E tï,| | LE LITTL E Rbq arronqement withC H A P P E L L E C O . . L T
A New Musical
PRESE ' I 7S
L Y R I C S 8 Y
E.Y. HARBURGM U S I C B Y
B U R T O N [ A N EE O O K B Y
E . Y . H A R B U R G & F R E D S A I D Y
,ffiffiI
30
I t 's that o l d Dev- i l l l l oon -
loon - I t ' s tha t O ld
----;---1' t
d e e p i n y o u r e y e s b l i n d s m e w i t h
r--T----1 r----;--1
i \ l o o n d e c p i n y o u r e y e s b l i n d s m e w i t h
Justwhen I
tcol la, aoce r il lr t ,, î f,.co
3 8 6 9 9
gt
TO OPEN SCENE III
5Segue
Animato,?
lightr Bluck-
'#tbPiano
E
Chappell3S699
ENTR'ACTE
78
N9 16
Piano
(
Moderato
C h a p p e l I
--F
- (T ift It -J---'--- ------------z --\-----l ---_/.
I
? 8
I
(
l
,---,.-=\
Str ings t remolo
?
\-\_
1 :o Segue
Chappe l l
7g
Act IITO OPEN SCENE Vi IN917
Piano
ll{oderato
t i n i a n
I
-J-r
L-.".-q.:fd
ChapPel l
E
SONG (SHARON. (WHEN THE IDLE
with CHORUS) t ORNCEPOOR BECOIITE THE IDLE RICH' '
80
Ne t8
Cue: (Finian) "sh"u., and Robust"
Piano
:J8t i99
DANCE Steady TempoSusan dances
u
Chappell
> : > l " . i
-----------.\--
, - - -
L
?.--."92Yalse
'i: e J r.
-.---_--\
Ci , . rpp l i l
P.OLONAISE>
J*,> t I
l
II
19
wontt it be when ev - try onets poor
p i a s - t i c t e e t h , Horv wil l we de
be - comes fRock-e - fel - ler-t ivetta-nd
ter- mine whots
Chappel i
llt
And r l 'hen uP-pe r
Sc lo (Dead-Pan ,
You wontt know your
the day we drink that drink- ie
from your
i,=__
22 sharon
v
J E 6 9 9
J C
Du du du
dle poor be-come the i
d le poor be-come the
d le poor be-come the
a .
doot de durrffi
du du du doot de du
=-
i -,-----
r i c hd le
Cd u
U.de du
When a
man does-ntt wirnt to
Chappe l I
88
SHA.
!(EN
twantto work, Hets a loaf - er hets a 16u6'-çr hets a la - zygoodfornoth-ing
rich man los j es on a horse, is-'r it he ttre
r + ' . tB u t w h e n a POOr man l os - cs on a hôrset
Oh is - 'n' t he the sport
sam-bler hets a low- l i fe a rea-son for di - vorce.
jerk l
FI
C h a p p e i i3 3 6 9 9
T }l e
townt- But whcn a poor man af - ter
\r
bcund - er hets a round- er rot-ter and a lot of ajr'- iy namelr.
Cheppcll
26
4i . r -
cHo.
cHo.
d eDu d u i u d o o t d e d u
L h .
J '
r.ev - er know just who
nev - er know just who
t - - ' ----
-=------_
r i c h .
de du d u du du du doot de du
When the
When the
When the i - dle poor be - come the i - dle
de doot.Youtt l
d le poor be - come the i - d le
d le poor be - come the i - d te
o
LI7
a/
ilrrlttliiiià
3 5 6 9 e
-"---.-
9t
come nev - €r know iust
I
: ' : T ' * ' e e - d l e D u m r i c h T w e e - d l e D e e ,
when youtre on Park Av- e - nuerCor us and Mike - look a
Th. rs d is -c r im - i
When
t i c n w i l l
n a t l o n?
1if=--
/ r h r r n , l l
3=2 Cwcomlanied
hide thosc in-con-gru-i-t ies in cloaksfrom Ab-er-crom-bie
dle r ich,
poor- be - come the i - d l e.-
tbe
Itq)
É:. d
o ÀE Ec ) oo
o
È
Wbcn- the i poor- be - come the- i
d le poor- be - come the-
d l e
Chapp l l
l .
