Misalliance Program:Misalliance Programpressarchive.theoldglobe.org/_pdf/Programs/2004-05... ·...

For 70 years the Globe and Craig Noelhave held an integral place in San Diego his-tory as well as on the national theater scene,and we thank you for your support as wecelebrate the Globe’s glorious past, presentand future. For our 70th Anniversary, we’repreparing a truly delightful summer and we

hope you’ll be along to join us for all the celebrations.

As a kick-off to the anniversary celebration, we’ll be hosting afree Open House on June 18th on the Globe Plaza, featuring pre-sentations by the 2005 Shakespeare Festival company, Eliza-bethan treats, family activities, and much more. And later thissummer we’ll be celebrating the 90th birthday of Globe FoundingDirector Craig Noel, who has literally been the heart and soul ofthis institution for nearly all of its 70 years.

To be sure, none of this would be possible, let alone our fif-teen annual productions or our valuable work in the community,without the support of our generous donors. Ticket sales onlycover 55% of our operating costs, and we count on your supportto sustain the Globe’s reputation as one of the country’s topregional theatres. Fortunately, with the excitement surroundingour 2005 productions and 70th Anniversary celebrations, therehas never been a better time to renew your commitment to theGlobe as a contributor. Please consider increasing your annual giftto the Globe during this exciting anniversary year.

PERFORMANCES MAGAZINE P1

“How do you pick a season," we'rerepeatedly asked. And the answer, ofcourse, is as varied as the selections, but inthis case, we offer proof positive that one ofthe major elements in choosing a season isthe availability of the artists themselves.Exceptionally talented people are in short

supply, and we eagerly look forward to their continuing presencein our shops and in our theatres.

So two prime examples: in the Carter we welcome backKirsten Brandt, a woman of exceptional ability who has madenot only a name for herself within the shape of the San Diegocommunity by leading Sledgehammer Theatre as its past ArtisticDirector, but by wowing our audiences as well with each assign-ment, such as the brilliant The Intelligent Design of Jenny Chow oflast season, and now with Kenneth Lonergan’s Lobby Hero.

And in the Globe, two unforgettable “greats" paired togeth-er here for the first time: Craig Noel's favorite playwright, theirascible and fascinating George Bernard Shaw returns with hishilarious Misalliance, a play we've not done since my first seasonas Artistic Director in 1982, which introduced to this communi-ty as director, Associate Artist Paxton Whitehead, and this time,to be under the brilliant baton of Stephen Wadsworth, perhapsone of the country's greatest and most accomplished exponentsof style, returning after his triumph last year with Moliere's Don Juan.

It isn't compulsory that we choose works for individualdirectors, but occasionally the opportunities are simply too richto ignore. This, my friends, is one of those times.

Enjoy!

W e l c o m e t o

LOUIS G. SPISTOExecutive Director

JACK O’BRIENArtistic Director

P2 PERFORMANCES MAGAZINE

2 0 0 5 S e a s o n S p o n s o r sThe Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual dona-tion of $50,000 or greater. These gifts are critical to maintaining the theatre’s high quality of artis-

tic programming, and award-winning work in the community. The Board, staff and artists of theGlobe are honored by this endorsement of the theatre’s work.

Season Sponsors receive the ultimate level of access, recognition, benefits and services. To join this most cherished group of friends, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

The Lipinsky Family

Donald and Darlene Shiley

Sheryl and Harvey P. White

Karen and Donald Cohn

Conrad Prebys

Valerie and Harry Cooper

Norma Jean “Jake” Yonchak and Todd Figi

Anonymous


P R E S E N T S

SCENIC DESIGNKevin Rupnik

COSTUME DESIGN

Anna R. OliverLIGHTING DESIGN

Joan ArhelgerSOUND DESIGNPaul Peterson

STAGE MANAGERAlex Lyu Volckhausen

DIALECT COACHLynne Soffer

BYGeorge Bernard Shaw

MISALLIANCE

DIRECTED BY

Stephen Wadsworth

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Casting by Paul Fouquet CSA, Casting Director, Jandiz Estrada, Casting AssociateElissa Myers Casting

C a s t o f C h a r a c t e r s & S y n o p s i s


Johnny Tarleton............................................................................................................................Dylan ChalfyBentley Summerhays...........................................................................................................Oliver WadsworthHypatia Tarleton........……..............................................................................................................Mary BaconMrs. Tarleton................……………...….........................................................................................Sarah BrookeLord Summerhays...……………….………….........................................................................Nicholas HormannTarleton..........................................................................................................................................Jeff SteitzerJoey Percival.................................................................................................................................Jeremy WebbLina Szczepanowska......………..........……….................................................................................Lise BruneauThe Intruder...................................................................................................................................Adam Stein

Alex Lyu Volckhausen...............................................................................................................Stage ManagerStephanie Gatton......................................................................................................Assistant Stage Manager

IN ORDER OF APPEARANCE

Setting: Saturday, May 31, 1909; The Tarleton home in Surrey, EnglandThere will be one 15-minute intermission.

All the discussion and debate, adventure and misadventure, allianceand misalliance, of Shaw’s Misalliance takes place on one late springafternoon, May 31, 1909, at the country home of the wealthy, self-made, self-educated John Tarleton of Tarleton’s Underwear. The prin-cipal misalliance in question is that of Tarleton’s daughter Hypatiaand Bentley Summerhays, an overbred young man from a prominentfamily. Tarleton’s son Johnny is provoked to near violence when inter-rupted in his weekend relaxation by Bentley’s intrusive chatter.Hypatia and Mrs. Tarleton rescue Bentley, and Lord Summerhays,Bentley’s father, rescues Johnny. Hypatia and Mrs. Tarleton discusswhether love or successful companionship makes a marriage work —she has accepted Bentley because, unlike her other suitors, he hasbrains. Bentley returns with Tarleton, whose very active mind is fullof books, social idealism and pleasures of the flesh. Johnny andSummerhays join the company, and the men hold forth on their dif-ferent world views. Hypatia, party to all the conversational back andforth, finally explodes: she is tired of all the talk and yearns for some-thing to happen. Which it does. An aeroplane smashes into theTarleton’s greenhouse as all watch in horror. The pilot is the dashingJoey Percival, a school friend of Bentley’s, and his only passenger is afascinating Polish circus acrobat, Lina Szczepanowksa. Hypatia, con-tent that things have indeed started to happen, pursues Joey with rel-ish, while most of the men, fix their romantic attentions on Linawith various results. An intruder, hiding in the Turkish bath, over-hears Hypatia and Joey’s courting and then attacks Tarleton, bran-dishing a gun and accusing him of seducing and abandoning hisdead mother many years ago. Lina disarms the intruder, and Mrs.Tarleton takes the stranger under her wing, but he reveals the bur-geoning relationship between Hypatia and Joey, which causes ashowdown between parents and children — particularly Hypatia andTarleton, who finds it very difficult to accept the independent initia-tives of his daughter. Finally, when everything has been said, every-one sits down to dinner.

La discusión y debate, la aventura y desaventura, la alianza y desalianzade Misalliance de Shaw, toma lugar en una tarde de primavera en mayo 31de 1909 en la casa de verano del adinerado John Tarleton, dueño de lacompañía de prendas íntimas Tarleton Underwear. La desalianza princi-pal en cuestión es que si Hypatia, la hija de Tarleton, debe casarse conBentley Summerhays, hijo de una familia prominente pero que no tienemucho dinero. Johnny, el hijo de Tarleton, es provocado a punto de vio-lencia cuando su fín de semana y horas de relajaminto son interrumpidospor la charla insulsa de Bently. Hypatia y la Señora Tarleton separan aBentley y el padre de Bently rescata a Johnny. Hypatia y la SenoraTarleton platican sobre las relaciones y matrimonios exitosos y discutensi es el amor o la compañía lo que hace que un matrimonio funcione.Hypatia ha aceptado a Bentley porque los otros aspirantes a su manoeran cabezas huecas. Bentley vuelve con Tarleton, quien por cierto tieneuna mente brillante llena de libros, idealismo social y placeres de la carne.Johnny y Summerhays se unen a la conversación y exponen sus puntosde vista. Hypatia explota derepente agotada del va y ven de la conver-sación y de que constantemente quiere que algo suceda y nunca pasanada. Pero cual fuera su sorpresa que un aereoplano se estrella en elvivero de Tarleton mientras todos lo ven horrorizados. El audáz piloto esJoey Percival y su único pasajero, la fascinante acrobata de circo LinaSzczepanowksa. Hypatia, felíz de que empieza a haber acción, se dedica acoquetear con Joey mientras que todos los otros hombres en punto u otrofijan sus atenciones románticas en Lina, con variados resultados. Unintruso escondido en el baño turco escucha la conversación entre Hypatiay Joey y decide atacar a Tarleton, sacudiendo una pistola y acusándolo dehaber seducido a su madre y de haberla abandonado hace muchos años.Lina lo desarma y la Señora Tarleton proteje al desconocido, pero él lerevela que Hypatia y Joey tienen una relación apasionada lo cual lleva a unmomento de decisión a los padres e hijos de las dos familias, en particu-lar a Hypatia y Tarleton, a quien le es difícil aceptar la iniciativa indepen-diente de su hija. Finalmente cuando todo se aclara se sientan a cenar.

— AnaElvia Sánchez Teruel, Traductora


Setting: Saturday, May 31, 1909; The Tarleton home in Surrey, EnglandThere will be one 15-minute intermission.

Thank you for joining us today for one of our outstanding productions of Season 2005.

As you may already be aware, 2005 is a year for many celebrations at the Globe. The Theatre enjoys its70th Anniversary and to mark this special occasion, we are planning a community-wide Open House eventon Saturday, June 18th. We certainly hope you will come and join the fun.

Founding Director Craig Noel — the man who started it all — will celebrate his 90th Birthday this yearas well. We’ve commissioned internationally-renowned sculptor Lark Dimond Cates to create a bust inCraig’s likeness, and we’ll unveil the sculpture on Craig’s Birthday — August 25th — and toast the man whobrought life to San Diego’s theatre scene.

Our beloved Globe Guilders, the Theatre’s amazing auxiliary, will also enjoy a milestone in 2005, observing their GoldenAnniversary of providing invaluable service to the hearts and souls of the Company. On behalf of the Theatre, I salute the Guildersfor their tremendous contribution to the Globe, its artists and actors.

Also, please mark you calendars for the 2005 Globe Gala on Saturday, September 17. Enjoy an elegant dinner and then dance thenight away, all while supporting The Old Globe’s education and outreach programs.

To be sure, this year is filled with many celebrations and for a theatre that is 70 years old, it remains young at heart and ever-vitalto the American Theatre landscape. Enjoy the show!

B o a r d o f D i r e c t o r s

The Old Globe is supported in part by grants from The City of San Diego Commission for Arts and Culture, The Shubert Foundation, The County of San Diego, The National Endowment for the Arts, The San Diego Foundation's Weingart Price Fund, Mandell Weiss Charitable Trust and

The San Diego Foundation's Arts & Culture Grants Program.

Sheryl White, Chair,Board of Directors

Board ofDirectors

OFFICERS

Sheryl White*ChairTim K. Zinn*Vice Chair – FinanceRobert H. Gleason*Vice Chair – DevelopmentCarlos D. Malamud*Vice Chair – NominatingKathryn Hattox*SecretarySally Furay, R.S.C.J.*Treasurer

DIRECTORS

Mary Beth AdderleyJoseph BenoitCharles Brazell

Deni S. CarpenterKaren Cohn*Valerie S. CooperJane CowgillChristopher L. CrockettDarlene G. DaviesBruce M. DunlapSue Ebner Bea Epsten*Pam FarrVictor P. GálvezLee GoldbergRonald Heller, M.D.Viviana IbañezJoseph E. Jessop, Jr.Katherine KennedySheila LipinskyTimothy A. MacDonaldSusan MajorArthur NeumannRobert L. Noble, A.I.A.Robin Nordhoff

John RebeloSandra RedmanMike SamsonKelly SandersTom SaylesPhyllis SchwartzCurtis SmithNancy A. SpectorLouis G. Spisto*Anne C. TaubmanAnthony S. Thornley*Dean ThorpEvelyn Mack TruittCarol M. VeitPatricia WeilNorma Jean “Jake” Yonchak*Executive Committee Member

EMERITUS DIRECTORS

Garet B. Clark J. Dallas Clark

(1913–2005)Bernard Lipinsky

(1914–2001)Delza Martin Patsy ShumwayHarvey P. WhiteCarolyn Yorston

HONORARY DIRECTORS

Mrs. Richard C. Adams Clair Burgener Mrs. John H. Fox

(1908–2003)Audrey Geisel Paul Harter Gordon Luce Dolly Poet Deborah Szekely Hon. Pete Wilson


P r o d u c t i o n S p o n s o r s

Our production of Misallianceis generously sponsored by ...

