ROA

Piano ConductorCompany

Cue: VOICEOVER: "Thank you, and enjoy having your face ryIgg "

Heavy Rock 4 1J =13a1

(Add light A5 dist. Powerchord to botlom A here)

e

-3-

#l0oize/ Po lodire/Good Ti me

Orchestration : Ethan Popp

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,EarsG/A

t-E-e

D/A

aA

{>

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DiA>>>

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G/A(+Bs) >

(+Bs)

#1. " N oizdParadi se/Good Ti me"

(ar,\

And that's

harm, - -

Vamp - out any bar(+Gtrz)

Rock-in' stead-y in her dad-dy's car,- She got the ste-re-o- with the big

ndtrctor

so1 ne$ o * *,,1t { l"&i:f; +^ J'*.r.ij,$,1;3,ff:'p)r:\tuild*,, wild!

MEN: (off-stage)

(Gtrs - slide/scnpe fx)

, (dbl=l

-{w&\'5 rr{31'( LoNNYi "We're going back to aSj$#tlmet THE REAGAN ERA!"(A sat+y GIRL Passes.ffiL+tE.)

.utP{f.Hi B?"r}F J mrueru o$Jo,,r..^{, a qr r I dr,,t cs bl

"1 a

,,r corvv n, lt-hr rYV a7ntr Y,*n

r r qr

D FGtr2/Bs eighths)

;--5

Yeah!

--

f($ti'/ift[,tt'etet:

6Jsgr'40r'Mrf:rig ht!

-

right!-

#1. " N oize/ Paradise/G ood Time"

46ffi

Gon-na go for broke to-night'

JUSTICE:49

I oot the itch and the rest-less soul. She's gone with the wind, -

Piano Conductor

51 ,--\

yeah!-

t?u.rP g ' Girl' we've been meant for this-

And that's all right!-p50rnUlt.

--

right!-

-

,=F\

rig ht!

-

we were Dorn,-

#1. " N oizd Paradi se/Good Ti me"

LONNYT

That's it, that's it!

we were born!-

we were born!-

AlltIft-b tnr,

{r,eilE+f@t,{ifleE)-

mf 7t^7(+Gtr2/Bs eighths)

Piano Cotrdttclbr -A- | , .4 | f L 'LON-N\,JU)riLi '

-DENlllS+ol

#1. "NoizelParadise/Good Time"

It's just tne cJtm be fore the storm!-pro-blems no r, The coast- is clear,

JUSTIEEGINA-LLO+{+lYr'f{5|}fErFn NZ (at pitch):

just

(Rrrturca rc ? part)bc

fp

just

just

This mustALL' lllorlEN:

liv - in'

liv - in'

liv - in'

in

in

par - a-disel-

par - a-disel-

par - a-dise!-

\f (+Gtr2/Bs eighths)

ef o,o

Piano Conductor #1. " N oize/ Paradi se/Good Time "

wan - na

wan - na go home.-

wan - na

fllt-lJt+FlcErRSe$rAl@tpitch)t

66 LONNY; )r'l':f ' r- 2 "

par - a-dise.-

don'tAnd

And

/.,roN, ^(!'n'"w.m lYn

;--?i\\

And I ain't nev - er go - in' home!- 4 ;t', This

This

Stack piano with D-50 layered' With attack'

(+Gtr2)

just like liv - in' in

just like liv - in' in

liv - in' in

\-/ vpar - a-dise.-

par - a-dise.-

#1. " N oizd Paradi se/Good Time "

wan - na hnmol

wan - na

wan - na go --: home!-

just

Piano

@Cond.tctor

'Nothing ButA Good Time" .

Sfighdy slower P =1301 (Diatogue)

#1. "Noize/Paradise/Good Time"

LONNY: "That's right, my babies. )Velcome to the Sunset Strip! The time? You got it.Mid to late eighties... roughly. 79 B0

tu" rt

lF|cl(Dst ff {iM wn{,n not lqr-geflb^ t,!ho \l a(Vu/tttg 9ntl!Sfa99 tDltqhf \^ae .?'"'LONNy: ,;When LA was a beacon of rock n' ro| excessl A majestic ACID WASHEPICENTER! Man, back in the day if you had adrearn^a*fthcdidt, and a decent amount of hair, there was nowhere else to be."

Light analog bassw/ palm-mute single

distffiLONNy: "Like this little ,,rock wannabe!" Course let's be honest. For every trillion that roll into town, only like four ever really make it'"

trT; DGteJl 87 B&

Piano Conductor -10_

tVKtW tooK5 At91

Lor+Nl)

"-*^

/tntn 4#tilDREW:

#1 . " N o izdPa radise/Good Ti me"

NOWLONNY: "Oh... But you will, dude. I know it."(Lonny ffice makes a "No he won't"FACE to the AUDIENCE.)

>

Not a dime, I can't, a, PaY my-

ten!

I can barely make it through- Sat-

'T"'---f"--'f \

\\\\\,

\

Piano Conduc1]or

ur-day night l'd like to make a- girl.- But, right now- | got-ta make endsneet,- l'm al-wayst n3rllbb"$tollffi

--

#1. " N oizd Paradi se/Good Ti me"

DREW/LONNY:

I'm al-waysMEN:

I'm al-ways

aael)\-/l \-/lY

ta get a-way

ta get a --fiay from

ta get a way

e- *-l'--l)\'f\(Bs)

work -Play

ev-er-y oay,-

ev-er-y day,- Got

{>

A t-t-:

107

Piano Conductor -12- #1. " N oize/ Paradi se/Good Time"

l,*I need a chance- just to

LoNNYy )oS11ct '

lf you could

'

/-\

old, same old.

old,- same old.

sallle old-.-\

1(

r-

-

DREIVI{ilt$ft

say: At t'. Don't- need noth -rl{fttEl{:

Don't need

Don't need noth -

what #-ht'd

noth -

Piano ConducTor

in'- but a good- iima

#1 . " N oizd Paradise/ Good Ti me"

oHElwTLtit{f

How can I re - sist?- look-in' for noth -

Ain't look- in' for noth -

Ain't look-in' for noth -

bet-ter than this.-

bet-tei. than this,-

Abut a good- time.

114

*..

in'- but a good-

fi[flm

117

dnnrt nalY'.*

And it don't- getbut a good-

in'- but a good- time And it don't- get bet-ter than this.-

time

:\in'--S

I?n

1+Bs)

I?A

#1 . " N o izd Paradise/Good Ti me"

AtL' Don't need noth -lreffil|t

Don'tneed noth -

Piano

@ 4:::::G--> t+Ya> \

a good- time.*-.

in'- but a good- time.-

lRa

a good- time And it don't- bet-ter than this.-

vbetter than this.

-

better than this.-

#1. " Noize/Paradise/Good Time"

htt'



_-

Don't need noth -

Don't need noth -

Don't need noth -

--

nalvvrin'- time- And it don't-but a good-

in'- but a good- time- And it don't-

tlA

Piano[;I rco I#1. " N oizelParadi se/Good Ti me"


Ain't look - in' for noth -

bet - ter than, Don't-&

but a good- time

but a good-

ftt.

in'-

in'- but a good- time.-

but a good-

r0u

ffiilm

in'- but a good- And it don't-,*

time- get

get

bet-ter than, flnn'l

in'- but a good- time- And it don't- bet - ter than, Don't-

_o.c

/:It

bet - ter than, Don't-

bet - ter than, Don't-,*

bet - ter than, - Don't-

#1. " N oizel Paradi se/Good Time"

LONNY: "Wait a minute!"

bet - ter than,..

bet - ter than...

Piano GonductorFatherMotherShenieDrew

(LIGHTS UP on SHERRIE.) @and - tacet to m26)(Drs - Mark Tree) HeavyBalladP=901

' 7* ,irtel GhdrtionEnsemblecue'i '"f'if,.iNy: wwn Yuuf'. pufin{ bA a mu 5tr4l l,r-,r-rcm*-. enresJeve,'-' ' gdh tohruil;a';iJJ; :'J't o^

#2

(LONNv)"rhree thousand, three hundred and thirty seven Waffle Housesaway in the little town of Paola, Kansas.

SHERRIE: This is so unexpected... First I'd like to thank mydirector, my captain, Mr. Spielberg... I salute you!

