Scheme of Studypunjabiuniversity.ac.in/syllabi/Old Syllabi [For... · Web viewB.A. Hons. School in...

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Scheme of Study B.A. Hons. School in Gurmat Sangeet Part - II (Semester - III) ;a?;aB (2010-11, 2011-2012, 2012-2013) 1H gouk - gfjbk L r[owfs ;zrhs (fbysh) 2H gouk - d{ik L r[owfs ;zrhs (gq?eNheb) 3H gouk - shik L fwT{f}e fJB;No{w?INb$spbk 4H gouk - u"Ek L r[owfs ;NZvh} 5H gouk - gzitK L gzikph bk}wh$gzikp fj;Noh n?_v ebuo 6H gouk - S/tK L fJzrfb;a efwT{Bhe/;aB ;feb

Transcript of Scheme of Studypunjabiuniversity.ac.in/syllabi/Old Syllabi [For... · Web viewB.A. Hons. School in...

Scheme of StudyB.A. Hons. School in Gurmat Sangeet

Part - II (Semester - III);a?;aB (2010-11, 2011-2012, 2012-2013)

1H gouk - gfjbk L r[owfs ;zrhs (fbysh)

2H gouk - d{ik L r[owfs ;zrhs (gq?eNheb)

3H gouk - shik L fwT{f}e fJB;No{w?INb$spbk

4H gouk - u"Ek L r[owfs ;NZvh}

5H gouk - gzitK L gzikph bk}wh$gzikp fj;Noh n?_v ebuo

6H gouk - S/tK L fJzrfb;a efwT{Bhe/;aB ;feb

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - II (Sem -III)

(2010-11, 2011-12, 2012-13)

PAPER - I - GURMAT SANGEET (THEORY)Max. Marks: 80 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20(Theory and Practical separately)Note: Along with Gurmat Sangeet, the candidate can also take Instrumental Music and Tabla as other elective subjects.

INSTRUCTIONS FOR THE PAPER-SETTERThe question paper will consist of five sections: A, B, C, D & E. Sections A, B, C & D will have two questions from the respective sections of the syllabus and will carry 12 marks each. Section E will consist of 16 short answer type questions which will cover the entire syllabus uniformly and will carry 32 marks in all.

INSTRUCTIONS FOR THE CANDIDATESCandidates are required to attempt one question each from the sections Sections A, B, C & D of the

question paper and the entire section E.SECTION - A

1. (a) Technical Terminology : Poorav Raag, Uttar Raag, Vakar Sur, Sur Malikaa, Janak Raag, Janga Raag, Alaptava-Bahutava.

(b) Gaurhee Prakaar, Dakhnee Prakaar, Keertaniyaa, Hast Vidhi, Torhha, Tukrhha, Tihaaee, Paltaa.

2. Contribution of Sri Guru Ram Das Ji, Guru Arjun Dev Ji in the development of Gurmat Sangeet Tradition.

SECTION - B1. Importance of Keertan Chauki in Gurmat Sangeet.2. Sikh Keertan Tradition.

SECTION - C1. Detailed description of the prescribed ragas in comparison to their

sam-prakritik ragas with notation:Soohee, Wadhans.

2. Detailed description with notation in Ekgun and Dugun of prescribed taals: Rupak, Ektaal, Chaartaal, Jhaptaal, Soolfaak.

SECTION - DIntroduction of the following in English and Punjabi: 1. Guru Nanak Dev ji2. Any two Ragas and taalas of yours syllabus.3. Your Instrument.

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli (Prof. Tara Singh)

Punjabi University, Patiala.2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh)

Punjabi University, Patiala.3. Sri Guru Granth Sahib Raag Ratnakar (Dr. Gurnam Singh)

SGPC, Amritsar.4. Sikh Musicology (Dr. Gurnam Singh): Kanishka Publishers, Delhi.5. Gurbani Sangeet Darpan (Prof. Kartar Singh): SGPC, Amritsar.6. Gurmat Sangeet Darpan Part I & II (Prof. Kartar Singh): SGPC, Amritsar. 7. Gurbani Sangeet Pracheen Reet Ratnawali Part I & II (Bhai Avtar Singh Gurcharan Singh): Punjabi

University, Patiala.8. Gurbani Sangeet Part I & II (Giani Gian Singh Abtabad): SGPC, Amritsar.9. Guru Angad Dev Sangeet Darpan, (Prof. Kartar Singh): SGPC, Amritsar.

