Spring 2009 Beat Newsletter

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W hen it comes to teaching the arts at Third Street, the African proverb “it takes a village to raise a child” certainly applies. Here, music, dance and visual arts instruction are a community effort by faculty, staff, students and families, as well as artists from New York City and around the world. Many distinguished guest artists have coached Third Street students through the years, and this year is no exception. Along with our superb faculty, who’ve earned advanced degrees from leading colleges and conservatories, these artists raise standards and bring inspiration at Third Street to an international level. This fall and winter, the volume of master classes, workshops and activities with visiting artists has created a whirlwind here at Third Street. In early December, 13 students from the Chamber Music Program performed a Concerto Grosso by baroque composer Arcangelo Corelli and participated in two master classes with violinist Cal Wiersma, representing the internationally-acclaimed Orpheus Chamber Orchestra. Orpheus performs without a conductor, but prefers the term “musician-led,” and investigating that distinction was the focus of Cal’s work as he drew new ways of thinking, listening and interacting from the students. Earlier in the fall, alumnus Kenneth Gordon taught a violin master class for advanced students. Mr. Gordon, who recently retired as Assistant Concertmaster of the New York Philharmonic, will give a second master class this spring. In January, the Invert quartet, so called because it includes two cellos instead of two violins, performed an original composition and taught improvisation and non-traditional playing techniques to chamber music students. Leslie Dunner, Music Director and Principal Conductor of the Joffrey Ballet, conducted our advanced orchestra, Philharmonia. And, not least, a group of students performed with four Orpheus musicians and viola alumnus Masumi Per Rostad of the Pacifica Quartet at our 114th Anniversary Luncheon in November 2008. But the inspiration doesn’t stop there. It’s in the air every day at Third Street as students inspire each other. A beginning musician hears an advanced student play something new, beautiful and difficult, and learning that music becomes her heart’s desire. A young dancer sees an older one execute a thrilling dance combination, and his mind opens to new possibilities for his own achievement. Soon enough, they, in turn, advance and inspire others. When students encounter 360° inspiration, aspirations expand and the sky’s the limit. 360˚ Inspiration! THIRD STREET MUSIC SCHOOL SETTLEMENT SPRING 2009 CHAMBER MUSIC WORKSHOP ensemble-mates enjoy a break following their performance on the Music in Abe Lebewohl Park series last July. GRAND FINALE: Third Street viola alumnus and Luncheon Honoree Masumi Per Rostad of the Pacifica Quartet performed with students and members of Orpheus Chamber Orchestra at our 114th Anniversary Luncheon. More on Page 6

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Third Street Music School Settlement's bi-annual newsletter.

Transcript of Spring 2009 Beat Newsletter

Page 1: Spring 2009 Beat Newsletter

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THIRD STREET MUSIC SCHOOL SETTLEMENT

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When it comes to teaching the arts at Third Street, the African proverb “it takes a village to raise a child” certainly applies. Here, music,

dance and visual arts instruction are a community effort by faculty, staff, students and families, as well as artists from New York City and around the world.

Many distinguished guest artists have coached Third Street students through the years, and this year is no exception. Along with our superb faculty, who’ve earned advanced degrees from leading colleges and conservatories, these artists raise standards and bring inspiration at Third Street to an international level. This fall and winter, the volume of master classes, workshops and activities with visiting artists has created a whirlwind here at Third Street.

In early December, 13 students from the Chamber Music Program performed a Concerto Grosso by baroque composer Arcangelo Corelli and participated in two master classes with violinist Cal Wiersma, representing the internationally-acclaimed Orpheus Chamber Orchestra. Orpheus performs without a conductor, but prefers the term “musician-led,” and investigating that distinction was the focus of Cal’s work as he drew new ways of thinking, listening and interacting from the students. Earlier in

the fall, alumnus Kenneth Gordon taught a violin master class for advanced students. Mr. Gordon, who recently retired as Assistant Concertmaster of the New York Philharmonic, will give a second master class this spring. In January, the Invert quartet, so called because it includes two cellos instead of two violins, performed an original composition and taught improvisation and non-traditional playing techniques to chamber music students. Leslie Dunner, Music Director and Principal Conductor of the Joffrey Ballet, conducted our advanced orchestra, Philharmonia. And, not least, a group of students performed with four Orpheus musicians and viola alumnus Masumi Per Rostad of the Pacifica Quartet at our 114th Anniversary Luncheon in November 2008.

