Q U E E R S , A R T A N D S A T IR E • V O L U M E E IG H T N U M B E R T W O • IS S U E 1 8 0 • J A N U A R Y 1 7 - 3 0 1 9 9 2

IQU E E R S 8 A R T I S T S

AIDS REFERRAL

A G A P E N e tw o r k

P O B o x 1 5 8 2 6

P h o e n ix 8 5 0 6 0

A ID SIn fo r m a t io n L in e

2 3 4 - 2 7 5 2

A r iz o n a

A ID S P r o je c t

9 1 9 N 1 s t S t

P h o e n ix 8 5 0 0 4

4 2 0 - 9 3 9 6

C A M P A /M A L T A

2 9 7 E M o n te r e y

P h o e n ix 8 5 0 1 2

2 3 0 - 1 8 8 1

C o m m u n i t y

A ID S C o u n c i l

P O B o x 3 2 9 0 3

P h o e n ix 8 5 0 6 4

2 6 5 - 2 4 3 7

C o m m u n it y

C a r e C e n t e r3 3 3 E V i r g in ia # 1 1 7

P h o e n ix 8 5 0 0 4

3 4 0 - 1 1 1 1

F la g s t a f f A ID S

O u tr e a c hP O B o x 1 8 3

F la g s ta f f 8 6 0 0 2

5 2 5 - 1 1 9 9

G a y M e n ’s

S e x P r o je c tc /o C A C

2 6 5 - A ID S

T h e N a m e s P r o je c tP O B o x 8 2 1 1 1

P h o e n ix 8 5 0 7 1

P h o e n ix

S h a n t i G r o u p1 3 1 4 E M c D o w e ll

P h o e n ix 8 5 0 0 6

2 7 1 - 0 0 0 8

P la n n e d P a r e n th o o d5 6 5 1 N 7 th S t

P h o e n ix 8 5 0 1 4

G e o r g e : 2 7 7 - P L A N

S e d o n a

A ID S G r o u pc /o F la g s ta f f A ID S

O u t r e a c h

5 2 5 - 1 1 9 9

V a l le y o f t h e

S u n C o a lit io n

f o r P W A sP O B o x 1 6 8 4 7

P h o e n ix 8 5 0 1 1

V e t e r a n sA d m in is t r a t io nH IV C o o r d in a to r &

E d u c a to r : L e e H o o d

2 7 7 - 5 5 5 1 e x t 7 1 8 2

V o lu n t e e r s

in D i r e c t A idP O B o x 5 6 8 9

P h o e n ix 8 5 0 1 1

9 3 8 - 3 9 3 2

ORGANIZATIONS

A d u lt C h ild r e n

o f A lc o h o l ic s9 6 3 - 0 9 8 4

A la n o n6 8 2 9 N 2 1 s t A v e

P h o e n ix 8 5 0 1 5

2 4 9 - 1 2 5 7

A lc o h o l ic sA n o n y m o u s

G a y G r o u p L is t in g s

4 6 0 2 N 7 th S t

P h o e n ix 8 5 0 1 4

2 6 4 -1 3 4 1

A m e r ic a n G a y

A t h e is t sP h o e n ix C h a p te r

3 0 0 3 N C e n t r a l A v e

S te 121 B o x 2 1 1

P h o e n ix 8 5 0 1 2

2 6 4 - 7 4 3 2

E A G L E (U S W e s t )

P O B o x 3 6 7 0 2

P h o e n ix 8 5 0 6 7

3 5 1 - 5 4 6 3

F e m in is t a n d

L e s b ia n

A c t iv is t C o a li t io n

9 6 7 - 2 5 7 0

G a y A ll ia n c e o f

N o r th e r n A r iz o n a

P O B o x 1 8 3

F la g s ta f f 8 6 0 0 2

5 2 5 - 1 1 9 9

G a y a n d L e s b ia n

D is c u s s io n G r o u p

8 7 0 - 9 5 9 7

G a y a n d L e s b ia n

S e n io r s

2 4 1 - 1 6 0 4

L e s b ia n a n d G a y

A c a d e m ic U n io n

A r iz o n a S ta te

U n iv e r s i ty

T e m p e 8 5 2 8 7

9 6 8 - 3 7 0 3

L e s b ia n a n d G a yC o m m u n it yS w itc h b o a r d

2 3 4 - 2 7 5 2

L e s b ia n /G a y P u b lic

A w a r e n e s s P r o je c t

P O B o x 6 0 8 8 1

P h o e n ix 8 5 0 8 2

9 9 4 - 2 1 0 0

P a r e n ts a n d

F r ie n d s o f

L e s b ia n s

a n d G a y sP O B o x 3 7 5 2 5

P h o e n ix 8 5 0 6 4

9 4 9 - 9 1 5 2

A ID S R e la te d :

9 3 9 - 7 8 0 7

P h o e n ix G a y Y o u t h

G ro u p

P O B o x 1 0 7 5

M e s a 8 5 2 1 1

8 9 7 - 8 9 8 9

P h o e n ix P r id e

P la n n in g C o m m it t e e6 3 1 - 0 3 5 0

R e la t io n s h ip

D is c u s s io n

G r o u p8 7 0 - 9 5 9 7

T h e W o m e n ’s C e n t e rP O B o x 2 6 0 3 1

T e m p e 8 5 2 8 2

2 7 5 - 9 1 4 8

9 2 4 - 2 3 5 8

SOCIALORGANIZATIONS

A r iz o n a P o w e r

E x c h a n g e5 8 2 1 N . 6 7 th A v e

S te 1 0 3 - 2 7 6

G le n d a le 8 5 3 0 1

8 4 8 - 8 7 3 7

A r iz o n a R a n g e r s

P O B o x 1 3 0 7 4

P h o e n ix 8 5 0 0 2

A r iz o n a W r a n g le r sc /o C a s h In n ^

2 4 4 - 9 9 4 3

C o p p e r s ta te

L e a t h e r m e n

P O B o x 4 4 0 5 1

P h o e n ix 8 5 0 6 4

C o u p le s

o f A r iz o n a

P O B o x 7 1 4 4

P h o e n ix 8 5 0 1 1

6 3 1 - 0 6 5 7

D e s e r t A d v e n t u r e sP O B o x 2 0 0 8

P h o e n ix 8 5 0 0 1

9 5 7 - 3 4 7 6

D e s e r t V a l le y

S q u a r e s

P O B o x 3 4 6 1 5

P h o e n ix 8 5 0 6 7

9 6 8 - 7 1 8 4

H e d o n is t ic

H a r d c o r e H ik e r s

P O B o x 9 7 5 1

P h o e n ix 8 5 0 6 8

L e s b ia n

B r e a k f a s t C lu b

2 7 8 - 1 8 6 9

L o s A m ig o s

D e l S o lP O B o x 2 7 3 3 5

P h o e n ix 8 5 0 6 1

8 4 3 - 1 3 2 9

O u r G a n g

B o w lin g L e a g u e

P O B o x 6 2 9 7 1 P h o e n ix 8 5 0 8 2

4 6 8 - 0 3 3 4

S o u t h w e s t M e n

a t L a r g e

P O B o x 2 5 9 5 1

T e m p e 8 5 2 8 5

T o w n a n d C o u n t r y

S o c ia l C lu b8 4 9 - 4 5 4 4

PROFESSIONALORGANIZATIONS

A r iz o n a

G a y R o d e o

A s s o c ia t io nP O B o x 1 6 3 6 3

P h o e n ix 8 5 0 1 1

9 3 8 - 3 9 3 2

C a m e lb a c k B u s in e s s

a n d P r o fe s s io n a l

A s s o c ia t io n

P O B o x 2 0 9 7

P h o e n ix 8 5 0 0 1

2 6 6 - 7 2 0 2

D e s e r t O v e r tu r e

P O B o x 1 6 4 5 4

P h o e n ix 8 5 0 1 1

9 9 7 - 4 3 7 3

P r o fe s s io n a l W o m e n ’s N e tw o r k

P O B o x 2 9 7 0

A p a c h e J u n c t io n

8 5 2 1 7

T e a m A r iz o n a

P O B o x 5 9 5 0

P h o e n ix 8 5 0 1 0

9 6 8 - 4 3 7 5

V a l le yC a r e e r W o m e n

P O B o x 3 3 3 9 3

P h o e n ix 8 5 0 6 7

2 4 2 - 8 9 0 6

POLITICAL ACTION

A ID S C o a li t io n

T o U n le a s h P o w e r

P O B o x 1 3 2 7 4

P h o e n ix 8 5 0 0 2

4 3 3 - 4 9 6 6

A r iz o n a n s f o r

G a y a n d L e s b ia n

C iv i l R ig h ts

9 5 6 - 6 2 8 4

A r iz o n a C o m m it t e e

F o r P r o g r e s s

P O B o x 4 0 3 7 4

P h o e n ix 8 5 0 6 7

C o a li t io n F o r

Im m e d ia te A c t io n

P O B o x 3 3 2 3 3

P h o e n ix 8 5 0 6 7

2 4 6 - 8 2 7 7

A r iz o n aD e m o c r a t ic P a r ty

2 5 4 - 4 1 7 9

A r iz o n aR e p u b lic a n P a r ty

9 5 7 - 7 7 7 0

ARTSPACE

A lw u n H o u s e

1 2 0 4 E R o o s e v e l t

P h o e n ix 8 5 0 0 4

2 5 3 - 7 8 8 7

ATTORNEYS

P o w e ll a n d R u s s o

1 5 6 4 8 N 3 5 th A v e

S u i te C - 1 1 2

P h o e n ix 8 5 0 2 3

8 4 3 - 5 9 9 3

R o g e r R e a

3 6 0 1 N 7 th A v e

S u ite B

P h o e n ix 8 5 0 1 4

2 4 8 - 7 9 2 1

TRAVEL

F ir s t r a v e l

5 1 5 0 N 7 th S t

P h o e n ix 8 5 0 1 4

2 6 6 - 0 5 6 6

L e o n a r d ’s T r a v e l

L e w is P iz e r

8 2 0 E In d ia n S c h l

P h o e n ix 8 5 0 1 4

2 7 4 - 2 8 9 3

ACCOUNTING

C a m e lW e s t In c o m e

T a x S e r v ic eP O B o x 1 1 1 9 4

P h o e n ix 8 5 0 6 1

8 4 1 - 5 4 1 4

REALTY

B lu e R ib b o n R e a lty

D a v id A tk in s

7 3 3 0 N . 1 6 th S t. A 1 2 0

P h o e n ix 8 5 0 2 0

2 6 3 - 9 6 9 6

2 6 6 - 0 4 7 9

B lu e R ib b o n R e a lty

M a rio R o m e r o

7 3 3 0 N . 1 6 th S t. A 1 2 0

P h o e n ix 8 5 0 2 0

2 6 3 - 9 6 9 6

2 5 2 -4 1 9 1

C e n t u r y 21

R ic h a r d L a r s e n

8 9 1 0 N C e n t r a l

P h o e n ix 8 5 0 2 0

9 4 3 - 7 2 5 2

LIVING SPACE

G a y R o o m m a teS e r v ic e

9 3 8 - 3 9 3 2 .

R o y a l V i l la

A p a r t m e n t s

1 1 0 2 E T u r n e y

P h o e n ix 8 5 0 1 4

2 6 6 - 6 8 8 3

W e s t w a y s B e d

a n d B a th

P O B o x 4 1 6 2 4

P h o e n ix 8 5 0 8 0

5 8 2 - 3 8 6 8

TYPESETTING

E t ie n n e

T y p e S h o pP O B o x 1 7 2 9 8

P h o e n ix 8 5 0 1 1

7 8 8 - 5 4 4 2

WORDPROCESSING

D iv e r s if ie d

D a ta D e s ig n s

P O B o x 3 3 2 3 3

P h o e n ix 8 5 0 6 7

2 4 6 - 8 2 7 7

MASSAGE

L a r r y G w in n

M e tr o P h o e n ix

9 7 1 - 5 0 0 9

M a s s a g e C o n n e c t io n

4 5 6 W M a in

T e m p e 8 5 2 0 1

8 3 3 - 7 2 0 7

HAIR STYLING

E r ic B u s t a m a n t e

T o p o f t h e M a r k

7 0 0 1 E M a in S t

S c o t ts d a le 8 5 2 5 1

9 4 5 - 7 0 0 8

R a r e B e a r s

B a r b e r S t y l in g

6 2 1 5 N C e n t r a l

P h o e n ix 8 5 0 1 4

2 7 4 - 4 5 7 0

T h e T iv o li6 1 6 6 N S c o t ts d a le

S c o t t s d a le 8 5 2 5 3

9 9 1 - 6 9 9 9

FLORISTS

A r c a d ia F lo w e r s

4 8 3 5 E In d ia n S c h l

P h o e n ix 8 5 0 0 8

8 4 0 - 3 7 5 0

B r ia r w o o d

F lo r a l D e s ig n

6 2 0 2 N 7 th S t

P h o e n ix 8 5 0 1 4

2 6 4 - 2 9 2 2

BOOKSHOPS

A l t e r n a t iv e s

4 4 2 8 N . 1 9 th A v e .

