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Publications {* = invited}

Publications are listed in the following categories:

(A) Scholarly PublicationsBooks; Manuscripts; Articles in Books; Articles in Reference Works; Articles in Scholarly Journals; Other Articles; Review-Articles; Book Reviews; Bibliography; Editor

(B) Reviews of Publications(C) Non-Scholarly Publications

(A) Scholarly Publications

Books

* The American Poetry Wax Museum: Reality Effects 1940-1990 (Urbana, Illinois: National Council of Teachers of English, 1996), 636 pages

Imagining Language: An Anthology (co-author: Steve McCaffery) (Cambridge: The MIT Press, 1998; paperback 2001), 620 pages

This Compost: Ecological Imperatives in American Poetry (University of Georgia Press, 2002), 259 pages

* Syncopations: The Stress of Innovation in Contemporary American Poetry (University of Alabama Press, 2004), 311 pages

Modernism and Poetic Inspiration: The Shadow Mouth (Palgrave Macmillan, 2009), 251 pages

Burning City: Poems of Metropolitan Modernity (co-editor: Tim Conley) (Action Books, 2012), 577 pages

Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century (Basic Books, 2015), 365 pages

History of a Shiver: The Sublime Impudence of Modernism (Oxford University Press; 2015), 350 pages

Book Manuscript Submitted

Lower Frequencies: Genre and Extravagance in the Novel (Oxford University Press; 109,460 words, 150 pages published)

Book Manuscripts in Progress

Jazzbandism (200 draft pages completed, 70 pages published)

Relentless Metabolism: The Pathos of Making It New (100,000 words, 80 pages published)

Jed Rasula, Curriculum Vitae 1

Articles in Books

* Visual Poetry. Handbook of International Futurism ed. Günter Berghaus (Berlin: De Gruyter, invited 2014), 4,600 words

* Flesh Dream Books. A City Full of Voices: On Robert Kelly ed. Pierre Joris and Peter Cockelbergh (Contra Mundum Press, invited 2012), 3,700 words

* Inventio(n). Key Terms for Literary History ed. Sascha Bru, Ben De Bruyn and Michael Delville (Edinburgh University Press, invited 2011), 6,100 words

* Ahead of Time: The Avant-Gardes. The Cambridge History of Modernism ed. Vincent Sherry (Cambridge University Press, invited 2011), 6,300 words

* To Moisten the Atmosphere. Clayton Eshleman, The Whole Art ed. Stuart Kendall (Boston: Black Widow Press, 2014), 104-122

* Visual Music—A Missing Link? The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange ed. Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (Berlin: De Gruyter, 2014), 39-47

* Dangerous Games and New Mythologies: Cercle et Carré; Art Concret; Abstraction-Création; Minotaure. The Oxford Critical and Cultural History of Modernist Magazines, Volume III: Europe 1880-1940 ed. Peter Brooker, Sascha Bru, Andrew Thacker, and Christian Weik (Oxford University Press, 2013), 265-285

* The Media of Memory: The Seductive Menace of Records in Jazz History. New Horizons in Jazz Research ed. Michael Molasky (Tokyo: Artes, 2010), 17-44

* Varieties of Poetic Experience. Poets on Teaching ed. Joshua Marie Wilkinson (University of Iowa Press, 2010), 195-197

* Endless House—Architectural Body. Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins ed. Françoise Kral and Jean-Jacques Lecercle (Rodopi 2010), 37-52

* Medusa’s Gaze. The Legitimacy of the Middle Ages: On the Unwritten History of Theory ed. Andrew Cole and D. Vance Smith (Duke University Press, 2010), 233-241

* Interview with Jed Rasula, by Evelyn Reilly. Eco-Language Reader ed. Brenda Ijima (Brooklyn: Portable Press at Yo Yo Labs, 2010), 125-145

* The Insignia of Modernity and “le mouvement Apollinaire.” Europa! Europa? The Avant-Garde, Modernism, and the Fate of a Continent ed. Sascha Bru, Jan Baetens, Benedikt Hjartarson, Peter Nicholls, Tania Ørum, Hubert van den Berg (Berlin: De Gruyter, 2009), 296-305

* Women, Innovation, and “Improbable Evidence.” The Consequence of Innovation: 21st Century Poetics ed. Craig Dworkin (New York: Roof, 2008—reprint of chapter from Syncopations), 59-92


* Deep Image. Don’t Ever Get Famous: Essays on New York Writing after the New York School ed. Daniel Kane (Dalkey Archive Press, 2006), 29-49

* Jazz and American Modernism. The Cambridge Companion to American Modernism ed. Walter Kalaidjian (Cambridge University Press, 2005), 157-176

* “When the mind is like a hall”: Possible Places of Poetics. Architectures of Poetry ed. Craig Dworkin and María Eugenia Díaz Sánchez (Rodopi, 2004), 13-26

* Jazz as Decal for the European Avant-Garde. The Blackening of Europe: The African American Presence ed. Heike Raphael (Routledge, 2003), 13-34 {featured on “Jazz Studies Online,” Columbia University Center for Jazz Studies, 2007-2008}

