Post on 06-Apr-2016
description
rachelannRachelann D E S I G N
My goal in creating this portfolio is to show the pieces that best represent my skill set as a designer. I split the pieces into 2 major sections. 1) Coursework, which includes pieces from my undergraduate design classes, and internships at St. David’s Episcopal Church and the University of Texas RecSports. 2) Professional Work, which includes pieces I have made for different contract clients, and my full-time work at Women In Distress of Broward County, Inc. and Morikami Museum & Japanese Gardens
ON TAPTransfiguration
Sponsored By The Young Adults Ministry
DATEThursday, August 6
TIME6:30p.m.PLACEParadise
Restaurant
Celebrate the
Feast of the Transfiguration.
Paradise Restaurant & Bar: 401 East 6th StreetPlease contact Amy Moehnke for more information at
amy.m@stdave.org or 610-3569.
Everyone is welcome!
Join us for
Holy Eucharist
and a time of
fellowship.
ADVENTURE TRIPSSPRING ‘10
DIVISION OF RECREATIONAL SPORTS
Temple Solomon
In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.
The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty
cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.
In building the temple,
only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.
The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were
attached to the temple by beams of cedar.
The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”
So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling
them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.
He prepared the inner
sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.
So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to
The Of
Firs
t Kin
gs
Chapter S
ix
21 Merseyside Merseyside 22
By Regina SpektorMerseyside Staff
World Museum Liverpool Shows Biblical Artifacts
Table of ContentsSection One:
Coursework & Early Student Work Pages 3-14
Section Two:Professional Work
Pages 15-34
Coursework3
The following pieces are representative of the designs I produced in my Visual Design classes at the University of Texas at Austin, and two separate internships in Austin, TX. My focus in these pieces was to explore different types of design including advertising, layout, and basic identity systems. This section includes news media layouts, posters, advertisements, and logos.
ON TAPTransfiguration
Sponsored By The Young Adults Ministry
DATEThursday, August 6
TIME6:30p.m.PLACEParadise
Restaurant
Celebrate the
Feast of the Transfiguration.
Paradise Restaurant & Bar: 401 East 6th StreetPlease contact Amy Moehnke for more information at
amy.m@stdave.org or 610-3569.
Everyone is welcome!
Join us for
Holy Eucharist
and a time of
fellowship.
the inner sanctuary. In the inner sanctuary he made a pair of cherubim of olive wood, each ten cubits high. One wing of the first cherub was five cubits long, and the other wing five cubits—ten cubits from wing tip to wing tip. The second cherub also measured ten cubits, for the two cherubim were identical in size and shape. The height of each cherub was ten cubits. He placed the cherubim inside the innermost room of the temple, with their wings spread out. The wing of one cherub touched one wall, while the wing of the other touched the other wall, and their wings touched each other in the middle of the room. He overlaid the cherubim with gold.
On the walls all around the temple, in both the inner and outer rooms, he carved cherubim, palm trees and open flowers. He also covered the floors of both the inner and outer
rooms of the temple with gold.
For the entrance of the inner sanctuary he made doors of olive wood with five-sided jambs. And on the two olive wood doors he carved cherubim, palm trees and open flowers, and overlaid the cherubim and palm trees with beaten gold.
In the same way he made four-sided jambs of olive wood for the entrance to the main hall. He also made two pine doors, each having two leaves that turned in sockets. He carved cherubim, palm trees and open flowers on them and overlaid them with gold hammered evenly over the carvings.
And he built the inner courtyard of three courses of dressed stone and one course of trimmed cedar beams.
The foundation of the temple of the LORD was laid in the fourth year, in the month of Ziv. In the
eleventh year in the month of Bul, the eighth month, the temple was finished in all its details according to its specifications. He spent seven years building it.
Chapter 7King Solomon
sent to Tyre and brought Huram, whose mother was a widow from the tribe of Naphtali and whose father was a man
of Tyre and a crafts-man in bronze.