P h o e n ix 8 5 0 1 5

2 7 4 - 9 1 2 0

C h a n g in g H a n d s

B o o k s to r e

4 1 4 S M il l

T e m p e 8 5 2 8 1

H u m a n s p a c e B o o k s

1 6 1 7 N 3 2 n d S t

P h o e n ix 8 5 0 0 8

2 2 0 - 4 4 1 9

M e t r o p o p h o b o b ia

1 2 8 E . T a y lo r

P h o e n ix 8 5 0 0 2

2 5 5 - 0 6 6 8

FRAMING

T h e F r a m in g C e n t e r

2 7 0 1 N 2 4 th S t

P h o e n ix 8 5 0 0 6

9 5 7 - 0 8 7 7

P r e m ie r e F r a m e a n d

P ic t u r e G a lle r y

1 4 4 1 N 2 7 th L n

P h o e n ix 8 5 0 0 9

4 8 4 - 0 5 6 5

RETAIL

E u r o M a r k e t

5 0 1 7 N C e n t r a l

P h o e n ix 8 5 0 1 22 5 2 - E U R O

P a r r o f A r iz o n a

C u s t o m S w im w e a r

4 5 3 2 N 7 th S t

P h o e n ix 8 5 0 1 4

2 3 0 - 2 1 3 3

T u f f S tu f f L e a t h e r1 7 1 4 E M c D o w e ll

P h o e n ix 8 5 0 0 6

2 5 4 - 9 6 5 1

SPIRITUALORGANIZATIONS

Churches

C a s a d e C r is to

1 0 2 9 E T u r n e y

P h o e n ix 8 5 0 1 4

2 6 5 - 2 8 3 1

F ir s t U n it a r ia n

U n iv e r s a l is t

4 0 2 7 E L in c o ln P a r a d is e V a l le y 8 5 2 5 3

8 4 0 - 8 4 0 0

G e n t le S h e p h e r d

3 4 2 5 E M o u n t a in

P h o e n ix 8 5 0 4 6

9 9 6 - 7 6 4 4

H e a lin g W a t e r s

M in is t r ie s

5 5 5 5 E V a n B u re n

S te A - 1 0

P h o e n ix 8 5 0 0 8

2 4 4 - 1 5 7 7

O a s is M C C

2 4 0 5 E C o r o n a d o

P h o e n ix 8 5 0 0 8

2 7 5 - 3 5 3 4

R e s to r a t io n

C h u r c h o f

J e s u s C h r is t1 - 8 0 0 - 6 7 7 - R C J C

Social Groups

A ff ir m a t io n

G a y M o r m o n s

P O B o x 2 6 6 0 1

T e m p e 8 5 2 8 5

3 9 6 - 6 9 5 0

B r e th r e n M e n n o n it e s

C o u n c il

P O B o x 5 6 1 3

G le n d a le 8 5 3 1 2

D ig n it y / ln te g r ity

E p is c o p a l a n d R o m a n

C a th o l ic s

P O B o x 2 1 0 9 1

P h o e n ix 8 5 0 3 6

2 5 8 - 2 5 5 6

L u t h e r a n s

C o n c e r n e d

P O B o x 7 5 1 9

P h o e n ix 8 5 0 1 1

8 7 0 - 3 6 1 1

M is h p a c h a t A m

P O B o x 7 7 3 1

P h o e n ix 8 5 0 1 1

9 6 6 - 5 0 0 1

P r e s b y t e r ia n s f o r

L e s b ia n a n d G a y s2 7 5 - 0 5 0 6

New Age Worship

G o d d e s sW o m y n ’s N e tw o r kP O B o x 1 7 3 1 2

P h o e n ix 8 5 0 1 1

2 5 8 - 2 3 8 8

H o u s e o f

th e D a w n2 1 4 1 E P a lm L n

P h o e n ix 8 5 0 0 8

2 6 7 - 1 2 0 3

M e c c a C e n t e r

4 2 4 E C o lt e r

P h o e n ix 8 5 0 1 2

M o o n G o d d e s s

C o v e nP O B o x 4 8 9 1 8

P h o e n ix 8 5 0 7 5

BARS

Mixed

C a s h In n

2 1 2 0 E M c D o w e l l

2 4 4 - 9 9 4 3

F o s t e r ’s

4 3 4 3 N 7 th A v e

2 6 3 - 8 3 1 3

G .B . ’s R e n d e z v o u s

4 1 3 2 E M c D o w e ll

2 7 5 - 3 5 0 9

J C ’s F u n O n e

5 5 4 2 N 4 3 r d A v e

9 3 9 - 0 5 2 8

L it t le J i m ’s 3 0 7

2 2 2 E R o o s e v e lt

2 5 2 - 0 0 0 1

M a r ly s ’

1 5 6 1 5 N C a v e C r k

8 6 7 - 2 4 6 3

P r e s t o n ’s4 1 0 2 E T h o m a s R d

2 2 4 - 5 7 7 8

W in k ’s

5 7 0 7 N 7 th S t

2 6 5 - 9 0 0 2

Women

In c o g n ito

2 4 2 4 E T h o m a s

9 5 5 - 9 8 0 5

N a s ty H a b its3 1 0 8 E M c D o w e ll

2 6 7 - 8 7 0 7

T a lk o f t h e T o w n

4 3 0 1 N 7 th A v e

2 4 8 - 0 0 6 5

Men

B o b b y ’s1 8 1 0 E M c D o w e ll

2 5 8 - 9 4 7 7

B S W e s t

7 1 2 5 5 th A v eS c o t ts d a le

9 4 5 - 9 0 2 8

C a t t le m a n ’s

E x c h a n g e1 3 8 W C a m e lb a c k

2 6 6 - 0 8 7 5

C h a r l i e ’s

7 2 7 W C a m e lb a c k 2 6 5 - 0 2 2 4

C r u is in ’ C e n tr a l

1 0 1 1 N C e n t r a l

2 5 3 - 3 3 7 6

D u r a n g o ’s

1 5 1 7 S B la c k C a n y o n

H w y

2 7 1 - 9 0 1 1

P h a z

1 5 5 W . C a m e lb a c k

P h o e n ix 8 5 0 1 3

2 7 4 - 8 5 0 5

Levi/Leather

A p o ll o ’s

5 7 4 9 N 7 th S t

2 7 7 - 9 3 7 3

B u m S te e r

4 6 2 0 N 7 th A v e

2 7 9 - 3 0 3 3

N u t o w n e

5 0 0 2 E V a n B u r e n2 6 7 - 9 9 5 9

T r a x

1 7 2 4 E M c D o w e l l2 5 4 - 0 2 3 1

p u b lis h e d b y

R A D IC A L P H AER IE

M AR KETIN G , INC.

e d i to r - in -c h ie f

R obrt L. Pela

a r ts e d ito r s

M itch Kalish

Scott W eber

c o p y e d ito r

Louis C lem ente

a r t d ir e c t io nKate Bosw orth

ty p e s e t t in gPat Em erson

The only worthwhile human beings on the planet are affluent white heterosexual Christian malesw h o w e r e b o r n in N o r t h A m e r ic a . E v e r y o n e e ls e — b e g in n in g w it h a f f lu e n t w h i t e

p ro d u c t io n a s s is ta n c e

Bj Bud

h e t e r o s e x u a l C h r is t ia n f e m a le s a n d e n d in g w it h b la c k g a y m e n w it h H I V

d is e a s e — f a l ls in l in e b e h in d . B u t q u e e r s h a v e o n e t h in g in c o m m o n w it h o u r

p h o to g r a p h y

David Parker

h e te r o c o u n t e r p a r t s : N o n e o f u s , i f w e a b id e b y le g a l p r in c ip le , is a l lo w e d t o g iv e

h e a d . • E v e r y b o d y w a n t s t o p u t t h e i r g e n it a ls in to s o m e o n e e ls e ’s m o u th . B u t

c u ltu r e c lu b

Rey H offm an

lo c a l n e w s r e p o r t in g

C huck Hadd, Jr.

w r i te r s

W endy C aste r

Louis C le m e n t# . ,

Neil Cohen'

Lord M ustapha X. fe in b e rg

G irl

G erald H aw fC 1 1

Kirby H o lt '- ; ;

Paul Lind

Lee Lynch

Peter Petriskc^;4L; ;;.y

Perry S h u r tt

Don SI u tes

David Van V irden

E llen M. Y oung

Y vonne Z ip te r

lo g o d e s ig n

David V an V irden

r e g a r d le s s o f t h e g e n d e r o f o u r p le a s u r e p a r tn e r s , in g e s t in g o r g a n s m e a n t f o r

w a s t e e l im in a t io n is i l le g a l. S o is h a v in g s e x w it h s o m e o n e t o w h o m y o u ’r e n o t

la w fu l ly w e d . F u c k in g s o m e o n e u p t h e a s s w i l l g e t y o u t e n t o tw e n t y . N o o n e is

s a fe . • D is c r im in a t io n a n d h y p o c r is y a r e h a l lm a r k s o f A m e r ic a n c u lt u r e . F o r g e t

a b o u t t h e r ig h t t o p r iv a c y , b o d y s o v e r e ig n ty , a n d a l l f o r m s o f f r e e d o m . O u r s e lf -

lo a th in g s o c ie t y d ic t a t e s w h a t w e c a n a n d c a n n o t d o w it h o u r b o d ie s ; it b a c k s u p

t h e s e m a n d a t e s w i t h p e n a lt ie s a n d p r e ju d ic e . I f i t is e v e n in t im a t e d t h a t w e a r e

p e r fo r m in g s e x u a l a c t s d i f f e r t h a n t h o s e y y h ic h a r e le g a l l y s a n c t ip n e d , w it h a n y o n e

o t h e r t h a n t h e p e r s o n t o w h o m w e a r e le g a l l y w e d , t h e n w e a r e a d e s e r v in g t a r g e t

; ; | f^ t ó h - ^ p f ^ i n a t i o n . I f p o i r a r e h o m o s e x u a l a n d | o u t e l l t h e t r u t h a b o u t it, w e h a v e

b e e n f t ^ p b ^ w i l l b e f i f f f l , r u n o u t p f y o u r h o m e , a n d c a s t o u t o f p o l i t e s o c ie ty .

I f f f f W e a r e t a u g h t t h a t p r e t e n d in g t o ; b e s o m e th in g w e ’ r e n o t— n a m e ly ,

h e t e r o s e x u a l— w il l m a k e u s h a p p ie r . C h a n g in g la w s t h a t s u p p o r t t h e s e a t t i t u d e s

is a lo n g , d i f f i c u l t p r o c e s s t h a t u l t im a te ly d is c r e d i t s o u r p e r s o n a l r ig h ts . • L a s t

m o n th , a n a m e n d m e n t t o a n o r d in a n c e g r a n t in g a n t id is c r im in a t io n p r o te c t io n t o c i ty

c ir c u la t io n d ir e c to r

P atric ia S im on

l i tn a t io n a l a d v e r t is in g

R ivende ll M arketing

P llj5 -iVr e g io n a l a d v e r t is in g

Kevin Ray

R esource a

member of the

Associated Press.

© 1992 Radical P haerie M arketing, Inc.

P .0 . Box 5948

Phoenix, A Z 85010

602-256-7476

e m p lo y e e s a d d e d s e x u a l o r ie n t a t io n t o i ts la n g u a g e . T h is a c t io n , w h i le c e r t a in ly a

v ic t o r y f o r g a y a c t iv is t s , c a r r ie s w i t h it f r ig h t e n in g im p l i c a t io n s : N a m e ly , t h a t t h e\ ■■ ■ ' ; :■ '

......

T - l l l l l

.g o v e r n m e n t h a s t h e a u t h o r i t y t o d e c id e w h o h a s c iv i l r ig h ts a n d w h o d o e s n o t . ♦

T o g i v e f h i s la w c r e d e n c e , y f e m u s t o v e r lo o k t h e f a c t t h a t eve ryone h a s c iv i l r ig h ts .

T h e g o v e r n m e n t s e le c t i v e ly d e n ie s t h o s e r ig h ts t o g r o u p s it d o e s n ’t l ik e , l ik e g a y s

a n d w d m ^ a n d t h e m e n ta l l y il l . T r u t h f u l l y , i t ’s n o t u p t o t h e m t o g r a n t o r d e n y .

