Great Vespers1 Priidite, poklonimsia2 Blagoslovi, dushe moya,

Ghospoda3 Blazhen muzh4 Svete tihiy5 Nine otpushchayeshi6 Bogoroditse DevoOrgan:

Requiem No. 7 from FaustPetr Eben

Matins7 Shestopsalmiye:

Slava v vyshnikh Bogu8 Hvalite imia Ghospodne9 Blagosloven yesi, Ghospodi10 Voskreseniye Khristovo videvshe11 Velichit dusha moya Ghospoda12 Slavosloviye velikoyeOrgan:

Psalm Prelude from Set 2 No. 3Herbert Howells

13 TroparDnes spaseniye

Organ:Psalm Prelude from Set 1 No. 1Herbert Howells

14 TroparVoskres iz groba

Organ:Ite, Missa EstKenneth Leighton

First Hour15 Vzbrannoy voyevode

All-NightVigilThe Winkleigh Singers

directed by Roland Smith

Laura TrayhurnMezzo Soprano

Oliver KuusikTenor

Andrew DaldorphOrgan

St Michael and AllAngels ChurchGreat Torrington

Saturday 17th March 2007

Rachmaninoff

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Laura Trayhurn trains at the RoyalAcademy of Music under the tutelage ofJulie Kennard and Jonathan Papp. Amusic graduate and choral scholar ofKing’s College London, Laura has arepertoire that spans a wide range ofmusical periods and styles. Recitals haveincluded arias from Mozart’s Le Nozze diFigaro and La Clemenza di Tito andWalton’s The Bear as well as Bellini’s TreAriette, Britten’s A Charm of Lullabies anda selection of songs by Mahler and theSpanish composer Montsalvatge.

During her time at the Royal Academy,Laura has participated in manymasterclasses, notably with the counter-tenor James Bowman, who providedexpert advice on her interpretation of thealto arias in Bach’s St. Matthew Passion.She has also performed in a number ofopera scenes, taking the roles ofDorabella in Mozart’s Cosi fan Tutte,Second Lady in another of his famousworks Die Zauberflote, Hedwige inRossini’s Guillaume Tell and Charmian inBarber’s Anthony and Cleopatra.

Despite maintaining a keen interest inopera, oratorio and sacred choral musiccontinue to play a key role in her vocalrepertoire and she has appeared as asoloist in the Requiems of Fauré and

Rutter, Vivaldi’s Gloria and Handel’sMessiah, Rossini’s Petite MesseSolemnelle, Perglesi’s Stabat Mater,Durufle’s Requiem, Charpentier ’s TeDeum, Mozart’s Solemn Vespers andCoronation Mass and Andrew Carter’sMusick’s Jubilee, in a concert for thecomposer.

Laura’s most recent performances haveincluded Mozart’s Requiem in St.Martin-in the-Fields and St. Botolph’s, Aldgate,and the role of Storge in Handel’s Jephthain Crawley. Forthcoming performancesinclude Bach’s St. John Passion in Hulland a charity concert of sacred music inher home county of Somerset.

Laura would like to thank theJosephine Baker Trust for their continuedsupport.

Oliver Kuusik studied at the EstonianAcademy of Music under voice teachersPille Lill and Virgilijus Noreika,transferring to The Guildhall School ofMusic and Drama, London, in 2003 tostudy under Rudolf Piernay andgraduating as MMus and GMSD. Hecontinued at the Guildhall aftergraduation where he undertook theOpera Course. His competition successesinclude first prize in the H. Krumme

Programme.pmd 13/03/2007, 21:052

Singing Competition, Kuressaare (2006),winner The Best Estonian Young Singer,Tallin (2001) and second prize (2001) inthe M. Saaar Romance Competition and(2000) T Kuusik Singing Competition,both in Tallin, Estonia.

Whilst at the Guildhall he took rolesin a varied repertoire of operas, and hassung oratorio solos (from Vivaldi to Pärt)throughout England, Norway, Finland,Latvia and his native Estonia.

