7 — 18 MAR -...
Transcript of 7 — 18 MAR -...
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WRITTEN BY / Bryony Kimmings and Brian Lobel
with Kirsty HousleyDIRECTION / Kirsty Housley
MUSIC / Tom Parkinson
PERFORMERS / Eva Alexander
Bryony Kimmings Gemma Storr Lottie Vallis Lara Veitch
Elexi WalkerSET & COSTUME DESIGN /
Lucy OsborneCHOREOGRAPHY /
Sarah BlancLIGHTING DESIGN /
Marec JoyceSOUND DESIGN /
Lewis GibsonASSISTANT DIRECTOR /
Michal KeyamoPRODUCTION MANAGER /
Niall BlackSOUND OPERATOR /
Neil DewarSTAGE MANAGERS /
Osnat Koblenz Adam Chesnutt
PROPS SUPERVISOR / Daisy Blower
COSTUME SUPERVISOR / Lydia Hardiman
Originally a co-production with the National
Theatre in association with HOME Manchester
ORIGINAL COSTUME DESIGN /
Christina CunninghamORIGINAL LIGHTING
DESIGN / Paul Anderson
ORIGINAL MUSICAL DIRECTOR /
Marc TritschlerORIGINAL
CHOREOGRAPHY / Lizzi Gee
COMPLICITÉ
EXECUTIVE PRODUCER / Judith DimantPRODUCER / Poppy Keeling
FINANCE MANAGER / Louise Wiggins
ASSISTANT PRODUCER / Laura Rolinson
COMMUNICATIONS MANAGER / Holly Foulds
CREATIVE LEARNING PRODUCER / Dina Mousawi
ADMIN ASSISTANT / Miška Groidlova
7 — 1 8 M A R MERLYN THEATRE
A POWERFUL PIECE OF CONCEPT ART... A LIFE LESSON WE SHOULD ALL SEE
– LIVERPOOL ECHO (UK)
Cover photography by Zan Wimberley. Production photography © Mark Douet
Supported by
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A N O T E F R O M T H E C O - W R I T E R A N D P E R F O R M E R
This show is the biggest labour of love I have ever known in my career making theatre. Four years in the making. Scores of wonderful doctors and patients. Some sad deaths. Some huge revelations and life bumps along the way.
When you tackle something as big as cancer the chances are it will change you in some way. And I can safely say this show has changed me. Infinitely.
I guess my hope is that it goes out into the world and changes others too. The aim for this show was to offer alternative stories of cancer. The media version is always survivorship, battles and heroes. This sat badly with me, as a pacifist, as a feminist, as a common person.
This show is the true story of trying to write a guide that allows cancer to be hard and painful and lonely and shit. To allow cancer to rub up against other illness and disability, against race, against class.
I hope that you can feel its cracked open beating heart. Lara and I lay our souls bare, let our mistakes and darkest moments radiate out into an auditorium with the hope that it somehow makes it okay to not be perfect, to be human and scared and out of control. With lots of laughter and songs to sweeten the medicine of course.
I really hope you enjoy it. We made it for you.
BRYONY KIMMINGS: CRACKED OPEN BEATING HEART
I HO
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JUDITH DIMANT: NO RETURN TO NORMAL
After two years in the clear someone said to me, with slight impatience, that surely it was time to ‘move on’ from the cancer experience. I didn’t have cancer any more and so I should stop defining myself by the illness, or at least I should stop seeing myself in terms of having had cancer. It’s not that simple.
Anyone who has had cancer will tell you that once you’ve had the illness and maybe been through chemotherapy, radiotherapy and surgery—or some combination—you’re never the same again. Your view of the world is different, your attitude to life is different, your confidence in yourself and your body is significantly knocked. Who knows when your body will let you down again? Even after the ‘all clear’ there is no return to ‘normal’.
I was ‘lucky’ to get cancer at the same time I met the extraordinary performance artist Bryony Kimmings, who in turn introduced me to composer Tom Parkinson and writer/performer Brian Lobel. Together we have spent the last couple of years talking, researching and writing about cancer, and about illness and about how we humans cope with the struggle of ill health and possible death.
Considering the subject matter, it’s been one of the most uplifting and joyous periods of my life.
It’s also been challenging. Along the way we’ve met some very sick people who have generously shared their stories of illness and hopelessness along with great humour to make A Pacifist’s Guide...
Hopefully it will shed light on how someone might feel when they’re diagnosed with cancer—or really anything serious—and how that changes things forever. There are also some banging tunes and great dancing.
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At Malthouse Theatre we collaborate with local and international artists to create inventive performances that
cut to the core of the human experience.
Theatre has the power to interrogate, disrupt and to be an agent of change—and we think it always should.
At Malthouse Theatre the work we produce explores the world personally, socially and politically.