W h e n w e t t J y in t o t h e e x is t in g ju d ic ia l s y s te m , w e a r e g iv in g t h e g o v e r n m e n t m o r a l.

a u th o r i t y . * A n t id is c r im in a t io n p r o te c t io n f o r g a y m e n a n d le s b ia n s is a n im p o r t a n t

s te p t o w a r d o u r e v e n t u a l s a fe t y in a h e t e r o s e x is t u n iv e r s e . B u t it e n ta i l s o u r g iv in g

u p p e r s o n a l f r e e d o m s t o a le g is la t iv e b o d y w h ic h is d e s ig n e d t o d is c r im in a t e in t h e

f i r s t p la c e . W o r k in g w i t h in t h e e s ta b l i s h e d s y s t e m s u g g e s ts in d iv id u a l

L e t te r s to th e e d ito r , a r t w o r k , s l id e s , p h o to g ra p h s ,

m a n u s c r ip ts , a n d o th e r c o r r e s p o n d e n c e m a y b e

s u b m it te d to R E S O U R C E b u t c a n n o t b e a c k n o w le d g e d

o r r e tu r n e d u n le s s a c c o m p a n i e d b y a s ta m p e d , s e lf -

a d d r e s s e d e n v e lo p e . A ll r ig h ts to s u b m it te d m a te r ia l

s h a ll b e a s s ig n e d to t h e p u b lic a t io n u n le s s o th e r w is e

a g r e e d p rio r to p u b lic a t io n . A d v e r t is in g la y o u ts a n d

o r ig in a l a r tw o r k g e n e r a t e d fo r u s e in R E S O U R C E

b e lo n g in th e ir e n t ir e ty to R a d ic a l P h a e r ie M a r k e t in g ,

In c . R e p r o d u c t io n in a n y fo rm w ith o u t t h e w r it te n

p e r m is s io n o f t h e p u b lis h e r is s t r ic t ly fo r b id d e n . T h is

d o e s n o t in c lu d e m a te r ia ls , a rt , p h o to g ra p h s , o r w rit in g

w h ic h h a s b e e n p r e v io u s ly c o p y r ig h te d . P u b lic a t io n o f

t h e n a m e , p h o to , o r l ik e n e s s o f a n y p e rs o n or

o r g a n iz a t io n in a d v e r t is in g o r a r t ic le s in R E S O U R C E is

n o t to b e c o n s tr u e d a s a n y in d ic a t io n o f t h e s e x u a l

o r ie n ta t io n o f s u c h p e r s o n o r o r g a n iz a t io n . T h e

c o n te n ts o f R E S O U R C E a r e c o p y r ig h t © 1 9 9 2 b y

R a d ic a l P h a e r ie M a r k e t in g , In c . a n d m a y n o t b e

r e p r o d u c e d in w h o le o r in p a r t w ith o u t w rit te n

p e r m is s io n f ro m t h e p u b lis h e r , a b itte r m a n w h o h a te s

e v e r y th in g a b o u t h is l ife . A l l r ig h ts r e s e r v e d . P a u l

B r a u n !!

S u b s c r ip tio n s to R E S O U R C E m a y b e p u r c h a s e d a t th e

a n n u a l r a te o f $ 3 0 . F ir s t c la s s d e l iv e r y m a y t a k e o n e

to th r e e w e e k s .

p o w e r le s s n e s s . N o t f ig h t in g t o c h a n g e t h a t s y s t e m s u g g e s ts d e fe a t . U lt im a te ly , it

s e e m s , a n a r c h y is t h e o n ly a n s w e r . — Pela

O n t h e c o v e r : “F -4 ,” e nam e l on h o t-ro lled s te e l b y J im Cherry . C he rry Is

m e rc ile ss ly lam pooned on p a g e 6 o f th is issue.

RESOURCE VOLUME EIGHT NUMBER TWO • PAGE THREE

C a ll I t C o m p r o m i s e , b y C h u c k H a d d J r .

T h e re ’s n o n e e d to d w e ll o n A r iz o n a ’s

r e p u ta t io n a s a s ta te ru n b y r ig h t - w in g

n in n ie s a n d a d im - b u lb R e p u b l ic a n

g o v e r n o r w i th a s ta f f o f o v e r p a id ,

in c o m p e t e n t s y c o p h a n t s s t u f f i n g

th e m s e lv e s a t th e p u b l ic t r o u g h — w h ile

b u d g e ts f o r e d u c a t io n , h e a lth a n d h u m a n

s e r v ic e s a re c u t s t i l l fu r th e r to th e b o n e .

B u t w h i le th in g s a t th e s ta te le v e l m a y

s e e m h o p e le s s ly b le a k , a t le a s t t h e r e ’s

s o m e l ig h t c o m in g f r o m th e c i t ie s . B o th

T u c s o n a n d P h o e n ix , f o r e x a m p le ,

e n a c te d o f f ic ia l m u n ic ip a l h o lid a y s

h o n o r in g M a r t in L u th e r K in g , J r . a f te r

fo r m e r g o v e r n o r E v a n M e c h a m r e s c in d e d

th e s ta te h o l id a y . T u c s o n a ls o h a s a n

a n t id is c r im in a t io n o r d in a n c e , w h ic h

in c lu d e s g a y m e n a n d le s b ia n s , a n d

e x te n d s to a ll b u s in e s s e s w ith in th e c ity ,

a s w e ll a s th e c i t y g o v e rn m e n t i ts e lf .

P h o e n ix a ls o h a s a n a n t id is c r im in a t io n

o r d in a n c e , b u t i t d o e s n ’t f u l ly in c lu d e g a y

m e n a n d le s b ia n s . N o t y e t .

C u r r e n t ly th e P h o e n ix c i t y c o d e

p r o s c r ib e s d is c r im in a t io n in h o u s in g ,

p u b l ic a c c o m m o d a t io n s a n d e m p lo y m e n t

o n th e b a s is o f s e x , ra c e , r e l ig io n , c o lo r ,

n a t io n a l o r ig in o r a n c e s tr y .

L a s t D e c e m b e r , th e P h o e n ix C ity

C o u n c i l c o n s id e r e d a n a m e n d m e n t th a t

w o u ld h a v e e x te n d e d t h e s a m e

a n t id is c r im in a t io n p r o te c t io n to p e o p le

r e g a r d le s s o f s e x u a l o r ie n ta t io n , m a r i ta l

s ta tu s , m il i t a r y s ta tu s , a n d p h y s ic a l

d is a b i l i t y . ( C o n s p ic u o u s ly le f t o u t o f th e

a m e n d m e n t w a s th e s ta tu s o f e x - c o n v ic ts .

T h is , o f c o u r s e , w o u ld b e te s t in g th e

b o u n d a r ie s o f e v e n th e m o s t p r o g r e s s iv e

s o c ia l a g e n d a , a n d t h r o w in g t h is

p a r t ic u la r lo g in to th e f i r e a lo n g w ith th e

r e s t w o u ld p r o b a b ly b e c o u n te r p r o d u c t iv e

a t t h is t im e — d e s p ite th e fa c t t h a t i t w o u ld

p r o b a b ly b e n e f i t a fe w o f th e g o v e r n o r ’s

fo r m e r c r o n ie s , p o s s ib ly th e g o v e r n o r

h im s e l f s o m e d a y . A n d i t ’s w o r th n o t in g

th a t th e s ta te o f H a w a ii d o e s in c lu d e e x ­

fe lo n s in i ts a n t id is c r im in a t io n la w .)

T h e a m e n d m e n t w a s s p o n s o r e d b y

fo r m e r P h o e n ix C ity C o u n c i l m e m b e r

L in d a N a d o ls k i. T h e C o u n c i l p a s s e d a

c o m p r o m is e v e r s io n o f th e m e a s u re

p r o p o s e d b y M a y o r P a u l J o h n s o n .

N a d o ls k i v o te d a g a in s t th e w a te re d -

d o w n v e r s io n , s a y in g s h e “ d id n ’t w a n t

a n y o n e t o t h i n k t h i s w a s a n

a c c o m p lis h m e n t a n d th a t w e h a d re a c h e d

t h e e n d o f t h e t r a i l . ”

B la c k C o u n c i l m e m b e r C a lv in G o o d e a l s o

v o t e d a g a in s t t h e c o m p r o m is e . “ I ’v e l i v e d a l l

m y l i f e b e i n g t o l d I s h o u ld b e s a t i s f i e d w i t h

h a l f a l o a f , " s a id G o o d e . H e ’s v o w e d t o

c o n t i n u e p u s h in g f o r a f u l l a n t i d i s c r i m in a t i o n

a m e n d m e n t . “ I d o n ’t w a n t a h a l f l o a f f o r t h e

g a y c o m m u n i t y e i t h e r . ”

B u t , w h i l e i t d i d n ’t e n t i r e l y p l e a s e e v e r y o n e

in t h e g a y c o m m u n i t y , t h e c o m p r o m is e

m e a s u r e d id l e a v e s o m e t e m p o r a r i l y

s a t i s f i e d .

D a v id B la is is t h e c h a i r m a n o f t h e A r i z o n a

C o m m i t t e e f o r P r o g r e s s , a g a y p o l i t i c a l

a c t i o n c o m m i t t e e , w h i c h s u p p o r t e d t h e

c o m p r o m is e . “ I t w a s t h e b e s t w e c o u l d d o , ”

h e s a id . W i t h t h e c i t y c o u n c i l o n r e c o r d in

s u p p o r t o f a t l e a s t s o m e a n t i d i s c r i m in a t i o n

p r o t e c t i o n f o r g a y s a n d l e s b ia n s , i t w i l l b e

h a r d f o r t h e c o u n c i l t o b a c k p e d a l o n t h e

i s s u e n e x t y e a r . M e a n w h i l e , p a s s a g e o f t h e

c o m p r o m i s e v e r s i o n w a s a b ig s t e p t o w a r d

p a s s a g e o f a f u l l v e r s i o n in 1 9 9 2 , B la is s a id .

T h e c o m p r o m i s e v e r s i o n t h a t t h e C o u n c i l

a p p r o v e d la s t y e a r p r o h ib i t s a n t i - g a y

d i s c r i m i n a t i o n in m u n i c i p a l e m p lo y m e n t , b u t

n o t e m p l o y m e n t in t h e p r i v a t e s e c t o r . N o r

d o e s i t p r o h ib i t d i s c r i m i n a t i o n in h o u s in g a n d

p u b l i c a c c o m m o d a t i o n s . M o r e o v e r , t h e

c o m p r o m i s e v e r s i o n o n l y a p p l i e s t o

h o m o s e x u a l s , n o t t h e o t h e r t h r e e c a t e g o r i e s

m e n t i o n e d in t h e o r i g i n a l a m e n d m e n t .

In p r o p o s in g t h e c o m p r o m i s e v e r s i o n ,

w h i c h l im i t s a n t i d i s c r i m i n a t i o n p r o t e c t i o n t o

c i t y e m p lo y e e s , M a y o r J o h n s o n s a id t h e

c o u n c i l h a d n o t y e t h a d t i m e t o a s s e s s t h e

e c o n o m i c im p a c t o f t h e f u l l m e a s u r e . T h e r e

w e r e a l s o “ l e g a l ” c o n s i d e r a t i o n s .

T h e le g a l c o n s i d e r a t i o n s , o f c o u r s e , a r e

t h e s t a t e ’s s t a t u t e s g o v e r n in g s e x u a l

b e h a v io r . A r i z o n a 's c r im in a l c o d e m a k e s

h o m o s e x u a l a c t i v i t y i l l e g a l , a l o n g w i t h s u n d r y

o t h e r s e x u a l a c t s a m o n g h e t e r o s e x u a l s . T h e

c o d e a l s o m a k e s i t i l l e g a l t o h a v e s e x w i t h

a n y o n e t o w h o m y o u a r e n o t l a w f u l l y

m a r r i e d . T o b e a b s o lu t e l y c e r t a i n t h e y a r e n ’t

b r e a k in g t h e la w , m a r r i e d p e o p le — a n d o n l y

m a r r i e d p e o p le — s h o u l d c o n f i n e t h e m s e l v e s

t o t h e m i s s i o n a r y p o s i t i o n . T h e p o i n t is w o r t h

n o t in g : A d e c a d e a g o , a M e s a p o l i c e m a n

w a s f i r e d a f t e r a c k n o w l e d g i n g h e is g a y . T h e

A r i z o n a c r im in a l c o d e w a s g i v e n a s a

r a t i o n a le f o r t h e f i r i n g , t h o u g h t h e r e w a s n o

e v i d e n c e t h e p o l i c e m a n h a d e n g a g e d in a n y

s e x u a l a c t i v i t y .

T h e r e ’s a g e n e r a l a s s u m p t i o n t h a t g a y

p e o p le , m e r e l y b y v i r t u e o f t h e i r e x i s t e n c e ,

a r e b r e a k in g t h e la w . B u t t h e la w d o e s n ’t

m a k e h o m o s e x u a l i t y i l l e g a l p e r s e — o n l y

h o m o s e x u a l a c t s . T h e la w a ls o , a s n o t e d ,

m a k e s s e x u a l a c t s b y u n m a r r i e d

h e t e r o s e x u a l s i l l e g a l . B u t w h e n w a s t h e la s t

t i m e y o u h e a r d o f a n u n m a r r i e d h e t e r o s e x u a l

b e in g f i r e d o n t h e a s s u m p t i o n t h a t h e o r s h e

R E S O U R C E • V O L U M E E IG H T N U M B E R T W O • IS S U E N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 • P A G E F O U R • EDITORIAL

m u s t b e , b y v i r t u e o f s t a t u s

a lo n e , b r e a k in g t h e la w ?

P e r h a p s J o h n s o n d o e s

h a v e a l e g i t i m a t e c o n c e r n

w i t h t h e le g a l c o n s i d e r a t i o n s

o f a f u l l a n t i d i s c r i m i n a t i o n

o r d i n a n c e , i f t h e c a t e g o r y o f

“ m a r i t a l s t a t u s ” is in c lu d e d .

N o t t h a t h e n e e d s t o w o r r y

a b o u t S t a t e A t t o r n e y

G e n e r a l G r a n t W o o d s t a k i n g

a n y a c t i o n . W o o d s ig n o r e d

t h e la w h i m s e l f b e f o r e

a n n o u n c in g h i s c a n d i d a c y

a n d m a r r y i n g w i f e n u m b e r

t w o . ( T h is f r o m a m a n w h o

n o w g lo a t s a t t h e p r o s p e c t o f

e x e c u t i n g s o m e o n e in t h e

g a s c h a m b e r b y s a y in g h e ’s

o n l y d o i n g h i s j o b t o “ e n f o r c e

t h e l a w . ” )

S o w h a t a b o u t t h e

e c o n o m i c r a m i f i c a t i o n s o f a

f u l l a n t i d i s c r i m i n a t i o n

o r d i n a n c e t h a t t h e m a y o r

h a s c i t e d a s “ n e e d in g f u r t h e r

s t u d y ” ? N o n s e n s e , s a y s

N a d o ls k i . “ T h e r e is n o

e c o n o m i c i m p a c t in

e l im i n a t i n g d i s c r i m i n a t i o n , ”

s h e s a y s .