Solo recitals have taken him to Finland,Sweden, Russia, France and England. Anaccomplished linguist, he has beenEstonian and Finnish Langauage coach tothe BBC Singers (2005), and a memberof Savonlinna Opera Festival Chorus(2000)

This year, 2007, Oliver has sung Gastonin Verdi’s La Traviata, and later in the yearwill perform Beppo in Il Pagliacci(Leoncavallo), Borsa, (Rigoletto, Verdi),Don Ramiro (La Cenerentola, Rossini), allwith Estonian National Opera, and DonOttavio (Don Giovanni, Mozart) withEuropean Opera Centre in Liverpool.

Andrew Daldorph graduated with a firstclass honours degree in music from theUniversity of Southampton in 1993. Hethen took up the post of Organ Scholarat Guildford Cathedral and subsequentlygained Fellowship of the Royal Collegeof Organists. Andrew took lessons fromthis country’s most eminent organists,including Peter Hurford, David Hill, DavidSanger and Dame Gillian Weir. On theharpsichord he has studied under RichardWoolley.

He frequently gives recitals and hasplayed for services and concerts incathedrals and concert halls throughoutthe country. Recent appearances includeExeter and Guildford Cathedrals, BathAbbey, l’Auditoria de Girona, Spain.

Andrew is the director of the semi-professional choir Musica Prattica and isalso conductor of the East Devon ChoralSociety and the Exeter Chamber Choir.He also teaches organ and piano privatelyand at Exeter School. To relax, Andrewenjoys playing jazz piano with his trio atfunctions across the UK and abroad.

Roland Smith has been singing since theage of seven, starting with more thantwenty years in the church choir at HolyTrinity, Cookham-on-Thames, where healso had his first taste of choir directing.During the last few years he was inBerkshire, Roland also sang with PalaceChorale in London and as a guest with LeMadrigal de Paris.

On moving to Devon, he founded theWinkleigh Singers and has sung with anumber of distinguished choirs includingSchola Aquae Sulis, The South WestCathedral Singers, The Richard RoddisSingers, and Exeter Festival Chorus . Henow devotes his singing time to SomersetChamber Choir. He has attendedconducting workshops and masterclassesled by a number of leading choraldirectors, including Mike Brewer, BobChilcott and Jane Glover.

Programme.pmd 13/03/2007, 21:053

All music of the Orthodox Church is sungunaccompanied, using only the musicalinstrument God himself created: thehuman voice; no organ or otherinstruments of any kind are permitted.Our excuse for interspersing the sectionsof the All Night Vigil with organ music isthreefold: firstly, this concertperformance is being given in anAnglican Church; secondly, this church isblessed with a fine organ; and thirdly, togive the choir ’s voices a rest in whatwould otherwise be more than an hourof continuous singing!

Sergei Vasilievich Rachmaninoff (1873-1943) was a Russian composer, pianist,and conductor, one of the last greatchampions of the Romantic style ofEuropean classical music.

The fifteen a cappella pieces makingup the All-Night Vigil were written in lessthan two weeks in January and February1915. Rachmaninoff had set the Liturgyof St John Chrysostom in 1910, and aperformance which he conducted in 1914convinced him that he should writeanother and (to him) more satisfactorywork for the Russian Orthodox Church.The All-Night Vigil was an immediatesuccess at its premiere by the MoscowSynodal Choir in 1915, but thesuppression of the Church following the1917 revolution prevented it achievingwide recognition until the 1960s.

It has been praised as Rachmaninoff’sfinest achievement and “the greatestmusical achievement of the RussianOrthodox Church”. It was one ofRachmaninoff ’s two favouritecompositions, along with The Bells, andthe composer requested that one of itsmovements (the fifth) be sung at hisfuneral.

In accordance with Orthodox practice(before composing the Vigil,Rachmaninoff had studied ancient chantunder Stepan Smolensky, to whom hededicated the piece), he based thismusic on traditional chants, movements8, 9, 12, 13 and 14 being based onznamenny chants (traditional ancientRussian Orthodox chants, znamennymeaning “written in signs”), four andfive on ‘Kiev’ chant (a Ukranianvariation of the znamenny style chants),numbers two and fifteen on Greek chantand movements 1, 3, 6, 10, and 11where the chants were, in thecomposer ’s words, ‘consciouscounterfeits’ which he himself invented.

