STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a...
-
Upload
jacob-leonard -
Category
Documents
-
view
217 -
download
0
Transcript of STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a...
![Page 1: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/1.jpg)
STYLE 1: “PERIOD” AND “COMPETITION & CHANGE”
![Page 2: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/2.jpg)
STYLE:
a set of formal conventions that makes a work of art or design recognizable as belonging to a certain time period,a geographical area, an artist or a group of artists
![Page 3: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/3.jpg)
T I M E P E R I O D
![Page 4: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/4.jpg)
“Celsus Library,” Ephesus, 110 AD
![Page 5: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/5.jpg)
![Page 6: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/6.jpg)
“Erechtheion,” Athens,
420-405 BC
![Page 7: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/7.jpg)
“Pergamon Altar,” 164-157 BC
![Page 8: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/8.jpg)
Doric Chiton
Ionic Chiton
![Page 9: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/9.jpg)
“Sainte Chapelle,” Paris, FRANCE, 1248 AD
![Page 10: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/10.jpg)
“The Annunciation,” ca. 1150
![Page 11: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/11.jpg)
Bernardo Daddi, “Altarpiece with the Madonna,” c. 1333
![Page 12: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/12.jpg)
![Page 13: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/13.jpg)
Alphons Mucha, Chocolate Amatller Barcelona, 1894
Hector Guimard, Paris metro entrance, ca. 1900
![Page 14: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/14.jpg)
Eugene Vallin, Masson House, Nancy, 1914
René Lalique, Dragonfly pendant, ca. 1900
![Page 15: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/15.jpg)
Le Corbusier, “Villa Savoye,” Poissy, FRANCE, 1928-1931
![Page 16: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/16.jpg)
Gerrit Rietveld, Lamp, 1920
![Page 17: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/17.jpg)
Jan Tschichold, tsch poster, 1930
![Page 18: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/18.jpg)
COMPETITION AND CHANGE
![Page 19: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/19.jpg)
“Kleobis” and “Biton,”6th century BC
![Page 20: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/20.jpg)
“Greek Warriors,” 5th century BC
![Page 21: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/21.jpg)
“Izmir Athlete,” 200 BC
![Page 23: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/23.jpg)
“Cathedral of St. Pierre,” Angoulême, FRANCE, 1110-1128
![Page 24: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/24.jpg)
“Cathedral of St. Pierre,”Angoulême, FRANCE, 1110-1128
![Page 25: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/25.jpg)
St. Denis Basilica,Paris, FRANCE, 1135-44
![Page 26: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/26.jpg)
St. Denis Basilica,Paris, FRANCE, 1135-44
![Page 27: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/27.jpg)
“Reims Cathedral,”Reims, FRANCE, 1145-1220
![Page 28: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/28.jpg)
![Page 29: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/29.jpg)
Gustave Courbet, “The Stone Breakers,” 1849
![Page 30: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/30.jpg)
Claude Monet, “Water Lillies (The Clouds),” 1903
![Page 31: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/31.jpg)
Wassily Kandinsky, “Composition No. 7,” 1922
![Page 32: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/32.jpg)
Barnett Newman, “Cathedra,” 1951
![Page 33: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/33.jpg)
Morris Louis, “Beta Upsilon,” 1960
![Page 34: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/34.jpg)
![Page 35: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain.](https://reader035.fdocuments.us/reader035/viewer/2022062322/56649ebe5503460f94bc838d/html5/thumbnails/35.jpg)
Alphonse Cassandre,Au Bucheron,1925
Alphonse Mucha, Sokol Festıval, Mucha, 1912
Jan Tschichold,Tsch poster,1930