Rob Krier : A better Understanding

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    Rob Krier: Urban Space (1979)

    A Better Understanding

    BY

    CHANDRASEKHAR C MOHAN

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    RIZVAN MOHAMED

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    Introduction

    The author o the !r"a# S$a%e& Ro"ert Kr'er (a) "or# '#

    1938'# *u+e,"ur-. He ra#/) a) o#e o the ,o)t '#ue#t'aur"a# $a##er) a# ar%h'te%t) o $o)t ,oer#'),. A) 't ')a)o %ear '# h') "oo/ Urban Space&

    He ha) a(a3) ta/e# the h')tor'% re$erto're )er'ou)3. orh',& continuity and aesteticis!are (a3) o re5'5'#-(hat he re-ar) a) the art o ar%h'te%ture that o)t 't) (a3'# ,oer#'),.

    The a', o the "oo/ Urban Space') to )ear%h ho( the

    tra't'o#a u#er)ta#'#- o ur"a# )$a%e ha) "ee# o)t('th'# the ,oer# %'t'e). B3 e+$a'#'#- the ter,) o urbanspace and its structure& he ha) e+a,'#e (hether the%o#%e$t o ur"a# )$a%e reta'#) )o,e 5a''t3 '#%o#te,$orar3 to(# $a##'#- a# o# (hat -rou#).

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    "apter 1

    It a#a3e) the t3$oo-'%a a#,or$hoo-'%a ee,e#t) o the ur"a#)$a%e.

    The ter, 8urban space%a# "e)',$3 e)%r'"e a) e+ter#a )$a%e '#to(#.

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    "apter 1

    !r"a# )$a%e ha) "ee# )tru%ture '# )','ar a() to'#ter'or )$a%e a) (e.

    S#uarea# te street are the "a)'% ee,e#t) o theur"a# )$a%e. Evidently compared to a Corridoror a

    room.

    The o#3 '9ere#%e ') the ',e#)'o#) o (a) (h'%h"ou# the, a# "3 the $atter#) o u#%t'o# a#

    %'r%uat'o# (h'%h %hara%ter'e the,.

    I# "r'e e)%r'$t'o#)& ):uare ') $rou%e "3 the -rou$'#-o hou)e) arou# a# o$e# )$a%e a# the )treet ') a$rou%t o the )$rea o a )ette,e#t o#%e hou)e) ha5e

    "ee# "u't ao#- the a5a'a"e )$a%e.

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    S$UAR%S

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    S&R%%&

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    TY;O*O

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    MOD!*ATION O !RBANS;ACES

    The)e three )ha$e) are a9e%te "3,ouat'#- a%tor) (h'%h are

    anging*

    seg!entation*

    addition*

    !erging* o+erapping

    distortion,

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    0orpoogica Series o' UrbanSpace

    The author -'5e) 5ar'ou) e+a,$e)or a ,or$hoo-3 o ur"a# )$a%e('th'# th') %ha$ter& there "e'#- a#

    a,o)t '#e+hau)t'"e ra#-e o$o))'"e or,) e+')t) that are ,o)t3ro, our h')tor'% to(#.

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    %A0.2%S

    .iaa 4a+ona'# Ro,e ') a#e+a,$e or a -eo,etr'%a3 %o,$e+or,. It ') a %o,"'#at'o# o )e5era

    )$at'a or,) a# ,a#3 )treet) e#terthe ):uare.

    .ace 5aupine '# ;ar') ') a re-uar

    tr'a#-uar ):uare that ') e+tre,e3rare '# the h')tor3 o to(# $a##'#-.

    The)e are u)ua3 or,e "3 t(o

    roa) or/'#-.

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    ;IAZZA NAVONA

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    .2A"% 5AU.6I4%

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    "apter

    It e+a,'#e) the ero)'o# o ur"a#)$a%e '# the 20th%e#tur3.

