EVOLUTION OF THE PORTRAIT · Richard Avedon. Richard Avedon. Tina Barney. Tina Barney. Composition...

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EVOLUTION OF THE PORTRAIT

Transcript of EVOLUTION OF THE PORTRAIT · Richard Avedon. Richard Avedon. Tina Barney. Tina Barney. Composition...

Page 1: EVOLUTION OF THE PORTRAIT · Richard Avedon. Richard Avedon. Tina Barney. Tina Barney. Composition Pose your subjects, ask them to move, to do something and engage with the camera.

EVOLUTION OF THE PORTRAIT

Page 2: EVOLUTION OF THE PORTRAIT · Richard Avedon. Richard Avedon. Tina Barney. Tina Barney. Composition Pose your subjects, ask them to move, to do something and engage with the camera.

DorotheaLange

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DorotheaLange

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DorotheaLange

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Metering and Exposure

■ A common mistake is under exposed photos…

■ Use a wide aperture to help with depth of field (shallow on the subject) and to add more light on the exposure.

■ Use the bracketing option in the Aperture priority mode and +1

■ Utilize the spot meter if subject is backlit.

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YousufKarsh

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YousufKarsh

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YousufKarsh

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DianeArbus

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DianeArbus

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DianeArbus

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DianeArbus

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Metering and Shutter

■ Remember the rule 1/60th of second for holding the camera but for sharper photos on your portraits take the exposure up to minimum of 1/125th sec.

■ If you are using a longer lens 200mm then make sure that shutter is at least 1/250th sec

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RichardAvedon

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RichardAvedon

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RichardAvedon

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TinaBarney

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TinaBarney

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Composition

■ Pose your subjects, ask them to move, to do something and engage with the camera.

■ Add props, give your subjects something to think about or do so they loosen up in front of the lens.

■ Eye positioning is critical- both looking into the lens or off camera creates a different tone or mood to the portrait.

■ If you are shooting more than one person, have the subject engage with each other. Eye contact on one another can create a new visual interest in the composition.

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TinaBarney

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WilliamEggleston

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WilliamEggleston

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WilliamEggleston

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ISO

■ Increasing the ISO will help you to achieve those faster shutter settings so don’t hesitate to use a higher ISO setting.

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MartinParr

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MartinParr

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Composition

■ Don’t be lazy about your compositions. Think about the way you are framing your subject.

■ Use both horizontal and vertical cropping.

■ Give your subject breathing room in the shot. Try not to cut of edges of the subject.

■ Be aware of what is behind the subject head.

■ Utilize the rule of thirds and move the subject off to the side taking into account the background elements.

■ Change your vantage point move around to find an interesting angle of view or new arrangement utilizing the background.

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MartinParr

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Doug DuBois

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Doug DuBois

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DougDuBois

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DougDuBois

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Lens choices

■ The lens you choose (or mm on a zoom lens) will drastically change your portrait.

■ Shooting with a wide angle lens the more area you will include around your subject. Choose this if the background or environment is important.

■ Shooting with a longer the lens less background will be included and the background will tend to blur out because of aperture settings.

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TheBrownSisters,1975NicholasNixon

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TheBrownSisters,1981NicholasNixon

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TheBrownSisters,1987NicholasNixon

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TheBrownSisters,1993NicholasNixon

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TheBrownSisters,1999NicholasNixon

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TheBrownSisters,2004NicholasNixon

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ThomasRuff

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ThomasRuff

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ThomasRuff

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SarahStolfa

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SarahStolfa

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SarahStolfa

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Candid

■ Take your camera everywhere, all the time to become more spontaneous and catch those quick moments.

■ Use a long or zoom lens.

■ Turn off flash!

■ Move yourself around and be aware of the angle of light.

■ Try shooting from the Hip.

■ Frame photos with foreground elements.

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JenDavis

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JenDavis

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JenDavis

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Composition

■ Take into account where the light falls on the subject.

■ Experiment with light and exposure, shadows and highlights can really add drama. Soft light has more a subtle effect.

■ Bounce light if you can with a reflector or move your subject to more flattering light.

■ If using a wide aperture be sure to have sharp focus on the eyes!

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Don’t forget to think about…

■ Hands!

■ Relax them, fingers separated.

■ Don’t include if the subject has a hard time relaxing.

■ Give them something to hold or do.

■ Hands look best shot from the side or on slight angle.