But the inspiration doesn’t stop there. It’s in the air every day at Third Street as students inspire each other. A beginning musician hears an advanced student play something new, beautiful and difficult, and learning that music becomes her heart’s desire. A young dancer sees an older one execute a thrilling dance combination, and his mind opens to new possibilities for his own achievement. Soon enough, they, in turn, advance and inspire others. When students encounter 360° inspiration,

aspirations expand and the sky’s the limit.

360˚ Inspiration!T H I R D S T R E E T M U S I C S C H O O L S E T T L E M E N T

SPRING 2009

CHAMBER MUSIC WORKSHOP ensemble-mates enjoy a break following their performance on the Music in Abe Lebewohl Park series last July.

GRAND FINALE: Third Street viola alumnus and Luncheon Honoree Masumi Per Rostad of the Pacifica Quartet performed with students and members of Orpheus Chamber Orchestra at our 114th Anniversary Luncheon.

More on Page 6

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It’s virtually impossible to turn on the TV or radio or open a newspaper without hearing about the economic crisis. While the effects of the economy touch

everyone, arts education is especially vulnerable. Why? In economic downturns, many donors shift support to organizations they believe are more crucial, like food pantries and shelters. Of course, we should support such important causes but we cannot give up on the arts in times of crisis. They matter now more than ever. The arts enable us to dream, to hope, to survive and to express ourselves. The arts also foster community, among students, teachers, families, peers, multiple generations, and various cultures, races and socio-economic classes. Every day we see how the arts bring smiles and laughter, encourage deep thought and concentration and provide an expressive outlet. Our students learn lifelong skills like working together toward a particular outcome and how it feels to accomplish something important.

Although Third Street is affected by the economic crisis with declining individual and institutional contributions, the School is in a strong financial position. Appropriate steps are being taken to reduce or eliminate anything that can be put off until later or that might not be central to our core mission. Of utmost importance is ensuring that no student is turned away because of an inability to pay. We will do everything we can to identify more funding for need-based tuition assistance, so no student has to suspend his/her studies for financial reasons. Like most organizations, Third Street’s endowment has decreased in value since this time last year, having a direct impact on our resources to support programs in future years. We will continue to be cautious and conservative in our planning for next year.

As the nation’s oldest community school of the arts, Third Street has weathered many a storm. We’ve adjusted to challenging economic times before and know how imperative it is to bring the arts to life in our community. We are grateful that a place like Third Street exists and for your continued support.

With all best wishes,

Lee KoonceExecutive Director

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David M. HugginChairman

Nicholas L. D. FirthVice Chairman

Erik D. LindauerSecretary

W. Curtis LivingstonTreasurer

Byron BellRobert M. Carr

Gerald D. CohenFred M. Filoon

Terry A. HuenekeRoni Kohen-Lemle

Yukiko Kubo-GatheralJoan C. LongJeannie Park

Vincent C. PerroPonchitta Pierce

Harold PrinceStella Sichel

Ellsworth G. Stanton IIIJacquelyn H. SykesFrederick A. Wise

Anna-Maria KellenChairman EmeritusStowe C. Phelps

Chairman EmeritusEllsworth G. Stanton III

President Emeritus

Lee Koonceex officio

Executive Director

Thank You!We are grateful to the many individuals, foundations, corporations and government agencies that make our

programs possible through their generous financial support.

B R I N G I N G T H E A R T S T o L I F E S I N C E 1 8 9 4

235 East 11th strEEt • NEw York, NY 10003tELEP hoNE 212-777-3240 • FaC s I M I LE 212-477-1808

E- M aI L [email protected] www.thirdstreetmusicschool.org

oFFICERS AND BoARD oF DIRECToRS

THIRD STREET MUSIC SCHOOL SETTLEMENT

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produced by the development and communications department

editor: Karen Haight, Communications Manager graphic design: Red Herring Design photography: Virginie Blachère

(Cal Wiersma); Shawn Ehlers (Anniversary Luncheon); Charles Manley (Philip Glass); Karen Haight (chamber music students); Alden Lu (Jazz