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - II (Sem -III)

(2010-11, 2011-12, 2012-13)

PAPER -II- GURMAT SANGEET (PRACTICAL)Max. Marks: 100 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20(i) Hazoori Gayan 35 marks(ii) Viva 20 marks(iii) Tanti Saaz 15 marks(iv) Taal Saaz 10 marks

INSTRUCTIONS FOR THE PAPER-SETTER(i) There should not be more than 10 students in a batch for practical examination.(ii) Harmonium is allowed as an accompaniment. Preference will be given to be students reciting Shabad

Kirtan along with string instruments of Gurmat Sangeet.INSTRUCTIONS FOR THE CANDIDATES

Harmonium may also be allowed as an accompaniment. Preference will be given to the students reciting Shabad Keertan along with string instruments of Gurmat Sangeet.

1. Keertan of 7th to 9th chhant of Asaa Di Vaar2. Lavan in Raag Soohi. 3. Ghorian in Raag Wadhans. 4. Introduction of prescribed Ragas:

Soohee, Wadhans.5. Practical performance of Thheka of following Talas on Tabla and by Hast Vidhi.

Roopak, Ektaal, Chaartaal, Jhaptaal, Soolfaak.

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli (Prof. Tara Singh)

Punjabi University, Patiala.2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh)

Punjabi University, Patiala.3. Sri Guru Granth Sahib Raag Ratnakar (Dr. Gurnam Singh)

SGPC, Amritsar.4. Sikh Musicology (Dr. Gurnam Singh): Kanishka Publishers, Delhi.5. Gurbani Sangeet Darpan (Prof. Kartar Singh): SGPC, Amritsar.6. Gurmat Sangeet Darpan Part I & II (Prof. Kartar Singh): SGPC, Amritsar. 7. Gurbani Sangeet Pracheen Reet Ratnawali Part I & II (Bhai Avtar Singh Gurcharan Singh): Punjabi

University, Patiala.8. Gurbani Sangeet Part I & II (Giani Gian Singh Abtabad): SGPC, Amritsar.9. Guru Angad Dev Sangeet Darpan, (Prof. Kartar Singh): SGPC, Amritsar.

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - II (Sem -III)

(2010-11, 2011-12, 2012-13)

PAPER - III - MUSIC INSTRUMENTAL (THEORETICAL ASPECT)Max. Marks: 100 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20

INSTRUCTIONS FOR THE PAPER-SETTERThe questions paper will consist of five sections: A, B, C, D and E. Sections A, B, C and D will have

two questions from the respective sections of the syllabus and will carry 12 marks each Section. E will consist of 16 short answer type questions which will cover the entire syllabus uniformly and will carry 32 marks in all.

INSTRUCTIONS FOR THE CANDIDATESCandidates are required to attempt one question each from the sections A, B, C and D of the question

paper and the entire Section E.SECTION - A

1 History of Indian Music: 1st to 12th century:a. Period of Gupta with reference in poetry of Kalidas.b. Matangc. Sharang Dev.

2 Definition and explanation of the following:Various Bols of Mizrab or Jawa, Chal and Achal.Thaat, Zamzaman, Baj, Gamak, Shudh-Sankiran-Chhayalag,Avirbhav-Tirobhav, Alapatava-Bahutava.

SECTION - B1 The life and contribution towards Indian Music of:

a. Ustad Inayat Khan of Imadad Khan Gharana.b. Ustad Vilayat Khanc. Dr. Lal Mani Mishrad. Babu Sham Singh ji

2. Essay on the following Topics:a. Playing techniques of your Instrument.b. Tanpura and its Sahayak Nad.c. Music and Noise Pollution.

SECTION - C1 Tradition of Instrumental Music in Punjab.2. Contribution of Rababi Musicians in Gurmat Sangeet.

SECTION - D1. Description and notation of Ragas (Gats) and taals:

Raags-Bhairav, Asawari, Poorvi, Vrindawani Sarang, Bageshwari,Taal-Deepchandi, Jatt, Tivra, Dhamar, Tilwara.

