Window Cleaning, 1935 “I refuse to compromise and see blacks as anything less than a proud and...
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![Page 1: Window Cleaning, 1935 “I refuse to compromise and see blacks as anything less than a proud and majestic people.” Aaron Douglas 1898-1979.](https://reader036.fdocuments.us/reader036/viewer/2022062516/56649db65503460f94aa8721/html5/thumbnails/1.jpg)
![Page 2: Window Cleaning, 1935 “I refuse to compromise and see blacks as anything less than a proud and majestic people.” Aaron Douglas 1898-1979.](https://reader036.fdocuments.us/reader036/viewer/2022062516/56649db65503460f94aa8721/html5/thumbnails/2.jpg)
Window Cleaning, 1935
“I refuse to compromise
and see blacks as anything less than a proud and majestic
people.”
Aaron Douglas1898-1979
![Page 3: Window Cleaning, 1935 “I refuse to compromise and see blacks as anything less than a proud and majestic people.” Aaron Douglas 1898-1979.](https://reader036.fdocuments.us/reader036/viewer/2022062516/56649db65503460f94aa8721/html5/thumbnails/3.jpg)
Map of Harlem – 1920’s
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I. What was the Harlem Renaissance?A. In the early 1920s, African American artists, writers, musicians, and performers were part of a great cultural movement known as the Harlem Renaissance.B. Doctors, singers, students, musicians, shopkeepers, painters, and writers, congregated, forming a vibrant center of cultural pride and inspiration.
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II. What led up to the Harlem Renaissance?
A. Great Migration: the huge migration to the North after World War I brought African Americans of all ages and walks of life to the thriving New York City neighborhood called Harlem.
![Page 6: Window Cleaning, 1935 “I refuse to compromise and see blacks as anything less than a proud and majestic people.” Aaron Douglas 1898-1979.](https://reader036.fdocuments.us/reader036/viewer/2022062516/56649db65503460f94aa8721/html5/thumbnails/6.jpg)
![Page 7: Window Cleaning, 1935 “I refuse to compromise and see blacks as anything less than a proud and majestic people.” Aaron Douglas 1898-1979.](https://reader036.fdocuments.us/reader036/viewer/2022062516/56649db65503460f94aa8721/html5/thumbnails/7.jpg)
• B. Response to the “culture clash” of black migrants: – 1. The notion of "twoness,” a divided awareness of
one's identity, was introduced by W.E.B. DuBois, one of the founders of the National Association for the Advancement of Colored People (NAACP), and the author of the influential book The Souls of Black Folks (1903): "One ever feels his two-ness - an American, a Negro; two souls, two thoughts, two unreconciled stirrings: two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder."
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• C. “Back to Africa" movement led by Marcus Garvey: revival of the 19th-century movement to return to the homeland of Africa, or to re-connect with African roots
• D. Racial integration: post-Civil War laws that integrated the North
• E. Increasing popularity of music in the North, particularly jazz, spirituals and blues.
• F. Increasing wealth in the 1920s
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III. Themes and characteristics
A. Common themes: 1. alienation 2. marginality 3. Racism and violence 4. Loss of identity/culture 5. the problems of writing for an elite audience
B. Characteristics: 1. celebration of culture, roots, race, strong leaders
2. distinct vernacular (way of speaking, writing, etc.) 3. social commentary on racism and social injustice 4. Africa as source of inspiration 5. African-American history
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Art from the Harlem Renaissance
Street Life, Harlem, by William H. Johnson
Jeunesse by Palmer Hayden
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Johnson arrived inHarlem when the
Renaissance was in the making. While
there he created several paintings that dealt with
political and social Harlem. Chain
Gang is one example.
William H. Johnson1901-1970
Chain Gang. 1939
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Zora Neale Hurston1891-1960
American writer
Literature:Zora Neale Hurston was remarkable in that she was the most widely published
black woman of her day. She authored more than fifty
articles and short stories as well as four novels, two books on folklore, an autobiography, and some plays. At the height of her success she was known as the “Queen of the Harlem “Queen of the Harlem
Renaissance.”Renaissance.”
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MusicIn 1925, at the height of the jazz era in Paris, the
sensational cast of musicians and dancers
from Harlem, assembled as La Revue Negre,
exploded on the stage of the Theatre des Champs
Elysees. Its talented young star, Josephine
Baker (1906-1975), captivated audiences with a wild new dance called
the Charleston.
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“Louis Armstrong’s station in the history of jazz is unimpeachable. If it weren’t for him, there wouldn’t be any
of us.” Dizzy Gillespie, 1971