THE WEDDING GIG BOOK Volume 1

14
Prelude to Te Deum This regal fanfare is very popular with brides and can be used as either the processional or recessional. There are several “escapes” that could be used to shorten the piece if required. The melody is found in both trumpet parts and in the horn. Ave Maria There are several popular and famous Ave Marias. This particular piece was originally named Meditation by the composer Charles Gounod (1818-1893). He wrote this famous melody to the accompaniment of the first prelude of the Well-Tempered Clavier by Johann Sebastian Bach (1685-1750). Hornpipe and Air from Water Music George Frederick Handel (1685-1759) wrote three Water Music suites for performance by 50 instrumentalists on a barge during a royal procession on the Thames River in 1717. There are twenty-one movements in all ranging from slow airs to colorful allegros featuring two horns or two trumpets. The variety in tempos and the tuneful melodies have made Water Music a favorite of audiences since the first performance. Wachet Auf Wachet Auf is a section from J.S. Bach’s (1685-1750) Cantata No. 140. Heralded as one of his finest cantatas, it was written for the 27th Sunday after Trinity. What is interesting about this time is that this Sunday does not exist unless Easter is very early. Therefore this happened only twice during Bach’s years in Leipzig. Bach wrote many cantatas but none have maintained the popularity as this excerpt from No. 140. This is most likely due to the elegant, flowing nature of the writing that is so distinctly Bach. Ode to Joy This the famous theme from Beethoven’s grand Symphony #9. It is an often requested piece at weddings and this version is very straight ahead with a descant on the final repeat. Trumpet Voluntary The Trumpet Voluntary by Jeremiah Clarke (1673-1707) was falsely attributed to Henry Purcell until 1953. In the 17th century a trumpet voluntary was a piece that was not actually written for trumpet. It was written for solo organ and meant to be played on the trumpet stop. All dynamics, articulations and some ornaments (trills) have been added by the editor and may be ignored or altered to best suit the performers. THE WEDDING GIG BOOK Volume 1 Arranged by David Marlatt www.enpmusic.com PREVIEW ONLY

Transcript of THE WEDDING GIG BOOK Volume 1

Page 1: THE WEDDING GIG BOOK Volume 1

Prelude to Te Deum

This regal fanfare is very popular with brides and can be used as either the processional or

recessional. There are several “escapes” that could be used to shorten the piece if required. The

melody is found in both trumpet parts and in the horn.

Ave Maria

There are several popular and famous Ave Marias. This particular piece was originally named

Meditation by the composer Charles Gounod (1818-1893). He wrote this famous melody to the

accompaniment of the first prelude of the Well-Tempered Clavier by Johann Sebastian Bach

(1685-1750).

Hornpipe and Air from Water Music

George Frederick Handel (1685-1759) wrote three Water Music suites for performance by 50

instrumentalists on a barge during a royal procession on the Thames River in 1717. There are

twenty-one movements in all ranging from slow airs to colorful allegros featuring two horns or

two trumpets. The variety in tempos and the tuneful melodies have made Water Music a favorite

of audiences since the first performance.

Wachet Auf

Wachet Auf is a section from J.S. Bach’s (1685-1750) Cantata No. 140. Heralded as one of his

finest cantatas, it was written for the 27th Sunday after Trinity. What is interesting about this time

is that this Sunday does not exist unless Easter is very early. Therefore this happened only twice

during Bach’s years in Leipzig. Bach wrote many cantatas but none have maintained the

popularity as this excerpt from No. 140. This is most likely due to the elegant, flowing nature of

the writing that is so distinctly Bach.

Ode to Joy

This the famous theme from Beethoven’s grand Symphony #9. It is an often requested piece at

weddings and this version is very straight ahead with a descant on the final repeat.

Trumpet Voluntary

The Trumpet Voluntary by Jeremiah Clarke (1673-1707) was falsely attributed to Henry Purcell

until 1953. In the 17th century a trumpet voluntary was a piece that was not actually written for

trumpet. It was written for solo organ and meant to be played on the trumpet stop.

