[eBook - Modellismo Ferroviario - EnG] - Model Railroader - Train Spotting

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    Train Spotting

    Introduction

     The Schwere Panzerabteilung 506 was

    created in August 1943 and was the first of 

    these units to be equipped only with Tiger I

    tanks from its creation. The 506. was sent

    to the Eastern front were it fought in the

     Tscherkassy region until it lost all of its

    tanks. The unit was rebuilt with a new

    allocation of 45 Tiger I in March and April

    1944 and fought during the withdrawal

    from central Russia in late spring and early 

    summer 1944, eventually being sent to

    Germany for refitting in August. The 506.

     was issued a full complement of 45 Tiger II

    that were used against the Western allies

    until the dissolution of the battalion in April

    1945.

     The diorama represents one of the rarequiet periods for a Tiger I of the s.Pz.Abt.

    506. during March 1944. At this moment,

    the Tiger Is belonging to the unit still were

    of the ‘mid’ type, with rubber tyred wheels.

     The crews have received orders to

    assemble the vehicles in Mankowzy, and

    prepare the tanks for railway 

    transportation. The 506. handed its 7

    remaining Tigers over to the s.Pz.Abt. 503

    and travelled to Lemberg to receive their 45 brand new Tiger I. For these veterans, it

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    by Antonio Martín Tello

     was time to say farewell to their old Tiger 

    that had kept them alive during the last

    hard winter.

    Building the little Tiger

    Like many of us, I started in AFV modelling

    by building and painting 1/72 kits. Soon, I

    moved to 1/35 because these “big” tanks

     were more impressive, better detailed and

    I thought that they allowed my modelling

    skills more scope to develop. Thus, I

    relegated the 1/72 scale and saw it as a

    “starting point” and the models in this

    scale as toy like. Recently I discovered

    some of the newer 1/72 kits and was

    astonished. All the finesse and quality of 

    the best 1/35 kits is there, but in a tiny sizeand they are fun and quick to build. Out of 

    the box they give excellent representations

    of the “real thing” but they also leave

    plenty of room for the addition of details

    and improvements. The limit is just set by 

    the builder and his/her sanity. Also, for the

    painting aspect, all the techniques used for 

    bigger models can be applied to these

    little gems.

    Probably, the current leader in 1/72

    injected plastic kits is Revell. The quality of 

    their most recent releases is astounding

    and small-scale modellers await each new

    one with great expectation. Anyway, one

    has to be cautious, since among these

    “state of the art” kits are re-editions of 

    older Esci or Hasegawa moulds which are

    not up to the same standards.

     The Tiger I depicted in this article(reference 03516) is an example of one of 

    these new generation Revell kits. This

    brand has in it’s 1/72 catalogue two Tiger I

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    kits. This one represents a mid/late vehicle while the other 

    (ref. 03508) allows you to build an “African” early Tiger I.

    Both kits share most of their parts, with one sprue specific

    for each type of tank, and their overall quality is excellent.

    I decided to build my model as a mid Tiger I with rubber 

    tyred wheels. This type is provided in the box (they are

    common to the “African” version) along with the all steel

    type, but curiously enough, they are marked as “not for 

    use” in the instruction sheet and thus no advice for their 

    placement is given. Photographs and literature have to be

    checked for their correct installation, a minor task. A

    shortcut taken by Revell in this area is that the double

     wheels are represented by a single, thicker one, much in

    the same way as Tamiya did with its seventies 1/35 Tiger I.

     This apparent shortcoming is barely noticeable when all

    the running gear and tracks are installed.

     As I have already mentioned, I decided to finish my Tiger 

    as one belonging to the s.Pz.Abt. 506. in Russia duringspring 1944. The most remarkable feature of this unit’s

    markings at this period was the large unit symbol on the

    rear of the turret bin, consisting of a “W” (after its former 

    commander, Major Will ing) with the shield and the tiger.

     The colour of the “W” and the turret numbers denoted the

    company (Stabs-green, 1. Kp.- white, 2. Kp.-red and 3.

    Kp.-yellow). I chose this unit because the 506. crest is

    included on the decal sheet.The construction work 

    progressed with no problems. There are plenty of 

    aftermarket products available for 1/72 models including

    the Tiger I, but I decided to follow the “homemade way”.

