I Scream For Public Typography
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Transcript of I Scream For Public Typography
Carolyn Appelbaum
I SCREAMfor Public Typography
NATIONAL ICE CREAM DAY IS EVERY THIRD SUN-
DAY IN JULY. IT WAS CREATED BY RONALD REAGAN
IN 1984. HE RECOGNIZED THE POPULARITY OF ICE
CREAM IN THE UNITED STATES (90% OF THE NATION’S
POPULATION CONSUMES ICE CREAM) AND STATED
THAT THESE TWO EVENTS SHOULD BE OBSERVED.
Let’s face it, ice cream is a part of nearly everyone’s lives we all
crave it. It is our inner sweet tooth crying out for something so
amazing that we can’t always make ourselves. We see them all
over and every store is a little diff erent from the next. There
are the franchises that
are found everywhere,
and then there are
the local parlors that
you can only fi nd in
one specifi c place. Lastly are the unique places that are pop-
ping up more frequently with trends, and those are the unique,
modern twists on ice cream like Artisan ice cream. Among
these diff erent styles of parlors are very diff erent fl avors of
ice cream, and also very diff erent fl avors of typography styles.
“
”
I scream, you scream...
1
I SCREAMfor Coldstone Creamery
America thrives on chain eateries. We see them every-
where, recognize their logo from far away, and know that
regardless of the location you are in they will all have the
exact same fl avors to choose from. Let’s face it, these places
are unavoidable. The fi rst thing you recognize is that bold
logo with a picture of ice cream on it, and then you see the
neon sign beaming a bright letting you know they are open.
As you walk through the doors, you see a cramped area with hardly any seating. The design concept wants people in and out quickly within a narrow space. The smell of the ice cream and cones prolifer-ate the air. To the right you look and there is a large freezer storing cakes and ice cream to buy with text slapped all over the outside about their products. None of the text is uniform and there is no clear hierarchy. It is an hodgepodge compilation of mixed type attracting so much attention, but in the wrong way. There are posters on the door, window, and inside advertising for the Make-A-Wish Founda-tion asking for donations. Everything is mass-produced. They want you to see a lot in a small area through the bold use of text.
Slap happy?
1988 Don and Susan Sutherland open the very first Cold
Stone Creamery in Tempe, Arizona.
1997 Serves its one millionth ice cream cone.
2000 Ranked 94th on Entrepreneur magazine’s list of Fast-
est Growing Franchises in America, and 361st on
the Entrepreneur magazine’s “Franchise 500” list.
2000 Cold Stone celebrates 100th store opening.
2002 Cold Stone partners with Make-A-Wish Foundation®
raising more than $100,000 for the charity and is
featured on CNN.
2003 Cold Stone Creamery opens its 500th store.
2004 Launched a new line of Signature Ice Cream Cakes
2004 Ranked fourth in the July 2004 issue of Restaurant
Business “Top 50 Growth Chains.”
2005 Receives the “2005 Consumers’ Choice in Chains
Award” in the Treat category in August
2005 Opens first store in Japan, marking the company’s
expansion into Asia.
2006 Launched a new line of smoothies and ice cream
shakes and featured them on the Today Show.
2007 Cold Stone Creamery is acquired by Kahala, one of
the fastest growing franchise companies in North
America.
2008 The founders are featured on Oprah Winfrey’s Show.
2008 Celebrates opening of the 100th International store.
2008 Announces the opening of the first co-branded store
with Rocky Mountain Chocolate Factory.
2009 Celebrates the first store opening in Caribbean.
Timeline of Events
5
The dark red walls on either side are fi lled with
type, and their extensive menu leaves no words
out in describing what fl avors they recommend
to mix. The alternating brown and pink type help
separate the fl avors so it can be read easier.
The dark red walls on either side are fi lled with
COLDSTONE CREAMERY’S MAIN
PRODUCT IS PREMIUM ICE
CREAM, OR ICE CREAM MADE
WITH APPROXIMATELY 12-14%
BUTTERFAT, THAT IS MADE ON
LOCATION AND CUSTOMIZED TO
ORDER FOR CUSTOMERS AT THE
TIME OF PURCHASE.
“
”Too much type?
7
Next to the serif type on the
menu with sans serif subtext,
are pictures of the ice cream
concoction they are describ-
ing. The type for the name
of the fl avor is large, and the
subtext is small. They want
to fi t a lot of fl avors onto the
menu so they also help sepa-
rate the fl avors by adding thin
rules in between each fl avor.
