Cool Legato Phrases (2).pdf
61
Gabelvision ASCAP Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org DIGITAL PATTERNS IN GROUPS OF THREE As recorded by Derryl Gabel Transcribed by Derryl Gabel Music by Derryl Gabel Arranged by Derryl Gabel Cmaj13 8 fr. x x D7sus4 7 fr. x x D/E 7 fr. x x I 1 T A B 4 4 Gtr II Gtr I P = 120 Cmaj13 ^ V H 8 V 12 V P 10 V H 9 g V 12 V P 10 V H 9 V 12 V P 11 g V H 9 V 12 V P 12 V H 10 V 13 V 12 V P 13 D7sus4 ^ V H 10 V 12 V P 12 V H 9 V 11 g V P 12 V H 9 V 10 V P 12 V H 9 g V 10 V P 12 V sl. 8 V 7 I 3 T A B D/E ^ V 9 g P H 8 R a V 9 g V V ^ I 5 T A B Cmaj13 ^ V H 8 V H 12 V 15 V H 9 g V H 12 V 15 V H 9 V H 12 V 16 g V H 9 V H 12 V 16 V H 10 V H 13 V 17 V H 10 D7sus4 ^ V H 14 g V P 17 V P 14 V 10 V P 17 V P 13 V 10 V P 16 V P 12 V 9 V P 16 g V P 12 V 9 V P 15 V P 12 V 9 g PDF created with pdfFactory trial version www.pdffactory.com
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Transcript of Cool Legato Phrases (2).pdf
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
DIGITAL PATTERNS IN GROUPS OF THREEAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Cmaj13 8 fr.x xD7sus4 7 fr.x x
D/E 7 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Cmaj13^V
H8
V
12
V
P
10
V
H
9
g V
12
V
P
10
V
H
9
V
12
V
P
11
g V
H
9
V
12
V
P
12
V
H
10
V
13
V
12
V
P
13
D7sus4^V
H
10
V
12
V
P
12
V
H
9
V
11
g V
P
12
V
H
9
V
10
V
P
12
V
H
9
g V
10
V
P12
V
sl.8
V
7
I3
TAB
D/E^V
9
g P
H
8
Ra V
9
g V V^
I5
TAB
Cmaj13^
V
H8
V
H12
V
15
V
H
9
g V
H
12
V
15
V
H
9
V
H
12
V
16
g V
H
9
V
H
12
V
16
V
H
10
V
H
13
V
17
V
H
10
D7sus4
V
H
14
g V
P
17
V
P
14
V
10
V
P
17
V
P
13
V
10
V
P
16
V
P
12
V
9
V
P
16
g V
P
12
V
9
V
P
15
V
P
12
V
9
g
PDF created with pdfFactory trial version www.pdffactory.com
DIGITAL PATTERNS IN GROUPS OF THREE - Derryl Gabel Page 2 of 2
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I1
TAB
D/E^V
P15
V
P12
V
sl.8
V
7
V^
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
DIGITAL PATTERNS IN GROUPS OF FOURAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
Measure one is a simple C major seventh arpeggio over a C major seventh chord. Pay special attention to the picking and hammer-onpattern.
Measures three and four is an example of seventh arpeggios in groups of four stacked in fourths ascending and then descending acrossthe strings using horizontal movement
Measures five through eight are seventh arps ascending and descending in groups of four using vertical movement.
Measures nine and ten are seventh arps ascending in groups of four stacked in thirds using diagonal movement and then descending.
You will need to learn all your arps like the examples given ALL over the neck using ALL of the arpeggios.Measures 11- 25 is an example of how you would practice one of the examples given using all of the arps all over the neck.
Cmaj7x x
D/Cx x
I1
TAB
44Gtr II
Gtr I
P = 120Cmaj7^V
H8
V
12
V
10
V
9
VD/C^
I3
TAB
Cmaj7^V
H8
V
12
V
10
V
9
V
H
9
g V
12
V
10
V
9
V
H
9
V
12
V
11
g V
10
V
H
9
V
12
V
12
V
10
D/C^ V
12
V
P
12
V
9
V
10
V
11
g V
P
12
V
9
V
9
V
10
V
P
12
V
9
g V
9
V
10
V
P12
V
8
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DIGITAL PATTERNS IN GROUPS OF FOUR - Derryl Gabel Page 2 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
Cmaj7^V
H
3
V
7
V
5
V
sl.
4
V
5
V
7
V
P
9
g V
sl.
5
V
H
7
V
10
V
9
V
sl.
7
V
9
V
10
V
P
12
V
sl.
9
D/C^V
H
10
V
14
V
12
V
sl.
11
g V
12
V
14
V
P
15
V
sl.
12
V
H
14
V
17
V
16
V
sl.
14
V
16
V
17
V
P
19
V
sl.
15
I7
TAB
Cmaj7^V
Hsl.
14
V
17
V
16
g V
sl.
14
V
12
V
14
V
P
15
V
sl.
12
V
H
10
V
14
V
12
V
sl.
11
V
9
V
10
V
P
12
V
sl.
9
gD/C^V
H
7
V
10
V
9
V
sl.
7
V
5
V
7
V
P
9
g V
sl.
5
V
3
j
I9
TAB
Cmaj7^V
8
V
12
V
10
V
9
V
7
V
10
V
9
V
7
V
5
V
9
V
7
V
7
g V
4
V
7
V
7
V5
D/C^V
7
g V
7
V
4
V
7
V
7
V
9
V
5
V
7
V
9
V
10
V
7
V
9
V
10
V
12
V
8
I11
TAB
Cmaj7^
V
2
g V
5
V
3
V
2
V
2
V
5
V
4
g V
2
V
2
V
5
V
4
V
3
V
2
V
5
V
5
V
sl.
3
D/C^V
5
V
7
g V
7
V
4
V
5
V
5
V
7
V
4
g V
4
V
5
V
7
V
3
V
4
V
5
V
7
V
sl.3
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DIGITAL PATTERNS IN GROUPS OF FOUR - Derryl Gabel Page 3 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I13
TAB
Cmaj7^V
sl.5
V
8
V
7
V
5
V
5
V
9
g V
7
V
5
V
5
V
9
V
7
V
7
g V
5
V
9
V
8
V
sl.
7
D/C
V
8
V
10
V
11
g V
7
V
8
V
9
V
10
V
7
V
7
V
9
V
10
V
7
V
7
V
9
g V
10
V
sl.7
I15
TAB
Cmaj7^V
sl.8
V
12
V
10
V
9
V
9
g V
12
V
10
V
9
V
9
V
12
V
11
g V
10
V
9
V
12
V
12
V
sl.
10
D/C
V
12
V
13
V
14
V
11
g V
12
V
12
V
14
V
10
V
11
V
12
V
14
V
10
V
10
V
12
V
14
g V
sl.10
I17
TAB
Cmaj7^V
sl.12
V
15
V
14
V
12
V
12
V
15
V
14
V
12
V
12
V
16
g V
14
V
13
V
12
V
16
V
15
V
sl.
14
gD/C
V
15
V
17
V
17
V
14
V
15
V
16
V
17
V
14
V
14
V
16
g V
17
V
14
V
14
V
15
V
17
V
14
g
PDF created with pdfFactory trial version www.pdffactory.com
DIGITAL PATTERNS IN GROUPS OF FOUR - Derryl Gabel Page 4 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I19
TAB
Cmaj7^V
sl.12
V
15
V
14
V
12
V
12
V
15
V
14
V
12
V
12
V
16
g V
14
V
13
V
12
V
16
V
15
V
sl.
14
gD/C
V
12
V
13
V
14
V
11
g V
12
V
12
V
14
V
10
V
11
V
12
V
14
V
10
V
10
V
12
V
14
g V
sl.10
I21
TAB
Cmaj7^V
sl.8
V
12
V
10
V
9
V
9
g V
12
V
10
V
9
V
9
V
12
V
11
g V
10
V
9
V
12
V
12
V
sl.
10
D/C
V
8
V
10
V
11
g V
7
V
8
V
9
V
10
V
7
V
7
V
9
V
10
V
7
V
7
V
9
g V
10
V
sl.7
I23
TAB
Cmaj7^V
sl.5
V
8
V
7
V
5
V
5
V
9
g V
7
V
5
V
5
V
9
V
7
V
7
g V
5
V
9
V
8
V
sl.
7
D/C
V
5
V
7
g V
7
V
4
V
5
V
5
V
7
V
4
g V
4
V
5
V
7
V
3
V
4
V
5
V
7
V
sl.3
PDF created with pdfFactory trial version www.pdffactory.com
DIGITAL PATTERNS IN GROUPS OF FOUR - Derryl Gabel Page 5 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I1
TAB
Cmaj7^W
sl.2
g
D/C^
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
DIGITAL PATTERNS IN GROUPS OF FIVEAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
In this lesson we will examine a more legato approach in that it incorporates hammer-ons and pull-offs. These sequences are polyrhythmicwhich will cause displaced accents. They are to be played 5 against 4. Because of it's polyrhythmic nature notice that the sequence willbegin on a diffrent part of the beat until it cycles around.Measures 1 - 17 ascend and descend in the same position then shifts to the next position. Measures 19 - 28 ascend one position then descends the next.The chord progression is a two five in G major.
