THE PRESENT PERFECT AND THE PURSUIT OF HAPPINESS ...
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THE PRESENT PERFECT AND THE PURSUIT OF HAPPINESS:
THE INTEGRATION OF LANGUAGE, CULTURE, AND CONSUMERISM IN
ENGLISH LANGUAGE TRAINING TEXTBOOKS
By
DMITRY LYUBECHANSKY
Integrated Studies Final Project Essay (MAIS 700)
submitted to Dr. Raphael Foshay
in partial fulfillment of the requirements for the degree of
Master of Arts – Integrated Studies
Athabasca, Alberta
December 2012
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ABSTRACT
The English language is now well-integrated into the global economy. Consequently, a
large industry exists to provide English language training (ELT) materials and instruction
around the world. One of the most popular ELT textbook series, American Headway,
exemplifies the type of publication sought by universities and private academies for their
adult English language courses. The cultural contents of this textbook series are
primarily of an aspirational nature. The images and topics tend to promote a lifestyle of
leisure and pleasurable pursuits. This study calculates the amount of space devoted to
aspirational and commercialized content, and reveals it to be a significant percentage.
Furthermore, product placement of recognized global brands can be found within
learning activities, as well as a substantial emphasis on celebrity culture. In essence,
there is a strong implication that English is a pathway to fame and financial success.
Beyond language instruction, the American Headway books consistently promote a
cosmopolitan consumerist lifestyle. This paper seeks to understand the process by
which such cultural values may be chosen for inclusion by the ELT industry, and
ultimately supports the need for educators to recognize both the overt and covert
ideological messages that may exist in the teaching materials they use in class.
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TABLE OF CONTENTS
Introduction: English as a Global Language 4
The Global Textbook: Ideology, Culture, and Content 6
Analysis – Methodology 14
Analysis – Quantitative Research 17
Analysis – Qualitative Discussion 26
Conclusion 33
Bibliography 37
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INTRODUCTION: ENGLISH AS A GLOBAL LANGUAGE
English language training materials are cultural artefacts, and by their very nature they
both reflect and interpret the cultural values inherent to their creation, purpose and use.
As such, they are ideological vehicles that have the capacity to promote particular
lifestyles and set standards for behavioral norms. For example, it is entirely expected to
find that English language training materials would promote the study of the English
language. However, different texts may promote conflicting reasons for why the study
of the English language might be beneficial, and may do so either overtly or covertly
through a variety of methods. Likewise, images of English speakers and their
surrounding environments would, perhaps unavoidably, reflect the cultural realities of
the individual people and times they depict. Nevertheless, the contents and contexts of
such images are themselves reflections of editorial choice, and may be included for
reasons that are potentially more complex than being merely decorative. Thus, it is
imperative for educators to be aware, if not critical, of the messages permeating the
materials they present to their students. Naturally, this study recognizes that there
exists a delicate line of interpretation between the neutral representation of common
cultural touchstones and the intentional and non-intentional promotion of specific
cultural values.
In this study, an examination of the popular American Headway Second Edition
textbook series reveals an underlying culture of commercialism that revels in celebrity
icons and seamlessly incorporates product placement into language learning activities.
Consequently, it identifies the English language with fame and financial success, and
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casts the student into the role of a cosmopolitan consumer, with a focus on leisure,
comfort, and carefree pursuits. In essence, it promotes the already ubiquitous and
ongoing world-wide process of assimilation into a globalized culture of self-indulgence.
Potentially, these books may contribute to an unbalancing of a student’s self-perception.
Such English language training materials entice learners out of what may be an already
precarious community of shared history and heritage, and into a new sphere of shared
aspirations. Through stories, images and activities focused on material wealth, status,
and the accumulation of accolades, these textbooks lead by example, and offer a
template beyond mere language competency. The American Headway Second Edition
series teaches English skills and shows how to become a better global citizen, ever
eager to purchase and play.
The descriptive term commonly applied to the English language is that of the ‘new
lingua franca’ to indicate its increasingly widespread usage in international affairs.
There are differing opinions on how English achieved this prominent status. Some view
the process as a mere congruence of favorable conditions, of being a language “which
has repeatedly found itself in the right place at the right time” (Crystal, 120). Others see
a more insidious path to prominence: a well-planned and thoughtfully executed coup as
part of a larger strategy at world dominance by the Anglo-American military-industrial-
cultural complex. Phillipson posits that “English is now entrenched worldwide, as a
result of British colonialism, international interdependence, ‘revolutions’ in technology,
transport, communications and commerce, and because English is the language of the
USA, a major economic, political, and military force in the contemporary world” (1992:
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23-24). Significantly, an estimate on the number of English speakers being “maximally
one third” the world population (Phillipson, 2008: 4) still leaves billions speaking some
other tongue, or rather, a lot of potential customers for English textbooks.
An individual adult’s desire to study English can be based on any number of
unpredictable motivations; however, there are those for whom there is no choice,
primarily university or college students for whom English courses are a mandatory
portion of their studies, even if their degree might be in astrophysics or fashion design.
THE GLOBAL TEXTBOOK: IDEOLOGY, CULTURE, AND CONTENT
The publishing industry has long noted this market demand and has sought to profit by
supplying the language teaching industry with resources and support materials, the
central element of which has been the student text book.
Textbooks remain a key component of language programs throughout the world.
Tomlinson notes a British Council survey from 2008 that “revealed that 65% of the
teachers polled always or frequently used a coursebook and only 6% never did. A
similar survey at conferences in Malaysia, the United Kingdom and Vietnam showed
that 92% of the respondents used a coursebook regularly” (158).
Gray observes that English language training (ELT) “publishing is a growing and highly
competitive industry” (2002: 155). Thus, from a strictly business perspective, it makes
sense for publishers to increase their profit margins by lowering the development costs
for books across multiple regions, and create as closely as possible a ‘one-size-fits-all’
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model that can be more easily reproduced to maximize economies of scale. While such
mass printings of undifferentiated grammar and phonics content may be of concern, it is
the embedded cultural content that also encourages closer scrutiny by educators and
academics.
