7/27/2019 Sweet 60s promo leaflet

1/2

Nancy Adajania , , Bm. j

9 Gwj B. w

xv x , w m,

[ Dm 11, K;

ZKM, K; Tm, B BAK, U]. Adajania

m, Shilpa Gupa [P, 2010] -

w Ranji Hoskoe, T D ,

v w m I [P

P/ &, 2011].

Bassam El Baroni m Ax,E. H - - Ax Cm A Fm [ACAF] w -

M 8, E B Cm

A M, , 2010, w - m

ACAF. R x j Fieen Ways

o Leave Badiou, 2011; v v j

The Arpane Dialogues, 2010 w Jeremy Beaudry

Nav Haq; Trapped in Amber: Angs or a Re-enaced Decade, -

w Helga-Marie Nordby UK, O, Nw 2009;

C 08, m v Ax,

2008.

Branislav Dimitrijevi , w . H L

A D [VLPU] B w

Mm Cm A, B. W Branislava

Andjelkovi Branimir Sojanovi -

H T Im,

j B [1999-2003].

H j : Murder1 [CKZD, B,

1997], Konverzacija [MOCAB, 2001], Siuaed Sel: Conused

Compassionae, Conicual [H C Mm, MOCAB,

2005], Breaking Sep Displacemen, Compassion and Humour

in Recen Ar rom Briain [MOCAB, 2007], FAQ Serbia [ACF, Nw

Y, 2010]. H w Yv/ v V B 2003 2009.

Neboja Jovanovi CE Uv B [Dm G

], w w m

B Hzv Yv m. H

m Uv jv MA

G T m C E Uv. H w

j m

Uv jv C I P

.

Ljiljana Kolenik R I A H Z, P D Z

Uv, V P F P

. H 20

, m Yv.

m

x w Yv T W,

m x v

1960. H Beween Eas and

WesCroaian Ar o he 1950s [Z, 2006], Work o Ar as

Social Areac [Z, 2006] v w

, m.

mm m

x Socialism and Moderniy: Ar, Culure, Poliics 1950-

1974, w Mm Cm A

Z.

Porter McCray w D I Pm Mm M A 1950. M

j Mm

Am A B, v m

m f v x Am

, w w m .

Julia Meltzer v w-wm j. H v w w David Thorne,

Is no My Memory o I, We Will Live o See These

Things No a Mater o I bu When w z

E M A Fv, Tm, R

J Fm Fv. R w x

M A Ox, v T G, HmW IV B,

2008 W B.

Lvia Pldi , BAC [B AC] V. w M

/ K B w 2007 2011, w m x, Oher Voices, Oher

RoomsAt

Bla Sudio

Fuure Gis

[2007], !REV

Dm

2006].

[20025].

Rasha Saw, w

2010, w

Nw Y

] w

Fm Fv

o Damascu

m

Experimen

Jyte Jensen

2011, w

A,

j

Fm Fv

David ThDavid w

mz

[T I

Fv, M

[j B

Rz M

B C

2007 Da

Ashley Hun

Naion a W

biographies

Conemporary Ar inhe USA, ,APv,B,1956

Conemporary Ar inhe USA, APv,B,1956

m Porer McCrayMoMA andhe InernaionalProgram

T w

7/27/2019 Sweet 60s promo leaflet

2/2

Friday 9 December

17:0019:00 h

FILM & COLLECTIVITY

Neboja Jovanovi:

A curious case of Stalinist propaganda inthe 1960s: Sarajevo Documentary Schoolin the optics of totalitarian paradigmThe presentation ocuses on the so-calledSarajevoDocumentary School,a group olmmakers whosedocumentaries were a undamental part othe productionhouse Sutjeska Film in the 1960s andearly 1970s. Thestartingpoint will be a recenthistorical accountthatdismisses these documentaries as didacticStalinistpropaganda. The presentation critically engages with thisaccount,arguingthat the SDScannotbe describedonly interms oStalinist propaganda,butthat we shoulddrop theRegime/Propaganda versus Artist/Art dichotomy,and itreductive perspective,altogether.

