Art and Culture of the Spanish Golden Age

Session 7: PortraitureARTH 299SPAN 301

Diego Velázquez, Philip IV, 1623-27

Diego Velázquez, Philip IV in Brown and Silver, 1631-32

Diego Velázquez, Philip IV on Horseback, ca. 1635-36

Velázquez, The Fraga Philip, 1644

Diego Velázquez, Philip IV, ca. 1653

Titian, The Emperor Charles V, 1533

Titian, Charles V at Mühlberg, 1548

Titian, La Gloria, 1553-1554

Antonis Mor, Philip II, ca. 1549-1550

Titian, Philip II, 1551

Juan Pantoja de la Cruz after Titian, Charles V in Armour, 1605

Titian, Philip II, 1551

Juan Pantoja de la Cruz, Philip II, ca. 1590

El Greco, Dream of Philip II

Juan Pantoja de la Cruz, Annunciation, ca. 1605

Anthonis Mor, Joanna of Austria, ca. 1549

Alonso Sanchez Coello, The Infantas Isabel Clara Eugenia and Catalina Micaela, 1575

Diego Velázquez, Philip IV, 1623-27

Juan Pantoja de la Cruz, Philip II, ca. 1590

Diego Velázquez, Philip IV, 1623-27

Diego Velázquez, Philip IV on Horseback, ca. 1635-36

Peter Paul Rubens (copy after), Equestrian Portrait of Philip IV, 1628

Diego Velázquez, Philip IV on Horseback, ca. 1635-36

Diego Velázquez, Philip IV on Horseback, ca. 1635-36Titian, Charles V at

Mühlberg, 1548

Diego Velázquez, Philip IV on Horseback, ca. 1635-36

Diego Velázquez, The Prince Baltasar Carlos, ca. 1635-36

Reconstruction of the Salón del Reino at the Buen Retiro Palace (Madrid), ca. 1635-36

Velázquez, The Fraga Philip, 1644

Hyacinthe Rigaud, Portrait of Louis XIV, 1701

Diego Velázquez, Queen Mariana of Austria, ca. 1652-53

Diego Velázquez, The Infanta Margarita in Blue, ca. 1659

Diego Velázquez, Philip IV, ca. 1653

Juan Bautista Maino, The Recapture of Bahía, ca. 1635

Paul Pontius (after Peter Paul Rubens), Philip IV, 1628

Henrico Estefano, Philip IV, “Defiendo a quien me defiende/ I defend those who defend me” from El Fernando, o Sevilla Restaurada, 1632

Velázquez, Don Gaspar de Guzmán, the Count-Duke of Olivares, on Horseback, ca. 1631

Paulus Pontius (after Velázquez and Rubens), The Count-Duke of Olivares, ca. 1628

Henrico Estefano, The Count-Duke of Olivares as Hercules, from El Fernando, o Sevilla Restaurada, 1632

Velázquez, Antonia de Ipeñarrieta with Son, early 1630s

Velázquez, Pedro de Barberana, early 1630s

Bartolomé Esteban Murillo, Retrato de Nicolás de Omazur, 1660s

Bartolomé Esteban Murillo, Retrato de Isabel Malcampo, 1660s

Velázquez, Lady with a fan (possibly portrait of Marie de Rohan, Duchess of Chevreuse, 1638

Velázquez, La venerable madre Jerónima de la Fuente, 1620

Francisco Pacheco, Francisco de Quevedo, from Libro de Descripcion de Rerdaderos Retratos de Ilustres y Memorables Varones, 1620s

Anonymous, Francisco de Quevedo, ca. 1625-30

Velázquez, Portrait of Juan Martínez Montañés, 1635

Jusepe Ribera, Maddalena Ventura with her Husband (“The bearded woman”), 1631

Sebastián Covarrubias, Bearded Woman, from Emblemas Morales, 1610

Jusepe Ribera, Cabeza grotesca, ca. 1622

Velázquez, Portrait of the Jester Calabazas, ca. 1638

Velázquez, Francisco Lezcano, ca. 1638

Velázquez, El Primo, ca. 1638

Francisco Zurbarán, Saint Isabel of Portugal, ca. 1630-35

Francisco Zurbarán, Saint Casilda, 1630-35

Francisco Zurbarán, Saint Margaret of Antioch, before 1635

Francisco Zurbarán, Saint Catalina, ca. 1635-40

Francisco Zurbarán, Saint Eulalia, ca. 1635-40

Alonso Cano, Saint Catalina, 1640sBartolomé Esteban Murillo, Saint Rufina, c. 1665

Francisco Zurbarán, Temptation of Saint Jerome, ca. 1638-39

Interior of the Church of the Clarisas (Nuns), Seville Interior of the Church of Saint

Agustín, Bogotá

Anonymous, Procession of Corpus Christi in Cuzco, 17th cent.

Anonymous, Procession of Corpus Christi in Cuzco, 17th cent. Detail