Culture is defined by Cortazzi and Jin as “the framework of assumptions, ideas, and
beliefs that are used to interpret other people’s actions, words, and patterns of thinking”
(in Jeeyong 254). Gray references Du Gay et al. who “argue that culture is an endlessly
recursive process of meaning making and meaning taking” (2010: 715). Wright and
Sandlin state, “Whether intentional or not, adults learn from the practice of cultural
consumption in their everyday lives” (119). Likewise, schools, teachers and textbooks
may promote, present, or reflect particular cultural values with an equal amount of
intention, or lack thereof. It can then be said that the interaction between an adult
student and their English language training materials will involve a cultural conveyance
from the book’s authors and publishers to the reader which may be calculated or
inadvertent. Such conveyances “significantly affects students’ attitudes and dispositions
towards themselves, other people and society” (Ndura in Jeeyoung et al. 253). Thus,
Tomlinson argues, “This is potentially dangerous as the coursebook is revered in many
classrooms as the authority and there is a risk of its users uncritically accepting its
views” (165), which may be unintentionally present, or even misconstrued. Lee and
Collins agree that “Learners, who generally attach great credibility and authority to
educational materials, tend to absorb and assimilate the materials in minute detail
without comment, and to be susceptible to their influence” (in Barton & Sakwa, 175).
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Gray clearly states that “Although coursebooks are designed explicitly for the teaching
of English language they are also highly wrought cultural constructs and carriers of
cultural messages” (2002: 52). Furthermore, “such artefacts can be seen not only as
mediating tools of subject knowledge, but also as organs for ideological reproduction
and legitimation of ‘particular constructions of reality’” (Gray, 2010: 714, Apple and
Christian-Smith 1991: 3). Thus, “it is important to ask what cultural messages are being
communicated, either implicitly or explicitly, during the instructional process. This
begins with an understanding of power relations and seeing the classroom as a kind of
microcosm of broader society, representing both its ideology and its power structure”
(James, 40).
There appears to be a consensus in the literature regarding the “one way” nature of the
ideological transmission that occurs through English language textbooks. Xiong and
Qian provide analysis that “echoes Liu’s finding about the “one-way logic” in textbooks
uncritically promoting one ideological position while silencing others” (85), and Aurbach
and Burgess confirm that “Texts which exclude cultural comparisons and conflicts from
curricula define acculturation as a one-way process rather than an interactive one” (488),
while Gray writes that “In much ELT material, it has been argued, the student is
positioned ‘at the receiving end of a virtually one-way flow of information’” (Gray
2000:280, Alptekin and Alptekin 1984:15). Lahdesmaki writes that “textbooks typically
represent values and worldviews which are highly culture-specific” and without providing
multiple perspectives “may be alien or even offensive to students of different cultural
backgrounds” (376).
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Yet, it appears that offensiveness is exactly what publishers wish to avoid, and
Lahdesmaki follows up her earlier observation by stating that “it has also been pointed
out that recent policies, increasingly adopted by publishers, mandate cultural
appropriateness and inclusivity” (376). Gray is particularly observant regarding this
phenomenon of publishers guiding their content, having interviewed several and visited
their offices where he saw such instructions for the writing staff. He explains:
[There] is a set of topics which coursebook writers are usually advised
to avoid. Some publishers provide lists of proscribed topics, while
others rely informally on the acronym PARSNIP (politics, alcohol,
religion, sex, narcotics, isms, and pork) as a rule of thumb. One
publisher’s list I saw contained some thirty items to be avoided or
handled only with extreme care. These included alcohol, anarchy,
Aids, Israel and six pointed stars, politics, religion, racism, sex,
science when it involves altering nature, e.g. genetic engineering,
terrorism, and violence. (2002: 159)
The result of such prohibitions however is perhaps an unintentional blandness that
permeates the majority of English textbooks. There is no explicit controversy, and thus
little with which to argue, which in turn reinforces the ease with which the content that is
present can be readily accepted. In fact, much of what remains is depicted as positive
reflections of a healthy and happy lifestyle. Gray notes that the publishers he spoke
with use the term “aspirational” to refer to content of this type; meaning, “something
which [students] aspire to and therefore interests them and motivates them” (2002: 161).
Precisely therein exists a further need for close analysis; to quote a piece of famous
dialogue from the film The Usual Suspects, “The greatest trick the Devil pulled was to
convince the world that he didn’t exist.” Even if the content that remains after all the
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PARSNIPs are pulled is deemed by the publishers to be safe and innocuous, inevitably
cultural values remain present, aligned to an ideological current that has placed them
therein. Thus, the elimination of “controversial” subject matter does not lead to a
dilution of culture, but to its distillation. The core intended message remains not only
intact, but further concentrated. The underlying ideology of consumerism is even more
firmly embedded in the “inoffensive” content that remains. The guise of neutrality allows
textbooks to promote particular values while appearing unbiased. True neutrality would
allow for a plethora of competing cultural content, controversial and banal. Gray notes
that inherently “textbooks are products of the cultures which produce them – in this case
the commercial culture of a powerful global industry” (2010: 730). Even if the content
seems benign on the surface, its ideological message may run deeper. As Thompson
and Tambyah explain:
Through constellations of taken-for-granted meanings, beliefs,
normative values, and implicit cultural connotations, ideologies
become naturalized as part of a cultural way of life and situate
individuals' self-directed actions within a sociocultural matrix of power
relations, such as dominant/subordinate, central/marginal, and
included/excluded. (215)
Instructors therefore have a role to play in balancing the relationship between students
and the cultural contents of the learning material. “Cortazzi and Jin view cultural
learning as a dialogue between teachers, students, and textbooks” (Jeeyoung 265).