* “Vessels of Consciousness”: The Reader’s Place in Literary Impressionism. Inter-Relations: Conrad, James, Ford and Others ed. Keith Carabine and Max Saunders (Lublin, Poland: Maria Curie-Sklodowska University, 2003), 43-52

* The Jazz Audience. The Cambridge Companion to Jazz ed. Mervyn Cooke and David Horn (Cambridge University Press, 2002), 55-68

* Olson’s “Fury.” Poetics@ ed. Joel Kuszai (New York: Roof, 2000), 54-55

* Interview With Roy Fisher. Roy Fisher, Interviews Through Time and Selected Prose (Kentisbeare, Devon: Shearsman Books, 2000), 56-72

* The Age of Lowell. The Critical Response to Robert Lowell ed. Steven Gould Axelrod (Greenwood Press, 1999), 283-287

* Taking Out the Tracks: Robin Blaser’s Syncopation. The Recovery of the Public World ed. Charles Watts and Ted Byrne (Vancouver: Talonbooks, 1999), 275-286

* Understanding the Sound of Not Understanding. Close Listening: Poetry and the Performed Word ed. Charles Bernstein (Oxford University Press, 1998), 233-261

* Poetry’s Voice-Over. Sound States: Acoustical Technologies and Modern and Postmodern Writing ed. Adalaide Morris (University of North Carolina Press, 1997), 276-316

* The Media of Memory: The Seductive Menace of Records in Jazz History. Jazz Among the Discourses ed. Krin Gabbard (Duke University Press, 1995), 134-162 {Japanese translation listed above, 2010}

* Sound and Savor. Beneath a Single Moon: Buddhism in Contemporary American Poetry ed. Kent Johnson and Craig Paulenich (Boston: Shambhala, 1991), 218-221

* The Politics Of, the Politics In. Politics and Poetic Value ed. Robert von Hallberg (University of Chicago Press, 1987), 315-322

* Statement on Reading in Writing. The L=A=N=G=U=A=G=E Book ed. Bruce Andrews and Charles Bernstein (Southern Illinois University Press, 1984; 2nd edition 1997), 52-53


* Notes on Genre. The L=A=N=G=U=A=G=E Book ed. Bruce Andrews and Charles Bernstein (Southern Illinois University Press, 1984; 2nd edition 1997), 102-103

* Placing Pieces. Robert Creeley: The Poet’s Workshop ed. Carroll F. Terrell (Orono: National Poetry Foundation, 1984)

Interview with Charles Tomlinson. Interviews with Contemporary Writers; Second Series, 1972-1982 ed. L. S. Dembo (University of Wisconsin Press, 1983), 194-205

Interview with Roy Fisher. 19 Poems and an Interview by Roy Fisher. (Pensnett, Staffordshire: Grosseteste, 1975), 12-38

Articles in Scholarly Journals

* Endless Melody. Texas Studies in Language and Literature 55: 1 (Spring 2013), 36-52

* The Condition of Poetry When Everybody is a Poet. Foreign Literature Studies [China] 34: 3 (June 2012), 7-14.

Wagnerism: A Telephone from the Beyond. The Georgia Review LXV: 2 (Summer 2011), 399-430

Make It New. Modernism/Modernity 17: 4 (Dec. 2010), 713-734

“Listening to Incense”: Melomania and the Pathos of Emancipation. Journal of Modern Literature 31: 1 (Fall 2007), 1-20

Jazzbandism. The Georgia Review LX: 1 (Spring 2006), 61-124

* Tribute to Hugh Kenner. Paideuma 34: 1 (Spring 2005), 130-133

Nostromo as Fairy Tale Epic. Genre XXXIII: 1 (Spring 2000), 83-113

Textual Indigence in the Archive. Postmodern Culture 9: 3 (May 1999) {winner of PMC Essay Prize for Best Essay of the Year}

When the Exception is the Rule: Don Quixote as Incitement to Literature. Comparative Literature 51: 2 (Spring 1999), 123-151

* The Pathic Receptacles of Modernism. Ré-inventer le réel ed. Thomas Dutoit and Trevor Harris (Tours: GRAAT #20 [Publications des Groupes de Recherches Anglo-Américaines de l’Université François Rabelais de Tours], 1999), 143-163

The Stuff of Coincidence. L’Esprit créateur XXXVIII: 4 (Winter 1998), 71-81

Finnegans Wake and the Character of the Letter. James Joyce Quarterly 34: 4 (Summer 1997), 517-530

The Empire’s New Clothes: Anthologizing American Poetry in the 1990s. American Literary History 7: 2 (Summer 1995), 261-283


Nietzsche in the Nursery: Naive Classics and Surrogate Parents in Postwar Culture Debates. Representations 27 (Winter 1990), 50-77 {Finalist, Children’s Literature Association Award for the Best Critical Article of 1990}

