True Identity catalogue
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Transcript of True Identity catalogue
TRUE IDENTITY?
Copyright 2012 View Art Gallery
The rights of View Art Gallery as author of the work has been asserted to them in accordance with the
Copyright, Designs and Patent Act 1988
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior permis-
sion of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being
imposed on the subsequent purchaser.
b o o k s
True Identity?
View Art Gallery presents a group show
True IdentityNovember 15 - January 19, 2013
View Art Gallery159-161 Hotwells Road
Bristol BS8 4RYUnited Kingdom
for enquiries: +44 (0)5603 116753
BETH CARTERAMELIA CIRIELLO
ANN GOODFELLOWCATHERINE KNIGHT
ANDY PRICECLEM SO
FRAN WILLIAMS
ANDY PRICEJapanese customs, traditions, society, symbolism and even its environmental issues, act as a muse for Andy Price’s latest series of works.
Although each painting is strikingly unique, Andy employs the kimono in each painting as his means to convey his observations and perceptions on this intriguing country. Predominantly set against contemporary backdrops, his series intends to illustrate how fraught with contradiction he believes Japanese society is.
From the vibrant neon-soaked metropolis of Tokyo to the horror of the aftermath of Hiroshima, his paintings will incite everything from laughter to tears.
Sakuhinacrylic on panel
97 x 82 cm£5,500
The original painting images of Andy Price are also available as signed limited edition giclee prints.Prices range from £180 - £410, depending on size and framing option. Please enquire for details.
Tokyo Time acrylic on panel
160 x 107 cm£8,800
Resurrectionacrylic on panel160 x 107 cm£8,800
Osaka Timeacrylic on panel
150 x 107 cm£8,500
Neon Nihonacrylic on panel160 x 107 cm£8,800
See No Evil acrylic on panel
43 x 32 cm£1,300
Hear No Evil acrylic on panel
43 x 32 cm£1,300
Speak No Evil acrylic on panel
43 x 32 cm£1,300
Noh to Ganguroacrylic on panel
160 x 107 cm£8,800
Cameoacrylic on panel78 x 108 cm£6,000
Spring Snowacrylic on panel
32 x 20 cm£TBA
By the Shoreacrylic on panel
24 x 32 cm£TBA
CLEM SOSeeking to raise questions about ancestry, history and identity, Clem So’s work simultaneously explores his intriguing Chinese heritage whilst hinting at the feeling of loss and a numbness of something not quite there. Primarily using his own family as the subject matter for his beautiful paintings, So intends for them to entice the viewer to stay awhile and perhaps, in viewing his own ancestral past, provoke reflection and reminiscence about ones personal family connections and past.
Through a combination of the traditional and digital process, Clem is able to peel back and reveal hidden layers of abstracted texture and subtle gestures of narrative, transmitted through his compelling portraiture.
Burrowing deep into the underbelly of his own identity, Clem So’s work is a virtual feast of visual flavours
Tears of Pearlchinese ink, charcoal, emulsion on canvas
101 x 101 cm£1,200
above: Breaking The Mouldchinese ink, charcoal, oil, rice, soy sauce on canvas
89 x 70 cm£1,235
right: The Unperturbedchinese ink, charcoal, spray paint, emulsion on canvas
127 x 101 cm£1,235
over page left: I Will If You Willchinese ink, charcoal, emulsion on canvas101 x 101 cm£1,200
over page right: Demon Daughterchinese ink, charcoal, emulsion on canvas101 x 101 cm£1,200
From The EastDigital composite on hahnemule photo rag
60 x 42 cm£TBA
Mother NeverDigital composite on hahnemule photo rag
60 x 42 cm£TBA
The portraits on the following pages are images of the artist’s ancestors and are available as limited edition giclee prints.
Some of the portraits can also be seen on the glazed dinner plates featured in the ‘Dim Sum Daily’ installation.
All prints are editions of 100 and priced at £200 (framed) and £125 (unframed).
Mr Yun (left)
Portrait from the Afterlife
Sifu
Gung (left)
(right) Lady Fu
right) Eternal Grandmother
True Self
Treasure Each Moment
Beauty of Xiohechinese ink, charcoal,
spray paint, on canvas127 x 112 cm
£1,235
Losing Facechinese ink, charcoal, oil paint, on canvas89 x 70 cm£970
When all is said and donechinese ink, charcoal, spray
paint, ash, on canvas127 x 121 cm
£1,235
The Mandarinchinese ink, charcoal, emulsion on canvas178 x 131 cm£1,540
CATHERINE KNIGHTEmotive, conceptual and purposefully ambiguous, Catherine Knights’ mystical paintings provoke pertinent questions about the concept of family.
Catherine finds inspiration for her work from old family photographs of people who are part of her history, yet unknown to her. In trying to piece together and make sense of her own history, her paintings mirror how family histories and personal mythologies are half-remembered, smoothed over and exaggerated over time.
The conceptual nature is achieved through her use of colour. As the original photographs are black and white, she is free to experiment, thus explaining the slightly unreal, unnatural feel to her paintings. This heightened colouration is also suggestive of a romanticized or hazed over version of events.
Her application of paint, with its fluid layers, dripping and seeping across the surface, create a fine line between control and chance. The resultant scenes are unstable, with an intentional ambiguity that encourages the viewer to question and complete the story.