Am7 5 fr.x xD9 4 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Am7^V
H2
g V
5
V
3
V
2
V
P
3
V
H
2
V
5
V
4
g V
2
V
P
4
V
H
2
V
5
V
4
V
3
V
P
4
V
H
2
D9^V
5
V
5
V
3
V
5
V
P
5
V
H
2
V
4
V
3
V
4
V
P
5
V
H
2
V
4
g V
2
V
4
V
P
5
V
H
2
I3
TAB
Am7^V
3
V
2
V
3
V
P5
V
sl.2
g V
H3
V
7
V
5
V
4
g V
P
5
V
H
3
V
7
V
5
V
4
V
P
5
V
H
4
D9^V
7
V
5
V
5
V
P
5
V
H
4
V
7
V
7
g V
5
V
7
V
P
7
V
4
V
5
V
5
V
5
V
P
7
V
4
g
PDF created with pdfFactory trial version www.pdffactory.com
DIGITAL PATTERNS IN GROUPS OF FIVE - Derryl Gabel Page 2 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
Am7^V
5
V
4
V
5
V
P
7
V
H
3
V
5
V
4
g V
5
V
P7
V
sl.3
V
H5
V
8
V
7
V
5
V
P
7
V
H
5
D9^V
9
g V
7
V
5
V
P
7
V
H
5
V
9
V
7
V
7
g V
P
7
V
H
5
V
9
V
8
V
7
V
8
V
P
9
V
H
5
I7
TAB
Am7^V
7
V
7
g V
7
V
P
9
V
H
5
V
7
V
5
V
7
V
P
9
g V
H
5
V
7
V
5
V
7
V
P8
V
sl.5
V
7
D9^V
10
V
9
g V
7
V
P
9
V
7
V
10
V
9
V
7
V
P
9
V
7
V
10
V
9
V
8
V
P
9
V
H
7
V
11
g
I9
TAB
Am7
V
10
V
8
V
10
V
P
11
g V
H
7
V
9
V
8
V
9
V
P
10
V
H
7
V
9
V
7
V
9
V
P
10
V
H
7
V
9
gD9^V
7
V
9
g V
P10
V
sl.7
V
8
V
12
V
10
V
9
V
P
10
V
H
9
V
12
V
10
V
9
V
P
10
V
H
9
V
12
I11
TAB
Am7^V
11
g V
10
V
P
11
V
H
9
V
12
V
12
V
10
V
12
V
P
12
V
H
9
V
11
V
10
V
11
V
P
12
V
H
9
V
10
D9^V
9
V
10
V
P
12
V
H
9
g V
10
V
9
V
10
V
P12
V
sl.8
V
H10
V
14
V
12
V
10
V
P
12
V
H
10
V
14
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DIGITAL PATTERNS IN GROUPS OF FIVE - Derryl Gabel Page 3 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I13
TAB
Am7^V
12
V
11
g V
P
12
V
H
10
V
14
V
12
V
12
V
P
12
V
H
11
V
14
V
13
V
12
V
13
V
P
14
V
H
11
V
12
D9^V
12
V
12
V
P
14
V
H
10
V
12
V
11
g V
12
V
P
14
V
H
10
V
12
V
10
V
12
V
P14
g V
sl.10
V
H12
V
15
I15
TAB
Am7^V
14
V
12
V
P
14
V
H
12
V
15
V
14
V
12
V
P
14
V
H
12
V
16
g V
14
V
13
V
P
14
V
H
12
V
16
V
15
D9
V
14
g V
15
V
P
16
V
H
12
V
14
V
13
V
14
V
P
16
g V
H
12
V
14
V
12
V
14
V
P
15
V
H
12
V
14
V
12
I17
TAB
Am7^V
14
V
P15
V
sl.12
V
14
g VD9^
I19
TAB
Am7^V
H2
g V
5
V
3
V
2
V
P
3
V
H
2
V
5
V
4
g V
2
V
P
4
V
H
2
V
5
V
4
V
3
V
P
4
V
H
2
D9^V
5
V
5
V
sl.
3
V
5
V
7
g V
P
7
V
4
V
5
V
5
V
5
V
P
7
V
H
4
g V
5
V
4
V
5
V
7
PDF created with pdfFactory trial version www.pdffactory.com
DIGITAL PATTERNS IN GROUPS OF FIVE - Derryl Gabel Page 4 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I21
TAB
Am7^V
H
3
V
5
V
4
g V
5
V
7
V
sl.3
V
H5
V
8
V
7
V
5
V
P
7
V
H
5
V
9
V
7
V
5
V
P
7
D9^V
H
5
V
9
V
7
V
7
g V
P
7
V
H
5
V
9
V
8
V
sl.
7
V
8
V
10
V
P
11
V
H
7
V
9
V
8
V
9
I23
TAB
Am7^V
P
10
V
H
7
V
9
V
7
V
9
V
P
10
V
H
7
V
9
g V
7
V
9
V
P10
V
sl.7
V
8
V
12
V
10
V
9
D9^V
P
10
V
H
9
g V
12
V
10
V
9
V
P
10
V
H
9
V
12
V
11
g V
10
V
P
11
V
H
9
V
12
V
12
V
sl.
10
V
12
I25
TAB
Am7
V
13
V
P
14
V
H
11
g V
12
V
12
V
12
V
P
14
V
H
10
V
12
V
11
V
12
V
P
14
V
H
10
V
12
V
10
V
12
D9^V
P14
g V
sl.10
V
H12
V
15
V
14
V
12
V
P
14
V
H
12
V
15
V
14
V
12
V
P
14
V
H
12
V
16
g V
14
V
13
PDF created with pdfFactory trial version www.pdffactory.com
DIGITAL PATTERNS IN GROUPS OF FIVE - Derryl Gabel Page 5 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I1
TAB
Am7^V
P
14
V
H
12
V
16
V
15
V
14
g V
15
V
17
V
P
17
V
H
14
V
16
V
15
V
16
V
P
17
V
H
14
V
16
g V
14
D9^V
16
g V
P
17
V
H
14
V
15
V
14
V
15
V
P17
V
sl.14
g W
15
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
DIGITAL PATTERNS IN GROUPS OF SIXAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Cmaj13 8 fr.x xD7sus4 7 fr.x x
D/E 7 fr.x xAmadd9 5 fr.x x
I1
TAB
44Gtr II
Gtr ICmaj13^V
H8
V
H10
V
12
V
10
V
9
V
P
10
V
H
9
g V
H
10
V
12
V
10
V
9
V
P
10
V
H
9
V
H
10
V
12
V
11
gD7sus4^V
10
V
P
11
g V
H
9
V
H
11
V
12
V
12
V
10
V
12
V
P
12
V
P
11
V
H
9
V
11
V
10
V
11
V
P
12
V
P
10
I3
TAB
D/E^V
H
9
V
10
V
9
V
10
V
P
12
V
P
10
V
H
9
g V
10
V
9
V
10
V
P12
V
P10
V
9
g V
8
f V
9
V
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DIGITAL PATTERNS IN GROUPS OF SEVENAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Cmaj13 8 fr.x xD7sus4 7 fr.x x
D/E 7 fr.x xAmadd9 5 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Cmaj13^V
H8
V
H10
V
12
V
10
V
9
V
P
12
V
P
10
V
H
9
g V
H
10
V
12
V
10
V
9
V
P
12
V
P
10
V
H
9
V
H
10
D7sus4^V
12
V
11
g V
10
V
P
12
V
P
11
V
H
9
V
H
11
V
12
V
12
V
10
V
12
V
P
12
V
P
11
V
H
9
V
H
11
V
12
I3
TAB
D/E
V
10
V
11
g V
P
12
V
P
10
V
H
9
V
H
10
V
12
V
9
V
10
V
P
12
V
P
10
V
H
9
g V
H
10
V
12
V
9
V
10
Amadd9^V
P12
V
P10
V
9
g V
8
f V
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ARPEGGIO SEQUENCE IN GROUPS OF 4 & 5As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This idea came from the Heptatonic idea and the digital patterns I was doing with stacking arpeggios in 4ths.
Dm7`5 4 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm7`5^V
H8
V
H11
e V
15
V
11
e V
8
e V
H
11
V
15
V
12
V
8
e V
H
12
V
15
V
12
V
9
e V
H
12
V
15
e V
13
V
10
V
H
13
V
P
16
e V
P
13
V
9
e V
H
12
V
H
15
V
P
12
V
8
e V
H
12
V
H
15
V
P
12
V
8
e V
H
11
e V
H15
V
P
11
I3
TAB
^V
8
V
P11
e V
10
V j
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2-5-1 ARPEGGIO SEQUENCEAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This uses the apeggio idea I show in the file entitiled Arpeggio Sequence in Groups of 4 & 5, and utilizes it over a 2, 5, 1 progression. Over the 2 and the 1 chord I'm using notes from Eb major. Over the altered 5 chord I'm using notes from B melodic minor.