The work is written for a four-partchoir, with a very low bass part.However, in many places there is three,five, six, or eight-part harmony; at onepoint in the seventh movement, thechoir is divided into eleven parts.Movements four and nine each containbrief tenor solos, while movements twoand five feature lengthy solos for altoand tenor, respectively. The fifthmovement has gained notoriety for itsending, in which the low basses mustnegotiate a descending scale that endswith a low B flat (the third B flat belowmiddle C). When Rachmaninoff initiallyplayed this passage through to Kastalskyand Danilin in preparation for the firstperformance, Rachmaninoff recalledthat: “Danilin shook his head, saying,Ra

chm

anin

off

Programme.pmd 13/03/2007, 21:054

‘Now where on earth are we to find suchbasses? They are as rare as asparagus atChristmas!’ Nevertheless, he (Danilin)did find them. I knew the voices of mycountrymen…”

Following the Revolution, SergeiRachmaninoff took the opportunity of aconcert journey to Scandinavia to leavehis country for ever. He lived in Paris fora time and then spent most of the rest ofhis life in America.

The All Night Vigil will tonight be sungin the original Church Slavonic Language.

Petr Eben (1929- ) was born in the Czechtown of Zamberk. He studied piano andcomposition at Charles University inPrague, where he later taught musicologyand was appointed Professor ofComposition. Today he is one of theleading Czech composers. His workscomprise a wide variety of genresincluding opera, oratorio, concerto andworks for orchestra, choir and chambermusic. Due to his own particular love ofthe organ and his strong religiousconvictions, he particularly excels in organand church music. He himself hasperformed in the world's most renownedconcert halls where he has establishedhimself as one of the great organimprovisers of our time.

Herbert Howells (1892-1983) was bornin Lydney, Gloucester. In 1912 he won ascholarship to the Royal College of Musicwhere he studied composition withStanford and was considered the best ofhis generation of composers. He startedhis musical career as a cathedral organistand in 1936 succeeded Gustav Holst asdirector of music at St Paul's Girls' Schoolin London. He taught composition formany years at the Royal College of Music,where Gordon Jacob was one of his pupils.

Kenneth Leighton (1929-1988) wasborn in Wakefield on October 2 1929, wasa chorister at Wakefield Cathedral andeducated at the Queen Elizabeth GrammarSchool. In 1946, while still at school hegained the LRAM Piano Performer'sdiploma.

In 1947 he went up to The Queen'sCollege, Oxford, on a Hastings Scholarshipin Classics; in 1951 he graduated bothBA in Classics, and BMus. (having studiedwith Bernard Rose). In the same year hewon the Mendelssohn Scholarship andwent to Rome to study with Petrassi.

Kenneth Leighton was Professor ofTheory at the Royal Marine School ofMusic 1952-1953, and Gregory Fellow inMusic at the University of Leeds 1953-55.Eb

en

How

ells

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Please note that there will be no breakin this evening’s performance, and that

the audience is asked to reserveapplause until the end of the evening.

Refreshments will be served after theperformance

Leig

hton

In 1955 he was appointed Lecturer inMusic at the University of Edinburghwhere he was made Senior Lecturer andthen Reader; in 1968 he returned toOxford as University Lecturer in Music andFellow of Worcester College.

In October 1970 he was appointedReid Professor of Music at the Universityof Edinburgh, the post which he held untilhis death in 1988.

Kenneth Leighton was one of the mostdistinguished of British post-warcomposers; over 100 compositions arepublished, many of which were writtento commission, and his work is frequently

performed and broadcast both in Britainand abroad.

Among the many prizes forcomposition awarded to him were theBusoni Prize (1956), the NationalFederation of Music Societies Prize for thebest choral work of the year (1960), theCity of Trieste First Prize for a newsymphonic work (1965), the BernardSprengel Prize for chamber music (1966)and the Cobbett Medal for distinguishedservices to chamber music (1967).

In 1960 he was awarded the Doctoratein Music by the University of Oxford, andin 1977 was made an Honorary Doctorof the University of St Andrews for hiswork as a composer. He was made anHonorary Fellow of the Royal College ofMusic in 1982.

As a pianist Kenneth Leighton was afrequent recitalist and broadcaster, bothas soloist and in chamber music. Herecorded his piano music for the BritishMusic Society and conducted manyperformances and broadcasts of his ownmusic.