Sheryl and Harvey White play an essential role at The Old Globe. They began their association withthe Theatre as season ticket holders, then Founder Circle donors, and Production Sponsors. Theyhave served as Season Sponsors for the past seven years, and Sheryl and Harvey have each providedessential leadership to the Company, serving as Chairs of the Globe’s Board of Directors. Sheryl haschaired four fabulous Globe Galas, and Harvey is one of the Chairs for the 2005 Gala, celebrating theGlobe’s 70th Anniversary.

Previous Globe sponsorships include Stephen Wadsworth’s acclaimed Don Juan, David Edgar’s Pentecostand Nora Ephron’s Imaginary Friends, with Swoozie Kurtz and Cherry Jones.

In addition, Harvey and Sheryl have endorsed The Old Globe’s artistic vision by making a generousleadership gift of $5 million, helping to ensure that the Company continues to present theatre of thehighest caliber.

We are truly pleased to have such extraordinary friends as Sheryl and Harvey, and extend our mostsincere thanks for their continued commitment to the Globe’s artistic endeavors.


HARVEY, SHERYL AND THEIR SON GREG CELEBRATE DIRTY ROTTEN SCOUNDRELS WITHNORBERT LEO BUTZ AND JOHN LITHGOW.


$5,000,000 or greater


E x e c u t i v e P r o d u c e r s - L e a d e r s h i p G i f t s

The Executive Producers are a special group of friends who believe that The Old Globe plays an essential role in this community. Each has made a recent leadership gift of $1,000,000 or greater to significantly enhanceThe Old Globe today, paving a bright future for the Globe in years to come:

We applaud the leadership and vision of these truly wonderful friends. To learn more about becoming anExecutive Producer, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

Listing represents gifts received after January 2000.

$1,000,000 or greater

Audrey S. Geisel/San Diego Foundation Dr. Seuss Fund

Estate of Beatrice P. Lynds

Mr. and Mrs. Victor H. Ottenstein

Estate of Dorothy Shorb Prough

Donald and Darlene Shiley

Robert S. Albritton Mr. Lawrence AlldredgeDr. Paul L. BlackClint BurdettTrish ButlerDr. & Mrs. Edgar D. CanadaMr. & Mrs. Dallas ClarkSteven J. CologneR. Patrick & Sharon ConnellMrs. Susan B. CowellPat & Dan DerbesMrs. Philip H. DickinsonMr. & Mrs. Robert W. DoedeMs. Marion Eggertsen

Dr. Bernard Eggertsen & Ms. Florence Nemkov

Mrs. Danah H. FaymanFifth & Hawthorn Restaurant/

Ed Nickelson & Dave WittMr. & Mrs. Arnold GinnowMr. & Mrs. Leonard HirschMr. & Mrs. Alfred W. JaCobyRussell & Mary JohnsonMr. & Mrs. J. Robert KingKen & Sheryl KingPhyllis & Martin KornfeldBob & Laura KyleTerry & Mary LehrRuth & Ron Leonardi

Peter & Inge ManesBob Martinet & Susan ParkinDr. Marianne McDonaldPaul I. MeyerMr. & Mrs. George MillerMrs. Harle MontgomeryDavid & Noreen MullikenBette NagelbergCharles NoellMr. & Mrs. Victor H.

OttensteinMr. & Mrs. Blaine QuickMr. & Mrs. Arthur RivkinMr. & Mrs. Roger RobertsDonald & Darlene Shiley

Ms. Roberta SimpsonDorothy & Joel SollenderGail Squires & Yaman SencanMs. Jeanette StevensDr. & Mrs. Jay SweeneyMarc R. Tarasuck, AIADixie & Ken UnruhOmar & Carol WinterJune YoderMr. & Mrs. Robert D. Young

For more information, please contact Michele Prosserat (619) 231-1941 x2311.

A d v i s o r y C o u n c i l M e m b e r s


Bentley Summerhays, the heedless aristocrat, enters the play. (Costume sketch by Anna R. Oliver).

DIANE SINOR: Exactly one hundred yearsago Misalliance was brewing in Shaw. Howdoes it reflect that first decade of the 20thcentury?

STEPHEN WADSWORTH: When QueenVictoria finally died, with the birth of the newcentury, England awakened to modernity. Itsidentity had been in the grip, for many years,of a sort of benign stranglehold that favoredthe moneyed or titled classes — empire, aris-

tocracy and commerce ruled. The new king, Edward VII, was considered asybarite and a roué by the old guard — he actually had, you know, affairs —and they despaired for the realm. But Edward was a huge breath of freshair, and within a few years the progressive Labor party was back in powerfor the first time since Shaw was a child. Change was inevitable, and withsocialists legislating, the erosion of the class system was picking up speed.It was a turning point for the national identity, and for diehard politicalmodernists like Shaw it was a joyful time, the beginning of an era rather thanthe end of one.

The play starts with the presumption that a penniless, ambitionlessaristocrat boy will marry a wealthy, fearless merchant-class girl (the “mis-alliance” of the title). By the time it’s over every presumption, of play-goers and characters alike, has been challenged — new ways of thinkingbulldoze old ones, the classes mix in ways unthinkable to the traditional-ists and delightful to the young, every socially dangerous idea has smashedinto the respectable drawing-room play. And not only is every modern ideaabout the contemporary English social contract flung across the stage, butit is flung with joy, that boundless enthusiasm for thinking ahead which isperhaps Shaw’s most distinctive and compelling gift. Misalliance sort of isthe Zeitgeist: it doesn’t reference the spirit of the era, it embodies that spirit,in every vivid word and intention.

DS: Shaw’s preface to the play is called Parents and Children, and it’s at leastas long as the play itself. Was Shaw saying that this was what the play wasreally about for him?

SW: Shaw’s obsession with the relations between parents and childrenwas undoubtedly rooted in his own story — a sense of parentlessness, offeeling disenfranchised from or not truly connected to his own parents,who were, moreover, alienated from each other. But virtually all his playstrade on parent-child tensions, and all the prefaces to his plays often roamfar afield of their plots. The parent-child quandary is, in Misalliance anyway, (cont. next page)

“It is the combination of actor and critic, of clown andprophet that makes Shaw unique in literature. His was notsimply the gaiety of the great artist, like Shakespeare, orCervantes; it was as if a great teacher like Socrates orChrist or Buddha could not resist the temptation to diver-sify his sermons with somersaults.”

— Hesketh Person, 1975

STEPHEN WADSWORTH

Q&A WITH DIRECTOR STEPHENWADSWORTHAND DIANE SINOR, GLOBE DRAMATURGY ASSOCIATE

“There were two Shaws. One was the prophet with doctrinein his head; the other was the jester with a joke on his lips.He explained that when he began to preach, he found nolisteners. So he did some mental clowning in order to attractan audience. If he stood firmly with his feet on the groundon the platform he had no audience. If he stood with hishead on th floor and his feet in the air the public thought hemight deserve a laugh and even some attention. So, as adevoted missioner, he was ready to be also the agile moun-tebank and he found that the trick worked.”

— Ivor Brown, 1965

“It should be clear by now that Shaw is a terrorist. The Shavian terror is an unusual one, and he employs anunusual weapon — that of humor. Shaw, in order to havea play, invents some complications which provide his characters with opportunities to vent their opinions extensively and to have them clash with ours.”

— Bertolt Brecht, 1926


Bentley Summerhays at the end of his journey, the Englishman as a common man.

(Costume sketch by Anna R. Oliver).

a metaphor for the tension between theold and the new, a means to explore thecostly clash, of conservative and liberalworld-views, playing out in the nationalpsyche. And it’s not an abstract metaphor,it trades on the politics of family and sobrings the broader philosophical con-cerns of the play right down to earth andinto our practical, daily grind. The playchallenges England to change, and tohurry up about it too, and Shaw isn’t par-ticularly obliging in his demand. Neitherhe nor his younger characters are the leastbit interested in giving the old guard aneasy time of it. After sitting and listeningto men debate for most of Act 1, his young heroine, Hypatia, just stands upand announces that the play has to change, because it’s too much talk and toolittle action, and she dedicates herself to the task of breaking every rule pos-sible in the remaining act and a half. She’s had it. Shaw had had it. In the pref-ace to Man and Superman Shaw said, “It annoys me to see people comfortablewhen they ought to be uncomfortable, and I insist on making them think. Ifyou don’t like my preaching you must lump it. I really cannot help it.” I lovethat, it’s so lean and mean and unapologetic.

DS: The play doesn’t have a conventional plot, it’s more a series of encountersspilling forward and moving freely from one topic to another.

SW: Yes, it’s very free-form and associative. It looks like it’s going to be a well-made play — a nice, friendly, domesticated animal — but Shaw breaks downform in many ways in this play, so it’s an aptly iconoclastic vessel for his icon-oclastic message: it’s time to locate the new reality, and we have to break somerules to find it; we’re not going to play the expected scene now, we’re going tothrow it all over and have some fun. Instead of sitting glued to settees inharmless Victorian parlor scenes and sticking to our pleasant, virtuous, sen-timental, boring scripts! In fact, it’s time for an aeroplane to crash into thegreenhouse! Shaw was an active verb, and he never met a direct object hecouldn’t blow out of the water — including dramatic structure, though he’snot one of the great structural modernists. His modernity is his insistencethat the moment be constantly redefined, even as we’re living it.

GEORGE BERNARD SHAW

“Stick to my plays long enough, and you will get used to their changes of key and modeI learnt my flexibility and catholicity from Beethoven; but it is to be learnt fromShakespeare to a certain extent. My education has really been more a musical thana literary one as far as dramatic art is concerned. Nobody nursed on letters alone willever get the true Mozartian joyousness into comedy.” — Bernard Shaw, 1900

“I rejoice in life for its own sake. Life is no “brief candle” to me. It is a sort of splen-did torch which I have got hold of for the moment; and I want to make it burn asbrightly as possible before handing it on to future generations.”

— Bernard Shaw, 1907

“I am tempted to call him the most uncompromising ,not tosay fanatical, idealist I have ever met. His life has beendominated by, and devoted to, a system of interwoven idealsto which he is immovably faithful . . . He sometimes fightsfor them with a ferocity that appears like unscrupulousness:but this appearance is due to the fact that his perceptionsare warped by the intensity of his feelings.

— William Archer, 1924

“In a generation which knew nothing of any sort of actingbut drawing-room acting, and which considered a speech ofmore than twenty words impossibly long, I went back to theclassical style and wrote long rhetorical speeches like oper-atic solos, regarding my plays as musical performances pre-cisely as Shakespeare did. As a producer [director] I wentback to the forgotten heroic stage business and the excitingor impressive declamation I had learnt from old-timers.”

— Bernard Shaw, 1900

“Oh dear me – it’s too late to do anything but accept youand love you – but when you were quite a little boy some-body ought to have said “hush” just once.”