Huram was highly skilled and experi-enced in all kinds of bronze work. He came to King
Solomon and did all the work assigned
to him.He cast two bronze pillars, each
eighteen cubits high and twelve cubits around, by
line. He also made two capitals of cast bronze to
set on the tops of the pil-lars; each capital was five cubits high. A network of interwoven chains festooned the capitals on top of the pillars, seven for each capital. He made pomegranates in two rows encircling each network to decorate the capitals on top of the pil-lars. He did the same for each capital. The capi-tals on top of the pillars in the portico were in the shape of lilies, four cu-bits high. On the capitals of both pillars, above the bowl-shaped part next to the network, were the two hundred pomegran-ates in rows all around.
He erected the pil-lars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz. The capitals on top were in the shape of lilies. And so the work on the pillars was com-pleted.He made the Sea of cast metal measuring ten cubits rim to rim.
“”
When all the work King Solomon had done for the temple of the LORD was finished, he brought in the things his father David had dedicated and he placed them in the treasuries of the LORD’S temple. 1 Kings 7:51
Merseyside 2423 Merseyside
You Don’t Have to sit at tHe KiDs’ table tHis YeartHanKsgiving breaK aDventure trips
prioritY registration available noW For ut stuDents. Details online at WWW.utreCsports.org
nov. 25-29Canoeing at Santa Elena
Canyon, Big Bendor
Backpacking at Big Bend Ranch State Park
$250 for UT Students and RecSports Members
$275 for non-membersnot For beginners
ADVENTURE TRIPSSPRING ‘10
DIVISION OF RECREATIONAL SPORTS
Temple Solomon
In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.
The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty
cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.
In building the temple,
only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.
The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were
attached to the temple by beams of cedar.
The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”
So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling
them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.
He prepared the inner
sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.
So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to
The Of
Firs
t Kin
gs
Chapter S
ix
21 Merseyside Merseyside 22
By Regina SpektorMerseyside Staff
World Museum Liverpool Shows Biblical Artifacts
ADVENTURE TRIPSSPRING ‘10
DIVISION OF RECREATIONAL SPORTS
4
Coursework5. Merseyside Magazine Double Page Spread 17. Merseyside Magazine Double Page Spread 29. Merseyside Magazine Cover10. Transfiguration On Tap Poster
11. Children’s Ministry Team Logo 12. Rock Climbing Newspaper Ad 13. Spring Adventure Trip Postcard14. Thanksgiving Adventure Trip Poster
Coursework5
Double Page Spread 1:The assignment here was to create two double page spreads that fit in with the style of a magazine of my creation, and to make both pages, and both spreads, work together as one design. The assignment also required using text from the Bible as our body copy, and creating a scenario that would make the text relevant to the magazine.
Landscape A4 paper
Temple Solomon
In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.
The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty
cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.
In building the temple,
only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.
The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were
attached to the temple by beams of cedar.
The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”
So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling
them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.
He prepared the inner
sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.
So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to
The Of
Firs
t Kin
gs
Chapter S
ix
21 Merseyside Merseyside 22
By Regina SpektorMerseyside Staff
World Museum Liverpool Shows Biblical Artifacts
6
Double Page Spread 1: The magazine I created was an arts and culture
magazine called “Merseyside” and would
be distributed in the Merseyside area of
Liverpool, England. The text in these spreads is
from First Kings chapter six. To play off the text
I let the headline set up the scenario that
the World Museum in Liverpool would be
showing Biblical artifacts relevant to this text.
Landscape A4 paper
Temple Solomon
In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.
The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty
cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.
In building the temple,
only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.
The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were
attached to the temple by beams of cedar.
The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”
So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling
them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.
He prepared the inner
sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.
So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to
The Of
Firs
t Kin
gs
Chapter S
ix
21 Merseyside Merseyside 22
By Regina SpektorMerseyside Staff
World Museum Liverpool Shows Biblical Artifacts
Coursework7
Double Page Spread 2: On this second spread I placed the text on the outside perimeter so that the photos would be the focus, and so that the text would mirror the photos of the double doors from the first spread. I kept the same yellow feathered box from the first spread, and continued to use the font Mistral for the drop caps.
Landscape A4 paper
the inner sanctuary. In the inner sanctuary he made a pair of cherubim of olive wood, each ten cubits high. One wing of the first cherub was five cubits long, and the other wing five cubits—ten cubits from wing tip to wing tip. The second cherub also measured ten cubits, for the two cherubim were identical in size and shape. The height of each cherub was ten cubits. He placed the cherubim inside the innermost room of the temple, with their wings spread out. The wing of one cherub touched one wall, while the wing of the other touched the other wall, and their wings touched each other in the middle of the room. He overlaid the cherubim with gold.