2. Knowledge of the following Raags: Bairagi, Rageshwari and Des.

BOOKS PRESCRIBED1. Dr. Yash Pal Sharma: Gayan Kala, (Published by Puniabi University Patiala)2. H.C. Srivastava: Raag Parichay, I, II& III.3. Sangeet Karyalaya Hathras: Sangeet Vishard. 4. Dr. Anil Nirola: Folk Instruments of Punjab,

(Published by Puniabi University Patiala)5. Sangeet Karyala Hathras: Hamare Sangeet Ratan.6. Chander Kant Khosla: Sangeet Granth Te Bharti Sangeet Da Itihas.7. Veena Mankaran: Sangeet Sar, Part III.8. Prof. Tara Singh, Surjit Singh: Vadan Kala

(Published by Puniabi University Patiala)9. Dr. Gurnam Singh: Sangeet Nibandhavli,

(Published by Puniabi University Patiala)10. Sangeet Roop (Dr. Devinder Kaur): Sangeetanjali Publications, Patiala.11. Bhagwat Sharan Sharma: Taal Parkash(Sangeet Karyalaya Hathras).12 Girish Chander Srivastava: Taal Parichay.

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part -II Semester - III (2010-11, 2011-2012, 2012-2013)

PAPER-A: - III-TABLA (THEORY) Max. Marks-100 Time: 3 HrsPass Marks-40% Practical - 40 Marks

Internal Assessment-20 Marks Theory - 40 Marks

Instruction for Paper Setter: The question paper will consist of five sections A, B, C, D and E. Section A, B, C, D will have two questions from the respective sections of the syllabus and will carry 6 marks each. Instruction for Candidates: Candidates are required to attempt one question each from section A, B, C, D and the entire section E is compulsory.

Section - A1. Definition and explain th following terms:-

Uthan, Dupalli, Tipalli, Laggi, Tukra.2. Ten Praan of Taal.

Section - B1. Life Sketches of Shri Kanthe Maharaj & Shri Anokhe Lal.2. Principles of Tabla Sangat with Dance.

Section - C1. Notation in the following material:

(i) Sultaal - Tukras, Parans, Bedam Tehai, Damdar Tehai.(ii) Rupak Taal - Peshkar, Gat, Quaida, Paran and Chakradar Paran.

2. Comparative Study of Taals mentioned in Section D.

Section - D1. Notation of Rupak, Tivra, Jhaptals with their Dugun, Tigun and

Chaugun Layakaries.2. Recognition of Taals through some bols asked by paper setter.3. Composition of Rela, Quaida, Peshkar and Paran based on the bols

set by the paper setter.

Section - ESection E will consist of 8 short answer type questions which will cover the entire syllabus uniformly

and will carry 16 marks. Each short answer type questions will carry 2 marks.

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part -II Semester - III (2010-11, 2011-2012, 2012-2013)

PAPER - B: - III - TABLA (PRACTICAL) Max. Marks-100 Time: 1 HrsPass Marks-40% Practical - 40 Marks

Internal Assessment-20 Marks Theory - 40 Marks1. Taal prescribed: Rupak, Sultal & Deep Chandi

(a) Proper Barhat of following Taals:

(i) Rupak (ii) Sultal

(b) Two Laggis in Dadra Taal.

(c) Sultaal - Tukras, Parans, Bedam Tehai, Damdar Tehai.

Rupak Taal - Peshkar, Gat, Quaida, Paran and Chakradar Paran.

2. Practice of playing the above mentioned taals with Dance Item.

3. Knowledge of Shudh and Vikrit Swaras.

4. Practice of playing Nagma on Harmonium in Rupak & Sool Taal.

5. Tunning of Tabla.

BOOKS RECOMMENDED1. Tabla Vadan, Published by Pbi.Uni. : Jagmohan Sharma 2. Tabla Tarang : B S Nigam3. Taal Prakash : Sangeet Karyala Hathras4. Taal Prichiya - Part-I, II & III : G.C. Shrivastava5. Taal Prabhakar Prshontri : G. C. Shrivastava6. Taal Maartand : B S Sharma7. Bhartiya Talon ka Shastriya vivechan: Arun Kumar Sen8. Bhartiya Sangeet Vadyas : L M Mishra9. Taal Rattan : Sujit Singh

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PUNJAB HISTORY & CULTURE (1000-1606 A.D.)(Special Paper in Lieu of Punjabi)

Paper-V, Semester-III

Time Allowed : 3 Hours Max. Marks : 80Internal Assessment : 20 Pass Marks : 40

NOTE : The paper Setter should keep in view the topics specified in each paper and not the title of the paper. Candidates are requested to attempt one question each from the section A, B, C & D and the entire Section E.