This is especially relevant when teaching overseas, where a textbook’s cultural
references are less well known. Lazar writes that “Under these conditions the teacher,
the backbone of the teaching system, becomes the mediator between two – or more –
cultures” (7).
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Whether teachers are able or willing to mediate the “commercial culture” that Gray
references is complicated by the recognition that “capitalism exists on almost as big a
paradox as democracy itself – it needs consumers if it is going to survive” (Jarvis 12). It
is at this point important to remember “that TESOL (the Teaching of English to
Speakers of Other Languages) itself is a significant export item – teaching materials,
examinations, know-how, teachers et al. – for the British and Americans, and a vital
dimension of English linguistic neoimperialism” (Phillipson, 2008: 10). Even setting
political objectives aside, there is no profit incentive for corporate publishing houses to
promote a critical or alternative agenda to capitalism or consumption, especially as their
customer base is primarily motivated by the notion that “English serves as a vehicle for
participation in the global economy” (Spring 2007:63). As Jarvis observes, these
considerations merely reflect the notion that “the capitalist system … is infiltrating
every… walk of life, including education” (22). The effect is that it can seem at times “as
though teachers are acting as surrogate telemarketers” (Boyles 263). Naturally, it may
well be in the individual teacher’s interest to also maintain the steady flow of students-
consumers. Teachers are simply members of the larger society, and Hudd notes that
there is an increasing focus on money as a means of happiness with each decade from
the 1970’s onward (31). For the thousands of expatriates who are teaching abroad to
continue to enjoy the benefits of a relatively easy lifestyle that so well rewards their
acquiescence to the “English as gateway” paradigm requires only that they continue to
promote the system from which they profit. Many would do so eagerly, and with a clear
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conscience. After all, as Spring notes, “Most people have never run from consumption”
(2007: 74).
Nevertheless, there are those who view the reality that “the force of English in
globalization is beginning to have a deep impact on English language teaching across
the globe” (Xiaoqiong and Xianxing) with some alarm. While there is a seemingly
natural confluence between “English in globalization” and “English language teaching
across the globe” that makes the relationship practically inseparable, a distinction can
be made on the basis of purpose. English can be taught and can enjoy useful purpose
for its own sake. Likewise, one might study Italian purely to be able to read Dante in the
original. However, the globalization project cannot move forward without an employable
means of cross-cultural communication. For a variety of reasons, English is the
language of globalization. Consequently, to enroll in English study even at random,
now risks exposure to a globalization perspective through the mass-produced materials
that occupy most classrooms, and which inherently promote the globalization agenda.
Boyle warns:
We would do well, then, to uncover the coverings and to focus
teacher and student energy on deconstructing and reconstructing the
economic, corporate, and capitalist assumptions surrounding and
infiltrating schools. The values that are transmitted, or at least
symbolically represented, are too pervasive to let that very
pervasiveness be an excuse not to grapple with and engage things
like newspaper advertisements, magazines, Web sites, television
news programs—and, yes, textbook covers. (265)
One of the most popular series of English language training textbooks is the Headway
program written primarily by Liz and John Soars, and published by Oxford University
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Press. There are several variations including New Headway and American Headway,
and multiple editions have been published over the years. The series incorporate
colorful Student Books, matching Work Books with additional practice activities,
Teachers’ Books, CD-ROM’s, and online resources. In flourishing English language
training markets, such as South Korea, the American Headway series appears in use at
both private language institutes and in university programs, and it sells in significant
volume. Gray refers to the overall Headway course concept as a “spectacular success”
(2010: 719) with regard to its worldwide adoption, and further explains its prominent role
in the field of English language training:
This course has been described by Holliday (2005: 41) as one of the
‘cultural icons’ of ‘Western TESOL’—that is as a revered and
commercially successful artefact which exerts a powerful influence on
textbook design and pedagogic practice globally. Sales figures for the
Headway course are not available, but one editor I spoke to admitted
that sales from the course alone were sufficient to fund an entire
publishing house. (2010: 719)
Consequently, it is important to note the observation by Tomlinson that textbook writers
“rely heavily on retrieval from repertoire, cloning successful publications and
spontaneous ‘inspiration’” (152). Thus, the success of the Headway books has a great
influence beyond its direct readership because its methods may potentially appear in
the ‘inspiration’ of other writers.
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ANALYSIS – METHODOLOGY
The core intent of this paper is to provide some examination of the American Headway
series which consists of six levels labeled Starter, 1, 2, 3, 4, and 5. However, this
review will be limited to the Student and Work books at levels 1, 2, and 3 in the series.
The reasons for these limitations are two-fold. All the books follow a consistent pattern;
therefore analysis of those three out of six books provides a clear indication of the type
of contents reflective of the series as a whole. Secondly, the books in levels 4 and 5
are of an advanced level and are aimed at students who have achieved a strong
proficiency in the English language. As such those books are less often encountered,
and the students who would use them would already have a significant past exposure to
English language and associated cultural references. In essence, those students could
be considered to have already achieved a level of cosmopolitan citizenship.
The analysis will consist of two stages. In the first stage, quantitative data will be
collected and reviewed. The data collected will appear in table format and will chronicle
what Gray refers to as “aspirational” content. The first series of tables will focus on
representations of identifiable living celebrities and currently recognizable global brand
name products. The amount of pages devoted to celebrities and brands will be counted
and will include any type of reference such as images, reading material, or language
learning activities (fill in the blank, circle correct answer, etc.). These are what Gray
refers to as “the ‘representational repertoires’… namely the stock of ideas, images and
linguistic choices which are deployed in the creation of meanings, and the identifications
that these seek to create in readers” (2010: 715). These pages will then be tallied and a
percentage of total content calculated.
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Further quantitative analysis will explore evidence of “aspirational” content through a
review of the images in the Student books only. These books have many colorful
photographs and cartoons that are designed to motivate the students and increase
interest. Images will be tallied and sorted according to the following categories and their
descriptions:
1. Shopping for non-essential items such as sports equipment, electronics, etc. but not
including fruits, vegetables, meats, clothes, or basic furnishings.