SHERRIE: "And of course to my co-stars Corey and Corey,I love you both,"

pmajT .G

pmaiT Gf fr-f - t

SHERRIE: "We did itl" SHERRIE: "And yes, last but certainly not least,I have to thank my parents who were always so... so,',." (LIGHTS UP on FATHER)

slight rit...

l-; A tempofAttt-en

#r.rgd:

Sis - ter Chris-tian, oh, ..the has come, and you know that you're the ly one- t6ay

fctE

*i?/"1

Dmf' v"fpG

Piano Conductol

1?:

SHERRIE: "Why don't you two believe in me?"FATHER: "And what will the big star do for money?|"

SHERRIE: "l'll get a.iob until I make it big."MOTHER: "Sherrie, this is your home!"SHERRIE: "l gotta go."

#2. "Sister Christian"SHERRIE:"Mom, I have to."

It's true.--

FATHER: "Sherrie, you get back in thathouse or you don't bother coming back!"MOTHER: "Harold?1"SHERRIE: "Finel"MOTHER: "Sherrie!"

(Dialogue)

(+Bs/Drs)

27>

ffitilm

r u.n dio*\?( -2-'"

^(( ]"

^io"'"

"O - kay. Where you what you lobk-ing lnr')

SHERRIE: "l'll be fine.29 lt's my dream!"

,G

You know those boys don't wan-na play n0 more with you,.-

rF

FIC GICFIC G/C> cresc. poco a pococ

Piano Conductor

your pnce {nr flinhfrrryr r(-

flight-

#2. "Sister Christian"

SHERRIE:

l;J Mffi/E!rffi

Mo-tor-ing,

What's.'T-Ibt

flight-foryour pnce

your pnce

mis - ter right--

ting- mis - ter right?-

fcu

Piano Conduclor #2, "Sister Christian"

36

>-;

be al to-night.:--

ba

right(+Gtr2)

(Gtrs/Drs - tacet)Warm Grand Pnow/ Lite 40 41

SHERRIE: "Well you seem like a nice -Ow! Hey! Stop!!"

42

(+Bs - gva)

DREW: "HEY!!! (to SHERRIE) You okay?"SHERRIE: I was just mugged. DREW: "Come on, let's

get you some ice' Sorry about your purse'"SHERRIE: "lt's okay, I didn't really have anything in there'"

arT

a-+1'eT'-J'J t - frr v7mai7 G

+.1 +-.rnhTT-Jl

't

tll

-+-az-rt. T'-?| '/ |pmajT GL

F'ctE

(Gtr 1 - light, romantic fills) 47

Am7 c/AAm7rc c/cl^l\ |J+l+

Am7 G/AI+l+

Piano Conductu

DREW: (tongue-tied) That's really smart.SHERRIE: (extends hand) I'm Sherrie.DREW: (shakes) Wolfgang Von Colt.

#

SHERRIE: "I'm sorry?"DREW: kmbaruassed) Or Drew

#2. "9ister Christian"

SHERRIE: "My travel book says to always hide your valuables someplace safe, so I tu^cked all my mone) inside my ttffilrh, a'rc61n'/O\\i'' d\d ?anrs .

SHERRIE: "Actually, I think l'm here for good."(+Sus Cym roil)

TO)-l (Bs)DREW: "Well, Welcome to LAlll"Ora* $L'g**fIE :jJ']sra#" DREW: "Yeah?" SHERRIE:

It's true- yeah !

-

FIC G/C;t-c

" 1*Gt, z/8"/Dr"1

Piano

tr#2. "Sister Christian"

I \^\C, mo - tor - ing,ur #offiElt_

mo - tor-ing,

Mo-tor-ing,

What's your price

pnce for flight?-

{nr {linhf?rrrvr rr I

-

flight?-

>\-/ >(+Gtrs/Bs/Dr9

f;{

oc+

got her- in Your sights.-

her- in your sights.-

And driv - ing- through the night.-

And driv - ing through the

ninhl

g0t

.--le

q3 l^6;n5

Piano ConductorSHERRIQ Ohml'god!Are you kidding?J'd love a job!

,oe

Sis-ter Chris-tian, oh, the time

#2. "Sister"Just until you make it big. of course."

ss fdt+t{EF(efiercgp}t

B"--: :-: ---.-

And you know that you'rbe to say..,

SHERRIE: "No shit?!"DREW; (amazed) "l saY "no shit!"

(Drs - tacet to m95)(Gtrs/Bs - tacet to m97)

ffiilfillh

(+BgGtr 2)C/tN "^r /

t" rrf' sHERFTE:@ 3HEfiilil,o.ivesrurPeeslSlrrrtea Vnu want ene!" -"-y

3

(+Sus Cym roil)

,*t/.*et./\-/l7lAt'*,*[

0 kay,- Wa.-

But a

| ?-ln/trI+ trm

Piano ConductorHertz

7:"t"::'i;;;; 'tAl;ri"Iz ,--, llfe BuiEnsemble[+Pre-record]

REGINA: "Mayor, this is OUR city... OUR history!And as for'rock?"'

r^.lfirdLLuri6*retprcreccrOl:/ A

n1,ff\bg we built this-uEll

built this cit - yl

trt hnrtvttnl

rnllland-We built this

We built this

It Thir Oity/Too fllueh TimeQrchestration : Ethan Popp

MAYOR: "What tl^c 1r" was that?"Rock 4 | = MaIREGINA: "The cry of your Strip' sir!"Bac

REGINA: "Mayor, we don't realfy know a'qtrffigabout these people, or even *h"t t@!!qbuilc!"

C.*

^^l , il|

#t

Piano Conductor #3.'We Built This City/Too Much Time"*.t*

L1_t

Say- you don't- know me-

t^vbr**---"---*----"'

you don't care wno goes-

(+GU1)

the hoop la, -

Or rec og-nize- mein face!

1e 7s1- kind of place.

ing in your-

Brite Poly Synth

-A

I \LDA*T1xuo

deen in(+Gtrl)

EbtF 7tr

PianoCood,tctvY"'

ma(+ct t&2) a - ways

REGINA:1g "Who's Marconi?!"

We

LOt Ing up ze night!

ten to the ra

REGINA:. 19

o'

ni plays the mam

\-t t..,mem - ber?-

|nna ch'rf Ben

Don't- you re -

crt-y 0nL5*- - -

MAYOR: "Clean, efficient living?"(Sw,+rh trr DvPr(is eoo"')

ir|tssltr@E

(Gtr 1 - Solo)

Hatf-time,iffi: "ExactlY!"

zo

( 1

Piano Condtffit

-I\\LDR;frEtZz REGINA: "No!"

80

Hr u9ftMAYOR IffiTZIFRANZ:r, REGINA:dJ *f, you're fired."\m,

-8- llil.'We Built This CitylToo Much Time"

n'{#rgj, tris cit-Y!

Rid thisMEN:

cit-y!

rid this cit-y of rock and-

Rid this cit- y of rocK snf,- roll!

,,_.

rottt ffir- this- cit-y!

Rid this cit-y of

HtuuAMAYOR IIIE]KFZI

F Gm7 FIA

-rltvt6L\Zr#"'rl

Piano Conduclor -11- #3.'We Built This CitylToo Much Time"

nrc;+inrs-glad?od#ing.'( OfxxlS)'One night only. Right before a solo album . . . "

T}dNilfh!{tillding

now what I always used to say about you."

-, STACEE:, "What?" Well, you're a

- ?,-- A

C5 O5 p5 65

Piano Conductorr l#t. 'We Built This City/Too Much Time"STACEE: . -\. . ^"tt's true." (STACEE:

I

.,-.v- I \

jet tuel-ge - nius.

(Gtrl - PM eighths)

do-zens of friends-

solve the world's pro - blems-With - out e-ven tryLead SynthPoss like Yamaha

fun ne - ver ends, That is, as long as l'm buy - in'!-

I nnlI yvr

D/ffi

(+Bs - gvb)

DENNIS: "l'd vote for You, Stace!"

Piano Condtrctu

STACEE:

ls(+Gtr 1&2)

rran?-, p\r\dA1fY\ A.1or,DREW LONNY/DENNIS. STACEE:

ls it an-y w0n-^

ls it an-y

der I'm null and void?

