Palms to Pines Magazine September-October 2015

Palms to Pines Magazine, March-April 2015 1

COMPLIMENTARY

Palms to PinesMagazine

A Lifestyle Magazine Serving Idyllwild and the Desert Cities

Sept.-Oct. 2015 | Vol. 2 No. 5palmstopinesmagazine.com

2 September-October 2015 \ Palms to Pines Magazine

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September-October 2015 \ Palms to Pines Magazine 3

Publisher | Idyllwild House Publishing Company, Ltd.Editor | Jay Pentrack ([email protected])

Creative Director / Webmaster | Halie Wilson ([email protected])Graphic Design Assistant | Teresa Garcia-Lande

Advertising Sales | Lisa Streeter ([email protected]) Goddess of All Things | Dolores Sizer

Photographers | Cid Castillo \ John Drake \ Jenny KirchnerContributing Writers | Donna Elliot \ Jennifer Gee \ Sally Hedberg

Neil Jenkins \ Marsha Kennedy \ Lydia Kremer \ Shanna Robb \ Marshall Smith \ Chris TroutGeneral Counsel | Jack Clark

Palms to Pines Magazine is published bi-monthly by Idyllwild House Publishing Company, Ltd., P.O. Box 157, 54405 N. Circle Drive, Idyllwild, CA 92549.

Please send subscription and change of address requests to the above address. Please allow up to two weeks for requests to be processed.

All contents of Palms to Pines Magazine are copyrighted by Idyllwild House Publishing Company, Ltd. © 2014-2015 all rights reserved. This material may not be published,

broadcast, rewritten or redistributed in whole or part without the express written consent of Idyllwild House Publishing Company, Ltd.

Idyllwild House Publishing Company, Ltd. is located at 54405 North Circle Dr. (P.O. Box 157), Idyllwild, CA 92549

(951) 659-2145 or toll free at 1-888-535-6663 email: [email protected]

Full magazine online at www.palmstopinesmagazine.com

With the end of a very s t r a n g e

summer that brought cooler than normal t e m p e r a t u r e s t h r o u g h o u t May and June - including a bit of snow - and some truly wild weather – thunder storms, hail and lots of rain – in July and August, honestly, we’re not exactly sure what to expect from Fall. As the leaves turn brilliant colors of red, orange, and yellow, one thing we know for sure is that it is a beautiful time of year in our mountains and with a full schedule of activities planned throughout September and October, it is a great time to visit. The Art Walk and Wine Tasting (Saturday, Oct. 10) is an event I look forward to every year. It is a day where our town showcases some of the many artists that call Idyllwild home. Additionally, 19 wineries from Temecula and nearby areas come to town and offer visitors and locals

the opportunity to taste their creations. Where can you taste wines from 19 different wineries for a ticket price of $25 – (the money goes to fund art scholarships) and enjoy everything that makes Idyllwild such a special place? All of us at Palms to Pines wish you a joyful fall season. We hope you’ll come up for a visit! Stop by the Visitor Center at 54405 N. Circle Drive and say “hello!” Cheers!

– Jay Pentrack

Join in one of the most popular fall events in Idyllwild: The Art Alliance of Idyllwild’s Art Walk and Wine Tasting, happening on Oct. 10. Read more about it on page 6.

PHOTO BY JOHN DRAKE

Welcome to fall in IdyllwildINDEXWelcome ...................................... 4

18th Annual Art Walk & Wine Tast-ing ............................................ 6

Artist Profiles:

Shanna Robb .............................. 8

Les Walker ...............................10

Donna Elliot and Neil Jenkins....12

Jerry Baccaire ..........................16

Ross-Clunis ..............................18

Marcia Gawecki .........................20

Gary Glasheen ..........................22

Kathy Harmon-Luber ...............24

David Graybill ...........................25

Millie Shaw ................................26

Trish Tuley ...............................28

For the Love of Art ..................30

Marshall Hawkins ......................32

Scott Padgett ..........................34

Idyllwild Community Center .......36

James Reserve ...........................38

Café Aroma Gift Shop ................39

Stratford Players ........................40

Fall at Cahuilla Casino ................40

Idyllwild Calendar .......................41

Highway 62 Studio Tour ............42

Desert Art Center ......................45

Artist Don Dietz .........................45

Artist Barbara Weightman .........46

Desert Calendar .........................47

Greetings from Idyll Awhile ........48

Advertiser Index .........................48

The cover photo features Cathedral City artist Martha

Villegas de Val-entin during the annual Plein Air

art festival week-end in Idyllwild,

sponsored by the Art Alliance of Idyllwild (ar-

tinidyllwild.org). Martha’s work

can be found at www.marthaevillegas.com.PHOTO BY JENNY KIRCHNER

Palms to Pines Magazine, March-April 2015 1

COMPLIMENTARY

Palms to PinesMagazine

A Lifestyle Magazine Serving Idyllwild and the Desert Cities

Sept.-Oct. 2015 | Vol. 2 No. 5palmstopinesmagazine.com



S A T U R D A Y

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Orfila Vineyards & Winery orfila.com

Robert Renzoni Vineyards robertrenzonivineyards.com

Shadow Mountain VVineyards shadowmountainvineyards.com

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Wiens Family Cellars wienscellars.com

PROUD SPONSOR

(951) 692-6135 | For tickets visit artinidyllwild.org | /ArtAlliance | /artinidyllwild

GALLERIESArtspresso Gallery

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Cafe Aroma cafearoma.org

Cou Courtyard Gallerycourtyardgalleryidyllwild.com

Everitt’s Minerals and Galleryeverittsminerals.com

Florist in the Forestfloristintheforest.com

Four Corners Gallery atFFern Valley Emporiumfernvalleyemporium.com

Higher Grounds Galleryidyllwildcoffeeroasters.com

Idyll Awhile Wine Shoppe Bistroidyllawhilewineshoppebistro.com

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R ss-ClunisLarger than Life


Story by Jay Pentrack

;

After earning his BFA in design from Chouinard Art Institute in Los Angeles, Ross-Clunis continued on

with MFA course work while he worked as a full-time instructor at Walt Disney’s California Institute of the Arts in Valencia. He managed three on-campus shop facilities, and taught classes in 3D Design, Materials & Methods and Composite’s Technology. This helped prepared Ross-Clunis for his career as an artist; a technically minded artist at that. His work reflects his expertise in designing, developing and manufacturing of products he patented (Ross has two U.S. Patents). One product he patented in 1970 is still being marketed worldwide today. In 1982 Ross took his artistic mind and product development experience and gained employment as an Aerospace Engineer. He worked for half dozen different aerospace companies during that 15 year career. This provided him with extensive experience in precision tooling design, prototype development, 3D CAD, Solid Modeling and early PC computer technology. Ross built his first computer in1984 that actually outperformed all the commercially built PC’s he used at work. (Yes, he built the “monster” computer he uses in his studio.). Since 1998, Ross-Clunis has concentrated his efforts to the world of digital fine arts and the creation of Giclee (inkjet) prints that are produced from images stored in a digital format. His own artwork prints are often combined with hand-painted acrylics that gives them the

physical depth, texture and the classic feel of a traditional painting but maintain the captured imagery and story portrayed in the photographic capture. Photographer John Pacheco, a student Ross-Clunis mentors, offers “it’s like a modern twist on a classical painting.” Ross-Clunis uses a WACOM digitizer tablet and a hand-held electronic brush (stylus) to achieve his painterly look. All of his images are 100% hand processed. He also creates reproductions of his original works that include non-digital sketches and paintings. Ross-Clunis also operates a large format fine arts printing business “rossWork studio”. “If an artist comes in with artwork, my first goal is to discover their ultimate goal. Then, if not provided one, I create a digital file (scanning). I then produce a small proof print that the artist can physically see and feel a sample of what the final print will be like. If they approve of the proof print, I can then guarantee their satisfaction in the final product.” Ross-Clunis has scanned (digitized) artwork up to 48”x72”. “If the artist doesn’t want to sell their original artwork, or they are waiting for just the right customer (right price), they now have the option of marketing “Giclee” representations of the artwork at much lower prices, opening up new cash flow possibilities.” Working with the Art Alliance, Ross-Clunis was instrumental in the production of the banners for the 17 participating Idyllwild organizations. “To get that many people in a room from so many organizations at one time was historical for us,” he said. Shanna Robb served on the banner committee and said without