On the walls all around the temple, in both the inner and outer rooms, he carved cherubim, palm trees and open flowers. He also covered the floors of both the inner and outer
rooms of the temple with gold.
For the entrance of the inner sanctuary he made doors of olive wood with five-sided jambs. And on the two olive wood doors he carved cherubim, palm trees and open flowers, and overlaid the cherubim and palm trees with beaten gold.
In the same way he made four-sided jambs of olive wood for the entrance to the main hall. He also made two pine doors, each having two leaves that turned in sockets. He carved cherubim, palm trees and open flowers on them and overlaid them with gold hammered evenly over the carvings.
And he built the inner courtyard of three courses of dressed stone and one course of trimmed cedar beams.
The foundation of the temple of the LORD was laid in the fourth year, in the month of Ziv. In the
eleventh year in the month of Bul, the eighth month, the temple was finished in all its details according to its specifications. He spent seven years building it.
Chapter 7King Solomon
sent to Tyre and brought Huram, whose mother was a widow from the tribe of Naphtali and whose father was a man
of Tyre and a crafts-man in bronze.
Huram was highly skilled and experi-enced in all kinds of bronze work. He came to King
Solomon and did all the work assigned
to him.He cast two bronze pillars, each
eighteen cubits high and twelve cubits around, by
line. He also made two capitals of cast bronze to
set on the tops of the pil-lars; each capital was five cubits high. A network of interwoven chains festooned the capitals on top of the pillars, seven for each capital. He made pomegranates in two rows encircling each network to decorate the capitals on top of the pil-lars. He did the same for each capital. The capi-tals on top of the pillars in the portico were in the shape of lilies, four cu-bits high. On the capitals of both pillars, above the bowl-shaped part next to the network, were the two hundred pomegran-ates in rows all around.
He erected the pil-lars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz. The capitals on top were in the shape of lilies. And so the work on the pillars was com-pleted.He made the Sea of cast metal measuring ten cubits rim to rim.
“”
When all the work King Solomon had done for the temple of the LORD was finished, he brought in the things his father David had dedicated and he placed them in the treasuries of the LORD’S temple. 1 Kings 7:51
Merseyside 2423 Merseyside
8
Double Page Spread 2: To connect these two pages I pulled the full
picture of the temple all the way across the fold. I then balanced the two sides with photos and a
pull quote. All of the body copy is Helvetica Neue,
and the display font is Mistral.
Landscape A4 paper
the inner sanctuary. In the inner sanctuary he made a pair of cherubim of olive wood, each ten cubits high. One wing of the first cherub was five cubits long, and the other wing five cubits—ten cubits from wing tip to wing tip. The second cherub also measured ten cubits, for the two cherubim were identical in size and shape. The height of each cherub was ten cubits. He placed the cherubim inside the innermost room of the temple, with their wings spread out. The wing of one cherub touched one wall, while the wing of the other touched the other wall, and their wings touched each other in the middle of the room. He overlaid the cherubim with gold.
On the walls all around the temple, in both the inner and outer rooms, he carved cherubim, palm trees and open flowers. He also covered the floors of both the inner and outer
rooms of the temple with gold.
For the entrance of the inner sanctuary he made doors of olive wood with five-sided jambs. And on the two olive wood doors he carved cherubim, palm trees and open flowers, and overlaid the cherubim and palm trees with beaten gold.
In the same way he made four-sided jambs of olive wood for the entrance to the main hall. He also made two pine doors, each having two leaves that turned in sockets. He carved cherubim, palm trees and open flowers on them and overlaid them with gold hammered evenly over the carvings.
And he built the inner courtyard of three courses of dressed stone and one course of trimmed cedar beams.
The foundation of the temple of the LORD was laid in the fourth year, in the month of Ziv. In the
eleventh year in the month of Bul, the eighth month, the temple was finished in all its details according to its specifications. He spent seven years building it.