Exfoliating Cosmos. Sagetrieb II: 1 (Spring 1983), 35-71

* Paul Celan. Studies in 20th Century Literature 8: 1 (Fall 1983), 115-116

* Placing Pieces. Sagetrieb I: 3 (Winter 1982), 163-170

The Compost Library. Sagetrieb I: 2 (Fall 1982), 190-219

* Spicer’s Orpheus and the Emancipation of Pronouns. Boundary 2 VI: 1 (Fall 1977), 51-102

Interview with Peter Redgrove. The Hudson Review XXVIII: 3 (Autumn 1975), 377-401

Interview with Charles Tomlinson. Contemporary Literature 16: 4 (Autumn 1975), 405-416

Interview with Nathaniel Tarn. Boundary 2 IV: 1 (Fall 1975), 1-30

Articles in Reference Works

* Jazz Age. Routledge Encyclopedia of Modernism ed. Stephen Ross (invited, 2012)

* Jerome Rothenberg. American Poets Since World War II, Sixth Series (Dictionary of Literary Biography, Vol. 193), ed. Joseph Conte (Gale 1998), 305-317

* Bruce Andrews. Contemporary Poets Fifth Edition (London: St. James Press, 1990), 17-18

* Robin Blaser. Contemporary Poets Fifth Edition (London: St. James Press, 1990), 74-75 [Reprinted in Contemporary Poets Sixth Edition (1996), 84-86]

* Ron Silliman. Contemporary Poets Fifth Edition (London: St. James Press, 1990), 896-898 [Reprinted in Contemporary Poets Sixth Edition (1996), 1008-1009]

* Robert Kelly. Critical Survey of Poetry: Supplement (Pasadena: Salem Press, 1987), 217-222

Other Articles

* Saying No is Still Saying Something. The Medium (June 2015) [online journal]

* Artists are just this screwed: When capitalism markets rebellion, how does the rebel stand outside? Salon (June 14, 2015) [online journal]

* Contemporary Avant-Garde? Lana Turner 7 (2014), 280-284

* The Futility of Anthologies. The Volta (2014) [online journal]

* Heeding the Heedless Sublime. OmniVerse 33 (2013) [online journal]


* The Genius of This Place is “Was”: Ecopoetics Now, Chicago Review 57: 3/4 (Spring 2013), 175-181

* Interview with Jed Rasula, by H. R. Hix, The Volta [online journal] (November 2012)

* Interview with A. R. Ammons. Chicago Review 57: 1/1 (Autumn 2012), 142-153

Glut Reactions: The Demographics of American Poetry, with Mike Chasar, Boston Review online (Nov. 28, 2012)

* Interview with Jed Rasula, by Leonard Schwartz. Golden Handcuffs Review I: 13 (Summer-Fall 2010), 135-144

* Im Fieber des Jazz: Begeisterung und Verteufelung—eine neue Musik in den zwanziger Jahren. Lettre Internationale 87 (Winter 2009), 108-112

* Jazz and Modernism: Reflections on a “Zeitfrage.” Carnival Within: An Exhibition Made in America ed. Uta Grundmann with Sabine Russ and Gregory Volk (Nürnberg: Verlag für moderne Kunst, 2009), 264-280

* Jazzbandism: That Dada Strain. Der Tagesspiegel (Sept. 14, 2008), C9

* The Ear of the Behearer: A Conversation in Jazz (with Brent Edwards). /Nor #3 (2008), 42-64

* Writing the Disaster: Nervous Music. Action, Yes I: 5 (2007), online journal

* Interview with Jed Rasula, by Tony Tost. Fascicle 2 (Spring 2006), online journal

* Norman O. Brown/John Cage: A Necessary Confusion. Aufgabe 5: 2 (2005), 145-148

* Syncope, Cupola, Pulse. Pores 3 (Fall 2003), online journal

* Though Gently by Laura Riding. Delmar 8 (Winter 2002), 106-111

* From “This Compost.” Facture 1 (2000), 120-142

* Andrews Extremities Bruce. Aerial 9 (1999), 23-27

* Ten Different Fruits on One Different Tree: Experiment as a Claim of the Book. Chicago Review 43: 4 (Fall 1997), 28-39

* Taking Out the Tracks: Robin Blaser’s Syncopation. Sulfur 37 (Fall 1995), 95-107

* Gendering the Muse. Sulfur 35 (Fall 1994), 159-175

* James John Garth Wilkinson. Sulfur 33 (Fall 1993), 159-170

* Paradox and Interpretation. Sulfur 32 (Spring 1993), 191-205

* Pacific Rim Shots: Space and Race in Los Angeles. Sulfur 31 (Fall 1992), 16-23

* Ecstasy, Prophecy, and Embodiment in Cyberspace. Science and Literature: Beyond Cultural Construction (Society for Literature and Science, 1991 Annual Conference Abstracts), 190

* Monk. O.ARS 6/7 (1989), 35-36


* Literacy Effects: Handling the Fiction, Nursing the Wounds. Sulfur 24 (Spring 1989), 76-90