130

.ffi>

113!. 'We Built This City/Too Much Time"

DENNIS: "l don't even knowwhatlhat means."tJlI'

it an-y

134 x}\;e ftfl!,Ot'bi,

..-. DENNIS:

der l've- got ilme- 0n my hands?- And it's-r-

, ls it an-y won dar l'rro nnt too- much (clap, clap) time- on mY hands?-

der l've- got too- much (clap, clap) time- on my hands?-

-l

I Hand Claps I 2

??tl

Power ChordAm

Piano Conductor 113. 'We Built This CitylToo Much Time"

a - wav_ from me!--fLAd svnthl

I don't know what to

Too much time- on mY hands!-

Too much time- on mY hands!-

LONNY DREW/ .^_

DENNIS: ----g

way,-

lrn^l'1tvolNrderuus:

139

Too much time- on mYMEN:

Too much time- on mY(Drs - Disco!)

hands!-

hands!

-*

142

Piano Cotr&tctor

Too much time- on my

(Gtrs 1&2 - cont. sim.)

Too much time_ on myfitttfi

Too much timev- on mY

rae r\

MAYOR /h r',-Dft .lreRtzt

FRANZ:

do-

Too much time_ on my hands!-

It3. 'We Built This CitylToo lluch Time"

145

hands!-

hands!

rock and roll!

Too much time- on my hands!-

Too much time- on my hands! ---.diF

Too much time- on mY

Too much timel on my

Pianocuduffh..lf5tE:'Shall lcall ze bulldozers?* ?DENNIS:.ffi MAYOR/STACEE:thetleb'{faia js1 a

#3.'We BuiftTlis Gil/IoH ffi'

tvifi\r,)R xnd tli 'Dfr -Sna:ir "4rr J'153

'l'll do itE150 "' (rntOn cueToo much time-

(+Gt 1&2)

1+8s)i+Drs - quafters triplet fill)

PIANO'CONDUCTORDrewEnsemble

Cue: SHERRIE: "Say itWolfgang!"

#1I Ufonne Rock

Orchestration: Ethan Popp

Hard Rock [J = 108]DREW:

I wan-na rockl

65 P5 Abs

Rockl

>.r'

rJf,n- |

Rock!

>.t

riJE

cl o5 absGC"' FC

rock!-

Rockl

,4. -IWewI&-[c.W

you: I wan-na rddThere's onJy one thing I canlike the way- | play-

t

Qre\N'co'\l'

SHERRIE: "OKAY I GET lT!!"

Piano GonductorReginaEnsemble Male SoloEnsemble Female SoloProtesters

6llfe'le llot Gonno Toke lt

gon - na take- it! We ain't gon - na take- itl

#J

(Drs. Cue)

REGINA: "Power to the Proletariate!!"

, Rocf eS - Loti of padding Ii and some fills over chanqes I

Piano Cot &rc'tor

Dist. Power Chord ChugsWsustained in

We've got

?rorcS{cr *t'

(Bs cont. sim+)

IrEEHtc PROTESTER #l:

Just- don't pick

#5. *We're Not Gonna Take tf

we'll lose- it.-

-

i-24

ny-'cause

right\-/

to choose- and

rk^+ h^lU IdI Utr:-

"'"" "?fffina, oro\tsYttG r,1-tn#5. 'We're irot Goill, Tdre If

REGINA: "EverybodY!!!'z6

you don't know us,- you're don't-

We're not gon - na take- it!FEMALE PROTESTORS:

We're not gon - na take- it!MALE PROTESTORS:

We're not gon - na take- it!(Drs. +Ride heil)

We ain't gon - na l3t1s- it!

We ain't gon - na take- it!

We ain't gon - na take- it!

(+Bs 8vb)

#5, 'We're Not Gonna Take tf'REGINA:'Hunger strike starts tomonow!!.-.'

36

na take- it-

na take- it-

a - ny-more!-

a - ny-more!-

a - ny-more!-

REGf NA: (cont) "Until then 700 more choruses to gol!! LET'S DO lT!" (go on)

Piatn

ECotrd,ttu

FEIIALE PROTESTORS:

Wete not gon - na take-MALE PROTESTORS:

you try and- make us!

_lv

We ain't gon-na lake- it!

We ain't gon-na take- it!

You're all worth-less- and

a:..-\

o..

We're

(Gtrl Solo)

We're

n0l-lv

gon - na take- it!

not gon l^1,^tdtrtr--

not gon na taKe-

(Bscont'sim+) .t Ir ,^ , eh'(

nd '*t \tn '.0I"U|/*PN'L1!-l on L1'Dou \

-

rt-

lcvd a,

JT es p5

P5 FrA(+ct l&uaq cv-65 95

le Nob Clean lluted MOR

tffi::i:iiii::itiili

O ?:J"norc Thon.../To Be tlfithoo./Heoven 4#6

Orchestration : Ethan PoPP

SHERRIE: (intoPhone)'.. 'S.rl"*fy, it's amazing herel I can't wait tiliyou - (suddenly; timid) Oh, hi dad " No l "Dad. I didn't call for money. Actually, mom called and" ' Don't say that" '

Piano GonductorShenieWaitress #1

iiiit

' tri\v S 1,','{4, r''lr';''if .^,.Cue:DENNIS:'@

(As DREW dramaticallY thinks'..)

(Dialogue)Tempo di Heaven 1J = 691

Gtr2-6StrAccoustic)

SHERRIE: "Dad, I just wanted to say l-"tiioiigo"" i"ia. sueaar hangs up, starting to crv')

eA

the words--- want-r\:Say - ing love- 11ou" not

u(Gtr llDrs. - tacet until m36)

More Than Words [J = 9a]

a \-/G G/B 92

#6. "ltlore Than.../To Be With..JHavqt 1'

.jto- hear-

to *;

y_

if_ you- 0n ly- knew- How-

More than words

Then you would -

eas

\-/ .-7 - _-_-__,

it would be- to- show- me how- you feel

all ,you have- to- do- to make- it- real.-

G/B

D/Fil ozlr{ rfr

Pianoco{'r',E''r -3- tl6.'Hore Than.../To Be Wth..JHeavqt 1"

\N A ffKtSStS'.-lrcME+t+fr-*e9el

np

WAITRESS #1: You okay, girl?SHERRIE: (wiping face) Yeah, I'm fine,WAITRESS #l: You don't look fine. SHERRIE: "lt's just my... Whatever, right?

33 --34 35 l'll be fine."

-

Show me what- [s'5- done- to you.

: (off-stage)

To Be With You ! = 881WAITRESS #1:

Hold on,- lit - tle(+ Gtr 1 - 12 Str Acoustic)(+ Drum groove)

girl.

-

92cfEMG

bro - ken

#6. "tore Than.../To Be Wth-JHavqt 4"WAn-At )'Es

SHEBE:

can't- be- that WhenStand up- lit - tle girl.-(sim.)

.- r trrvt to'r ev1'>OvvrLrf CtU S,^5,n Jv-.r,:o^)( ) t r''' ?\\1t"\ {ArAffffEgr#{r-

will twist- theit's through. -

Fate both- of you. -

'tl-J

EMG

DENNIS: "Drew, you gotta be honest with your audience...

Tempo di Heaven [J = 69]Real. Until you can share something that let's us in,let's us know what you care about

-"

Piano

@#6.'Hore Than.../To Be Widr..JHavqr 1"

love he way- you move And the spar-kle in- your eyes. There's a col or deeo- in-side- them Like a

DUNN\s"{hoirS Dc|\rrr'more rhythmically cresc.

poco a poco

blue sub-ur-ban sky.- | don't need to be the king of the world- As long as I'm the he'ro of-this(Bring out)

D

Play

ln"

(+Gtr 1&2)

ff Em DlFl

Plg,rto

tr(< nu'tt't

59

c r15tn rllL"'-r- N L pAnS

Heav - en is - n't too larEN,-f

Heav - en is - n't too far a way.

-

No mat-ter what your friends- saY

116. 'More Than.../To Be W1th..JHsvqt 1'

Clos - er to it ev - er - y day.

Clos - er to it ev - er - y day.

Clos - er to it ev - er - Y day.