Big Band, art student); Robert Rosello (Hip Hop Dance); Scott Wintrow (ASCAP awardees); Lloyd Wolf (Alicia Svigals)

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114th Anniversary Luncheon

A roadmap to the future B Y L E E K O O N C E

3N o v e m b e r 1 8 , 2 0 0 8 • t h e p i e r r eleft Honorees, Co-Chairs and event leaders: back row: David Huggin, Jim Watkins, Edward Ames, Masumi Per Rostad, Graham Parker, Richard S. Lannamann. middle row: Jonathan Spitz, Laura Frautschi, Renée Jolles, Danielle Farina, Phyllis Mills, Lee Koonce, Gayle Morgan, Juliana Chen, Yukiko Kubo-Gatheral, Jim Gatheral. front row: Jonathan Bass, Miranda Bass, Randi Filoon, Fred Filoon. below left Honorees, performers and event leaders pose in the Grand Ballroom. below right Alumnus and Luncheon Honoree Masumi Per Rostad.

Third Street Music School Settlement is a dynamic and vibrant institution that has had a profound influence on thousands of lives during its 115-year history. Our

excellent faculty and programs are known and respected throughout the country. But how do we live our mission even more fully? The School’s Strategic Planning Committee was charged with answering this question and many others. For instance: How can we expand our reach and have an impact on more lives? How can we ensure that the School remains healthy, lively and relevant in the 21st century? How can we preserve our highly successful core programs while addressing our community’s changing needs? The committee, comprised of Third Street’s board members and senior staff, discussed and addressed many such questions during a nearly year-long strategic planning process resulting in the 2007-2012 Strategic Plan, adopted at the Board’s June 2008 meeting.

First, it’s important to point out that this Strategic Plan isn’t “new.” It’s based on the 2002-2006 Plan formulated with the help of Washburn Partners, an external consultancy that specializes in organizational strategic planning. In developing that plan, 10 strategy meetings were held; 20 individual staff and

faculty meetings were conducted; 375 parents, faculty, staff and board members responded to a written survey; all of the School’s then-current programs were reviewed; and the national community arts field was assessed. In reviewing the 2002-2006 Plan, the Strategic Planning Committee realized there was more to do in all of the objectives identified. Thus, with only minor revisions and additions, the 2002-2006 goals became the goals for the 2007-2012 Plan. What makes the 2007-2012 Plan different is that the Committee developed an implementation strategy which includes specific objectives, expected outcomes, responsibility, accountability, costs and funding sources to ensure that the goals will be fully accomplished.

It is also important to remember that the Plan is a “living document” and we will continue to tweak and revise it over the next five years based on the results achieved, feedback from all of the School’s constituencies, and the School’s financial resources and fund-raising opportunities. And, implementation of the Plan’s strategies will most certainly be affected by the national economic crisis, so the timeline may extend beyond the next five years.

Thank you for your interest and involvement. Together, we will achieve these goals and make Third Street an even better school.

Goals of the 2007–2012 Strategic PlanENRICH MUSIC PROGRAMS

• Increase woodwind, brass and percussion enrollment

• Expand adult participation

• Embrace technology for instruction and student support services

• Address specific capital needs

BUILD ORGANIzATIONAL CAPACITY

• Improve external communications

• Expand Board of Directors

• Increase base of financial support

• Grow endowment

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ensemble master class Inspires chamber music Students

One of the Fall 2008 Chamber Music Program’s ensembles participated in two master classes with Cal Wiersma of the Grammy Award-winning

Orpheus Chamber Orchestra in December. The 13-piece group, coached by Third Street violinist José Pietri-Coimbre, was composed of violin, viola, cello, bass and harpsichord. Cal asked each student to take a turn leading the tricky opening of the music. “How do you show in the motion before you play what it is that you want the sound to be like? Who leads, since there’s no conductor? What kind of impression do you as a group want to make initially? Sometimes you learn just from seeing what others did and what sound resulted from it. In the end, you realize that everyone is leading at once.”

The students were also invited to sit on the stage of Carnegie Hall for an Orpheus rehearsal on the evening of December 6. For them, it was awe-inspiring to experience the legendary auditorium and its famed acoustics from the same vantage point as the greatest musicians of all time. Later that evening, the students attended Orpheus’ concert, along with 50 other Third Streeters.

