TU/e Studium Generale: Three stars and a window in outer space - April2011

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THREE STARS AND A WINDOW IN OUTER SPACE studium generale | eindhoven university of technology april 20, 2011 ronald van tienhoven lecture
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Three Stars and a Window in Outer Space (method and metaphor, system and serendipity) A lecture by Ronald van Tienhoven in the framework of Eindhoven University of Technology’s Studium Generale lecture programme. April 20, between 11.45-13.00, TU/e Blauwe Zaal, main auditorium. The lecture will be in English. Entrance free. During the Gemini program, launched by NASA in 1958, the astronaut team needed to convince NASA engineers to have a window installed in their spacecraft. Departing from the notion that astronauts were merely instrumental in doing pre-programmed tasks during spaceflights, a window wasn’t considered to be necessary. This conflict symbolizes the gap between utilitarian thinking and design empathy and the psychological consequences of missions in outer space. In 2006 the European Space Agency (ESA) teamed up with 3-star French chef Alain Ducasse, aiming to develop out-of-this-world cuisine for astronauts on their long-duration spaceflight to Mars and their subsequent stay on the Red Planet. The exquisite menu that followed was based on nine main ingredients that could be grown and harvested by the Mars explorers. On the one hand there is a universal urge to deploy the arts, design and science in unison. On the other hand there still seems to be a lingering discrepancy that has, admittedly, been bridged considerably between 1958 and 2006, but still needs to gain the necessary momentum in order to become fully effective and meaningful. This lecture is intended to trigger the discussion about method and metaphor, system and serendipity, and the many opportunities in optimizing anticipatory art & design science.

Transcript of TU/e Studium Generale: Three stars and a window in outer space - April2011

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THREE STARS AND A WINDOW IN OUTER SPACE

studium generale | eindhoven university of technologyapril 20, 2011

ronald van tienhoven lecture

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The Right StuffPhilip Kaufman

(1983)based on the novel

The Right StuffTom Wolfe, 1979

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capsule vs. spacecraftoccupant vs. pilot

(language as litmus test for assessing art & design engineering empathy)

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i s i t a b o u t s a f e t y ?y e s

i s i t a b o u t e x p e r i e n c e ?y e s

i s i t a b o u t e m p o w e r m e n t ?y e s

i s i t a b o u t s t a t u s ?y e s

i s i t a b o u t m e t a p h o r ?y e s

i s i t a b o u t s u r v i v a l ?y e s

i s i t a b o u t p l a y ?y e s

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Alan Shepard’s Apollo 14 Spacesuit (x-ray)

04:55:23shepard mercury flight duration

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To put the matter differently, "play" (and its associated behavioral variability) is not purely entertainment or a luxury to be given up when things get serious. It is itself a highly adaptive mechanism for dealing with the reality that the context for behavior is always largely unknown.

Paul Grobstein

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AMHA Website: http://www.amha.id.tue.nl/

520 DAYSmars flight duration

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My working method has more often than not involved the subtraction of weight...I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language...Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world - qualities that stick to writing from the start, unless one finds some way of evading them.

Italo CalvinoSix Memos for the Next Millennium (Cambridge,1988)

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spirulina gnocchis

potato and tomato mille-feuillesmartian bread and green tomato jam

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r i c e

o n i o n s

t o m a t o e s

s o y a

p o t a t o e s

l e t t u c e

s p i n a c h

w h e a t

s p i r u l i n a

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i s i t a b o u t s a f e t y ?y e s

i s i t a b o u t e x p e r i e n c e ?y e s

i s i t a b o u t e m p o w e r m e n t ?y e s

i s i t a b o u t s t a t u s ?y e s

i s i t a b o u t m e t a p h o r ?y e s

i s i t a b o u t s u r v i v a l ?y e s

i s i t a b o u t p l a y ?y e s

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antic ipatoryart & design

science

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method and metaphor

system and serendipity

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antic ipatoryart & design

science

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Richard Buckminster Fuller - 1895-1983

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500.000 BC - 1850

(against forces)

1850-1950

(transitional)

1950 >>

(natural)

m a n o n e a r t h : t r a n s p o r t s p e c i e s

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“Most of my advances were by mistake. You uncover what is when you get rid of what isn't.”

“How often I found where I should be going only by setting out for somewhere else.”

“My ideas have undergone a process of emergence by emergency. When they are needed badly enough, they are accepted.”

Richard Buckminster Fuller

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S A G A C I T Ythe quality of being discerning, sound in judgment, and farsighted,

in two directions, and standing firmly in the present.

past future

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fine-tuned deductionomni-tuned serendipity

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S E R E N D I P I T Y“In the fields of observation chance favors only the prepared mind”

(Louis Pasteur)

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(...)the camel is lame, blind in one eye, missing a tooth, carrying a pregnant woman, and bearing honey on one side,and butter on the other...

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S E R E N D I P I T Y“In the fields of observation chance favors only the prepared mind”

(Louis Pasteur)

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e u r o p e a n p o r c e l a i n

p o s t - i t

g r a v i t y

p e n i c i l l i n

s i l l y p u t t y

r a y o n

v i a g r a

c o r n f l a k e s

a m e r i c a

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“....research directed toward the test of one hypothesis [yielding] a fortuitous by-product, an unexpected observation which bears upon theories not in question when the research was begun”

Robert K. Merton, 1958

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Freud’s desk, London, 1938

past futureE V E N T H O R I Z O N

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"Possibly we will discover that the very same logic underlies both mythical and scientific thinking, and that Man always has thought equally well."

"Peut-être découvrirons-nous un jour que la même logique est à l'oeuvre dans la pensée mythique et dans la pensée scientifique, et que l'homme a toujours pensé aussi bien."

Claude Lévi-Strauss - Anthropologie structurale, p. 254

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E V E N T H O R I Z O N

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Event Horizon Sequence: the Event Horizon as Point Of No Return

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Hokusai Katsushika - Blind monks measuring an elephant, 1819

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Hokusai Katsushika - Blind monks measuring an elephant, 1819

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chance & necessity

chaos & chance

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“The eye sees only what the mind is prepared to comprehend."

Henri Bergson

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“The eye sees only what the mind is willing to comprehend."

....

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“The eye sees only what the mind is able to comprehend."

....

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wil l ingnesspreparat ion

abi l i ty

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humancase study:

anatomy

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Tibetan medical painting: blood vessels, 17th century

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Female anatomical statue, 1600 (Roudillon collection)

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Jacques Gautier d´Agoty - L’Ange Anatomique, 1746

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Female anatomical representation, 2007 (as perceived by hugh heffner)

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The Visible Human ProjectThe U.S. National Library of Medicine

(1986>)based on the novel

The Right StuffTom Wolfe, 1979

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“All too often beauty is nothing more than the by-product of an everyday enterprise.”

Joseph BrodskyFondamenta degli incurabili, 1989

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wishful design process diagramdiagram becomes metaphor

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statement of the Eames Design Process by Charles Eamesfor the Louvre show “What is Design”, 1969

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Chris BurdenMetropolis II

2009

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Alexander McQueenSpring|Summer 1999

model: Shalom Harlow

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fin

w w w . s l i d e s h a r e . n e t / r v t i e n h o v e n