6gPoco accel'

L_l | |know we're gon-na find a waY!--

Hearr - en is - n't too iar a - way.IX"'nr

> (Drs' Huge Fiil!)

btc'.

one wno wanls

f(Sfill Syn. Strs)

M.O.R. Gibson AcousticStrum Samples... see Ethan

be with- You.-

ffi. 'Hore Than.../To Be tffith..JHeaven 1"

Deep-

Deep in - side I hope

(Gtr2-cont,sim.)

the one

f -

(Gtr2-rhvthnic) a2.'Ef\ (+Bs)

PianoCoo&rtt tfi. 'Hore Than.../To Be tfifrtt..tHeavqt 1"

you feel---1 it too. Waiting on a line- of greensSHERRIE:

Dtues, .--

Wait - ing on

Wait-ing 0na

Wait-ing

line- of

0na linea of

and- blues. ----

it too.-

trA2- (Gtr 2 cont. sim.)

(+8s)

PianoC.o'td,rdv

be-

(Bsusl)

vore T than- wolds!-

116. 'Hore Than.../To Be With..JHeaven 1"

Heav - en! Whoa - oo-oh oh!.--\ >^

Whoa - oo-oh ohl

I you!be-bewith

next

nexl

be-

, , (a \Nq hru'vr\$uu '-r{t. S- o"r*,

---=-a

B poco rit. Bsus

WOMEN (+ JUSTICE):

-

MEN (+ LONNY): .1-)

Heav-en! Whoa-oo-oh ,ioh

Piano Corr*.rcfor t+6. "Hore Than.../To BeWith...lHevqt 4"

Then you would- to say- That yo.(breathy)

Did - n't'mp (breathy)

Did - n't

tove-_

$ min)e,

-g- FBertorcym)lf-

t-Itr

How I love the way- You move...-

'Cause l'd- al - read

>

D

6 P -=:=:-

*f '-GA (On cue)

(89;\i

o ?i!ffi*," Ufoiting ?ot 0 Gid likeYouW"Conductoril

Cue: LONNY: 'So let's set a nice mood, shall we?*"Moderate 80's PoP Ballad | = 1021

Safety (Out on any 2-bar Phrase)i Dark Wurli I| (both hands) |

tr qifut,rbf,pr( Su\ol-^

DREwi i po r24-*

So- long,-(Gtrl - cont. sim +)

I've been look-ing too hard,- I've been wait - ing- too long.,.-\fffpz6\Y@lfr

know what- l onlv know- it's a mat - ter of time,- when you

#cR

Orchestration: Ethan Popp . ,i .) \ f

^ ,. ,, -_,

.J' -,{ ) v"

.,."\'- 11 ('''' s

)ea) 8,-.Umf-Am

JAr\G/A

,s a:a J, roAM GiAL-

AM G/A

\.-/Am

-

tore *r*I-(Gt 2)

(Bs - cont. sim+)

#6A., wa iti n s r,, ?ZWt ? | i;z r.rtg:,S++EnPrE*u (pSS a^tffi'50i,'1

\J

some-one.

-

I need to know- if you feel- it too.-

:-rilg2

-

Em7Em7 92

PianoCon&rcfr -

(f r ro6lt 'JJ:-il\bLLt21

tl6A. "Waitino For A Girl Like You" - - ,( trtttut Lt-t 5'i;rt Ur-f 'DREfr nEffi6:

Won't you tell- me if l'm- com-ing on- too- strong?- This

-

a

l frn r--SlntrtrB-be I'm *tonn'.7t$>-n NJ !lffiltfiq3tz (Breathy w/ no vib.)

(Breathy wl no vib.)

Nhtft:srrrtl\i',Dffi'N

-----

-_-- t

--

-\-_-art_ of mine_ has been hurt_ be - tore,_ this time I wan-na be sure.- l've been wait-

-

nilil:\

Pbr'o

trCffi

(BtE/lrryf,r'e

(0/S): Oott'wl,

girl like you-

-4-

31

come in - to- my life.-

t 5A.'Waiting For A GirI Like You"

l've been wai!? i'o brawor;16$,tt^rb.t'

(+Gtrl - whole notes)

@qflff ll(( f (f I f frr_

(breathy...)

Wait-ing for(breathy...)

Wait-ing for a

rr$?t'Xe rtSfiEFIHIE

l've been wait-

girl.

Dm c/DDm $o

3 Dm-

(Bs - cont. sim +)

Us0me-one new- -make me feel- a-live.-

*on. ,waitnffi (ru,{i!4;{f[i, .

Yeah, wait-

l\rc been wait-ing,(brsthy...)

Dm 3 o' 3o'Bb 3[maj7Q^.nm Du'

Pbt'p Cq/tffir #6A. "Waiting For A Girl Like You"

m_..r^ol#vtOtt

l'rre been wai-ting for a boY-

for a girl like you- come in to- my

come in to- my life.-like you- to(breathy...)

Wait-ing

->

6D

-

Dm

(+BsJ

AM G/AAM G/A

Still Wurli, but addvocal

SHERRIE: "l still can't believe you'rer opening for Arsenal. That is so cool!"

DREW: "Yeah, I owe it all to You."SHERRIE: "No.You owe it to "Wolfgang Van Colt""'

3Z

A^ (*n* -comp) G/A

PirlpCffi tt6A. "Waiting For A Girl Like You"

SHERRIE:

l've been

\-/for a boy like You- to come in to- my lifelng

woMEN (O/S):

MEN (O/S):

Ooh,(+Gtrl - whole notes)

(+8s - as before)

_

_

Bb

\-/Dm

Piano Cotfri(frt100

ing-(breatry-..)

l'rre been wait-ing,-(brcathy...)

I've been wait-ing,-

==-

for somsone- new...- To make You feel-

(+Bs)

(+Gtr2)B,o----:----

e

BbcotDM D-

AmFGtrl)'---,

[Quick segue: #68 "DOA - Intro"]

Piano ConductorStacee JaxxSheni #l

O Ensemue /l\9 Deod Ol fllive

I(oN5,ffNrt'Wti\, 1tl'A 6{ovr{ hs"t +" t[ [a,r- [c.3/10]'>-

Cue: I

Dead or Alive-ish [J = 87]

the same,


;-\

the nameshave changed.-.-on-ryall(Gtr 2)

,rrf(+Drs - HH back beats)

(Tacet to ml5)

seems we re

WAITRESS #l: (screams)''AHHHHHHHHH!''

way.-

Gtn +aist.) Ir-:

pp{nfGFD92G\

Piano Cotriltctor

where the fa - ces are- so

just to get back- home,

#7. "Deacl Or Alive" [c. 3/10]

ffi

- oh - er place,

;:\\

night-.-

1-l

I'm a

h-7,

lon

o 10t 11

:ed,a)d

all

cow - ooy, on a steel horse I ride. )P-d'==++T-;ee'zaJ

AA

l+C' e + 7=4 - =:

q l' i4.-.--t LlA' f-f>'

Piano

@

.:;ill'iiii!l:::ri!

,i;1:i

He's acow-boy!

(Rock Pno)

steel horse I

horse he rides!

wan - ted,

#7. "Dead Or Alive" [c. 3/10]

Wan - ted,

Ona

Steelloco

qr+I

(Bs)

avl)vl q]}I77l)\--ll

dead or a-live.

Wan - ted,- dead or a-live.

7Vv"l

deador a-live.kntt'rl0U ' ) ,

deador a-live.

t-deador a-live. Wan dead or a-live,

1qr -aa- 7-a-

FI Still Hi Syn Strings I

95 p5p5D59595p5 9

7777777 ?ttltttH-

-

Piano

tr#7. "Dead Or Alive" [c. 3/10]

'Cause he-

walk these streets,

not make it

might not make it back,

not make it back.

a load-ed six string on- my back. I play for keeps,+ ,--G\\

Ah_

1-_p ? ? - =

n-J_J-i hLl'

OrrfT l've been ev-'ry-where,.- still l'm stand-ing- tall,--

/--.''-'ffi--

Whoa - oo- oh!-

7 7-- 77-Uulp:lif ? '' L|! F-+-+--''i

D DSUS D(+Gtr1)

D DSUS D

7,-? 77 t tr/--il

Piano Cotrdndo' OrAlive" [c.3/10]

sen a mil - lion fa - ces,

(Gtr2-cont.sim.)

and I've rocked them all.-

I got the night on- my side

on his side.

?'\\_/ |

P1'',( rn\:\c,"

a cow - boyl

*aw')Oh, I'm a

cG-

7Vi/ul

#7. "Dead Qr Alive" [c. 3/10]

dead or a-live.-

drive,

-

He still drives!-

He still drives!