Fm9 6 fr.x xB`7+5 6 fr.x x
E`maj9 5 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Fm9^V
H8
V
H11
g V
15
V
11
e V
8
e V
H
11
V
15
V
12
V
8
g V
H
12
f V
15
V
12
V
9
e V
H
12
V
15
e V
13
B`7+5
V
9
g V
H
12
V
P
15
V
P
12
V
9
g V
H
11
g V
H
14
V
P
11
V
7
V
H
11
g V
H
14
V
P
11
V
8
e V
H
11
g V
H14
g V
P
11
I3
TAB
E`maj9^V
H
8
V
H
10
V
12
V
10
V
H
7
V
H
10
V
12
V
10
V
H
8
V
H
10
V
13
V V
P
(13)
W10
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PENTATONICS IN GROUPS OF THREEAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This basically comes from visualizing the pentatonic scale 3 notes per string. Besides the examples given, try coming up with your ownmelodic groupings or sequences. Also use slides to shift to diffent parts of the neck.
Dm9 3 fr.x xDm9V
5 fr.x xDm9X
10 fr.xDm9XIII
13 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm9^V
H5
V
H8
V
P10
V
H8
V
10
V
P
7
V
H
5
V
H
7
V
P
10
V
H
7
V
10
V
P
7
V
H
5
V
H
7
V
P
10
V
H
7
^V
10
V
P
7
V
H
5
V
H
7
V
P
9
V
H
7
V
9
V
P
8
V
H
5
V
H
8
V
P
10
V
H
8
V
10
V
P
8
V
H
5
V
8
I3
TAB
Dm9V
V
P
10
V
P
8
V
H
5
V
P
8
V5
V
H
8
V
P
10
V
P
8
V
H
5
V
P
8
V
5
V
H
7
V
P
9
V
P
7
V
H
5
V
P
7
^V
5
V
H
7
V
P
10
V
P
7
V
H
5
V
P
7
V
5
V
H
7
V
P
10
V
P
7
V
H
5
V
P
7
V
5
V
H8
V
P10
V
P8
I5
TAB
^V
sl.5
V
3
V Vj
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PENTATONICS IN GRUPS OF FOURAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This basically comes from visualizing the pentatonic scale 3 notes per string. Besides the examples given, try coming up with your ownmelodic groupings or sequences. Also use slides to shift to diffent parts of the neck.
Dm9 3 fr.x xDm9V
5 fr.x xDm9X
10 fr.xDm9XIII
13 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm9V^V
H5
V
H8
V
10
V
P
7
V
H
5
V
H
7
V
10
V
P
7
V
H
5
V
H
7
V
10
V
P
7
V
H
5
V
H
7
V
9
V
P
8
^V
H
5
V
H
8
V
10
V
P
8
V
H
5
V
P
10
V
P
8
V
5
V
H
8
V
P
10
V
P
8
V
5
V
H
7
V
P
9
V
P
7
V
5
I3
TAB
Dm9X^V
H
7
V
P
10
V
P
7
V
5
V
H
7
V
P
10
V
P
7
V
5
V
H8
V
P10
V
P8
V
sl.5
V
3
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PENTATONICS IN GROUPS OF FIVEAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This basically comes from visualizing the pentatonic scale 3 notes per string. Besides the examples given, try coming up with your ownmelodic groupings or sequences. Also use slides to shift to diffent parts of the neck.
Dm9 3 fr.x xDm9V
5 fr.x xDm9X
10 fr.xDm9XIII
13 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm9X^V
H5
V
H8
V
10
V
7
V
5
V
H
7
V
10
V
7
V
H
5
V
7
V
H
5
V
H
7
V
10
V
7
V
5
V
H
7
^V
9
V
8
V
H
5
V
H
8
V
P
10
V
P
8
V
5
V
P
8
V
H
5
V
P
10
V
P
8
V
5
V
P
7
V
H
5
V
P
9
V
7
I3
TAB
Dm9XIII^V
P
7
V
H
5
V
P
10
V
P
7
V
5
V
P
7
V
H
5
V
P
10
V
P
7
V
5
V
P8
V
H5
V
P10
V
P8
V
sl.5
V
3
^V
(3)
j
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PENTATONICS IN GROUPS OF SIXAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This basically comes from visualizing the pentatonic scale 3 notes per string. Besides the examples given, try coming up with your ownmelodic groupings or sequences. Also use slides to shift to diffent parts of the neck.
Dm9 3 fr.x xDm9V
5 fr.x xDm9X
10 fr.xDm9XIII
13 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm9^V
H5
V
H8
V
10
V
7
V
5
V
P
7
V
H
5
V
H
7
V
10
V
7
V
5
V
P
7
V
H
5
V
H
7
V
10
V
7
^V
5
V
P
7
V
H
5
V
H
7
V
9
V
8
V
5
V
H
8
V
P
9
V
P
7
V
H
5
V
7
V
5
V
H
7
V
P
10
V
P
7
I3
TAB
Dm9V^V
H
5
V
7
V
5
V
H
7
V
P
10
V
P
7
V
H
5
V
7
V
5
V
H
7
V
P10
V
P8
V
5
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PENTATONICS IN GROUPS OF SEVENAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This basically comes from visualizing the pentatonic scale 3 notes per string. Besides the examples given, try coming up with your ownmelodic groupings or sequences. Also use slides to shift to diffent parts of the neck.
Dm9 3 fr.x xDm9V
5 fr.x xDm9X
10 fr.xDm9XIII
13 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm9X^V
H5
V
H8
V
10
V
7
V
H
5
V
H
7
V
10
V
H
5
V
H
7
V
10
V
7
V
H
5
V
H
7
V
9
V
H
5
V
H
7
^V
10
V
7
V
H
5
V
H
8
V
10
V
H
5
V
H
7
V
9
V
8
V
H
5
V
H
8
V
sl.
10
V
P
12
V
P
10
V
8
V
H
10
I3
TAB
Dm9XIII^V
P
12
V
P
9
V
7
V
P
13
V
P
10
V
8
V
H
9
V
P
12
V
P
10
V
7
V
P
12
V
P
9
V
7
V
H
10
V
P
12
V
P
10
^V
7
V
P
12
V
P
10
V
7
V
H
10
V
P12
V
P10
V
sl.8
V
5
j
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313313 LEGATO PENTATONICSAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
The idea behind this concept is to break out of the traditional 2 notes per string box pattern. By playing 3 notes on the low E, one on the A,3 on the D, etc... you get a wider range and it works great for high velocity as well.
I got this idea from Frank Gambale. After watching his video, "Monster Licks", I learned all of my pentatonic scales this way. Actually, heshowed a 313132 fingering. I started doing it using a 313133 and Derek Taylor suggested I try a more balanced 313313 approach. Whydidn't I think of that? Duh!!!! Thanks again big D!Oh, and thank you Frank!
Dm9 3 fr.x xDm9V
5 fr.x xDm9X
10 fr.xDm9XIII
13 fr.x xDm9VI
6 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm9^V
H3
V
H5
V
8
V
5
V
H
2
V
H
5
V
7
V
H
5
V
H
7
V
9
V
8
V
H
5
V
H
8
V
P
10
V
P
8
V
5
^V
H
8
V
P
9
V
P
7
V
5
V
P
7
V
P
5
V
2
V
H
5
V
P8
V
P5
V
3
Vj
I3
TAB
44Dm9V^V
H5
V
H8
V
10
V
7
V
H
5
V
H
7
V
10
V
H
7
V
H
9
V
12
V
10
V
H
8
V
H
10
V
P
12
V
P
10
V
8
^V
H
10
V
P
12
V
P
9
V
7
V
P
10
V
P
7
V
5
V
H
7
V
P10
V
P8
V
5
V j
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313313 LEGATO PENTATONICS - Derryl Gabel Page 2 of 2
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I5
TAB
44
Dm9X^V
H8
V
H10
V
12
V
10
V
H
7
V
H
10
V
12
V
H
9
V
H
12
V
14
V
13
V
H
10
V
H
12
V
P
15
V
P
12
V
10
^V
H
13
V
P
14
V
P
12
V
9
V
P
12
V
P
10
V
7
V
H
10
V
P12
V
P10
V
8
V j
I7
TAB
44
Dm9XIII^V
H10
V
H12
V
15
V
12
V
H
10
V
H
12
V
14
V
H
12
V
H
14
V
17
V
15
V
H
12
V
H
15
V
P
17
V
P
15
V
12
^V
H
15
V
P
17
V
P
14
V
12
V
P
14
V
P
12
V
10
V
H
12
V
P15
V
P12
V
10
V j
I9
TAB
44
Dm9VI^
V
H12
V
H15
V
17
V
15
V
H
12
V
H
14
V
17
V
H
14
V
H
17
V
19
V
17
V
H
15
V
H
17
V
P
20
V
P
17
V
15
^V
H
17
V
P
19
V
P
17
V
14
V
P
17
V
P
14
V
12
V
H
15
V
P17
V
P15
V
12
V j
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MANUVERING WITH 313 PENTATONICSAs recorded by Derryl Gabel(From the 2005 Album COOL LEGATO PHRASES)
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
Here's an example of one way you can manuver around the neck with the 313 idea.
Dm9 3 fr.x xDm9V
5 fr.x xDm9X
10 fr.xDm9XIII
13 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Dm9^V
H3
V
H5
V
8
V
5
V
H
2
V
H
5
V
P
7
V
P
5
V
sl.