— Mrs. Patrick Campbell (Letter to Shaw), 1912


Dylan Chalfy(Johnny Tarleton)

THE OLD GLOBE:Cymbeline. BROAD-WAY: Ah! Wilderness(dir. Daniel Sullivan),Lincoln Center; TheRose Tattoo, Circle inthe Square. OFF-BROADWAY: Big

Potato, Home of the Brave, Jewish Rep; BloodGuilty, Ensemble Studio Theatre. REGIONAL:Moon Over Buffalo, Fulton Opera House; Gracein America, Cleveland Playhouse. TV: Law &Order: SVU, Law & Order, Oz, The Handmaid’sTale (BBC Radio).

Oliver Wadsworth(Bentley Summerhays)THE OLD GLOBE:Debut. OFF BROAD-WAY: Well, PublicTheatre; Endpapers,Variety Arts; ObieAward-winning Wally’sGhost, Soho Rep.REGIONAL: An Enemy

of the People, Long Wharf; Peter Pan, DenverCenter Theatre; Misalliance, Seattle Rep; FullyCommitted, Capitol Rep (Metroland BestPerformance 2002); Communicating Doors,Theatre Virginia; A Midsummer Night’s Dream,Syracuse Stage; A Christmas Carol, Loot,Portland Stage; Betty’s Summer Vacation, StudioTheatre; Peer Gynt, Two River Theatre Co; TheArt Room,Woolly Mammoth; Stones in hisPockets, Nickel and Dimed, Angels in America, Parts1&2 (AriZoni Award Principal Actor), ActorsTheatre of Phoenix. TV: Law & Order: SVU.FILM: An Argentinian in New York, Dotty GetsSpanked, Ed’s Next Move. He is a Usual Suspectat New York Theatre Workshop, has an MFAfrom NYU’s Graduate Acting Program and is aFox Fellow.

Mary Bacon(Hypatia Tarleton)THE OLD GLOBE:Don Juan. NEWYORK: Arcadia,Lincoln Center;Mother Lolita, A Dreamof Wealth, UrbanStages; Old Vic, New

Voices, Primary Stages, Lincoln Center Lab,New Dramatists, The Directors Company, TheDrama League, EST, New Georges, Women’sProject, The Lark Theatre. REGIONAL: 2005Humana Festival, Hazard County, ActorsTheatre of Louisville; The Triumph of Love(adapted/directed by Stephen Wadsworth),Seattle Rep, Long Wharf Theatre; Proof, CapitalRep; Stephen Wadsworth’s Don Juan, SeattleRep, McCarter Theatre; Radium Girls,Playwrights Theatre of New Jersey (BestActress nomination); Accidental Death of anAnarchist, Twelfth Night (Viola), An Experiment withan Air Pump, Dallas Theatre Center; Lala in theworld premiere of The Last Night of Ballyhoo,Alliance Theatre; Hartford Theatre Works,Baltimore Center Stage, Denver CenterTheatre, Cincinnati Playhouse, Buffalo StudioArena, Hudson Stage Company, WilliamstownTheatre Festival. Seven shows as a member ofThe Actors Company Theatre (TACT) in NYC.TV/FILM: Third Watch, The Gaveltons, In the Lineof Fire.

Sarah Brooke(Mrs. Tarleton)THE OLD GLOBE:Debut. REGIONAL:The Heidi Chronicles, ADoll's House, New Music,An Ideal Husband, TheCider House Rules, SeattleRep; Design for Living,

McCarter Theatre; Private Lives, IntimanTheatre; All My Sons, South Coast Rep; ADelicate Balance, Raised in Captivity, Happy End,Pacific Resident Theatre; Richard III, SeattleShakespeare Company; Betty the Yeti, End of theWorld, A Christmas Carol, A ContemporaryTheatre; Founding Member of Book-itRepertory Theatre in Seattle. FILM: Carolina,Born to Be Wild. TV: Frasier, Gilmore Girls, CrossingJordan, Path to War.

Nicholas Hormann(Lord Summerhays)THE OLD GLOBE:Orson’s Shadow. BROAD-WAY: Execution of Justice,St. Joan, Moose Murders;two seasons with TheNew Phoenix Rep. OFF-BROADWAY: new plays

at the Public Theatre, Playwrights Horizons,Manhattan Theatre Club, Chelsea TheatreCenter, The New Group, Second Stage.

REGIONAL: Holiday, Ahmanson Theatre;Babbit, Mark Taper Forum; Wintertime, La JollaPlayhouse; Pygmalion, The Retreat from Moscow,South Coast Rep. Productions with AmericanConservatory Theatre, Kennedy Theatre,Williamstown Theatre Festival, HuntingtonTheatre, Milwaukee Rep, Yale, Long Wharf, ACT,McCarter. TV: Encore! Encore!, The Nanny, Profiler,John Larroquette Show, Frasier, The West Wing,According to Jim, Seinfeld, Sisters, Murphy Brown, TheWonder Years (Emmy nom.), City Guys. Mr.Hormann studied at the Yale School of Drama.

Jeff Steitzer(Tarleton)

THE OLD GLOBE:Debut. REGIONAL:John Bull’s Other Island,Geva Theatre; A FunnyThing Happened on the Wayto the Forum, Seattle FifthAvenue Theatre; Over theMoon, Much Ado About

Nothing, Private Eyes, The Two Gentlemen of Verona,Arizona Theatre Co; Things Being What They Are,Inspecting Carol, A Midsummer Night’s Dream, AsYou Like It, Cider House Rules, Seattle Rep; AServant of Two Masters, Intiman Theatre; HalyconDays, The Crucible, A Christmas Carol, The OddCouple, ACT Theatre. FILM: The Beans of Egypt,Maine, Georgia, Delivered, Nowheresville, ExpirationDates. TV: The Fugitive (CBS); The Year So Far inReview. Voiced characters for numerous CD-Rom games including Halo and Halo 2(Microsoft XBox). Jeff has also directed over150 professional productions.

Jeremy Webb(Joey Percival)

THE OLD GLOBE:Debut. OFF-BROAD-WAY: This season'sSignature TheatreCompany revival of PaulaVogel's The BaltimoreWaltz (The Third Man),Tabletop (Drama Desk

Award), Three O'Clock in Brooklyn, Summer '69.WORKSHOPS: Bill Finn's The Royal Family ofBroadway (dir. Jerry Zaks), Dance of the Vampires,Tom Jones, Monica! The Musical (ManhattanTheatre Club). REGIONAL: Long Wharf,McCarter, NY Stage and Film, WestportPlayhouse, Cape Playhouse, Walnut StreetTheatre, Repertory Theatre of St Louis, Indiana

P r o f i l e s


Repertory, Milwaukee Repertory, Great LakesTheatre Festival and others. FILM: Love WalkedIn. TV: Law & Order (Guest Star), Law & Order:SVU, Law & Order Criminal Intent, Guiding Light.TRAINING: Drama School, North CarolinaSchool of the Arts.

Lise Bruneau(Lina Szczepanowska)

THE OLD GLOBE:Crumbs from the Table ofJoy. REGIONAL: TheMerry Wives of Windsor,The ChicagoShakespeare Theatre;Les Liaisons Dangereuses,Angels in America, ACT;

Triptych (world premiere), Magic Theatre; MaryStuart, Mrs. Warren’s Profession, Blithe Spirit,Center Stage; A Moon for the Misbegotten, TriadStage; Pygmalion, An Ideal Husband, Seattle Rep;The Winter’s Tale, Shakespeare Theatre; PrivateLives, Indiana Rep; Patience, Wilma Theatre; AsYou Like It, Arizona Theatre Co; Love’s Labour’sLost, Oregon Shakespeare Festival; The Triumphof Love, Pentecost, Lady from the Sea, BerkeleyRep; The Seagull, San Jose Rep; Kean, Othello,Much Ado About Nothing, Shakespeare SantaCruz; Dybbuk, A Traveling Jewish Theatre.Member/Director DC’s Taffety Punk TheatreCo. TRAINING: RADA.

Adam Stein(The Intruder)

THE OLD GLOBE:Don Juan (SD CriticsCircle Award for BestActor), AustinPendleton's Orson'sShadow. BROADWAY:The Lion King, TheIceman Cometh.

REGIONAL: LA premiere of Adam Rapp'sNocturne, Black Dahlia Theatre (Ovation andLA Weekly Award nominations); Misalliance,Guthrie Theatre (yes, I've done it before, butin a different role); Austin Pendleton's UncleBob, Steppenwolf; As You Like It, Romeo andJuliet,Williamstown Theater Festival. Fame,Charlotte's Web, many others at San DiegoJunior Theatre. TV: recurring role as Asst.M/E Cantor on Law & Order. EDUCATION:MFA from NYU Graduate Acting Program.Adam is also in a band called The Petersons,who have a website at www.petersonic.com,which you can look at for free.

George Bernard Shaw(Playwright)One of the most prolific writers of the modernera, Shaw is best known as a playwright butwas also a respected critic, journalist, novelistand essayist. A noted social reformer, his playsdramatized social issues with articulate wit. In1925 he was awarded the Nobel Prize inLiterature. Born in Dublin in 1856, he leftschool at the age of 14 and continued his edu-cation through voracious personal study. At 20he moved to London and became an estab-lished music and theatre critic before turningto playwriting. His strong social conscious-ness let to his involvement in the creation ofthe socialist Fabian Society. He was at the van-guard of the progressive movement in Englishtheatre. Deeply impressed by the work ofIbsen, he saw the theatre as a platform for thecommunication of ideas, which he presentedwith great wit and drama. Among his mostfamous plays are Man and Superman, MajorBarbara, Pygmalion, Candida, Saint Joan, Caesarand Cleopatra, Heartbreak House, Androcles and theLion, and The Doctor’s Dilemma.

Stephen Wadsworth(Director)THE OLD GLOBE: Don Juan, As You Like It.NEW YORK: Impossible Marriage, Roundabout;Handel’s Rodelinda, Metropolitan Opera;Handel’s Xerxes, New York City Opera.REGIONAL: Marivaux trilogy — The Triumphof Love, Changes of Heart, The Game of Love andChance, McCarter Theatre, Berkeley RepertoryTheatre, Seattle Repertory Theatre, Mark TaperForum, Huntington Theatre, Long WharfTheatre; The Oresteia, Berkeley Rep; An IdealHusband, Berkeley Rep, Seattle Rep; Design forLiving, Seattle Rep, McCarter; Mirandolina,McCarter; Don Juan, Seattle Rep, McCarter; SixDegrees of Separation, Dallas Theatre Center.OPERA: Wagner’s Ring Cycle, Seattle; Xerxes,Los Angeles, Santa Fe, Toronto, Boston,Seattle, Milwaukee; Mozart’s La Clemenza diTito, New York, Edinburgh Festival, Houston,Toronto, Glasgow; also London’s Royal Opera,Milan’s La Scala, Vienna State Opera,Netherlands Opera, San Francisco Opera.WRITER: A Quiet Place with LeonardBernstein, Marivaux: Three Plays (Smith andKraus), Moliere: Don Juan (Smith and Kraus,2005), translations of plays and operas byGoldoni, Monteverdi, Handel and Mozart.Decorated by the French govenment, 2004:Chevalier de l’Ordre des Arts et des Lettres.

Kevin Rupnik(Scenic Design)THE OLD GLOBE: Don Juan. REGIONAL:set and costume design for Alaska Rep,American Repertory Theater, Arena Stage,Civic Light Opera of Pittsburgh, CoconutGrove Playhouse, Denver Center Theatre,Mark Taper Forum, McCarter Theatre, NewYork City Opera; Opera Theater of St. Louis,Pittsburgh Public Theater, Repertory Theatreof St. Louis, Seattle Rep, Skylight ComicOpera, Yale Repertory Theatre. INTERNA-TIONAL: National Opera of Germany, Bonn;Opera North, Leeds, UK; Disneyland Paris:Buffalo Bill’s Wild West Show. FILM: Without YouI’m Nothing, Howard Stern’s Private Parts (ArtDirector). TV: All My Children, As the WorldTurns, The Street, (Art Director), Talk to Me, TheArthel and Fred Show. Mr. Rupnik serves asCreative Director for Jack Morton Worldwideand has done projects for AOL, BostonUniversity, Sports Illustrated, Starwood Hotelsand the Tribeca Film Festival.