There are multiple typefaces
used within the store adding
clutter to the design. This is
common for a chain eatery
to do because they try to pro-
mote a lot of diff erent things
all at once.
“Best Ice Cream” & “Best New Busi-ness” South Hills Record
“Best Chills & Thrills in New York” Shecky’s 2006 Best of New York Awards
“#1 Ice Cream in Hawaii” Star Bulletin
“Best Ice Cream in Seattle” Seattle Weekly
“Entrepreneur of the Year” The Chamber Jeffersontown
“Dean’s List – Perfect health inspection scores” KOAT-Action News 7
“Best Milkshake” The Source
“Best Specialty Ice Cream” Reno News & Review
“#1 Ice Cream – 2005 Foodie Awards” The Orlando Sentinel
“Readers’ Choice: Best Ice Cream”Phoenix New Times
“Silver Platter – Best Ice Cream” Food Industry News: Chicago
Reviews of Coldstone
By now it is your chance to order. You
pick from their flavors of homemade
ice cream. The flavor is on a small
black card with a thin gold rule out-
line in front of the display that tells
you the flavor. Their specialty flavor
“cake batter,” is on a red card with
bold text that is heavily outlined and
filled with different values of yellow so
that it stands out and you can’t miss it.
Like it ? Love it ? Gotta have it ?
If you look closely you’ll see below the pink ice cream is their signature red cake batter label.
Their toppings are in jars on either side of the ice cream display la-
beled with black and gold outlined card and white sans serif text like
the ice cream fl avors. If you choose to get your ice cream in a dish,
you will notice that their logo is stamped on the bowls as large as
possible. So even if they are thrown away someone would notice that
red patterned cup and see the giant white logo in the trash. This is
their way of getting their name out and constantly reminding people
of who they are. BOLD.
THE TOP FIVE MOST POPULAR ICE
CREAM FLAVORS ARE: VANILLA,
CHOCOLATE, NEAPOLITAN, STRAW-
BERRY AND COOKIES N’ CREAM, IN
THAT ORDER, WITH VANILLA COM-
PRISING ABOUT OF ALL SALES.
“If you look closely you’ll see below the pink ice cream is their signature red cake batter label.
“
”11
14
I SCREAMfor Sylas & Maddy’s
The hidden treasures within each town are
the local food stops you cannot get any-
where else. In the heart of Lawrence, Kan-
sas is a local ice cream parlor dishing up a
homemade atmosphere with 150 different
homemade fl avors and handmade type.
The warm colors and light-heart-
ed design of the type and painted
walls makes you feel welcome.
The wood floors creak as you step
inside and a bell rings letting
them know someone has arrived.
The first thing seen after step-
ping inside is “A Lawrence Origi-
nal” hand-painted on the wall in
large curly type. The the pencil
lines still show from where it was
traced over, so you know they did
it themselves. This reminds peo-
ple that it is local and they cre-
ated it themselves from scratch.
HomestyleThis sign is hand-painted on the outside window and fading in some areas because of the sun.
The block letters of this hand-painted type makes “ice cream” stand out boldly so people see it from afar.
SYLAS & MADDY’S
MAKES 150 FLAVORS OF
HOMEMADE ICE CREAM,
AND FEATURES 40 OF
THEM EACH DAY.
“
” 15
is an old-fashioned sign
that says “fudge” in 3-D
retro type. Because of the
type the fudge sounds
more appealing because
it illustrates to you that
it is made the old-fash-
ioned way from scratch.
From that sign your eye
is drawn immediately to-
ward their elaborate dis-
play of pre-made flavors
with mix-ins.
To the left
is a chalkboard with painted
pictures of “Sylas and Maddy” the cat and
dog, and two pictures of ice cream. The text is
all hand made, except for their feature flavor
they are displaying, which is a caramel apple
sundae typed and printed on top of an apple
drawing they taped onto the board.
To the right
Bright and cheery colors alternate on
the menu board to distinguish eas-
ily one item from the next. It is clear,
easy to read, and it is hand-painted on
a chalkboard with wood trim. All of the
prices are in white to clearly separate
the item from the price. It means some-
thing totally diff erent when someone
takes the time to hand paint each letter,
and the small imperfections are what
makes it unique and amazing.
