send the application at left via email, regular mail,

or any other mail that comes to mind.

[email protected]

Steele Spring Theatrical Licensing3845 Cazador Street, Los Angeles, CA 90065

You can also fax it, if you still have one of those old things:

Fax (818) 232-9158or

Give us a call!

(323) 739-0413

Find us, like us, follow us, link us, pin us:

Complete and send the application at left via email, regular mail,

Find us, like us, follow us, link us, pin us:

Visit our website to listen to music from the shows, as well as to order perusal scripts

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Steele Spring 2012-2013 Catalog of Plays and Musicals Revised

Documents

Transcript of Steele Spring 2012-2013 Catalog of Plays and Musicals Revised