Anna R. Oliver(Costume Design)THE OLD GLOBE: Don Juan, The Magic Fire,As You Like It. ELSEWHERE: The ConstantWife, Seattle Rep; Major Barbara, San JoseRep; Fräulein Else, Berkeley Rep, La JollaPlayhouse, Long Wharf, McCarter Theatre;The Constant Wife, The House of Mirth, TheGuardsman, American Conservatory Theatre;Don Juan, The Beard of Avon, Seattle Rep;Twelfth Night, Dallas Theater Center; Macbeth,Acting Company; Journey Beyond the West,Brooklyn Academy of Music; The Oresteia, TheJuilliard School; The Taming of the Shrew,California Shakespeare Festival; Saint Joan,Ghosts, Candida, The Glass Menagerie, AuroraTheatre Company; Our Town, Santa CruzShakespeare Festival; Syncopation, The PuppetMaster of Lodz, The Price, Marin TheatreCompany; On the Verge, Yale Rep. OPERA: TheAbduction from the Seraglio, Houston GrandOpera, Boston Lyric Opera, Opera Pacific,Kansas Opera; Orpheus and Eurydice, OperaFestival of Colorado; Il Viaggio a Reims, NewYork City Opera, Canadian Opera Company;Hansel and Gretel, LA Opera, New York CityOpera; Norma, Canadian Opera Company;Turnadot, Minnesota Opera, Canadian OperaCompany, Opera Colorado, Houston GrandOpera, Dallas Opera, and others; Rigoletto, ThePostman Always Rings Twice, Boston LyricOpera; I Pagliacci, Skylight; The Abduction fromthe Seraglio, Mitridate, re di Ponto, Julio Cesare, LaCenerentola, La Cambiale di Matrimonio/


The Directors are members of the Society of StageDirectors and Choreographers, an independent nationallabor union.

This theater operates under an agreement between theLeague of Resident Theatres and Actors’ EquityAssociation, the union of professional actors and stagemanagers in the United States.

This Theatre operates under an Agreement with theInternational Alliance of Theatrical Stage EmployeesLocal No. 122.

The Scenic, Costume, Lighting and Sound Designers inLORT Theatres are represented by United Scenic ArtistsLocal USA-826, IATSE.

FOR THIS PRODUCTION

Additional StaffAssistant Director.................................Siobhan SullivanAssistant Scenic Design.....................Amanda StephensAssistant Costume Design........Jennifer Brawn GittingsAssistant Lighting Design.............................Maria BaneDouglas Pagliotti Stage Management Interns.................

A. Samantha Beckhart,Lilach Snir

UnderstudiesJohnny Tarleton........................................Blake LongacreBentley Summerhays.....................................Dan HodgeHypatia Tarleton............................................Zura YoungMrs. Tarleton....................................Edelen McWilliamsLord Summerhays................................Matthew GaydosTarleton.......................................................Ross HellwigJoey Percival.............................................Brian BielawskiLina Szcepanowska...................................Carolyn StoneThe Intruder...........................................Jon A. Sampson

Special ThanksFrancesca Faridany

Marta JohnsonElzbieta Kaczmarek

Shannon MillsSharon OttJanice Paran

Steve RankinJennifer Roberts

Christine SumptionSan Diego Aerospace Museum

L’occasione fa il Lardo, Cosi fan Tutte, WolftrapOpera; The Two Widows, Miss Julie, Iphegenie enTauride, Six Characters in Search of an Author,Manhattan School of Music. Upcoming projectsinclude: Nicholas Nickleby, California ShakespeareFestival; and Norma, San Francisco Opera.

Joan Arhelger(Lighting Design)Joan Arhelger received accolades for her designof Francesca Faridany (author) and StephenWadsworth’s (director) Fräulein Else at its pre-miere at Berkeley Repertory Theatre and also atLa Jolla Playhouse, Long Wharf Theatre, andMcCarter Theatre. She last worked withWadsworth on the Globe’s production of DonJuan. Ms. Arhelger was the associate lightingdesigner at San Francisco Opera for 15 yearswhere she designed over 30 productions, includ-ing Wadsworth’s The Abduction from the Seraligo.Joan has worked around the country designingproductions for the Washington Opera, SeattleOpera, San Diego Opera, New Orleans Opera,Sacramento Opera, Spoleto Festival, San JoseOpera, and American Musical Theatre. She didher graduate studies under Gilbert Hemsley.Currently Ms. Arhelger is an assistant professorat San Francisco State University.

Paul Peterson(Sound Design)THE OLD GLOBE: Vincent in Brixton, I JustStopped By to See the Man, Fiction, Lucky Duck, TheIntelligent Design of Jenny Chow, The Food Chain, TwoSisters and a Piano, Resurrection Blues, Bus Stop,Rough Crossing, Blue/Orange, Time Flies, Pentecost,Knowing Cairo, Loves & Hours, Splendour, All MySons, Faith Healer, Smash, An Infinite Ache, CompleatFemale Stage Beauty, Betrayal, The SantaLand Diaries,Dr. Seuss’ How the Grinch Stole Christmas!, ThePavilion, Enter the Guardsman, The Boswell Sisters,Vita and Virginia, The Countess, Crumbs from the Tableof Joy, Orson's Shadow, God's Man in Texas, Travelswith My Aunt. ELSWHERE: The Magic Fire,Milwaukee Rep; POP Tour (1999, 2000), LaJolla Playhouse; A Dream Play, Kid Simple, Nu, [sic],A Knife in the Heart, Richard III, The Chairs,Demonology, Alice in Modernland, SledgehammerTheatre (Associate Artist); also credits at TheWilma Theatre, L.A. TheatreWorks, San DiegoRepertory Theatre, North Coast Rep,Diversionary Theatre, Cape Fear RegionalTheatre, Hope Summer Repertory Theatre,Malashock Dance & Company, The University ofSan Diego, San Diego State University, and theFreud Theatre at UCLA. EDUCATION: BFA inDrama with an emphasis in Technical Designfrom San Diego State University.

Lynne Soffer(Dialect Coach)Ms. Soffer has been the dialect coach and/ortext coach on over 150 productions for theatersincluding: American Conservatory Theatre,Berkeley Rep, Seattle Rep, San Jose Rep, TheMagic Theatre, Marin Theatre Co, San JoseStage, PCPA Theatrefest and the world premiereof Moisés Kaufman’s The Laramie Project at theDenver Center, New York and Berkeley, and forthe films Metro, Duets, Land of Milk and Honey,and for the TV series America’s Most Wanted. Aninstructor of acting, Shakespeare, speech andtextwork, Ms. Soffer has taught for manyschools and theatre companies throughout thecountry in addition to working as an actor intheatres from Maine to Alaska and in the fieldof voice-over. She holds and MFA in Actingfrom ACT in San Francisco.

Elissa Myers Casting(Casting)Previously cast seven Broadway shows, includ-ing the Tony nominated Having Our Say and 18Off-Broadway Shows. Additionally, they havecast three Movies of the Week (with Tyne Daly,Claire Danes, Christopher Reeve, Ed Asner andDaniel J. Travanti), five pilots and two PBS spe-cials by Wendy Wasserstein and TerranceMcNally (with Bernadette Peters, Nathan Lane,Blythe Danner, Spike Lee and Paul Sorvino), thePeabody Award-Winning Mini Series Liberty aswell as the Emmy Award-Winning mini-seriesBenjamin Franklin, which aired this winter.Some regional casting includes SeattleRepertory, Berkeley Repertory, Geva TheatreCenter, Alabama Shakespeare Festival, DenverCenter Theatre. The office has so far received 11nomination and has won 3 Artios Awards for"Outstanding Achievement in Casting".

Alex Lyu Volckhausen(Stage Manager)THE OLD GLOBE: Debut. BROADWAY:Dracula: The Musical, 42nd Street (revival), FlowerDrum Song, Hedda Gabler, Three Sisters. OFF-BROADWAY: Iron, Yellowman, A Class Act, East isEast, Manhattan Theater Club; My Life withAlbertine, Playwrights; Once Around the City,Second Stage; The Water Engine, The Hothouse,Atlantic; Forbidden Broadway. Other creditsinclude Candide, NY Philharmonic and PBS; LesMiserables, Singapore; eight seasons with theWilliamstown Theater Festival. Graduate ofPrinceton University’s School of Architecture.

Stephanie Gatton(Assistant Stage Manager)THE OLD GLOBE: Don Juan. REGIONAL:Fräulein Else, Suitcase, La Jolla Playhouse;Rhinoceros, Nocturne, The Laramie Project, TheOresteia, Dinner with Friends, Berkeley RepertoryTheatre; The Entertainer, Aurora Theatre; Bash,Blue Heart, Studio Theatre. ELSEWHERE: As YouLike It, The Seagull, Archaeology, Angels in America:Part 1, Mourning Becomes Electra, UCSD Theatre;two summers stage managing at the EdinburghFringe Festival. FILM: 58, Assistant Director.EDUCATION: Ms. Gatton received an MFA inStage Management from UCSD.


The Old Globe Theatre now has newseats, thanks to the generosity of manyof our community members, bringingyour comfort level up to that of Globeperformance quality.

Installing these beautiful new seats andcarpeting has been a major undertaking,and we hope you will help us defray thecosts by naming one or more of the newseats. Sponsor a seat for $5,000, andwe will inscribe your name on a brassarm-rest plaque, as a visible acknowl-edgment of your leadership in Globesupport.

The Old Globe begins the 21st Centurywith national and international artisticpresence like never before. Reserve yourplace in the history of The Old Globe bycalling our Development Office at (619) 231-1941 x2309 today.

The Old Globe is deeply saddened by the loss of long-time friend and benefactor J. Dallas Clark. Dallas served as a leader throughout this community, helping toshape modern-day San Diego through his community involvement and generosity.

Dallas joined The Old Globe’s Board of Directors as early as 1946, and served asan Emeritus Director since the 1990s. He played a key role in the RebuildingCampaign immediately following the Globe’s devastating fire of 1978, and in the

1980s, he served as one of the Chairs of the Theatre’s Advancement Campaign. In addition, Dallas helped establish the Globe’sEndowment Fund and, along with his wife Mary, made one of its charter gifts. Dallas and Mary have been among the Globe’s most stri-dent supporters and most valued advisors.

Those who knew Dallas remember a truly selfless man, whose charm and subtle humor put all those around him immediately at ease.He was always interested in others, and met all friends with his warm smile and a characteristic twinkle in his eye.

Dallas always shunned the spotlight, preferring to focus attention on San Diego’s many worthy non-profit institutions, including TheOld Globe, the San Diego Natural History Museum and the San Diego Zoo. Long-time friend and Globe Artistic Director Craig Noelnotes, “The Globe has lost a valued mentor. Dallas was an honorable man of such high principles. Perhaps without even knowing it,Dallas moved the Globe forward by always encouraging us to make the appropriate choice and not the easy choice.” We extend ourheartfelt condolences to Mary and the entire Clark family. We will always cherish Dallas’ profound love and support of this Theatre.

Those interested in honoring the life of this tremendous man through a gift to the Globe may contact (619) 231-1941 x2305.

Honoring a FriendJ. Dallas Clark

1913 - 2005

DALLAS CLARK AND HIS WIFE MARY.

P14 PERFORMANCES MAGAZINEP14 PERFORMANCES MAGAZINEP14 PERFORMANCES MAGAZINE

THE CRAIG NOEL LEAGUE

When Marilyn and Arthur Neumann discover

something they truly like, they want to share it with

the world. “We’re enthusiasts,” Arthur explains.

“We’re always encouraging our friends and acquain-

tances to experience some of the same things that

we enjoy, from restaurants to local artists we

admire. And, we’re always raving about the latest

play at The Old Globe.”

Their mutual enthusiasm and love of sharing moti-

vated the Neumanns to leave an insurance policy

they no longer needed, along with a portion of their

estate, to The Old Globe.