2. Consumer products such as cameras, sports cars, collectibles, etc. Note: equipment,
electronics, or tools essential for study or work will not be included
3. Corporate logos and brand names such as the Nike swoosh, etc.
4. Dining out images will be tallied if they show fast food outlets, restaurants, cafes, etc.
but not simple street food stalls, school cafeterias, or if the image in context is meant
to focus on the worker.
5. Leisure Travel / Leisure Activity images are those depicting either tourists abroad or
advertisements for travel agencies, people purchasing flights or flying if not in
business clothes, and people engaged in activities such as snorkeling, sports, hiking,
playing video games, etc. Simply standing or talking will not be counted, nor will
images of students, artists or workers engaged in productive activities.
6. Celebrities will be counted if living or only recently deceased but famous persons
who passed away in previous decades or ancient historical figures will not.
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7. Home comforts are photos that depict middle and upper class amenities in the home
such as large, well-appointed apartments for single tenants, or dinner tables with
bountiful foods, or large, comfortable living rooms with consumer goods on display.
Once the images in the above categories have been tallied, they will then be calculated
as a percentage of the total number of images in the book. Then, a total of all
“aspirational” content will be made. In order to provide a better context to these
percentages the books will be reviewed again for the number of images that just show a
cropped head and shoulders or face of some person and do not carry any ideological
content relevant to this study as no action or scenery is depicted. Finally, a percentage
of “aspirational” content in relation to all images (minus the “neutral” face photos) will be
shown. Calculating these figures allows for more objective assessment of the quantity
of content devoted to the promotion of consumerist behaviour. While objectivity is
sought, there is clearly some reliance on the researcher’s discretion in choosing how to
interpret the context of the imagery involved. For example, computers that are shown in
use within business or school settings are not counted as ‘non-essential’ consumer
products. However, computers shown in conjunction with video games or other
entertainment products, or where the focus is on their brand name rather than utility, are
counted as a promotion of consumerist values.
In the second stage of the analysis process, the findings of the quantitative assessment
will be discussed in relation to the ideologies they represent, and will be further explored
with reference to the relevant literature. Sandlin writes that “adult educators should
begin making more connections between the work that they do, and the realm of
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consumption” (2008: 56). She suggests that educators become aware of sites that
convey messages related to consumer practices, both the invidious and the
unavoidable, and that before proceeding with their lessons they should ask the following
questions:
• 'How do these sites construct or instruct learners to be consumers?'
• 'How do learners accommodate, negotiate, or resist (or something
else?) these constructions?' (Sandlin, 2008: 56)
Questions such as these will inform the discussion on the content of the American
Headway books under review.
ANALYSIS – QUANTITATIVE RESULTS
The following six tables indicate the qualitative measurements regarding the page
space devoted to celebrity and brand name content. The three tables that follow after
show the results from the qualitative measurements of the total aspirational content
assessment.
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Table 1A
American Headway Second Edition: Student Book 1 Content Analysis (Quantitative
Assessment): Celebrities and Brand Names
UNIT LIVING CELEBRITY / GLOBAL BRAND PRODUCT
CONTENT + QUANTITY % of Unit
1 Vogue Magazine Image Negligible
2
Iman (super model and entrepreneur)
Very Large Images Personal Profiles Language Activities 1.5 Pages
18.75% Giorgio Locatelli (chef and TV personality)
3 0% 4 0% 5 0%
6 Tiger Woods (athlete) Image
Language Activities
26.25% Nike Logo on Tiger Wood’s Cap Christopher Paolini (author) Large Image
Short Biography Language Activities 2 Pages
Joss Stone (singer)
7
Oprah Winfrey (TV personality and entrepreneur)
Large Images x2 Small Image Long Biography Language Activities 2 Full Pages
26.25%
Madonna (singer) Image Nintendo Gameboy Image
8 Coca-Cola Language Activity Mention
Image Negligible
Wrangler Jeans Language Activity Mention
Image
9 John Grisham(author) Language Activity Mention Negligible
10
Westlife (music group) Image Song Lyrics Language Activities 1 Page
12.5%
11 Nike Logo on profiled runner’s shirt
David Belle (athlete) Small Image Long Biography Language Activities 1 Page
12.5%
12 Airlines (United, American, Northwest, Air Canada, Delta)
Language Activities Negligible
Total Celebrity and Global Brand Product % of Textbook 7.76%
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Table 1B
American Headway Second Edition: Work Book 1 Content Analysis (Quantitative
Assessment): Celebrities and Brand Names
UNIT LIVING CELEBRITY / GLOBAL BRAND PRODUCT
CONTENT + QUANTITY % of Unit
1 Vogue Magazine Name on “clipart” image of generic magazine
negligible
2 0% 3 0% 4 0% 5 0% 6 0% 7 Lucien Freud (artist)
Note: Deceased but alive at time of publication.
