PortfolioAbby R ich ins

MontageDescript ion:A sp i r i t ua l mon tage t ha t shows t he impor t ance o f p raye r i n one ’s

l i f e .

Date:10 /23 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe Pho toshop

Object ives:Lea rn to b l end images toge the r , u s i ng masks .

U se masks to app l y f i l t e r s to a pa r t o f t he image .

App l y app rop r i a te t ypography .

Process:I f i r s t changed t he l e ve l s o f my f i r s t p i c t u re o f t he g i r l to be t te r

show t he de ta i l i n he r ha i r . I t hen used t he l a s so too l on t he

p i c t u re o f Ch r i s t to be t te r i n co rpo ra te h im i n to t he image o f t he

g i r l . Nex t , I u sed a mask and t he b rush too l to seam less l y b l end

Ch r i s t i n to t he background . I t hen added a f i l t e r by us i ng c racked

conc re te . I b r ushed t he f i l t e r i n , mak i ng su re to keep Ch r i s t ’s face

c l ea r o f t he conc re te . F i na l l y , I a dded t he tex t and ye l l ow ba r ( fo r

l eg i bb i l i t y ) . 2

Contact Information

Abby R i c h i n s :

4 0 8 E a s t 5 t h S t .

W a r d e n , W A 9 8 8 5 7

5 0 9 . 9 8 9 . 3 5 5 4

r i c 1 3 0 0 6 @ b y u i . e d u

Contact Information Table of Contents

M o n t a g e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

B ro c h u r e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

B u s i n e s s C a r d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

L e t t e r h e a d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 0

E v e n t A d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2

L o g o s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 4

I m a g i n g . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 6

F l i e r . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 8

W e b P a g e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 0

Montage

4

Descript ion:A sp i r i t ua l mon tage t ha t shows t he impor t ance o f p raye r i n a

ch i l d ’s l i f e .

Date:10 /23 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe Pho toshop

Object ives:Lea rn to b l end images toge the r u s i ng masks .

U se masks to app l y f i l t e r s to a pa r t o f t he image .

App l y app rop r i a te t ypography .

Process:I f i r s t changed t he l e ve l s o f my f i r s t p i c t u re o f t he g i r l to be t te r

show t he de ta i l i n he r ha i r . I t hen used t he l a s so too l on t he

p i c t u re o f Ch r i s t to be t te r i n co rpo ra te h im i n to t he image o f t he

g i r l . Nex t , I u sed a mask and t he b rush too l to seam less l y b l end

Ch r i s t i n to t he background . I t hen added a f i l t e r by us i ng c racked

conc re te . I b r ushed t he f i l t e r i n , mak i ng su re to keep Ch r i s t ’s face

c l ea r o f t he conc re te . F i na l l y , I a dded t he tex t , ye l l ow ba r ( fo r

l eg i bb i l i t y ) and a l so changed t he fon t co lo r to a l i gh t pu rp l e to

comp le te my co lo r s cheme .

6

Descript ion:An o f f se t fo rma t ted b rochu re a l l abou t a t ra ve l i ng company .

Date:1 2 / 5 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe Pho toshop

Adobe I nDes ign

Adobe I l l u s t ra to r

Object ives:Crea te an o r ig i na l l ogo i n I nDes ign .

I n co rpo ra te qua l i t i y images i n to t he des ign .

C l i p an image and wrap tex t a round i t .

W r i t e o r ig i na l body copy .

C rea te a b rochu re l a you t , p r i n t fu l l b l eed and t r im .

Process:I u sed t he o f f se t l a you t to showcase some o f t he many tou r i s t

s i t e s t ha t Eu rope o f fe r s . I t hen c rea ted my l ogo i n I nDes ign us i ng

t he rec tang le too l , v a r i ous c i r c l e s i zes and t he pen too l . A ft e r t ha t ,

I found many h igh qua l i t y images and p l a ced t hose i n t he b rochu re

w i t h t he l ogo and my o r ig i na l body copy . I u sed t he tea l ba r on t he

bo t tom o f t he f ron t /back to c rea te cons i t ency , I t hen wen t t h rough

t he documen t and made su re t he tex t wasn’ t too c l o se to t he edge .

Brochure

8

Descript ion:A bus i ness ca rd des ign fo r t h i s B r i da l company .

Date:1 1 / 7 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe I l l u s t ra to r

Adobe I nDes ign

Object ives:Lea rn to use t he bas i c too l s i n I l l u s t ra to r and I nDes ign .