Based in a dedicated venue, The Coopers Malthouse in Melbourne, we are a home for live experiences that entertain
and provoke a dialogue with and within audiences.
Welcome to Malthouse Theatre.
O U R S U P P O R T E R S
CALLIOPE—MUSE OF POETRY—$50,000+ Mary-Ruth & Peter McLennan, Craig Reeves, Maureen Wheeler AO & Tony Wheeler AO
URANIA—MUSE OF THE STARS—$25,000+Annamila Fund, Carrillo Gantner AO, Debbie Dadon AM
CLIO—MUSE OF HISTORY—$10,000+ Roseanne Amarant, Jennifer Darbyshire & David Walker, Colin Golvan QC, Michele Levine, James Penlidis & Fiona McGauchie, Janine Tai, The Vera Moore Foundation, Anonymous (1)
THALIA—MUSE OF COMEDY—$5,000+ John & Lorraine Bates, Gjergja Family, Sue Kirkham, The Pratt Foundation, Richard Leonard & Gerlinde Scholz, Mary Vallentine AO, Anonymous (1)
MELPOMENE—MUSE OF TRAGEDY—$2,500+ David Bardas, Rosemary Forbes & Ian Hocking, Sue Prestney, Elisabeth & John Schiller, Dr Jenny Schwarz, Fiona Sweet & Paul Newcombe, Leonard Vary & Dr Matt Collins QC, Jon Webster, Jan Williams, Anonymous (1)
EUTERPE—MUSE OF MUSIC—$1,000+ Marc Besen AC & Eva Besen AO, John & Sally Bourne, Sally Browne, Beth Brown & Tom Bruce AM, Ingrid & Per Carlsen, Tim & Rachel Cecil, Min Li Chong, Prof John Daley & Dr Rebecca Coates, Jason Craig, Andrew Curtis, Mark & Jo Davey, Dominic & Natalie Dirupo, Roger Donazzan, Rev Fr Michael Elligate AM, Dr Sian Fairbank, Brian Goddard, Val Johnstone, Fiona Kelly, Michael Kingston, Julie & Michael Landvogt, Susan Nathan, Rosemary & Roger Redston, Carol & Alan Schwartz AM, Robert Sessions & Christina Fitzgerald, Maria Solà, Toby Sullivan, Kerri Turner & Andrew White, Rosemary Walls, Pinky Watson, Henry Winters, Anonymous (1)
TERPSICHORE—MUSE OF DANCE—$500+ Frankie Airey & Stephen Solly, Graham & Anita Anderson, Greg Andrews, Michael Arnold, Rowland Ball OAM, Sandra Beanham, David & Rhonda Black, Bruce R Butler, Ros Casey, MaryAnne Carroll, Chris Clough, Alan Connolly, Peter & Roxane Fearnside, Evelyn Firstenberg, Lynne Frid, John & Helen Gibbins, Taleen Gaidzkar, Linda Herd, Leonie Hollingworth, Brad Hooper, Dr Irene Irvine, Joan & Graeme Johnson OAM, Irene Kearsey, Angela Kirsner & Dr Richard Kirsner,
Simone Lourey, Jayne Lovelock & Dr Neal Harvey, Virginia Lovett, John McCallum, Victor McConvey, Ian McRae AO & Åsa Hasselgard-Rowe, Jan Owen AM, Viorica Samson, Craig Semple, Tom Smyth, Tim & Lynne Sherwood, Janice Taylor, Naum Tered, John Thomas, Neil Waters, Phil & Heather Wilson, Anonymous (3)
ERATO—MUSE OF LOVE—$250+ Simon Abrahams, Jennifer Bourke, Dr Rob Brown & Dr Lynne Millar, John & Alexandra Busselmaier, Siu Chan, Diane Clark, Fiona Clyne, Georgie Coleman, Carolyn Creswell, William Donaldson, Brian Doyle, Dr Bronwen Evans, Carolyn Floyd, Orla & Rachel, Mary Garcia, Damyn Gordon, Joanne Griffiths, Peggy Hayton, Ted Hocking, Russell Hooper, Susan Humphries, Arechea Hounsell, Sarah Hunt, Ann Kemeny & Graham Johnson, Mira & Dr David Kolieb, Kim Lowndes, Judith Maitland-Parr, Robert Peters, Ian Manning & Alice De Jonge, John Millard, Dr Kersti Nogeste, Linda Notley, Tony Oliver, Kaylene O’Neill, Anda Petrapsch, Gerard Powell, Dr Suzy Redston, Gavin Roach, Pauline Robert, Rae Rothfield, Dr Michael & Jenny Rozen, Jennifer Senior, Andrew Stocker, Evelyn Tadros, Chris Teh, Lee-Ann Walsh, Jan Watson, Jillian Wells OAM, Gary Westbrook, Gayl Morrow & Gib Wettenhall, Joanne Whyte, Barbara Yuncken
O U R P A R T N E R SA B O U T M A L T H O U S E T H E A T R E
GOVERNMENT
VENUE MAJOR
EDUCATION ACCOMMODATION
TRUSTS AND FOUNDATIONS
STAND TOGETHER
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THEATRE.