2
V
H
5
V
H
7
V
10
V
7
V
H
5
V
H
8
V
P
10
^V
P
8
V
sl.
5
V
H
8
V
H
10
V
P
13
V
P
10
V
8
V
9
V
P
12
V
P
10
V
H
7
V
H
10
V
sl.
12
V
P
14
V
P
12
V
10
I3
TAB
44
Dm9V^V
12
V
P15
V
P12
V
sl.10
V
H12
V
H15
V
17
V
15
V
H
12
V
H
14
V
17
V
H
14
V
H
17
V
19
V
17
V
H
15
V
H
17
V
P
19
V
P
17
V
sl.
15
V
H
12
V
H
15
V
P
17
V
P
15
V12
V
15
V
P
17
V
P
14
V
sl.
12
V
H
9
V
H
12
V
14
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MANUVERING WITH 313 PENTATONICS - Derryl Gabel Page 2 of 2
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I5
TAB
44Dm9X^V
P
12
V
9
V
12
V
P
15
V
P
12
V
sl.
10
V
H
7
V
H
10
V
12
V
10
V
H
7
V
H
9
V
12
V
10
V
H
8
V
H
10
V
P
12
V
P
10
V
sl.
8
V
H
5
V
H
8
V
P
10
V
P
8
V5
V
8
V
P
9
V
P
7
V
5
V
P
7
V
P
5
V
2
V
5
I7
TAB
44Dm9XIII^V
P8
V
P5
V
3
V V
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313313 ARPEGGIO As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
313313
This is an example of an Am7 arpeggio over and FM9 chord. Notice how the arpeggio ascends in the 313313 fashion and then descends. Do this with all the inversions and arps and find the ones you like.
I tend to use this the most.
Fmaj9 1 fr.x
I1
TAB
44Gtr I
Gtr II
P = 120Fmaj9^
V
H3
V
H5
V
8
V
7
V
H
5
V
H
7
V
10
V
H
9
V
H
12
V
14
V
13
V
H
12
V
H
15
V
P
17
V
P
15
V
12
I2
TAB
34 V
H
13
V
P
14
V
P
12
V
9
V
P
10
V
P
7
V
5
V
H7
_V
P8
V
P5
V
3
V
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313313 ARPEGGIO - Derryl Gabel Page 2 of 2
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I3
TAB
44
^
V
H3
V
H5
V
8
V
7
V
H
5
V
H
7
V
10
V
H
9
V
H
12
V
14
V
13
V
H
12
V
H
15
V
H
17
V
H
20
T
V
P
24
T
I4
TAB
V
P
20
T
V
P
17
V
P
15
V
12
V
H
13
V
P
14
V
P
12
V
9
V
P
10
V
P
7
V
5
V
H
7
V
P8
V
P5
V
3
V
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
HYBRIDSAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This came from the 31313 Pentatonic idea. I had been using that for the heptatonics as well and started noticing it croping up in myimprovisations with closer intervals. I decided to work out all the fingerings and chose the name hybrids because it's a cross between anarpeggio and a scale.
Fbm11 12 fr.x xCmaj7+117 fr.x x
D11 8 fr.x xEm11 10 fr.x x
Am11 3 fr.x xBm11 5 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Fbm11^V
H2
g V
H4
g V
5
V
3
V
H
2
V
H
4
g V
5
V
2
V
H
1
V
H
3
V
P
5
V
P
3
V
sl.
1
V
H
3
V
H
5
V
P
7
gCmaj7+11^V
P
5
V
3
V
5
V
P
7
V
P
5
V
4
g V
5
V
P7
V
P5
V
sl.3
V
H5
V
H7
V
8
V
7
V
H
5
V
H
7
I3
TAB
D11^V
9
V
7
V
H
5
V
H
7
g V
P
8
V
P
7
V
sl.
5
V
H
7
V
H
8
V
P
10
V
P
8
V
7
V
9
V
P
10
V
P
9
V
7
Em11^V
9
g V
P10
V
P8
V
sl.7
V
H8
V
H10
V
12
V
10
V
H
9
V
H
10
V
12
V
11
g V
H
8
V
H
10
V
P
12
V
P
10
PDF created with pdfFactory trial version www.pdffactory.com
HYBRIDS - Derryl Gabel Page 2 of 2
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
Am11^V
sl.
8
V
H
10
V
H
12
V
P
13
V
P
12
V
10
V
11
g V
P
14
V
P
12
V
10
V
12
V
P14
g V
P12
V
sl.10
V
H12
V
H14
Bm11^V
15
V
14
V
H
12
V
H
14
V
16
g V
14
V
H
12
V
H
13
V
P
15
V
P
13
V
sl.
12
V
H
13
V
H
15
V
P
17
V
P
15
V
13
I7
TAB
Cmaj7+11
V
16
V
P
17
V
P
16
g V
14
V
15
V
P17
V
P15
V
H14
g V
15
V
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
HYBRIDS 2As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This came from the 31313 Pentatonic idea. I had been using that for the heptatonics as well and started noticing it croping up in myimprovisations with closer intervals. I decided to work out all the fingerings and chose the name hybrids because it's a cross between anarpeggio and a scale.
Fbm11 12 fr.x xCmaj7+117 fr.x x
D11 8 fr.x xEm11 10 fr.x x
Am11 3 fr.x xBm11 5 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Fbm11^V
H
2
V
H
3
V
5
V
4
g V
H
2
V
H
4
V
5
V
3
V
H
2
g V
H
3
V
P
5
V
P
3
V
sl.
2
V
H
3
V
H
5
V
P
7
Cmaj7+11^V
P
5
V
3
V
5
V
P
7
V
P
5
V
4
V
5
V
P
7
V
P
5
V
sl.
3
V
H
5
V
H
7
V
9
g V
7
V
H
5
V
H
7
I3
TAB
D11^V
9
V7
g V
H
5
V
H
7
V
P
8
V
P
7
V
sl.
5
V
H
7
V
H
8
V
P
10
V
P
8
V7
V8
V
P
11
V
P
9
V
7
Em11^V
9
V
P10
V
P9
g V
sl.7
V
H9
V
H10
V
12
V
10
V
H
9
V
H
11
g V
12
V
10
V
H
8
V
H
10
V
P
12
V
P
10
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HYBRIDS 2 - Derryl Gabel Page 2 of 2
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I5
TAB
Am11^V
sl.
8
V
H
10
V
H
12
V
P
14
g V
P
12
V
10
V
12
V
P
14
V
P
12
V
11
g V
12
V
P
14
V
P
12
V
sl.
10
V
H
12
V
H
14
Bm11^V
15
V
14
V
H
12
V
H
14
V
16
V
13
V
H
12
V
H
14
g V
P
15
V
P
14
V
sl.
12
V
H
14
V
H
15
V
P
17
V
P
15
V
14
I7
TAB
Cmaj7+11
V
15
V
P
17
V
P
16
V
14
V
16
g V
P
17
V
P
15
V
14
V V
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
MELODIC MINOR HYBRIDSAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This came from the 31313 Pentatonic idea. I had been using that for the heptatonics as well and started noticing it croping up in myimprovisations with closer intervals. I decided to work out all the fingerings and chose the name hybrids because it's a cross between anarpeggio and a scale.
I actually started fingering out the hybrids with the melodic minor harmony first.
Am/maj75 fr.x xAm/maj7/C7 fr.x x
Am/maj7/E5 fr.x xAm/maj7/Gb8 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Am/maj7^V
H2
g V
H4
g V
5
V
3
V
H
2
V
H
4
g V
6
g V
4
V
H
1
V
H
3
V
P
5
V
P
3
V
sl.
1
V
H
3
V
H
5
V
P
7
gAm/maj7/C^V
P
5
V
3
V
5
V
P
7
V
P
6
g V
4
g V
5
V
P7
V
P5
V
sl.4
g V
H5
V
H7
V
8
V
7
V
H
6
V
H
7
I3
TAB
Am/maj7/E^V
9
V
7
V
H
5
V
H
7
g V
P
9
g V
P
7
V
sl.
5
V
H
7
V
H
9
V
P
10
V
P
9
V
7
V
9
V
P
10
V
P
9
V
7
Am/maj7/Gb^V
9
g V
P10
V
P8
V
sl.7
V
H8
V
H10
V
12
V
11
g V
H
9
V
H
10
V
12
V
11
g V
H
9
g V
H
10
V
P
12
V
P
10
PDF created with pdfFactory trial version www.pdffactory.com
MELODIC MINOR HYBRIDS - Derryl Gabel Page 2 of 2
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
Am/maj7/E^V
sl.
9
g V
H
10
V
H
12
V
P
13
V
P
12
V
10
V
11
g V
P
14
V
P
12
V
10
V
11
g V
P14
g V
P12
V
sl.10
V
H12
V
H14
Am/maj7/C^V
16
g V
15
V
H
12
V
H
14
V
16
g V
13
g V
H
12
V
H
13
V
P
15
V
P
13
V
sl.