All dynamics, articulations and some ornaments (trills) have been added by the editor and may

be ignored or altered to best suit the performers.

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Page 2: THE WEDDING GIG BOOK Volume 1

Canon

The incredible fame and popularity of this work is staggering. What is not commonly known is

“the” version of Canon, which many understand to be the original, is scored for 3 violins and

continuo. This is not the original version. Pachelbel’s first scoring was a Canon and Gigue for

solo organ. There have been many arrangements of this work for every combination of

instruments including solo piano, steel drums, recorder ensemble, trumpet octet, several for brass

quintet and double brass quintet.

Largo from Winter - The Four Seasons

Antonio Vivaldi (1678-1741) is best known as a composer of concertos. He wrote over 200

concerti for various instruments. For many years he was the music director at a private school

and it was here he wrote a large number of concerti for his students. This concerto, originally for

strings, is a typical work of Vivaldi’s, demonstrating his gift for “tune”. It is his melodic material

that burns such pieces as the Four Seasons into the memory of musicians and non-musicians

alike.

This is a solo for the tuba. The use of cup mutes in the trumpets and trombone provides a unique

color under the soloist. The horn doubles the melody at times and should be sure to balance with

the soloist.

Wedding March

This piece requires no introduction. This easily the most famous and often used bridal procession

of all times.

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? b b b 44PRELUDE to TE DEUM - C. CharpentierAllegro Maestoso q»•º

Œ œf

˙ œ 222 ˙ ˙ 333 œ œ œ œ

? b b b444 ˙ œ œ 555 œ ˙ œ 666 ˙ ˙ 777 œ œ ˙ 888 .˙ Œ

999 œ ˙ œ

? b b b101010 œ œ ˙ 111111 œ œ œ œ 121212 .œ œ .œ œ œ

Œ131313 œ ˙ œ 141414 œ œ ˙

? b b b151515 œ œ ˙ 161616

.˙ œ 171717 œ œ œ œ 181818 .œJœ œ œ 191919 œ œ œ œ

? b b b202020 ˙ œ œ 212121 œ œ œ œ 222222 ˙ œ œ 232323 œ œ œ œ œ 242424 .˙ œ

? b b b252525 œ œ œ œ 262626 .œ

Jœ œ œ 272727 œ œ œ œ 282828 ˙ œ œ 292929 œ œ .œ œ œ

? b b b303030 ˙ œ œ 313131œ œ œ œ œ œ œ 323232 .˙

Œ333333 œ ˙ œ 343434 ˙ ˙

? b b b353535 œ œ œ œ 363636 ˙ œ œ 373737 œ ˙ œ 383838 ˙ ˙ 393939 œ œ ˙ 404040 .˙ œ

? b b b414141 œ .œ œ .œ Jœ 424242

œ œ ˙434343

.œ Jœ œ œ 444444 œn .œ œ œ œ 454545 œ œn .œ Jœ

? b b b464646 .œ Jœ œn .œA œ 474747 œ œ ˙ 484848 .œ Jœ œ Œ

494949 œ ˙ œ 505050 ˙ ˙

? b b b515151 œ œ œ œ 525252 ˙ œ œ 535353 œ ˙ œ 545454 œ œ ˙ molto rit.

555555 œ œ ˙ wU

WEDDING GIG BOOKVolume 1 Arranged by David Marlatt

© 2009 EIGHTH NOTE PUBLICATIONS

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? b 44AVE MARIA - J.S. Bach/C. GounodModerato q»¶™!

.Jœp

œ !.Jœ œ 2

! .Jœ œ ! .Jœ œ 3

! .Jœ œ ! .Jœ œ 4

!.Jœ œ ! .Jœ œ

? b5

!.Jœ œ !

