THE RENAISSANCE
description
Transcript of THE RENAISSANCE
![Page 1: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/1.jpg)
THE RENAISSANCE
“THE PIETA” MICHELANGELO
THE“REBIRTH”
OFCLASSICAL
THEMESAND
IDEAS
1300-1650 A.D.
![Page 2: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/2.jpg)
HUMANISMTHE MOVEMENT TO “REBIRTH”
EMPHASIS AND APPRECIATION OF INDIVIDUAL WORTH AND THE DIGNITY OF MANA MOVE TOWARDS SECULAR LIFE, NOT RELIGIOUSA RETURN TO THE CLASSICS: IDEAS AND ACCOMPLISHMENTS OF THE GREEKS AND ROMANSEMPHASIS ON BEAUTY, NOT FEARAN IDEAL OF BEING WELL-ROUNDED (DEVELOPING ABILITES IN MANY AREAS)INCLUDED AN IDEAL OF PERFORMING PUBLIC SERVICE AND EXERCISING INDIVIDUAL CHOICESTARTED AS A LITERARY MOVEMENT CONCERNED WITH EVERYDAY HUMAN PROBLEMS
![Page 3: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/3.jpg)
CONTRIBUTING INFLUENCES
SCHOLARS TURNING TO IDEAS FROM THE CLASSICAL PERIODGROWTH OF COMMERCIAL EMPIRES AND CONTACT WITH WORLD CULTURESDEVELOPMENT OF URBAN, RATHER THAN RURAL. AREASBOOKS WRITTEN IN THE VERNACULAR (MORE PEOPLE BECOME LITERATE)CORRUPTION IN THE CHURCH AND A DESIRE TO REFORM RELIGIONINCREASED POWER OF MERCHANT CLASS WHO USE THEIR INFLUENCE TO PROMOTE THEIR IDEAS (BECOME PATRONS TO THE ARTS)
![Page 4: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/4.jpg)
EARLY HUMANIST FIGURES
PETRARCHDANTECHAUCERERASMUSCELLINITHOMAS MOREBOCCACCIOMACHIAVELLIRABELAIS
ILLUSTRATION FROM“CANTERBURY TALES”
![Page 5: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/5.jpg)
PETRARCHTHE FATHER OF HUMANISM
1304-1374 A.D.FLORENTINESPENT MUCH OF HIS YOUTH IN THE POPE’S COURTFOUND MANY OLD LATIN MANUSCRIPTS TO STUDY. ADMIRED THE WRITERSDISLIKED ARISTOTLEWROTE IN THE VERNACULARMOST FAMOUS WORKS-LOVE POEMS (SONNETS) TO LAURA, WHO DIED OF THE BLACK PLAGUECREATED THE ITALIAN SONNET FORM
![Page 6: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/6.jpg)
CHAUCER
EARLY LITERARY HUMANISTWROTE CANTERBURY TALES
ABOUT A GROUP OF PILGRIMS TRAVELING TO THE SHRINE OF THOMAS A’ BECKETTHEY ARE A GROUP OF VARIOUS CLASSES AND OCCUPATIONS WHO TELL “WORLDLY” TALES TO AMUSE THEMSELVES ON THE WAY TO CANTERBURY
BORN IN ENGLAND IN 1340DIED IN 1405
![Page 7: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/7.jpg)
DANTE
BORN IN 1265; DIED IN 1321EARLY FLORENTINE WRITER; THE 1ST GREAT NAME IN ITALIAN LITERATUREWROTE THE DIVINE COMEDY ABOUT A TRIP THROUGH HELL, PURGATORY, AND HEAVEN WHILE IN EXILE FOR POLITICAL BELIEFS
DANTE WITH A COPY OF THE “DIVINE COMEDY” IN HIS HAND
![Page 8: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/8.jpg)