poof- b e i -
be - eome
be - come
be - come
When thel\-1-r
+-
t h e
tEt h e
hen
+æhen
w+I-L
;
€o
. 6
a ) Oo
d
the
r ich,
r i ch ,
Chappeli
g4
N9 18a
. ' \ \ 'H E \
Cue : ( t i n i an ; I ' l . , s r s S t - . ea rs and
ENCORE CHORUS
POOR BECOME THE IDLE RICH"
SHORT
T H E I D L E
Robus t "
SopranoÀl to
. J _
l loderat o
W h e n t h e r
Tenor
Bass
Piano 1
When the i p o o r b e - c o m e t h e
\ \ hen the i - d l e , w h e n t h e i - d l e p o o r b e
When the p o o r be-come the
be-conre the
p o c r b e - c o m e t h e
When the i d l e
W h e n t h e i - d l e , w h e n t h e i - d l e ,
p o o r b e - c o r n e t h e W h e n t h e i - d l e , w h e n t h e i - d l e ,
( _ - . - a . - : :
'ililffi
OPENING TO LONG ENCORE
'-'-.=-
( È È
rhq _+É-t-r r + t J
poo r becorne the
, : i . ' - . 4oor"
Çhapp e I I
06
N9 18c LONG ENCORE (SHARON with CHORUS)"wHEN THE IDLE pooR BEcoME THE IDLE RIoH"
Cue, (Fini an) " Formal dress required"
Moderato Sharon and Chorus
Let's toast tbe day, Tbe day we drink tbat drink-ie up, But with the l it- t le
Piano
wïen tie i - are doo,
$hen the i - d le , when the i - d le poor d l e ,
d le poor be-conre lbe
le poor be-come tho
dle poor be-come tbe
When the i - d le poor -
C h a p p e I I
g 7
W b e n t h e i - d l e be-corne the d l e ,
f V h e n t h e i - d l eV J . r L - r
whenthe i -d le , wben i - d le , when
when the
When the i - d le, whenthe i - d le,
goor be-come the
poor be-come the
3 8 ô 9 9 C h a p p e l l
t
9 8
N9 19 REPRISE (SHARON & \TOODY ). 'OLD
DEVIL MOON, '
C r r c : ( S h a f o p ) ' ' r f ' e t l i n t h a t c a s e I c a n t n t a r r v y o u . . . . . t w o h e a d s "
Piano
T
S t a r s i n t h e n i g h t , b l : r z i n g t h i e r
r---z.-'-1
g o t m e f l y - i n ' h i g h a n d w i d c
You and your glance nrake this romance
dJ r : -
You've
C h - r n r , .
t h i nk I h -
99
Woody r-l-r
Iove. _---
: l \ ô 9 9 C h a p p e l i
too
Nq20 INTRODUCTION TO SUSAN'S DANCE
-)a
Piano
--> Etit Sharon and Woody
Arranged bySONNY TERRT
1-.---z --\---F
DANCE OF THE GOLDEN CROCK (Susan)N9 20a
HARtrlONICAl lolto adugio
Al legro moderato
Poco meno mosso , t l a rmon ica b reahdoa ,n t
: ]s6 90C h a p p e l l
o ice
Yes
Y o i c e^
"o .K : '
Af legro
Yes,you know.
LONESOME TRAIN Gd I ib . )
END OF SUSATV'S ONXCE
Yes.l ou know
C h a p p e I I
L{J2
N9 2r TO OPEN SCENE VIII
/f,).
( t i=-
, J J A 1 ' n .bo--a
- nff
MAGIC MUSICMolto moderato
'llp " F idd,le - Faddl ei'
Nq22
614: t tNow fo r the mag ic cure"
Piano
FIDDLE . FADDLE!.03
'-7-- ,--i.--
"How are th ings in G locca Mor ra th is f ine'.rnugrc curc u)orhs,,
^ 2 ^
,d
" M e d i e v a l
" B ro ther hood "
Chappe l l
t04
N9 23
era.. (Senator) " I got i t , I got i t "
Moderato
Piano
out che
QUARTET (fne Three Gospeleers & Senator). .THE BEGAI ' '
They l i ved as f ree as the sum- mer
13 ilen
the Lord made A-dam, The
wi th- out pa - ja-masandwi th-
Un - t i l they stum-bled on the
Chapgcl l
__! I
aP - Ple Then she looked at him,- and he looked at
a n d t h e y k n e w i m . m e d . j e t - l y - w h a t t h e ç ' o r l d w a s f u r . -
Hesaidgiveme my cane, - He said give me my The time has
corne
S e n a t o rto be-g in The Be - ga t S o t h e y
>
T h e B e - g a t . So they
c
L
38699 Chappell
_i
and they Be-gat A - belwho Be - gat the rab-ble at tbe towi of Ba-bel Thev
Be-gat the Colrens andthey Be-gat O'Rourkesand they Be-gatthepeo-plervhobe - l ieved in storks.
2nd & 3rd Men g i l r l
Ho*'they did Be-gat E-venmorethanthat;whenthe Be-gat got
Howthey be be be - gat
un-der the daughters of the They Be-gat the Bab-bits of the
3 E 6 9 9 Chappe l l
the mis - be-got -ten
al s t M a n
in Du-luth.Tbough the
mul - t i-plied
cen-sorstr ied the facts to hide -
2nd & 3 rd i l en
Howthey mul - t i -pl ied
It pleased the leagueof Women Shop-pers
go - ers up and
Ho*' they
Ho*' they ed.
pp cresc.
Chappe l l
LO8 1(,lst t lan
mul - ti - plied Soon it swept tbe world,
tweeds Begat
2nd ilan
Ev- iy landand t in-go I t be -
It was big-ger than Bin - gol
The folkswhoshould a stood in bed
the Greeks Be-gX, The Swedes Begit, Whv ev-en Brit isbers in
And Lord-y Lord-y ç'hat their seeds
t Xen
II
tst [.