12
V
H
13
V
H
15
V
P
17
V
P
15
V
13
I7
TAB
Am/maj7
V
16
V
P
18
g V
P
16
g V
14
V
15
V
P17
V
P16
g V
H14
g P
H15
Ra V
16
g V
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
MELODIC MINOR HYBRIDS 2As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This came from the 31313 Pentatonic idea. I had been using that for the heptatonics as well and started noticing it croping up in myimprovisations with closer intervals. I decided to work out all the fingerings and chose the name hybrids because it's a cross between anarpeggio and a scale.
Am/maj75 fr.x xAm/maj7/C7 fr.x x
Am/maj7/E5 fr.x xAm/maj7/Gb8 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Am/maj7^V
H
2
V
H
3
V
5
V
4
g V
H
2
V
H
4
V
5
V
3
V
H
2
g V
H
4
g V
P
5
V
P
4
V
sl.
2
V
H
4
V
H
5
V
P
7
Am/maj7/C^V
P
5
V
4
g V
5
V
P
7
V
P
5
V
4
V
6
g V
P
7
V
P
5
V
sl.
3
V
H
5
V
H
7
V
9
g V
8
e V
H
5
V
H
7
I3
TAB
Am/maj7/E^V
9
V7
g V
H
5
V
H
7
V
P
8
V
P
7
V
sl.
5
V
H
7
V
H
8
V
P
10
V
P
8
V7
V9
g V
P
11
V
P
9
V
7
Am/maj7/Gb^V
10
V
P11
g V
P9
g V
sl.7
V
H9
V
H11
V
12
V
10
V
H
9
V
H
11
g V
14
V
10
V
H
8
V
H
10
V
P
12
V
P
10
PDF created with pdfFactory trial version www.pdffactory.com
MELODIC MINOR HYBRIDS 2 - Derryl Gabel Page 2 of 2
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
Am/maj7/E^V
sl.
8
V
H
10
V
H
12
V
P
14
g V
P
12
V
10
V
12
V
P
14
V
P
13
g V
11
g V
12
V
P
14
V
P
12
V
sl.
11
g V
H
12
V
H
14
Am/maj7/C^V
15
V
14
V
H
13
g V
H
14
V
16
V
13
V
H
12
V
H
14
g V
P
16
g V
P
14
V
H
12
V
H
14
V
H
16
V
P
17
V
P
16
V
14
I7
TAB
Am/maj7
V
15
V
P
17
V
P
16
V
14
V
16
g V
P
17
V
P
15
V
14
V V
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
HARMONIC MINOR HYBRIDSAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This came from the 31313 Pentatonic idea. I had been using that for the heptatonics as well and started noticing it croping up in myimprovisations with closer intervals. I decided to work out all the fingerings and chose the name hybrids because it's a cross between anarpeggio and a scale.
Am/maj75 fr.x xAm/maj7/C7 fr.x x
Am/maj7/E5 fr.x xAm/maj7/Gb8 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Am/maj7^V
H1
V
H4
g V
5
V
3
V
H
2
V
H
3
V
6
g V
4
V
H
1
V
H
3
V
P
5
V
P
3
V
sl.
1
V
H
3
V
H
5
V
P
6
Am/maj7/C^V
P
5
V
3
V
5
V
P
7
V
P
6
g V
3
V
5
V
P7
V
P5
V
sl.4
g V
H5
V
H7
V
8
V
7
V
H
6
V
H
7
I3
TAB
Am/maj7/E^V
9
V
7
V
H
5
V
H
6
V
P
9
g V
P
6
V
sl.
5
V
H
6
V
H
9
V
P
10
V
P
9
V
6
V
9
V
P
10
V
P
9
V
7
Am/maj7/Gb^V
8
V
P10
V
P8
V
sl.7
V
H8
V
H10
V
12
V
11
g V
H
9
V
H
10
V
12
V
10
V
H
9
g V
H
10
V
P
12
V
P
10
PDF created with pdfFactory trial version www.pdffactory.com
HARMONIC MINOR HYBRIDS - Derryl Gabel Page 2 of 2
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
Am/maj7/E^V
sl.
9
g V
H
10
V
H
12
V
P
13
V
P
12
V
10
V
13
V
P
14
V
P
12
V
10
V
11
g V
P13
V
P12
V
sl.10
V
H12
V
H13
Am/maj7/C^V
16
g V
15
V
H
12
V
H
14
V
15
V
13
g V
H
12
V
H
13
V
P
15
V
P
13
V
sl.
12
V
H
13
V
H
15
V
P
17
V
P
15
V
13
I7
TAB
Am/maj7
V
16
V
P
18
g V
P
15
V
14
V
15
V
P17
V
P16
g V
H13
P
H15
Ra V
16
g V
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
HARMONIC MINOR HYBRIDS 2As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
This came from the 31313 Pentatonic idea. I had been using that for the heptatonics as well and started noticing it croping up in myimprovisations with closer intervals. I decided to work out all the fingerings and chose the name hybrids because it's a cross between anarpeggio and a scale.
Am/maj75 fr.x xAm/maj7/C7 fr.x x
Am/maj7/E5 fr.x xAm/maj7/Gb8 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120Am/maj7^V
H
2
V
H
3
V
5
V
3
V
H
2
V
H
4
V
5
V
3
V
H
1
V
H
4
g V
P
5
V
P
4
V
sl.
1
V
H
4
V
H
5
V
P
7
Am/maj7/C^V
P
5
V
4
g V
6
V
P
7
V
P
5
V
4
V
6
g V
P
7
V
P
5
V
sl.
3
V
H
5
V
H
7
V
8
V
6
V
H
5
V
H
7
I3
TAB
Am/maj7/E^V
9
V6
V
H
5
V
H
7
V
P
8
V
P
7
V
sl.
5
V
H
7
V
H
8
V
P
10
V
P
8
V7
V9
g V
P
10
V
P
9
V
7
Am/maj7/Gb^V
9
V
P11
g V
P8
V
sl.7
V
H8
V
H11
V
12
V
10
V
H
9
V
H
10
V
13
g V
10
V
H
8
V
H
10
V
P
12
V
P
10
PDF created with pdfFactory trial version www.pdffactory.com
HARMONIC MINOR HYBRIDS 2 - Derryl Gabel Page 2 of 2
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
Am/maj7/E^V
sl.
8
V
H
10
V
H
12
V
P
13
V
P
12
V
10
V
12
V
P
14
V
P
13
g V
10
V
12
V
P
14
V
P
12
V
sl.
11
g V
H
12
V
H
14
Am/maj7/C^V
15
V
14
V
H
13
g V
H
14
V
16
V
13
V
H
12
V
H
13
V
P
16
g V
P
13
V
sl.
12
V
H
13
V
H
16
V
P
17
V
P
16
V
14
g
I7
TAB
Am/maj7
V
15
V
P
17
V
P
16
V
14
V
15
V
P
17
V
P
15
V
14
V V
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
313313 HEPTATONICS As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
313313 Heptatonics
This melodic concept came from the Pentatonic ideas using the 313313 fingerings. I thought, "it would be cool to be able to do the samethings with triads". I chose the name Heptatonics because there are seven diffrent notes used. In some cases there are more.The geometric principal is to invision triads stacked in fourths across the strings. Now play the corresponding triads except on every otherstring just play the center note, which is the 3rd of the triad.
G7sus4 3 fr.x xAmadd9 5 fr.x x
Dm11 3 fr.x xBm11 5 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 240G7sus4^
V
7
V
H10
V
13
V
10
V
H
7
V
H
10
V
14
V
H
10
V
H
14
V
17
V
14
g V
H
10
V
H
13
V
P
17
V
P
13
V
10
^V
14
g V
P
17
f V
P
14
V
10
V
P
14
V
P
10
V
7
V
10
V
P13
V
P10
V
sl.7
V
H8
V
H12
V
15
V
12
V
9
I3
TAB
Amadd9^V
H
12
V
15
V
H
12
V
H
16
V
19
V
16
e V
H
12
f V
H
15
V
P
19
V
P
15
V
12
V
16
e V
P
19
V
P
16
V
12
V
P
15
^V
P
12
V
9
V
12
V
P15
V
P12
V
sl.8
V
H10
V
H13
V
17
V
14
V
H
10
V
H
14
V
17
V
H
14
V
H
17
V
20
e
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313313 HEPTATONICS - Derryl Gabel Page 2 of 2
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I5
TAB
Dm11^V
17
V
H
13
V
H
17
V
P
20
V
P
17
V
13
V
17
V
P
20
e V
P
17
V
14
V
P
17
V
P
14
V
10
V
14
V
P17
V
P13
^
V
sl.10
V
H12
V
H15
V
19
V
15
V
H
12
V
H
15
V
P
19
V
H
12
V
H
15
V
19
V
15
e V
H
12
f V
H
15
V
sl.
18
V
17
I7
TAB
Bm11
U
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Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
31313 HEPTATONICS 2As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
31313 Heptatonics
This melodic concept came from the Pentatonic ideas using the 31313 fingerings. I thought, "it would be cool to be able to do the samethings with triads". I chose the name Heptatonics because there are seven diffrent notes used. In some cases there are more.The geometric principal is to invision triads stacked in fourths across the strings. Now play the corresponding triads except on every otherstring just play the center note, which is the 3rd of the triad. In some instances there will be an accidental which creates a chromaticpassing tone. I did this because I liked the way it sounded plus it made it easier to play.