SCENES FROM “DIVINE COMEDY”
![Page 9: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/9.jpg)
![Page 10: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/10.jpg)
ERASMUS
CONSIDERED THE “PRINCE OF HUMANISM”1466-1536 A.D.DUTCH SCHOLAR AND CHRISTIAN HUMANISTQUESTIONED THE ACCURACY OF CATHOLIC BIBLE TRANSLATIONSMOST FAMOUS WORK THE PRAISE OF FOLLY A SATIRE AGAINST SOCIAL EVILS, “KNOWLEDGE FACTORIES”MADE FUN OF CHURCH PROBLEMS AND ENCOURAGED REFORMS
![Page 11: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/11.jpg)
BENVENUTO CELLINI
.ITALIAN GOLDSMITH, PAINTER, MUSICIAN, SOLDIER, AND SCULPTORWROTE THE FIRST MODERN AUTOBIOGRAPHYENCOURAGED OTHERS OF EXCELLENCE TO “DESCRIBE LIFE WITH THEIR OWN HAND”
![Page 12: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/12.jpg)
SIR THOMAS MORE
1478-1535 A.D.ENGLISH LAWYERWROTE UTOPIA ABOUT AN IDEAL STATE FREE OF WAR, POVERTY, AND IGNORANCE(“UTOPIA” ACTUALLY MEANS “NO PLACE”, NOT “IDEAL PLACE”CHIEF ADVISOR TO HENRY VIIIWAS BEHEADED AFTER CROMWELL PLANTED “EVIDENCE” OF TREASON TO HENRY VIII PORTRAIT OF THOMAS MORE
BY HANS HOLBEIN
![Page 13: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/13.jpg)
BOCCACCIO
1313-1375 A.D.FLORENTINEWROTE DECAMERON, STORIES TOLD BY TEN MEN AND WOMEN TO PASS THE TIME AFTER THEY FLED FLORENCE DURING THE PLAGUEA WORLDLY MORALIST
IILLUMINATION OFBOCCACCIO AND PETRARCH
![Page 14: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/14.jpg)
NICCOLO MACHIAVELLI1469-1527 A.D.FROM A FLORENTINE NOBLE FAMILYWROTE THE PRINCE
SAID “MIGHT MAKES RIGHT”SAID KINGS WERE NOT BOUND TO THE SAME RULES OF LAW AND MORALITYREJECTED THE IDEA THAT THE STATE EXISTED FOR THE GLORY OF GODSAID KINGS SHOULD FORGET IDEALS, BUT DO WHAT IS NECESSARY TO REMAIN POPULARSAID A WISE RULER SHOULD NOT OBSERVE FAITHTHOUGHT THE RIGHTS OF THE CITIZENS ARE ONLY WHAT SERVES THE STATESINGLE-HANDEDLY REVOLUTIONIZED THE IDEAS OF GOVERNMENT AND POLITICSDEDICATED THE BOOK TO THE MEDICIMODERN ADVOCATES: HITLER, MUSSOLINI, STALIN, SADDEM,
![Page 15: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/15.jpg)
RABELAIS
1494-1553FRENCH PHYSICIAN AND MONKWROTE THE SATIRIC ROMANCES GARGANTUA AND PANTAGRUEL
![Page 16: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/16.jpg)
LEONARDO DA VINCI
1452-1519“THE RENAISSANCE MAN”SUPPORTED BY THE D’ESTE FAMILY AND THE DUKE OF MILAN
MOST FAMOUS WORKS:
“THE LAST SUPPER”“MONA LISA”
LEONARDO’SSELF-PORTRAIT
![Page 17: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/17.jpg)
“MONA LISA”
IS “MONA LISA” ASELF-PORTRAIT
???