Not Just Homemade Ice CreamBright and cheery colors alternate on
the menu board to distinguish eas-
ily one item from the next. It is clear,
easy to read, and it is hand-painted on
a chalkboard with wood trim. All of the
prices are in white to clearly separate
the item from the price. It means some-
thing totally diff erent when someone
takes the time to hand paint each letter,
and the small imperfections are what
makes it unique and amazing.
Not Just Homemade Ice Cream
19
The menu is a large blackboard filled
with brightly colored type that is on
black planks to be easily removed and
inserted. The type becomes the image
of the ice cream it is describing. For ex-
ample “Da Bomb” flavor has text made
of rope that is lit on fire and has a TNT
at the end. If you don’t come for the ice
cream, it is worth coming to see the list
of flavors alone. People will begin to pick
their flavors based off of the creative type
as image design they see. Their creative,
colorful, and fun textual design is what
captures the attention of the customers
and puts a smile on their face.
Can’t Get Enough
IF YOU DON’T ALREADY
ADORE SYLAS & MAD-
DY’S, YOU’RE MISSING
OUT ON ONE OF THE
TOWN’S LOCALLY OWNED
CROWN JEWELS.
“
”
The white slips of paper with
black serif text labeling the
ice cream at the counters are
slowly peeling up and some
are bent, but they are clear
and easy to read. They serve
freshly made ice cream with
the classic mix-ins already in
there and their waffle cones
are to die for. Another little
touch they always add is a
malt ball at the bottom of their
homemade cones which is just
another sweet surprise every-
one looks forward too.
Individually packaged fudge in plastic bags with a sticker and hand type make you feel like your mom made it.
Fresh flavors and computer made labels in black and white. Some flavors have an expanded description.
A sweet surprise
THE FIRST SYLAS & MADDY’S HOMEMADE ICE CREAM OPENED ON MASSACHUSETTS AVENUE IN LAWRENCE, KANSAS, 11 YEARS AGO. THE STORE WAS NAMED AFTER THE OWNERS’ PETS, A MIXED TERRIER AND A CAT.
A sweet surprise
“
”
I SCREAMfor Glacé Artisan Ice Cream
A new addition to the city of Leawood, KS is a
modern twist on ice cream and design. Glacé,
which is owned by Christopher Elbow, introduces
the Artisan ice cream concept. This non-traditional
ice cream stop is attracting the curiosity in people
daily. The location is situated in an upscale shop-
ping and dining area next to the Apple store.
The brand expression is clean, sophisticated and a nod
to the owner’s love of modern minimalism. At the same
time, copy and color palette make it feel fun and ap-
proachable. The logo also incorporates a sly tie to ice
cream with circles that look like melting “drips” hitting
the floor, while tailored graphic elements make the iden-
tity feel fashionable and unexpected in the category.
Both of these signs hang outside so you can see their name from both directions.
From the outside logo and name,
you would not have any idea what
type of place it is, so you have to
go inside. From the outside you see
their “now open” sign that is very
typographic and clean and easy to
read from afar. The door has type
placed on it with their hours and
logo and an “open” sign hanging
in all caps. They also have a sign
on the outside that sticks out so if
you are walking down the sidewalk
you could see it. It is shiny, and their
colors are very minimalist by only
using brown, turquoise, and white.
Now open!
27
ADJECTIVE:
(OF FRUIT) HAVING A
GLOSSY SURFACE DUE TO
PRESERVATION IN SUGAR.
VERB:
GLAZE WITH A THIN SUGAR-
BASED COATING.
“
”
Once inside, the interior floor
is made of shiny white tile and
the chairs are all metal. The
bench inside against the wall
is wooden and curves up to the
ceiling. There is seating outside
by the fountains and benches
as well. They have very mod-
ern white paper lights hanging
in the seating area only. There
is no additional text on the wall
besides the three menus, rein-
forcing minimalism.
The inside scoop
The rounded geometric typeface mimics the rounded dots in the design, which are also used
behind the numbers to highlight them and tie the design together.
29
THE SIMPLE DELIGHT OF ICE CREAM, MADE FAR MORE REWARDING.