G7sus4 3 fr.x xAmadd9 5 fr.x x
Dm11 3 fr.x xBm11 5 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120G7sus4^V
H
7
V
H
10
V
14
V
10
V
H
7
V
H
10
V
14
V
11
e V
H
7
f V
H
10
V
P
13
V
P
10
V
sl.
7
V
H
8
V
H
12
V
15
V
P
12
V
8
V
12
V
P
15
e V
P
12
V
9
V
12
V
P
15
V
P
12
V
sl.
8
V
H
10
V
H
14
V
17
V
14
V
H
10
V
H
14
I3
TAB
Amadd9^V
17
V
14
g V
H
10
V
H
13
V
P
17
V
P
13
V
sl.
10
V
H
12
V
H
15
V
P
19
V
P
15
V
12
V
16
e V
P
19
V
P
16
V
12
^V
15
V
P
19
V
P
15
V
sl.
12
V
H
14
V
H
17
V
20
V
17
V
H
14
V
H
17
V
20
e V
17
f V
H
13
V
H
17
V
P
20
V
P
17
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31313 HEPTATONICS 2 - Derryl Gabel Page 2 of 2
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I5
TAB
Dm11^V
sl.
13
V
H
15
V
H
19
V
P
22
V
P
19
V
15
V
19
g V
P
22
f V
P
19
V
16
V
19
V
P
22
V
P
19
V
H
15
V
H
19
V
22
^V
19
V
H
16
V
H
19
V
P
22
V
H
16
V
H
19
V
22
V
19
g V
H
15
V
H
19
V
P
22
V
P
19
V
H
15
V
H
17
V
H
20
V
24
I7
TAB
Bm11
W
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
31313 HEPTATONICS As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
31313 Heptatonics
This melodic concept came from the Pentatonic ideas using the 31313 fingerings. I thought, "it would be cool to be able to do the samethings with triads". I chose the name Heptatonics because there are seven diffrent notes used. In some cases there are more.The geometric principal is to invision triads stacked in fourths across the strings. Now play the corresponding triads except on every otherstring just play the center note, which is the 3rd of the triad. In some instances there will be an accidental which creates a chromaticpassing tone. I did this because I liked the way it sounded plus it made it easier to play.
G7sus4 3 fr.x xAmadd9 5 fr.x x
Dm11 3 fr.x xBm11 5 fr.x x
I1
TAB
44Gtr II
Gtr I
P = 120G7sus4^V
H7
V
H10
V
13
V
10
V
H
7
V
H
10
V
14
V
10
V
H
7
g V
H
10
V
P
13
V
P
10
V
sl.
7
V
H
8
V
H
12
V
15
V
P
12
V
8
V
11
g V
P
15
f V
P
12
V
9
V
12
V
P15
V
P12
V
sl.8
V
H10
V
H13
V
17
V
14
V
H
10
V
H
14
I3
TAB
Amadd9^V
17
V
13
g V
H
10
V
H
13
V
P
17
V
P
13
V
sl.
10
V
H
12
V
H
15
V
P
18
V
P
15
V
12
V
15
e V
P
19
V
P
15
V
12
^V
15
V
P19
V
P15
V
sl.12
V
H13
V
H17
V
20
V
17
V
H
14
V
H
17
V
20
e V
16
f V
H
13
V
H
17
V
P
20
V
P
17
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31313 HEPTATONICS - Derryl Gabel Page 2 of 2
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I5
TAB
Dm11^V
sl.
13
V
H
15
V
H
18
V
P
22
V
P
18
V
15
V
18
g V
P
22
f V
P
19
V
15
V
19
V
P22
V
P19
V
H15
V
H19
V
22
^V
19
V
H
15
V
H
19
V
P
22
V
H
15
V
H
19
V
22
V
18
g V
H
15
V
H
18
V
P
22
V
P
18
V
H
15
V
H
17
V
H
20
V
24
I7
TAB
Bm11
W
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Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
313214 ARPEGGIOS As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
313214 Arpeggios.
The "313214" refers to the fingering used: 3 notes on the low E, 1 on the A, 3 on the D etc...
The four notes on the high E are played with the 2 fingers of my left hand and the 2 (usually the middle and ring fingers) of my right.
Bm9 7 fr. D7 5 fr.x xB`maj9 6 fr.x
B`9 6 fr.
I1
TAB
ggg 44Gtr I
Gtr II
P = 120Bm9^
V
sl.9
V
H10
V
14
V
12
V
H
11
V
H
12
V
16
V
H
14
V
18
V
15
V
H
14
V
H
17
V
H
21
T
V
P
24
T
V
P
21
T
V
P
17
^V
14
V
H
15
V
P
18
V
H
14
V
P
16
V
P
12
V
11
V
H
12
V
P14
V
sl.10
V
9
V jDM7 Arpeggio
I3
TAB
gg
D7^
V
H8
f V
H10
V
14
V
12
V
H
10
f V
H
12
V
16
V
H
14
V
17
f V
15
V
H
14
V
H
17
V
H
20
T
f V
P
24
T
V
P
20
T
V
P
17
^V
14
V
H
15
V
P
17
f V
H
14
V
P
16
V
P
12
V
10
f V
H
12
V
P14
V
P10
V
8
f V jD7 Arpeggio
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313214 ARPEGGIOS - Derryl Gabel Page 2 of 2
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I5
TAB
f f
B`maj9^
V
H8
f V
H10
V
13
f V
12
V
H
10
f V
H
12
V
15
f V
H
14
V
17
f V
15
V
H
13
f V
H
17
V
H
20
T
f V
P
24
T
V
P
20
T
V
P
17
^V
13
f V
H
15
V
P
17
f V
H
14
V
P
15
f V
P
12
V
10
f V
H
12
V
P13
f V
P10
V
8
f V jDm7 Arpeggio
I7
TAB
ee
B`9^V
H8
V
H10
V
13
V
11
g V
H
10
V
H
12
V
15
V
H
13
g V
17
V
15
V
H
13
V
H
16
g V
H
20
T
V
P
22
T
V
P
20
T
V
P
16
^V
13
V
H
15
V
P
17
V
H
13
g V
P
15
V
P
12
V
10
V
H11
g V
P13
V
P10
V
8
V jDm7b5 Arpeggio
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Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
STRING SKIPPING ARPEGGIOSAs recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
I started doing this after I saw Paul Gilbert do it on his Intense Rock REH video. He did it with an E minor 7th. I thought, "that sounds socool! I've got to learn every arpeggio like that."
Notice that I'm using right hand hammer-ons and pull-offs to extend the phrase. I learned this technique from Derek Taylor.