![Page 18: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/18.jpg)
“MADONNA OF THE ROCKS”
“LADY WITH AN ERMINE”
![Page 19: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/19.jpg)
“THE LAST SUPPER”
![Page 20: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/20.jpg)
MICHELANGELO
1475-1564STARTED AS AN APPRENTICE AT 13 (HE BROKE HIS FIRST MASTER’S NOSE IN A FIGHT)SUPPORTED BY THE MEDICI FAMILYTOLD THE POPE “I AM A SCULPTOR, NOT A PAINTER” WHEN ASKED TO PAINT THE SISTINE CHAPELFAMOUS WORKS:
“THE PIETA”SISTINE CHAPEL CEILING“MOSES”“DAVID”TOMB OF JULIUS II
![Page 21: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/21.jpg)
“THE PIETA”MICHELANGELO
THIS IS THE ONLY WORKMICHELANGELO SIGNED
THE STATUE IS
LOCATEDIN THE
VATICAN
![Page 22: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/22.jpg)
STATUE OF “DAVID”
THE STATUE SUMS UP HUMAN DIGNITY AND GREATNESS
THE STATUE STANDS14’ TALL
MICHELANGELO“SAW” DAVID INTHE PIECE OF
MARBLE
![Page 23: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/23.jpg)
THE SISTINE CHAPEL
HE TOOK FOUR YEARS TO PAINTHE STOOD ON A SCAFFOLDING 70’ HIGHTHE CEILING HAS OVER THREE HUNDRED PERSONAGESHE ALSO PAINTED “THE LAST JUDGMENT”, THE ALTAR PIECE
THE
CREATION
![Page 24: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/24.jpg)
“THE LAST JUDGMENT”
THE “LAST JUDGMENT”
IS THE ALTAR PIECE IN THE
SISTINE CHAPEL
![Page 25: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/25.jpg)
ST. PETER’S CATHEDRAL
MICHELANGELO’SDESIGN FOR THE DOME
ST. PETER’SCATHEDRAL
TODAYIN ROME (VATICAN)
![Page 26: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/26.jpg)
RAPHAEL
BABY ANGELSIN THE
SISTINE CHAPEL
“ST. GEORGE AND THE DRAGON”
![Page 27: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/27.jpg)
“THE SCHOOL OF ATHENS”
![Page 28: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/28.jpg)
CARAVAGGIO (HE’S NOT ON THE LIST…BUT I LOVE HIM!!!)
“DAVID AND GOLIATH”
THE SACRIFICE OF ISAAC”
![Page 29: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/29.jpg)
NORTHERN RENAISSANCE
EMPHASIZED SOCIAL PROBLEMS AND NEED FOR REFORMRELIGION, ETHICS, AND QUESTIONS OF RIGHT AND WRONG WERE FREQUENT SUBJECTSART WAS MOSTLY ABOUT ORDINARY PEOPLE, EVEN SERVANTS, AND EVERYDAY LIFEMANY OF THE ARTISTS EMPHASIZED STRONG LIGHT AND DARK CONTRAST
![Page 30: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/30.jpg)
REMBRANDT VAN RIJN
DUTCH PAINTER1606-1669KNOWN FOR HIS USE OF NATURAL LIGHT ILLUMINATING THE FACES OF HIS SUBJECTS, AGAINST DARK BACKGROUNDSPAINTED COMMON PEOPLE, OFTEN MIDDLE CLASS MERCHANTSDID MANY PORTRAITS AND SELF-PORTRAITS
![Page 31: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/31.jpg)
“ADORATION OF THE SHEPHERDS”
“DEMONSTRATION OF THEANATOMY OF THE ARM”
“ARISTOTLEBEFORE
THE BUST OF HOMER”
![Page 32: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/32.jpg)
“PARABLE OF THE RICH MAN”
“MAN IN AGOLDEN HELMET”
“THE NIGHT WATCH”
![Page 33: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/33.jpg)
