Rasa Shastra Volume 4

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    Rasa Shastra The Art of Vedic Alchemy Vol.4 This latest

    edition presents an in-depth look at Pyrite processing, the use

    of Sudha Varga materials (Calcium Carbonate) including

    limestone, chalk, molluscs, animal horns, egg shells, slaked

    lime and fossilised sea urchins.

    Also covered in this volume are Adrija (Shilajit) and Guggulu

    resin (Commiphora mukul), Dhatu (metal) the production of

    alloy ingots and the purification of Yasada (Zinc), along with

    Kanta Pashana (Magnetic Iron Ore) and Hingula Bhasma

    (Cinnabar ash).

    Thank you for downloading this file

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    Table of Contents

    1. Introduction & Getting Started

    2. Foreword by Dr. Claudia Welch

    3. Anjana (Antimony& Galena)

    4. Pyrites

    5. Hingula & Kanta Pashana

    6. Sudha Varga / Calcium Carbonates

    7. Dhatu (Puti& Misra Loha)

    8. Sheetal& Swetha Parpati Preparations

    9. Adrija & Guggulu (Indian Myrrh & Bitumen)

    10. Kampilla, Ramatha & Aristaka

    11. Treatment of Netra Roga (Eye Disease)

    12. Credits

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    Main Menu

    Click titles to advance to relevant section

    Click here for Rasa Shastra Terminology / Glossary

    Click here for Bibliography & Recommended Reading

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    Anjana Preparation

    Anjana cakrika after a thirdputa.

    After three puta only a few

    isolated beads of antimony

    are seen.

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    Kohl Preparation

    Two samples of Kohlbrushed onto white paper.

    The top sample had some

    additional turquoise powder

    added to it for effect.

    Once applied to skin Kohl

    quickly dries and forms a

    durable eye makeup lastingfor many hours.

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    Swarna Maksika

    Preparation

    A close up image of Swarna

    Maksika cakrika.

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    Sasyaka

    Preparation

    Sasyaka after third puta, and

    although the contents have

    expanded the material has a

    greater degree of thermal

    stability.

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    Kushta Sangraf

    Preparation

    Freshly squeezed lemon

    juice is added to 150g of

    purified Hingula.

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    Sudha Preparation

    Sudha sample after

    re-hydration, the material

    naturally breaks down into

    smaller pieces.

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    Badarasma

    Preparation

    After 24 hours remove

    Badarasma and rinse in

    clean water, they can then

    be dried in sunlight.

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    Yasada

    Preparation

    As soon as Yasada is in a

    liquid state it should be

    retrieved from the furnace

    and poured quickly into a

    receptacle filled with a

    quantity of raw milk.

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    Pittala Preparation

    Pittala ingots being cast.

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    Sheetal Parpati

    Preparation

    Side on view of parpati

    showing approximate width.

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    Guggulu

    Preparation

    Add Guggulu resin and work

    into the ghee with a wooden

    spatula.

    Cook resin until the ghee is

    absorbed, but do not allow

    the resin to stick to the

    bottom of the pan.

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    Aristaka

    Preparation

    Seal cakrika in sharaava

    using clay and cloth method

    and allow to dry.

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    Loha Preparation

    The pyrometer results were

    carefully logged and

    transcribed to a line graph

    illustrating the thermal

    signature of these heating

    blocks (see next slide).

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    Netra Tarpana

    Preparation

    One last test is to roll a little

    cotton into a wick and dip in

    the ghee content of the pan.

    Using a match attempt to

    light this wick.