.Jœ œ 6

! .Jœ œ ! .Jœ œ 7

! .Jœ œ ! .Jœ œ 8

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.Jœ œ

? b9

!.Jœ œ !

.Jœ œ 10

! .Jœ œ ! .Jœ œ 11

! .Jœ œ ! .Jœ œ 12

! .Jœ œ ! .Jœ œ

? b13

! .JœP

œ ! .Jœ œ 14

! .Jœ œ ! .Jœ œ 15

! .Jœ œ ! .Jœpœ 16

! .Jœb œ ! .Jœ œ

? b17

! .Jœ œ ! .Jœ œ18

! .Jœb œ ! .Jœ œ19

! .jœ œ ! .jœ œ20

! .jœ œ ! .jœ œ

? b21

! .jœ œ ! .jœ œ22

! .Jœ œ ! .Jœ œ 23

!.Jœ œ !

.Jœ œ 24

!.Jœ

Pœ!

.Jœ œ

? b25

!.Jœ œ

!.Jœ œ 26

! .Jœ œ ! .Jœ œ 27

!.Jœb œ !

.Jœ œ 28

!.Jœ œ

!.Jœ œ

? b29

!.Jœp

œ!

.Jœ œ 30

!.Jœ œ !

.Jœ œ 31

! .Jœ œ ! .Jœ œ 32

! .Jœ œ ! .Jœ œ

? b33

!.Jœb

Fœ !

.Jœ œ 34

!.Jœn

fœ !

.Jœ œ 35

! .Jœ œ ! .Jœ œ 36

! .Jœ œ ! .Jœ œ

? b37

! .JœP

œ ! .Jœ œ38

! .Jœ .˙molto rit.39

! .Jœ .˙ wU

pWEDDING GIG BOOK Volume 1 pg. 2 Trombone

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Page 5: THE WEDDING GIG BOOK Volume 1

? b 43HORNPIPE from WATER MUSIC - G.F. HandelAllegro Moderato q»¡º•œ>

fœ> œ> 2

Jœ. œ> Jœ

. œ. œ. 3

Jœ. œ>

Jœ. œ- 4

Jœ. œ>

Jœ. œ-

? b5

Jœ. œ- Jœ

.F

œ. œ. 6 œ- ‰ Jœ. œ. œ. 7 œ- ‰ Jœ

. œ. œ. 8 œ-‰ Jœ

. œ. œ.

? b9 .œ Jœ œ œ œ œ œ 11 ˙

12 3

? b15 œ>

fœ> œ> 16 J

œ. œ> Jœ. œ. œ. 17 Jœ

. œ>Jœ. œ- œ 18 Jœ

. œ>Jœ.

Fœ. œ.

? b19 œ- ‰ Jœ

. œ. œ.20 œ- ‰ Jœ

. œ. œ. 21 œ- œœœ. œ. œ. œ. 22 œ- œ œ- œ.

fœ. œ. 23 œn - ‰ Jœ

. œ. œ.

? b24 œ- ‰ Jœ

. œ. œ. 25 .œ Jœ> œ 26 œ œ œ> œ> 27 .œ> ‰ Œ

? b28

!

29

Œ ‰ Jœ.

Pœ. œ. 30 œ- œ œ œ. œ. œ. œ. 31 œ- œ œ- œ.

Fœ. œ.

? b32 œ- ‰ Jœ

. œ. œ. 33 œ œ œ- œ 34 œ œ ˙ 35 œ ‰ Jœ>

fœ> œ>

? b36 .œ Jœ

> œ> œ> molto rit.

37 œ œ> œ> œ> œ œ 38 œ œ ˙ .U̇

WEDDING GIG BOOK Volume 1 pg. 3 Trombone

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? b b b 44WACHET AUF - J.S. Bach q»§§

‰ 11 12.œ œn .œ

Ÿœ œ œ

!