“TWO SCHOLARS DISPUTING”(PETER AND PAUL)
“PORTRAIT OF A WOMANWITH OSTRICH FEATHER”
![Page 34: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/34.jpg)
JAN VAN EYCK
ABOUT 1395-DIED 1441DUTCHDID NOT INVENT OIL PAINTS, BUT PERFECTED TECHNIQUES AND EFFECTSHAD HIS OWN SCHOOLHIS BROTHERS WERE ALSO PAINTERSWORKED IN THE COURT AND FOR NOBLES
SENT BY THE DUKE OF BURGUNDY TO PROPOSE TO ISABELLAOF PORTUGAL
WELL-PAID ARTIST
“MAN IN A RED TURBAN”(SELF-PORTRAIT)
![Page 35: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/35.jpg)
“THE ARNOLFINA MARRIAGE”
![Page 36: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/36.jpg)
![Page 37: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/37.jpg)
ALBRECHT DURER1471-1528GERMAN PAINTER, ENGRAVER, AND MATHEMATICIANDID PORTRAITS, INCLUDING SELF-PORTRAITSHIS MOST FAMOUS WORKS ARE HIS ENGRAVINGS
SELF-PORTRAIT
![Page 38: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/38.jpg)
“KNIGHT, DEATH, AND THE DEVIL”
“ST. JEROME IN HIS STUDY”
![Page 39: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/39.jpg)
RENAISSANCE WOMEN
ISABELLA D’ESTEARTEMISIA GENTILESCHIVITTORIA COLONNASOFONISBA ANGUISSOLAMARGUERITE OF NAVARRE
![Page 40: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/40.jpg)
ISABELLA D’ESTA
“THE FIRST LADY OF THE RENAISSANCE”1474-1539 A.D.MARRIED DUKE GONZAGA OF MANTUASTRONG CULTURAL AND POLITICAL FIGUREINFLUENCED BY CASTIGLIONEWELL-EDUCATEDPATRON TO DA VINCI AND RAPHAEL, AS WELL AS OTHERS
PORTRAIT BY TITIAN
![Page 41: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/41.jpg)
WROTE OVER 2000 LETTERSMUSICIAN-PLAYED THE LUTEKNEW GREEK AND LATINFOUNDED A SCHOOL FOR YOUNG WOMENWHEN HER HUSBAND WAS TAKEN CAPTIVE, SHE TOOK OVER THE CITY AND HELD OFF THE INVADERSHER SISTER WAS DUCHESS OF MILAN
SKETCH OF ISABELLABY DA VINCI
![Page 42: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/42.jpg)
ARTEMISIA GENTILESCHI
“SUSANNA AND THE ELDERS”
ITALIAN ARTIST KNOWN FOR PICTURES OF
STRONG WOMEN
SELF-PORTRAIT
![Page 43: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/43.jpg)
“JUDITH BEHEADINGHOLOFERNES”
“JUDITH AND THE MAIDENSERVANT”
![Page 44: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/44.jpg)
VITTORIA COLONNA
1490-1547ITALIAN NOBLEWOMANKNOWN FOR HER BEAUTIFUL POETRYMICHELANGELO FELL IN LOVE WITH HER AND WROTE HER MANY SONNETSSHE WAS WIDOWED WHEN HER HUSBAND DIED IN CAPTIVITY FROM HIS WOUNDSVERY RELIGIOUS
SKETCH BYMICHELANGELO
![Page 45: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/45.jpg)
SOFONISBA ANGUISSOLA
1532-1625ITALIAN PAINTERSHE AND HER SISTERS WERE ALL ENCOURAGED BY THEIR FATHER TO PAINTSHE MET MICHELANGELO, WHO ALSO ENCOURAGED HER TALENTFOCUSED ON PORTRAITS, BECAUSE GIRLS COULD NOT PAINT NUDESWAS COURT PAINTER AND LADY-IN-WAITING IN SPAINMARRIED TWICE
SELF-PORTRAIT
![Page 46: THE RENAISSANCE](https://reader033.fdocuments.us/reader033/viewer/2022051518/568162c8550346895dd3533b/html5/thumbnails/46.jpg)
“THE CHESS GAME”
SELF-PORTRAIT