L o c a l a c t i v i s t s , m a n y o f

t h e m v e t e r a n s o f a s i m i l a r

( a n d u n s u c c e s s f u l )

a n t i d i s c r i m i n a t i o n e f f o r t f i v e

y e a r s a g o , h a v e c o m e

t o g e t h e r t o d i s c u s s p l a n s f o r

t h e f u t u r e . I f t h e y s u c c e e d ,

t h e n h o p e f u l l y i t w i l l b e j u s t

t h e b e g in n in g o f a l a r g e r

m o v e m e n t t o e n d

d i s c r i m i n a t i o n la w s in o u r

s t a t e .

A r i z o n a m a y b e

p i g h e a d e d . B u t , l i k e i t o r n o t ,

t h e s t a t e m a y y e t f i n d i t s e l f

d r a g g e d i n t o t h e T w e n t y -

F i r s t C e n t u r y b y i t s o w n

c i t ie s .

R E S O U R C E • V O L U M E E IG H T

If Y o u K n e w S u e

I t m u s t h a v e b e e n t h e

C h r is tm a s s p i r i t t h a t p o s s e s s e d

m e t o p ic k u p y o u r r a g o f a

p a p e r , b u t I d id . In i t I f o u n d n o t

o n e b u t t w o r e f e r e n c e s t o t h e

“ S u e L a y b e S a id ‘F a g ’ S t o r y . ”

Y o u o b v io u s ly h a v e s p e n t m o s t

o f t h e y e a r s t e w in g o v e r t h is ,

f o r w h ic h I t h in k y o u s h o u ld

s e e k p s y c h ia t r ic h e lp .

S u e L a y b e a h o m o p h o b e ?

G iv e m e a b r e a k ! S h e h a s

n e v e r b e e n th a t , b u t t o t h e

c o n t r a r y h a s b e e n a f r ie n d ( a n

“ F ” w o r d ) t o t h e c o m m u n it y

e v e n t h o u g h w e h a v e c a l le d

h e r n a m e s l ik e “ b r e e d e r , ”

“ s q u a w , ” “ f a g h a g , ” “ b i t c h , ” a n d

m o s t r e c e n t ly “ a n h o n o r a r y g a y

m a n . ” I t ’s o b v io u s ly n o t e n o u g h

t h a t s h e s e r v e d t im e f o r c r im e s

t h a t s h e d id n o t c o m m it b u t

w a s f o r c e d t o p le a d g u i l t y t o a s

a r e s u lt o f t h e t e s t im o n y o f o n e

o f h e r c o n f id a n t s a n d f r ie n d s

( t h e r e ’s t h a t “ F ” w o r d a g a in ) .

W h a t s h o u ld c o n c e r n y o u is

t h a t t h e r e a l h o m o p h o b e t h a t

b r o u g h t S u e t o S t e d in o

b e c a u s e o f h e r p r o u d

r e p r e s e n t a t io n o f t h e g a y a n d

le s b ia n c o m m u n it y h a s c u t a

d e a l w it h t h e C o u n t y A t to r n e y

s o t h a t h e w i l l n o t h a v e t o g o t o

p r is o n f o r h is r o le in A z S c a m .

B u t w h y s h o u ld y o u s t a r t n o w

w it h le t t in g t h e f a c t s g e t in t h e

w a y o f y o u r “ r e p o r t in g ” ?

I h a v e s to o d b y S u e f r o m

t h e f i r s t in d ic t m e n t a n d r e m a in

c o m m it t e d b e c a u s e I k n o w h e r

a n d c o u ld s e e t h r o u g h t h e

s m o k e s c r e e n s o f M r . R o m le y ’s

o f f ic e ( t a k e t h e T e m p le M u r d e r s

f o r e x a m p le ) a n d b e c a u s e s h e

a lw a y s s t o o d b y m e a n d t h e

c o m m u n it y . S h e h a s b e e n o u r

f r ie n d a n d d e s e r v e s b e t te r t h a n

t h e t r e a t m e n t y o u r p a p e r h a s

g iv e n h e r .

D a n n y G o l la d a y

Tempe

U p t h e W r o n g T r e e

R u d y , R u d y , R u d y . I c a n ’t

b e l ie v e t h is is t h e b ig g e s t s to r y

w e h a v e d e a l in g w it h t h e H IV

v i r u s ( “ G o n e t o t h e D o g s , ”

J a n u a r y 3 ) . F ir s t , a m e m o r ia l

a d in t h e A rizona Repub lic , a n d

t h e n a s t o r y in t h e “ L i f e a n d

L e is u r e ” s e c t io n o f t h e

Repub lic ’s D e c e m b e r 3 0 th

is s u e .

Y e s , R u d y w a s a c u te l i t t le

d o g — I ’ ll a d m i t t h a t . B u t

q u o t a t io n s t h a t w e r e u s e d in

t h e Repub lic a r t ic le , s u c h a s

“ H e n e v e r t h o u g h t o f h im s e lf a s

a . . . d o g , ” w e r e lu d ic r o u s . W h o

d id R u d y te l l t h is to ?

Q u o t a t io n s f r o m R a n d y

G o r b e t te , t h e d ir e c t o r o f

P h o e n ix S h a n t i G r o u p , t h a t

a p p e a r e d in t h e R epub lic a r t ic le

( w e r e a ls o o f f e n s iv e ) . G o r b e t te

d e s c r ib e s t h e c l ie n ts o f S h a n t i

a s “ p e o p le ( w h o ) c o m e to u s

s c a r e d , d e p r e s s e d , f r ig h te n e d ,

fu l l o f s h a m e a n d f e e l in g d i r ty

a n d h o r r ib ly r e je c t e d . ” I f t h is is

h o w M r . G o r b e t t e s e e s h is

c l ie n ts , t h e n I c a n u n d e r s t a n d

w h y t h e r e is a m o v e m e n t

u n d e r w a y t o h a v e h im s te p

d o w n .

A n o t h e r q u o t a t io n t h a t

G o r b e t t e g a v e , t h is t im e t o

Resource , w a s in r e s p o n s e t o

t h e q u e s t io n , “ W h y d o e s

e v e r y o n e h a t e y o u ? ” G o r b e t t e

r e s p o n d e d w it h “ B e c a u s e I ’m

p u s h y . B e c a u s e I ’v e g o t t e n a

lo t o f w o r k d o n e f o r p e o p le w it h

A ID S , w h i le e v e r y o n e e ls e s a t

a r o u n d b it c h in g a n d m o a n in g .

B e c a u s e I d o n ’t c a r e a b o u t h o w

p e o p le f e e l a b o u t m e , a s lo n g

a s I g e t t h e w o r k d o n e . ”

G o r b e t t e h a s fo r g o t t e n

a b o u t h is v o lu n t e e r s . S o r r y , b u t

t h o s e a r e t h e p e o p le w e h a v e

t o t h a n k . T h o s e a r e t h e p e o p le

w h o a r e n o t r e c e iv in g a

$ 4 5 , 0 0 0 - a - y e a r s a la r y w i t h

t r a v e l in g e x p e n s e s . M a y b e o n e

d a y G o r b e t t e ’s e g o w i l l le t h im

s a y “t h a n k y o u ” t o t h e o th e r

o r g a n iz a t io n s w h o a r e t h e r e t o

p ic k u p w h e r e h e h a s n ’t b e e n

a b le to , w h o h a v e f in is h e d jo b s

h e h a s s t a r t e d a n d c o u ld n ’t

f in is h .

I t ’s t o o b a d t h a t w h e n a

P W A w h o h e lp e d b r in g S h a n t i

t o P h o e n ix d ie d in J u ly , h e g o t

n o m e m o r ia l s e r v ic e a t t h e

S h a n t i c o m p le x . T h e la c k o f

c o m p a s s io n o n t h e b e h a lf o f

t h e S h a n t i a d m in is t r a t io n in

h a v in g a m e m o r ia l s e r v ic e f o r a

d o g , w h e n s o m a n y f a m i l ie s

a n d f r ie n d s w h o w o u ld l ik e t o

h a v e h a d a s e r v ic e f o r t h e ir

s p e c ia l s o m e o n e c o u ld n ’t a f f o r d

it, is a p p a l l in g .

T h e r e a r e s t o r ie s a b o u t t h e

P h o e n ix S h a n t i G r o u p t h a t a r e

m o r e im p o r t a n t t h a n t h e o n e s

a b o u t R a n d y ’s d e a d d o g , b u t

t h o s e w i l l b e t o ld a s q u e s t io n s

a r e r a is e d a n d a n s w e r s a r e

d e m a n d e d b y t h e c o m m u n it y .

J o h n J . B a h r ,

H IV A c t io n C o m m it t e e

Phoen ix

M o r e W h in e , P le a s e .

S o . A r e w e t o b e l ie v e t h e n t h a t

m e n a r e a c tu a l l y w o n d e r f u l

c r e a tu r e s , l i f e d o e s n o t in f a c t

s u c k , a n d t h a t J u d y C a n o v a is

ju s t s o m e t r i t e w o m a n P e la w a s

o b s e s s e d w i t h (“T h r o w in g in t h e

T o w e l , ” J a n u a r y 3 ) ? W a s h e

w r o n g a l l t h is t im e , o r is h e ju s t

e a s i ly e x h a u s te d ? A r e w e t o

f o r g e t t h e y e a r s o f w h in in g ,

c h a lk in g i t u p t o s o u r g r a p e s o r

p o o r s e x u a l t e c h n iq u e ? L if e is

s o c o n f u s in g t o s t a r t w it h , a n d

n o w w e c a n ’t r e ly o n o n e o f t h e

N U M B E R T W O • IS S U E N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0

m o s t m is a n th r o p ic , c y n ic a l,

m a le v o le n t , c o n te m p tu o u s ,

e m b it te r e d q u e e r s in a l l o f

P h o e n ix . I m ig h t a s w e l l

b e c o m e a R e p u b l ic a n .

T im M o o r e

Tempe

A lr ig h t a lre ady ! I p rom ise to

re tu rn to m y bitter, m ew ling , m an-loa th ing s e lf a s o f n e x t is sue ! You sa tis fied?

— Ed.

B a c k o n t h e D a n c e

F lo o r , B u b .

W e ’v e r e a d y o u r p a p e r f o r

y e a r s a n d i t r e a l l y p u n c h e s o u r

l ig h t s o u t . W e l ik e h o w g a y it is ,

w it h n o a p o lo g ie s ( a l t h o u g h w e

d o n ’t l ik e t h e w o r d “ q u e e r ” o n

e v e r y p a g e a n d t h e r e ’s t o o

m u c h o n g a y - lo v e d m o v ie

s ta r s ) . B u t n o w y o u s a y y o u ’r e

c h a n g in g a n d w e a r e s o r r y t o

s e e y o u a r e n o t c h a n g in g ( to

in c lu d e ) t h e g a y t h in g s w e

k n o w a n d lo v e ( l ik e ) w e ’v e

s e e n in L .A . p a p e r s , w h e r e t h e y

d e v o te s o m e s p a c e t o lo c a l

n ig h t l i f e a n d s o c ia l c lu b s .

A n y w a y , g o o d lu c k a n d

k e e p u p t h e g o o d w o r k .

T w o H o p e f u l R e a d e r s

Tempe

O o p s !

L a s t is s u e , w e in e x p e r t ly

in s e r t e d t h e w o r d “ n u d ie ” in to

From the A shes, o u r n e w a r t -

a b o u t - t o w n c o lu m n . W e

n e g le c t e d t o b y l in e f i lm c r i t ic

N e i l C o h e n f o r h is c a p s u le

r e v ie w o f Hook. A n d w e r e a l ly

d id n ’t m e a n i t w h e n w e s a id

J o a n C r a w f o r d is b ig g e r t h a n

G o d . W h a t w e m e a n t t o s a y is

t h a t s h e is G o d .

Send m ash no te s a n d a dozen

lo n g -s tem m ed ro ses to L e t te r s ,

c /o R e s o u r c e , P O B o x 5 9 4 8 ,

P h o e n ix 8 5 0 1 0 . P le ase no p ip e

bombs.

• P A G E F IV E • LETTERS

J IM C H E R R Y S A W E L V IS m B e v e r ly H ills . J im w a s d r iv in g h is l it t le w h ite C a rm e n G ia , a n d E l

w a s b e h in d th e w h e e l o f h is b ig w h ite R o lls . “ H e s n a r le d a t m e , ” C h e r r y re c a lls . “ It w a s a p iv o ta l e x p e r ie n c e . I

le v i ta te d ! ” • J im C h e r r y te l ls g id d y s to r ie s a b o u t d e a d K in g s in d a r k re s ta u ra n ts . “ I’m fa s c in a te d w ith r o y a lty , ” h e

a d m its . “ O u r c u lt u r e ’s p r e o c c u p a t io n w ith th e ro y a l fa m ily is re a lly in te r e s t in g to m e . I’m e s p e c ia l ly in s p ire d b y c r o w n s . ”

• R o y a l h e a d - d r e s s e s s h o w u p o f te n in J im C h e r r y ’s a r tw o rk . H e p a in ts th e m o n to s h e e ts o f m e ta l, o n c a n v a s e s , a n d

o n g r e a t b ig ta r p s . “ I th in k r o y a lty is th e m o s t o p p r e s s iv e c o n c e p t I’v e e v e r h e a r d , ” C h e r ry s a y s . “T h e w h o le p o in t o f

th e s y s te m is to s ta y o n to p w h ile ta x in g th e b o t to m . I s e e th e c ro w n a s a s y m b o l o f th a t o p p re s s io n . A n d I th in k i t ’s

p re t ty w e ird th a t c ro w n s a re s e e n s o m u c h in A m e r ic a n c u ltu r e . I m e a n , th e w h o le p o in t o f A m e r ic a n c o lo n iz a t io n w a s

to o v e r th r o w K in g G e o rg e . B u t w e ’v e g o t R o y a l C ro w n C o la , a n d D a d a s th e K in g o f H is C a s t le . I t ’s v e r y u n n e rv in g .