AcknowledgementsThe Winkleigh Singers acknowledge thesupport given by the Josephine BakerTrust to Laura Trayhurn in tonight’sconcert.

We thank the Vicar, Churchwardens ofSt Michael and All Angels, Torrington, forallowing us the use of this church, andJohn Downing for his assistance.

Special thanks to Ian Bromelow forimparting his knowledge of RussianOrthodox liturgy and correcting ourChurch Slavonic diction; also for takingwhat must be the shortest solo part inthe bass repertoire, the Deacon’s call forall to stand for blessing at the start ofVespers.

…and last, but not least, our visitingsingers

Programme.pmd 13/03/2007, 21:056

Great VespersDeacon:Arise! Master, bless!SilencePriest:Glory to the Holy, Consubstantial, Life-Creating, and Undivided Trinity, nowand ever, and unto ages of ages!”Amen

Come, let us worshipCome, let us worship God, our King.Come, let us worship and fall down

before Christ, our King and our God.Come, let us worship and fall down

before the very Christ, our King andour God.

Come, let us worship and fall downbefore Him.

Bless the Lord, O my soulBless the Lord, O my soul, blessed art

Thou, O Lord.O Lord my God, Thou art very great.Blessed art Thou, O Lord.Thou art clothed with honour and

majesty. Blessed art Thou, O Lord.The waters stand upon the mountains.Marvellous are Thy works, O Lord.The waters flow between the hills.Marvellous are Thy works. O Lord.In wisdom hast Thou made all things.Glory to Thee, O Lord, who hast

created all!

Blessed is the manBlessed is the man, who walks not in

the counsel of the wicked. Alleluia,alleluia. alleluia.

For the Lord knows the way of therighteous, but the way of the wickedwill perish. Alleluia, alleluia. alleluia.

Serve the Lord with fear and rejoice inHim with trembling.

Alleluia, alleluia. alleluia.

Blessed are all who take refuge in Him.Arise, O Lord! Save me, O my God!

Alleluia, alleluia. alleluia.Salvation is of the Lord; and Thy

blessing is upon Thy people.Alleluia, alleluia. alleluia.Glory to the Father, and to the Son, and

to the Holy Spirit, both now and everand unto ages of ages. Amen.

Alleluia, alleluia, alleluia, glory to Thee,O God!

Gladsome LightGladsome Light of the holy glory of the

Immortal One— the Heavenly Father,holy and blessed—O Jesus Christ!

Now that we have come to the settingof the sun, and behold the light ofevening, we praise the Father, Son,and Holy Spirit.

Thou art worthy at every moment to bepraised in hymns by reverent voices.

O Son of God, Thou art the Giver of Life;therefore all the world glorifies Thee.

Lord, now lettest ThouLord, now lettest Thou Thy servant

depart in peace, according to Thyword.

Programme.pmd 13/03/2007, 21:057

For mine eyes have seen Thy salvation,which Thou hast prepared before theface of all people — a light to lightenthe Gentiles, and the glory of Thypeople Israel.

Rejoice, O VirginRejoice, O Virgin Theotokos,Mary full of grace, the Lord is with Thee.Blessed art Thou among women, and

blessed is the Fruit of Thy womb, forThou hast borne the Saviour of oursouls.

MatinsThe Six Psalms: Glory to God in thehighestGlory to God in the highest, and on

earth peace, good will among men.Glory to God in the highest, and on

earth peace, good will among men.Glory to God in the highest, and on

earth peace, good will among men.

O Lord, open Thou my lips, and mymouth shall proclaim Thy praise.

(The six psalms at vespers are numbers 3,38, 63, 88, 103 and 143 and would bechanted by a Reader. Rachmaninoff entitledthis movement “The Lesser Doxology” in theautograph.)

Praise the name of the LordPraise the name of the Lord. Alleluia.Praise the Lord, O you His servants.

Alleluia, alleluia.Blessed be the Lord from Zion,He who dwells in Jerusalem. Alleluia.O give thanks unto the Lord, for He is

good. Alleluia, alleluia.For His mercy endures forever. Alleluia.

Blessed art Thou, O LordO give thanks unto the God of Heaven.