46.z

Piarrc Con*tcbr #7. "Dead OrAlive" [c.3/10]

.--'}>

Dead or a-live!-

Dead or a-live!-

dead or a-live.- dead or a-live,-

Dead or a-live!--T-:

Dead or a-live!-

Dead or a-live!- or a - live!--

95p5p5DC5 O5 F5 c565p5p59

Pr^

1+as;5

Piano VocalCompany

STACEE: "Shoot, looks like I gotta gomake some dreams happen! You'll figure it out."

A.

#!lfeel The floize/

Orchestration : Ethan PoppCue; [Segue from #8A "Heaven - U/S"]LONNY: "Alright, LAI Let's get this party ltarted!"

Hard rock [J = 151]rocKk=tr'rl,/,lh( ((")wT)ffit"''i)ioiun;t

"tcsfi7irns')

LP Std. PC drop Chug RR,

LONNY: "Alright! Here they are,lor one last STACEE: "Let's hear it L.A.!!!"goodbye! Give it up tor.... ARSENALI" (go on)

, Vamp

(Leslie to Fast) (Leslie Oft)

*f G5" (+Gtrs/Bs)

't)p5 C5 O5

a.4(Gtrl - P.M.)

SHERRIE: "Ooo, there's Stacee! STACEE!!! | love you too!" (lo Waitress) "He's hilarious!"

5err ln 6 ;-.---187 8

a ^q(+GtrdBs) 65 P5 Gtrl - p.M.)

-

(+Gtr/Bs/Drs -

Pbrrolfrca/ #9. 'Feel The Noize/Not Gonna Take It ' Rep"

18

your boys!--

DENNIS:"Sherrie, can I talk to You?"

wild, wild!-

wild!-

wild!-(Gtrs - pick scnqe)

Come on,

(Dts.)

the noise!- Girls,

?o tftff'-p'dl''t "

J

Wild, wild,

p pgmok- wild'v tlteMl* r

(Gtrs - slide/scnpe fx),

"Here's the thing..." STACEE:

So, you think I

- tsy"thG"iGrsttrtlf^ u^" (*GtrzJes)

SHERRIE:#9. "Feet The Noize/Not Gonna Take lt' Rep"

SHERRIE:;lvhat are you saying?" ENNTS: 2e QQ "You're lying!"

don't why-

DENNIS:"Just leave for tonight-"

g4 SHERRIE:

I'm a mean-

DENNIS: 37

don't wny- an-y-more.-a+7e

>

DENNIS: "Sherrie, wait!"

why-Dist

So you say I got a---ClC-11 mind!0n q-vr I

"He said he loved me!"

KNOW wny- know

40

c D/Ffi 45

85 (*Grro"")

Pidtoll&rd -5- #9. "Feel The Noize/Not Gonna

HERTZ: "We'll just see aboutCome Franz." 6259 OU 61

It- Rep

awe're rbt\gon - na take- it-

\a - ny-more!-

aWe're not gon - na take--ft\= a - ny-more!-

_r._

-\-

t)d

A

Fr\\h-1 a-t u ua-' q al

65-l-l\a-. 1l + (Dm solo) \\

=1

srAcEE/t tngrtl0tt' '

Come on, feel the noise!- your boys!- We'll getrAilfil:

A/Cf,

J'

@i7 7 "

i =

or?.' | | l\\-/l | | I | 7 - | - F F?r?rrr r-l-l-l-.1

wild,

wild,wild,

#9. "Feet The Noize/Not Gonna Take lt ' Rep"

70

wild!-

wild, wild!-

Heavv Dist. Rock 83

Sth's11

RtC\',tU J.':, '

n wilr i "jr\npf-rl-l JA,KEITH: ',Great set tonight. Ja'Keith Gill, Two Star Entertainment. Dig your sound. Really ahead o_f.your time, kid."ll-727974

?-t].tl

(Rock 8,3)

JA'KEITTI: ?

c D/Ff, 45

dBm(Gtr2 - muted)t-r-'l t-l-]

D

r-T-'n fT'-l rTt-r -T:r_a.ea|

--/L_j(Bs)DREW: "Serious?"

D(ea) e.

A/Cil Bm

oz

)' *- Gt f\^\.\q0 ----1Jel#9. "Feet fhe NoizdNot Gonna Take lt - Rep"

$l

*-'-*_----\DRE',{/: ,/couldnt. l.-" -)

-/

\ La,*Jr\t'{7, At{,,rr,,i,, )r!\ ( 'ut 'e'l i rtr'il'-f 5^''1 ?'pu 11 JA'(E|TH: "Come on, kid! This is your shot! What do You want?" SHERRIE: "Drew, can I talk to you?

139

JA{EITH' "YeLr''. gonn@"

J/lv tnad\( t)

DREW: "What's up everybody, #'et WolfgangVon Colt and this one's for the ladies! ONE'TWO, THREE, FOUR!!! (go on)

@

E/A CIAD/A EIA GiA

DiA E/A CIA45 G/AD/A EIA G/A

-3-c5 l I l

DENNIS:"ls that Drew?"

wild!- ( n*.f(tr,lL '9 ll|4

#9. "Feel The Noize/Not Gonna Take lt' Rep"'| 54

wild!-

wild!-

wild!- (Gtrs - pick scrape)

'| 58.:-\

your boys!-

your boys!-

(Gtrs - slide/scnpe fx)

witd,MEN:

-

Girls,

wild,

wild,

Come on, feel the noise!-



Girls,

Girls,

B/D{ cil'f E B/Dfi cfi'

(es) r. fiF 7 = =;?=V | | l'-rl | | |

-

#9. "Feel The NoizdNot Gonna Take lt ' Rep"

-lq a

wild,

yeah!!.-(Leslie to Fast)

>

FGraBs)

wild,

160

wildl-

wild!-

wild,

DREW: "Thank you.Thankyou Los Angeles!! And by,n" iuy,Dennis. I QUIT!!!' On cue

E/c{ Fil'>

Fil'(ct1)

Piano GonductorShenieJustice

.*.. WomenI MenU Horden mU Heort/Ihodoul,, oI the llightCue: fSeoue from #9 "Come On FeelThe Noize / Orchestration : Ethan Popp

(Crash of thunder.)

#r0

Swing 16th's [J = 1281

ebz ebzWurlitzer with slight trem..'

?.tr7III????'t| | | lJor(rEJ-7 7 7'7I I lJ

77tl(

PiatnColndtu #10. "Harden My Heaft/Shadows of the Night"

-.--l \-/ J -._; '+ t'J -J+''J.-_t' iCry-in' on he cor-ne1 Wait - in' in the rain,- l- swear- l'll- ne - ver, ev-er wait-- a - gain.- You

tr i-eilover.l

ii i i ii

gave me your w0r0,-a a. \_./ t -\/But words for You- are- lies.-

mf

--7lll

Dar - lin', in- mY- wild vest dreams, I never-thought- l'd- go.- 0h, whoa 0h...

; = =

i 17 ll r a ;=ir,'lllrrlllll

Ptulp''Coartlrfr

But it's

a'a a () (

-

hard - en mv heart,-ONEWOMAN:

\-/Hard - en my heart.

-

(+Gtrl)

30 ,C-

turn- and-- leave- You

J

l'm gon-na swal-low- mY- tears.-

\--l \-./ J\+-/

Swal-low- my- tears,-(+Gtrl)

--:--\

#1O. "Harden My HeafiJshadows of the Night"

I'm gon - na

21 ^

!JJJ

time to let you know

Ab2 ftDrs triptettom fiil)

-

PtanoConrtffirE

#10. "Harden My Head/Shadows of the Night"

AA

g\J

A1 of my life I been wait - in' in the rain,- | been wait in' for a feeHnL that ne-vei- ev - er came. lt

feels so close, But al - wayY- Ols - ap - pears.

mf

i 7i ilttl

iiiillllRubato

JUSTICE:

'lJY\-/Dar-lin' in- your wild-est- dreams,- You ne-ver- had a clue.-

r+8s, ;

>---.l-

GV

PbrroCo,r(Mr

har-den mvheail:--JUSTICE:

Harden your

(Ad lib Wurli fill)

#10. "Harden My Head/Shadows of the Night"

l'm gon-na swal-low my-tears.--3-

Swal-low your tears.

(Gtrtl- _,

-

(cont. ad lib ->)

i-

leave- you-- here.-

FreelySHERRIE:

J'L^^*I tEot t.