* Jazz: Origins and Authenticities. Margin 7 (1988), 16-24

* Monk. First Offence 4 (Autumn 1988), 47-48

* The Catastrophe of Charm. Sulfur 20 (Fall 1987), 169-176

* The Body Without Organs in the Underworld. Acts 6 (1987), 95-96

* [Response to Sven Birkerts: On Deconstruction]. Sulfur 19 (Spring 1987), 154-156

* To Moisten the Atmosphere: Notes on Clayton Eshleman. Temblor 6 (1987), 103-108 {reprinted in Clayton Eshleman, The Whole Art ed. Stuart Kendall (Boston: Black Widow Press, 2014), 104-122}

* Tuumba. Jimmy & Lucy’s House of “K” 6 (May 1986), 160-165

* Rails Gone for Guns: An Essay on Women Writers Between the Two World Wars. Zonë: A Feminist Journal for Women and Men I: 1 (Winter 1986), 107-120

* The American Poetry Wax Museum. Temblor 1 (1985), 93

* The American Poetry Wax Museum. Jimmy & Lucy’s House of “K” 3 (January 1985), 69-72

* Towards Rilke in English. Sulfur 13 (1985), 33-41 [winner of General Electric Younger Writer’s Award]

* Believe It Or Not. New Langton Arts 1984 (1985), 9

* Ten Different Fruits on One Different Tree: Reading Robert Kelly. Credences New Series III: 1 (Spring 1984), 127-175

* The Style of Old Age. Sulfur 12 (1984), 127-132

* Paul Celan. Sulfur 11 (1984), 82-84

* Part of Nature, Part of—“Us”?: The Role of Critics and the Emperor’s New Clothes in American Poetry. Sulfur 9 (1984), 149-167

[Response to a review of “A Renaissance of Women Writers”]. HOW(ever) I: 4 (May 1984), 13-14

* Wreading Composting Poetry. Adz 1 (February 1983), 18-25

* A Renaissance of Women Writers. Sulfur 7 (1983), 160-172

* Poetry in the Tropics. Open Letter Fifth Series, 1 (Winter 1982), 66-67

* Poetry in the Tropics. L=A=N=G=U=A=G=E Vol. 4 (1982), 66-67

* On Ken Irby. Credences 7 (February 1979), 40-55

* Charles Olson and Robert Duncan: Muthologistical Grounding. Spring 1979: An Annual of Archetypal Psychology and Jungian Thought, 102-117


* Notes on Genre. L=A=N=G=U=A=G=E 6 (December 1978), [17-18]

* Statement on Reading in Writing. L=A=N=G=U=A=G=E 5 (October 1978), [7-8]

* Written on the Wind [co-author: Barry Alpert]. Open Letter Third Series, 2 (Fall 1975), 5-25

* The State Meant. Wch Way 2 (Fall 1975), [5-18]

* Canadada. Wch Way 1 (Spring 1975), [137-144]

* Interview with Robert Kelly. Vort 5 (Summer 1974), 135-145

Review-Articles

* From Corset to Podcast: The Question of Poetry Now. American Literary History 21 (Fall 2009), 659-673

Strategizing the Ordinary: Wittgenstein’s Ladder by Marjorie Perloff. University of Toronto Quarterly 67: 3 (Summer 1998), 715-724

* The Columbia History of American Poetry edited by Jay Parini. Resources for American Literary Study 23: 2 (1997), 263-267

* Riddle Iota Sublime: Ronald Johnson’s ARK. Sulfur 40 (Spring 1997), 152-163

* “A Fox Occult Among the Grapes”: Heavenly Tree, Soluble Forest by Gerrit Lansing. Sulfur 38 (Spring 1996), 197-204

* Brutalities of the Vanguard: The Theory-Death of the Avant-Garde by Paul Mann and Shattered Forms: Art Brut, Phantasms, Modernism by Allen Weiss. Contemporary Literature XXXV: 4 (1994), 771-785

* Sounds from the Mask: Modernism and the Harlem Renaissance by Houston A. Baker, Jr. Sulfur 21 (Winter 1988), 174-182

* Selected Poems by Robert Bly. Sulfur 19 (Spring 1987), 129-134

* John Ashbery: The Gobble and the Glue. American Book Review VIII: 6 (November/December 1986), 14-16

* Clark Coolidge: Solution Passage. Sulfur 17 (1986), 115-122

* On Rothenberg’s Revised Technicians of the Sacred. Poetics Journal 6 (1986), 135-140

* The Man Named East by Peter Redgrove. Sulfur 15 (1985), 184-191

* Miraculous Weapons: Aimé Césaire. Hambone 4 (Fall 1984), 188-192

* Pound’s Graffiti. Credences New Series II: 1 (Summer 1983), 146-151

* Kandinsky’s Sounds. American Book Review V: 2 (January/February 1983), 4-5

* Vladimir Holan’s A Night With Hamlet and Gunnar Ekelöf’s A Mölna Elegy. Sulfur 5 (Fall 1982), 146-150