• J im C h e r ry w a n ts to a f fe c t o p p re s s io n w ith h is a rt. ” 1 w a n t to b re a k d o w n th e e l i t is t w a ll o f th e a r t w o r ld , ” h e s a y s .

P re t ty h e a d y s tu f f . “ I g u e s s I ju s t fe e l th a t th e f in e s t a r t b e lo n g s in th e lo w e s t d w e ll in g s . T h e m e s s a g e o f a r t n e e d s

to g e t to th e d is e n f r a n c h is e d , a l ie n a te d p e o p le . B u t w h o g e ts it? W e a lth y p e o p le , th o s e w h o c a n a f fo rd to s u p p o r t th e

a r ts . ” H e th in k s a b o u t th is fo r a m o m e n t. “ O r m a y b e I’m ju s t b e in g lo f ty a n d p r e te n t io u s , ” h e c o n c lu d e s . • J im C h e r ry

o n c e s e t u p a d is p la y o f h is p a in t in g s o n a N e w Y o r k b o u le v a rd , n e x t to a s ig n w h ic h re a d , Free Paintings. Take One.

j im c h e r r y : t h e t ig e r b e a t in t e r v ie w • t e x t b y lo u is c le m e n t e • p h o t o g r a p h y b y m a u r e e n h y m e r s

R E S O U R C E • V O L U M E E IG H T N U M B E R T W O • IS S U E N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 • P A G E S IX • ART GOD

“Art is too important to be taken seriously.”

— Jim Cherry

“ 1 w a s m o v in g f r o m N e w t o g i v e a w a y . T h e r e ’s a

Y o r k t o P h o e n i x , a n d 1 t o t a l s e n s e o f f r e e d o m in

w a n t e d t o u n l o a d m y a r t , d o i n g t h a t , a n d f r e e d o m

g e t i t i n t o p e o p l e ’s is w h a t a r t is a l l a b o u t . ”

h o m e s b e f o r e 1 le f t . 1 M o r e i m p o r t a n t t h a n

k n e w t h a t 1 c o u l d n ’t g e t t h e s p i r i t u a l c o n t e n t o f

t h a t d o n e q u i c k l y t h r o u g h a r t o r e v e n h is

t h e e s t a b l i s h e d s y s t e m f a s c i n a t i o n w i t h c r o w n s

o f g a l l e r i e s a n d is J im C h e r r y ’s d e v o t i o n

m u s e u m s , s o 1 d id i t m y t o d e f i a n c e . “ L i k e a lo t o f

o w n w a y . ” a r t i s t s , 1 d o n ’t w a n t t o b e

N o o n e n o t i c e d . c a t e g o r i z e d a s a p a i n t e r

“ F i n a l l y , ” C h e r r y s a y s , “ 1 o r a n i l l u s t r a t o r , ” h e

g r a b b e d s o m e o n e a n d s a y s . “ 1 w a n t t o a lw a y s

s a id , ‘ R e a l l y , t h e y ’r e b r in g t h a t e l e m e n t o f

f r e e . ’ N e w Y o r k e r s a r e s u r p r i s e t o m y w o r k , t o

v e r y s u s p i c i o u s . B u t a s k e e p p e o p le w o n d e r i n g

s o o n a s o n e p e r s o n t o o k w h a t I ’ l l d o n e x t . ”

a c a n v a s , t h e r e w a s a W h a t w il l J im C h e r r y

r u s h f o r t h e m . T h e y d o n e x t ? “ 1 t h i n k I ’ ll o r d e r

c l e a n e d m e o u t in d e s s e r t , ” h e s a y s .

s e c o n d s . ”

W h a t d id C h e r r y

le a r n f r o m t h i s e x e r c i s e ? J im C h e r r y ’s w o rk w il l b e

“ I t w a s t o t a l Z e n , ” h e o n e x h ib it a t R a d ix

s a y s . “ 1 d i s c o v e r e d t h a t G a lle ry , 1 4 2 9 N . F ir s t

w h a t e v e r m a t t e r s t o y o u S tre e t, b e g in n in g

m o s t , y o u m u s t b e w i l l i n g J a n u a ry 2 4 .

enam e l on h o t-ro lle d steel.

F u n F a x o n J im !

Favorite:

S o u p : S c o tc h

D a y o f th e w e e k : N o t S u n d a y

C a te S p e n c e r q u o te : “ B u t J im , y o u d o n ’t

k e e p a s k e tc h b o o k ! ”

C o lo r : C le a r

P r e s id e n t ia l h o p e fu l: A n y d e a d f i lm a c t re s s

D e a d f ilm a c t re s s : V e r o n ic a L a k e

N e w s c a s te r : E a r l C a m e m b e r t

S e x u a l fa n ta s y : Y e sV ic e : I w a tc h a h a lf - h o u r o f W a r n e r B ro s , c a r to o n s d a i ly

R e a l f i r s t n a m e : D a n

A g e e n te re d s h o w b u s in e s s : 3 9S h o e s iz e : 4 2N u m b e r o f te e th h e ’s h a d p u lle d : T h e y fa l l o u t n a tu r a l ly

L a s t b o o k h e re a d : Zen Flesh, Zen Bones b y P a u l R e p s

R e a s o n to g o o n liv in g : C a te S p e n c e r

R E S O U R C E • V O L U M E E IG H T N U M B E R T W O • IS S U E N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 • P A G E S E V E N • PROFILE

T

W h e n d id h a ts b e c o m e s u c h a

le s b ia n th in g ? I p a y p r e t ty c lo s e

a t t e n t io n t o le s b ia n s — h o w

c o m e I h a d n ’t n o t ic e d t h a t h a ts

h a d b e c o m e s u c h a thing?

T h is is w h a t I w a s th in k in g ,

lo o k in g a t t h e t h r o n g s o f d y k e s

s tu f f in g t h e a is le s o f t h e M id -

W in t e r C r a f t s F e s t iv a l a t

M o u n ta in M o v in g C o f fe e h o u s e

in C h ic a g o — “t h e le s b ia n m a ll , ”

a s o n e o f o u r lo c a l c e le b s

d u b b e d it. I w a s s i t t in g b e h in d a

c a r d t a b le n e x t t o ( a p p r o p r ia te ly

e n o u g h ) t h e D y k e D e c k w o m e n

w it h t h e i r le s b ia n p la y in g c a r d s .

A t m y o w n l i t t le c a r d ta b le , I

w a s t r y in g t o lo o k a l lu r in g o r

m a k e m y g r e e t in g c a r d s a n d

b o o k s lo o k a l lu r in g o r

som e th in g w h e n I w a s s t r u c k

b y t h e n u m b e r o f w o m e n

w e a r in g in t e r e s t in g a n d e x o t ic

h a ts — a n u m b e r th a t in c r e a s e d

o v e r t h e c o u r s e o f t h e d a y —

o w in g , I la te r f o u n d o u t, t o t h e

t w o o r t h r e e c r a f t s w o m e n

v e n d in g t h e i r c a p c r e a t io n s . B u t

s e l l in g d o e s n ’t n e c e s s a r i l y le a d

to b u y in g , a s I c a n te l l y o u f r o m

m y o w n e x p e r ie n c e . S o w h y

th e s u d d e n f e d o r a f r e n z y ? I t

w a s n ’t e v e n c o ld o u ts id e . . .

A t f i r s t , w h e n I c o n t e m p la te d

t h is p h e n o m e n o n , I w a s

t h in k in g : H is to r ic a l l y , le s b ia n s

( a n d I g e n e r a l iz e h e r e , I k n o w )

h a v e t e n d e d t o s p o r t h e a d g e a r

p r im a r i ly f o r p r a c t i c a l r e a s o n s ,

w e a r in g s o m e th in g w it h e a r

f la p s o r v is o r s , a s t h e d e m a n d s

R E S O U R C E • V O L U M E E IG H T N U M B E R T W O • IS S U E N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 • P A G E E IG H T • ARTVIEW

THE DYKE IN THE HAT COMES BACKo f t h e s e a s o n a d v is e d .

E x c e p t io n s t o t h is t e n d e d t o b e

a m o n g A f r ic a n - A m e r ic a n

le s b ia n s , o n w h o m I h a d n o te d

s o m e m a g n if ic e n t m il l in e r y — f o r

n o o th e r r e a s o n , a p p a r e n t ly ,

t h a n t h a t t h e y ( b o th t h e h a ts

a n d t h e w o m e n ) lo o k e d g o o d .

B u t b e c a u s e s o m a n y o f m y

s t r a ig h t A f r ic a n - A m e r ic a n

f r ie n d s a n d c o - w o r k e r s h a d

a ls o d is p la y e d a p r o p e n s it y f o r

g r e a t - lo o k in g h a ts , I h a d

a s s u m e d i t w a s m o r e o f a n

A f r ic a n - A m e r ic a n t h in g th a n a

le s b ia n th in g . I s e e n o w t h a t I

m u s t h a v e b e e n w r o n g o r th a t ,

a t le a s t , w e h a v e o u r A f r ic a n -

A m e r ic a n f e l lo w t r a v e le r s t o

t h a n k f o r in t r o d u c in g u s t o t h is

f a s h io n o p t io n .

H a v in g p le n t y o f t im e o n m y

h a n d s , I w a s n e a t ly d is s e c t in g

t h is p i th y c o n u n d r u m w h e n

v is io n s o f p a s t h e a d w e a r c a m e

b u b b l in g t o t h e s u r fa c e . P ic t u r e

th is : A w o m a n w i t h a s h a g

h a i r c u t , w e a r in g a b la c k t h r e e -

p ie c e s u i t w i t h b e l l- b o t t o m e d

p a n t s a n d g o ld p ip in g o n t h e

v e s t , c a r r y in g a d r in k t r a y t o t h e

t u n e o f “ I N e e d a M a n . ” W h o s e

f a c e is it u n d e r t h a t b la c k f e l t

c h a p e a u ? Gasp ! I t ’s mine.

I t a l l c a m e b a c k t o m e th e n ,

by Yv o n n e

h o w I, a lo w ly n e r d f r o m

M ilw a u k e e , h a d b e g u n

e m u la t in g t h e f a s h io n s e n s e o f

m y h e a r t t h r o b - f r o m - a f a r , t h a t

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t e m p o r a r y a r t is ts . A r t s p a r k , M il l

A v e . a n d F ir s t S t . , T e m p e .

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1 0 p m ; S a tu r d a y n o o n - 1 0 p m

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C e n t r a l A v e . 2 5 3 - 3 5 4 1 .

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f r e n z y o f O r p h a n s a n d W id o w s ;

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1 5 : A o n e - p e r s o n e x h ib it io n

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f o r F r id a y t h r o u g h S u n d a y ,

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t h e P a u l V . G a lv in P la y h o u s e .

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c i t iz e n s a n d s tu d e n ts ) .

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o f f e r s u p N e i l S im o n ’s c o m e d y

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R d . 2 5 4 - 2 1 5 1 .

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2 1 2 1 N . 8 3 r d A v e . 2 3 0 - 9 1 1 2 .

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t o s in g y o u r f a v o r i t e s o n g s f r o m

“T h e P h a n to m o f t h e O p e r a , ”

“ E v it a , ” “ C a t s , ” “ A s p e c t s o f

L o v e ” a n d o th e r m u s ic a ls . T h is

d a z z l in g s h o w c a s e o f t h e T o n y

A w a r d - w in n in g c o m p o s e r ’s

m u s ic f e a t u r e s a f u l l s y m p h o n y

o r c h e s t r a a n d a n e n s e m b le o f

1 2 B r o a d w a y s in g e r s .

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S a tu r d a y , F e b r u a r y 2 2 , a n d 2

a n d 7 :3 0 p m S u n d a y , F e b r u a r y

2 3 . ( N o te : C r a w f o r d w i l l n o t

p e r fo r m f o r t h e S u n d a y e v e n in g

s h o w .) T ic k e t s $ 3 6 , $ 3 3 a n d

$ 2 4 ; $ 3 8 , $ 3 5 a n d $ 2 6

F r id a y / S a t u r d a y e v e n in g s .

G a m m a g e A u d it o r iu m .

9 6 5 - 3 4 3 4 .