-.

y0u

---

Slight accel.GV

^b2

Piano Conductor #10. "Harden My Heart/shadows of the Night"

SHERRf E: "...'cuz ldon't need anybody. Not anymore." (go on) JUSTICE: (any

You say,

oo

on the in - side- All the Pain You e - ver felt.- You bet-ter

Tempo di Porn Groove ll = 1121Vamp - Jump on Cue

tralrn-Pianol ftctrl ad tib btuesy riffs)

r vr IHeavier, Straight 8th's [J ='|,221

rnp ad lib fills, etc.

Piano C.on&rcbr

67-(.

don't-look back. 'Cause we got no-bo - dy else.-(Gtrl)

#10. "Harden My Heart/Shadows of the Night"

We're run-ning with theran-som your heart, but baby

[J = 130-132]JUSTICE:

Aqp*k$' - dows of{\e'-vcotgtEN:v

hand, it-'ll be- al - dght,- Sur-ren-der all y0ur

Sha - dows ofMEN:

nf(+Gt-2)

the night. So, ba-by, take mY

\-/ :r J Ivnight. So, ba-by, take mY hand, it-'ll be- al - right.- Sur-ren-der all Your

Sha - dows of night, So, ba my hand, it-'ll be- Sur-ren-der all Your(in the background)

thF

Poco accel.Bbm

dreams to me to - night. They'll come true in the end,

dreams to me to - night.

me to - night.

#10. "Harden My Heartl9hadows of the Night"

78 SHERRIE:

l'm gon - na

I'm gon-na

Swd- - low your tears. and-

trv,*l:')'-3*_

-J-

Il

dreams

Br"-

u::-=-- 7(+Gtrs)

l'm gon-na swal-low mY- tears.-.

1J = 1371

har-den my heart, -JUST]CE*E-N5ZT

Harldn myMEN:

Har{en my heart.- ,

den your heart.

swal-low my -

I'm gon-na swal-low mY- tears.-

.8s, itF' e 7' d F#l

ttr

#lO. "Harden My Heart/shadows of the Night"

leave-

eiin_ my wild - est dreams- | nev-er thought- l'd go,- 00, wnoa."-

here!

ttr-r-

here!

Piano Conductor

8St \o5heC

"v90


'q- , t rr' 4, t I'm gon - nazdlJ$FlG*

But it's time to let you

We'reMEN:

trtr{-"]9.-Yn" run-ning with the

run - ning with the

We're run - ning with the

har den m1l- heart.- l'm gon - na swal-low m1l- tears. I'm gon - na

v

sha - dows of the night So ba-by, take my hand, it-'ll be- al right.- Sur-ren der all Your

v

sha - dows ol So ba-by, take mY hand, it-'ll be- 21 right.- Sur-ren - der all Your

Piano Conductor

-3-

night. They'll come true in the

3-

-3-

night. They'll come true in the3-

-3-

night. They'll come


JUSTICE: "Come on, babY!I errc g^ ih'ii?f'

Sn Oncue

end.

- (Drs'on cue)

[Quick seque: #lL "Here I Go Again"]

turn- and

dreams to me

dreams to me

dreams to me

Piano GonductorDennisLonny

#r2

'i#:""The finol Gountdoun


[souNDscAPE]AA

(CIick count-of|B

Heavy Rock 4 1J = 1201 f\rUDft'}|ER:TZ: "BRING IN THE BACKHOE! ALLlBig Obi-Brass I12

OF IT....IVANT IT GONE!!!2

Syn. Ghoir w/ real choir "ahh's",

t1tlmil,FRANZ: Fea, ldidn't realize

GLORIOUS!!" 7 ve vere doIS s: much deqolition."

nb 17 tngbm GbI r-l tr 0"'

$rwft'.tlERlZ: "lsn't it beautiul. BACKTO VORK!"

10

rbm

--

.l -7 ttAD f 'Ir1Bbm

GbI f-l

Pbtlc -3- #12"'The Final

-1- 22 -

23'b z+fie

-:::-mnr \=.=--=\ -/

d?YAhht \

?l-+7

a)6-r{Ahht /

,/rl \--r-

-

(+Drriil)

F

\oBbn] AbtcDb Gb

\Fsus \.-*t'-

DENNIS: "The whole strip's coming down!" LONNY: "Dennis? What's haPPening?

Grand Piano (sounds |vb)and 16vb, layered with "ahh's"

r MOR LP Del. chu$ sus RR

iottowEyni6faEw/ a bit of motion I

P'a,no C.o'tdttctor

33 LONNY:-s-

34

But may-be we'll come- back...-

38-3-

#12. "The Final Countdown"

35 DENNIS: _s_ 36

To Earth?- Who can tell?-rr.rnnens{T%

we're leav - ing ground.-

Leav - irg

I guess there is no one to blame;-F

Ahh

Leav - ing

groun0.

-

Will things ev - er be- the same

LONNY: "What are we gonna do, Now?" DENNIS: "l don't know."


DENNIS,44 r nNNv.

fin-al

fln-al

It's the fin - al

tr oeHEBIZ, FRANZ,DENNIS, LONNY:

theIt's

f,

It's thef

The

yeah!

yeah! fincount - down.

rcont slm ->)

Piano CoadwtorREGINA: "Take back your citY!!

count - down.

count - down.

-3- 54

head - ing formf

t\\r\ fi. -6-ffEIIE: "What {:Eliis that?"

ql

(t'tq#' "rhe Finat countdown"FRANZ: "Be#4a3" ,

52

PFOTESTOR #1:"No, The Eurben Room!"

-----z

.

PianoCon&rtu

-3-

'Cause may-be theY've

'---

Ahh

-3- 62

-3-

-s-

60

and wel-come us- all.-

-3- 64

and things to be found,-


Oo, us

-7-

With so man-Y light - years to go

-F

NA

NA

Btm DbtAb

P/,no Carr&rtort\tuuA"

}IERTZ:u,

"Get me ze police!!!"


REGINA /DENNIS, LONNY

^^-3-

I'm sure that we'd all- miss her so!-

$\uuq.J{ERFZ: "l want zem out of here now!"

71

^^ htbd

f nxmb\u#'J

It's thef

fin-al

fin-al

It's the fin - al

The fin

yeah!

.--l e

count - clown.

7'77F7-7-7I J | | | .1 | I (cont.sim->)-

-

(ar,

-9-

"FRANZ: "Please, people, ze police are on.zeir vay!"74 75


tne Ttn

yeah! The

fifffrl:80

count - down.

l

count - down,

count - down

^

count - 00wn

nth Guitar Del. chuq sus RR LR

.---lr

-f

FRANZ:"lt's not me!"

Ahh!

"tr >

EBAll3+rfiol1y

Bbm Abtc

Bbm FDrum solo)(GtrS/Bs,

Piano ConductorCompany

Freely, espressivo(Band tacet until m28)

(use lofs of pedal)

A tempo [J = 92]SHERRIE:

#ll6,lere I Go 09oinan4ir1

Cue; LONNYI "Love jazz hands! In that case,eelone finde ' 'begins! And yes, everybody's sffi real emotional right-now!"


n\Arr\bcr

I don't know- where I'm go - in',

Hangin' on he promises-ln the ,ong, i y.J - t.'ary, J'

But I sure- know ,i(rtt l've

made up my mind,-

lErandFian;l4 .

molto rit' t ln,n.1

zlT-3

pmaj9r,lt|

mf s2 c26^|

,o'n')-)tr ,/r-tt

// pmajg?

l-)-4)92 92e

+'t:D mg2 62

I ain't wast - in' no- more time.-

Though I keep search-ing for an an

Here g0

#11. "Here I Go Again"

a - garn,---,-7,---

I nev-er seem to find- what l'm look-

oh, Lord,_ | pray_ you'll give- me strength- to car - ry on.-

l't:D

.J

C G/B

f't:D

'Cause I knowwhat it means- To walk along- the lonely street


>'28+|

of dreams.- AndSHERRIE:

Moderate heavy rock [J = 92]-)

here I go a-gain- on mY own,-5.t

here I go a-gain- on mY own'-(+Rhythm section)

Go-in' down the on - ly road- I've ev-er known.