    The ero)'o# o ur"a# )$a%e ') a#o#-o'#- $ro%e)) (h'%h ha) "ee# ('thu) or the a)t ?t3 3ear) '# the -u')eo te%h#oo-'%a $ro-re)). Th') era

    ha) )tarte ('th the '#5e#t'o# o #e(,''tar3 te%h#oo-3.

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    "apter

    The #ee o $rote%t'o# ha ',$o)ea #e( ')%'$'#e o# e5er3 to(#= 't)%o#)tru%t'o#& re"u''#- a#

    e+$a#)'o#. Ho(e5er& the %oo))a$re))ure or e+$a#)'o# o %'t'e) e$a##er) o5er ra$' e%')'o# ,a/'#-

    o# to(# $a##'#- (h'%h ha) re)ute('th u#)tru%ture e5eo$,e#t).

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    "apter

    Ar%h'te%ture (a) a o( $r'or't3.u#%t'o#a& %o#)tru%t'o#a a# %a$'ta%o#%er#) (ere "e'#- the ,o)t

    ',$orta#t '))ue) o the a3.

    A't'o#a3& the '#ue#%e o'#u)tr'a "u''#- o# the ur"a#

    $a##'#- ') a#other %ata)tro$he. Itea) to #u,erou) ,')%o#%e'5ee5eo$,e#t) (h'%h %au)e the

    ',$o5er')h,e#t o $re)e#t@a3

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    "apter

    Kr'er ?#a'e th') %ha$ter "3)ho('#- h') 'u)trat'o#) to )u$$orth') the)') that ,oer# to(# $a##'#-

    o,'#ate) o5er the %o#%e$t o ur"a#)$a%e (h'%h ha) ar-e3 ae# '#to')u)e.

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    "apter 3

    The a', o Cha$ter ') tou#er)ta# the author>) 5'e($o'#tor rede+eoping a city,

    Kr'er ha) )u--e)te $o))'"ea$$roa%he) to re%o#)tru%t'o# or5ar'ou) $art) o Stutt-art.

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    "apter 3

    !)'#- ree5eo$,e#t to (e to-ether )ea,e))3 the')oate area) at tho)e %r't'%a $o'#t)& (ho)e )'-#'?%a#%eor the $ee)tr'a#>) )$at'a a(are#e)) (a) eroe ur'#-the $o)t (ar 3ear) "e%au)e o %o)t3 %'5' e#-'#eer'#-$ro-ra,,e).

    ;art'%uar atte#t'o# ') $a' '# the)e )tu'e) to re)tor'#- the%o#t'#u't3 o )$at'a e+$er'e#%e ('th'# a# ur"a# %o#te+t.

    A't'o#a3& he e)'-#e )treet) a# ):uare) or$ee)tr'a#)& har,o#')e a) %o)e3 a) $o))'"e ('th thee+')t'#- )tru%ture a# )ho('#- the ut,o)t %o#)'erat'o#or the e-a%3 o the $a)t.

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    "oncusion

    The "oo/ ') 5er3 u)eu to u#er)ta# the to(#$a##'#- a%h'e5e,e#t) o the $re)e#t a# the $a)t. It ')a)o a (e@)tru%ture "oo/ (h'%h -'5e) a# h')tor'%a)u,,ar3 o to(# $a##'#- a# ho( 't ha) "ee# a

    ,')era"e a'ure '# the %o#te,$orar3 to(# $a##'#-.

    The ru)h o re"u''#- a# the $r'or't3 (h'%h ') -'5e# tothe tra% a# to the other te%h#oo-'e) rather tha# the$eo$e>) #ee re)ute ('th )%attere "u''#-) ('th #o

    $ro$er )$at'a $a##'#-. Th') ha) $ro5e the the)') oauthor that the tra't'o#a %o#%e$t o ur"a# )$a%e a#'t) )tru%ture ha) "ee# o)t ('th'# ,oer# %'t'e).

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    THANK YO!