Chapter 7King Solomon
sent to Tyre and brought Huram, whose mother was a widow from the tribe of Naphtali and whose father was a man
of Tyre and a crafts-man in bronze.
Huram was highly skilled and experi-enced in all kinds of bronze work. He came to King
Solomon and did all the work assigned
to him.He cast two bronze pillars, each
eighteen cubits high and twelve cubits around, by
line. He also made two capitals of cast bronze to
set on the tops of the pil-lars; each capital was five cubits high. A network of interwoven chains festooned the capitals on top of the pillars, seven for each capital. He made pomegranates in two rows encircling each network to decorate the capitals on top of the pil-lars. He did the same for each capital. The capi-tals on top of the pillars in the portico were in the shape of lilies, four cu-bits high. On the capitals of both pillars, above the bowl-shaped part next to the network, were the two hundred pomegran-ates in rows all around.
He erected the pil-lars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz. The capitals on top were in the shape of lilies. And so the work on the pillars was com-pleted.He made the Sea of cast metal measuring ten cubits rim to rim.
“”
When all the work King Solomon had done for the temple of the LORD was finished, he brought in the things his father David had dedicated and he placed them in the treasuries of the LORD’S temple. 1 Kings 7:51
Merseyside 2423 Merseyside
Coursework9
Merseyside Magazine Cover: This is a the cover for the mock magazine that I conceptualized and designed for the previous two pieces. The goal of this piece was to learn how to effectively convey specific information (such as stories within the magazine) while still executing a workable cover design.
Landscape A4 paper
Merseyside
‘Simply Red: Unplugged’
the softer side of punk
page 52
art goes green at bluecoat
art centrepage 38
Creamfields Festival
line-up announced!
page 42Apr
il/M
ay/£
5
10
Transfiguration on Tap Poster: In honor
of the Feast of the Transfiguration, St.
David’s Episcopal Church hosted an event called
“Transfiguration on Tap,” for which I designed this
poster using a classic painting of the Biblical
event. I gave it a modern twist by juxtaposing the
san-serif font in different weights against the
display font.
11x17 paper
ON TAPTransfiguration
Sponsored By The Young Adults Ministry
DATEThursday, August 6
TIME6:30p.m.PLACEParadise
Restaurant
Celebrate the
Feast of the Transfiguration.
Paradise Restaurant & Bar: 401 East 6th StreetPlease contact Amy Moehnke for more information at
amy.m@stdave.org or 610-3569.
Everyone is welcome!
Join us for
Holy Eucharist
and a time of
fellowship.
Coursework
Children’s Ministry Team Logo Ideas: These are the logo ideas I prepared for the Children’s Ministry Team, a group of volunteer parents and staff members at St. David’s. The director wanted something that tied into the St. David’s logo and identity, but could be adapted into an identity of its own. They chose the logo shown at the top of this page.
11
12
Daily Texan Climbing Wall Ad: The Division of
Recreational Sports at the University of Texas
runs an ad in the student newspaper, the Daily
Texan, every week. This particular ad was for
the climbing wall and Outdoor Recreation’s
rock climbing activities. My focus here was on
using the RecSports brand guidelines for the year, while also
maximizing the limited black and white pallatte.
5.75x8 in 1/8 page adwww.utrecsports.org
Rock YouR WoRld
Open to all currently enrolled UT students and UT faculty/staff. UT ID required.
Details online or drop by GRE 2.200
THE CLIMBING WALLDaily and Semester Passes AvailableTop Rope TuesdaysRock Movie Night (Sept. 17)Climbing Clinics
Coursework13
Spring Adventure Trip
Schedule Postcard:
Each semester a new
poster and postcard
are distributed to give
RecSports members
and students the new
Adventure Trip schedule.
This postcard was sent
by mail, and served
as a flyer. My challenge
was fitting in the
necessary information
on one side, while also
enticing the viewer to
sign up for the program.
4x5.5 postcard
ADVENTURE TRIPSSPRING ‘10
DIVISION OF RECREATIONAL SPORTS
ADVE
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E TR
IPS
SPRI
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......
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I ....
......
......
.... I
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iate
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quire
s exp
erien
ce a
nd/o
r mas
tery
of b
asic
skill
s
E ...
......