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“I was very impressed by the students’ eagerness and their willingness to learn. They were really well prepared, but also willing to incorporate my ideas into their playing and make something really beautiful come out of it. I felt like the piece really came a long way even between the two sessions.”—Cal Wiersma, Orpheus Chamber Orchestra

Distinguished visiting Artists Many luminaries have given master classes and workshops at Third Street or performed with or on the same program as our students. In recent years, Third Street has welcomed:Joshua Bell, violinPhilip Glass, composer, Third Street parentRichard Goode, pianoKenneth Gordon, violin *New York Philharmonic (retired)

Lang Lang, pianoAnthony McGill, clarinet **Masumi Per Rostad, viola * Pacifica Quartet

Harriet Wingreen, piano * New York Philharmonic

Chamber Music Society of Lincoln Center (CMS) artists including David Finckel, cello; David Shifrin, clarinet; Bruce Adolphe, piano/composer; and “CMS Two” musicians including Erin O’Keefe, violinImani Winds **Orpheus Chamber Orchestra artists including Danielle Farina, viola; Laura Frautschi, violin; Renée Jolles, violin; Jonathan Spitz, cello; and Cal Wiersma, violin.* Third Street alumna/us** Third Street Artistic Advisory Board

“Thank you for giving me a life-changing experience. I was amazed at how wonderfully you were able to play/rehearse without a conductor. I loved how every member of the orchestra was able to give his/her opinion… Your performance at Carnegie Hall was breath-taking, and I am grateful for having attended both the rehearsal and the concert.”—Third Street student Stella Fiorenzoli to Orpheus Chamber Orchestra

CAL WIERSMA performs with Orpheus

Chamber Orchestra, October 2008

Bruce Broughton, Emmy Award-winning TV and film composer (Silverado, The Three Musketeers, Tombstone, Young Sherlock Holmes) and member of The ASCAP Foundation board, presented The ASCAP Foundation Irving Caesar Scholarship to four Third Street composition students of Nicholas Scarim at the Foundation’s annual award event on December 10, 2008.

left to right Bruce Broughton, Matiya Budisin, Michael Lofaso,

Daniel Lofaso, Elvis Vanterpool-Krajnak

AScAP Awardees honored

MARCH 2006: PHILIP GLASS coached Philharmonia orchestra students in the performance of Company, his 1983 composition for strings. They performed the piece the next day in a benefit concert Mr. Glass gave for the School.

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Give the Gift of music

For more than a century, Third Street students have benefited from the generosity of the School’s many friends who have donated quality musical instruments for their use. To everyone who has

ever donated an instrument, we thank you. A quality instrument makes all the difference in the world. It elevates a student’s level of performance and sense of accomplishment. As you, your family and friends think about “spring cleaning,” please keep Third Street’s students in mind. Perhaps there’s a precious instrument in your closet, attic, basement or garage that could have a second life at Third Street.

If you happened to stop by the Anna-Maria Kellen Auditorium to hear our woodwind and brass students perform in February,

you might have thought you’d gone back in time to the Big Band Swing era. Third Street’s first-ever Jazz Big Band started this year as part of our new Woodwinds & Brass Initiative. Micah Killion, Coordinator, says “We had lots of new students this year for Wednesday Winds and we know that providing ensemble opportunities keeps them interested and involved. With the right instrumentation available, and a lot of interest in jazz, the Big Band idea seemed like a natural companion to the two symphonic bands.” Keep on swingin’!

Members of the Jazz Big Band pose during a break in Wednesday Winds rehearsals with Anthony Mazzocchi second from left, Band Director and Artistic Advisor of the Woodwinds, Brass & Percussion Initiative of the MILES Program.

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Dhip hop to the third PowerB Y R O B E R T R O S E L L O

Hip Hop started in the street and now it’s at Third Street—every Monday from 3:30 to 6:30 p.m. Bob Marley’s “Everything’s Gonna Be Alright” boasts a different kind of beat, as kids clad

in jeans, t-shirts and sneakers bounce, kick, stomp, jump and pose to the rhythm. The class, much like Third Street, fosters tradition and creativity. Here originality rules in a fast-paced, high-energy hour of fun and funk as some very motivated youngsters show their talent and joy for dance.