Lofotenoil on canvas 122 x 91 cm
£1,400
Rootoil on wood40 x 30 cm£460
1929oil on canvas150 x 110 cm
£1,720
Familyoil on canvas30 x 40 cm
£460
Skaneoil on canvas150 x 180 cm
£2,180
Green Mountainoil on wood18 x 24 cm
£280
Low Cloudoil on wood15 x 20 cm
£275
Waldseeoil on canvas
55 x 80£890
Waterfalloil on canvas
cm£750
FRAN WILLIAMSEvocative and vivid, Fran Williams’ oil paintings explore human experiences common to us all.
Using the human form, in particular the silhouette, her paintings are created through methods of mark making: applying the paint, working and distressing it and then “’reading’ the feelings it’s created.
Offering different interpretations and stimulating multiple emotional responses, Fran aims for her work to really connect with the viewer, whether that’s by provoking broken’ sadness, abandoned joy, torment, longing or desperation as long as it moves the viewer, Fran feels her work has fulfilled its role.
Fran nearly always writes on her canvases, seeing it as representational of the many thoughts and questions we all have running through our minds at one time. Through re-working of her surfaces, she makes most of this text unreadable, liking how it fades out just like many of the thoughts or feelings we see on the faces of other people.
That Which We Choose To Leave Behind oil on wood40 x 30 cm
£990
right: Who I Was.. Who I Am.. Who I Will Be
oil, acrylic on canvas90 x 120 cm
£3,475
left: The Familiar Unfamiliaroil, acrylic on wood
30 x 40 cm£990
Gatekeepers Of The Mindoil on wood70 x 20 cm£1,100
left: The Roles We Playoil, acrylic on wood40 x 40 cm£1,100
above: You Are Alwaysoil on driftwood
38 x 22 cm£835
I Amoil on wood25 x 25 cm
£700
The one not dancing knows lots of songsoil, acrylic on wood
32 x 62 cm£1,100
The Eternal Questionoil and acrylic on canvas
100 x 50 cm£2,750
Tomorow’s Promiseoil on wood45 x 65 cm£2,360
ANN GOODFELLOW
Pink Wrapstone
70 x 50 cm£990
Exploring notions of ‘presence’ and existence, Ann Goodfellow’s sculptures are simultaneously mysterious and beautiful.
Using her own body as the model for her works, Ann initially creates drawings through a sense of touch alone. The heightened awareness of her body, created by this unusual artistic technique, leads her to feelings of exaggerated scale: typically the torso feels large whilst the head appears small. These sensations, together with the rhythms, weight and tensions result in unusual markings emerging on the self modelled ceramic bodies.
Despite the cold, hard material of Ann’s medium, there is an evident energy and sensitivity, which brings these remarkable figures to life.
The resultant strangeness, which appears on the familiar figurative shapes, invites the viewer to follow the lines and shapes of their own “presence” to share the experience.
Ecstasy of Time 1stone
72 x 31 cm£1,100
Ecstasy of Time in Bluestone68 x 28 cm£660
Hiraethstone
47 x 30 cm£835
Presencestone66 x 47 cm£1,100
Ecstasy of Time 2stone
84 x 38 cm£1,100
Ecstasy of Time in Yellowterracotta89 x 37 cm£880
AMELIA CIRIELLOStriking and alluring, Amelia Ciriello’s latest body of work seeks to explore hidden feelings and stories behind each of the women she paints. Fascinated by female faces and the internal and external beauty of them, she finds the process of trying to solve their mysteries a rewarding challenge.
Her current interest is Geishas. Their secretive and reserved natures and traditions appeals to the artist’s intention to unearth mysteries through her art.
Geisha Girloil on canvas
70 x 50 cm£1,550
left: Belle Blueoil on wood30 x 40 cm£550
over page left: Miss Miaoil on wood30 x 40 cm£650
right: Liberty oil on canvas
60 x 90 cm£1,800
over page right: La Maschera oil on wood
30 x 40 cm £650
right: Princess ToyotamaFramed giclee print a/p80 x 60 cm£550
left: Avaoil on wood95 x 75 cm£1,800
BETH CARTERBeth’s work inspires a pure child-like response as well as deeper adult themes. The unusual characters created by her expansive imagination can be humorous and playful. On further investigation, it is possible to be taken on a more sinister journey of sadness, pity and fear.
Beth is skilled in sculpture, drawing, and unique animated ‘drawings’. Consistent in all forms is an almost eerie amount of life projecting from an inanimate object.
Clown Headblack resin
edition of 1273 x 35 cm
£2,220
Sleeping Minotaurbronze or bronze resin
edition of 2550 x 50 cm
£3,600 (bronze)£2,100 (bronze resin)
Carnival Maskbronze resinedition of 15base: 33.5 x 23 cmheight: 78 cm£2,000
Buck Rabbitbronze resinedition of 15
base: 33 x 22 cmheight: 100 cm
£3,240
Standing Horsebronze artist’s proofbase: 21 x 21 cmheight: 50 cm£2,160
This is an exhibition that provokes emotions and feelings that are very familiar and yet private. At first we are intrigued by the artists’ personal and generic messages and then we are challenged to reflect on our own identity and ask questions...
who are we?who do we want to be?how are we perceived?
Nick Waugh, View Art Gallery
viewartgallery.co.uk
VIEW ART GALLERY