13

Ó œP

œ 14 œ œ œ œ

? b b b15 ˙ ˙ 16

Ó Œ œ17

œ œ œ œ œ18

œ œ œ œn œ œ œ œ

? b b b19 œ œn œ œ œ œ œ 20 œ œb œ œ 21 œ œ œ œ œ œ 22 œ Œ Ó

? b b b23 6 29

Ó Œœ

p.œ œn .œ

Ÿœ œ œ 30 œ œb œ œ 31 ˙ Ó

32

Œ œP

œ œ

? b b b33 œ œ ˙ 34 3 37 œ œ

‰jœ

jœ œ#jœ

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38j̊œ œ œ œ

‰jœn

jœ# œjœn

!

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Fœ œn œ œ œ# œ 40 œ œn œ œ œ œ œn œ œ œ œ œ œ œ œ œ# œ œn œ œ œn œ œ œ œ œn œ

? b b b42 œ œb œ œ 43 ˙

fÓ 44 Ó Œ œ œ 45 œ œ ˙

? b b b46

!

47 Œ œ œ œ 48 œ œ œ œ œ 49 œ œ œ œ

? b b b50 œ œ œ œ

molto rit.

51 ˙ œƒ

œ œ œ 52 œ œ œ œ .œ œ .œ œ wU

WEDDING GIG BOOK Volume 1 pg. 4 Trombone

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? bbb 44ODE TO JOY - L. van BeethovenMaestoso q»¡ººœf

œ œ œ 2 œ œ œ œ 3 œ œ œ œ 4 .œ Jœ ˙

? bbb5 œ œ œ œ 6 œ œ œ œ 7 œ œ œ œ 8 .œ Jœ ˙

? bbb9 œ œ œ œ 10 ˙ œ œ 11 ˙ œ œn 12 œ œn ˙b

? bbb13 œ œ œb œ 14 œ œ œ œ 15 œ œ œ œ 16 .œ Jœ ˙

? bbb ..17 œ œ œ œ 18 œ œ œ œ 19 œ œ œ œ 20 .œ Jœ ˙

? bbb21 œ œ œ œb 22 œb œ œ œ 23 œ œ œ œ 24 .œ

Jœ ˙

? bbb25 œ œ œ œ 26 ˙ œ œ 27 ˙ œ œ 28 œ œn ˙

? bbb ..29 œ œ œ œ 30 œ œ œ œ 31 œ œ œ œ ˙ ˙

WEDDING GIG BOOK Volume 1 pg. 5 Trombone

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Page 8: THE WEDDING GIG BOOK Volume 1

? bb 44TRUMPET VOLUNTARY - J. ClarkeMaestoso q»¡¡™˙

f˙ 2 .˙ œ 3 œ œ œ œ 4 ˙ ˙ 5 ˙ œ œ

? bb6 .œ Jœ œ œ 7 œ œ œ œ œ 8 .˙ Œ

9 ˙ ˙ 10 .œ Jœ œ œ

? bb11 œ œ œ œ œ œ 12 ˙ œ œ 13 ˙ œ œ 14 .œ Jœ œ œ 15 œ œ ˙

? bb16 .˙

Œ17 ˙ ˙ 18 .˙ œ 19 .˙ œ 20 œ> >̇ œ 21 ˙ ˙ 22 .˙ œ

? bb23 œ Œ œ œ 24 .˙ Œ

25 ˙ ˙ 26 .˙ œ 27 .˙ œ 28 œ> >̇ œ

? bb29 ˙ œ œ 30 .˙ œ 31 œ Œ œ œ 32 œ ‰ Jœ

>>̇ 33 ˙ ˙ 34 .˙ œ

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Œ

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58 7 65 œ

ƒœ œ ˙ 66 œ œ œ ˙ œ 67 œ œ œ œ

? bb68œ œ œ œ ˙ 69 œ œ œ œ œ molto rit.