Alleluia, alleluia.For His mercy endures forever. AlleluiaBlessed art Thou, O Lord, teach me Thy

statutes.The angelic host was filled with awe,

when it saw Thee among the dead.By destroying the power of death, O

Saviour, Thou didst raise Adam, andsave all men from hell!

Blessed art Thou, O Lord, teach me Thystatutes.

“Why do you mingle myrrh with yourtears of compassion, O ye womendisciples?” cried the radiant angel inthe tomb to the myrrh-bearers.

“Behold the tomb and understand: theSaviour is risen from the dead!”

Blessed art Thou, O Lord, teach me Thystatutes.

Very early in the morning the myrrh-bearers ran with sorrow to Thy tomb,but an Angel came to them and said:“The time for sorrow has come to anend! Do not weep, but announce theresurrection to the apostles!”

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Blessed art Thou, O Lord, teach me Thystatutes.

The myrrh-bearers were sorrowful asthey neared Thy tomb, but the Angelsaid to them: “Why do you numberthe living among the dead? Since Heis God, He is risen from the tomb!”

Glory to the Father and to the Son andto the Holy Spirit.

We worship the Father, and His Son,and the Holy Spirit: the Holy Trinity,one in essence! We cry with theSeraphim: “Holy, Holy, Holy artThou, O Lord!” Both now and ever,and unto ages of ages. Amen.

Since Thou didst give birth to the Giverof Life, O Virgin, Thou didst deliverAdam from his sin!

Thou gavest joy to Eve instead ofsadness!

The God-man who was born of Theehas restored to life those who hadfallen from it!

Alleluia, alleluia, alleluia! Glory to Thee,O God!

Alleluia, alleluia, alleluia! Glory to Thee,O God!

Alleluia, alleluia, alleluia! Glory to Thee,O God!

Having beheld the resurrection ofChristHaving beheld the resurrection of

Christ, let us worship the holy LordJesus, the only Sinless One.

We venerate Thy Cross, O Christ, andwe hymn and glorify Thy holyresurrection, for Thou art our God,and we know no other than Thee; wecall on Thy name.

Come, all you faithful, let us venerateChrist’s holy resurrection.

For, behold, through the cross joy hascome into all the world.

Ever blessing the Lord, let us praise His

resurrection, for by enduring the crossfor us,

He has destroyed death by death.

My soul magnifies the Lord(Magnificat)

My soul magnifies the Lord, and myspirit rejoices in God my Saviour.

More honourable than the Cherubimand more glorious beyond comparethan the Seraphim, withoutdefilement Thou gavest birth to Godthe Word, true Theotokos, wemagnify Thee.

For He has regarded the low estate ofHis handmaiden. For behold,henceforth all generations will callme blessed.

For He who is mighty has done greatthings for me, and holy is His name,and His mercy is on those who fearHim from generation to generation.

More honourable than the Cherubim…He has put down the mighty from their

thrones, and has exalted those of low

Programme.pmd 13/03/2007, 21:059

degree; He has filled the hungry withgood things, and the rich He has sentempty away.

More honourable than the Cherubim…He has helped His servant Israel, in

remembrance of His mercy, as Hespoke to our fathers, to Abraham andto his posterity forever.

More honourable than the Cherubim…

The Great DoxologyGlory to God in the highest, and on

earth peace, Good will toward men.We praise Thee, we bless Thee, we

worship Thee, we glorify Thee, we givethanks to Thee for Thy great glory.

O Lord, Heavenly King, God the Fatheralmighty.

O Lord, the only begotten Son, JesusChrist and the Holy Spirit.

O Lord God, Lamb of God, Son of theFather, who takest away the sin of theworld have mercy on us.

Thou who takest away the sin of theworld, receive our prayer.

Thou who sittest at the right hand ofthe Father, have mercy on us.

For Thou alone art holy, Thou alone artthe Lord, Jesus Christ, to the glory ofGod the Father. Amen.

Every day I will bless Thee and praiseThy name forever and ever.

Vouchsafe, O Lord, to keep us this daywithout sin.

Blessed art Thou, O Lord, God of ourfathers, and praised and glorified isThy name forever. Amen.

Let Thy mercy, O Lord, be upon us, aswe have set our hope on Thee.

