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TO BE: The Birthright of the Imagination

--Poetics is both intelligent design and information technology.

I’ve found the landscape of prose wearisome when I read largeexamples of it. I prefer the brevity of poetry as a perpetual flow

suddenly alerted to itself by means of a poem.

Every brain has its own personality. Therefore, the imaginative

 birthright persists albeit stalled and oppressed by authorities of 

temporary duration.

All the perceptual fields have a technological role in what we takeas the meaning we read in letters. (Letters too are a technology as

is evident in programming languages all too well)

Memory is perception and emotion owing to its own organ and

character.

Poetry is a human heritage.

It is the transcendent purpose of any society to rename itself in

grander terms and by these terms reorient itself continuously. As

to these ends, the dawn is a plain example. But every moment

dawns anew, such that light is the origin that originates infinitely

as per its prerogatives to lead to constant creation.

The imagination can give birth to faith as a part of its construction

and its activity. Thus poetry’s investment in sound is an example

of the way that rhyme (as well as other aspects of sound mimickedin verse) betray a perhaps deeper or recessive source: the open

constant is what I’ve called it, which refers to a certain corporative

realization of thought as a heritage of something antecedent,

 beginning in a source of its own conception.

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It is the core or heart whatever is the agreement has been that it has

a name even when its an unknown due to its mysterious

 preeminence in human motives (love or hatred) and its infallibility.

That it is unknown speaks of a consideration long concealed to

 poetry sounds is an aggravating of its character to be realizethrough the appeal to its ineluctable “nature.”

Thus for poetry, sound is a rotor consisting of phonics and

 phonetics (but many other and unknown effects as well) The

imagination has a birthright all of the techniques of poetics confirm

and compel.

The rotor of sound is contained as an inner and outer sphericalmotion perhaps a wheel. These two wheels as it were, are brought

into coterminous operation upon the anvil of the ear. So that it

may appear to be the case that the ear itself is but an imitation of 

the world and all of its invocations installed within it.

Therefore, it is true that a person may never not have sound. As it

was true as Helen Keller came to know that vision takes place as

an inversion of the physical world absorbed into the eye andreordered vertically to consist of sight.