    Photos 1 to 4

    First of all, the version I chose for my Tiger required a

    zimmerit coating. I did this by engraving with a small

    screwdriver the surfaces that had been previously 

    softened with liquid cement. Two or three applications of 

    glue were given in a relatively small area and after a few

    seconds, the pattern was engraved with the screwdriver. It

    may be necessary to check the degree of softening of the

    plastic and to apply more liquid cement before starting the

    engraving work. It probably would be advisable to practice

    a little bit first on non-visible surfaces, such as the interior 

    or the underside of the hull. When the softened area is

    done, the process is repeated on the next area until the

    entire surface is completed. When the glue is completely 

    dry and the plastic has hardened again, it may be

    necessary to sand the zimmerited surface in order to

    eliminate some hairs caused by the molten plastic.

    Photos 5 to 10

    Some other details added included new metallic towing

     wires, cleaning rods and their brackets, new track 

    changing wire and its brackets, new exhaust protectors

    made with aluminium sheet, brackets for the missing fire

    extinguisher, electric wire for the headlight, periscope

    protectors from aluminium sheet for the driver and co-

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    driver hatch and turret roof, handles from

     wire on the commander and loader 

    hatches and engine deck, holders for the

    spare tracks, brackets for the jack and

    details on the front mudguards and the

    turret bin. Just few words for two additions,

    the gun barrel and the engine deck grilles.

     The kit gun barrel looked too thick to my 

    eye so I decided to replace it. The only 

    material I had available at the time and

     was suitable was a nice pink lollipop stick. I

    had to sand this to make it thinner at the

    end where the muzzle brake fits. The

    engine deck grilles were cut from nylon

    mesh from a DML Panzer IV L70(A) kit and

    the frames made with aluminium strip.

    I reworked the side fenders, sanding them

    down until they were more of a scale

    thickness. Also, I cut them into sections as

    on the real tank. These fenders were the

    only parts I did not permanently glue to the

    model, in order to have a better access to

    paint and weather the upper portion of the

    tracks.

    Painting

     The base colour was Tamiya matt earth

    (XF-52). Onto this, I airbrushed Tamiya dark 

     yellow (XF-60) but allowed the base colour 

    to show at the edges of panels. Next coat

     was a mixture of dark yellow (70%) and

    matt yellow (XF-3) (30%), both from Tamiya,

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    irregular shape. Since the paint is so

    diluted, when dry, the effect is almost

    imperceptible, but it is there, and can be

    enhanced by repetition. I chose for this

    task brownish colours such as chocolate

    brown, flat earth, hull red, burnt umber,

    dark yellow, gold brown, medium flesh and

    orange brown.

    Now, I applied a controlled wash of very 

    diluted matt black enamel on the non-

    zimmerited surfaces. I let the pigment

    accumulate in recesses and around the

    details. When dry I drybrushed with dark 

     yellow (Humbrol enamel) very slightly some

    details in order to bring them out.

    Photo 18

    I painted the towing cables and tools in

    black, following by some light washes of 

    chocolate brown, flat earth and hull red.

    Next, I painted the gun cleaning rods with

    gold brown.

    Photos 19 to 21

    So far I had worked to achieve a degraded

    and worn out look, but the tank was clean,

    so my next job would be to make it dirty. I

    did not want to ruin the previous work so I

    decided to concentrate mainly on the

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    lower areas. I tried to replicate the effect of dried mud in

    the recesses of the tracks and, more sparingly, on the

     wheels and lower hull. To make this mud, I mixed some

    pastel powder until I got a colour that I think was good for 

    this purpose. Then I added to the powder a mixture of 

     water and white glue until I obtained a paste with the

    desired consistency. Then, with a small brush I applied the

    paste to the track recesses. With a cotton bud I removed

    the excess paste, mainly on the outer surface of the track 

    links. Also, I applied some patches of the paste on the

     wheels and lower areas and textured them with the brush.

    When dry I worked all the tracks and wheels with the

    pastel powder in order to integrate the mud. I also used

    some lighter shades of pastels to get some colour 

     variations and a dried mud look. Next, I dry brushed very 

    slightly with black enamel on the outer side of the track 

    links to “clean” the surface where the mud should have

    gone.

     At this stage I glued the side skirts and applied some

    pastels on them, as well as in the tools and towing cables.

    I painted the periscope glass with very dark green artist’s

    oil. I added the periscopes in the commander’s cupola

    made with plastic strips painted in dark green.

