See No Evil: The Moors Murders
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‘See No Evil: The Moors Murders’ ITV (2006) directed by Christopher Menaul Format: Serial/single drama Genre: True Crime Narrative Structure: This drama is set in a linear fashion as it follows a straight storyline however foreshadowing is used to show that the moors are the main location of the drama. Notes: ● By using establishing shots in the beginning of the drama with the low key lighting and with the sound perspective of the wind been added this creates tension to the whole drama. These are also used to show that this area is important to the whole story creating a fore shadowing and giving the audience the thought that this location, the moors are a key character in the drama and without any information about what happens in the drama, it gives the sense of something is going to happen. ● Cutaway edit from the establishing shots to the scene with the woman and the baby. These scenes seem to contract each other as the moor shots are dull, with low key lighting and then the cutaway with the woman and the child is more brighter adding a sense of tension that these scenes are meant to create these feelings. ● The character of Ian is dressed more higher class than the other characters like that he has more power than the rest of the characters. Also this is more visible by using a lower angle only slightly gives the audience the feeling that Ian has more power.
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Transcript of See No Evil: The Moors Murders
‘See No Evil: The Moors Murders’ITV (2006) directed by Christopher Menaul
Format: Serial/single dramaGenre: True CrimeNarrative Structure: This drama is set in a linear fashion as it follows a straight storyline however foreshadowing is used to show that the moors are the main location of the drama.
Notes:● By using establishing shots in the beginning of the drama with the low key lighting
and with the sound perspective of the wind been added this creates tension to the whole drama. These are also used to show that this area is important to the whole story creating a fore shadowing and giving the audience the thought that this location, the moors are a key character in the drama and without any information about what happens in the drama, it gives the sense of something is going to happen.
● Cutaway edit from the establishing shots to the scene with the woman and the baby. These scenes seem to contract each other as the moor shots are dull, with low key lighting and then the cutaway with the woman and the child is more brighter adding a sense of tension that these scenes are meant to create these feelings.
● The character of Ian is dressed more higher class than the other characters like that he has more power than the rest of the characters. Also this is more visible by using a lower angle only slightly gives the audience the feeling that Ian has more power.
● The character of Myra, seem to change in the costume questions the personality of the character. By changing from work clothing to a black dress seems to show that is this character as innocent as first thought.
● Ian’s ascent is different to all the other characters as he is from Scotland,when the other characters’ ascents show where they are from. This makes Ian almost the outsider of the group as he is from a different area
● Close up of the characters to show emotion but also to show that they are wearing the clothing of the period
● Small shake of the camera, this could be because of the high wind in the location but could have been used to show the confusion between the characters at Ian’s odd behaviour.
● Non-diegetic music which adds tension to the audience building up the emotion that they will be having thanks to the editor, who wanted to give a little piece of
information about what the film is going to be like. The dark nature of the film and the story is shown through the type of music.
● The conversations that are happening in a scene is diegetic to which makes the scene more real to the audience and acts more like it is a natural environment.