“We want everyone who lives in and visits San Diego to have the same, vivid experience that we have enjoyed at

The Old Globe,” Marilyn notes. “There’s simply nothing else like it!”

Many thoughtful friends are helping to secure The Old Globe’s future by leaving gifts in their wills and estate

plans. We hope you might also be so moved to join them in helping to sustain the theatrical excellence of The Old

Globe for years to come. We’d love to hear from you, so that we might recognize your generosity and thoughtful-

ness through membership in the Craig Noel League, our planned giving society.

For information on leaving a lasting gift to The Old Globe, please contact Planned Giving Officer Brad Ballard at

(619) 231-1941 x2309 or via e-mail at [email protected].

Paving a Bright Future for The Old Globe Through Planned Gifts

MARILYN AND ARTHUR NEUMANN

* * *


PLAY A LEADING ROLEBy Supporting Broadway’s Best

and San Diego’s Finest

> Priority seating for the season> Discounts at the gift shop and participating restaurants for pre- and post-show dining> The Globe’s unrivaled VIP ticketing> Invitations to special events> Admission to the Lipinsky Family Suite, VIP Valet Parking and more

Ticket sales and earned income cover just 55% of the cost of producing 15 productions annually.Only with your support can The Old Globe maintain and build upon its world-class reputation asone of America’s premiere theatres. Your gift will be deeply appreciated, and depending on your levelof support, you will also enjoy some of our many donor benefits, such as…

For more information on giving to the Globe, please call (619) 231-1941 x2305 or go towww.TheOldGlobe.org and join the party!

AUDREY GEISEL AND THE GRINCH. JOHN LITHGOW AND SHERYL WHITE ATTHE 2004 GLOBE GALA.

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GLOBE SUPPORTERS AT THE ANNUAL GLOBE GALA.

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Benefactors($100,000 and above)

City of San Diego,Commission for Arts & Culture

Audrey S. Geisel/The San DiegoFoundation Dr. Seuss Fund

The San Diego Union-TribuneThe Shubert Foundation

Season Sponsors($50,000 to $99,999)

AT&TJ. Dallas & Mary H. Clark Fund of

The San Diego FoundationKaren & Donald L. CohnValerie & Harry CooperGlobe GuildersThe Lipinsky FamilyThe Parker Foundation

(Gerald & Inez Grant Parker)Conrad PrebysQualcomm, Inc.Sempra EnergyDonald & Darlene ShileyWells FargoSheryl & Harvey P. WhiteNorma Jean “Jake” Yonchak

& Todd Figi

Production Sponsors($25,000 to $49,999)

Mary Beth Adderley & Richard WrightAmerican AirlinesBank of AmericaMr. & Mrs. William J. BarkettAlan BenaroyaJohn A. BerolBreak-Away ToursCalifornia Bank & TrustCohn Restaurant Group/Prado RestaurantContinental AirlinesCounty of San DiegoKathryn & John HattoxHM Electronics, Inc.Joan & Irwin JacobsMarsh, Inc.National Endowment for the ArtsNorthern Trust Bank

Patrons of the PradoSaks Fifth AvenueSheraton San Diego Hotel & MarinaTarget StoresUnion Bank of CaliforniaMandell Weiss Charitable Trust

Director Circle($10,000 to $24,999)

Anonymous (2)Elizabeth M. AdderleyCharles & Molly BrazellThe Louis Yager Cantwell

Private FoundationKen & Deni CarpenterDarlene G. Davies

in memory of Lowell DaviesMr. & Mrs. Brian DevineBea & Dr. Robert M. EpstenPam & Chuck FarrLee & Frank GoldbergSusan & Dr. Ronald HellerDr. & Mrs. Harry F. Hixson, Jr.Deni & Jeff JacobsJoseph E. Jessop, Jr.Katherine Kennedy/

Relocation CoordinatesMr. & Mrs. Neil KjosSue & John MajorRobert L. Noble, AIARobin & Hank NordhoffPatsy & Forrest ShumwayAnne Taubman & David BoyleEvelyn Mack TruittCarol & Larry VeitChristopher & PatriciaWeilWeingart-Price Fund at

The San Diego FoundationBrent V. Woods & Laurie C. MitchellCarolyn W. YorstonEllen & Tim Zinn

Founder Circle($5,000 to $9,999)

Lawrence G. Alldredge & Dawn MooreKen & Ginger BaldwinMr. & Mrs. James W. BastienCecilia Carrick & Stan Nadel

Nina & Robert DoedeMrs. Danah H. FaymanThompson & Jane Trevor FetterSamuel J. & Katherine French Fund,

Wells Fargo TrusteeMary Ann & Arnold GinnowRobert Gleason & Marc MatysBob Martinet & Susan ParkinDr. Marianne McDonaldPaul I. & Margaret W. Meyer Fund

at The San Diego FoundationMoney/Arenz Foundation, Inc.Arthur & Marilyn NeumannPratt Memorial FundAllison & Robert PriceEllen C. RevelleJeannie & Arthur RivkinNancy & Alan Spector and FamilyMs. Jeanette StevensDeborah SzekelyJune E. Yoder

Playwright Circle($2,500 to $4,999)

Dr. & Mrs. Wayne AkesonRobert S. AlbrittonGail, John & Jennifer AndradeMr. & Mrs. Richard BaldwinMelissa & Michael BartellJoan & Jeremy BergCity of Chula Vista Office of Cultural ArtsGaret & Wendy ClarkThe Colwell Family FundMs. Heidi Conlan/

The Sahan Daywi FoundationJohn & Ann Davies Bernard J. Eggertsen & Florence NemkovSusanna & Michael FlasterMartha & George Gafford

A n n u a l F u n d D o n o r s

The Old Globe’s ability to maintain the highest standard of excellence,while keeping ticket pricesaffordable, is due in large part to the annual financial support of nearly 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks andrecognition to these leaders who have made tonight and many other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight:

Did you know ticket salesand earned income cover only

55% of the Globe’s costs to present live theatre?


Fred & Alicia HallettMelissa & James HoffmannMary & Russell JohnsonDr. & Mrs. Richard L. KahlerBob & Gladys KingDr. Ronald & Mrs. Ruth LeonardiPeter & Inge ManesJudy & George MillerDrs. Francis & Patricia MontalbanoCoralee Ann MorrisDavid & Noreen MullikenTim & Leslie PaulDolly & Jim PoetMr. & Mrs. Matthew PollackJames S. & Kalpana RhodesThe San Diego FoundationJay & Diane SweeneyMarilyn Elizabeth ThompsonDixie & Ken UnruhDr. & Mrs. Andrew J. ViterbiRobert Young

Craig Noel Circle ($1,500 to $2,499)

Mrs. Mary Thomas AdamsRichard AddessoIn Memory of Charles R. AllenAnonymous (2)Mr. & Mrs. John E. Barbey, Jr.Diana Barliant & Nowell WischDr. C. K. Barta & Inge LehmanTeresa & Tom BernardSally & John BerryPamela F. BillingsCharles & Charlotte BirdPaul BlackCynthia Bolker & Greg RizziWilliam & Janice BoppRobert & Lillie Breitbard FoundationBRG ConsultingArthur & Sophie BrodyClint & Susie BurdettMrs. Jeanette BurnettDr. & Mrs. Robert M. CallicottRuth Mary CampbellDr. & Mrs. Edgar D. CanadaCarol & Rudy CesenaCarol & Jeff ChangR. Patrick & Sharon ConnellDr. Roger C. CornellRichard & Stephanie CouttsSusan B. CowellSally & Pat CrahanMrs. Willard T. CudneyDr. & Mrs. Francis C. Cushing, Jr.Pat & Dan DerbesDean & Mrs. M.H. DessentMrs. Philip H. Dickinson

Jim & Sally DittoMarion EggertsenNoddy & Ira EpsteinMr. & Mrs. Ronald C. ErbettaMark FaberCarol FinkBruce & Patricia FischerDieter & Susan Fischer/

Dieter’s Mercedes ServiceMillicent & Charles FroehlichKaren & Orrin GabschMrs. Deede GalesBarbara & Albert GarlinghouseBill & Judy GarrettDrs. Thomas H. & Jane D. GawronskiMr. & Mrs. Daniel GenisTeresa C. GeorgeNancy Reed GibsonMartin & Enid GleichBud, Nancy & Rebecca GoodpastureDr. & Mrs. William GottMs. Cheryl HaimsohnNorman & Valerie HapkeDrs. Patrick Harrison & Eleanor LynchDr. & Mrs. Peter K. HellwigMaria & Michael HermanRhonda Heth & Tom MabieLeonard & Elaine HirschDr. David K. HostetlerMr. & Mrs. Gary R. HuckellRichard & Janet HunterAlfred & Pat JaCobyWilliam W. KaratzMarge & Jerry KatlemanWilliam & Edythe KentonMr. & Mrs. Irving J. KernKen & Sheryl KingDr. Fritz KleinDr. Ara & Sosi KlijianPhyllis & Martin KornfeldRosalie KostanzerBob & Laura KyleWilliam Ladd & Anita BusquetsTerry & Mary LehrMs. Sherrill LeistJames & Pamela LesterElsa & Jerry LewisMrs. Thelma LindbladeKitty LombardoMr. Robert E. Mackey, Jr.Barbara J. MalkCharlie & Jackie MannR.J. Maus, ArchitectsJeri & Bill McGawJosie Rios McGuffey & A.T. McGuffeyElizabeth & Edward McIntyreElizabeth MeyerEstelle & Jim MilchSteve MillerRena Minisi & Rich Paul

Judith & Neil MorganJames & Nancy MullenRuth & Jim MulvaneyBette NagelbergJosiah & Rita NeeperCharles Noell & Barbara VossMarcia & Jim PiperMrs. Gail Powell DavisJim & Claudia PrescottRAdm. Arthur & Peggy Price, Jr.Michael & Cheryl PriceBrenda Marsh-Rebelo & John Rebelo Roger & Christine RobertsNancy RobertsonWarren & Beverly SanbornSusan & Edward SandersonMargery P. SchneiderRoberta J. SimpsonDotti & Joel SollenderGail Squires & Yaman SencanEugene L. & Hannah StepGwen StoughtonMarc R. Tarasuck, AIAThe Tarlov FamilyMr. & Mrs. Charles TaubmanMrs. Claire TavaresCherie Halladay TirschwellCarol VassiliadisDoris & Lou VetteseJordine & Harvey Von WantochMerle & Phil WahlJohn & Christy WaltonWD-40 CompanyMichael & Penny WilkesBetty Jo & Hal WilliamsOmar & Carol WinterBrad YoungHelene & Allan ZimanAllan & Bev Zukor

Platinum ($1,000 to $1,499)

Anonymous (1)Drs. John & Karen BergerMary Ann BlairDrs. Gary & Barbara BlakeRonda & Stanley BreitbardMr. & Mrs. Blaine A. BriggsConrad & Christa Burke Fund

of the San Diego FoundationJudy & Tom CarterSandra & Harry CarterCeleste & Steven CowellSue K. & Charles C. Edwards, M.D.Mary & David FitzHal & Pam FusonWilliam C. Gabrielson


Mrs. Margaret F. PeningerMr. & Mrs. David J. PettittDeborah Brooks PettryMr. & Mrs. Thomas PierceDick & Rosemary PinneyDr. Ken Pischel & Dr. Katherine OzanichDr. & Mrs. Daniel PorteLisa PowellEileen PrisbyMary & Kedar PyattJeffrey & Vivien ResslerStuart & Linda RobinsonDrs. Sara Rosenthal & Julie PrazichDr. H. Warren RossDon & Darlene RussellDr. & Mrs. Roger H. SchmittRichard Shapiro & Marsha JangerKen SherborneDee E. Silver, M.D.Alan & Esther SimanRodney & Dolores SmithHerbert & Elene SolomonAnn & Robert SteinerRobert H. StickelEric Leighton SwensonCharles B. Tesar, M.D.Margo ThomasLawrence P. UrbonasWill & Vanessa Van Loben SelsNatalie C. Venezia & Paul A. SagerKenneth & Lorelei WarburtonZona WeeklyJanis WellbergAngela WhiteleyCarol & Dennis WilsonKeith J. Wong