Blessed art Thou, O Lord, teach me Thystatutes.

Blessed art Thou, O Lord, teach me Thystatutes. Blessed art Thou, O Lord,teach me Thy statutes.

Lord, Thou has been our refuge from

generation to generation.I said: Lord, have mercy on me, heal

my soul, for I have sinned againstThee.

Lord, I flee to Thee, teach me to do Thywill, for Thou art my God; for withThee is the fountain of life, and inThy light we shall see light.

Continue Thy mercy on those whoknow Thee.

Holy God, Holy Mighty, Holy Immortal,have mercy on us.

Holy God, Holy Mighty, Holy Immortal,have mercy on us.

Holy God, Holy Mighty, Holy Immortal,have mercy on us.

Glory to the Father, and to the Son, andto the Holy Spirit, both now and everand unto ages of ages. Amen.

Holy Immortal, have mercy on us.Holy God, Holy Mighty, Holy Immortal,

have mercy on us.

TroparionToday salvation has come to theworldToday salvation has come to the world.Let us sing to Him who rose from the

dead, the Author of our life.Having destroyed death by death,He has given us the victory and great

mercy.

TroparionThou didst rise from the tombThou didst rise from the tomb and burst

the bonds of Hades!Thou didst destroy the condemnation of

death, O Lord, releasing all mankindfrom the snares of the enemy!

Thou didst show Thyself to Thineapostles, and didst send them forth toproclaim Thee; and through them Thouhast granted Thy peace to the world, OThou who art plenteous in mercy!

Programme.pmd 13/03/2007, 21:0510

SopranosCecily BlytherSally Daldorph *Doreen JamesMargaret JuryMiriam McCurdyNaomi OvernyTattwa Gyani

TenorsIan BurnettAndrew Daldorph *Adrian Male *David WhiteBrian Wilmot

AltosRachel ArnoldLisa PincombeSarah SladeLiz SmithCarol Wisken

BassesLes BilligIan Bromelow *Ian CornwellSimon Francis *Rob Martin *John SmithJohn Thompson

First HourTo Thee, the victorious LeaderTo Thee, the victorious Leader of

triumphant hosts, we Thy servants,delivered from evil, offer hymns ofthanksgiving,

O Theotokos!Since Thou dost possess invincible

might, set us free from all calamities,so that we may cry to Thee:

“Rejoice, O unwedded Bride!”

* We welcome and are very grateful to our guest singers.

FRIENDS OF THE WINKLEIGH SINGERS

We hope you have enjoyed this concert. If you did, we would like to invite you tobecome a Friend of the Winkleigh Singers. Friends enjoy advance notice of choiractivities, discounts on concert tickets, and opportunities to join in choir activities (forexample, four of our Friends joined our tour to Hungary). To apply to become aFriend, there are forms available at all our concerts and on our web site at http://www.winkleighsingers.org.uk, or write to Margaret Jury, Normandie, 23 Stoats Close,South Molton, Devon EX36 4JU.

The Winkleigh SingersHonorary Patron Richard Stilgoe OBE

MUSIC FORBASTILLE DAYThe Winkleigh Singers

and North Devon Sinfonia

A PROGRAMME OF ALLFRENCH MUSIC TO INCLUDE

FAURE’S REQUIEM

St Peter’s Church, Barnstaple

Saturday 14th July 2007

Details and tickets from 1st May

www.winkleighsingers.org.uk

Don’t miss it!

Programme.pmd 13/03/2007, 21:0511

MAIL ORDERNymet Music can now supply sheet

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LAUNCHING 1st APRIL 2007…honest!

A Workshop/Masterclassfor Adult Amateur Singers

Join the Winkleigh Singers for a full day of informal singing with theinternationally renowned soprano, Evelyn Tubb.

Everyone will have the opportunity to join in the general sessionsthroughout the day and to observe masterclass sessions.There will be a limited number of sessions available to

non-members of the Winkleigh Singers,either as individuals or small groups (first come, first served).

Saturday 14th April 2007, 9.30am to 5.00pmEntrance for the day £10.00. Masterclass session, add £10.00.

The Plough Arts Centre9-11 Fore Street, Great Torrington

01805 624624

Programme.pmd 13/03/2007, 21:0512