Rasha Salti:

Trouble in Mind: Revolution and the NewArab Cinema of the 1960s and 1970s.Preliminary Thoughtsn the 1950s and1960s,revolutions andcoupdtats sweptthrough the Arab world,seating political movements andregimes thatoughtor reedom rom colonial orsemi-colonial European rule,orsocial justice and equality.These revolutions overturnedthe social order,orgednew political realms,andarticulateda new vocabulary orcitizenshipandsubjectivity. They inspireda new cinema,instigatinglmmakers to experimentwith narrativeandnon-ction orms andexplore a new language orsubjectivity. The presentation investigates two questions;rstly how the notion othe people,or the nationalwe was redenedin Algerian,Egyptian,Moroccan andPalestinian cinema;andsecondly how the new lm idiomengagedotherelds [poetry,literature andthe visualarts] andexperimentedwith narrative andnon-ctionalorms.

The seminar Aspirations, Tensions and Failuresof 1960s State Cultural Policies deals with theissues ocultural policies and state representationas viewedthrough the phenomenon o large-

scale exhibitions,biennials andlm production rom the1960s and1970s. Post-WWIIdecolonisation broughtaboutincreaseddesire and attempts to create communicationandexchange amongthe countries o the peripheries,beyondandcontrary to the mediation othe Great Powers,on a political level witnessedby the rise o the non-alignedmovement,ormedin 1961. Atthe same time,newlysovereign countries were lookingororms throughwhich to representthemselves,and orways to buildnewcultural alliances. Some othe questions the seminaraimsto explore are: How is the state representedand how isthe idea onation beingpositionedthrough culture?nwhatway didthe state cultural policy workandchange indierentgeographical areas throughoutthe 1960s?Howhave these cultural policies historically inuencedthecultural institutional settingand artisticagency?n whatways didthe language othe avant-garde interactwiththe language onationalism?hat was the interrelationbetween state supportand censorship?The seminarattempts to research in whatway the inuences o theprocesses startedin the 1960s still reverberate today,andittries to create new approaches to deal with the questions

oauto-histories,sel-positioningand reinterpretingarthistory.

S

1

CD

Nanc

Registe

Two Cuwith theThis presenone dedicaterm potenndia,initiRaj Anandon the genandeven id

JawaharlaPadamsee

VisionExchaddresseddedicatediinitiativescultural sp

Bass

The Traits InstiEgypts arta highly coconstantlyinternal antion can beoa moral,instructiomental apoedicatipre-Nasserporary art

biennials,rom modquestion bEdication

19:30 h

SCREENING

Julia Meltzer & David ThorneA series olms shotin 200506 in Damascus,Syria, oera dierentperspective on whatmightcome to pass in aplace where people live between the competingorcesoa repressive regime,a growing conservative slamicmovement,and intense pressure rom the UnitedStates.This periodo time was markedby momentous events:Rafq Harriri,the ormerPrime Ministero Lebanon,was assassinated,the Syrians were putunder pressureto withdraw rom Lebanon atera 30-yearoccupation,the CedarRevolution came andwent,elections wereheldin raq,ollowedby a descentinto civil war,andHezbollah strengthenedits position in Southern Lebanon.These events reverberatedin Syria andgave rise towidespreadanxiety andanticipation aroundthe potentialorimminentchange, regime change,internal reorm,internal collapse,civil warand the increasedpoweroconservative slam.

We will live o see hese hings, or, fve picures o whamay come o pass

[2007], 47 m

No a mater o i bu when: brie records o a ime in

which expecaions were repeaedly raised and lowered

and people grew exhaused rom never knowing i he

momen was a hand or sill o come

[2006], 32 m

Epic

[2008], 7 m

P w Rami Farah.

Julia Melzer & DavidThorne, We will live o see hese hings,or, fve

picures o wha may come o pass[2007],v

Julia Melzer & DavidThorne, Noamaterofifbuwhen...[2006],v