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.... E
asy
R
equi
res a
min
imum
leve
l of p
hysic
al ex
ertio
n/fit
ness
or of
fers
optio
nal l
evels
of p
artic
ipat
ion/p
hysic
al ex
ertio
nM
......
......
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Mod
erat
e
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equi
res a
mod
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e, un
avoid
able
level
of p
hysic
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ertio
n/fit
ness
S ...
......
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trenu
ous
R
equi
res a
hig
h de
gree
of p
hysic
al ex
ertio
n/fit
ness
or ta
kes p
lace
in re
mot
e are
as ov
er a
n ex
tend
ed p
eriod
of ti
me
» Tri
p re
gist
ratio
n is
open
to cu
rrent
UT s
tude
nts,
RecS
ports
mem
bers
and
non
-mem
bers
.»
All t
rip p
artic
ipan
ts m
ust p
rovid
e pro
of of
med
ical i
nsur
ance
. Cur
rent
stud
ents
with
out m
edica
l
insu
ranc
e hav
e the
optio
n to
pur
chas
e ins
uran
ce th
roug
h UT
at a
cost
of $
2 pe
r day
.»
All t
rip p
rices
refle
ct th
e UT s
tude
nt a
nd R
ecSp
orts
mem
ber/
non-
mem
ber p
rice.
» Pr
iority
regi
stra
tion
date
s will
be o
ffere
d to
UT s
tude
nts o
n al
l exte
nded
trip
s.
» Pr
e-tri
p m
eetin
gs a
re m
anda
tory
and
take
pla
ce in
the R
enta
l Cen
ter (
GRE
2.10
4).
TYPE
OF
TRIP
DATE
PRE-
TRIP
MEE
TINg
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stin
Feb.
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April
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April
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May
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B/M
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DATE
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OF
TRIP
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PRE-
TRIP
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Feb.
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pack
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tewa
ter R
aftin
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Col
orad
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ay 1
9–26
May
11
@ 6
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50/6
00B/
S
DAY
TRIP
S
wEE
kEND
TRI
PS
ExTE
NDED
TRI
PS
Holiday Adventure Trip
Poster: The Outdoor
Recreation department
of RecSports sponsors
extended trips like this
one, which is over the
Thanksgiving Holiday.
This poster was also
converted into a Daily
Texan ad, and a web ad
for the RecSports home
page. My intention was
to grab the viewers’
attention (in this case
college students) and
give them a reason to
sign up for the trip.
11x17 paper
14
You Don’t Have to sit at tHe KiDs’ table tHis YeartHanKsgiving breaK aDventure trips
prioritY registration available noW For ut stuDents. Details online at WWW.utreCsports.org
nov. 25-29Canoeing at Santa Elena
Canyon, Big Bendor
Backpacking at Big Bend Ranch State Park
$250 for UT Students and RecSports Members
$275 for non-membersnot For beginners
Professional15
Women In DIstress thrIft store
November 23 • oNe Day oNly
THRIFT STORE
www.womenindistress.org/thrift-store24-Hour Crisis Hotline: 954-761-1133
Family Center: 954-760-9800
bUy oNe GeT oNesTore-wiDe saviNGs
CUsTomers DoNaTiNG aT leasT 6 iTems iNClUDiNG: Toys, maNUfaCTUreD Trees, holiDay liGhTs aND
New UNexpireD NoN-perishable fooD iTems will reCeive a 20% off gift card for use on
Their NexT pUrChase.seCoND iTem mUsT be similar iN NaTUre aND of eqUal
or lesser valUe. fUrNiTUre exClUDeD.
The following pieces are representative of the designs I produced after graduating from the University of Texas. This section includes corporate identity pieces, such as logos and business cards, that I produced for some of my contract clients, as well as pieces from my full-time work at Women In Distress of Broward County, Inc., and at Morikami Museum & Japanese Gardens.
