Passage (2007) for Tenor Saxophone and Piano
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Transcript of Passage (2007) for Tenor Saxophone and Piano
© 2007 Christian Asplund
Passage For Tenor Saxophone and Piano
Transposed Score Christian Asplund
Provo: 2007
Premiered 20 April 2007 Istanbul
Robert Reigle, Sax; Christian Asplund, Piano
Passage 1Christian AsplundTransposed Score
With Passion2Tenor
Saxophone
Piano
Black notes: shorter (one second or less). White notes: longer (1.5 or more seconds). Saxophone and right hand not precisely synchronized. Saxophone leads. Dynamicsand articulations left up to performers.
Improvise overE Pedal
Improvise overD Pedal
D Pedal D Pedal
3 4
T.S.
Pno.
D Pedal E Pedal
5 6 7
T.S.
Pno.
Improvise over
E Pedal
Improvise over
D Pedal
D Pedal
8 9
T.S.
Pno.
G Pedal
10 11 1213
14
T.S.
Pno.
,
,
Bb Pedal B Pedal Ab Pedal B Pedal
15 16 17
T.S.
Pno.
ShortImprovisation
ShortImprovisation
B Pedal D Pedal D Pedal
18 1920
T.S.
Pno.
F Pedal G Pedal
21 22
T.S.
Pno.
G Pedal C Pedal
23
Attacca
24
T.S.
Pno.
C Pedal
Passage 1-Transposed (continued)2
Freebop - Fast
Transposed ScoreChristian Asplund
Passage 2
TenorSaxophone
Piano
f
ff
Freebop comping/countermelody
Freebop walking
Continue(until m. 25)
5
T.S.
ff
mf
9
T.S.
mp
14 1.
T.S.
ff
18
2.
T.S.
A bit slower and gentler.25
T.S.
Pno.
mp
mp
3
31
Tempo I
T.S.
Pno.
Vamp.Enterwhenready
f
FreebopVamp
Freebop
Freebop Freebop
36
T.S.
ff
ff
41
T.S.
mf
mp
46
T.S.
50
T.S.
Pno.
ff
FreebopImprovisation
Freebop
Freebop
FreebopImprovisation
56
rit.
Attacca
T.S.
Pno.
Freebop
,
i.e. freebop walking
Passage 2 - Transposed (continued)4
Peaceful, medium slow
Christian Asplund
Passage 3Transposed Score
Tenor Saxophone
Piano
In m. 21 (sax solo), pianist improvises an accompaniment in eighth notes, repeating theundulating interval pattern (P4 = Perfect 4th, M2 = Major 2nd) prescribed at different, improvisedtranspositions, repeating each pattern two or more times before moving to a different one.
espressivo
p
p
8
T.S.
Pno.
16
T.S.
Pno.
Melody of long, low tones
Loop
P4
M2
2 ormore X
P4
M2
2 ormore X
Loop
P4
M2
P4
M2
CODA22Attacca
Pno.
p
hold F# throughto next movement
5
Christian Asplund
Slow, calm, mysterious
Passage 4Transposed Score
2 3 4Tenor
Saxophone
Piano
Black notes: short (1 second or less). White notes: longer (1.5 or more seconds). Notes may overlap (or not).
pp
pp
5 6 7 8
T.S.
Pno.
9 10 11 12
T.S.
Pno.
13 14
T.S.
Pno.
Re-attack if chord decaysnear inaudibility
15 16 17
T.S.
Pno.
Improvised Transition to 5
Improvised Transition to 5
6
Medium Funk Tempo
Transposed ScorePassage 5
Christian Asplund
2Tenor
Saxophone
Piano
Repeated passages to be repeated 2 or more times (i.e. looped or vamped). "Freely": white notes: longer (2 or more seconds); black notes: shorter (one second or less)."e's or multiples of es": During these passages, use mostly eighth and quarter notes, but also other durations that are multiplesof eighth notes (i.e. dotted quarter, half, half tied to eighth, etc., but no sixteenths, 'tuplets, dotted eighths, etc.) on eighth note beats only.From m. 10 to the end: each instrument and hand may advance from measure to measure at own rate (i.e. while still maintainingsame tempo) repeating each measure two or more times. Dynamics and articulations left up to performers.
Freely
es or multiples of es only (keep up tempo)
Continue until m. 8
3 4 5
T.S.
In tempo with piano
6 7
2 ormore Xsempre
8
T.S.
Freely
ImprovisedSolo
(Octavebelowbass clef)
2 ormore Xsempre
9
10
11
12
T.S.
Pno.
es or multiples of es only, to the end (keep up tempo).Also, eighth rests or their multiples.
es or q only, and eighth rests and their multiples onlyto the end (keep up tempo)
7
13
14
15
T.S.
Pno.