J u d y Co llins : T h e d u r a b le fo lk

s in g e r w i l l e n t e r t a in a t t h e

S u n d o m e 8 p m F r id a y , F e b r u a r y

2 8 . T h is w r i te r , p e r fo r m e r ,

s in g e r , s o n g w r i t e r a n d a c t iv is t

h a s c o n t r ib u t e d h e r t a k e o n

h u m a n r ig h t s t o s e v e r a l

g e n e r a t io n s . T ic k e t s :

$ 2 1 / $ 1 4 / $ 7 . 9 7 5 - 1 9 0 0 .

o p e r a

Tosca: S e t a g a in s t t h e p o l i t i c a l

b a c k d r o p o f I t a ly d u r in g t h e

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o p e r a r e v o lv e s a r o u n d t h e

d o o m e d lo v e s t o r y o f F lo r ia

T o s c a a n d M a r io C a v a r a d o s s i

a n d t h e i r s t r u g g le a g a in s t t h e

e v i l C h ie f o f P o l ic e , B a r o n

S c a r p ia . F ir s t P r e s e n t e d in

1 9 0 0 in R o m e , Tosca h a s s in c e

b e c o m e o n e o f P u c c in i ’s m o s t

p o p u la r o p e r a s , m a r k e d b y t h e

c o m p o s e r ’s m e m o r a b le m u s ic

a n d s t r ik in g d r a m a t ic t e n s io n .

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J a n u a r y 2 3 , 2 5 a n d 2 6 .

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7 :3 0 p m a n d t h e S u n d a y

m a t in e e b e g in s a t 2 p m . T ic k e t s

$ 9 - $ 4 0 , a v a i la b le t h r o u g h a ll

D i l la r d ’s b o x o f f ic e s . 6 7 8 - 2 2 2 2 .

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O p e r a T h e a t r e w i l l p r e s e n t a

n e w o p e r a b y y o u n g B r i t is h

c o m p o s e r S t e p h e n O liv e r , a t

7 :3 0 p m F r id a y a n d S a tu r d a y ,

F e b r u a r y 2 1 a n d 2 2 , a n d

W e d n e s d a y , F r id a y , S a t u r d a y

a n d S u n d a y , F e b r u a r y 2 6 , 2 8 ,

2 9 a n d M a r c h 1 , in t h e A S U

M u s ic T h e a t r e . O l iv e r ’s E n g l is h

t r a n s la t io n o f a n I t a l i a n t e x t w a s

o r ig in a l ly t r a n s la t e d f r o m a

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C o l lo d i, t h e c r e a to r o f

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s t u d e n t s ) . 9 6 5 - 6 4 4 7 .

to e s h o e s

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f in e a r t s c a n d id a te s in d a n c e a t

A S U w il l p r e s e n t a c r e a t iv e

e v e n in g o f d a n c e a t 8 p m

T h u r s d a y a n d F r id a y , F e b r u a r y

6 a n d 7 a n d 1 3 a n d 1 4 , in t h e

U n iv e r s i t y D a n c e L a b o r a to r y ,

N e ls o n F in e A r t s C e n te r .

T ic k e ts : $ 6 /$ 3 . 9 6 5 - 6 5 3 6 .

CLUBby ré y h o ffm an

o th e r s tu f f

A .M .U .S .E .: B i l le d a s “A

M a g ic a l ly U n f o ld in g

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t h is n ig h t o f c o m e d y is

p r e s e n t e d b y t h e

I m p r o v is a t io n a l T h e a t r e S o c ie t y

o n S a t u r d a y e v e n in g s f r o m 8 -

1 1 p m a t t h e A d o b e O v e n

G o u r m e t B a k e r y a n d C o f fe e

H o u s e , 5 5 2 0 N . 7 th A v e . $ 5

a d m is s io n . 2 4 2 - 2 8 0 8 .

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y o u r k i l t s a n d jo in y o u r c la n f o r

t h e s e r o u s in g H ig h la n d f l in g s ,

w h e r e y o u ’ ll e n jo y S c o t t is h

s o n g , d a n c e a n d m u s ic a s

t w e n t y - f iv e o f S c o t la n d ’s f in e s t

t e le v is io n , s t a g e a n d r e c o r d in g

a r t is t s p r e s e n t a r o u s in g

p r o g r a m . P e r fo r m a n c e t im e s

a r e 2 p m S u n d a y , F e b r u a r y 2 ,

a t t h e S u n d o m e , a n d 8 p m

F e b r u a r y 2 a t G a m m a g e .

T ic k e t s : $ 1 6 / $ 1 0 / $ 5 , S u n d o m e ;

$ 1 6 /$ 1 3 / $ 1 0 , G a m m a g e . 9 7 5 -

1 9 0 0 , 9 6 5 - 3 4 3 4 .

b ig s c r e e n r e v ie w

Bugsy : T h is f i lm w i l l m o s t l ik e ly

b e r e m e m b e r e d f o r o n e r e a s o n

a lo n e . N o t b e c a u s e i t is a n

e n t h r a l l in g c h a r a c t e r s tu d y o f

s u p e r s t a r g a n g s te r B e n ja m in

“ B u g s y ” S e a g a l a n d f e m m e

f a t a le s t a r le t V i r g in ia H i l l . N o t

b e c a u s e i t ’s a n a ty p ic a l

g a n g s te r f l i c k , f i lm e d m o r e l i k e

a w a r p e d f a i r y t a le a b o u t a n

e c c e n t r ic p r in c e w i t h h o m ic id a l

t e n d e n c ie s b u y in g a c a s t le in

H o l ly w o o d la n d a n d w o o in g t h e

lo c a l la d y - in - w a i t in g ( w h o

d o e s n ’t e x a c t ly w a it f o r

a n y t h in g o r a n y b o d y ) . N o , w h a t

t h is m o v ie w i l l b e b e s t

r e m e m b e r e d f o r is t h a t i t is

w h e r e c in e m a s t u d W a r r e n

B e a t t y g o t c a u g h t w i t h h is

p a n t s d o w n , p la c in g h is b u n in

t h e b e a u t i fu l A n n e t t e B e n in g ’s

T in e s e l t o w n o v e n . S o m u c h f o r

t h e a r t o f f i lm .

— K irb y H o lt

o ra l in te r c o u r s e by girl m y fo w l h o lid a y • ja n e t a n d ro s e a n d le ib o v itz ’ nose the t ru th a b o u t y o u r p a r e n t ’s s e x life • C h a rlie h a r r is o n ’s re c ip e fo r s u c c e s s

d a v id c a s s id y ’s h o m e p h o n e n u m b e r • t r e a c h e r y • a w h o le lo t o f big lies

I ’d p la n n e d to te ll y o u th a t I ju s t

c o u ld n 't p o s s ib ly w r i te a s o c ie ty

c o lu m n th is w e e k , d e a rs , b e c a u s e

m y n a ils a re w e t a n d m y p e rm is

fr iz z in g a n d m y a p p o in tm e n t b o o k is

fu ll, fu ll, fu ll. I ju s t c a n 't s e e m to

m u s te r th e s tre n g th to re g a le y o u , I

h a d p la n n e d to s a y , a n d a n y w a y , I

c a n ’t remember m o s t o f w h a t I d id

la s t w e e k , I 'd w a n te d to p le a d .

B u t a fte r a ll th e s n iv e ll in g a n d

w h im p e r in g th a t w e n t o n w h e n m y

fa b o o p h ra s e s d id n o t a p p e a r h e re

re c e n tly , I ju s t d id n ’t h a v e th e h e a rt

to d is s a tis fy y o u fu r th e r . B e s id e s ,

th e s ig h t o f o u r c o p y e d ito r p le a d in g

o n b e n d e d kn e e , “ P le a s e , p le a s e ,

p le a s e , w r i te h o r r ib le th in g s a b o u t

n a s ty p e o p le !" w a s s ic k -m a k in g . Y o u

s illy s is s ie s re a lly n e e d to f in d

s o m e th in g b e tte r to d o w ith y o u r

t im e th a n t ry in g to d e c ip h e r th is

w o r th le s s s lo p .

S o I h id m y s e lf a w a y in S a n

F ra n c is c o o v e r th e h o lid a y s , a n d

c a m e h o m e to f in d th is w h o le

m a g a z in e a ll different. C h a n g e s

g a lo re a t o u r litt le rag a m o n g th e

ru in s ! A n d s p e a k in g o f ru in s ! S a n

F ra n c is c o w a s a g ia n t ra g e , a s e ve r,

a n d I fe lt s o u n d e rd re s s e d , n o t

h a v in g m y e y e b ro w p ie rc e d a n d all.

B ig fu n : J o s ie ’s C a b a re t, th e E n d u p ,

th e P e n d u lu m , th e H e a d q u a rte rs ,

th e P h o e n ix (w h a t a d re a d fu l n a m e !)

a n d th e M id n ig h t S u n . Y e s , d a r lin g s ,

I s p e n t a lm o s t a ll m y t im e in g a y

b a rs w h ile v a c a t io n in g in th e m o s t

b e a u tifu l c ity in th e c o u n try . I am a

h o m o s e x u a l m a le — w h a t d o y o u

e x p e c t?

W h ile o n m y w a y fro m o n e d a rk

to i le t to a n o th e r, I s p o tte d a n o ld

w o m a n s it t in g o n th e p a v e m e n t in

f ro n t o f th a t l it t le p h a rm a c y in

S u n s e t w h e re th a t h u m p y A ra b w ith

th e p ie rc e d n ip p le s w o rk s — th e o n e

w h e re y o u c a n b u y t in s o f G e n u in e

S a n F ra n c is c o T o o th P o w d e r fo r a ll

y o u r w a c k o f r ie n d s b a c k h o m e .

S e a te d n e x t to th e w o m a n w a s a

la rg e w h ite b ird , a n d a ro u n d its n e c k

h u n g a s ig n : “ M a g ic G o o s e . $ 5 ."

I a d o re tra n s ie n ts , a n d th e

th o u g h t o f b r in g in g h o m e liv e fo w l

h a s a lw a y s s o r t o f p le a s e d m e , s o I

f is h e d o u t m y c h a n g e p u rs e a n d

h a n d e d th e w o m a n a f iv e s p o t a n d

s a id , “W o u ld y o u h a v e it d re s s e d

a n d s e n t to 811 M c A llis te r by 5 :3 0

th is a fte rn o o n , p le a s e ? "

T h e c ro n e d ro p p e d m y w a d d e d -

u p b ill in to a s m a ll t in b u c k e t a t th e

g o o s e ’s w e b b e d fe e t. S h e s ta re d a t

m y s h o e s fo r a w h ile a n d th e n sa id ,

T h e b ird is n o t fo r s a le . It is th e

m a g ic I a m s e llin g ."

P re tty c h e e k y fo r a h o m e le s s

p e rs o n , I th o u g h t. I g la n c e d a t th e

g o o s e th e n , a n d it lo o k e d u p In to m y

b le a ry re d o rb s a n d it sa id , “ F ra n k

B a s e lic e 's e y e b ro w s ."

I tu rn e d b a c k to th e o ld w o m a n .

“ H u h ? ” I s a id to he r. “ I p a id f iv e

b u c k s f o r ‘ F r a n k B a s e l ic e ’s

e y e b ro w s ? ' Y o u p ro m is e d m e

magic\"

T h e c ro n e g ra b b e d m y a rm . H e r

th u m b a n d fo r e f in g e r e n c irc le d m y

w ris t. S h e le a n e d in c lo s e ; I c o u ld

s m e ll th e J ä g e rm e is te r o n h e r

b re a th . S h e s a id th is to m e :

“ L is te n , so n . Y o u a re s ta n d in g on

a s t re e tc o rn e r in S a n F ra n c is c o , a n d

y o u h a v e ju s t g iv e n a g o o s e f iv e

d o lla rs . N o t o n ly d id th e g o o s e

s p e a k a lo u d in th e K in g ’s E n g lis h ,

b u t it to ld y o u s o m e th in g th a t o n ly

y o u c a n c o m p re h e n d . It to ld y o u

a b o u t s o m e th in g it k n o w s n o th in g of,

b e in g a g o o s e , a n d it p ro b a b ly to ld

y o u a b o u t s o m e th in g w h ic h e x is ts

o n ly in w h a te v e r la n d y o u c o m e

fro m . N o w ,” s h e sa id , p u s h in g m e

a w a y fro m h e r w ith s u rp r is in g fo r c e

fo r s u c h an o ld la d y , “ if y o u th in k

that is n 't m a g ic , th e n you a re th e

g o o s e ! ”

I s a t d o w n o n th e p a v e m e n t o n

th e c o rn e r o f 9 th A v e n u e a n d Irv in g ,

tu rn e d o n th e lit t le p o r ta b le c a s s e tte

re c o rd e r th a t I c a rry w ith m e

e v e ry w h e re , a n d b e g a n s h o v e lin g

b ills in to th e g o o s e ’s t in p a il. H e re is

w h a t it to ld m e :

“P e t e r P e t r i s k o 's k n e e .

M arianne M ob ley ’s s id e b u rn s . Paul B raun ’s la u n d ry . Bob H egy i's f in g e r

c y m b a ls . Ron B a rn es ’ lu n g s . Ann ie Le ibov itz ' p h o to g ra p h y . B ruce

Ku r tz ’ d y e - jo b . Robyn F e rracane 's b ro th e r. L isa C o lw e ll’s tra ile r . Peter C ase ’s g u ita r. Ann a D oo lin g ’s h a irc u t. David Th e rr ien 's w o rk e r

b e e s . Jan C apecc i's n e w jo b . Bob A ro n in ’s p ro p e r ty ta x e s . Pete F ische r’s n e ig h b o rs . T im M oo re ’s b ro w n r ice . Erin Lo fton 's c a n v a s e s .