R E A L E S T A T E S E R V I C E S
16
Professional Work17. H&M Real Estate Services Logos18. PattyD Business Card & Logo19. Organization Required Business Card & Logo20. Ameraguard Logo21. Ameraguard Sales Booklet 22. McAfee Personal Training Logo 23. Women In Distress Services Infographic24. Women In Distress Lifesaver Luncheon Flyer25. Women In Distress Thrift Store Sale Flyer
26. Women In Distress Loyal Tea Logo & Invitation27. Women In Distress Mobile Website 28. Women In Distress 2011-2012 Annual Report29. Morikami Astellas Program Booklet30. Morikami Family Fun Days Bookmark31. Morikami E-blast Header32. Morikami Oshogatsu Festival T-shirts33. Women In Distress Morikami.org Re-design
Professional
H&M Real Estate Services Logos: The owner of H&M wanted to update his previous logo (seen bottom left) and create interchangeable options for his different realty areas. The main logo at the top is used mostly for industrial and commercial realty. I also illustrated the construction services logo, and the residential real estate logo. This new identity is also used on direct mail, signage and other pieces.
17
R E A L E S T A T E S E R V I C E S
R E A L E S T A T E S E R V I C E S
18
patty@pattyd.com210.378.9730
patricia a. delgadojournalist sociologist web designer
pp http://pattyd.com
PattyD Business Card
& Logo: I illustrated
this octopus to visually
connote the many skills
PattyD offers. The logo
is versatile because it can
be used with or without
the octopus, leaving the
mirrored P and D to stand
on their own if necessary.
This logo was used across
her identity system which
included business cards,
letterhead and, previously,
a masthead for her web
site PattyD.com.
2x3.5 card stock
Professional
Organization Required Logo and Business Card: Organization Required, LLC is a small home and personal organization business based in San Antonio, TX. The owner, Phyllis Ellis, was in need of an logo and business cards and wanted something bright and fun, but one that also reflected the purpose and function of her business. You can see the final logo at the top of this page, and the business card at the bottom.
2x3.5 card stock
19
20
Ameraguard Logos: In
2010 Ameraguard USA
(as well as their Canadian
branch Armaguard)
approached me to
streamline and update
their logo (result seen
at top), and re-design
all of their existing
collateral materials
including sales booklets,
brochures, posters,
product data sheets and
business cards. In 2013,
Ameraguard split from
Armaguard and asked me
to update their logo with
a distinctly American feel
(seen at bottom).
Professional
Ameraguard Sales Booklet:
This sales booklet was the
final piece in an array of
re-branded pieces for
Ameraguard Spray-On
Bedliners. Pieces included
multiple versions of the
logo, brochures, warranty
cards, business cards,
letterhead, technical data
sheets, and more - each
fitting in to the new brand
identity I had created for
them. The full sales booklet
can be seen at:
http://bit.ly/SSFxub
10.5x6 booklet
21
McAffee Personal
Training Logo: McAfee
Personal Training did
not have a logo before
coming to me, so I had
the pleasure of working
with the owner to create
something completely
new. We settled on this
logo which combines a
modern free-weight bar
icon, because most of
his clientele are weight
lifters, as well as a sleek
type treatment, and this
blue color, which many
associate with health and
wellness.
22
Professional
Women In Distress
Services Infographic: I
created this infographic to
serve as the center spread
of the Starfish Luncheon
program journal. The event
is an annual fundraiser
for Women In Distress
of Broward County, Inc.
where the organization
shares how attending
donors have helped the
agency continue providing
much needed services in
the community. I gathered
and illustrated each of
the important data points
in order to create this
digestible infographic.
23
Lifesaver Luncheon Flyer:
This flyer was used to
promote the Lifesaver
Luncheon aboard a
Holland America cruise
ship. I used the red and
blue to give the flyer a
nautical feel and illustrated
the lifesaver and the ship.
I gave the nautical flyer
an elegant touch with the
type treatment and gave
the feeling of depth with a
slight gradient in the blue
background at the bottom.
8.5x11 paper.
24
Professional
Women In Distress Thrift Store Sale Flyer: This flyer promotes the Black Friday sale at the Thrift Store. I used the gray color and the wood grain background to give the impression of an antique poster. The gold gives the flyer some life and ties in the Holiday season. Special attention was given to the sale details, the most important piece of the flyer.