INSTRUCTIONS FOR THE PAPER-SETTERS

1. The Syllabus prescribed should be strictly adhered to.The paper-setters should keep in view the topics specified in each paper and not the title of the paper.

2. The question paper will consist of five sections: A,B,C,D & E. Sections A,B,C & D will have two questions each from the respective sections of the syllabus and will carry 12 marks each. Section E will consist of 8 short-answer type questions which will cover the entire syllabus and will carry 32 marks in all. There being no internal choice in this section, each short-answer type question will carry 4 marks. Candidates are required to attempt one question each from the Sections A, B, C, D and the entire Section E. The candidates are required to give answer of each short-type question in 50 words i.e. in 7-10 lines.

3. The wording of the questions should be simple and easily understandable by an average student. There should be no vagueness.

4. The number of questions based upon quotations should not exceed two in a question paper.

5. The general standard of the questions should cater to the different intellectual levels - average, above average and below average.

6. Each paper is of 80 marks and three hours duration and 20 marks are of internal assessment in each paper.

The Break-up of 20 marks for Internal Assessment (Theory Papers) is below :

1. Test : 10 Marks

2. Class Attendance : 05 Marks

3. Project Work/Assignment/Seminar/Field : 05 Marks

------------------------------------------------------------------------------------Total Marks : 20 Marks

------------------------------------------------------------------------------------

SECTION–A

1. Sufi Movement2. Bhakti Movement

SECTION–B

3. Political, Social and Religious Condition of Punjab during Sixteenth Century.4. Teachings of Guru Nanak and impact on Society.

SECTION–C

5. Development of Sikhism under Guru Angad and Guru Amar Das.6. Development of Sikhism under Guru Ram Das.

SECTION–D

7. Guru Arjan, Compilation of Adi Granth.8. Martyrdom of Guru Arjan and its impact.

SECTION–EEight short-answer type questions will be set from the entire syllabus. The candidates

will attempt all these 8 questions. These questions will be based upon terms, concepts, institutions and historical sources within the purview of the syllabus. The answer to each of these questions will be of 50 words i.e. in 7-10 lines and will carry 4 marks each. Thus, the total marks of these questions will be 32.

ESSENTIAL BOOKS

1. Fauja Singh (ed.), History and Culture of the Punjab, Part-III, Patiala, 1987.

2. G.S. Chhabra, The Advanced History of the Punjab, Vol.I.

3. Khushwant Singh, History of the Sikhs, Vol.I, Delhi, 1991.

4. J.S. Grewal, The New Cambridge History of India : The Sikhs of the Punjab,

Hyderabad, 1990.

5. D.S. Dhillon, Sikhism : Origin and Development.

6. Hari Ram Gupta : History of the Sikhs, Vol.I.

7. Teja Singh & Ganda Singh, A Short History of the Sikhs.

Combined Syllabus ForBA -I   HONS SCHOOL IN GURMAT SANGEET SEM-II

BA -I   HONS SCHOOL IN DANCE SEM-II

PAPER -VI-(ENGLISH COMMUNICATION   SKILLS)    

Max. Marks: 60                                                  Time allowed: 3 hours

 

INSTRUCTIONS FOR THE PAPER SETTER 

(a)The paper setter shall set nine questions in all.

(b) The paper setter shall set two questions from each section A, B, C, & D. Carrying 10 marks for each question. (10+10+10+10=40)

(c) The paper setter shall set one compulsory question for Section E carrying 10 short type questions from entire syllabus which will carry 20 marks (10*2=20)

 

THEORY PAPER

 

Section A

1. Selected College Poems by Orient Longman

POEMS   1 TO 6

i)                 One Essay type question with internal choice on theme, summary, central idea of the poem

2. Reference to the context from the Poems. The candidate shall explain 2 out of 3 given reference to the context. 

 

 