     The final touch was to apply graphite powder on the tools,

    towing cables, bow machine gun, anti aircraft MG rail and

    some handles to give them a more metallic look. Also, I

    painted directly on the track details and horns, and drive

    sprocket teeth with a soft lead pencil to achieve this

    metallic look.

     The SdKfz 251

    Hasegawa also has in their catalogue an extensive range

    of AFV’s in 1/72 scale. Some of them are older kits that

    date back to the 80’s or even the 70’s and are not at the

    same level of more recent releases. Nevertheless, some

    of their later kits are very close or at the same level as

    Revell’s best. Some of the finest Hasegawa kits are the

    three versions of the SdKfz 251 German half track.

    Hasegawa produces the “normal” personal carrier SdKfz

    251/1 (ref. 31144), the SdKfz 251/22 “PakWagen” (ref.

    31145), armed with a 75 mm PaK 40 gun, and the SdKfz

    251/9 “Stummel” (ref. 31146), armed with a short 75 mm

    support gun. These last two versions are in fact the same

    kit as the 251/1 with the addition of a new sprue

    containing the gun and the corresponding attachments

    and a new decal sheet. The version of the famous German

    half-track depicted in these models is the final Ausf. D,

    designed in order to save materials and simplify 

    production in the second half of WWII.

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    Photos 26 to 29

     The construction of the model progressed

     with no special difficulties. I did not want to

    super detail this model and only made

    some small improvements. Thus, in the

    interior I added some levers by the driver’s

    seat made with stretched sprue. Outside I

    replaced the MG shield and the rear 

    mudguards with aluminium sheet, since

    these parts were too thick in the kit. The

    MG itself was replaced by an MG34 with

    armoured sleeve (used in tanks), a spare

    from Revell. Also, I rebuilt the tubular 

    support for the rear MG with stretched

    sprue. Finally I replaced the two width

    indicators with stretched sprue and a drop

    of superglue to simulate the ball.

    It was necessary to paint the interior before the two main parts of the hull were

    glued together. The painting process here

     was similar to that used in the exterior and

     will be described later. This was also the

    moment to put the driver’s figure in his

    place. This figure came from a Preiser set,

    and it’s fit in the tight driving station

    needed some major surgery in the seat.

    Fortunately, this area was barely visible

     when the model was completed.

    Painting the tiny 251

    Photo 31

     The overall procedure was very similar to

    the one described above for the Tiger, so

    only the main differences will be stressed.

     Again, the base colour was Tamiya matt

    earth (XF-52) on which I airbrushed Tamiya

    dark yellow (XF-60) allowing the previous

    colour to arise on the edges and panel

    separations.

    Photos 32 to 36

    On this base, I airbrushed thin stripes of 

    red brown (XF-64) as the first camouflage

    colour. To obtain better results I put thenozzle of the airbrush very close to the

    model (about 5 mm) and set my 

    compressor to low pressure (around 0.5

    psi). Also, I diluted the paint more than

    usual with isopropyl alcohol, at about 75%

    (slide S8). The olive green (XF-58) colour 

     was airbrushed next in a similar way. My 

    first attempts were not successful as I got

     wide lines, “spider legs” and so on, so I

    had to retouch with dark yellow to finally 

    get an acceptable result. At this stage I

    added the decals, the tactical numbers

    and German crosses are spares from

    Revell and the license plates are the ones

    provided by Hasegawa in the kit. To finish

    the airbrush job, I used a very dilute (95%)

    mixture of brown and black to outline the

    edges, separation lines and recesses.

    Photo 35

    Next, I applied a couple filters of cream

    (103) and reddish brown (62), both

    Humbrol enamels.

    Photo 36

     The chipped paint effect was done next.

    Some chipping and scratching was made with the base colour lighten with buff 

    (Vallejo) and with a mixture of chocolate

    brown 872 and black. A thin, very sharp

    brush has to be used and the chipping

    should be kept small and done moderately 

    in sensible areas. Also, on the sides I

    painted some longer scratches, since

    these parts would be more prone to this

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    type of damage due to rubbing with

    branches, other vehicles or obstacles.