INDUSTRY
CORPORATE
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BOARD OF DIRECTORSFiona McGauchie (Chair), Debbie Dadon AM, Colin Golvan QC, Michael Kantor, Jan Owen AM, Sue Prestney, Pamela Rabe, Nick Schlieper, Kerri Turner & Mary Vallentine AO.
ARTISTIC & PROGRAMMINGArtistic Director & CO-CEO / Matthew Lutton
Executive Producer & CO-CEO / Sarah Neal
Resident Dramaturg / Mark Pritchard
Resident Artist / Declan Greene
Director In Residence / Sapidah Kian
Producer / Toby Sullivan
Associate Producer / Jason Tamiru
Company Manager / Alice Muhling
FINANCE & ADMINISTRATIONFinance Manager / Mario Agostinoni
Finance Administrator / Liz White
General Manager / Annie Bourke
MARKETING & COMMUNICATIONSMarketing & Communications Manager / Caraline Douglas
Digital Marketing Coordinator /Alexia Jordan
Communications Coordinator / Alex Sadka
Marketing Assistant / Jacqui Bathman
Publicist / TS Publicity
DEVELOPMENTDevelopment Manager / Fiona Kelly
Philanthropy Coordinator / Belinda Locke
Sponsorship Coordinator / Olivia Satchell
TICKETING & BOX OFFICE
CRM & Ticketing Manager / Prue Sutherland
Box Office Manager / Allie Stapleton
Box Office Team Leaders / Fiona Wiseman Kate Gregory
Box Office Staff / Abby Barnes, Jacqui Bartlett, Jacqui Bathman, Simon Braxton, Paul Buckley, Esther Crowley, Bronya Doyle, Fran Hefferman, Lachlan Hywood, Ian Michael, Liz White
PRODUCTION
Production Manager / David Miller
Technical Manager / Baird Mckenna
Operations Manager / Dexter Varley
Production Coordinator / Tia Clark
Head Technician (Lighting) / Rob Ballingall
Venue Head Mechanist / Ivan Smith
Theatre Technician / Nathanael Bristow
Head Of Wardrobe / Delia Spicer
Wardrobe Assistant / Rebecca Dunn
Workshop Manager / Goffredo Mameli
Head Carpenter / David Craig
Workshop Assistants / Elizabeth Whitton Mitch O’Sullivan
Scenic Artist / Patrick Jones
EDUCATION
Youth & Education Manager / Vanessa O’Neill
VENUE MANAGEMENTVenue Manager / Aaron Rowlands
Front of House & Events Manager / Anita Posterino
Front of House Manager / Leah Milburn-Clark
Front of House Staff / Gianni Agostinoni, Ben Anderson, Mitchell Brotz, Kate Calton, Georgia Cam, Ben Carollo, Gem Clarke, Emma Corbett, Alice Dixon, Amy Dowd, Sophia D’urso, Aly Grace, Sam Harrison, Mark Hoffman, Dirk Hoult, Kathryn Joy, Lara Kerestes, Hannah McKittrick, Daniel Moulds, Abi Murray, Daniel Newell, Leon Rice-Whetton, Sanne Rodenstein, Mick Roe, Lee Threadgold, Kenneth Waite.
ABORIGINAL & TORRES STRAIT ISLANDER COMMITTEE Uncle Jack Charles, Richard Frankland, Tony Briggs, Lisa Maza, Pauline Wyman, Melodie Reynolds-Diarra & Jason Tamiru
We acknowledge the Land and Songlines of the Wurundjeri and Boon Wurrung peoples of the Kulin Nation.
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DESIGN / HOURS AFTERHOURSAFTER.COM.AU
PHOTOGRAPHY /ZAN WIMBERLEYMARK DOUET
MARKETING & ADVERTISING / AKA +61 3 8866 8335 AKA-AU.COM
M A L T H O U S E T H E A T R E S T A F F
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THANK YOU TO ALL THOSE WHO HAVE HELPED WITH THIS PRODUCTION
Naana Agyei-Ampadu, Ian Andlaw, Oroh Angiama, Anna Beecher, Professor Dame Valerie Beral, Amy Booth-Steel, Ros Brooke-Taylor, Central School of Speech and Drama BA Acting Musical Theatre students, Jenny Doe, James Dyer, Jenny Fitzpatrick, Malcolm Forbes-Peckham, Hal Fowler, Pippa Frith, Wendy Gadian, Jon Gingell, Phil Gould, Frank Grayburn, Amanda Hadingue, Professor Reg Hall, Debbie Hannan, Lara Hazell, Henrietta Holroyd, Gia Jones, Dr. Alison Jones, Professor Jon Jong, Dr. Kathryn Mannix, Francesca Mills, Tom Morris, Rufus Norris, Alex Parkinson, Billy Riley, Frazer Riley, Victoria Riley, Golda Rosheuvel, Laurence Russell, Max Runham, Sparks Theatrical Hire, Rose Shalloo, Gareth Snook, Nina Steiger, Target Live, Mohsin Waheed, UCHL, Naomi Webb, Elizabeth Westcott, Gary Wood, Wellcome Trust and Dr. Charlotte Wilson Jones.