Large Image Long Biography Language Activity 1 Page
20%
8 0% 9 0% 10 0% 11 0% 12 Maria Sharapova (athlete) Image
Short Biography Language Activity ¾ Page
18.75%
Total Celebrity and Global Brand Product % of Work Book 2.5%
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Table 2A
American Headway Second Edition: Student Book 2 Content Analysis (Quantitative Assessment):
Celebrities and Brand Names
UNIT LIVING CELEBRITY / GLOBAL BRAND PRODUCT
CONTENT + QUANTITY % of Unit
1 0% 2 0%
3
James Bond (character) Movie Posters x 4 Comic Strip Image Book Excerpt Language Activities 2 Full Pages
25%
4
EBay (Internet auction site) Large Logo Large associated image (products) Company Profile (glowing review) Profile of founder (rags to riches story) Language Activities 1.25 Pages
17% David Beckham (athlete) Mentioned within EBay text and Language
Activities Learjet (aviation company)
Vogue Magazine Marie Claire Magazine Cosmopolitan Magazine
Image of Vogue Cover Mentioned in Language Activities (all three magazines by name)
5 Fodor’s (travel guide) Image
Christina Aguilera (singer) Image Song Lyrics Language Activities ½ page
6.25%
6 George Clooney (actor) Image Negligible
7
Julian Lennon (singer) Maria Shriver (TV personality) Prince Harry (royal celebrity) Steve Irwin (TV personality -recently deceased)
Images Topic: Fame! Language Activities 2 pages 25%
Various musicians (Neil Young, Bob Dylan, Flaming Lips)
Mentioned in Language Activities
8 0% 9 0%
10
Nokia (cell phones) Mentioned in Language Activities centered on these products (emphasis on cell phones) 1 Page
Rolls Royce (cars) Nikon (cameras) Google (Internet company) Sergey Brin (Google founder) Larry Page (Google founder)
Large logo + Image (on computer screen) Large Image (company founders) Extensive Reading Section Language Activities 1 Page
25%
11 0%
12
YouTube (Internet company) Steve Chen (YouTube co-founder)
Large Logo Large Image of Steve Chen x3 Long biography (appears twice) Language Activities 2.5 pages
25%
Total Celebrity and Global Brand Product % of Textbook 8.84%
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Table 2B
American Headway Second Edition: Work Book 2 Content Analysis (Quantitative
Assessment): Celebrities and Brand Names
UNIT LIVING CELEBRITY /
GLOBAL BRAND PRODUCT
CONTENT + QUANTITY % of Unit
1
International Herald Tribune
Globish (language product)
Newspaper article clipping
Language Activities
1 Page
16.67%
2 0%
3 0%
4
iPod (MP3 Music Player) Mentioned in Reading Activity on the
materialistic possession in a child’s bedroom.
Interesting iPod is listed separately from MP3
players.
negligible
5 0%
6
London Eye (tourist attraction) Newspaper article that states it is as famous as the
Eiffel Tower, Great Wall
Language Activities
½ page
10%
7
JK Rowling (author)
Jennifer Lopez (singer/actor)
Venus Williams (athlete)
Martina Navratilova (athlete)
Pele (athlete)
Yao Ming (athlete)
Small Images for all, two images for JK Rowling.
Listed on par with dead “celebrities” Henry VIII
and Shakespeare.
Language Activities
2 pages
60% Steven Spielberg (director) Images x2
Biography
Language Activities 1 full page
Jaws, ET, Raiders of the Lost Ark,
Jurassic Park, etc. (Spielberg
movies)
Mentioned in the context of the focus on Steven
Spielberg
James Bond (character) Mentioned in Language Activities
1/6 of a page
8 0%
9 0%
10
Freeplay (radio)
Trevor Bayliss (inventor)
Images (product + inventor)
Biography of inventor
Language Activities
1.5 Pages
37.5%
Apple
Apple iPod
Microsoft
Rolls Royce
Large Image of Ipod
Language Activity (objective: identify product
manufacturer)
¼ page
Coca-Cola Logo (multiple images)
Image of Product/ Advertising Poster/Slogan
Product History
Positive assessment of product’s future
½ page
Google Mentioned in Language Activity
11 0%
12 0%
Total Celebrity and Global Brand Product % of Work Book 9%
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Table 3A
American Headway Second Edition: Student Book 3 Content Analysis (Quantitative
Assessment): Celebrities and Brand Names
UNIT LIVING CELEBRITY / GLOBAL BRAND PRODUCT
CONTENT + QUANTITY % of Unit
1 0%
2
Prince Charles (royalty) Images x 5 Extensive Reading Text Language Activities 2 Full Pages
25%
3 0%
4
Seiko (watch) Sony Playstation (video game) Sony Walkman (MP3 player) Sony Vaio (laptop) Casio (camera) Philips (TV) Philips (radio) Apple iPod (MP3 player)
Images Brand names clearly visible ½ Page
6.25%
5 0%
6
Sony (laptop) Dell (computer) Canon, Samsung, Olympus (cameras)
Mentioned in Learning Activities ¼ page related material
3%
7
JK Rowling (author) Harry Potter (character)
Very large image of the author Image of Harry Potter book Biography Sales statistics Language Activities 2 Full Pages
40% Calvin Klein (designer) Calvin Klein (fashion brand)
Logo Designer Image Customer shopping for jeans image Biography / Life Timeline Language Activities 1.25 Pages
Nike Logo Image on soccer ball and on soccer shoes.
8 0% 9 0%
10 Google Mentioned in Language Activity
negligible Johnson&Johnson (floss) Image Pritt (glue) Image
11 0%
12
EBay (internet auction site) Image “Newspaper report” Shows eBay is easy even for a child to use Language Activities ¾ page
9%
Total Celebrity and Global Brand Product % of Textbook 7%
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Table 3B
American Headway Second Edition: Work Book 3 Content Analysis (Quantitative Assessment):
Celebrities and Brand Names
UNIT LIVING CELEBRITY / GLOBAL BRAND PRODUCT
CONTENT + QUANTITY % of Unit
1 0% 2 0%
3
Steve Wynn (casino mogul) Image “Newspaper” story text Language Activities 1.5 pages
21.4%
4 0% 5 0% 6 0%
7
JK Rowling (author) Angelina Jolie (actor) Justin Timberlake (singer/actor)
Images Language Activities 1 Page
43%
David Hockney (artist) Images of the artist x2 Image of his artwork Biographical quiz 1 page
Travelodge (hotel chain) “Newspaper” story of a couple who live in a Travelodge for 22 years. Very positive review of the hotel. Language Activities 1 Full Page
8 0% 9 0%
10
One Laptop Per Child (non-profit) Image “Newspaper” story on product Language Activities 1 Page
16%
Various Brands (Blackberry, Apple, IBM, Mini Cooper, etc.)