LappsandLi th-u- an - i - ans Be - gat, ScrantonPennsy l -va - n i - ans
Be - gat H o n - o r - a - r y A r - y - a n s Be - gat.
Fat f i l i - bus- ter-ers Be - gat In -come- tax -ad- jus - te r - e rs Be-gat. 'twas
Naf- 'che-ler aÀd naf-cha-ler - to e-ga t . and somet imes a ba-che- lo r
Be - gat
I
Start - ingfrom Ge-ne - sis. Be - gat
3 . . : 9 9 C h : p p e l l
did - nt mat-ter which-a - \ ,r 'a!.s o f h a - b i - t u - e s
l ïoderatoN9213
Piano
AFTER THE BEGAT
Segue
Chappe l ls8693
N9 24TO OPEN SCENE IX
REPRISE - (SHARON, \trOODY with ENSEMBLE)"LOOK TO THE RAINBOW"
Curtain risesAndante oon moto
111
Piano
I '"1=l 7 "i t *-* 11 71 l - l 7
3 S 6 9 s Chappell
C Chorus
TemD Wood
gi f t to
âFor tbe lure of that
true love's
3 S 6 9 9
ream:
d r e a m .
Fu l low
3 8 6 9 9 Chappell
5.L4
N? 25
Cuet (Fini an) "Leprechavn..... Nemesis"
Agitato
TO OPEN FINAL SCENE
- - - - - Y \ - / ; ' ; :
p
3 S 6 9 9 C h a p p e l l
tl5
p piir lranquillo
0g. Calls"Sharon"Scntimental
'Sutt'e slapt àand
E
Chappell
Lt6
N9 26
Cue: (09)'rl feel the same frenzy lo you"
SONG- OG (with SUSAN'S DANCE)"wHEN I'M Nor NEAR THE cIRL I LovE"
a t.empo
f lck and not toohearti ln a:\
fl
Chappell
What if they're tJll aod What i f theytre small and
O G
It
.oo
It
Chappell
C h a p p e l l
When ttru - not cloge lo
c l tng to tles lbatte clore
I m- not fac - Ing the face lbat I fan - cy,
hiss that
Chappell38690
1('
fan - cy
Itm- not nerr the girl-
For Sba - ron I'm carini- But
love- tbe girl
Su - zan ltm
3 S 6 9 0
ilI
L?,2
N9 27 THE CRACK OF DA\TN. . IF THIS ISN' î LOVE' '
Allegro subito>
Piano
r23
N9 27a
C u e : ( 0 9 . \ " C r a c k o f D a w n I '
REPRISE (rUrr" IF t t t ts tst t ' t
coMPANY)LOVE"
rouE-
If/u
the whole wor ld is
f i '
Cha ppe i I
"L24
cra - zy
th is is-ntt lovd
If this is - rft
If
l ove the whole world is cta g this whole2 . r D 2 ,
With moons
d id -d le d id - d l e t he
world is cra zy If this
and cows jump-ing o
- round and cows jump-ing o -
and the fid -
moors all a -
Chappell
L26
Therets some-thing a - and It l l
Therets
your hand
- thing
tb is is - ntt love
- miss and I'll kiss your hand
th is Poor boy if
love
Elove
N9 28:-r
Cuez(tin
P iano
BEFORE FINALE ULTIMO: hands
egiettha
siof me
r allt
' a lm €
Poco
i an)
IE
Chappell
{
LzA
N9 J9
Cna : (Sha ron ) " l t ' s a l l i n Fa the /s head"
Sharon
Gi r ls
Men
Piano
:1E699
FINALE ULTIMO REPRISE..HO\4I ARE THINGS IN GLOCCA MORRA''
Too
à 1e +
:-2--t
so to evjry r* 'eepin' wi l{ow, To eachbrook a-longthe way To each lad that comesa -
Ful l Company
May we meet in C locca d a y . -
I l lay we meet Mor - ra One f ine
L - oI5
,4-à- n a l =
CURTAII;
Chappe l l
N9 30
(Curtain
CURTAIN ACT II (FULL COMPANY). .THAT GREAT COME.AND.GET.IT-DAY' '
-\--l/
hay - That's the
Eet my
127
Chorus
Piano
Rlscs)
t .
donc and mon-ey is t h i n g s ' l l c o m e y o u r
Chappe l l
g'rounr- 'cause word has come - from Ga-bri-el's--...,-r
< > r
mule- that a-cre of'.-\
horn- The earth be -
(stilt rhythm)
com - in' for to st^y On that great. great Come and get i t , and keep
t29
j ca f {g Chappet l
r 3 0
N9 31
Piano
E X I T M U S I C. ,OLD DEVIL MOON' '
tsu{i99C h e p p e l l
"iil
r3 l
rI
II
Espressivo schmaltzandor1\ --
38699 Çhappell
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