Section B

1. Description and classification of Consonant

2. Description and classification of Vowels

Section C

 3. Phonetic Symbols (knowledge of IPA symbols as used in Daniel Jones English Pronunciation Dictionary)

4. Phonetic transcription

Section D 

5. Report writing 6. Words frequently miss pelt.

   

 BOOKS PRESCRIBED 

1. Selected College Poems By Orient Longman

2. A Course in Phonetics and Spoken English  by J. Sethi &P.V. Dhamija, Chapters 3, 4, 9 and 10 are  only to be studied

3. English Pronouncing Dictionary by Daniel Jones.

4. The Written Word by Vandana R. Singh

5. Introduction to the Pronunciation of English by A.C. Gimson and Susan Ramsaran

6. The Students’ Companion by Wilfred D. Best

 

INSTRUCTIONS FOR THE CANDIDATE

The candidate  shall attempt 5 questions  selecting at least 1 question from Section  (A, B, C,D of 10 marks each question).The fifth question carrying 10 short type questions from Section E shall be compulsory carrying 20 marks)

 

PRACTICAL PAPER               MAX. MARKS 20                                           Viva voice from the following (5+5+5+5=20)

1. Consonants (5 marks)

2. Vowels (5 marks)

3. Phonetic Transcription (5 marks)

4. Vocabulary (5 marks)

 

 

 

Scheme of StudyB.A. Hons. School in Gurmat Sangeet

Part - II (Semester - IV);a?;aB (2010-11, 2011-2012, 2012-2013)

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2H gouk - d{ik L r[owfs ;zrhs (gq?eNheb)

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B.A. HON'S SCHOOL IN GURMAT SANGEETPart - II (Sem -IV)

(2010-11, 2011-12, 2012-13)

PAPER -I- GURMAT SANGEET (THEORY)Max. Marks: 100 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20(Theory and Practical separately) Note: Along with Gurmat Sangeet, the candidate can also take Instrumental Music and Tabla as other elective subjects.

INSTRUCTIONS FOR THE PAPER-SETTERThe question paper will consist of five sections: A, B, C, D & E. Sections A, B, C & D will have two questions from the respective sections of the syllabus and will carry 12 marks each. Section E will consist of 16 short answer type questions which will cover the entire syllabus uniformly and will carry 32 marks in all.

INSTRUCTIONS FOR THE CANDIDATESCandidates are required to attempt one question each from the sections Sections A, B, C & D of the

question paper and the entire section E.SECTION - A

1. (a) Technical Terminology : Shruti, Anuvaadi, Kan, Meend Andolan, Khatkaa, Murkee. (b) Sudhang, Guarhee Prakaar, Dakhnee Prakaar, Thhaa, Doon, Lagee, Tihaaee, Paltaa.

2. Contribution of Sri Guru Hargobind Sahib ji, Guru Har Rai ji in the development of Gurmat Sangeet.

SECTION - B1. Description & definition 31 mukh ragas of Sri Guru Granth Sahib.

SECTION - C1. Detailed description of the prescribed ragas in comparison to their

sam-prakritik ragas with notation:Gujri, Todee, Asaa.

2. Detailed description with notation in Ekgun and Dugun of prescribed taals: Arha Chartaal, Phrodast, Deepchandi.

SECTION - DIntroduction of the following in English and Punjabi: 1. Guru Angad Dev ji and Guru Amardas ji.2. Any two Ragas and taalas of yours syllabus.3. Your Instrument.

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli (Prof. Tara Singh)

Punjabi University, Patiala.2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh)

Punjabi University, Patiala.3. Sri Guru Granth Sahib Raag Ratnakar (Dr. Gurnam Singh)

SGPC, Amritsar.4. Sikh Musicology (Dr. Gurnam Singh): Kanishka Publishers, Delhi.5. Gurbani Sangeet Darpan (Prof. Kartar Singh): SGPC, Amritsar.6. Gurmat Sangeet Darpan Part I & II (Prof. Kartar Singh): SGPC, Amritsar. 7. Gurbani Sangeet Pracheen Reet Ratnawali Part I & II (Bhai Avtar Singh Gurcharan Singh): Punjabi

University, Patiala.8. Gurbani Sangeet Part I & II (Giani Gian Singh Abtabad): SGPC, Amritsar.9. Guru Angad Dev Sangeet Darpan, (Prof. Kartar Singh): SGPC, Amritsar.