Silver ($250 to $499)

Alfred Aburto & Carol ParkerMr. Gale Acker & Dr. Nancy AckerSusan AdamsB.J. & Sybil AdelsonMark AllenGeorge AmeraultAnonymous (7)Drs. Michael & Gabriela AntosCharles ArthurMike & Rhoda AuerMark & Tina BachmanJohn Randolph Backman, M.D. &

Carolyn DarrowRobert BaileyLewis & Lynne BakerShawn & Jennifer BakerRichard & Linda BasingerSharon & Bill Beamer

Dr. & Mrs. William R. DitoDO or DICESilvia Dreyfuss/LABS, Inc.Joanne DunnIn Memory of

Richard & Elaine FechheimerEsther & Robert FeierMs. Pat FrostArthur & Judy GetisThe Golemb FamilyDrs. Leonard & Barbara GosnikGrady & Associates Attorneys at LawDr. & Mrs. Don GrahamPamela L. GravenCarol & Don GreenEd & Frances GrimesAlex & Mary HartThomas M. HenryArnie & Barbara HessMr. & Mrs. Thomas O. HippieTerry & Peter HoltJean E. HoltzDrs. Andrew & Sonia IsraelMr. & Mrs. Gary JacobsRonn & Christy JohnsonMr. & Mrs. Robertson C. JonesDr. L. Michael KettelMr. & Mrs. Kevin KiernanPaul & Lisa LaikindDr. Eric LasleySandy & Arthur LevinsonMr. & Mrs. James LimSandy & Ernie Lippe, D.D.S.Mark C. LorenzoDr. & Mrs. Leeland M. LovaasEd & Nancy LyonM & S Ponds & SuppliesMs. Jo Bobbie MacConnellDr. Carl Maguire & Margaret SheehanDr. Robert & Marcia MalkusDrs. Betty Joan Maly & John MeyersRon & Mercy MandelbaumF. Dale & Lois MarriottChristopher J. Maxin &

Stephanie Buttell-MaxinValorie McClellandSusan & David McCollJonathon McCueDr. & Mrs. M. Joseph McGreevyMr. & Mrs. George McGregor, IIIDr. Ronald H. MillerDr. & Mrs. Isaac MizrahiAkiko Charlene MorimotW. D. NicholsRod & Barbara OrthDr. John C. ParkerSusan ParkerWilliam & Sandra Peavey

Madeline L. & Milton D. Goldberg Family Foundation

Sandra Gulden & Leon J. Goldberger Gulden Private Foundation

Jay & Mary HansonSalah M. HassaneinAlexa Kirkwood HirschDr. & Mrs. James E. LasryLoonin Family FundMr. Calvin ManningJohn & Marcia Price Family FoundationWilliam & Susane RobertsRuth Whitney RobinsonThomas RohanlonMarilies Schoepflin, PhD.In Memory of Edward SilversteinGloria Penner Snyder & Bill SnyderCeleste & Gene TreptePamela J. Wagner

Gold($500 to $999)

Anonymous (3)Charles & Susan AveryMr. & Mrs. David A. BaerMs. Carol L. BaldiMrs. Ina S. BartellDeborah W. BennettNicholas B. BinkleyDennis & Michele BlackRobert & Nancy BlayneyJoyce & Robert BlumbergMrs. Suzanne I. BondMrs. Henri BrandaisStuart & Joanne ButlerGeorge & Ellen CaseyHarry & Carol CebronChoice 2000Doug & Elisabeth ClarkJack & Carol ClarkSue & Keith ColestockArthur J. CollingsworthMike Conley & Sue SteeleSteve & Carolyn ConnerJane CowgillMrs. Gigi Cramer

A n n u a l F u n d D o n o r s C O N T I N U E D

Did you know that nearly 40,000 people

participate in Globe Education& Outreach

programs each year?


Joseph & Donna HynesMr. & Mrs. Joseph & Eileen InneckenSusan D. InotISEC, Inc.Mr. & Mrs. David IvesMike & Paula JantzRichard & Katherine JarvisIn Memory of Donald JenkinsKenneth & Catherine JonesKenneth & Marilyn JonesJudge Anthony C. & Joyce JosephDr. & Mrs. James JustesonWilliam P. & Nancy Moffatt KaneAndrew & Denise KaplanMiriam & Jerome KatzinDrs. Irvin & Nancy KaufmanKatherine KaufmanGale KavanaughPatricia & Alexander KelleyCharles & Gail KendallJoanna & Lloyd KendallJennifer KentKathleen Kim & Zachary RattnerMark & Kelly KjosThomas & Dianne KlaudaMr. & Mrs. John & Carmen KlineLouis J. KnobbeJo Ann & Lee KnutsonCurt & Nancy KochSteven & Lisa KradjianMr. & Mrs. Jay KranzlerLeona & Larry KrevatMarvin Krichman & Francy StarrMarvin Kripps, M.D.Lou KruegerAdrian & Elaine KuyperJohn Q. Lalas, Jr.Janet & Dan La MarcheVictor LandaDixon & Pat LeeTom & Terry LewisEddie & Joyce LindrosDonald C. Lipkis & Arlene PollardStan & Susan LoftSally & Bill LusterDr. David LynnJerry & Beverly LynnJudge & Mrs. Frederick MandabachCathie MarshDouglas T. MartinHarold & Beverly MartynSusan B. MasonCdr. & Mrs. John C. Matthews IIIDiana McCarthyVirgina McClintockTeresa McEuenSteve McIntee & Robert Meinz

Roberta & Stephen EdelsteinJudge & Mrs. Harry EliasPeggy ElliottJames & Mary Ann EmersonDan & Phyllis EpsteinDiane EspinosaMr. Jesse FadickDonald & Patricia FalknerDr. Susan FeeRichard & Donna FerrierMary Jo FettersDrs. Lawrence & Irene FineDr. & Mrs. Frank B. FlintMr. & Mrs. Rob FoleyDr. Ruth M. ForbisLarry & Jan FordDr. & Mrs. Paul FriedmanDr. Richard & Randee Friedman Dr. & Mrs. Frederick A. FryeNatacha FurlanCharles & Jeanne GahaganGaspare TrustMr. & Mrs. Robert J. GawlowskiNorman & Patricia GillespieDr. & Mrs. Michael GoldbaumCarole & Howard GoldfederMarilyn & Mel GoldzbandDeni D. GoodmanLouise & Doug GoodmanDrs. Thomas & Cynthia GoodmanRobert & Edry GootMs. Cindy GordonMs. Euvoughn L. GreenanArthur A. GreenbergMr. George GuerraDeborah A. HammondRobert W. & Helen M. HammondRobert M. & Helen M. HansenLinda HansonC. HarbordtMr. & Mrs. James HarrisElizabeth Raines HarropFritz & Jeannine HealeyCdr. Rodney & Michele HearnsLynne & Stephen HeidelDr. Charles & Joan HenkelmannDonald J. HickeyMark & Lynn HofflundPaul & Anne HofflundJohn & Peggy HollPaul & Barbara HolzMr. & Mrs. William G. HomeyerMrs. Elsie M. HooperBonnie & Cecil HornbeckKendyl & Merri HoudyshellBettina J. HuberStephanie & Carl Hurst

Judith BelinskyWarren & Inez BellowsLee & Amnon Ben-YehudaEdgar & Julie BernerLanie & Lazare F. BernhardJohn BiggsPerry S. Binder, M.D. Mr. & Mrs. Stanley BirsteinRobert D. Blanton & Ann ClarkMs. Sheila M. Bobenhouse &

Mr. Jeffrey C. TruesdellH.L. & Irene BoschkenMark A. BottaDr. James Lewis BowersRobert & Yvonne BoyerMarge & Hugh BradnerWyloma Bradshaw-SamuelsMr. & Mrs. Ronald BradyJanis & Michael BramsIn Honor of Deem BristowMs. Beverly A. BromleyEd BrookinsMs. Julia Brooks GormanMr. & Mrs. Hal W. BrownRonald & Dorothy BrownDr. & Mrs. Simon C. Brumbaugh, Jr.Bob Buchner/Marie BuckeyDavid Burns & Diane LischioJohn & Kirk ButlerC.E. & Iris CarlsonRalph & Gwen CarrierJane CarriganLuc & Annemarie Cayet-PleskaRay & Shelley ChalupskyDr. & Mrs. Alberto ChaviraElaine & Peter ChortekMr. & Mrs. Henry B. Clark, Jr.Mr. & Mrs. Owen ClintonBenjamin CollCandis ComptonAlan L. & Frances E. CornellRonald D. CulbertsonKevin & Christine DahlkeJames & Kristen DalessioDewey & Cindy DasherSusan DaveyJohn Wm. Davis & William M. HughesMr. & Mrs. William DeatrickJanice DeMundDutch & Dawn DershemCapt. & Mrs. J. King Deutsch, USN Ret.Eugene DiskinIn Memory of Edith DolnickDr. & Mrs. Donald B. DosePatricia & Glen DoughtyBob & Lorrie DunnLizbeth Ecke & David Meyer


Harold O. McNeil, Esq.Mr. & Mrs. Jim MelcherJoyce & Bill MellosDr. & Mrs. Robert MeredithJames & Dorothy MildiceMr. & Mrs. James MilliganJoel, Annette & Arianna MillmanStan & Phyllis MinickMark MorelSusan MorganMichael MorrisCarole MorrisonMuriel G. MorrisonCharlotte MoskovitzPat & Barbara MossSusan & Charles MuhaRicha NandDr. & Mrs. James H. NelsonTom & Doris NeumanNicholas & Louise NicoloffStephen B. Nielander &

Dominique K. AlessioCharlotte W. NielsenGwen & Dr. Mike NobilGary & Gail NordstromPatricia O’ConnorFred & Susan OliverMr. & Mrs. John OliverKathleen OlsenFloyd T. OlsonMr. & Mrs. Jean-Louis ParozDennis PennellClifford T. Pentrack &

Mary E. GiovanielloMarion D. PerlmanDrs. Mark & Darcey PerlmanAnthony PerriconeDarrell C. Pope & Dov MaroccoMr. A.W. PrichardBarbara PricolaDr. Alex & Eileen PueMartha Susan QuinnAnne F. RatnerShirley & Emanuel RavetMr. H.E. ReichertDr. Richard ReidRobert T. ReidMr. & Mrs. Daniel Reisfeld and FamilyAndrew Ries, M.D. &

Vivian Reznik, M.D.Tim RinglandMark & Lisa RobillardMr. & Mrs. Brent RobinsonLois S. RoonGerald & Ruth RosenbaumUrsula R. RothDr. Norman & Barbara Rozansky

Mr. Joseph RuscheFrank & Cheryl RuyakGeorge & Karen SachsPhoebe & David SackettEdward & Rae SamiljanBarbara A. SawreySimon & Ruth SayreTerry & Carol SchaeferStephen & Brenda SchulmanRAdm. & Mrs. H. James T. SearsLinda J. SeifertBernard R. SenickLori Severson & Eric LongstreetAlex V. SherTom & Vivian ShiveSandy & Stella ShvilAlice & Lewis SilverbergJerry & Beth SilvermanDr. Eunice M. SimmonsAnne & Ronald SimonSusan Sincoff & Dr. Joseph YedidChristine SkoczekTerrence & Kathryn SlavinTom SowersDr. & Mrs. Bradley SpitzSteven & Carol StachwickMr. & Mrs. Fred C. StalderSusan I. SteeleDeborah & Hilton StemwedelSheila StephanEdward Stickgold & Steven CandeMrs. John R. StittMr. & Mrs. Avery StoneKaren & Michael StoneCarl L. Strona

Helga & Sam StrongJohn P. StudarusAbbe & David StutzRon & Susan StynMrs. J.B. SwedeliusClifford & Kay SweetDrs. Paul Sylvan & Ellen HeynemanDiana P. SyvertsonDr. Blake S. & Mrs. Peggy Jean TalbotDr. Terry & Naomi TanakaElliot & Lynn TarsonJim & Sally Taylor

A n n u a l F u n d D o n o r s C O N T I N U E D

Dr. Marshall & Leila TaylorSteven & Anoush TencatiDon TerwilligerJudge & Mrs. David R. ThompsonIwona A. TrybusMr. & Mrs. Stan UlrichGinny UnanueVillage Nurseries/Jason DwormanHobart & Violet WagenerDonald & Ann WalkerKathy & Jim WaringPitt & Virginia WarnerDavid P. WatryDavid WaymireJanice L. WeinrickMr. & Mrs. David WeinriebMs. Margaret WellsMr. & Mrs. James D. WelterlenPat & Bob WhalenHal M. WhiteRoss & Barbara WhiteMr. & Mrs. Patrick N. WhitneyMark & Ann WieczorekDr. & Mrs. Roland WilhelmyCarol & Martin WilsonCass Witkowski FamilyDr. Perri L. WittgroveDr. Dolores WozniakMr. & Mrs. C.E. Wylie/

C.E. Wylie Construction CompanyAlan R. ZeleznikarMr. & Mrs. David Zimmerman, Jr.Vicky Zollweg & Michael Dunteman

This list is current as of March 31, 2005

To learn more about support-ing The Old Globe’s artisticexcellence and community out-reach programs, please visitour website atwww.TheOldGlobe.org or call(619) 231-1941 x2305.