Bm9 7 fr. D7 5 fr.x xB`maj9 6 fr.x
B`9 6 fr. Bm/maj7 7 fr.x xD7`5 4 fr.x x
D7+5 5 fr.x xBm7`5 6 fr.x x
D7`9 4 fr.x x
I1
TAB
ggg 44Gtr II
Gtr I
P = 120Bm9^
V
sl.9
V
H10
V
14
V
12
V
H
11
V
H
12
V
16
V
H
10
V
H
14
V
H
15
V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
14
V
10
^V
P
16
V
P
12
V
11
V
H
12
V
P14
V
sl.10
V
9
VDM7 Arpeggio
I3
TAB
ggg^
V
sl.9
V
H10
V
14
V
12
V
H
11
V
H
12
V
16
V
H
10
V
H
14
V
H
15
V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
14
V
10
^V
P
16
V
P
12
V
H
11
V
H
19
T
V
P
23
T
V
P
19
T
V
P
16
V
P
12
V
11
V
H12
V
P14
V
sl.10
V
9
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STRING SKIPPING ARPEGGIOS - Derryl Gabel Page 2 of 5
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I5
TAB
ggD7^
V
sl.8
f V
H10
V
14
V
12
V
H
10
f V
H
12
V
16
V
H
10
V
H
13
f V
H
15
V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
13
V
10
^V
P
16
V
P
12
V
10
f V
H
12
V
P14
V
sl.10
V
8
f VD7 Arpeggio
I7
TAB
gg^
V
sl.8
f V
H10
V
14
V
12
V
H
10
f V
H
12
V
16
V
H
10
V
H
13
f V
H
15
V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
13
V
10
^V
P
16
V
P
12
V
H
10
f V
H
19
T
V
P
22
T
f V
P
19
T
V
P
16
V
P
12
V
10
V
H
12
V
P14
V
sl.10
V
8
f
I9
TAB
f fB`maj9^
V
sl.8
f V
H10
V
13
f V
12
V
H
10
f V
H
12
V
15
f V
H
10
V
H
13
f V
H
15
V
H
18
T
f V
P
22
T
V
P
18
T
V
P
15
V
P
13
V
10
^V
P
15
f V
P
12
V
10
f V
H
12
V
P13
f V
sl.10
V
8
f VDm7 Arpeggio
I11
TAB
gg^
V
sl.8
f V
H10
V
13
f V
12
V
H
10
f V
H
12
V
15
f V
H
10
V
H
13
f V
H
15
V
H
18
T
f V
P
22
T
V
P
18
T
V
P
15
V
P
13
V
10
^V
P
15
f V
P
12
V
H
10
f V
H
19
T
V
P
22
T
f V
P
19
T
V
P
15
V
P
12
V
10
V
H
12
V
P13
f V
sl.10
V
8
f
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STRING SKIPPING ARPEGGIOS - Derryl Gabel Page 3 of 5
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I13
TAB
eeB`9^V
sl.8
V
H10
V
13
V
11
g V
H
10
V
H
12
V
15
V
H
9
g V
H
13
V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
13
V
9
^V
P
15
V
P
12
V
10
V
H
11
g V
P13
V
sl.10
V
8
VDm7b5 Arpeggio
I15
TAB
ee^V
sl.8
V
H10
V
13
V
11
g V
H
10
V
H
12
V
15
V
H
9
g V
H
13
V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
13
V
9
^V
P
15
V
P
12
V
H
10
V
H
18
T
g V
P
22
T
V
P
18
T
V
P
15
V
P
12
V
10
V
H
11
g V
P13
V
sl.10
V
8
I17
TAB
eeBm/maj7^
V
sl.9
g V
H10
V
14
g V
13
g V
H
11
g V
H
12
V
16
g V
H
11
g V
H
14
g V
H
15
V
H
19
T
g V
P
23
T
g V
P
19
T
V
P
15
V
P
14
V
11
^V
P
16
g V
P
12
V
11
g V
H
13
g V
P14
g V
sl.10
V
9
g VDM7#5 Arpeggio
I19
TAB
ee^
V
sl.9
g V
H10
V
14
g V
13
g V
H
11
g V
H
12
V
16
g V
H
11
g V
H
14
g V
H
15
V
H
19
T
g V
P
23
T
g V
P
19
T
V
P
15
V
P
14
V
11
^V
P
16
g V
P
12
V
H
11
g V
H
20
T
g V
P
24
T
V
P
20
T
V
P
16
V
P
12
V
11
V
H
13
g V
P14
g V
sl.10
V
9
g
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I21
TAB
eeD7`5^V
sl.8
V
H10
V
14
g V
11
e V
H
10
V
H
12
V
16
g V
H
9
e V
H
13
V
H
15
V
H
19
T
g V
P
21
T
e V
P
19
T
V
P
15
V
P
13
V
9
^V
P
16
g V
P
12
V
10
V
H
11
e V
P14
g V
sl.10
V
8
VD7b5 Arpeggio
I23
TAB
ee^
V
sl.8
V
H10
V
14
g V
13
V
H
10
V
H
12
V
16
g V
H
11
V
H
13
V
H
15
V
H
19
T
g V
P
23
T
V
P
19
T
V
P
15
V
P
13
V
11
^V
P
16
g V
P
12
V
H
10
V
H
20
T
V
P
22
T
V
P
20
T
V
P
16
V
P
12
V
10
V
H
13
V
P14
g V
sl.10
V
8
I25
TAB
eeD7+5^
V
sl.8
V
H10
V
14
g V
13
V
H
10
V
H
12
V
16
g V
H
11
V
H
13
V
H
15
V
H
19
T
g V
P
23
T
V
P
19
T
V
P
15
V
P
13
V
11
^V
P
16
g V
P
12
V
10
V
H
13
V
P14
g V
sl.10
V
8
VD7#5 Arpeggio
I27
TAB
ee^
V
sl.8
V
H10
V
14
g V
13
V
H
10
V
H
12
V
16
g V
H
11
V
H
13
V
H
15
V
H
19
T
g V
P
23
T
V
P
19
T
V
P
15
V
P
13
V
11
^V
P
16
g V
P
12
V
H
10
V
H
20
T
V
P
22
T
V
P
20
T
V
P
16
V
P
12
V
10
V
H
13
V
P14
g V
sl.10
V
8
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STRING SKIPPING ARPEGGIOS - Derryl Gabel Page 5 of 5
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I29
TAB
eeBm7`5^
V
sl.9
g V
H10
V
13
V
12
V
H
11
g V
H
12
V
15
V
H
10
V
H
14
g V
H
15
V
H
18
T
V
P
22
T
V
P
18
T
V
P
15
V
P
14
V
10
^V
P
15
V
P
12
V
11
g V
H
12
V
P13
V
sl.10
V
9
g VDmM7 Arpeggio
I31
TAB
ee^
V
sl.9
g V
H10
V
13
V
12
V
H
11
g V
H
12
V
15
V
H
10
V
H
14
g V
H
15
V
H
18
T
V
P
22
T
V
P
18
T
V
P
15
V
P
14
V
10
^V
P
15
V
P
12
V
H
11
g V
H
19
T
V
P
23
T
g V
P
19
T
V
P
15
V
P
12
V
11
V
H
12
V
P13
V
sl.10
V
9
g
I33
TAB
eeD7`9^V
sl.9
g V
H10
V
13
V
11
g V
H
9
f V
H
12
V
15
V
H
9
g V
H
12
f V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
12
V
9
^V
P
15
V
P
12
V
9
f V
H
11
g V
P13
V
sl.10
V
9
g VD o7 Arpeggio
I35
TAB
ee^V
sl.9
g V
H10
V
13
V
11
g V
H
9
f V
H
12
V
15
V
H
9
g V
H
12
f V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
12
V
9
^V
P
15
V
P
12
V
H
9
f V
H
18
T
g V
P
21
T
f V
P
18
T
V
P
15
V
P
12
V
9
V
H
11
g V
P13
V
sl.10
V
9
g
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
STRING SKIPPING ARPEGGIOS 2As recorded by Derryl Gabel
Transcribed by Derryl Gabel Music by Derryl GabelArranged by Derryl Gabel
Performance Notes
I started doing this after I saw Paul Gilbert do it on his Intense Rock REH video. He did it with an E minor 7th. I thought, "that sounds socool! I've got to learn every arpeggio like that."
Notice that I'm using right hand hammer-ons and pull-offs to extend the phrase. I learned this technique from Derek Taylor.
Em9 G7 3 fr.x xE`maj9 5 fr.x
E`9 5 fr.x xEm/maj7 7 fr.x x
G7`5 2 fr.x xG7+5 3 fr.x x
Em7`5 6 fr.x xCb7`9 3 fr.x x
I1
TAB
ggg 44Gtr II
Gtr I
P = 120Em9^
V
sl.
9
V
H
10
f V
14
V
12
V
H
11
V
H
12
f V
16
V
H
10
V
H
14
V
H
15
f V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
14
V
10
^V
P
16
V
P
12
f V
11
V
H
12
V
P
14
V
sl.
10
f V
9
VGM7 Arpeggio
I3
TAB
ggg^
V
sl.
9
V
H
10
f V
14
V
12
V
H
11
V
H
12
f V
16
V
H
10
V
H
14
V
H
15
f V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
14
V
10
^V
P
16
V
P
12
f V
H
11
V
H
19
T
V
P
23
T
V
P
19
T
V
P
16
V
P
12
V
11
V
H
12
V
P
14
V
sl.
10
f V
9
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STRING SKIPPING ARPEGGIOS 2 - Derryl Gabel Page 2 of 6
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I5
TAB
gg
G7^
V
sl.
8
f V
H
10
V
14
V
12
V
H
10
f V
H
12
V
16
V
H
10
V
H
13
f V
H
15
V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
13
V10
^V
P
16
V
P
12
V
10
f V
H
12
V
P
14
V
sl.
10
V
8
f VG7 Arpeggio
I7
TAB
gg^
V
sl.
8
f V
H
10
V
14
V
12
V
H
10
f V
H
12
V
16
V
H
10
V
H
13
f V
H
15
V
H
19
T
V
P
22
T
V
P
19
T
V
P
15
V
P
13
V
10
^V
P
16
V
P
12
V
H
10
f V
H
19
T
V
P
22
T
f V
P
19
T
V
P
16
V
P
12
V
10
V
H
12
V
P
14
V
sl.
10
V
8
f
I9
TAB
f f
E`maj9^
V
sl.
8
f V
H
10
V
13
e V
12
V
H
10
f V
H
12
V
15
e V
H
10
V
H
13
f V
H
15
V
H
18
T
e V
P
22
T
V
P
18
T
V
P
15
V
P
13
V10
^V
P
15
e V
P
12
V
10
f V
H
12
V
P
13
e V
sl.
10
V
8
f VGm7 Arpeggio
I11
TAB
gg^
V
sl.
8
f V
H
10
V
13
e V
12
V
H
10
f V
H
12
V
15
e V
H
10
V
H
13
f V
H
15
V
H
18
T
e V
P
22
T
V
P
18
T
V
P
15
V
P
13
V
10
^V
P
15
e V
P
12
V
H
10
f V
H
19
T
V
P
22
T
f V
P
19
T
V
P
15
V
P
12
V
10
V
H
12
V
P
13
e V
sl.
10
V
8
f
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I13
TAB
eeE`9^V
sl.
8
V
H
10
V
13
V
11
g V
H
10
V
H
12
V
15
V
H
9
g V
H
13
V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
13
V9
^V
P
15
V
P
12
V
10
V
H
11
g V
P
13
V
sl.