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - II (Sem -IV)

(2010-11, 2011-12, 2012-13)

PAPER -II- GURMAT SANGEET (PRACTICAL)Max. Marks: 100 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75(i) Hazoori Gayan 35 marks(ii) Viva 20 marks(iii) Tanti Saaz 15 marks(iv) Taal Saaz 10 marks

INSTRUCTIONS FOR THE PAPER-SETTER(i) There should not be more than 10 students in a batch for practical examination.(ii) Harmonium is allowed as an accompaniment. Preference will be given to be students reciting Shabad

Kirtan along with string instruments of Gurmat Sangeet.INSTRUCTIONS FOR THE CANDIDATES

Harmonium may also be allowed as an accompaniment. Preference will be given to the students reciting Shabad Keertan along with string instruments of Gurmat Sangeet.

1. Keertan of 10th to 12th chhant of Asaa Di Vaar.2. Shukrane dee Keertan Chauki. 3. Introduction of prescribed Ragas:

Gujri, Todee, Asaa.4. Practical performance of Thheka of following Taals on Tabla and by Hast Vidhi.

Arha Chaartaal, Phrodast, Deepchandi.

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli (Prof. Tara Singh)

Punjabi University, Patiala.2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh)

Punjabi University, Patiala.3. Sri Guru Granth Sahib Raag Ratnakar (Dr. Gurnam Singh)

SGPC, Amritsar.4. Sikh Musicology (Dr. Gurnam Singh): Kanishka Publishers, Delhi.5. Gurbani Sangeet Darpan (Prof. Kartar Singh): SGPC, Amritsar.6. Gurmat Sangeet Darpan Part I & II (Prof. Kartar Singh): SGPC, Amritsar. 7. Gurbani Sangeet Pracheen Reet Ratnawali Part I & II (Bhai Avtar Singh Gurcharan Singh): Punjabi

University, Patiala.8. Gurbani Sangeet Part I & II (Giani Gian Singh Abtabad): SGPC, Amritsar.9. Guru Angad Dev Sangeet Darpan, (Prof. Kartar Singh): SGPC, Amritsar.

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - II (Sem -IV)

(2010-11, 2011-12, 2012-13)

PAPER-III-MUSIC INSTRUMENTAL (PRACTICAL ASPECT)Max. Marks: 100 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20 (i) Viva 60 marks(iii) Harmonium 10 marks(iv) Tabla 10 marks

INSTRUCTIONS FOR THE PAPER-SETTER(i) There should not be more than 10 students in a batch for practical examination.(ii) Separate practical paper should be set for each class from practical of prescribed syllabus

(a) One drut Gat with Alap, Jor, Torhas and Jhalla in each of the follwing ragas:Raags-Bhairav, Asawari, Poorvi, Vrindawani Sarang, Bageshwari,

(b) One-slow Gats with simple Alaps and Torhas in any of the prescribed raags.(c) One gat in Chautal with torhas in any of the prescribed ragas.(d) Ability to recite Deepchandi & Jattaal by hand in Ekgun and Dugun Layakaries.(e) Ability to play Tivra, Dhamaar & Tilwara Taals on Tabla.(f) Tuning of the instrument.(g) Use of two swaras in the form of Meend and Kan.(h) Ability to play Aroh, Avroh and Pakar on Harmonium of the prescribed ragas. BOOKS PRESCRIBED

1. Dr. Yash Pal Sharma: Gayan Kala, (Published by Puniabi University Patiala)2. H.C. Srivastava: Rag Parichay, I, II& III.3. Sangeet Karyalaya Hathras: Sangeet Vishard. 4. Dr. Anil Nirola: Folk Instruments of Punjab,

(Published by Puniabi University Patiala)5. Sangeet Karyala Hathras: Hamare Sangeet Ratan.6. Chander Kant Khosla: Sangeet Granth Te Bharti Sangeet Da Itihas.7. Veena Mankaran: Sangeet Sar, Part III.8. Prof. Tara Singh, Surjit Singh: Vadan Kala

(Published by Puniabi University Patiala)9. Dr. Gurnam Singh: Sangeet Nibandhavli,

(Published by Puniabi University Patiala)10. Sangeet Roop (Dr. Devinder Kaur): Sangeetanjali Publications, Patiala.11. Bhagwat Sharan Sharma: Taal Parkash(Sangeet Karyalaya Hathras).12 Girish Chander Srivastava: Taal Parichay.