NO FAKE FLAVORINGS, DISAPPOINTING TEXTURES OR KITCHEN-SINK
COMBINATIONS. JUST INTENSELY PURE, ALL-NATURAL INGREDIENTS
AND DELICIOUSLY SURPRISING FLAVOR PAIRINGS THAT BEAR THE
UNMISTAKABLE SIGNATURE OF CHRISTOPHER ELBOW. GLACÉ.
“
”
The first thing you notice on the left, after walking in, is the small
freezer compared to the space that it’s in. Inside it stores small
square containers with the hand-written name of the flavor in
black marker on the front of the blue and white sticker. This hand-
made quality juxtaposes with the modern design.
You’ve got good taste
31
Then you proceed towards
the shiny display case of
ice cream. The flavors are
lit up with lights that rein-
force the sleek and mod-
ern design. The type is in
all caps, dark and against a
white background. The type
is sans serif condensed with
a narrow line weight.Each of the labels are illuminated so that it is easy to read, sleek, and reinforcing their modern approach.
When joy freezes over
“National ice cream day is every third Sunday in
July. It was created by Ronald Reagan in 1984.
He recognized the popularity of ice cream in the
United States (90% of the nation’s population
consumes ice cream) and stated that these two
events should be observed with “appropriate cer-
emonies and activities.”
33
On the wall are three menus of the ex-
act same size in their three different
colors. One sign is for the ice cream
specifics, one is for drinks, and one
has the list of flavors. Though the
background of each is a different color,
all three of them utilize all three col-
ors by integrating them into the text
to highlight and separate different
parts of the menu. The menu is mini-
mal, and the unique Artisan flavors
are listed, it can be read clearly and
quickly. The clean sans serif, geomet-
ric typeface is easily read and again
supports the modern theme. Again,
all of the text is in caps. The main text
has a heavier stroke weight, while the
subtext is in a lighter stroke weight.
“The simple delight of ice cream, made far more rewarding. No fake flavorings, disappointing
textures or kitchen-sink combinations. Just intensely pure, all-natural ingredients and deliciously
surprising flavor pairings that bear the unmistakable signature of Christopher Elbow. Glacé.”
On the wall are three menus of the exact
same size in their three different colors.
One sign is for the ice cream toppings
and sizes, one is for drinks, and one
has the list of flavors. Though the back-
ground of each is a different color, all
three of them utilize all three colors by
integrating them into the text to high-
light and separate different parts of the
menu. The menu is minimal, so it can be
read clearly and quickly. The clean sans
serif, geometric typeface is easily read
and again supports the modern theme.
Again, all of the text is in caps. The main
text has a heavier stroke weight, while
the subtext is in a lighter stroke weight.
The modern minimalist
35
THE ICE CREAM CONE’S INVENTION IS LINKED TO THE
1904 WORLD’S FAIR IN ST. LOUIS. AN ICE CREAM VEN-
DOR REPORTEDLY DIDN’T HAVE ENOUGH DISHES TO KEEP
UP WITH THE DEMAND, SO HE TEAMED UP WITH A WAF-
FLE VENDOR WHO ROLLED HIS WAFFLES INTO CONES!
Comparing Coldstone Creamery , Sylas and Maddy’s, and Glacé
has proven that not only are the ice creams diff erent fl avors and
styles, but so is the typography and design. Coldstone Cream-
ery is very bold and spontaneous through their uses of many
serif and sans serif typefaces, as well as very thick , outlined let-
ters to call attention to
a lot of diff erent things
they are trying to pro-
mote. Sylas and Mad-
dy’s reminds you of home from the way their walls and type are
all hand painted. The chalkboard type is fun, unique, and their
type used as image really makes you look at the ice cream fl a-
vors in a diff erent way. Glacé is sophisticated and modern. This
is reinforced through their use of only a geometric sans serif
typeface, using two diff erent weights, and all capital letters.
“
”
We all scream for ice cream!
37
Bibliography http://www.coldstonecreamery.com/
http://www.glaceicecream.com/
http://www.icecream.com/funfacts/funfacts.asp?b=105
http://www.kansastravel.org/olathe/sylasmaddysicecream.htm
http://www.makeicecream.com/icecreamtrivia.html
http://en.wikipedia.org/wiki/Cold_Stone_Creamery
Typefaces Archer (medium)
CAC Pinafore (regular)
Futura (book, light condensed)
Camera Canon EOS Rebel T1i
University of Kansas
Designer As Author
Patrick Dooley
Fall 2011
Credits: