Africa Through the Hollywood Lens

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frica Through the Hollywood Len Presented by: AMREF’S Coffeehouse Speakers Series on global development Featuring: Ntare Guma Mbaho Mwine and Anthony Morgan

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In September over 80 people joined the African Medical and Research Foundation (AMREF) to discuss Hollywood’s role in telling stories about Africa. Human rights lawyer, Huffington Post blogger, and former teen actor Anthony Morgan joined actor, director, writer Ntare Guma Mbaho Mwine on a panel moderated by AMREF executive director Anne-Marie Kamanye to lead the conversation.

Transcript of Africa Through the Hollywood Lens

Page 1: Africa Through the Hollywood Lens

Africa Through the Hollywood Lens

Presented by:

AMREF’S Coffeehouse Speakers Series on global development

Featuring:

Ntare Guma Mbaho Mwine and Anthony Morgan

Page 2: Africa Through the Hollywood Lens

“The single story creates stereotypes, and the problem with stereotypes is not that they are untrue,

but that they are incomplete. They make one story become the only story”

--Chimamanda Ngozi Adichie, author of Half of the Yellow Sun and Purple Hibiscus

Quotable

Page 3: Africa Through the Hollywood Lens

Out of Africa, 1985

Page 4: Africa Through the Hollywood Lens

Reaching wide audiences is valuable, but problems can develop when simplification edges towards

distortion.

-- “What Hollywood tells us about war and poverty” The Guardian

Quotable

Page 5: Africa Through the Hollywood Lens

The Gods Must be Crazy was banned in Trinidad and Tobago

following protests claiming that the film was racist.

The film was very popular worldwide, however, grossing over

$100 million.

Did you know?

Page 6: Africa Through the Hollywood Lens

The power of film as a particular representational genre is clearly a double-edged sword. There is no doubt that films can convey a visceral sense of a given situation or issue more vividly than any academic text or policy report.

--The Projection of Development: Cinematic Representation as An(other) Source of Authoritative Knowledge? World Bank Study 2013

Quotable

Page 7: Africa Through the Hollywood Lens

“"Beyond Borders" has good intentions and wants to call attention to the plight of refugees, but what a clueless vulgarization it makes of its worthy motives. Of course there's more than one way to send a message, and maybe this movie will affect audiences that wouldn't see or understand a more truthful portrait of refugees.”

---Roger Ebert Movie Review Beyond Borders

Quotable

Page 8: Africa Through the Hollywood Lens

Films produced in developing countries tend to be received by western audiences as being closer to reality. Such films, can influence poor policies by foreign nations.

-- “What Hollywood tells us about war and poverty” The Guardian

Did you know?

Page 9: Africa Through the Hollywood Lens

“It is impossible to engage properly with a place or a person without engaging with all of the stories of that place and that person. The consequence of “the single story” is this: it robs people of their dignity. It makes our recognition of our equal humanity difficult. It emphasizes how we are different rather than how we are similar.”

--- Chimamanda Ngozi Adichie, author of Half of the Yellow Sun and Purple Hibiscus

Quotable

Page 10: Africa Through the Hollywood Lens

Blood Diamond, 2006

Page 11: Africa Through the Hollywood Lens

Fearing that the popularity of the film Blood Diamond would affect sales, the World Diamond Council spent $15 million on a public relations and education campaign in the months before the movie was released.

The Diamond Council tried to persuade Blood Diamond's director to add a disclaimer to the film that would cite the Kimberley process and note that Sierra Leone's civil war was long over.

--Ethics on Film: Discussion of "Blood Diamond“, Carnegie Council for Ethics in International Affairs

Did you know?

Page 12: Africa Through the Hollywood Lens

“It is the storyteller who makes us what we are, who creates history.”

--- Chinua Achebe, author

Quotable

Page 13: Africa Through the Hollywood Lens

It is instructive to recognize the value of films as an archive of popular ideas about the vicissitudes

of development, as reflections of the prevailing societal zeitgeist, and last but not least, as powerful teaching tools for bringing alive and humanizing important,

if inherently vexing, global issues.

--The Projection of Development: Cinematic Representation as An(other) Source of Authoritative Knowledge? World Bank Study 2013

Quotable