“I’ve seen a lot of kids really grow,” says Rebecca Navarro, who leads the Hip Hop class. “Their confidence has improved, which is huge. Kids get a chance to express themselves, and each one gets a chance to shine, whether soloing in front of the class or leading the class through a routine. To see them have more rhythm, more flexibility or even a little more technique, it’s inspiring and refreshing.”

Hip Hop at Third Street uses pop music from students’ favorite artists and focuses on free-form dance moves—as seen every day on MTV. Unlike Tap and Ballet, which employ techniques with a venerable tradition, Hip Hop introduces students to dance through movement they recognize and emulate from today’s culture, providing a portal through which to explore other dance forms. Through Hip Hop, youth can express their feelings, ideas and originality. It may be a new program, but all bets are on that Hip Hop will build momentum and go to the next level here. Cara Gargano, chair of Third Street’s dance department says, “We certainly hope that we will keep the students who are starting this new program and that as they increase in proficiency we can add more advanced classes.” It’s looking like Third Street students will be taking Hip Hop to the Third Power.

CAL WIERSMA performs with Orpheus

Chamber Orchestra, October 2008

AScAP Awardees honored

In the Spotlight

WANT TO MAKE AN IN-KIND DONATION? Please contact Daniel Blakemore at 212-777-3240 ext. 126 or dblakemore@thirdstreet musicschool.org. Thank you!

We also have a Wish List. Please see our Web site.

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C Re eTnSt ega

even in the summer, the music never stops at third Street

Every June and July we welcome 250-300 students of all ages to programs in music, dance and art. Preschoolers enjoy days filled with arts learning and structured play in our licensed Summer Arts Day Camp. Children and

teens make artistic leaps and bounds, and forge fast friend-ships, in our intensive and fun workshops in Chamber Music, Piano Ensemble and Dance. The Summer Art Workshop encourages creativity while giving students a grounding in visual art techniques. The beat goes on in our intergenera-tional Afro-Caribbean Percussion Ensemble for students of all levels. And youth and adults find summertime the ideal time to dig deeper into music repertoire and technique in individual and partner lessons.

Summertime at Third Street means art, new friendships, inspiration and, most of all, fun!SUMMER PROGRAMS Registration begins March 13 and continues through June or until programs are fully enrolled (March 12 for currently-enrolled students). Sign up by May 1 for early-bird tuition discounts on manysummer classes.

2009-10 SCHOOL YEAR Preschool group classes Registration begins May 8 (May 7 for currently-enrolled families). All youth programs Registration begins May 11.

ADULT PROGRAMS All ages and levelsStart your music lessons, Feldenkrais® or tap dance classes at any time! Music instruction includes unlimited free practice-room time, subject to availability.

AGE 50 OR BETTER?Join our New Horizons Band! Beginners welcome.

To obtain a course catalog, visit Third Street, call 212-777-3240 or check our Web site.

Sign Up Now!

Students in our 2008 Summer Chamber Music Workshop performed in Third Street’s free summer concert series, Music in Abe Lebewohl Park.

M u s i c o n t h e R o o f t o pA new partnership with the 14th Street Y kicked off last

summer and was a big hit. The $20 admission ($15 for Y members) includes a concert on the roof of the Y,

a reception with the artists and, upon advance request, free babysitting. The Thursday-evening concerts begin

at 7:30 p.m. Call 212-780-0800 ext. 221 for more info.JUNE 25 Arturo O’Farrill Latin Jazz Group

JULY 16 Metropolitan Klezmer AUGUST 13 David Moreno Quartet

Alumni news & notesViolin alumnus David Burnett has served on the faculty of the Harlem School of the Arts for 16 years, and was appointed this year to Juilliard’s MAP program. Professor Jonathan Sternberg was awarded the prestigious Lifetime Service Award from the Conductors Guild in January 2009. Audrey Iriberri, a dance alumna from 2001 and West Point graduate, served for 14 months in Iraq and is now stationed in Fort Leonard Wood in Missouri. Egil Rostad, cello alumnus and composer, is playing in the revival of Martha Clarke’s Garden of Earthly Delights in Greenwich Village (extended through May 31, 2009 at the Minetta Lane Theatre). Viola alumnus Masumi Per Rostad’s Pacifica Quartet was named Ensemble of the Year 2009 by Musical America, and won the 2009 Grammy Award for “Best Chamber Music Performance” for its recording of Elliott Carter’s String Quartets Nos. 1 & 5 on the Naxos label. Violin and piano alumnus James Pang is a winner in the Grove City College Concerto Competition in Pennsylvania, with a concert this April. Alumnus Robert Siegel can be heard on National Public Radio; he is a senior host of All Things Considered.