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part -II Semester - IV (2010-11, 2011-2012, 2012-2013)

PAPER-A: - III-TABLA (THEORY) Max. Marks-100 Time: 3 HrsPass Marks-40% Practical - 40 Marks

Internal Assessment-20 Marks Theory - 40 Marks

Instruction for Paper Setter : The question paper will consist of five sections A, B,C,D and E. Section A, B, C, D will have two questions from the respective sections of the syllabus and will carry 6 marks each. Instruction for Candidates: Candidates are required to attempt one question each from section A, B, C, D and the entire section E is compulsory.

Section - A1. Definition and explain th following terms:-

Gat, Nagma, Peshkar and Chakradar Paran.2. Study of different Gharanas of Tabla Vadan.

Section - B1. Life Sketches of Pt. Shamta Prashad (Gudai Maharaj Ustad Habib-Ud-din.2. Comparision of Uttari and Dakshini Taal System.

Section - C1. Notation in the following material:

(i) Tivra: - Tukra, Chakradar Paran and Rela.(ii) Jhaptal: - One Quaida, One Peshkar, One Gat and One Rela.

2. Notation of Nagma of Taals mentioned in Section D.

Section - D1. Notation of Jhaptal, Deepchandi, Tivra and Jhumra Taals with their Dugun,

Tigun and Chaugun Layakaries.2. Recognition of Taals through some bols asked by paper setter.3. Principles of Tabla Solo.

Section - ESection E will consist of 8 short answer type questions which will cover the entire syllabus uniformly

and will carry 16 marks. Each short answer type questions will carry 2 marks.

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part -II Semester - IV (2010-11, 2011-2012, 2012-2013)

PAPER - B: - III - TABLA (PRACTICAL) Max. Marks-100 Time: 1 HrsPass Marks-40% Practical - 40 Marks

Internal Assessment-20 Marks Theory - 40 Marks1. Taal prescribed: Tivra, Jhaptal & Deep Chandi

(a) Proper Barhat of following Taals:

(i) Jhaptal (ii) Tivra

(b) Two Laggis in Keharva Taal.

(c) Jhaptal - One Qaida, One Peshkar, One gat, and Rela.

(d) Playing Thheka of Tivra Taals in Ekgun, Dugun & Chaugum Layakaries.

2. Knowledge of Shudh and Vikrit Swaras.

4. Practice of playing Nagma on Harmonium in prescribed Taals.

5. Tunning of Tabla.

BOOKS RECOMMENDED1. Tabla Vadan, Published by Pbi.Uni. : Jagmohan Sharma 2. Tabla Tarang : B S Nigam3. Taal Prakash : Sangeet Karyala Hathras4. Taal Prichiya - Part-I, II & III : G.C. Shrivastava5. Taal Prabhakar Prshontri : G. C. Shrivastava6. Taal Maartand : B S Sharma7. Bhartiya Talon ka Shastriya vivechan: Arun Kumar Sen8. Bhartiya Sangeet Vadyas : L M Mishra9. Taal Rattan : Sujit Singh

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PUNJAB HISTORY & CULTURE (1606-1849 A.D.)(Special Paper in Lieu of Punjabi)

Papert-V, Semester-IV

Time Allowed : 3 Hours Max. Marks : 80Internal Assessment : 20 Pass Marks : 40

NOTE : The paper Setter should keep in view the topics specified in each paper and not the title of the paper. Candidates are requested to attempt one question each from the section A, B, C & D and the entire Section E.

INSTRUCTIONS FOR THE PAPER-SETTERS

1. The Syllabus prescribed should be strictly adhered to.The paper-setters should keep in view the topics specified in each paper and not the title of the paper.

2. The question paper will consist of five sections: A,B,C,D & E. Sections A,B,C & D will have two questions each from the respective sections of the syllabus and will carry 12 marks each. Section E will consist of 8 short-answer type questions which will cover the entire syllabus and will carry 32 marks in all. There being no internal choice in this section, each short-answer type question will carry 4 marks. Candidates are required to attempt one question each from the Sections A, B, C, D and the entire Section E. The candidates are required to give answer of each short-type question in 50 words i.e. in 7-10 lines.