Writing in Profile: The Mutabilities by Michael Davidson. Open Letter Third Series, 8 (Spring 1978), 104-112

Book Reviews {all invited or commissioned}

Sublime Noise: Musical Culture and the Modernist Writer by Josh Epstein. Modern Philology (in press, 2015)

Flametti by Hugo Ball. Common Culture (in press, 2015)

Recalculating by Charles Bernstein. Provincetown Arts 28 (2013), 133-134

Purple Passages by Rachel Blau DuPlessis, On the Outskirts of Form by Michael Davidson, Phenomenal Reading by Brian Reed, Powers of Possibility by Alex Houen, American Literature 85: 2 (June 2013), 413-416

Reading Notes for “Attention Span” (online feature of Third Rail website, 2006, 2008, 2011, 2012)

Cinematic Modernism by Susan McCabe, and Voicing American Poetry by Lesley Wheeler. American Literature 81: 4 (Dec. 2009), 854-856

Letters to the World: The Alphabet Game: a bpNichol Reader. Bookforum 14: 5 (Feb/Mar 2008), 30

A Gift of Prophecy: Autobiography of Red by Anne Carson. Canadian Literature 161/162 (Summer/Autumn 1999), 187-189

The San Francisco Renaissance by Michael Davidson. American Literature (Winter 1993), 811-812

Time Rations by Benjamin Friedlander. Sulfur 29 (Fall 1991), 226-227

Deliberate Speed: The Origins of a Cultural Style in the American 1950s by W.T. Lhamon, Jr. Sulfur 29 (Fall 1991), 228-229

Veronica and Her Cloth by Ewa Kuryluk and Reading Pictures, Viewing Texts by Claude Gandelman. Sulfur 29 (Fall 1991), 229-233

Real Presences by George Steiner. Sulfur 26 (Spring 1990), 236-237

Mi-Lou: Poetry and the Labyrinth of Desire by Stephen Owen. Sulfur 26 (Spring 1990), 237

The Telephone Book: Technology, Schizophrenia, Electric Speech by Avital Ronell. Sulfur 26 (Spring 1990), 237-238

Sometimes Reading Knows: Notes on Recent Publications. Sulfur 23 (Fall 1988), 203-209

The Soul is an Onslaught: Charles Olson’s Collected Poems. Sulfur 21 (Winter 1988), 210-211

History Lessons in Verse: To the Reader by Bob Perelman. Temblor 2 (1985), 90-91


Notes on Recent Publications. Sulfur 15 (1985), 160-162

Personal Weight: The Collected Poems of Robert Creeley. American Book Review VI: 4 (May/June 1984), 21

The Maximus Poems by Charles Olson. American Book Review VI: 3 (March/April 1984), 8-9

J.H. Prynne. Sulfur 10 (1984), 165-168

Parts and Other Parts by Charles Stein. Sulfur 9 (1984), 198-200

Lost in L.A. Jimmy & Lucy’s House of “K” 2 (August 1984), 72-76

Getting Up. Boxcar 1 (Winter 1983), 75-76

Spiritual Exercises by Robert Kelly. Sulfur 6 (1983), 171-172

Charles Olson: Poetry of the Omnipotent. Los Angeles Reader (September 16, 1983), 12-13

Rodefer’s “Lectures.” Poetics Journal 3 (May 1983), 87-90

What Does This Do With You Reading?: Tjanting by Ron Silliman. Poetics Journal 1 (January 1982), 66-67

Agon by Harold Bloom. Sulfur 5 (Fall 1982), 145

1-10 by Barrett Watten. Sulfur 3 (1982), 232

Selected Poems: Beyond Even Faithful Legends by Bill Bisset. Sulfur 3 (1982), 232-233

My Poetry by David Bromige. Sulfur 3 (1982), 233

Theme and Variations by John Cage. Sulfur 3 (1982), 234

Notes for Echo Lake by Michael Palmer. Sulfur 2 (Fall 1981), 233-236

Paul Celan. American Book Review III: 6 (September/October 1981), 12

The Money of the Mind: The Economy of Literature by Marc Shell. L=A=N=G=U=A=G=E 9-10 (October 1979), 35-37

Translations

Translations of Publications into Other Languages

Jazz Înainte de Jazz. Lettre Internationale 78 [Rumanian edition] (Fall 2011), 127-131

The Media of Memory: The Seductive Menace of Recordings in Jazz History. The New Jazz Studies ed. Michael Molasky (Tokyo, Artes, 2010), 17-44

Im Fieber des Jazz: Begeisterung und Verteufelung—eine neue Musik in den zwanziger Jahren. Lettre Internationale 87 (Winter 2009), 108-112

Jazzbandismus—ein neuer Ismus. Der Tagesspiegel (Sept. 15, 2008), C8


Jazz und Modernismus: Überlegungen zu einer “Zeitfrage.” Carnival Within: An Exhibition Made in America ed. Uta Grundmann with Sabine Russ and Gregory Volk (Nürnberg: Verlag für moderne Kunst, 2009), 242-263