Go-in' down the on - ly road- I've ev-er known'

!. ?v? >e

>>>>

Gb Cb


Wait-in' on love's sweet char-i-

I ain't wast - in' no- more time6.*

Dftui##'t'

l't just an-oth-er heart in- need of res', clsner. Id ino I

J \1/

Db/cb

(+GEs- mutr'Bs)

Piano Conduclor

walk a - long -

the lone - ly street- of dreams. -=--


For the rest of tY dlyt,-_| il distottion 1

P.M.

And, l'm gon-na hold

'Cause I know what,*

.--4---

means=-

I P.M. -----'

>>> >>>

Piarc Coaducnr

lgo

tg0

tg0

down the on lY

\t---/-

0wn

--T-\

my own,-_*-.-,1:

hv Allrn,, ,J


Go - in'

Go - in'

5-

$.(t f:PSIIICIPALS

(at pitch) :

- Here

Qnt\fu,"r,u,

151down the on lY road-- I've ev - er Known.-

road ---

l've

.z-.ev - er Known.-

down the -ly road- I've ev - er

>>>

Db cb

Db cb

l- was

And I've made uP mY mind'

(Gtrl) *

00rn-

-)l.- was hnrn to walk -- a - lone.-.--


\?/ \-___/

to walk- a-lone.-

to walk- a-lone.-

Oh yeah- I ain't wastin' no- more time.AAA A*

drift

(+as)

Jp rr{.0$"

>>>

Cb GbIBb

Abm >(+ctr2)

Pfrffi

own,-JUSTICE:


Go - in'

9ort \ '1ofitile+P*Es(at pitch) t

Here I go

Here I go

on my

Hep!

lg0 a-garn- on my own,-

-)0n my own,-

(Gtr/Bs brcak)(Drs keep Playing)

->

;;; >>>


the on road- I've ev - er known.--

the on road- I've ev - er known.-=----\

the on road- I've ev - er known..--

born- to walk- a-lone.-

ffixg

drift - er

drift - er

-J--\

born _- to walk- a-lone.-

-)hnrn to walk- a-lone,-

Cb Gb/B

PblmConrtu #11. "Here I Go Again"

drift - er l- was born-

3t0ne.

-

drift - er l- was

>>>

cb abnb

'\4/

--/'Cause I know what It means-

.\J

-..-/know what tL il tudt rD--

'Cause I know what rt means-


wdk

walk a - long-

walk

the lone - ly street- of dreams.- Here I go



: "YeahlllWE DID lTll "Jazz Handsl" Give me some!SOMEI (high lives crowd) Alright go, get more

in crowd) You, my dressing room

(+Bs)

drinksl!Two minutesl G.P.

LfiA:on1

[End Act

Cvery Rore llor ltr ThornCue; JUSTICE: "l don't know. I suppose backthen being adored by one person didn't seem Orchestration : Ethan PoPPto be englgh..."

ftx u"ll" d l) = 72! JUSTIGE: (cont.) "l didn't know I was chasing something that wasn't real' "

.t tctrlcteanMtrem) , tUSTICE: (cont.)"MyheartwaswithEdgar,butmyhead'.'"

in the dead of the

#r8

Al - thoughwev

We both lie si- lent and still(B-)-- ----l---,

(Gtr 1 clean M trem) 2

Grand Piano w/nice reverbNO Vol Pedal Gontrol

frrin' I said or- some-thin' I did? Did my words- not come out rii6ir

#18. "Every Rose Has ns Thorn"

\-/guess thats why- they say

sjust like

Though I tried

to hurt- though Iyou,

\-:zev-'ry rose has its-thorn, just like

-

ev-'ry night has its_ dawn.-!-

-_/

-3- 18

ev-'ry cow-boy sings a-\-, \J

sad song, ev - ry roseSHERRIE:

-

has its thorn.-

Ev - 'ry rose has its thorn.-

lis-ten to her fav-o-rite song play-in' on the

ea - sy go. But I won der, does he

#18. "Every Rose Has lts Thom"

Hear the D.-J. say love's a gameof ea-sy come and

Has it ev er felt like And I know

ra-di-0.

(clean il trem)

Pbtrc Co,'dttctot -Port \ '

3J3 -

., REW:

ev

FRANZ/

#18. "Every Rose Has lts Thorn"

'ry night has its dawn,

'ry night has its dawn.

'ry nightEHv

has its dawn.

Just like ev

Just like evhas its thorn,

'ry rose has its thorn,EvWOMEN:

nnP

f.*S\

Just like ev

#18. "Every Rose Has lts Thom"

v

'ry cow - boy sings a sad,- sad- song,-

Ev -'ry cow - boy sings a sad,- s0ng,

'ry cow - boy

Ftt-l

Ddu-Ev sings a sad,- song,

Ooo

Ooo

-7- #18. "Every Rose Has ns Thom"

DREW: "Yeah, it does."

ih^rn

thorn.

-

thorn.-has its

PfuioCdrdtffir

T^, DEr{Nrsi: r lrt$rflol{-

Ttrolgh ifs been a - while

Hoo

rrv_-\

that

r frt''crnb\c

Like the knife that cuts- you- the wound heals- but the scar'

l-.1nn

I can still- feel so much pain,

n00-

#18. "Every Rose Has lts Thorn"

scar- re- mains!

-00 - 0n -oo - oh

Whoa - oo - oh Whoa - oo - oh

P',no Conductor #18. "Every Rose Has ns Thorn"

DREWSTACEE:

ev - 'ry rose has it's thorn.-LONNY & FRANZ /DENNIS & HERTZ:

ev - 'ry rose has it's thorn.-SHERRIE:

'ry rose has it's thorn.-

Just like ev

Just like ev



v


Ahh

Ev -'ry rose- has it's thorn.

PhaoCutffior #18. "Every Rose Has lts Thorn"

Just like ev

62

'ry cow - boy sings a sad,-

Ev 'ry cow - boY sings a sad,-

Ev 'ry cow - boy sings a sad,-

Sings a sad,-

sad song,

s0ng,

sad song,

sao song.

Ahh

Ahh

Ev -'ry, ev - 'ry, ev - 'ry, ev -'ry' ev ' er'y->

-13- #18. "Every Rose Has rts Thom"

rit.

Ev 'ry

'ry

'ry

has its thorn.

-

has its thorn.

-

has its thorn,

-

has its thorn.

has its thorn,

-

-

thnrnhas its

,ry

'ry

'ry

Ev

Ev

Ev rose_

Ev-'ry)

- a' r

J

has its thom... -

o

Piano ConductorDrewShenieEnsemble (Offstage) t'lIA Oh. Iherde

[Direcr segue from: #18A "Keep on Lovin'You"] orchestration: Ethan PoppcUe..ffi"uoNN)..-|as\\.Loors\rKCWotfgon3'''0.c\.(DREW runs onstage.)

Moderate Rock 4 [.]= 106]

#r9

made you should-'ve been gone- af - ter all- mY words of sted.--.--ano

. (+Gtr. 1)Bbtc cm

,,_-

Piano

tr

0h, I must have been a f oYrnbb',+lrOillffifgfdEd(breathy)

(must have been a dream-er,MEN: (off-stage)

(breathy)

(must have been a

And we should have been

#19. "Oh, Sherrie"

And I must have been

(o - ver by now)-

(o - ver bY now)-

f,+'Xt,;6..1- -t.

0h...)-I Big Grand Piano I

(Be rr r 7 Gont. sim. ')I

--

some - one else.-

(some - one else)-

(some - one else)-

ItiEb/Bb

4-6D

rrl

rr rtiEi,/Bb

Pbtto C.;oaductqtt13 Qorv t ' rsfr

o,,

Sher- ie,KL:

l'm in love!-

Add Polv Svnth Layer to R.H'

I LH Piano Only I(+Gtr2, Bs)

I'm in love!-

l'm in love!--

l'm in lovel-

FmTlEb Eblnaitteb nb,Eb

FmTtEb Eb

#19. "Oh, Sherrie"

trTempo di "Too Much Time" | = 1471

Pure

sounds

WFranaY-l

FRA-hlrZ: ':tdi.ln't call VEI i ZA

nF NN lS. "Olraf*uet-m+hc ra \^/haLie-if./"W

rtgg4Ja,ue{Eg"

On Lovin'You"l. -- 721

(Gt 1 - meilow blues-y lead tone)

r vr v(Bs)

FRANZ: "Papa? RegYna?!"HERTZ: "l believe this belongs to you."DENNIS: "What do you mean?"