10
V
8
VGm7b5 Arpeggio
I15
TAB
ee^V
sl.
8
V
H
10
V
13
V
11
g V
H
10
V
H
12
V
15
V
H
9
g V
H
13
V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
13
V
9
^V
P
15
V
P
12
V
H
10
V
H
18
T
g V
P
22
T
V
P
18
T
V
P
15
V
P
12
V
10
V
H
11
g V
P
13
V
sl.
10
V
8
I17
TAB
ee
Em/maj7^
V
sl.
9
g V
H
10
V
14
f V
13
g V
H
11
g V
H
12
V
16
f V
H
11
g V
H
14
g V
H
15
V
H
19
T
f V
P
23
T
g V
P
19
T
V
P
15
V
P
14
V11
^V
P
16
f V
P
12
V
11
g V
H
13
g V
P
14
f V
sl.
10
V
9
g VGM7#5 Arpeggio
I19
TAB
ee^
V
sl.
9
g V
H
10
V
14
f V
13
g V
H
11
g V
H
12
V
16
f V
H
11
g V
H
14
g V
H
15
V
H
19
T
f V
P
23
T
g V
P
19
T
V
P
15
V
P
14
V
11
^V
P
16
f V
P
12
V
H
11
g V
H
20
T
g V
P
24
T
V
P
20
T
V
P
16
V
P
12
V
11
V
H
13
g V
P
14
f V
sl.
10
V
9
g
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STRING SKIPPING ARPEGGIOS 2 - Derryl Gabel Page 4 of 6
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I21
TAB
ee
G7`5^V
sl.
8
V
H
10
V
14
f V
11
e V
H
10
V
H
12
V
16
f V
H
9
e V
H
13
V
H
15
V
H
19
T
f V
P
21
T
e V
P
19
T
V
P
15
V
P
13
V9
^V
P
16
f V
P
12
V
10
V
H
11
e V
P
14
f V
sl.
10
V
8
VG7b5 Arpeggio
I23
TAB
ee^
V
sl.
8
V
H
10
V
14
f V
13
V
H
10
V
H
12
V
16
f V
H
11
V
H
13
V
H
15
V
H
19
T
f V
P
23
T
V
P
19
T
V
P
15
V
P
13
V
11
^V
P
16
f V
P
12
V
H
10
V
H
20
T
V
P
22
T
V
P
20
T
V
P
16
V
P
12
V
10
V
H
13
V
P
14
f V
sl.
10
V
8
I25
TAB
ee
G7+5^
V
sl.
8
V
H
10
V
14
f V
13
ee V
H
10
f V
H
12
V
16
f V
H
11
ee V
H
13
f V
H
15
V
H
19
T
f V
P
23
T
ee V
P
19
T
V
P
15
V
P
13
V
11
ee^V
P
16
f V
P
12
V
10
V
H
13
ee V
P
14
f V
sl.
10
V
8
VG7#5 Arpeggio
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I27
TAB
ee^
V
sl.
8
V
H
10
V
14
f V
13
ee V
H
10
f V
H
12
V
16
f V
H
11
ee V
H
13
f V
H
15
V
H
19
T
f V
P
23
T
ee V
P
19
T
V
P
15
V
P
13
V
11
ee^V
P
16
f V
P
12
V
H
10
V
H
20
T
ee V
P
22
T
f V
P
20
T
ee V
P
16
V
P
12
V
10
V
H
13
ee V
P
14
f V
sl.
10
V
8
I29
TAB
ee
Em7`5^
V
sl.
9
g V
H
10
V
13
ee V
12
V
H
11
g V
H
12
V
15
ee V
H
10
V
H
14
g V
H
15
V
H
18
T
ee V
P
22
T
V
P
18
T
V
P
15
V
P
14
V10
^V
P
15
ee V
P
12
V
11
g V
H
12
V
P
13
ee V
sl.
10
V
9
g VGmM75 Arpeggio
I31
TAB
ee^
V
sl.
9
g V
H
10
V
13
ee V
12
V
H
11
g V
H
12
V
15
ee V
H
10
V
H
14
g V
H
15
V
H
18
T
ee V
P
22
T
V
P
18
T
V
P
15
V
P
14
V
10
^V
P
15
ee V
P
12
V
H
11
g V
H
19
T
V
P
23
T
g V
P
19
T
V
P
15
V
P
12
V
11
V
H
12
V
P
13
ee V
sl.
10
V
9
g
PDF created with pdfFactory trial version www.pdffactory.com
STRING SKIPPING ARPEGGIOS 2 - Derryl Gabel Page 6 of 6
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I33
TAB
eeCb7`9^V
sl.
9
g V
H
10
V
13
V
11
g V
H
9
V
H
12
V
15
V
H
9
g V
H
12
V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
12
V9
^V
P
15
V
P
12
V
9
V
H
11
g V
P
13
V
sl.
10
V
9
g VG o7 Arpeggio
I35
TAB
ee^V
sl.
9
g V
H
10
V
13
V
11
g V
H
9
V
H
12
V
15
V
H
9
g V
H
12
V
H
15
V
H
18
T
V
P
21
T
g V
P
18
T
V
P
15
V
P
12
V
9
^V
P
15
V
P
12
V
H
9
V
H
18
T
g V
P
21
T
V
P
18
T
V
P
15
V
P
12
V
9
V
H
11
g V
P
13
V
sl.
10
V
9
g
PDF created with pdfFactory trial version www.pdffactory.com
Gabelvision ASCAPGenerated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
EXTENDED STRING SKIPPING ARPEGGIOSEQUENCES
As recorded by Derryl GabelTranscribed by Derryl Gabel Music by Derryl Gabel
Arranged by Derryl Gabel
Performance Notes
This takes the string skipping arpeggio concept a little further by incorperating "rolls" to enable you to smoothly shift up the neck and covera broader range. Derek Taylor showed this to me as well.Thanks Derek! What smart guy!
Fbm9 2 fr. A13 5 fr.x xFmaj9 1 fr.x
F9 1 fr.
I1
TAB
ggg 44Gtr II
Gtr I
P = 120Fbm9^
V
sl.4
V
H5
V
9
V
7
V
H
6
V
H
7
V
P
9
V
P
7
V
sl.
6
V
H
7
V
H
9
V
11
V
H
9
V
H
13
V
P
14
V
P
13
^V
sl.
9
V
H
13
V
H
14
V
18
V
H
12
V
H
16
V
H
17
V
H
21
T
V
P
24
T
V
P
21
T
V
P
17
V
P
16
V
12
V
P
18
V
P
14
V
sl.
13
AM9 Arpeggio
I3
TAB
ggg^V
Hsl.
9
V
H
13
V
P
14
V
P
13
V
9
V
P
11
V
P
9
V
sl.
7
V
H
6
V
H
7
V
P
9
V
P
7
V
6
V
7
V
P9
V
sl.5
^W
4
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EXTENDED STRING SKIPPING ARPEGGIO SEQUENCES - Derryl Gabel Page 2 of 3
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I5
TAB
gg
A13^
V
H3
V
H5
V
9
V
7
V
H
5
V
H
7
V
P
9
V
P
7
V
sl.
5
V
H
7
V
H
9
V
11
V
H
9
V
H
12
V
P
14
V
P
12
^V
sl.
9
V
H
12
V
H
14
V
18
V
H
12
V
H
15
V
H
17
V
H
21
T
V
P
24
T
V
P
21
T
V
P
17
V
P
15
V
12
V
P
18
V
P
14
V
sl.
12
A9 Arpeggio
I7
TAB
gg^V
Hsl.
9
V
H
12
V
P
14
V
P
12
V
9
V
P
11
V
P
9
V
sl.
7
V
H
5
V
H
7
V
P
9
V
P
7
V
5
V
7
V
P9
V
sl.5
^W
3
I9
TAB
f f
Fmaj9^
V
H3
V
H5
V
8
f V
7
V
H
5
V
H
7
V
P
10
f V
P
7
V
sl.
5
V
H
7
V
H
10
V
12
V
H
9
V
H
12
V
P
14
V
P
12
^V
sl.
9
V
H
12
V
H
14
V
17
f V
H
12
V
H
15
V
H
17
V
H
20
T
f V
P
24
T
V
P
20
T
V
P
17
V
P
15
V
12
V
P
17
V
P
14
V
sl.
12
Am9 Arpeggio
I11
TAB
gg^V
Hsl.
9
V
H
12
V
P
14
V
P
12
V
9
V
P
12
V
P
10
f V
sl.
7
V
H
5
V
H
7
V
P
10
V
P
7
V
5
V
7
V
P8
f V
sl.5
^W
3
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EXTENDED STRING SKIPPING ARPEGGIO SEQUENCES - Derryl Gabel Page 3 of 3
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I13
TAB
ee
F9^
V
H3
V
H5
V
8
V
6
g V
H
5
V
H
7
V
P
10
V
P
7
V
sl.
5
V
H
7
V
H
10
V
12
V
H
8
g V
H
12
V
P
14
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9
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T
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23
T
g V
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Am7b5 add9 Arpeggio
I15
TAB
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8
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f V
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7
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^W
3
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