Shihoko Iida
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Transcript of Shihoko Iida
Desire of translation and beyond translation of cultures
Shihoko IIDAVisiting CuratorAustralian Centre of Asia Pacific ArtQueensland Art Gallery, Gallery of Modern Art
Tokyo Opera City cultural complex
Tokyo Opera City Art Gallery
Entrance
Tokyo Opera City Art Gallery‘My Home is Yours, Your Home is Mine’ 2001Co-curated by Hou Hanru, Jerôme Sans in collaboration with Mami Kataoka
Installation view: Surasi Kusolwong, Lucky Tokyo 2001, 2001 (front); Peripheriques, Poster Window, 2001 (back wall); Junya YAMAIDE, Project No. 23: curtain, 2001 (ceiling)
Photo: Masataka Nakano
Tokyo Opera City Art Gallery‘Doug Aitken: new ocean’ 2002new ocean 2001 Produced by the Fondazione Sandretto Re Rebaudengo, Turin, presented in association with the Serpentine Gallery, London
Installation view: new ocean cyclePhoto: Keizo Kioku
Tokyo Opera City Art Gallery‘Under Construction’ 2002-03 Co-organised by Tokyo Opera City Cultural Foundation and the Japan Foundation
Installation view: CHEN Shaoxiong (on the both walls); Tsuyoshi OZAWA (middle)Photo: Keizo Kioku
Tokyo Opera City Art Gallery‘Jean Nouvel’ 2003-2004Co-organised by Tokyo Opera City Cultural Foundation and Suntory Museum, Osaka in collaboration with Asahi Shimbun. International touring exhibition openign at the Pompidou Centre, Paris in 2001.
Installation view
Tokyo Opera City Art Gallery‘Why not live for Art?’ 2004Curated by Shihoko Iida
Installation view: T.R. collection (left); 382 collection (right above); O.S. collection (right bottom)Photo: Keizo Kioku
Tokyo Opera City Art Gallery‘Wolfgang Tillmans: Freischwimmer’ 2004Curated by Shihoko Iida
Installation viewPhoto: Keizo Kioku
Tokyo Opera City Art Gallery‘Stephen Balkenhol: Skulpturen und Reliefs’ 2005Co-organised by Tokyo Opera City Cultural Foundation and Goethe-Institut Tokyo. Touring exhibition from the National Museum of Art, Osaka, in collaboration with Sprengel Museum Hannover
Installation viewPhoto: Keizo Kioku
Tokyo Opera City Art Gallery‘Toyo Ito: The New “Real” in Architecture’ 2006Co-organised by Tokyo Opera City Cultural Foundation / Asahi Shimbun / NHK Promitions / Toyo Ito Exhibition Executive Committee
Installation viewPhoto: Keizo Kioku
Tokyo Opera City Art Gallery‘Trace Elements: spirit and memory in Japanese and Australian photomedia’ 2008Co-curated by Bec Dean, Associate Director at Performance Space, Sydney and Shihoko Iida
Installation view at TOCAG, 2008Lieko SHIGA, from ‘Lilly’ and ‘Canary’ series, 2003-05 (left); Alex Davies, Dislocation, 2005-06 (right)Photo: Keizo Kioku
Tokyo Opera City Art Gallery‘Trace Elements: spirit and memory in Japanese and Australian photomedia’ 2008Co-curated by Bec Dean, Associate Director at Performance Space, Sydney and Shihoko Iida
Installation view at TOCAG, 2008Teiji FURUHASHI , Lovers, 1994 (left); Seiichi FURUYA, from ‘Memories’, 1978-2007 (right)Photo: Keizo Kioku
Performance Space at CarriageWorks, Sydney‘Trace Elements: spirit and memory in Japanese and Australian photomedia’ 2009Co-curated by Bec Dean, Associate Director at Performance Space, Sydney and Shihoko Iida
Installation view at Performance Space, SydneyJane Burton, Wormwood #1-9, 2006-07 (left); opening view on 19 February, 2009 (right)
Performance Space at CarriageWorks, Sydney‘Trace Elements: spirit and memory in Japanese and Australian photomedia’ 2009Co-curated by Bec Dean, Associate Director at Performance Space, Sydney and Shihoko Iida
Installation view at Performance Space, SydneyKazuna TAGUCHI (left); Sophie Kahn, Untitled, 2005 (right)
Tokyo Opera City Art Gallery‘KONOIKE Tomoko: Inter-Traveller’ 2009Curated by Shihoko Iida
Installation viewPhoto: Keizo Kioku
Queensland Art Gallery, Gallery of Modern Art‘The 6th Asia Pacific Triennial of Contemporary Art’ 2009-2010
Photo: Natasha HarthCourtesy: Queensland Art Gallery, Gallery of Modern Art
Desire of translation and beyond translation of cultures
From curatorial perspective
Desire of translation and beyond translation of cultures
[left] SUGIMOTO Hiroshi, Hall of Thirty-Three Bays (nos 1-24), 1995[right] TOYA Shigeo, Woods III, 1991-92
Desire of translation and beyond translation of cultures
[left] MORIMURA Yasumasa, Doublonnage (Marcel), 1988[right] MURAKAMI Takashi, And then, and then and then and then and then, 1994
Desire of translation and beyond translation of cultures
[left] Y.N.G. (Yoshitomo Nara and graf), Y.N.G.M.S. (Y.N.G.'s Mobile Studio) , 2009[right] MURAKAMI Takashi, artelligent city / Shacho (from 'Takashi Murakami mini Museum' set)
Desire of translation and beyond translation of cultures
[left] OHMAKI Shinji, Memorial rebirth, 2009[right] Y.N.G. (Yoshitomo Nara and graf), The play house (for Kids APT6) 2009Photo: Natasha Harth / Courtesy: Queensland Art Gallery, Gallery of Modern Art
Desire of translation and beyond translation of cultures
[left] Chawei TSAI , Mushroom mantra, 2009[right] Gonkar Gyatso, Funky Buddhas (for Kids APT6), 2009Photo: Natasha Harth / Courtesy: Queensland Art Gallery, Gallery of Modern Art
Desire of translation and beyond translation of cultures
From linguistic perspective
2005-06 Co-curator, ‘Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
Background: One of major art events organised by the Japan Foundation as a part of the 2006 Australia-Japan Year of Exchange.