    Photos 37 to 40

     The following step was the oil washes . As

    a general rule, I deposit a small fraction of 

    the oils (several shades of brown, ochre,

    green, white and blue) on a tissue paper 

    and wait for 15-30 minutes . Some of the

    greasy components of the oils are

    absorbed by the paper-this does not affect

    the pigment, but improves the final

    appearance. I wet a zone of the model

     with clean Humbrol thinner and then, I

    apply a very small quantity of oil directly on

    the model, blending it quickly . I never use

    a general wash, but small washes of 

    several shades in small zones. In my 

    opinion, the trick is that the oil has to be

    blended with the surroundings in order to

    achieve subtle tonal variations in different

    parts of the same zone.

    Photos 41 to 42

     As in the Tiger, the worn out look was

    accentuated by an acrylic mapping (slides

    S19 and S20) of chocolate brown and

    orange brown.

    Photos 43 to 44

    It was now time to apply dirt to the model.

     To do that, I applied controlled washes of 

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     very dilute buff enamel colour (Humbrol). I

    avoided a general wash, but tried to draw

     vertical lines on the sides and other vertical

    surfaces simulating rain streaks, and

    irregular shaped spots on the horizontal

    surfaces letting the pigment accumulate

    slightly where the dust would be more

    apparent.

    Photo 45

     To enhance the details and the volume I

    applied a controlled wash of very dilute

    matt black enamel followed (when dry) by 

    drybrushing with dark yellow (Humbrol

    enamel) very lightly in the same way as for 

    the Tiger. I painted the tools in black,

    followed by some light washes of 

    chocolate brown, flat earth and hull red,

    and graphite powder. Next, I painted the wooden handles with gold brown.

    Photo 46

     The tyres and the tracks were painted in

    matt black, then I applied some washes of 

    brown and cream enamel colours. On the

    tracks I drybrushed the rubber pads with

    matt black and finally I applied graphite

    powder to the metallic parts. Now, I

    attached the tracks to the running gear 

     with superglue, and glued both sets of 

     wheels and tracks to the main body. The

    machine guns were painted in matt black 

    and then rubbed with graphite powder.

     To finish the painting process of the tiny 

    251, some touches were given with pastel

    powder of several shades of earth colours,

    mainly in the lower areas, but very 

    sparingly in order not to hide all the

    previous painting work 

     The diorama

    One of the advantages of 1/72 scale is that

     you can build dioramas combining several

     vehicles and still keep the size reasonably small. In this case, my idea was to try a

    somewhat different composition, with

    several levels and elements in a relatively 

    crowded space, which was dictated by the

    circular wooden base. I have always

    admired the dioramas built by Japanese

    and other Asian modellers because I think 

    they master the art of composition and the

    integration of all the elements (vehicles,

    figures, vegetation…) in scenes that are

    often full of life and dynamism. Bearing this

    in mind, I tried to build a diorama “à la

    Japonais”.

    I wanted to put both vehicles on different

    levels, with the SdKfz 251 climbing uphill

    towards the level where the Tiger I is, and

     with the tall tree emphasizing the vertical

    perspective. Two secondary elements such

    as the railway and the stone wall, would

    create some variety.

    Photos 49 to 53

     The main body of the background was

    done with insulating foam, a versatile and

    light material that can be easily cut with a

    hobby knife and sanded. The basic shape was cut with the knife (Slide D1) and then

    a thin layer of modelling clay was used to

    model the ground and to create some

    texture. The ballast and the rail track are

    items from railway modelling, cheap and

    easily available in specialised shops.

     Another advantage of 1/72 is that many 

    scenic elements conceived for train

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    combine arms, legs and heads. I painted

    the figures mostly with Vallejo acrylics,

    using black and German green as the main

    colours, and shadowing and highlighting

    areas following the “light from above”

    method mostly described by the “Spanish

    school” of figure painters.

    References

    - Tigers in Combat I, by Wolfgang

    Schneider & Jean Restayn, J. J.

    Fedorowicz Publishing. 1994.

    - Achtung Panzer No.6:

    PanzerKampfWagen Tiger, by M. Bitou. Dai

    Nippon Kaiga. 1999.

    - Tiger I on the Eastern Front, by Jean

    Restayn. Histoire & Collections. 1999.

    - The SdKfz 251 Half Track, by Bruce

    Culver. Osprey Vanguard no. 32. 1983.

    - SdKfz 251 in action, by Charles Kliment.

    Squadron Signal Publications no. 21. 1981.