Nasnimljeni Glas [translation into Serbian of “Voice-Over” from The American Poetry Wax Museum, by Ana Gorobinski and Dubravka Duric], Kultura 99 (1999), 22-36

Literary Translations

from Burning City: Poems of Metropolitan Modernity (2012): Xavier Abril, “Chronic”; Pierre Albert-Birot, “Poem for Voice and Dance,” “Poem-Poster”; Rafael Alberti, “Harold Lloyd, Student”; Dragan Aleksić, “Trade Mark”; Gonzalo de Alvar, “Hertz-Spatial Poem”; Mário de Andrade, “Typewriter”; Oswald de Andrade, “Aperitif”; Luis Aranha, “Cocktail”; Nicolas Beauduin, “Music Hall”; Johannes R. Becher, “The New Syntax”; Franz Richard Behrens, “Tiller Girls,” “Chocolate Kiddies,” “Jazz”; Emil Bønnelycke, “Century”; Jorge Luis Borges, “Butcher Shop”; Xavier Bóveda, “An Automobile Passes”; Rogelio Buendía, “X-Rays”; Francesco Cangiullo, “Café Concert”; Luis Cardoza y Aragón, “from Maelstrom,” “Havre”; C. P. Cavafy, “The Tobacco Shop”; Blaise Cendrars, “from The Formosa,” “Sao Paolo–Le Formose,” “from Sao Paolo”; Jean Cocteau, “The café quivers”; Mihail Cosma, “Preface for a Baedeker,” “News Flash”; Antonio Cubero, “The Electric Man”; Theo van Doesburg, “X-Images”; Alfredo Mario Ferreiro, “Poem Without Traffic Obstacles,” “Radio-Telephone”; Marcos Fingerit, “Jazz-Band”; Pedro Garfias, “Storm,” “Cinematographer”; Claire Goll, “Twentieth Century”; Yvan Goll, “For a New Mythology”; George Grosz, “Night Café”; František Halas, “The World in the Telephone”; Jakob von Hoddis, “Varieté”; Attila József, “Postcard from Paris”; Germán List Arzubide, “Cinematics”; Juan Marín, “Looping,” “Mechanical”; F. T. Marinetti, “from Destruction of Syntax”; Alfred Richard Meyer, “Foxtrot”; Jaume Miravitlles, “The Paris Fair”; Paul Morand, “Anthology,” “Business”; Pedro Olmedo Zurita, “The Telephone”; M. S. Petrov, “13”; Branko Ve Poljanski, “Journey to Brazil”; Julian Przyboś, “Buildings”; Francisco and Guillermo Rello, “The Voices of Life”; Humberto Rivas, “The Multiple City”; Stephan Roll, “F. T. Marinetti,” “Etc.,” “Metalloid”; Umberto Saba, “Charlot in The Gold Rush”; Lucía Sánchez, “Cinemas”; Jens August Schade, “In the Café”; Karel Schulz, “Jazz Over the Sea”; Kurt Schwitters, “Song of Miss Electricity”; Gino Soggetti, “Athletes of the Air”; Boško Tokin, “Cinema Poems,” “Circus”; Guillermo de Torre, “Pentagram,” “Upon Landing,” “Charlot,” “Eiffel Tower,” “Mental Diagrams”; Adriano del Valle, “Gyrating City”; César Vallejo, “Hat, Overcoat, Gloves”; Luis Vidales, “In the Café,” “Telephone”; Ion Vinea, “Tip,” “Empty Words”; Ilarie Voronca, “Aviogram,” “from Ulysses in the City”

“Paris Burns” by Yvan Goll. Conjunctions 55: Urban Arias (2010), 122-134

from Imagining Language (1998): Emanuel Swedenborg, “The Angelic Language”; Marcus the Valentinian, “The Divine Emanation”; Novalis, “Monologue”


Bibliography

Robert Kelly: A Checklist. Credences New Series III: 1 (Spring 1984), 91-124

Editor

Robert Kelly, The Alchemist to Mercury, An Alternate Opus: Uncollected Poems 1960-1980 (Berkeley: North Atlantic, 1981), 230 pages

(B) Publications

Reviews of Destruction Was My Beatrice:

“Destruction Was My Beatrice”: by Gwendolen Webster, The Kurt Schwitters Society Newsletter, August 2015, pp. 16-17

“Elasticity Itself”: by Dustin Illingworth, The Brooklyn Rail, October 5, 2015“Briefly Noted”: The New Yorker, August 31, 2015, p. 89“How Dada Dynamited the Old Art World”: by Wendy Smith, The Daily Beast,

August 12, 2015, (online journal)“Yes to Dada”: by Harriet Staff, Harriet, 2015 (online journal of Poetry Foundation)“Destruction Was My Beatrice”: by Nicole Lee, Washington Post, July 10, 2015“Editor’s Choice”: New York Times Book Review, July 5, 2015, p. 26“Fathers of Anarchy”: by Dominic Green, The Wall Street Journal, June 27-28, 2015,

p. C9“Against Manifestoes”: by Andrei Codrescu, The New York Times Book Review, June