HAVE NEWS? Contact Daniel Blakemore at 212-777-3240 ext. 126 or [email protected].

Page 7: Spring 2009 Beat Newsletter

music in Abe Lebewohl Park

Our festive summer concert series features some of the best musicians in New York playing popular styles that reflect the cultural diversity of the Lower East Side. Returning festival

favorites include Latin jazz master Arturo O’Farrill, Duke Ellington alum Art Baron, Klezmer virtuoso Alicia Svigals, our own talented students, and more.

THURSDAYS, JUNE 4 through JULY 23 at 12:30 p.m. in front of St. Mark’s Church-in-the-Bowery,10th Street and 2nd Avenue.See complete schedule on our Web site.

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Paul Kim, piano faculty, one of today’s leading interpreters of and scholars on the music of Olivier Messiaen, performed the Quatuor pour la fin du temps for a capacity audience at the historic Church of the Ascension in New York City on December 12, 2008, the 100th anniversary of the late composer’s birth. During Messiaen’s centenary year, Dr. Kim finished recording Messiaen’s complete works for piano, and performed major works in venues around the world. Last fall, Dr. Kim also released the first in a series of recordings of Beethoven’s complete symphonies transcribed for piano. Marc Ponthus, a member of Third Street’s piano faculty, together with former piano faculty member Susan Tang, are editors of Elliott Carter: A Centennial Celebration. Published last August by Pendragon Press, it includes

interviews, reflections, and excerpts of music in honor of the composer’s 100th birthday.

Ning Yu, piano faculty, performed with the Bang on a Can All-Stars on March 3, 2009, as part of the Opening Nights Festival for Lincoln Center’s newly renovated Alice Tully Hall. Ning also performed in a month-long run of Mabou Mines DollHouse, at Brooklyn’s St. Ann’s Warehouse in February/March 2009. The show has brought Ning to nearly 30 cities around the world since its award-winning premiere five years ago. Amy E. Gustafson, piano faculty, gave a solo recital at Weill Hall at Carnegie Hall in February 2009, and pianist Margaret Mills, Manager of the Artist Performance Series, gave a solo recital there in December 2008.

Clarinetist Anthony McGill, who joined Third Street’s Artistic Advisory Board last year, performed with Yo Yo Ma, Itzhak Perlman and Gabriela Montero in the inaugural ceremony for President Obama. Third Street parent Patrick Gaspard was recently named President Obama’s Political Director.

Third Street’s Chamber Music Program is one of seven leading programs around the country participating in the workshop phase of the Quartet Project, a collection of new chamber music by composer Geoffrey Hudson. Students Sam Hollier, Brianna Hoody, Emmanuel Khuu, Deborah Milburn, Tara Pagano-Toub, Christine Pang, Grace Pare and Inna Shteinbuk performed two pieces and gave feedback to the composer last fall.

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Alicia Svigals, Klezmer fiddler extraordinaire, returns to Music in Abe Lebewohl Park in a free concert on Thursday, July 16, 2009 at 12:30 p.m.

Steven Rochen, violinist and conductor of Third Street’s Con Spirito and Sinfonia orchestras, will teach at the Meadowmount School of Music in the Adirondack Mountains. The school focuses on solo and chamber music for young violinists, violists and cellists. c Art teacher Timothy Lomas will return to Cambodia to create another art exchange with students at the Reyum Institute of Arts and Culture in Phnom Penh. This time, he’ll be joined by representatives of the Global Children’s Art Project, which plans to model its international art exchanges on Tim’s project. c Pianist Margaret Mills will give a solo recital of music by Debussy, Ravel and Ives in Westport, New York as part of celebrations marking the 400th anniversary of French explorer and cartographer Samuel de Champlain’s travels to the lake that now bears his name. c