Theme given by the JF: ‘What is contemporary Japan?’
Curatorial aim:
I. not to simply introduce/export contemporary Japanese art as a package to abroad, but to infiltrate the diversity as a living experience for Australian audiences.
II. to present multidisciplinary practices of Japanese artists which are not based on binary oppositional way of thinking, without being trapped by superficial cultural representation of Japan such as relationship with nature, tradition and zen as well as high-tech, pop, superflat, otaku and kawii culture.
Curatorial methodology: Curatorial-in-progress style.
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
I Curatorial Exchange
May 2005
Japanese curators traveled to Brisbane, Sydney and Melbourne for research
September 2005
Australian curators traveled to Osaka, Kyoto, Tokyo and Echigo-Tsumari in Niigata for research
February 2006
Japanese curators and several artists traveled to Melbourne, Sydney, Darwin and Perth for research and meetings
Research trip in Sydney, 2005 (top)Research trip in Echigo-Tsumari in Niigata, 2005 (bottom)
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
II Thinking
Three Serial ‘Open seminars’ in Tokyo22 February, 3 March, 8 March in 2006
One of Japanese curatorial advisors hosted artists and professionals from the field of contemporary art, architecture and sociology each time, and discussed a particular theme and issues to deepen participants’ knowledge on contemporary Japanese society.
I Curatorial Exchange
May 2005
Japanese curators travelled to Brisbane, Sydney and Melbourne for research
September 2005
Australian curators travelled to Osaka, Kyoto, Tokyo and Echigo-Tsumari in Niigata for research
February 2006
Japanese curators and several artists travelled to Melbourne, Sydney, Darwin and Perth for research and meetings
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
III Artist-in-Residence in Australia, 2006
2 August – 7 September 木村友紀 Yuki KIMURA stayed in Monash University Museum of Art, Melbourne
2 August – 30 September 志賀理江子 Lieko SHIGA stayed in IMA: Institute of Modern Art, Brisbane
4 August – 25 September 照屋勇賢 Yuken TERUYA stayed in Artspace, Sydney
6 September – 22 September 高嶺格 Tadasu TAKAMINE stayed in 24 Hours Art, Darwin
6 September – 15 September 高谷史郎 Shiro TAKATANI stayed in PICA: Perth Institute of Contemporary Arts, Perth
16 September – 30 September 高谷史郎 Shiro TAKATANI stayed in Gertrude Contemporary Art Spaces, Melbourne
1 October - 15 October 高橋匡太 Kyota TAHAKASHI stayed in Gertrude Contemporary Art Spaces, Melbourne
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
IV Exhibition
Participating artists:20 Japanese units/artists
Workshop and Lecture:by Atelier Bow Wow + Taira NISHIZAWA in Melbourne
Exhibition venues:9 venues in Melbourne1 venue in Sydney1 venue in Perth
Workshop and Lecture by Atelier Bow Wow + Taira NISHIZAWA in collaboration with RMIT University, City Square, Melbourne, 2006
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
Yutaka SONE and Jin KURASHIGE, installation view at RMIT Gallery, Melbourne, 2006 (top)
Tomoaki ISHIHARA, installation view at Monash University Art Museum, Melbourne, 2006 (bottom)
Shiro TAKATANI, installation view at West Space, Melbourne, 2006
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
Lieko SHIGA, installation view at Seventh Gallery, Melbourne, 2006 (top)
Naohiro UKAWA, installation view at West Space, Melbourne, 2006 (bottom)
Rei NAITO, installation view at Nillumbik Shire’s Birrarung, Eltham, 2006
Rapt! 20 contemporary artists from Japan’, multiple cities in Australia Organised by the Japan Foundation
V Relating Events/Projects
12 and 13 October:
Public Projection by Kyota TAKAHASHi in Melbourne
13 October 2006:
Bus trip and ceremony by Rei NAITO in Eltham (suburb in Melbourne)
14 October 2006:
Screening and Symposium at the Asialink Centre in Melbourne
2 publications (catalogue and document)
Rei NAITO, ceremony view Seeing-off boats day at Birrarung, Eltham, 13 October 2006 (top)
Kyota TAKAHASHi, Public Projection at Lonsdale (Power Station), Melbourne, 12 and 13 October 2006 (bottom)