Mentioned in Learning Activities on Proper Nouns
11 0% 12 0%
Total Celebrity and Global Brand Product % of Work Book 6.62%
24
Table 4
American Headway Second Edition: Student Book 1 Content Analysis (Quantitative Assessment):
Images of Consumerist Behaviour as Aspirational Content
“Aspirational Content” Categories Number of Images
(Textbook) % of Total Images
SHOPPING (FOR NON-ESSENTIALS) 0 0
CONSUMER PRODUCTS (NON-ESSENTIAL)
9 3%
CORPORATE LOGOS/BRANDS 4 1.3%
DINING OUT 21 7%
LEISURE ACTIVITIES / LEISURE TRAVEL
61 20.3%
HOME COMFORTS 13 4.3%
CELEBRITY 11 3.6%
TOTAL ASPIRATIONAL CONTENT 119 39.7%
JUST FACES (“Neutral” Content) 50 16.7%
TOTAL ASPIRATIONAL (ADJUSTED FOR FACES) 47.6%
Table 5
American Headway Second Edition: Student Book 2 Content Analysis (Quantitative Assessment):
Images of Consumerist Behaviour as Aspirational Content
“Aspirational Content” Categories Number of Images
(Textbook) % of Total Images
SHOPPING (FOR NON-ESSENTIALS) 8 3.6%
CONSUMER PRODUCTS (NON-ESSENTIAL)
15 6.7%
CORPORATE LOGOS/BRANDS 9 4%
DINING OUT 7 3.1%
LEISURE ACTIVITIES / LEISURE TRAVEL
32 14.3%
HOME COMFORTS 12 5.4%
CELEBRITY 10 4.5%
TOTAL ASPIRATIONAL CONTENT 93 41.5%
JUST FACES (“Neutral” Content) 33 14.7%
TOTAL ASPIRATIONAL (ADJUSTED FOR FACES) 48.7%
25
Table 6
American Headway Second Edition Student Book 3 Content Analysis (Quantitative
Assessment): Images of Consumerist Behaviour as Aspirational Content
“Aspirational Content” Categories Number of Images
(Textbook) % of Total Images
SHOPPING (FOR NON-ESSENTIALS) 3 1.5%
CONSUMER PRODUCTS (NON-ESSENTIAL)
24 12%
CORPORATE LOGOS/BRANDS 14 7%
DINING OUT 3 1.5%
LEISURE ACTIVITIES / LEISURE TRAVEL
38 19%
HOME COMFORTS 3 1.5%
CELEBRITY 8 4%
TOTAL ASPIRATIONAL CONTENT 93 46.5%
JUST FACES (“Neutral” Content) 27 13.5%
TOTAL ASPIRATIONAL (ADJUSTED FOR FACES) 53.8%
26
ANALYSIS – QUALITIATIVE DISCUSSION
Drawing upon his interviews with textbook publishers, Gray explains that “textbook
content in which choice, individualism and spectacular professional success were
central was repeatedly referred to by interviewees as ‘aspirational’” (2010: 730). This
type of emphasis on lifestyle is a way of showcasing “practices of consumption and of
desire” (Sandlin 2008: 54). The aspirational lifestyle content appears to be benign and
thus sidesteps the kind of controversial subject matter that Gray and others have noted
is consciously avoided by publishers. In essence, they evade addressing the important
human struggles that may be most relevant to students. Most daily human interactions
are controversial because they involve making life decisions that often put people at
cross purposes to one another. The artificial presentation of choice as a decision
between which consumer product to purchase is not an example of an authentic
struggle. Hudd argues that “Efforts to nurture true character, which implies inner
strength and the capacity for commitment, are contrary to our culture’s consumer
orientation, where advertising, visible trappings, and popular trends take precedence”
(30). Yet these three elements, “advertising, visible trappings, and popular trends” are
clearly evident in the American Headway texts, as the tables above reveal. If it is
acceptable to include consumerist content because the textbooks are representative of
the consumer oriented culture from which they originate, then at the very least there
should be some consideration of how commercial behaviour and interaction is relevant
to the students. As Sandlin ask, “What kind of consumers are we creating? What kinds
of reactions to consumer culture are we seeking to elicit from our learners?” (2004: 33).
Consumer culture is an almost unavoidable aspect of daily life in the English speaking
27
world. It is not expected for the textbooks to teach a Luddite philosophy or provide
sample dialogues of bartering at local farmers markets. It is wise to acknowledge that
shopping for more than just bare necessities is an integral part of the modern lifestyle,
and is worth including if depicted honestly, and in a way that is authentic and relevant to
the learner.
Jeeyoung et al. reference Boriboon in the examination of the disparity between the
consumer issues that students dealt with in their daily lives versus the consumer
imagery of their textbooks:
He compared examples about shopping and cuisine from a current
popular English textbook, New Headway, with learners’ lives in rural
Thailand. The disparity between Thai culture and the scenarios
presented in the textbook created reading comprehension difficulties
for learners. (256)
Likewise, James notes that in scenarios on housing, an issue that in the Headway
series reviewed falls under the rubric of ‘Home Comforts’ primarily because it
showcases “Westerners,” usually Caucasians, living in sumptuous dwellings, the rooms
spacious and well decorated, there is a gap between the knowledge and practice
students require and that which is provided. He writes:
Curriculum content can also be revealing. For example, in "survival"
English courses, the emphasis is often placed on "the way we do
things here." In such a case the goal is not really survival; it is
assimilation (Auerbach, 1995). A unit on housing, for example, may
include things like students' responsibilities as tenants; absent,
however, may be things like tenants' rights or what to do when a
landlord does not fulfill obligations. This is alarming when one
considers that refugees may be particularly susceptible to living in
28
poor housing conditions with excessive rent and can be the victims of
harassment. (40)
The desire by publishers to avoid controversial content, to only leave the aspirational or
basic utilitarian culture as a model shapes student understanding of what the English
language represents in its association with the examples provided. Leaving out the
PARSNIPs may help publishers expand their sales and allow them the opportunity to
maintain their “one size fits all” model of production, but it does not do the students any
great service. Auerbach et al. argue that editing decisions are extremely important.