C rea te a new l ogo and i n co rpo ra te i t i n to t he des ign o f t he

bus i ness ca rd .

App l y t ypography r u l e s .

Keep des igns s imp l e and c l ean .

I n c l ude a l l t he necessa r y i n fo rma t i on .

Process:I f i r s t c rea ted t he l ogo and a l l my des ign e l emen ts i n I l l u s t ra to r .

T hen I t rans fe red t hem ove r to I nDes ign , to my rec tangu l a r

bus i ness ca rd . I s pec i f i c a l l y made t he f ron t o f t he bus i ness ca rd

ve r y s imp l e and c l a s sy . I wan ted i t to be eas i l y r ecogn i zab l e i f

anyone were to see i t aga i n . I t hen used a coup l e rec tang le and

fon t co lo r cho i ces to keep w i t h my s imp l e co lo r s cheme .

Business Card

10

Descript ion:A l e t te rhead to ma tch t he p rev i ous bus i ness ca rd .

Date:1 1 / 7 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe I nDes ign

Adobe I l l u s t ra to r

Object ives:Keep des ign s imp l e w i t h l i gh t wa te rmark and p l en t y o f wh i t e space .

Keep t he same co lo r s cheme , company and des ign e l emen ts a s t he

bus i ness ca rd .

App l y app rop r i a te t ypography .

Process:I c rea ted t he tea l ba r a t t he top to ma tch t he tea l ba r on t he back

o f t he bus i ness ca rd . I t hen kep t i t r ea l l y s imp l e w i t h t he l ogo i n

t he l e ft co rne r and t he necessa r y i n fo rma t i on on t he r i gh t . I s t a yed

w i t h t he same fon t cho i ces a s t he bus i ness ca rd fo r cons i s tency

and repe t i t i on . Fo r t he wa te rmark , I made t he r i ng des ign i n

I l l u s t ra to r ( i t i s t he same r i ng as seen on t he f ron t o f t he bus i ness

ca rd ) . T hen , I i n c reased t he s i ze , ro t a ted i t s l i gh t l y , made i t a lmost

t ranspa ren t , and p l a ced i t on t he page .

Letterhead

12

Descript ion:A fu l l b l eed , co l o r e ven t ad , mean t to p romote a fund ra i se r , u s i ng

on l y M i c roso ft Wo rd , a s canne r and Pho toshop ( s t r i c t l y to on l y

check p i xe l s and image s i ze ) .

Date:10 /9 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :M ic roso ft Wo rd

Scanne r i n t he L i b ra r y

Adobe Pho toshop

Object ives:Lea rn abou t image s i z i ng ( how p i xe l s and i n ches work toge the r ) .

F i nd , s can and impor t a h igh qua l i t y image .

Choose app rop r i a te co lo r s cheme and app l y co r rec t t ypography .

Process:I f i r s t found t h i s image i n a Na t i ona l Geograph i c magaz i ne . I t hen

scanned i t and checked t he image s i ze and p i xe l s i n Pho toshop .

A fte r t ha t , I p l a ced i t i n a Word documen t and s t a r ted des ign i ng

t he l a you t . I c hose b l ue and o range fo r my co lo r s cheme

( comp lemen ta r y ) . I s pec i f i c a l l y chose to p l a ce t he body tex t i n s i de

t he empty space o f t he e l ephan t ’s t r unk to c rea te asymmet r y .

Event Ad

 

Sav

e

October 23, 2015 Central Park

2-7 p.m.

Th

e A

fric

an

Ele

ph

an

t Sponsored by the World

Wide Fund for Nature

There is no excuse for taking an innocent animal’s life. Come help save the almost extinct African Elephant at our beneficiary dinner and donate $50 to the cause.  

 

Sav

e

October 23, 2015 Central Park

2-7 p.m.

Th

e A

fric

an

Ele

ph

an

t

Sponsored by the World Wide Fund for Nature

There is no excuse for taking an innocent animal’s life. Come help save the almost extinct African Elephant at our beneficiary dinner and donate $50 to the cause.  

14

Descript ion:A l ogo fo r “ L i l ’ M i s s Bou t i que ” .

Date:10 / 3 1 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe I l l u s t ra to r

Object ives:Crea te t h ree d i f f e ren t l ogos and t hen ga the r op i n i ons f rom a t

l eas t t en peop l e abou t wh i ch l ogo appea l s most to t hem .