THANK YOU TO COMPLICITÉ’S SUPPORTERSAficionados Lindsay Badenoch, Dr Sara Baxter, Katy Burke, Peter Cox, Colin & Helen David, Clive Hollick, Mike & Caroline Howes, Sean LeClaire, Olga Makharinsky, Rosie Morgan, Mirisch & Lebenheim Charitable Foundation, Vladimir Nikitin and Jon & NoraLee Sedmak.
Accomplices Hywel Davies, Pamela Edwardes, David & Jane Fletcher, Lawrence Gough, Jon & Julia Hall, Catherine Graham-Harrison & Nicholas Warren, Richard Harrison, Brigette Hofherr, Frances Hughes, Ian Karet & Sara Hoffbrand, David Knock, Latifa Kosta, Jeremy Lewison & Caroline Schuck, Frances Magee, Mary Ellen Marziale, Nelly & Adam Munthe, Hilary Puxley & Michael Crane, Hope Pym, Julia Rochester, Elliot Vaughn, Kate Walmsley, Geoff Westmore, Peter & Heather Williams and Sue Woodford-Hollick.
Allies Mary and Julian Ashby, Jane Attias, Bill Bingham, Nitya Bolam, Katie Bradford, Paula Brooks, Alison Burns & Ian Grant, Frances Connan, Clare Coope, Sarah Coop, Jennifer Ellis, Claire Guinness, Jack Guinness, Aaron Hatcher, Chris Kaday, Julie Kershaw, Csaba Kusztar, Suncica Lazic, Elizabeth Llewellyn, Mitsuo Maki & Christopher Cook, Patrick Clayton Malone, Francis Murgatroyd, Kate Nathoo, Serena Nuttall, Jennie Pond, Dina Priddle, Tim Sherratt, Amanda Sim, Jean & Tim Sturgis, Michael Thomas, Sarah Thomas, Jo Treves, Pimone Triplett, Ann Tross, Helena Twist, Anthony Whitworth-Jones, Anne Willcocks CBE, Julie Yeung and Barbara Zitwer.
Complicité Associates is part of internationally acclaimed theatre company Complicité. Through the Associates programme, the Company commissions and produces new work from brilliant theatre makers and artists, supporting them as they explore different ways of working.
Performance artist Bryony Kimmings was the inaugural Complicité Associate, and A Pacifist’s Guide to the War on Cancer was its first production. The next artists joining the Complicité Associates are The Scotsman Fringe First Award and The Stage Edinburgh Award for Best Ensemble winner, The Wardrobe Ensemble.
Since it was founded in 1983, Complicité has played in more than 40 countries, winning over 50 major
awards and becoming known as one of the UK’s most exciting and enduring theatre companies. Recent productions include The Encounter, Beware of Pity, Lionboy, Shun-kin and A Disappearing Number.
In addition to Complicité Associates, the Company runs an award-winning Creative Learning and Participation programme.
CONTACT [email protected] +44 (0)20 7485 7700
TheatredeComplicite Complicite CompliciteCompany Complicite Theatre
complicite.org
Registered charity number 1012507
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W H A T ’ S U P N E X T
SUCKER PUNCH FUNNY. I’VE NEVER SEEN A PLAY QUITE LIKE IT
– THE SCOTSMAN
BY / Phoebe Waller-Bridge
DIRECTION & DRAMATURGY /
Vicky Jones
PERFORMED BY /Maddie Rice
Fleabag may seem over-sexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig themed café struggling to keep afloat, Fleabag
suddenly finds herself with nothing to lose.
The inspiration behind the ABC series of the same name, this is a blisteringly funny solo show from Phoebe Waller-Bridge (star of the Netflix
series Crashing). We bring her award-winning show to our Melbourne International Comedy Festival program.
2 8 M A R – 2 2 A P R
FLEABAG
A DryWrite and Soho Theatre presentation in association with Malthouse Theatre.
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THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
THE GLOVES ARE OFF IN 2018. THE GLOVES ARE OFF IN 2018.
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