Cara Gargano, Chair of the Dance Department, will be presenting a paper to the Congress on Research in Dance at its, “Global Perspectives on Dance Pedagogy” conference to be held in Leicester, England in June. c Eddy Malave, viola, will perform in a viola duet recital in Athens, Greece, and teach the Alexander Technique at the Summer Guitar Institute in Volterra, Italy. c Guitar chair David Moreno directs the DayJams rock music day camp in New York City. c Anna Elashvili, violin, is playing in the Colorado Music Festival Orchestra. With her new Bryant Park Quartet, she’s also participating in a two-week workshop at the Perlman Music Program on Shelter Island. c To prepare for upcoming performances of J.S. Bach’s Six Suites for Unaccompanied Cello, cellist Troy Stuart plans to visit eminent pedagogues in Europe.

What are faculty doing this summer?

Summertime at Third Street means art, new friendships, inspiration and, most of all, fun!

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C A L L I N G A L L V O L U N T E E R S !

Volunteers are part of what makes Third Street the special place that it is.

We need willing and able people to help us by: USHERING at Artist

Performance Series concerts (adults, or teens over 14, please);

SHARING photos and contributing articles for

possible publication; ASSISTING with afternoon

preschool classes; ENTERING data from alumni archives;

and VIDEO-RECORDING various Third Street events.

If these projects interest you, please contact Karen

Haight in the Development & Communications Department

at 212-777-3240 ext. 142.

Following are selected special events. For a complete events list, visit our Web site.

Unless otherwise noted, all concerts are free of charge and take place at Third Street. Programs and schedules are subject to change without notice.

Artist Performance Series 2008-09Third Street’s outstanding faculty members and their guests perform on most Friday evenings through May 15, 2009 at 7:30 pm.

April Saturday, April 4, 2:30 pmComposition Department Recital

Wednesday, April 15, 7:00 pm Voice Department Recital

MayThursday, May 7, 7:00 pm Guitar Showcase Recital

Saturday, May 9, 1:00 pm Philharmonia Concert James Lowe, conductorAT ST. MARK’S CHuRCH-IN-THE-BoWERY,

10TH STREET & 2ND AVENuE

Saturday, May 9, 4:30 pm Chamber Music Concert Student ensembles play masterpieces of the classical repertoire

Monday, May 11, 6:00 pm Jazz Concert Student ensembles and soloists

Wednesday, May 13, 7:00 pm Wednesday Winds Concert Woodwind, brass and percussion ensembles

Saturday, May 16, 4:30 pmChamber Music Concert

Wednesday, May 20 7:00 pm Stowe C. Phelps Annual Student Concert Showcasing student soloists and ensembles

Thursday, May 21 7:00 pm Eclectric Guitar Concert Guitar, bass and drum bands

Saturday, May 30, 12 noon Three Orchestras Concert Con Spirito, Sinfonia and PhilharmoniaSteven Rochen, conductor AT ST. MARK’S CHuRCH-IN-THE-BoWERY,

10TH STREET & 2ND AVENuE

JuneSaturday, June 6, 10:00 am String ’Stravaganza AT ST. MARK’S CHuRCH-IN-THE-BoWERY,

10TH STREET & 2ND AVENuE 150+ string students ages 4-18

M O R E E V E N T S A T W W W . T H I R D S T R E E T M U S I C S C H O O L . O R GSave the Date

NON-PROFIT ORG.U.S. POSTAGE

PaidNEW YORK, NY

PERMIT NO. 7251235 East 11th strEEtNEw York, NY 10003212-777-3240www.thirdstreetmusicschool.org

Please help us share news with all our alumni—that’s anyone who has ever taken a lesson or class at Third Street. Parents of alumni, please send us your child’s current contact information. Send to Daniel Blakemore at [email protected] or call him at 212-777-3240 ext. 126.Thank you!

T H I R D S T R E E T M U S I C S C H O O L S E T T L E M E N T

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SIC

SC

HO

OL

SE

TT

LE

ME

NT

StreetThird

TH

IRD

ST

RE

ET

MU

SIC

SC

HO

OL

SE

TT

LE

ME

NT

StreetThird

TH

IRD

ST

RE

ET

MU

SIC

SC

HO

OL

SE

TT

LE

ME

NT