Special Thanks to Our Corporate Sponsors

Did you know that TheOld Globe has produced

14 shows that have made theirway to Broadway?


Special Thanks to Our Corporate Sponsors

CORPORATE LEADERS $25,000 AND ABOVE

S A K S F I F T H A V E N U E

Corporate Members enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Chris Graham at (619)231-1941, x2308.

CORPORATE DONORS($2,500 to $24,999)

American Express Ashworth, Blanchet, Christenson,

KalemkiarianBertrand at Mister A’sClassic Party RentalsCush Automotive

Charitable FoundationDeutsche Bank Private Wealth ManagementEvans HotelsFifth & HawthornFleishman-HillardFloraStyle

San Diego ChargersSan Diego National BankScience Applications International

CorporationShowtimeSmith BarneySkyy VodkaStarbucksStewart Title of CaliforniaTime Warner CableTK&A Custom CateringU.S. BankThe Westgate Hotel

Goldman Ferguson PartnersHiggs, Fletcher & Mack, LLPHome Bank of CaliforniaKPMG, LLPMission Federal Credit UnionMitchell International, Inc.Neiman MarcusNokiaPfizerNordstromOVATION - The Arts NetworkRelocation CoordinatesResMed Foundation

National Corporate Theatre Fund is a non-profit corporation created to increase and strengthen support from the business community foreleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support thesetheatres through their contributions of $10,000 or more to National Corporate Theatre Fund:

Pacesetters ($15,000 to $19,999)Bank of AmericaCisco SystemsEstee Lauder Companies, Inc.JP Morgan ChaseMerrill Lynch & Co.Morgan StanleyUBS

Donors ($10,000 to $14,999)Baruch CollegeCredit Suisse First BostonBingham McCutchenDeloitte & ToucheDorsey & Whitney LLPMayer, Brown, Rowe & Maw LLPMetlife FoundationPfizer, Inc.Sidley Austin Brown and Wood LLPSkadden, Arps, Slate, Meagher & Flom LLPWilke Farr & Gallagher LLP

Benefactors ($20,000 & Above)Altria Group, Inc.American Express CompanyBroad Street, Inc.CitigroupErnst & YoungKPMGMarsh & McLennan Companies, Inc.Praxis Media/Palace Production

Center/Rabbit Ears EntertainmentVerizon

P22 PERFORMANCES MAGAZINEP22 PERFORMANCES MAGAZINE

A s s o c i a t e A r t i s t s OF THE OLD GLOBE

TICKET SERVICESHOURSMonday: noon – 6pmTuesday through Sunday: noon – last curtainHours subject to change. Please call ahead.PHONE (619) 23-GLOBE or (619) 234-5623FAX (619) 231-6752EMAIL [email protected]

ADMINISTRATIONHOURS Monday – Friday : 9am – 5pmPHONE (619) 231-1941WEBSITE www.TheOldGlobe.orgADDRESS The Old Globe

P.O. Box 122171San Diego, CA 92112-2171

ORDERING TICKETS / CHANGE OF ADDRESSThe Old Globe accepts Visa, Discover, Master Card, or American Express.Phone orders for non-subscibers are subject to a $3 per ticket service charge,not to exceed $12. Ticket exchanges are subject to a service charge for non-sub-scribers. If you have moved, please notify the Ticket Services Office to updateour records. Call (619) 234-5623 during Ticket Services hours, mail yourchange of address to the Ticket Services Office, or email us [email protected].

UNABLE TO ATTEND?If you find you are unable to use your tickets, please give them to a friend, orturn them in to the Ticket Serivces Office and receive a tax receipt for yourdonation. Tickets must be received by show time.

Ricola Cough Drops are available upon request. Please ask an Usher.

RESTROOMS AND TELEPHONESRestrooms are located in the lower lobby of the Old Globe Theatre and adjacent to the Festival Theatre; pay phones may be found in the lower Globe Theatre lobby and next to the Gift Shop.

SEATING OF LATECOMERSAlthough we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers may be given alternative seating and will be seated at an appropriate interval.

YOUNG CHILDRENChildren five years of age and under will not be admitted to performances.

ELECTRONIC DEVICES AND CAMERASUse of recording devices and cameras is not permitted. If you are wearing a digital watch or pager, or if you are carrying a cellular phone, please silence it prior to entering the theatre.

SENNHEISER® LISTENING SYSTEMFor the convenience of the hearing impaired, the Sennheiser® ListeningSystem is available in the Old Globe Theatre. Lightweight headsets may beobtained from the house manager prior to performances, free of charge.

PUBLIC TOURSGo behind the scenes at The Old Globe to learn about the history, threestages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 231-1941 x2142 for information/reservations.

LOST AND FOUNDIf you have misplaced a personal item while at the theatre, please contact theTicket Services Office or Security as soon as possible. If we are unable tolocate your item, we’ll happily take down your contact information as well asa description of the item and contact you if it is found. The Old Globe doesnot assume liability for items left behind on premises.

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated bytheir active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

William AntonJacqueline BrookesLewis BrownKandis ChappellGeorge DeloyTim DonoghueRichard Easton

Jack O’Brien, Artistic Director Louis G. Spisto, Executive Director Craig Noel, Artistic Director

PATRON INFORMATION

Tovah FeldshuhMonique FowlerRalph FunicelloLillian Garrett-GroagHarry GroenerA.R. GurneyJoseph Hardy

Mark HarelikBob JamesTom LacyDiana MaddoxDakin MatthewsDeborah MayKatherine McGrath

John McLainJonathan McMurtryStephen MetcalfeRobert MorganSteve RankinMarion RossSteven Rubin

Ken RutaDouglas W. SchmidtSeret ScottDavid F. SegalDon SparksDavid Ogden StiersConrad Susa

Deborah TaylorSada ThompsonPaxton WhiteheadJames R. WinkerRobert Wojewodski

SPEAKERS’ BUREAU

As part of The Old Globe’s educational outreach to the community, the Theatre offers a Speakers’ Bureau program that will provide aspeaker for your club, civic, or church group to talk about the Globe’s productions and programs, free of charge. The Old Globeengages several knowledgeable docents, who are available year-round to share the institution’s fascinating history and exciting infor-mation about the current season of plays. Subject to their availability, several key members of the artistic and production team are alsoavailable to speak with your group. For more information on docent speakers’ bureau representatives please contact Carol Green at(619)582-1079. To find out about our artistic and production speakers please contact Erin Anderson at (619) 231-1941 x2355.


Jack O’BrienArtistic DirectorRecent Globe productions include Dirty RottenScoundrels (currently playing on Broadway),Imaginary Friends, Twelfth Night, The Full Monty, TheSeagull, The Magic Fire, Dr. Seuss’ How the GrinchStole Christmas!, the world premieres of AssociateArtist A.R. Gurney’s Labor Day and Tina Howe’sPride’s Crossing, as well as Time and Again, The DoctorIs Out (Getting Away With Murder) by StephenSondheim and George Furth, plus productions ofHenry IV, Much Ado About Nothing, Oleanna, DamnYankees, King Lear, Ghosts, Hamlet, Uncle Vanya, andworld premieres of Terrence McNally’s Up inSaratoga, A.R. Gurney’s The Snow Ball and TheCocktail Hour, Tom Dulack’s Breaking Legs, StephenMetcalfe’s Emily. ELSEWHERE: Henry IV (TonyAward®); Hairspray (Tony Award®); The Invention ofLove (Tony nominations, best director and play),Lincoln Center Theater; The Full Monty (Tonynominations, best director and musical), EugeneO’Neill Theatre; More to Love; Labor Day,Manhattan Theatre Club; St. Louis Woman, CityCenter Encores!; Pride’s Crossing, The Little Foxes,Hapgood (Lucille Lortel Award for Direction,1995), Lincoln Center; Damn Yankees (Tony nomi-nation, best musical revival); Two ShakespeareanActors (Tony nominations, best director and play)on Broadway; Porgy and Bess for Houston GrandOpera and Broadway (Tony Award), as well asRadio City Music Hall; The Magic Flute, SanFrancisco Opera; Tosca, Santa Fe Opera; Così fanTutte and Aida, Houston Grand Opera; The MostHappy Fella, Michigan Opera and Broadway. TV:An Enemy of the People, All My Sons, I Never Sang forMy Father, Painting Churches, and The Skin of OurTeeth, all for PBS’s American Playhouse. Recentawards: 2004 Thomas Degaetani Award(USITT), 2002 “Mr. Abbott” Award (SDCF),2001 Joan Cullman Award for ExtraordinaryCreativity, 2001 Joe A. Callaway Award (SDCF),the Drama League’s Julia Hansen Award forExcellence in Directing, 2001. Member, Collegeof Fellows of the American Theatre; HonoraryDoctor of Humane Letters, University of SanDiego. Mr. O’Brien a member of the College ofFellows of the American Theatre.

Louis G. SpistoExecutive DirectorLouis G. Spisto has been Executive Director of TheOld Globe since October, 2002. During his tenure,Spisto spearheaded the return of the Globe’sacclaimed Shakespeare Repertory Season and pro-duced several world-premiere plays and musicals,including the current Broadway musical Dirty RottenScoundrels. During the past two seasons, the organiza-tion has grown its subscription audience an unprece-dented amount, countering a trend in the non-profittheatre industry and resulting in the highest level ofattendance in over a decade. Prior to coming to theGlobe, Spisto served as the Executive Director ofAmerican Ballet Theatre in New York City. Whilethere, he increased ticket income and annual contri-butions for the organization by nearly 20 percent. Healso tripled the Ballet’s touring weeks and theresources devoted to education and training pro-grams. Spisto has also served as the President of theDetroit Symphony Orchestra, where he providedfundraising leadership and creative direction for theorchestra’s $60 million renovation project, andhelped dramatically increase ticket sales while initiat-ing several new series for the orchestra. Spisto estab-lished a reputation as a superb arts executive here inCalifornia, where he spent over ten years as theExecutive Director of the Pacific SymphonyOrchestra in Orange County. During his tenurethere, he tripled the orchestra’s annual budget, allwhile eliminating a prior deficit and successfullycompleting the orchestra’s first endowment cam-paign. In addition, he established a series of innova-tive recording projects with Sony Classical and over-saw a number of nationally recognized commission-ing projects. A strong advocate of arts education,Spisto built one of the largest and most respectedmusic training and outreach efforts. During hiscareer, Spisto has also served as Director ofMarketing for the Pittsburgh Symphony Orchestraand Director of Operations and Development for thePerforming Arts Center, UC Berkeley. He holds aMasters degree from the University of Wisconsin inArts Administration and a Bachelors of BusinessAdministration from the University of Notre Dame,and spent many years acting, directing and produc-ing plays and musicals throughout his student days,as well as in professional summer theater.