28, 2015, p. 31“Breaking Out”: The Economist, June 20, 2015, p. 87“A Visit to the City of Dada”: by Josh Cook, The Los Angeles Book Review, 2015

(online journal) “We Need a New Skin Color: The Racial Imagination of Dada”: by Barry Schwabsky,

Hyperallergic July 4, 2015 (online journal)“Destruction Was My Beatrice”: by Greg Barnhisel, Pittsburgh Post-Gazette, June 28,

2015“Destruction Was My Beatrice”: by Tom Lavoie, Shelf Awareness (online journal)“Destruction Was My Beatrice”: Kirkus Reviews, May 1, 2015, p. 67“Destruction Was My Beatrice”: Library Journal, May 1, 2015, p. 69“Destruction Was My Beatrice”: Publishers Weekly, April 6, 2015, p. 48

Reviews of Burning City:

“Cinemagenic Accidenttime, Chaotic Contradictiontime: On New Methods of Anthologizing the New,” Hyperion VIII: 2 (Winter 2014), 191-202: by Erika Mihálycsa

Chicago Review 58: 1 (Summer, 2013), 135-139: by Harris Feinsod


Hyperallergic [e-journal] (June 24, 2012): by Barry Schwabsky

Rain Taxi 17: 2 (Summer 2012), 24-25: by John Bradley

Bomb 121 (Fall 2012): Editor’s Choice by Alan Gilbert

Reviews of Modernism and Poetic Inspiration:

Jacket2 [e-journal] (July 2011): by John Paetsch

Year’s Work in Critical and Cultural Theory (2011): by Nerys Williams

Reviews of Syncopations:

American Literature 78: 2 (June 2006), 402-404: by Brooke Horvath

American Book Review 27: 5 (July/August 2006), 3-4: by Pierre Joris

Choice 42: 7 (March 2005): by G. J. Searles

Reviews of This Compost:

Amerikastudien / American Studies 53: 2 (2008), 228-230: by Hannes Bergthaller

Interdisciplinary Studies in Literature and Environment (Summer 2004): by Patrick Barron

Contemporary Literature XLV: 3 (Fall 2004), 557-562: “Good Nature: Bridging Ecology, Poetry, and Community” by Libbie Rifkin

American Literature 76: 4 (December 2004), 899-901, by Anne Raine

Interdisciplinary Studies in Literature and Environment 11: 1 (2004), 1-13: by Gary Snyder

Choice 40: 8 (April 2003) by R. T. Prus

Virginia Quarterly Review 79: 2 (Spring 2003), unsigned

American Poet: The Journal of the Academy of American Poets (Spring 2003), 16, by Nathaniel Mackey

Postmodern Culture 13: 3 (2003): “Poetry and the Paleolithic, or, The Artful Forager” by Kevin Marzahl [21 paragraph review essay]

Reviews of Imagining Language:

Choice 36: 9 (May 1999) by R. B. Shuman

Literary Research / Recherche Litteraire 31 (Spring-Summer 1999) by Thomas M. Orange

Umbrella 22: 1 (April 1999) unsigned

American Book Review 20: 6 (Sept./Oct. 1999) by J. R. Foley


Jacket 10 (October 1999) by Thomas Bell [online journal: www.jacket.zip.com.au/jacket10/bell-rev-imagining-language.html]

Radical Philosophy 98 (December 1999), 47-49: “The Other Side of Language” by Jean-Jacques Lecercle

Svenska Dagbladet (March 27, 1999), 24: “Fantasier om förbindelser mellan tecken och värld” by Jesper Olsson

Visible Language 33: 3 (1999), 313-315 by Sharon Poggenpohl

Chicago Review 45: 3-4 (1999), 200-203 by Geoffrey Treacle

Filling Station 18 (2000), 48-50: “A Snakes-and-Ladders Anthology” by Paul Dutton

Lingua Franca Online 9: 9 (December/January 2000) by Johanna Drucker: contribution to symposium on “Breakthrough Books” [www.linguafranca.com/9912/brbooks.html]

South Atlantic Review 33: 1 (Fall 2000), 231-235: “‘Blots and Blurs and Juxtaposed Jottings’: Delirium for the Mind’s Eye” by Karen Schiff

Aslib: Managing Information 7: 7 (September 2000), 69-71: “Resources for Linguistically Innovative Poetries: A Primer” by Nigel Wood

OEI 4-5 (2000/2001), 84-88: “Språk, öppna dig!” by Fredrik Hertzberg

Études anglaises 54: 1 (2001), 80-81 by Jean-Jacques Lecercle

Reviews of The American Poetry Wax Museum:

Iowa Journal of Cultural Studies 19 (2000), 83-84

Lynn Keller, “The American Poetry Wax Museum,” Sagetrieb 16: 3 (Winter 1997 [2000]), 133-144