HERTZ: "My son was right. A dream is iust as importantas a brand new, Foot Locker athletic store.FRANZ; "You did it!"REGINA: "No, You did."

Big Grand Piano I(both hands) |

FmTtEb EbGbnajztEb AblEb

(Ride Bett)o BbtEb Eb

" .

DbztEbho-

Ab Bbt^bcm/Ab ebtab

t,tl

Piano45i

ConductorColla voce, music-boxy

\_/Oh,- | must-a been atEictr nlusic Bo;-l

some - one else...- we should a Deen

o

,51 rempor g5l(t \'?fiGW:

l'm in love

I'm in love!-

I'm in love!-RH Bis Grand Piano w/

hold -

hold -

.\., ooream - er..

Qua- - -U

And,

#19. "Oh, Sherrie"

0h,-=- | must-a been

Bbsus Prs)

FmTlEb EbmajTlEb AblEbfe,FGfi" es)

E-PEoEnlyl

FfnGdrF

0n-

-7-

vRa+: o-56 e lt' Il

hold

-

onl

[Dialogue, segue: #20 "The Search Is Over"]

#19. "Oh, Sherrie"

molto rit.ebreb obrcb

PIANOICONDUCTORDrewShembEnsemble

Moderately il = 691(Gbs

- tacet til m30)T^--]

1 lrtano I

(+Bs)

VampDREW: (Iast x)

)t\? KKr t. '. P re w

#ro@r

-r

he leorch b Overl\Cue: DREW: "h#anlsornelhiDg."ND 54..rr c,tg\'/ , ho\C\ on 'WKffi)


o *f*

Eb

4 * ' - 5- iJ

nb -ab

#rb

# *-- '+4iaa+ e aahnb

> {}

How can l- con-vince what you see- is real?-

r \+-/to blame- for doubt-ing what- you

ffi'

feel?-a'

y0uWho am

-2-rc

13

#20. "The Search Is Over" [c.3/10]

14

-.

16:- :-

girl- l--ways reach were just-

SHERRIE:

knew.- I took for grant

_ a oream,

_ a oream,

the friend I had in -

you...

DREW: "l am not vour friend."

lov - ing- for- 6 mom-ent.-

lov - ing- for- a mom-ent.-

I was liv - ing-for

Tak - ing- on-

I wasDREW:

liv - ing- for

@

-

the world,

that was- just- my style.

that was- just- my style.

#20. "The Search Is Over" [c,3/10J

in - to your

Now I look in - to Your

G FZIG

I can see for - ev - er.

I can see for - ev - er.

The search is o -

The search

f zb kDrc - groove)

You were

You were

me all- the while.

Cm Gm/Bb

me all- the while

L*t\!fl*u !r?, '\' ^',,'

,A '\, ,?tt

t #20.-rhesearchrsove/,rc.3/10J) ' ' t- 6;i' ' ,:l?roiyt \ r; yp6 at1 cn,34- en,J. sgl SHERRTH L l- i rr*

itil

DREW:

>

=J ^,{r / \\J'-

r-A\'Jl'ioJ

Ab GDr-rirl) GblAb

'ls***i+rg**fer-**-a-.-'fi qem'ltt=-

Jo\e*i@-

a-Creafii

_frr?m,woMEN'Jf (straight tone)

Tak*iBg*-*-O!-

--

Gfi Fil/Gil

Piano ConductorCompany A-\-''-- DO #IL'!Lo

Cue: LONNY: "Then there's Drew and Sherrie..." (start VAMP)'.-.the dreams you come in with might not be the ones you leavewith... But hev. thev still rock!"F

Moderate rock [.J= 1261VamP (ast x onty)

^.--z

SHEBRIE:

liv -in' in a lone - ly world,=-

born and raised- in South De-troitHe's just a cit-Y(Gt'-' - |bm.)

n't ltop BelievingOrchestration: Ethan Popp

small town girl,-

\-/ \-#/

#22. "Don't StoP Believing"

-3-

He took the mid - night train- wnere.--

-

?.ro\*u rrl 2 yatn5ffi ro''{- r-

-3-'mf,r---.,,

cresc. poco a poco

\--l- ---/

\-,/ \----

(Gtr 1)(Harm)

go-in' an y

-rc

21

#22. "Don't Stop Believing"

-_----_.._7--

f-s-2Z ,,-f\

Yeah- Yeah-c

-3-J ,fi'l

Yeah-_ Yeah-l4:3

6666 f6

!/ \--l

Un can-tan - te efl- g1'1 ouar - to-- hu - mo - so.- El gor avi-no

v

---

(+Gtr2)

1+Drs)

fu-me cor - i- en - te. Pa-ra un-a son-ri - sa que- pue-den- com-par-tir en la no - che sl-gue

e

A

PC

31

ano 0n,- ano 0n,-

and on,--


and on!--_

uo and down the boul - e-vard,- Their

mas,--

DREW/STACEE:

Stran - gers-WOMEN:

StraniN:

- gers-

Sound(+Gtr1)

fe,oA

(+Bs figure) (+Bs figure)

#22. "Dont Stop Believing"

cdusrrcEf

\-/Shad - ows-

search - ing -

in the night

search ing- in the nighl

search ing-- in the night.

search ing-* in the night

Sfeet - lights-

Sreet - lights-

Sfeet - lights- r PO - ple,-*

liv-ing just to e-mo - tion.-

lA6)--

ee

(+Bs)


ing

-

where- in the night,

where- in the night

where- in the night.

some - where--l-in the night.

(+Gt1)

-

s0me

-tJ.

E5(+Gtr2, Bs)

Ev-'ry-bo-dy

#22. "DonT Stop Believing"

wants a thrillWork - in' hard- get my fill.-

Pay - 'in an -y - thing to

Some will win,-

ze dice- just more- time.-

\-/ \--l

62-s- --:63 FRANZ:

some will lose.- Some were born to sing ze blues.-

V- \-/- -

/

DENNIS:

#22. "Donl Stop Believing"

and on!-.--Oh. the mu-si-cal it nev-er ends! lt goes on, and on,- and on,-

on, and on,- and on

JUSTICE:

and on!-A

and on,- and on!-

\*Z t- -

Sfdng - ers-UEN:

wait ing-

wait - ing-

inn,,,v-

uo and down the boul - e-vard,- Their

AuL,

wait

Prophet Brass I

$rag - ers-IEN:

(+Bs figure) (+Bs figure)

#22. "Donl Stop Believing"

Shad OWS-

Shad - ows-

search - ing -

in the night

search - ing -

in the night.

search ing- in the night.

search - ing -

in the

A.Lt-' tn'o - ows-

(8*)-----(+Gtrl)

Street lights, -

Liv- ing just to find e - mo - tion.-

B/A ElA

#22. "Dont StoP Believing"

- in tfre night.

some - whsps- in the night,Hidftuu'J

ing

-

Ing

-

some - where- in the night.

some - where- in the night.

(+Gtr1)

(Gtr 1)

(Gtr 1 - Solo!)

, =ro* i

tr5(+Gtr2, Bs)

Don't-TIALEPRINCIPALS:

WOMEN:

Don't-}IEN:

Don't-

srop

stopDon't-

be liev - in'

be liev - in'

stop

slop be-liev - in'

hold on to the feel

hold on to the

hold on to the

hold on to the

feel

feel

feel

#22. "Don't StoP Believing",**

.GJZ

v\- z \-/ \-2

\,/t\l L(tt

-

FC -12- #22. "Don"t Stop Believing"

s_ 99

Street lights

Street lights

- lights

Street

E5(+Gtr2, Bs)

-

pe0 ple!

pe0 nlal

!/

--/ro+ 7fti-3__

in'Don't-

Don't- stop be-liev - in'

Don't- stop be r liev in'

hold on to that

hold on to that

hold on to that

hold on to that

feel

feel

feel

feel

sr0p be-liev - in', 3-

PtC

st0p be-liev - in',

sr0p be-liev - in'


1127ffii-t-

hold on to that feel - in'-tz$*-r-

Hold on to that feel

hold on to that feel

hold on to that feel

-13-

'r05-,

s- 1o7 t

Street - lights

Street - lights

Street lights

Street

Donl-

tlonl-

Donl-

Dutt- stop(rys - soro,

peo plel

peo ple!

stop

E5(+Gtr2, Bs)

ia r {' I r t I I I

PC #22. "Don't Stop Believing"

Street lights,

:\ .

ROA

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