Craig NoelArtistic DirectorCraig Noel was first appointed director in 1939,directing 15 productions prior to World War II.Since then he has directed more than 220 playsof all styles and periods, and produced morethat 365 (over 40 of which were directed byWilliam Roesch from 1961 through 1976). Hisvision for The Old Globe during the past 65years has resulted in the establishment of theShakespeare Festival in the late ‘40s, the expan-sion to two theaters in the ‘50s, GlobeEducational Tours in the ‘70s and Teatro Metain the ‘80s. His recent directorial assignmentsinclude The Pavilion, Over the River and Through theWoods, Scotland Road, Springtime for Henry, Travelswith My Aunt, Voir Dire, Mister Roberts, Time of MyLife, Wonderful Tennessee, Mr. A’s Amazing MazePlays, The King of the Kosher Grocers, Morning’s atSeven, The White Rose, Shirley Valentine, And aNightingale Sang, The School for Scandal, The Road toMecca, Love’s Labour’s Lost, The Boiler Room, TheNight of the Iguana, and Intimate Exchanges. ELSE-WHERE: During the 1940s Noel served as dia-logue director for 20th Century Fox Studiosand was the former director of the Ernie PyleTheatre, Tokyo. Described by Variety as the emi-nence grise of San Diego theatre, Noel is one ofthe few San Diegans to have an entire year(1987) proclaimed in his honor, and to benamed one of San Diego’s “Living Treasures.”Additional honors include the Governor’sAward for the Arts; inclusion in The San DiegoUnion’s list of 25 persons who shaped SanDiego; 1985 Outstanding Alumnus of the Year;San Diego Press Club Headliner Award; a com-bined tribute from the Public Arts AdvisoryCouncil and San Diego County Board ofSupervisors (1984); Shiley Award for LifetimeAchievement (1999 Patté), Member, College ofFellows of the American Theatre. He is particu-larly proud of the following two honors repre-senting education and theatre: Honorary Doctorof Humane Letters, University of San Diegoand the annual Awards for Excellence in Theatrenamed in his honor by the San Diego TheatreCritics Circle.

DIRECTOR P r o f i l e s


Jack O’BrienArtistic Director

Louis G. SpistoExecutive Director

Craig NoelArtistic Director

Michael G. MurphyGENERAL MANAGER

Dave HensonDIRECTOR OF MARKETINGAND COMMUNICATIONS

Todd SchultzDIRECTOR OF DEVELOPMENT

Mark SomersDIRECTOR OF FINANCE

Richard SeerDIRECTOR OFPROFESSIONAL TRAINING

Robert DrakeDIRECTOR OF PRODUCTION

Bonnie JohnstonDIRECTOR OF EDUCATION

ARTISTICBrendon FoxASSOCIATE DIRECTOR/CASTING

Kim Montelibano HeilARTISTIC ASSISTANT

Diane SinorDRAMATURGY ASSOCIATE

Jan GistVOICE AND SPEECH COACH

Stage ManagementLeila KnoxPRODUCTION STAGE MANAGER

Tracy SkoczelasASSISTANT STAGE MANAGER

Sean Alexander, A. SamanthaBeckhart, Karen Peck, KirstenRogers, Lilach SnirDOUGLAS PAGLIOTTISTAGE MANAGEMENT INTERNS

PRODUCTIONDebra Pratt BallardASSOCIATE DIRECTOROF PRODUCTION

Ellen DieterCOMPANY MANAGER

Jan BurgoynePRODUCTION COORDINATOR

TechnicalBenjamin ThoronTECHNICAL DIRECTOR

Wendy Stymerski, Liz EiseleASSISTANT TECHNICAL DIRECTORS

Amanda StephensRESIDENT DESIGN ASSISTANT

Rusty JolgrenSHOP FOREMAN/MASTER CARPENTER

Christian ThorsenSTAGE CARPENTER/FLYMAN, GLOBE

Bob DoughertySHOP FOREMAN/MASTER CARPENTER, FESTIVAL

Carole PayetteCHARGE SCENIC ARTIST

Adam Bernard, Shirley Ordway,Trish Rutter, Ken VerdugoSCENIC ARTISTS

Jeremiah Aldrich-Lutz, MatthewClark, Kevin Fain, Jim Hopper,William Huff, Tim Jung, PatrickMarchand, Stuart ZuckermanCARPENTERS

Stephan Aldrich-LutzCHARGE CARPENTER, CARTER

CostumesStacy SuttonCOSTUME DIRECTOR

Charlotte Devaux ShieldsRESIDENT DESIGN ASSISTANT

Kristin SauterASSISTANT TO THE DIRECTOR

Shelly WilliamsDESIGN ASSISTANT/SHOPPER

Jennifer Brawn GittingsDESIGN ASSISTANT

Linda BlackCRAFTSUPERVISOR/DYER/PAINTER

Gwen Dunham, Louise M.Herman, Marsha Kuligowski,Randal SumabatDRAPERS

Destiny Askin, Gloria Bradford,Anne Glidden Grace, GinaTopolewskiASSISTANT CUTTERS

Mary MillerCOSTUME ASSISTANTS

Mariah Bowers, Babs Behling,Mercedes Moore, SviRoussaneffSTITCHERS

Molly O’ConnorWIG & MAKEUP SUPERVISOR

Melyssa SwensenASSISTANT TO WIG & MAKEUPSUPERVISOR

Kim ParkerWIG ASSISTANT

Lisa WylieLEAD DRESSER, GLOBE

Angela MillerLEAD DRESSER, CARTER

Kelley SikesDRESSER, GLOBE

Beverly BoydDRESSER, CARTER

Angie LandRENTAL AGENT

PropertiesNeil A. HolmesPROPERTIES DIRECTOR

M.H. SchrenkeisenSHOP FOREMAN

Rory MurphyLEAD CRAFTSMAN

Ryan Buckalew, Kristin StevaCRAFTSPERSONS

Pat CainPROPERTY MASTER, GLOBE

Marcus PolkPROPERTY MASTER, CARTER

LightingChris RynneLIGHTING DIRECTOR

Tonnie FickenMASTER ELECTRICIAN, GLOBE

Jim DoddMASTER ELECTRICIAN, CARTER

Randy Anetsky, Allyson Guertin,Tricia Lesinski, Andy Lowe,Megan Fonseca, Matt Hibbs,Lex Jorge, Miranda Mikesh,Leah Nellman, Andrea Ryan,Chad StennerELECTRICIANS

SoundPaul PetersonSOUND DIRECTOR

Erik CarstensenMASTER SOUND TECHNICIAN, GLOBE

Jeremy NelsonMASTER SOUND TECHNICIAN, CARTER

ADMINISTRATIONRoberta HusseyEXECUTIVE ASSISTANT

Brian UleryASSISTANT TO THE GENERAL MANAGER

Information TechnologyDean YagerINFORMATION TECHNOLOGY MANAGER

Thad SteffenINFORMATION TECHNOLOGYASSISTANT

Human ResourcesSandra PardeHUMAN RESOURCESADMINISTRATOR

Jenny Kazan-MillsHUMAN RESOURCESCONSULTANT

MaintenanceChad OakleyFACILITIES MANAGER

Violanda Corona, IsmaelDelgado, Humberto Elvira,David Gaspar, Miguel Gaspar,Roberto Gonzalez, ReynaHuerta, Margarita Meza, JoseMorales, Maria RiosBUILDING STAFF

PROFESSIONALTRAININGLlance BowerPROGRAM COORDINATOR

Maria Carrera, CynthiaCaywood, Gerhard Gessner, Jan Gist, Barta Heiner, PeterKanelos, Colleen Kelly, FredRobinsonMFA FACULTY

Phoebe Costerisan, JamesFeinberg, Corey Johnston, RobinSanford RobertsMFA PRODUCTION STAFF

EDUCATIONRaúl MoncadaEDUCATION ASSOCIATE

Peter WebsterEDUCATION CONSULTANT

Holly WardTOUR COORDINATOR

Carol GreenSPEAKERS BUREAU COORD.

Pola Allen, Forrest Aylsworth,Janet Hayatshahi, Juan Manzo,Sara Meeks, Sandra Ruiz,Marlene SheltonTEACHING ARTISTS

FINANCEJannet I. WiseASSOCIATE DIRECTOR OF FINANCE

J. Adam LathamPAYROLL CLERK/ACCOUNTING ASSISTANT

Diane JenkinsACCOUNTING ASSISTANT

Lynn DoughertyRECEPTIONIST

DEVELOPMENTBrad BallardASSOCIATE DIRECTOR,MAJOR & PLANNED GIFTS

Chris GrahamASSOCIATE DIRECTOR,CORPORATE RELATIONS

Annamarie MaricleASSOCIATE DIRECTOR,INSTITUTIONAL GRANTS

Michele ProsserASSOCIATE DIRECTOR,ANNUAL FUND

Eileen A. PrisbyEVENTS MANAGER

Diane AddisMEMBERSHIP ADMINISTRATOR

Diana SteffenDEVELOPMENT ASSISTANT

Amanda SitkoEVENTS ASSISTANT

Donor ServicesBabs Behling, Eve Childs,Barbara Lekes, Tony Okun,Landin RiceSUITE CONCIERGES

Ryan Barsotti, Pat Van Sloun,Rose SouthallV.I.P. VALET ATTENDANTS

MARKETINGBecky BiegelsenPUBLIC RELATIONS DIRECTOR

Frank TeplinAUDIENCE DEVELOPMENT MANAGER

Cate BurkeGROUP SALES MANAGER

Elisha SolmesPUBLICATIONS COORDINATOR

Erin AndersonPUBLIC RELATIONS ASSISTANT

Peggy RyanMARKETING ASSISTANT

Erica DeiGRAPHIC DESIGNER

J.T. MacMillan, Craig SchwartzPRODUCTION PHOTOGRAPHERS

Subscription SalesScott CookeSUBSCRIPTION SALES MANAGER

Russ Allen, Anna Bowen-Davies,Kat Castelblanco, StanleyEinhorn, Arthur Faro, AndrewFink, Jessica Morrow, Ken Seper,Yvonne Silva, Grant Walpole,Molly Yoder-WilliamsSUBSCRIPTION SALES REPRESENTATIVES

Ticket ServicesShari ResselTICKET SERVICES MANAGER

Elaine GingeryTICKET OPERATIONS MANAGER

Tim Cole, Shouna ShoemakeASSISTANT MANAGERS

Jean McKissickDATA COORDINATOR

Michael Crowe, Dru Garcia,Mame Gile, Robert Glaze,Bernadette Hobson, JimLawrence, Julie Lockard, RoydenMarsh, Kendra McCall, JenniferMcKay, Lisa Moering, DanielPatterson, Anthony Pavelich,Wendy Telford, Steven Warner,Lyle Wilson, Laurel WithersTICKET SERVICES REPRESENTATIVES

PATRON SERVICESMike CallawayTHEATRE MANAGER

Marla GreeneFRONT OF HOUSE ASSISTANT

Merlin D. “Tommy” ThompsonPATRON SERVICESREPRESENTATIVE

L. Jay Maness, Marla Greene, Teresa McGee, Rick Page, Ashley RobertsHOUSE MANAGERS

Dana JuhlFOOD & BEVERAGE MANAGER

Elaine Nelson, Roland Roberge,Brock Roser, Tess Rowley, Anne-Marie Shafer, Kim Thurston,Felicia TobiasPUB STAFF

Rose Espiritu, Stephanie RakowskiGIFT SHOP SUPERVISORS

Security/Parking ServicesRachel “Beahr” GarciaSECURITY/PARKINGSERVICES SUPERVISOR

Irene Herrig, Rose OrdazSECURITY OFFICERS

Sherisa Eselin, Deborah Elliot,Jane Geren, Brandi Mahan,Dominique VargasPARKING LOT ATTENDANTS

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