16
17
T.S.
Pno.
18
T.S.
Pno.
19
T.S.
Pno.
Passage 5 - Transposed (continued)8
20
T.S.
Pno.
21
T.S.
Pno.
22
T.S.
Pno.
Continue to the end
23
T.S.
24
T.S.
25
T.S.
26
T.S.
Passage 5 - Transposed (continued) 9
Medium slow rock/funk
Passage 6Christian AsplundTransposed Score
TenorSaxophone
Piano
Saxophonist begins while pianist is still playing previous movement to cue pianist into this movement.
Improvised solo over sax ostinato
5
T.S.
Pno.
Continue improvised solo over sax ostinato
9
T.S.
Pno.
After repeating a few times, sax gradually begin replacing noteswith rests until silent or pianist begins next movement (7).
Several X
Continue improvised solo over sax ostinato
10
Big, Grand
Passage 7
Christian Asplund
Transposed Score
TenorSaxophone
Piano
Pianist follows saxophonist. Black notes: shorter (one second or less). White notes: longer (1.5 seconds or more).Dynamics, phrasing and articulation at performers' discretion.
i.e. "arm" tremolos
with pedal
3
T.S.
Pno.
5
T.S.
Pno.
11
7
T.S.
Pno.
9
T.S.
Pno.
11
T.S.
Pno.
Improvisation usingfingered and tonguetremolos
Transition Fast atonalruns
Improvisation usingarm and fingertremolos
Fast atonalruns
Transition Fast atonalruns
Passage 7 - Transposed Score (continued)12
Fast, aggressive. Free rhythm.
Passage 8Christian AsplundTransposed Score
2Tenor
Saxophone
Piano
ff
ff
3 4 5
T.S.
Pno.
Piano: RH uses improvised pitches (not necessary to follow given contours)
6 7 8
T.S.
Pno.
9 10 11
T.S.
Pno.
13
12 13 14 15
T.S.
Pno.
16 17 18 19
T.S.
Pno.
20 21 22 23
T.S.
Pno.
24 25 26 27
T.S.
Pno.
Passage 8 - Transposed (continued)14
Strong, fairly fast.
Passage 9Christian AsplundTransposed Score
TenorSaxophone
Piano
f
Pianist plays chords whose lowest pitches, and rhythms are given.
f
6
T.S.
Pno.
12
T.S.
Pno.
18
T.S.
Pno.
Improvisation usingrepeated notes.e or q only.
Improvisation usingrepeated notes.e or q only.
CODA - To transition to next movement23
Swung
Attacca 10without pause
T.S.
Pno.
Fade out
15
Medium tempo, hard swing
Transposed ScorePassage 10
Christian Asplund
TenorSaxophone
Piano
i.e. pianist plays given rhythms using any pitches or chords.Not necessary to follow given contours.
5
T.S.
Pno.
9
T.S.
Pno.
12 1.
T.S.
Pno.
15 2. Attacca
T.S.
Pno.
Swing improvisation
Swing improvisation
16
Passage 11Christian AsplundTransposed Score
TenorSaxophone
In this score, the sax and piano parts are on separate pages and are not strictly coordinated.
Signal to transition from 10 to 11
f
Tenor Saxophone
2
Any of the following cells may be played in any order (plenty of silence). Continue until pianist is finished. Then Attacca 12.
10
17
25
32
39
46
52
17
59 Freely, Slowly
Pno.
SwingImprovisation(continued fromprevious movement)
Pianist starts here while saxophonistplays previous page (16)
Transition (fromswing tochorale)
Passage 11: Piano Transposed
f
65
Pno.
72
Pno.
Attacca
18
Mysterious. Calm.
Christian Asplund
Passage 12Transposed Score
TenorSaxophone
"Tick" barlines are for convenience only and do not represent any metrical division or downbeat.Rhythms should be performed precisely, however (but with expression).
p
p
7
T.S.
pp
mp
13
T.S.
mp
pp
mf
,
19
T.S.
ff
p
3
25
T.S.
mf
3
31
T.S.
p
35
T.S.
,
19
39
T.S.
Pno.
pp
Medium slow dance44
T.S.
Pno.
51
T.S.
Pno.
Several X
Improvise over La Folia bass played by saxophone Several X
59 Attacca
Pno.
Simple improvisation in RH
,
Passage 12 - Transposed (continued)20
Andante
Passage 13Christian AsplundTransposed Score
TenorSaxophone
Piano
p
dolce-espressivo
6
6
6
7
4
-§3 42
6
632
5#42
975
7
6
T.S.
Pno.
975
543
76
%95
Not figured, from here to the end
(Pianist may improvise a right hand partor just play this accompaniment.)
12
T.S.
Pno.
16
T.S.
Pno.
19
T.S.
Pno.
21