70 œ œ œ œ œ œ œ œ œ wU

WEDDING GIG BOOK Volume 1 pg. 6 Trombone

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? bbb 44 ..AIR from WATER MUSIC - G.F. HandelAir q»§º˙p

œ œ 2 ˙ œ œ 3 œ ˙ œ œ 4 œ œ ˙

? bbb ..5 œP

.œ œ ˙ 6 œ .œ œœ Œ7 œ ‰ Jœ œ œ œ œn ˙

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˙ 10 .˙P

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? bbb ..13 .˙ œ 14 ˙

pœ œ 15 œ ˙ œ œ 16 œ œ ˙

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F

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p

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? bbb33 .œ Jœ

- œ œ 34 œ œ œ œ rall. e dim.

35œ .œ œœ œ œ œ U̇

WEDDING GIG BOOK Volume 1 pg. 7 Trombone

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Page 10: THE WEDDING GIG BOOK Volume 1

? bb 44CANON - J. Pachelbelq»!¢ 2 3 2 5 2

? bb7 œp

œ œ œ 8 œ œ œ œ 9 œ œ œ œ 10 œ œ œ œ

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melody in tubaœ œ œ16 œ œ œ œ

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WEDDING GIG BOOK Volume 1 pg. 8 Trombone

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Page 11: THE WEDDING GIG BOOK Volume 1

? bb31

!œ. œ. œ.

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WEDDING GIG BOOK Volume 1 pg. 9 Trombone

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? bbb b 44LARGO from WINTER (FOUR SEASONS) - A. VivaldiLargo q»§§

œcup mute

pœ œ œ 2 œ œ œ œ 3 œ œ œ œ 4 œ œ œ œ 5 œ œ œ œ

? bbb b6 œ œ œ œ 7 œ œ œ œ 8 œ œ œ œ 9 œ œ œ œ 10

œ œ œn œ

? bbb b11 œ œ œ œ 12 œ œ œ œ 13 œ œ œ œ 14 œ œ œ œ 15 œ œ œ œ

? bbb b16 œ œ œ œ 17 œ œ œ œ 18 œ œ œ œ 19 œ œ œ œ 20 œ œ œ œ

? bbb b21 œ œ œ œ 22 œ œ œ œ 23 œ œ œ œ 24 œ œ œ œ 25

œ œ œ œ

? bbb b26 œ œ œ œ 27 œ œ œ œ 28 œ œ œ œ 29 œ œ œ œ 30 œ œ œ œ 31 œ œ œ œ

? bbb b32 œ œ œ œ 33

œ œ œ œ 34 œ œ œ œ 35 œ œ œ œ molto rit.36 œ œ œ œ wU

WEDDING GIG BOOK Volume 1 pg. 10 Trombone

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Page 13: THE WEDDING GIG BOOK Volume 1

? bb 44WEDDING MARCH - R. WagnerSlow walking speed q»¶™

2 3 œf

.œ œ˙ 4 œ .œ œ˙

? bb5 œ .œ œ œ œ 6 œ œ ˙ 7 œ .œ œ ˙

? bb8 œ .œ œ˙ 9 œ .œ œœ œ 10 œ .œ œ˙ 11 œ

Fœ œ œ œ

? bb n n #12 œ œ œ ˙

13 œ œ œ œ œ 14

œ .œ# œ˙ 15 ˙

P

œn œb œ

? # n b b16 ˙ ˙ 17 ˙ ˙n 18 œ .œ# œ ˙

? bb19 ˙b ˙ 20 ˙ ˙ 21 œ œ œ œ 22 œ œ ˙#

? bbopt. skip for early endingœnf

.œ œ˙ 24 œ .œ œ˙ 25 œ .œ œœ œ 26 œ œ ˙

? bb27 œnf

.œ œ ˙ 28 œ .œ œ ˙ 29 œ .œ œ œ œ molto rit.30 ˙ œ œ 31 œ .œ œU̇

WEDDING GIG BOOK Volume 1 pg. 11 Trombone

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