They write:
… what is excluded from curricula is as important in shaping students’
perceptions of reality as what is included. Failure to address such
factors as crowded clinics, long waits, unhealthy living or working
conditions, high costs, and communication problems neither prepares
students for what they might encounter nor legitimates these
experiences when students encounter them. Instead, it may promote
the view that these problems are somehow aberrations or, worse, the
result of the students’ own inadequacies. (480)
Students who directly compare themselves to the images presented of happy, healthy,
prosperous individuals and may find themselves wanting in one or more of these
regards may succumb to a “culture of inferiority [that] extends to various dimensions of
the classroom, including syllabuses, textbooks and instructional materials where certain
ideas, behaviors, and products are privileged, while those of the learners themselves
are frowned upon” (Rubdy 159). Lin and Luke connect this display of superiority and
the irrelevance of students’ real life concerns as an effect of the history of Anglo-
Western colonizers. They state, “The trick of colonialism is its durable half-life…
colonization’s legacy has become invisible ideological hegemony – domination with
29
consent; that is, the previously colonized peoples still worship the languages, cultures,
music, arts … or most aspects of Western life as more advanced, progressive and
superior – as lying closer towards the end point of modernity” (69). This is particularly
evidenced in a two page spread in American Headway Second Edition Student Book 3
where women provide testimonials on their kitchens, the “heart of the home” (46-47).
Three examples are given: Italy, California, U.S., and India. It is in essence an adult
version of the story of the Three Little Pigs. One has a kitchen in a mud hut, another
has a windowless kitchen in a tiny farmhouse, and the third, a “lifestyle coach living in a
16-room house on the beach in California” with “six bathrooms, five bedrooms, and a
swimming pool” and a husband who is a “businessman” naturally has the best kitchen of
all (Soars and Soars, 46-47).
In examining the ‘aspirational’ content in the American Headway Second Edition levels
1, 2, and 3, several other observations are worth noting. First, with regard to the use of
celebrities, there appears to be at least one reference per every three units. The only
obstacles that seem to be presented in the lives of celebrities occurred early on, and
thus are only minor setbacks on the road to triumph. Those that have extensive
biographical information in the text are presented as ‘rags to riches’ stories. Gray views
the celebrity content as ideological vehicles for the promotion of the ‘new capitalism’ of
globalization, a ‘neoliberal period … characterized by the proliferation of celebrities’ who
embody a wide range of jobs – “for example, celebrity chefs, celebrity historians,
celebrity doctors, celebrity entrepreneurs, etc.” (2010: 727). Furthermore, Gray
observes:
30
Overall, the way in which celebrity operates in consumer societies is
largely unaddressed in the textbooks analysed—rather celebrity tends
to function as an index of professional success and, especially when
accompanied by high-quality photographic artwork, provides a veneer
of glamour. (2010: 728)
One final note on celebrity is the focus on money. In the section on Steven Spielberg,
the director is exalted for the “billions of dollars” (Soars et al. 39) his films have grossed.
In the portions on J.K. Rowling, who seems to be quite popular with the authors, the
readers are consistently reminded of the sales figures for her books and the “estimated
$1.3 billion” she has earned (37). The implicit suggestion is that success across
disparate endeavours, and oddly, creative ones, should be measured in dollars.
With regard to the placement of global brand name products within the Student Books
and Work Books, there is a clear reflection to the way product placement works in the
more familiar medium of Hollywood movies. Clair et al. note that product placement has
“a longer history than most would imagine” but that “62% of moviegoers find product
placement distracting” (75, 77). A correlating percentage, if not higher because of the
incongruity of medium, would likely object to the appearance of Coca-Cola, YouTube,
and EBay promotional material within their language learning coursebooks, and this
consideration perhaps serves to limit the amount seen per unit and book. It seems
strange that such product placement would necessarily benefit large multinationals in
their strategic marketing goals. The overall advertising expenses recorded by The
Coca-Cola Company just for 2011 were budgeted at $3,256,000,000 (55). Clearly, they
can afford to access media that far exceeds the reach of a quarter of a page in a
grammar workbook. Yet, the inclusion of Coca-Cola, particularly with the line of text
31
that reads, “And it is certain that Coca-Cola ___________ (drink) far into the 21st
century” (Soars et al. 56) implies a favorable reaction and not a critical or objective
stance. Jarvis notes that such phenomena are to be expected when corporations
“control not only the means of production – both economic and technological – but they
also control the means of spreading knowledge about their products as they seek to
convince the public to purchase what they produce” (20). Forsman writes that “as
individuals and in the groups that we affiliate ourselves with, we often take for granted
that our own ways and values are the most commonsense ones. Such assumptions
tend to prevent the development of respect for others” (516). Publishers of the
American Headway series seem to represent the assumption that their corporate
worldview is the common sense perspective, and display a certain lack of esteem for
their audience. This reflects how “power relations of the outside society may also be
reproduced in the classroom when the tone of the materials is patronizing. Despite the
persistent claim that the learner must be treated with respect because “his intellectual
capacity is that of an adult” (Freeman 1982: v), students are often portrayed as
incompetent and addressed like children” (Auerbach et al. 486). The notion that adult
students are carefree individuals who aspire to emulate celebrities and are motivated by
toys, sweets and baubles, to the extent that consistently half of the imagery in American
Headway books is “aspirational,” is an example of a patronizing approach in education.
The cultural content of the American Headway books reviewed here shows that a focus
on consumer products, celebrity, wealth, and leisure pursuits is not accidental. Spring
argues:
32
pedagogical methods are primarily determined by the needs of nation states to prepare workers for the global economy … The educational security state supports a consumer model of industrialism… In the industrial-consumer paradigm, personal fulfilment is achieved through the purchase of products… Brand names are used to create consumer desires for higher status and new personal images. (2006: 105, 108, 118).