Lytle Shaw, “From Outlaw to Classic and The American Poetry Wax Museum,” Criticism 41: 3 (Summer 1999), 403-409

Edgar Allen Poe [Benjamin Friedlander], “Mr. Rasula’s History,” Lagniappe 1: 2 (1999) [online journal] (reprinted in Benjamin Friedlander, Simulcast: Four Experiments in Criticism [University of Alabama Press, 2004], 159-169)

Hank Lazer, “American Poetry: Accounts of the Present and the Recent Past, Contemporary Literature XXXIX: 3 (1998), 475-504

Richard Kostelanetz, “The American Poetry Wax Museum,” Poetic Briefs 24 (January 1998), 12-13

[review of The American Poetry Wax Museum] Small Press Review 28 (September 1996), 12

Joe Amato, “Personal Effects, Public Effects, Special Effects: Institutionalizing American Poetry,” Postmodern Culture 6: 3 (May 1996) [24 paragraph review


essay]; available also in Jim English, ed., Reviews from Postmodern Culture (1998) [http://www.village.virginia.edu/pmc/reviews.all.html]

(C) Publications (Other)

Poetry Books and Chapbooks

Sophisticated Boom Boom100 page manuscript (under review, Roof Books)

Hot Wax, or Psyche’s Drip (Toronto: Book Thug, 2007)

Tabula Rasula: being a book of audible visual matters (Barrytown, New York: Station Hill Press, 1986)

Quote Quote Quote(Los Angeles: Double Pelican, 1978)

The Time Spread Inside You (Bloomington, Indiana: Caveat Emptor, 1974)

Poems in Anthologies

Litscapes: Collected US Writings 2015 ed. Caitlin M. Alvarez and Kass Fleisher (Steerage Press, 2015), 306-311

Privacy Policy: The Anthology of Surveillance Poetics ed. Andrew Ridker (Black Ocean, 2014), 64-65

The Book, Spiritual Instrument ed. Jerome Rothenberg and David Guss (Granary Books, 1996), 82-84

Beneath a Single Moon: Buddhism in Contemporary American Poetry ed. Kent Johnson and Craig Paulenich (Shambhala, 1991), 218-225

“Poetry Loves Poetry”: An Anthology of Los Angeles Poets ed. Bill Mohr (Momentum, 1985), 311-313

Nuclear Strategy and the Code of the Warrior ed. Lindy Hough (North Atlantic Books, 1984), 136-137

The L=A=N=G=U=A=G=E Book ed. Bruce Andrews and Charles Bernstein (Southern Illinois University Press, 1984), 102-103

The Alchemical Tradition in the Late Twentieth Century ed. Richard Grossinger (North Atlantic Books, 1983), 135

Poems in Magazines


Lana Turner #4 (2011), 154-155Sunfish #2 (Summer 2010), 15-20Sunfish #1 (2009), 15-20Cocoanut #14 (online journal, 2008)Action, Yes # I: 5 (2007), online journal1913 #1 (2004), 120-125Sulfur #45/46 (2000), 216-217Queen Street Quarterly #4: 1 (2000), 30-37Capilano Review Series 2, #17-18 (1996), 145-147West Coast Line #17 (1995), 147The Little Magazine #21 (1995) [CD-rom format]Hole #4 (1993), [43-48]Sulfur #32 (1993), 191-205Screens and Tasted Parallels #1 (1989), 27O.ARS #6-7 (1989), 35-36Zyzzyva #18 (1989), 90-95Temblor #7 (1988), 92-103First Offence #4 (1988), 47-48Temblor #4 (1986), 165-166Sulfur #12 (1985), 58-61Temblor #1 (1985), 92Wch Way #5 / New Wilderness Letter #12 (1984), 73-76Mandorla (The Minetta Review) (n.d.: c. 1984), 54-58Adz #1 (1983), 26-30Acts #2 (1983), [44-49]Hambone #3 (1983), 127-130Boxcar #2 (1983), 76-771733 Southwest #5 (1983), [4-13]Sapiens #1 (1983), 14-16Don Quichotte #1 (1983), 23African Golfer #3 (1982), 3-5New Wilderness Letter #11 (1982), 33-34The Sandbox Blab #6 (1982), [9-19]Sulfur #4 (1982), 102-109Credences New Series, #I: 2-3 (1982), 9-17Lost Paper #2 (1981), [n.p.]Text #12 (1981), 114-121Sulfur #1 (1981), 199-203Invisible City #27-27 (1980), 6Text #9-10 (1979), 5-18Curtains #18-21 (1978), 129Wch Way #3 (1976), [117-123]Stoney Lonesome #5 (1975), 22-23


Reviews of Tabula Rasula:

The Village Voice (August 11, 1987), 47-50: Alberto Mobilio, “Size Matters: Long Poems Strike Again”

Small Press (January/February, 1987), 71-72: Joel Lipman, “Tabula Rasula”

Temblor 6 (1987), 135-136: Michael Blitz, “Exasperating the Text”


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