8.5x11 paper
25
Women In DIstress thrIft store
November 23 • oNe Day oNly
THRIFT STORE
www.womenindistress.org/thrift-store24-Hour Crisis Hotline: 954-761-1133
Family Center: 954-760-9800
bUy oNe GeT oNesTore-wiDe saviNGs
CUsTomers DoNaTiNG aT leasT 6 iTems iNClUDiNG: Toys, maNUfaCTUreD Trees, holiDay liGhTs aND
New UNexpireD NoN-perishable fooD iTems will reCeive a 20% off gift card for use on
Their NexT pUrChase.seCoND iTem mUsT be similar iN NaTUre aND of eqUal
or lesser valUe. fUrNiTUre exClUDeD.
Loyal Tea Invitation:
The Loyal Tea Holiday Tea
Party is a donor cultivation
event put on to thank
donors who consistently
give to Women In Distress.
This high tea called for
an elegant logo with a
holiday flair. However, to
give consideration to all
faiths and beliefs, I used
plum and gold as the color
scheme. Also, in order to
convey the elegance of the
high tea, I used alternating
script and serif fonts, as
well as decorative filigree.
5x7 postcard
26
Friday, November 30, 2012 at 3pm
WomeN iN distress
Jim & JaN moraN Family CeNter
address & direCtioNs provided upoN rsvp
tea aNd light reFreshmeNts Will be served
rsvp by November 27th to madelyN reus at
mreus@WomeNiNdistress.org or (954) 760-9800 x 1244.
WomeN iN distress
p.o.box 50187lighthouse poiNt, Fl 33074
Professional
Women In Distress Mobile Web Site: Women In Distress had no mobile web site before I started, which meant mobile users had to view the cumbersome desktop site to get help, get info, or make a donation. This site was based on our web company’s template (who coded the site), but the main buttons, as well as the header, were designed and illustrated by me. You can see the working site on your mobile phone at www.womenindistress.org.
27
Women In Distress
Annual Report:
The annual report for
2011-2012 was creatively
concepted, designed,
photographed (with the
exception of a few stock
photos) and partially
written by me. I used the
agency’s signature red,
complimented by a dark
and a light blue as well
as a green-yellow to give
the report a fresh look.
The full report can be
viewed at:
http://bit.ly/QY14Rh
8x8 booklet
28
Professional
Morikami’s Astellas Program Booklet: The Stroll for Well-being program at Morikami is a therapeutic garden walking program funded by the Astellas foundation. This tiered booklet serves as an informational guide for counseling and therapy groups that might be interested in the program. I used photography of the gardens as well as the natural color scheme to bring a sense of calm to the entire piece.
6x6 tiered booklet
29
Morikami Family Fun
Days Bookmark:
For this year’s Family
Fun Day schedule the
Education Department
decided to stick with
a bookmark format,
but wanted something
distinctly Morikami
for the imagery. So, I
illustrated our founder,
George Sukeji Morikami,
and his faithful
companion Inu. The front
has a brief history about
George, while the back
lists the activity dates.
2.5x7 bookmark
30
Professional
Morikami E-blast Header: As part of the Membership Department’s August sale, I created this header for our monthly e-newsletter. I used bright colors to grab the readers’ attention, as well as a few details about the sale, and a strong call to action. This sale was very successful, and the email had a 28.6% open rate with 563 clicks to the membership sale landing page.
31
Morikami Oshogatsu
Festival T-shirts:
Morikami’s annual New
Year’s celebration,
Oshogatsu, draws up to
10,000 people in one day
to celebrate the Japanese
New Year. In 2014, for
the year of the horse, I
designed these two shirts
with traditional Japanese
New Year symbols such
as the horse, Daruma and
Shishi Mai, and they were
individually printed for
guests by a local
live screen printer.
32
Professional
Morikami.org Responsive Web Re-Design: When I found that 50% of Morikami’s web traffic was coming from mobile and tablet users, we decided it was time to move to a responsive site. This saved time and money on a mobile site or an application, because the responsive site re-configures and selects content based on browser width. I managed the entire process from concepting and approving a visual layout, to working with key staff members to design contd. ͢
33
Morikami.org Contd.: the navigation and internal pages. The result is a more
mobile-friendly site that is beautiful on a smartphone, tablet, or desktop screen.
The site features an integrated e-commerce
store, which was not the case before, an integrated
version of Morikami’s blog, which was a separate
wordpress site before, and much more.
www.morikami.org
34