The connection between the underlying commercialism of the American Headway
Second Edition and student identity development is most evident in the promotion of a
cosmopolitan consumer lifestyle. A review of Tables 4, 5 and 6, shows that Leisure
Travel and Leisure Activities combine to have an average weight of a fifth of all images
in each of the books reviewed. It seems to be the publisher’s goal to spotlight carefree
travel and the pursuit of happiness as the core aspirational objectives. Cannon et al.
state that the “notion of cosmopolitan consumers is as old as commerce itself. It refers
to a “world citizen” – a consumer whose orientation transcends any particular culture or
setting” (30). A “world citizen” would need a “global language” and English would be it.
Students taught to “eschew the parochial culture of their local surroundings in favor of
new and exciting experiences, such as exotic foods and music” (Cannon et al. 31)
would be more susceptible to accept an ideology of globalization, new capitalism, and
neoliberal thought, with the entire world their market. Teachers need to recognize this
aspect of the textbook, as Thompson et al. caution:
…the exaltation of cosmopolitanism – as a consumer orientation, a business ethos, an intellectual outlook, or an identity position – needs to be tempered by a consideration of its ideological functions within the realpolitik of the global economy. (220)
33
Tempering the exaltation of the aspirational content in American Headway would be
good advice for educators, and the publishers themselves, to follow. Students who
accept the cosmopolitan perspective will quickly learn that it is not an easily affordable
option, and that for many Westerners a short trip to an exotic destination requires long
days spent at work to save for it.
CONCLUSION
The lack of “controversial” content in the American Headway Second Edition series is
worrying when the series is compared against the “major problems with the industrial-
consumer paradigm” (Spring 2007: 74) that are glossed over in the books’ presentation
of aspirational ideology. Spring lists some of the problems as follows:
1. There is no concern with happiness and satisfaction in employment.
The emphasis is on happiness and satisfaction through consumption.
This is a problem because most people spend more time at work than
they do at consuming.
2. The emphasis is on working hard, often meaning longer hours, to
increase consumption activities. Of course, many subsistence farmers
and poor people work long hours just to survive. However, the
industrial-consumer model does not promise fewer working hours,
only more products.
3. The model is premised on a fear that industrialism might provide
more personal freedom by reducing work time. Some people fear that
more leisure time would make the masses uncontrollable.
4. The issue of what makes humans happy has been clouded by the
advertising emphasis on personal satisfaction through consumption.
(2007: 74-75)
34
Publishers may argue that within the narrow band of culture that escapes the
censorship of controversy their reliance on aspirational content is a neutral means of
avoiding a potentially tendentious debate. Spring’s listed objections reflect a partisan
stance against the so-called industrial-consumer model, and publishers may respond
that it is precisely their intention to avoid such value-laden discourse. This argument
would hold merit if the non-controversial content was truly neutral. Yet, it is not.
Spring’s problems with the industrial-consumer paradigm, as listed above, are best
exemplified by a grammar lesson on the topic of the second conditional that takes up an
entire page of the American Headway Second Edition Level 3 Workbook. The focus is
on a man named Alfie. Even in that simple usage there is already room for
interpretation. Alfie is not a name given to leaders or men of distinction because it is not
a serious name like Alfred. Instead, “Alfie works in a factory” (Soars et al, 59). The
image that occupies half the page is a photograph of a hard-pressed man: dirty clothes,
heavy gloves, unfashionable hair hidden beneath a worn baseball cap. Leaning on a
shovel within a claustrophobic, industrial work-space, Alfie looks tired and forlorn. In
large block letters the reader is given his REALITY:
He lives at home with his family.
He gets up at 6:00.
He bikes to work.
He works long hours, from 7:00 to 6:00.
He never goes on vacation.
He saves his money. (ibid) Woe to Alfie. His reality appears quite negative, especially when compared to his
“Dream,” which is pictured in computer-drawn imagery, and described in fragile,
italicized script. “If Alfie was the boss of the factory, …”
35
1. he would/’d live in a beautiful house. 2. he ___________ at noon. 3. he ___________ to work in a sports car. 4. he ___________ only when he wanted to. 5. he ___________ on vacation in the Caribbean. 6. he ___________ all the factory workers a pay raise! (ibid)
Hail, King Alfie! If only his dreams could come true, he would have such a wonderful life.
Given this example, it is near impossible for the publishers to claim that this textbook is
not value-critical. They are merely choosing to criticize the values that do not adhere to
their own view of the industrial-consumer paradigm. The most telling is the lesson’s
final bullet and dream #6. Maintaining a healthy savings is considered a negative part
of Alfie’s reality, and any chance of all the workers getting a raise falls to the boss’s
prerogative, and that seems to be a decision that can only occur in a fantasy world.
There is a great responsibility then on the teacher and the student to be able to
recognize and navigate the classroom materials that are often imposed upon them. In
language learning there will inherently be an inter-cultural experience, and an
ideological struggle between integration and assimilation. The goal of the aspirational
content is to entice by example and to potentially coerce through implied peer-pressure.
When students are, both literally and figuratively, on the same page, they will more
easily adapt to a given message. The American Headway texts promote an unfettered,
cosmopolitan lifestyle of pleasurable pursuits and consumption as the path to personal
fulfillment. It is the student’s imperative to resist assimilation and to integrate new
knowledge without compromising self-identity. As Friere explains:
36
Integration results from the capacity to adapt oneself to reality plus
the critical capacity to make choices and transform that reality. To the
extent that man loses his ability to make choices and is subjected to
the choices of others, to the extent that his decisions are no longer his
own because they result from external prescriptions, he is no longer
integrated. Rather, he is adapted. (in Auerbach et al. 488)
The critical capacity to make choices is a life lesson worth learning. It should be the
goal of every adult educator to ensure their students have the ability to do so.
37
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