Use I l l u s t ra to r to c rea te , d raw and des ign you r l ogo .

Re f i ne one l ogo i n t h ree sepa ra te ways ( fu l l co l o r , g ray sca l e and

wh i t ed ou t w i t h a background co lo r / shape ) .

Process:I s t a r ted ou t w i t h t h ree l ogos and ga the r op i n i ons abou t t hem f rom

many peop l e . “ L i l ’ M i s s Bou t i que ” was t he most popu l a r so I c hose

t ha t one to showcase . I c hose my co lo r s cheme and made su re to

add e l emen ts w i t h each co lo r i n t he l ogo . I t hen c rea ted t he en t i r e

l ogo , mak i ng su re t ha t i t was nea t and c l ean . A ft e rwards , I c rea ted

my one l ogo i n t he t h ree sepa ra te ways requ i red .

Logos

16

Descript ion:A pho tograph w i t h a quo te . I t demonst ra tes good pho tography ,

des ign i ng and ed i t i ng sk i l l s .

Date:10 / 1 7 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe Pho toshop

Object ives:Lea rn bas i c pho tography ( and ed i t i ng ) sk i l l s .

Choose app rop r i a te co lo r s cheme and i n co rpo ra te t hose co lo r s i n to

t he l a you t .

U se l a ye r s to des ign tex t , and repea t g raph i c e l emen ts .

Process:I f i r s t took t he many d i f f e ren t v i ews o f one se t t i ng and t hen chose

t he best one to use . I t hen down loaded i t and t hen ad j u s t i ng t he

l e ve l s , b r i gh tness /con t ras t and v i b rancy i n Pho toshop . A fte r t ha t ,

I c hose a co lo r s cheme t ha t wen t we l l w i t h my pho to . A ft e r t ha t ,

I c hose a quo te and t yped t ha t on to an a lmost t ranspa ren t b l a ck

box ( fo r l eg i b i l i t y ) . F i n a l l y , I a dded t he co lo r swa tches o f t he co lo r

s cheme I u sed to t he r i gh t o f t he quo te .

Imaging

18

Descript ion:Th i s des ign i s a b l a ck and wh i t e f l i e r p romot i ng Vouan t

Commun i ca t i on’s G radua te Leade rsh i p Con fe rence .

Date:10 /2 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Adobe I nDes ign

Object ives:App l y t he des ign p r i n c i p l e s and use t ypography app rop r i a te l y .

I n co rpo ra te bas i c I nDes ign sk i l l s to imp rove bas i c f l i e r l a you t .

Make su re t he l i n ks a re no t b roken ( keep p ro j ec t fo l de r ) .

Process:A t f i r s t I s ke tched fou r d i f f e ren t l a you t op t i ons and t hen chose t he

one t ha t appea l ed to most peop l e . F rom t he re , I c hose an image

p rov i ded t ha t wou l d go a l ong we l l w i t h my des ign . I a l so chose

a l ogo op t i on a s we l l . I t hen p l a ced a l l my des ign e l emen ts and

body copy on to t he l a you t i n I nDes ign . I t r i ed to c rea te a l i gnmen t ,

r epe t i t i on and f l ow whereve r I cou l d .

Flier

20

Descript ion:A web page des igned to showcase a l ogo and company c rea ted by

me , “D i amond I n te r i o r Des ign i ng ” .

Date:1 1 / 1 2 / 1 5

Course/Instructor :Comm 1 30 Sec t i on 03

Ben P i nge l

Program(s)/Tools :Tex tWrang le r

Adobe I l l u s t ra to r

h t t p : / /www .W3 .o rg

Object ives:Crea te l ogo and p rope r l y s i ze i t .

W r i t e p rocess o f c rea t i ng l ogo and p l a ce tex t on web page .

A cqu i r e know ledge o f HTML and CSS .

Process:I f i r s t des igned my l ogo i n I l l u s t ra to r , app l y i ng a co lo r s cheme as

we l l . T hen , I s t a r ted work i ng w i t h HTML and CSS i n o rde r to p l a ce

my l ogo and body copy i n to a web page . T he re was a l o t to l ea rn ,

so I u sed t he ex t reme l y he l p fu l webs i t e h t t p : / /www .W3 .o rg qu i t e

o ften . I t hen found an image and p l a ced i t a s my background . I

kep t w i t h my co lo r s cheme fo r my l ogo by add i ng e l emen ts he re

and t he re t ha t were o f t he co lo r s cheme .

Web Page