J im Che rry 's c ro w n . Donald T h o m p s o n ’s lu te s . K a th le e n B arnes ’ te e th . Jane Sm ith ’s h a ir le s s dog . David P a rke r’s s ig n a tu re . T a rg e t’s h a lf- o f f s a le .

R u s s e l H a h n ’s b o la t i e .

A cquane tta 's c h ig n o n . John B ah r’s d e m o n s tra tio n . David V an V irden 's in c o m p le t io n . R andy Go rbe tte 's c h a n d e l ie r s . L u c il le M o r to n 's s e p u lc h e r . Rh in o ’s s w e a te r . Sue Laybe 's b a c k y a rd . Chuck H a dd ’s w h e r e a b o u ts . S c o t t W e b e r 's g ir lfr ie n d . Pe rry S h u r tz ’ o b s e s s io n .

Jud ith C u rtis -M a rdon 's in s ig h t.

R o b e r t S e v e ra n c e 's d r e s s e r

d u m m y . Gera ld H aw k ’s f ru it cu p .

Lou is C lem en te ’s re v e n g e . Cactus J a c k ’s d a n c e f lo o r . Ken F is h e r ’s p ra c tic e . John M artin 's te n -y e a r

p la n . Hubert C ha rles ' b ic e p s .

R andy M ackey 's th ig h s . Roger R ea ’s b o y fr ie n d . Marth a Jo n es ’ w ife . Syb il E rd en ’s H a rle y . Chris

W in k le r ’s c o a t - h a n g e r s . J e f f C o u lte r ’s d e l iv e r a n c e . H e le n Hes tenes ' w o m b . A llen K a lch ik ’s e s c a p e . K im B la ke ’s lo ve r. Lisa W hee le r 's t ra n s s e x u a l pa l. K irk Baxter's m a n ic u r is t . David B la is ' Advocate q u o te s . G e rry K ro ll's o m n is c ie n c e . F red Co rey 's s u e d e

be lt. Ca te S pence r's s m ile . Y o u r

e d ito r ’s p e c to ra ls . Peter R agan ’s e s p re s s o . M ike M is kow sk i’s S a ra n

w ra p . F ranc in e R u le y ’s a b s e n c e .

Robert A d am s ’ s e c re t. L isa S e tte ’s b u n io n . Ann ie L o pe z ’ h a n d p u p p e t.

Bill O ro va n ’s th e s a u ru s . Deon B rown ’s b ic u s p id s . Dwayne S ton e ’s re a c tio n a ry s ta n c e . Ed B uck ’s v a g in a . T ish T a n n e r ’s s w o lle n

a n k le s . Ch ris to ph e r B reed love 's in s ig n if ic a n c e . A rth u r A bou jrass ' in f id e lity . Y o u r m o th e r 's m o u s ta c h e .

M ike Lange 's h a n d s h a k e . Rose J o h n s o n ’s m e m o r y . M e lin d a B rown 's c re w c u t. Ja y Fos te r ’s l ib ra ry c a rd . S h ay P a tte rso n ’s w a is t lin e . Rose M o ffo rd ’s w ig le t.

Heid i Ew a rt’s s ta g e p re s e n c e ."

T h e g o o s e p a u s e d , to u c h e d its

b e a k to th e p a v e m e n t, a n d

s q u a w k e d o n e la s t re v e la tio n :

“M iche lle M an ley is n ’t ! ” it

s h r ie k e d , th e n fe l l to th e p a v e m e n t,

d e a d a s n ig h t.

W e s to o d s ile n t, th e o ld w o m a n

a n d I. W e s ta re d a t th e g o o s e , s till

a n d c o ld o n th e s id e w a lk . “ It g o e s

lik e th a t, s o m e tim e s , ” s h e s a id ,

to u c h in g a te a r o n h e r c h e e k .

“S o m e tim e s , it g o e s th a t w a y . ”

I s ta re d a t th e c ro n e fo r a lo n g

t im e , a n d th e n I s a id th is to he r:

“ I w a n t c re d it o n M a r ia n n e

M o b le y ’s s id e b u rn s . S h e d o e s n 't liv e

in P h o e n ix . ”

• • •

I ra th e r w is h I h a d n ’t g o n e to S a n

F ra n c is c o a fte r a ll, m y s t ic fo w l

n o tw ith s ta n d in g . I m is s e d a n a w fu l

lo t o f fu n s tu f f w h i le I w a s a w a y .

L ik e John B irc um sh aw ’s fu n N e w

Y e a r ’s E v e b a s h a t a la v is h m id to w n

m a n s io n (E v e ry o n e w a s th e re — y o u

k n o w w h o y o u a re !) a n d th a t g ro u p

o f s to n e d T e x a n s s lu m m in g a t

B ro oksh ire ’s la te o n e S a tu rd a y

n ig h t (w h e re d id y o u e x p e c t to f in d a

b u n c h o f lo a d e d a r tz o id s — o n th e

d a n c e f lo o r a t T ra x? )...O ne th in g I

d id n o t m is s w a s a ll th is s c re e c h in g

s c o o p a b o u t M arty “ L a s t C h a n c e

F o r L o v e " A rm ijo ’s p e n d in g n u p tia ls .

T h a t 's th e p o o p a lit t le b ird p lo p p e d

in to m y la p th e o th e r d ay . It s e e m s

th a t M a rty a n d h is f ia n c e Mark “I T h o u g h t Y o u W r o te F o r T h e

Western Expressf S tan sbe rry m e t a

m o n th o r s o a g o a n d b e fo re y o u

k n e w it th e y w e re h e a d o v e r h ig h

h e e ls in lo ve . A n d ju s t th in k ! I w a s

th e re th e n ig h t it a ll b e g a n ! I s a w

th e ir e y e s m e e t, th a t u n k n o w a b le

p a s s io n p a s s e d b e tw e e n th e m , a n d

th e n . ..m a rr ia g e ? F e b ru a ry 1 5 th is

th e b ig d a y a n d w h o d o y o u

s u p p o s e is g o in g to w e a r th e

gown?...The P h oen ix A rt M useum

R E S O U R C E • V O L U M E E IG H T N U M B E R T W O • IS S U E N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 • P A G E T W E L V E • EVIL LIES

o p e n in g fo r Ann ie Le ibov itz

Pho tog raphs 1970-1990 w a s

mobbed. G ir l w a s n a tu ra lly a t th e

p re -p a r ty p a r ty w h e re la L e ib o v itz

a tte m p te d to c h a tte r a b o u t h e r w o rk .

T h e re w e re a b o u t a b illio n p e o p le in

th e g a lle ry , s o it w a s re a lly ra th e r

h a rd to h e a r he r. S h e d id m e n tio n

s o m e th in g a b o u t J o h n C le e s e

h a n g in g u p s id e -d o w n fro m a c ra n e ,

th o u g h . C o n tin u in g m y e rs tw h ile

a tte m p t to b r in g y o u , m y b e lo v e d

re a d e rs , th e h o tte s t c e le b r i ty

in fo rm a tio n , I m a n a g e d to to s s a

c o u p le o f q u e s t io n s in A n n ie ’s

d ire c tio n . P le a s e b e in fo rm e d th a t

Ann ie L e ibo v itz p u rc h a s e s h e r

s tr ik in g ly moderne b la c k s iz e 12

B a n d o l in o lo a fe rs a t th e T a ll G ir l

S h o p in N e w Y o rk C ity . Y o u ’re

w e lc o m e ... In k e e p in g w ith th e s p ir it

o f A n n ie ’s h e re - th e y -a re -s o - th e re

s ty le o f p h o to g ra p h y , I ’v e c o m p ile d

a lis t o f c e le b u ta n te s p re s e n t a t th e

C o n te m p o ra ry F o ru m o p e n in g in

m u c h th e s a m e m a n n e r. T h e re th e y

w e re , s o h e re : B ill “ B a th e M e In

L e a th e r, D ro w n M e In Y o u r S e x ”

Hard in ; T hom as “O h G e t A w a y

F ro m M e , I H a te G o s s ip C o lu m n is ts ”

Hou lon a n d h is lo v e ly n e w b rid e ,

Patty “Y e a h , L is te n T o T h e M a n

A n d L e a v e U s A lo n e ” Barnes; Reed “Y o u C a n T a lk T o M e , I L o v e Y o u r

C o lu m n ” Kro lo ff, w h o w ith o n e f le x '

o f h is b ic e p b r in g s v a lle y a rc h ite c ts

to th e ir k n e e s ; M ichae l " I ’ ll B e R ig h t

O ve r, B a b y ” Johns , S te p h a n e - le s s ;

th e e x o rb ita n tly g e n e ro u s M ichae l “ N a N a H e y H e y L e t ’s A ll C h a n t ”

Shraeder; J a n e t “S o c c e r M a ry ”

deBe rg e Lange a n d h e r ta ll, ta ll

h u s b a n d M ik e ; Je ff “ I H a v e A n k le s ”

Falk a n d Ann ie “S o D o I” Lopez; David “ If O n ly P e o p le K n e w W h o I

R e a lly A m " Van V irden ; G env ieve “W h a t If I T o ld Y o u I K n e w Y o u r

M o th e r? ” Reck ling ; C a te “ N o w

L is te n , N o M o re H a ir J o k e s ! ”

Spence r a n d b e s t-w e d p a l John “ I

T h in k I t ’s T h e M o ld In T h e A ir ”

Chonka ; L isa “ P le a s e D o n ’t G iv e

M e A M id d le N a m e ” Sette; P e ter “ I

U s e d T o B e S o m e o n e O th e r T h a n

W h o I A m N o w ” W irm u sky a n d Neil “ D o P e o p le T h in k W e ’re G a y ? ”

Norm an; B obb ie B en tley ; Mel “I S a w Last Tango In Paris S e v e n te e n

T im e s ” Rom an; T ed “ K o d a c h ro m e ”

Decker; Jo e “Y u m m y ” Ray a n d (h o

h u m ) h is lo v e ly w ife ; Robert “ A b o u t

T o B e N a tio n a lly R e n o w n ” Adam s; Jam es “ H a n d a n d th e S p ir it ” Rapp; Helen “S w e e p in g U p D o g P o o p In

T h e R a in ” H estenes a n d David T h e y ’re N o t W o rk e r B e e s , T h e y ’re

M y F r ie n d s " The rrien ; Ed a n d Gail Mell; E sm ere ld a “J u s t In F ro m N e w

Y o rk W h e re I A m T e c h -A d v is in g A n

A r t In s ta lla t io n In Q u e e n s ” Delaney; Ka thy “T o rn B e tw e e n T w o L o v e rs “

R ivers; R andy “J u s t Y o u W a it T i l I

G e t Y o u H o m e ” M cC abe a n d la s t

b u t n o t le a s t Deon “ D o n ’t Y o u D a re

T e ll M y B ro th e r I ’m Q u e e r" B rown a n d h is b ro th e r Devry “ It D o e s n 't

T a k e A R o c k e t S c ie n t is t T o F ig u re

S o m e T h in g s O u t" B row n ...I h u r t le d

o u t th e P A M d o o r a n d o n to Metro - pophobob ia fo r p o e try v id -p h o n e

n ig h t. T h e P e te rs h a v e s e t u p an

a u d io /v id e o lin k w ith a c o ffe e h o u s e

in S a n ta M o n ic a a n d e a c h lo c a tio n

ta k e s tu r n s re a d in g to th e o th e r. I

lo v e d re a d in g s b y Ja ck E vans a n d

D a v id C h o r lto n , w h o g a v e

A n g e le n o s a ru n fo r th e ir m o n e y ,

p o e try -w is e . S c a to lo g ic a lly s p e a k in g ,

th e e v e r -v ir tu a l Gera ld “ I A m H u g h ”

Hawk s to le th e s h o w w ith h is h ig h -

p ro file , lo w d o w n c o m m e n ta ry o n h is

p o t ty p r o b le m s . . . S p e a k in g o f

M e t ro p o p h o b o b ia , h e y ! L o o k a t a ll

th e n ic e h ip h o m o s e x u a ls m a k in g

th e ir b ra v e w a y o n d o w n to w n fo r

s o m e th in g b e s id e s s le a z e a n d s o d a

w a te r ! G e e . Y o u g u y s a re to o m u c h .

Is n ’t d is c o v e r in g th e re a l w o r ld fu n ?

(N o te to L o u : I'm g la d y o u lik e m y

c o lu m n . N o w g o ca ll m y e d ito r . ) . . . If

I 'd b e e n In P h o e n ix la s t w e e k , I

c o u ld h a v e s e e n Janet d eB e rg e Lange ’s a n d Rose J o h n so n ’s o p e n in g a t G a l le ry X , w h ic h I h e a r

w a s p o s itiv e ly o v e r f lo w in g w ith

s tu n n in g a rt a n d z il l io n s o f q u e e r

m e n . I 'v e b e e n to ld th a t Dw ayne “ E x p e d ite M e , S te l la ” S tone w a s

th e re , b la th e r in g a b o u t h is lo s t y o u th

a n d b e m o a n in g th e ra v a g e s o f age .

H is h a ir is p o s itiv e ly g ra y in g , d e a rs ,

a n d h e ’s g iv e n u p t ry in g to h id e it.

B u t e v e n I w ill a d m it th a t w ith o u t h is

m o u s ta c h e , D w a y n e lo o k s months

y o u n g e r . David “ I S p o k e to C h r is

B u ll" B la is w a s a ls o th e re , o g lin g

y o u n g h e a d b a n g e rs . O n e g o e s to

g a lle r ie s to lo o k a t a rt, D a v e y .. .L e t ’s

see , w h a t e ls e ? W e ll, n o th in g .