3. The wording of the questions should be simple and easily understandable by an average student. There should be no vagueness.

4. The number of questions based upon quotations should not exceed two in a question paper.

5. The general standard of the questions should cater to the different intellectual levels - average, above average and below average.

6. Each paper is of 80 marks and three hours duration and 20 marks are of internal assessment in each paper.

The Break-up of 20 marks for Internal Assessment (Theory Papers) is below :

1. Test : 10 Marks

2. Class Attendance : 05 Marks

3. Project Work/Assignment/Seminar/Field : 05 Marks

------------------------------------------------------------------------------------Total Marks : 20 Marks

------------------------------------------------------------------------------------

SECTION–A

1. Guru Har Gobind : Features of New Policy and its Impact.2. Guru Tegh Bahadur : Factors responsible for the martyrdom of Guru Tegh Bahadur.

SECTION–B

3. Guru Gobind Singh : Creation of Khalsa.4. Pre-Khalsa and Post Khalsa Battles of Guru Gobind Singh.

SECTION–C

5. Rise of Sikhs Misals.6. Ranjit Singh's conquest of Lahore and Amritsar.

SECTION–D

7. Central and Provincial Administration of Ranjit Singh.8. Fairs and Festivals of Punjab.

SECTION–EEight short-answer type questions will be set from the entire syllabus. The candidates

will attempt all these 8 questions. These questions will be based upon terms, concepts, institutions and historical sources within the purview of the syllabus. The answer to each of these questions will be of 50 words i.e. in 7-10 lines and will carry 4 marks each. Thus, the total marks of these questions will be 32.

ESSENTIAL BOOKS

1. Fauja Singh (ed.), History and Culture of the Punjab, Part-III, Patiala, 1987.

2. G.S. Chhabra, The Advanced History of the Punjab, Vol.I. & Vol.II.

3. Teja Singh & Ganda Singh, A Short History of the Sikhs, Vol.I & II, 1839-1988, Delhi,

1991.

4. J.S. Grewal, The New Cambridge History of India : The Sikhs of the Punjab, Hyderabad,

1990.

5. D.S. Dhillon, Sikhism : Origin and Development.

6. Harjinder Walia, Fairs and Festivals of Punjab.

7. Kartar Singh : Guru Gobind Singh.

Combined Syllabus For

BA -II   HONS SCHOOL IN GURMAT SANGEET SEM-IV

BA -II   HONS SCHOOL IN DANCE SEM-IV

PAPER -VI-(ENGLISH COMMUNICATION   SKILLS)   

Max. Marks: 60                                                  Time allowed: 3 hours

INSTRUCTIONS FOR THE PAPER SETTER (a) The paper setter shall set nine questions in all.

(b) The paper setter shall set two questions from each section A, B, C, & D. Carrying 10 marks for each question. (10+10+10+10=40)

(c) The paper setter shall set one compulsory question for Section E carrying 10 short type questions from entire syllabus which will carry 20 marks (10*2=20) 

THEORY PAPER

Section A

1. Popular Short Stories, Oxford University Press

Chapters 7 to 13

ii)              One Essay type question with internal choice on theme narrative incident or character

2. Five Short notes out of eight given

Section B

1. Television as medium of Communication 

2. Education Television 

Section C

3.  Radio as a medium of Communication.

4. Media and Society

Section D  

7. Idioms.8. Opposites

 BOOKS PRESCRIBED

1. Popular Short Stories, Oxford University Press

2. English in Situations by R.O. Neil 

3. The Art of Broadcasting by S.P. Jain

          4. Radio News writing by Carl Warren

5. What to Say When ED Viola Huggins.

6. Success with English Course Book I by Geoffrey Boughton

7. Success with English A First Reader by Alexander Baird.

8. The Students’ Companion by Wilfred D. Best 

INSTRUCTIONS FOR THE CANDIDATE

The candidate  shall attempt 5 questions  selecting at least 1 question from Section  (A, B, C,D of 10 marks each question).The fifth question carrying 10 short type questions from Section E shall be compulsory carrying 20 marks)

 PRACTICAL PAPER                                             MAX. MARKS 20

  Viva voice from the following (5+5+5+5=20)1. General Knowledge (5 marks)

2. News Reading (5 marks)

3. Current Affairs (5 marks)

4. Vocabulary (5 marks)