Pop SurrealismChicago & Nocal

H.C. Westermann, Memorial to the Idea of Man, If He Was an Idea, 1958, pine, bottle caps, metal, glass, enamel, and toys, 75 x 39 x 20 inchesHttp://chicagotonight.wttw.com/2012/01/10/hc-westermann

Gladys Nilsson, Steady Bears, 1970, watercolor, 15 3/16 × 11 7/8"

Jim Nutt, Miss Sue Port, 1967-68, acrylic on Plexiglas and enamel on wood, blue screws and red rubber, 61 x 37 inches

Peter Saul, Donald Duck Crucifixion, 1964; oil on canvas, 63 x 59 inches

Peter Saul, Sex Deviant Being Executed, 1964; oil on canvas, 75 x 59 incheshttp://

www.nytimes.com/slideshow/2008/08/16/arts/design/20080816_SAUL_SLIDESHOW_3.html

Robert Arneson, Big Grape of Winery Lake, 1980, shows Robert Hudson, Rene di Rosa, Arneson and William T. Wiley

http://www.dirosaart.org/about/the-collection/

Di Rosa collection Robert Hudson, Woman in the Moon, 1987; William Wiley, The Cold Plain Notes, 1985; Wally Hedrick, The Holy Bible, 1993

Di Rosa collection installation view: Robert Hudson, Running Through the Woods, 1975 (foreground), with William Wiley, Collaboration or Lack of It, 1993 (background)

William T. Wiley, White Rhino Injured, 73 x 96 inches, 1966 http://www.williamtwiley.com/

William Allan. Transient Poet Leaving Home II, 1987; oil on canvas; 72.25 x 103.25 in. Courtesy of Di Rosa collection, Napa. http://youtu.be/RrBnTCC8PFs

William Allan, Robert Hudson and William T. Wiley, A Window on History by George, 1993, pastel, conté Crayon, charcoal, graphite, and acrylic on canvas, De Young MA, San Francisco