T h a t ’s it. N o w g o a w a y . L e a v e m e

a lo n e . G o re a d s o m e th in g lite ra te .

A n d re m e m b e r : S ta y a w a y fro m

M a g ic G e e s e ..

ER O T IC A R T : A p re -o p e n in g p e e k in to A lw u n H o u s e ’s a n n u a l in d e c e n t e x p o s u re S C A N D A L A T S H A N T I: A ll a b o u t th e g a y c om m u n ity ’s s e v en ty -fo u rth o rg an ized a tta c k on R a n d y G o rb e t te a n d C om p a n y B A R B IE FA SH IO N S PR E A D : M id g e in tu lle ;

S k ip p e r in p la id ; K en g o e s p re p p y A N D A W H O LO T MO !

RESOURCE IS S U E 1 8 1 . A V A IL A B L E A T

A R T S P A C E S , R E T A IL O U T L E T S , A N D G A Y

N IG H T C L U B S E V E R Y W H E R E J A N U A R Y 3 1 .

R E S O U R C E • V O L U M E E IG H T N U M B E R T W O IS S U E N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 P A G E T H IR T E E N

PRUDEN T IA L ’S L IV ING NEEDS BENEF IT

is designed specially for you!

P r u d e n t ia l h a s a g r e a t n e w b e n e f i t fo r e l ig ib le l ife in s u r a n c e p o l ic y

o w n e rs . T h e P ru d e n t ia l L iv in g N e e d s B e n e f i t a d v a n c e s fu n d s f ro m

y o u r p o l ic y w h e n y o u b e c o m e te r m in a l ly ill o r a r e p e r m a n e n t ly

c o n f in e d to a n u r s in g h o m e . P ru d e n t ia l P e r m a n e n t L ife In s u r a n c e w ith

th e L iv in g N e e d s B e n e f i t c a n h e lp y o u l iv e o u t y o u r l ife w ith d ig n ity b y

e a s in g th e f in a n c ia l b u r d e n d u r in g a d if f ic u lt t im e .

FOR MORE INFORMATION CONTACT BRUCE: 831-5555

1855 WEST BASELINE U265 IN MESA

R O G ER W . R EA A T T O R N EY , PC .

Your Commit]i)

Lawyer

♦ Perso n al Injury— A ccid en t C ases

♦ C rim in al

♦ Business In co rp o ratio n

♦ B an k ru p tcy

♦ C o n tract D isp u tes

♦ W ills an d Estate Plann in g

♦ D o m estic D isp utes (g ay / n o n - g ay )

(602)248-7921

3 6 0 1 N . S e v e n th A v e . , S u ite B ♦ P h o e n ix , A riz o n a 8 5 0 1 3

C OM M UNITY CART7*V - V C E N T E R 1 Â

Jerry Mills, MD602- 340-1111

V IR G IN IA M ED IC A L PA R K

3 3 3 E A S T V IR G IN IA S U I T E 117 P H O EN IX , A R IZ O N A 8 5 0 0 4

P r o v id in g a P e r s o n a l C o m m i t m e n t t o t h e

M e t r o - P h o e n ix C o m m u n i t y

P O W E L L S R U S S O

A T T O R N E Y S A T L A W

E m p h a s iz in g B a n k r u p t c y ,

P e r s o n a l In ju ry ,

W ills , N a m e C h a n g e s ,

a n d o t h e r s e r v ic e s .

N o C h a r g e F o r In i t ia l C o n s u l t a t io n s

6 0 2 -8 4 3 - 0 1 6 9

1 5 6 4 8 N o r th 3 5 th A v e n u e • S u ite 0 - 1 1 2

P h o e n ix 8 5 0 2 3

LIVING ON THE

C h o o s e y o u r c a te g o ry ...g e t t h e lo w -d o w n on th o s e w h o in te re s t y o u

p lu s p r iv a te p h o n e n um b e rs fo r F A S T d ir e c t c o n ta c t !

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J E F F S T R Y K E R H O T L IN E

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R E S O U R C E • V O L U M E E IG H T N U M B E R T W O • ISSUE N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 • P A G E F O U R T E E N

CLASSIFIEDSC L A S S IF IE D A D S M A Y B E P U R C H A S E D A T T H E R A T E O F $ 6 .0 0 F O R T H E F IR S T T W E N T Y W O R D S A N D .3 5 P E R A D D IT IO N A L W O R D .

P E R S O N A L A D S O F 2 5 W O R D S O R L E S S A R E P R IN T E D F R E E O F C H A R G E . PHOENIX RESOURCE R E S E R V E S T H E R IG H T T O E D IT O R

R E J E C T A N Y S U B M IS S IO N . A L L A D S M U S T B E P R E P A ID A N D R E C E IV E D T H E F R ID A Y B E F O R E R E Q U E S T E D P U B L IC A T IO N D A T E . A D S W IL L

B E A C C E P T E D B Y M A IL O N L Y . T E L E P H O N E C L A S S IF IE D S A R E N O T A C C E P T E D . M A IL C L A S S IF IE D S W IT H P A Y M E N T T O PHOENIX RESOURCE

C L A S S IF IE D S , P .O . B O X 5 9 4 8 , P H O E N IX 8 5 0 1 0 .

employ­ment

H A IR S T Y L IS T W A N T E D

t o s u b l e a s e s t a t i o n In

c o m f o r t a b l e , c l e a n

h a i r s t u d i o .

E s t a b l i s h e d c l i e n t e l e

p r e f e r r e d . L i a i s o n ,

9 5 5 - 4 5 5 4 .

M A L E M O D E L S

N E E D E D f o r

p h o t o g r a p h y p r o j e c t .

E x c h a n g e f o r p h o t o s .

J im 2 6 4 - 1 5 7 2 .

for sale

G U Y S A N D G A L S !

R E V E R S E t h e a g i n g

p r o c e s s . D im in is h a n d

p r e v e n t f a c i a l

w r in k le s . H a v e s o f t ,

s m o o t h s k in . C a l l f o r

f r e e d e m o n s t r a t i o n .

W e c a r e . 3 5 2 - 1 8 9 7 .

LIFESTYLES O F TH E R ic h

a n d F a m o u s ! T o t a l l y

p r i v a t e w a l l e d v i l la In

S c o t t s d a l e . P o o l ,

l a r g e g r o u n d s ,

u n u s u a l 3 BR h o u s e

w i t h a l l t h e e x t r a s .

$ 1 5 7 , 5 0 0 . 5 9 6 - 9 7 6 3

for rent

G L E N D A L E E X E C ,

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h o u s e m a t e f o r q u i e t

3 B R 2 B A h o u s e n e a r

V a l l e y W e s t M a l l .

O w n r o o m a n d b d t h ,

m i c r o , l a u n d r y , p o o l

a n d m o r e . N o

a l c o h o l o r d r u g s . $ 8 0

p e r w e e k p a y s a l l .

9 3 9 - 1 1 0 9

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c o t t a g e . C o r o n a d o

n e i g h b o r h o o d . G r e a t

p r i c e , g o o d l o c d t l o n .

M u s t s e e . 2 5 2 - 7 7 4 7 .

G F SEEKS G F H O U S E -

m a t e t o s h a r e 2 B R

1 1 / 2 B A t o w n h o u s e

In C e n t r a l P h x . D is h ­

w a s h e r , m i c r o w a v e ,

f i r e p l a c e , p o o l . $ 3 0 0

m o p lu s 1 / 2 u t i l i t i e s .

N o d o p e o r s m o k in g .

R e f e r e n c e s r e q u i r e d .

2 5 4 - 3 5 0 6

massage

R E L A X W I T H A

t h e r a p e u t i c m a s s a g e

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h o m e b y a n

e x p e r i e n c e d m a s s e u r .

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9 3 1 - 7 0 7 2 . ( 8 - 2 6 )

P R O F E S S I O N A L

m a s s a g e . D e e p

m u s c l e w o r k . S w e d is h

b o d y w a x i n g o f

u n w a n t e d h a i r .

P h o e n i x : 2 4 1 - 1 3 0 6

S e d o n a : 6 0 2 - 2 8 2 - 7 4 3 6 . *

A s k f o r D a n .

notices

E x p e r i e n c e d a c t o r s

a n d t e c h n i c i a n s

n e e d e d f o r

v i d e o t a p i n g o f a

c o m i c g a y p l a y c y c l e

t h a t ' s b e e n p u b l i s h e d

a n d p r o d u c e d

n a t i o n a l l y . H o u r l y

s a l a r i e s . T h e

c h a r a c t e r s , s t r a i g h t ,

g a y a n d l e s b ia n , a r e

n i n e m e n , 2 3 t o 4 5 ,

a n d f i v e w o m e n , 2 5

t o 5 0 . A i l a r e

p h o t o g e n i c ,

e d u c a t e d , w i t t y a n d ^

s u c c e s s f u l . T h is Is n o t

a p o r n o p l a y c y c l e ,

b u t t h e r e a r e " R "

r a t e d l o v e s c e n e s f o r

s o m e c h a r a c t e r s .

I n t e r v i e w s : F r i d a y

J a n u a r y 2 4 f r o m

1 0 a m t o 8 p m a t

E m b a s s y S u i t e s H o t e l ,

2 3 3 3 E. T h o m a s , S o u t h

e n t r a n c e . B r i n g

r e s u m e a n d r e c e n t

p h o t o . A u d i t i o n s w i l l

b e f r o m t h e s c r i p t .

S M A L L IN SIZE O R

h e i g h t , l i k e u s ?

S t a t e / n a t i o n w l d e a d s ,

a d v i c e , s t o r i e s in

m a g a z i n e f o r m a t .

S A S E t o P O B o x 2 9 4 ,

B a y s id e N Y 1 1 3 6 1 . ( 4 )

★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★

P E N N Y P IN C H E R A U T O P A R T S

S i n c e 1 9 7 8

IF W E D O N ’T H A V E IT , W E L L G E T IT !

D O M E S T IC & F O R E IG N L*tu* help you C A R & T R U C K P A R T S

pinch your pennletl

W a r e h o u s e D is t r ib u to r

A u to P a r ts & A c c e s s o r ie s a t W h o le s a le P r ic e s

W e ’re O p e n L a te 7 D a y s a W e e k

2 1 5 4 E a s t M c D o w e ll R o a d • P h o e n ix , A Z

2 6 7 - 1 1 0 4

H airD im ensions

B y D av id B u rk e tt

S o lo n D e V enne 6 0 2 - 2 6 6 - 4 0 4 7

1 9 1 6 E . C am elb ack Ph o en ix, A Z 8 5 0 1 6

C a r o u s e l R e a l t y , In c .

4 2 2 2 E a s t C a m e lb a c k R o a d , S u ite H -1 0 0

P h o e n ix , A riz o n a 8 5 0 1 8

( 6 0 2 ) 8 5 2 - 0 2 0 4 se habla Espanol

R IC H A R D L A R S E N

‘REALTOR* Q ÜEach O ffice is Independently Owned and Opera ted

WANT TO TAKE BETTER CARE OF YOURSELF?

Concerned About Depression,Stress, Relationships, HIV/ AIDS Or Alternative Lifestyle Issues?

COUNSELING HELPS.

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FIRSTRAVELS A M W O R T H IN G T O N

r F T AR S V P C R U IS E S

5 1 5 0 N O R T H S E V E N T H S T R E E T , P H O E N IX 8 5 0 1 4

6 0 2 - 2 6 5 - 0 6 6 6 • 8 0 0 - 6 6 9 - 8 8 8 5 • F A X : 6 0 2 - 2 6 5 - 0 1 3 5

A U G U S T E C H A R L E SR E A L T O R ®

N O T A R Y

B U S . (6 0 2 ) 8 4 4 - 5 9 0 0

R ES . (6 0 2 ) 4 6 4 - 0 3 7 0

M O B IL E 1 - 6 0 2 - 5 4 1 - 0 7 0 8

F I N A N C I A L P L A Z A

1 2 0 1 S. A L M A S C H O O L R D ., S U IT E 6 5 0 0

M E S A . A R IZ O N A 8 5 2 1 0

m .

TRAVEL AGENCY F A R M E R S IN S U R A N C E G R O U P O F C O M P A N IE S

A o u K e ie v e tt .Serving the Phoenix Lesbian à Gay Com

T a x S e r v i c e

L E W IS P IZ E R

8 2 0 E . I n d i a n S c h o o l

P h o e n ix , A Z 8 5 0 1 4

(6 0 2 ) 2 7 4 - 2 8 9 3

F a x (6 0 2 ) 2 7 4 - 1 0 5 4

P a g e r (6 0 2 ) 2 2 5 - 7 9 1 4

"O ur On ly Bus iness is Se rving You.

M U R R A Y D . S U L L IV A NA gent

A u to • H o m e • L ife • C o m m e r c ia l

8 6 0 -0 9 2 0

Serving the Phoenix Lesbian A Gay Community Since 1983

IN C O M E TAX PREPARATIONa t R e a s o n a b le R a te s

"E a rly B ird D is c o u n t" a v a ila b le th ru 3 /1 5 /9 2

Bob Lind, EAE ven in g & W e e k e n d A p p o in tm e n ts 841-5414

R E S O U R C E • V O L U M E E IG H T N U M B E R T W O ISSUE N U M B E R 1 8 0 • J A N U A R Y 1 7 - J A N U A R Y 3 0 P A G E F IFTE E N

D AVID BURKETT.

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