Ross-Clunis, the program would still be a dream. “He is my guru,” Robb said. Recently, Ross has been upgrading his printing studio with the latest state-of-the-art color management systems and has added film scanning for his customers working in that media. He now offers professional level calibrated 48bit HDR RAW scanning of 35mm slides and film up to 8”x10”. He has also added a WACOM Cintiq monitor/tablet where he can draw, paint, or make image corrections using a stylus directly on the monitor’s screen. This tablet is also a powerful computer that can be used as an easy to handle portable device. It has Corel Painter, Autodesk Sketch, Photoshop and Lightroom software installed, so besides using it to prepare customers images, or artwork scans for printing, he also hopes to have the time to use it for outdoor sketching and painting. Ross-Clunis feels enriched by Idyllwild. “Just being in an environment where there are so many creative people; everywhere you go there are incredible musicians, and poets all over the place, it’s a nice, friendly supportive environment.”

PHOTOS COURTESY ROSS-CLUNIS


By Jay Pentrack

;

Now in it’s 18th year, the Art Alliance’s Art Walk and Wine Tasting is just one more great reason to visit the

mile high village of Idyllwild according to event sponsor Melody Johnston of Idyllwild’s own Middle Ridge Winery, “I think what people are attracted to is that small town sense of belonging and community. Folks fall in love with nature up here, they fall in love with the sports opportunities, the art opportunities, the restaurants, … I don’t know that any of us have the words to describe it, and you don’t want to use something hokey like, ‘Oh, it’s the magic of Idyllwild,’ but there really is something special – call it magic, call it a vibe, call it whatever.” The Johnston’s – Melody and Chris – have been residents of Idyllwild for 10 years and have sponsored the event since 2009. The focus this year has changed somewhat according to Art Alliance President, Shanna Robb. “There is a beautiful marriage of the wine along with the art because I really believe wine making is a form of art,” Shanna offered. “But as an organization we’re going back to our roots, the roots that [AAI Founder] Chris Trout started in the 80s along with her colleagues where there is more of an emphasis on the art.” Nineteen of Southern California’s favorite wineries will participate in the all day event and will be situated at 13 select locations complete with musicians,

art and artists. Adding to the experience, this year’s event will also feature “Art Hot Spots” throughout the Idyllwild Village. For artists whose work is not displayed in a local gallery, the Hot Spots will enable them to display their creations for the enjoyment of attendees. Another challenge tackled this year by the new Art Alliance Board is transportation. “We’re working on vans right now and we plan to run two shuttles starting at 10am for our art enthusiasts,” Shanna explained. “That was one of the concerns in the past. [The route] is only a mile, but it’s a mile uphill and the altitude is a mile high. Additional consideration is also being given to those attending the wine tasting by suggesting “flights” for the day. Flights will focus on different routes for attendees that will help manage the crowd flow. “I applaud those who have been doing this for the last 17 years; I applaud them for making it an experience that is not only about the wonderful Southern California wineries, and about art, but also about welcoming people into our community,” Shanna said passionately. “I would love for [visitors] to walk away with a piece of art from one of our local artists or galleries; I hope they walk away with a new appreciation for the wineries and become part of their wine clubs, but at the end of the day I hope they realize that something truly unique is happening up here. I hope it brings them a little closer to nature and gives them an appreciation for what happens when a community comes together and says

‘this is our home and we welcome you.’” The Art Walk and Wine Tasting will be held on Saturday, October 10. The Art Walk begins at 10 a.m. and runs to 6p.m. The Art Walk is Free. The Wine Tasting begins at 2 p.m. and goes to 5 p.m. A ticket is required. Tickets are $30 for non-members and $25 for AAI members. Groups of 10 or more will also receive a discount. You are urged to purchase your tickets in advance, online at www.artinidyllwild.org. Tickets are limited and this popular event is expected to be a sell-out.

The Art Alliance of Idyllwild presents the 18th Annual Art Walk and Wine Tasting

PHOTOS BY JOHN DRAKE

PO Box 107Mountain Center, CA 92561951-659-4269

“Cat of the Red Rocks”Oil, 11”x14”

Millie Shaw

[email protected] • www.millieshawwildlifeartist.com

Kathy Harmon-LuberFINE ART PHOTOGRAPHY

2012 Artist of the Yearon Display and For Sale at

Artspresso Gallery in Idyllwild

KathyHarmonLuber.cometsy.com/shop/KathyLuber

GLASS - SILK - MOSAICmyworldinart.com

Opening Soon

ARTISTS GALLERY

w w w . J e r r y A r t S t u d i o . c o mFeatur ing Local Ar t is ts of Idyl lwi ld

Gary Glasheen

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SEPTEMBER 12TH - 10am-5pmIdyllwild Community Center Property

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and OCTOBER 3RD - 10am-5pmIdyllwild Town Hall

25925 Cedar Street (near center of town) Idyllwild2ndSaturday.com

ORIGINAL ARTWORK & LIVE MUSIC

Idyllwild

ART FAIR

MARCIA GAWECKI

ARTPortraits

Banners

Murals

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IDYLLWILD ARTISTS




;Photos by Jenny Kirchner

S hanna Robb is intense - about art, about her community and about any task she commits to. And while it may surprise some folks that a woman as accomplished professionally as Shanna would find quaint, charming little Idyllwild the perfect place to call home, for those who really know her, it is no surprise at all - the relationship is as right as rain. At her core, Shanna is happiest when she is surrounded by nature. Born in Rocksprings, Wyoming, Shanna would spend her early life there and in Casper, Wyoming when her father’s work prompted a family relocation. “I think that’s where I get my spirit of adventure and my love of Idyllwild – give me a tree to wrap my arms around and I feel like I’m transported right back to where I was brought up,” Shanna says with a smile. Shanna and Dave have owned their home in Idyllwild for 20 years and have lived here, full time, for 7 of those years. Shanna attended Catholic school the majority of her early education and, unlike most children her age, she loved the rules – although not for the reasons you might think. “I like rules. I like knowing what the rules are and I like knowing what the consequences are so I can determine which rules I’m going to break,” she says mischieviously. And when it came time for college, Shanna decided on a catholic university and set out to reinvent herself. “When I went away to college I became the cheerleader, the class officer, the editor of the newspaper; I became the person that when I saw someone on the sideline I went up and introduced myself,” she explained. “There is something really beautiful and scary when you decide that you want to set an image for yourself that is one that you can honor and respect and hopefully those outside of you can honor and respect.” Shanna did her undergraduate work at Carroll College in Helena, Montana where her major was psychology, with a minor in art. After a transfer and a change in major, Shanna completed a degree in psychology (with a minor in philosophy) at Cal State Bakersfield. Art was always a part of Shanna’s early life thanks to her Mother, an educator, and her Father, a Chief Inspector for HUD and FHA, who made sure their three daughters were exposed to

many art forms. “One night we’d have the piano teacher, the next night we would have the guitar teacher, the next night we would have our arts and crafts teacher,” Shanna recounted, “So to keep us out of trouble, my mom would be at school teaching other students and she would make sure we were kept occupied, so art was always there.” And while art took a backseat in Shanna’s life while she completed her degree, a stained glass class she took with then fiancé, Dave Robb, would prove to be a significant part of her artistic style today. Professionally, her career was on fire. Shanna’s experience working for an educational toy company, a gun manufacturer, an industrial distributor and as golf course manager and later, as Director of Training for American Golf, landed her an impressive position with Disney. “I transferred from [American Golf] to Disney as training and development manager,” Shanna explained. “I helped open the new California Adventure.”

Shanna RobbA Force of Nature


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A planned career move from Disney to the LA Times would set Shanna on a dramatically different path, professionally and personally. “I was supposed to become the National Director for the LA Times and September 11th [2001] happened; I was supposed to start around September 14th but the job offer was frozen.” With encouragement from husband Dave, Shanna took a break and during that time she did some volunteer work. “I did a garage sale for my church. I organized it all and it became the “Nordstrom’s” of garage sales,” she said laughing. “Literally, like 2 hours later, $4,000 was raised; that afternoon someone approached me and asked, ‘can you help me get organized?’” And voila, a new career was born. Within just a year and a half, her business of assisting people and companies get organized was 100% referral. After 13 years of working with clients Shanna acknowledges their impact on her art. “I saw so many people who had these treasures which might be a chipped plate that was their grandmother’s or a broach that was their great grandmother’s stuffed in drawers but yet they couldn’t let it go … So when I started to do my mixed media glass, I started bringing in that broach, bringing in that broken plate into my designs to show respect and to give honor to these items that were just taking up mental and physical space,” Shanna explained. “I wanted to be able to tell a unique story and welcome people into my world of art.” Prior to becoming President of the Art Alliance of Idyllwild,

Shanna served the organization as a volunteer. In addition to assisting in the planning of several successful AAI events, she was the project chair for Idyllwild’s first

public art installation, Deer Sightings. The installation is comprised of 22 aluminum deer, each painted by

a local artist and installed at locations throughout Idyllwild.

On the day that the 22 deer were gathered together for the first and only time for the community to enjoy, (an event that Shanna

organized), was also the day that the greatest inspiration in her life – her Father – passed.

“The herd gathering started at 9 a.m. and my dad passed away at 9:11a.m.,” she recalled. “I had to pull

my act together the way my father would want me to; no one knew, Dave [Shanna’s husband] didn’t even know; I

didn’t tell anyone. We had several hundred people, and I kept the smile; I stood back and watched the experience, because I was there to give them an experience and the experience wasn’t the death of my father.” It is this selflessness and dedication that are a hallmark of every task Shanna undertakes. “If you’re going to be a great leader, whether it is a leader within your family, whether it is a leader within your community, your business, or a non-profit, whether you’re getting paid or not, you need to do it right,” she says emphatically. “When you do it right it means that you leave a legacy. Your ultimate goal is that no one remembers you and the next group of people are even more successful than you were. That’s when you know you did it right.”



es Walker is a man’s man. He’s the guy you want to hang with,

have a few beers and watch football; the jokester; the guy with a crowd of people around him at a party. His story is a real page turner and he’s barely through the first few chapters. Prior to becoming a mountain man Les was a beach guy, famous in the surfing world as the senior photographer for Surfing Magazine, a position he achieved after years of working as a surfing photographer and winning the prestigious K2 Big Wave Challenge in 1998, the first-ever professional surfing contest that rewarded both the photographer and surfer. The surfer was Taylor Knox, the wave was a 60-footer, and Walker nailed the shot. Walker was and is considered by many to be one of surfing’s elite photographers. For Walker, however, the digital age signaled the waning of his passion for photography. “Photography for me lost its art. I wanted to be able to touch something, something physical. Like wood workers, or like Dore [Capitani, a local metal artist] or like any of the painters, they actually touch something,” Les explained. “With photography, you don’t really touch it because it’s on a screen now. Not to insult any photographers, it is still an art, but not the art it used to be.” With classic rock playing in the background Les slaps, kneads, and man-handles a large piece of clay. A little over 2 years ago, Les knew nothing about pottery making. “I was cruising the Internet and I saw somebody throwing a piece of ceramic and something called to me and I thought, ‘I have to try this.’ I didn’t take a single lesson; I just bought everything and taught myself, just by reading and watching videos,” he said. Les is happiest when he’s enjoying the view of Tahquitz Rock from his

Idyllwild studio with his hands covered in clay. For two years now, Les has been a “potter” full-time, and the more you understand the process, the more you realize how time-intensive it is. “Most people don't realize that you can’t create a piece of pottery in a day. It takes about 2 weeks before it’s done. From lump of clay to a finished product it’s anywhere between 14 and 21 days.” For the past two years Les has been showing his work at VillageFest in Palm Springs and at select shows. “I went and did a show in Las Vegas for my wholesale business and I won ‘Best Emerging Artist’ of the show.” The Las Vegas show was called “ACRE” (American Crafts Retailers Expo) and Les made some great connections that are keeping him in his studio more and more. The Nevada State Park system has commissioned Les to do

select pottery for their gift shops. “I will create a specific line of pottery that is proprietary towards that Park - like Red Rock, Valley of Fire, or Mt. Charleston, I'll do mountain scenes that are from that area,” Les explained. The award and resulting press has generated a lot of new business for Les and brought him a new kind of buyers. “As a store owner, you can buy from me wholesale which allows me to stay in my studio and I don't have to pack up my dog and pony show and go to all those shows,” Les explained. “I custom tailor the items I make for your shop so you don't have pottery that everybody else has. I'll work with you to help you come up with your own product line.” For aspiring potters, Les offers private lessons and hopes to one-day do pottery seminars. “My ultimate goal is to start doing pottery workshops where I bring international potters here and then people can come to Idyllwild and work with him or her. I plan to do that in the spring of next year.” To contact Les, visit him online at www.potterywalker.com.

Les WalkerThe Success Mold


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By Donna Elliot and Neil Jenkins

;

Our business cards read “Mountains & Art.” Our mountain credentials are epic. We met on a Welsh mountain

some 18 years ago, courted in English and Scottish mountains and got engaged on top of the Matterhorn in Switzerland. We’ve been climbing mountains together ever since. Idyllwild certainly satisfied our lust for pure, sensuous granite rocks on which to climb. However, it wasn’t until we settled here that we added the “Art” bit to our business cards. We have always been art aficionados and have visited hundreds of art museums and galleries around the world. But being artists wasn’t something we even considered until we met so many talented and creative folks in Idyllwild. Of course we discuss art, particularly calling each other’s attention to something we know the other would like. We also figure out techniques or make suggestions for each other’s works, but what about the deep, philosophical discussions about art? We thought to put this to the test. No doubt some of you remember the “Newlywed Game” where contestants vie to prove how well they know their partner. Here we give each other a chance to verbalize what’s on our mind and give you an insight into what our art means to us.

Neil’s Interview with Donna Neil: You started your artistic career as a photographer. In what ways did your complete inability to program a VCR machine inhibit your switch from film to digital photography? Donna: In fact, it was better. I didn’t have to remember to put film into the camera. I can also easily delete any photos of myself I don’t like. Also, the “Retouch” editing feature means I can stay younger for much longer. Neil: In recent years you have expanded your artistic repertoire from photography to many other media. What parallels do you see between your artistic expansion and your expansion into my

space in our basement? Donna: I need to have all my embellishments and materials easily at hand to audition them for a mixed media piece. It is probably more a question of an untidy studio and an untidy mind. I need to get organized. I need more space! Neil: Last year we attended the wonderful quilters show and you were inspired to take up fabric art. Why is your new sewing machine still in its box? Donna: I have a “wish” list of new techniques, materials, styles, media, etc. that grows longer all the time. It is a matter of time management. As any retired person can tell you, there just isn’t enough time to do everything you’d like. There are so many activities vying for my time: trail running, rock and mountain climbing, traveling, reading, entertaining and baking muffins and brownies for you. Neil: It is said that women are allowed to change their minds. You create art in mixed-media, alcohol inks and many other media. Is there a connection here? Donna: “She believed she could so she did.” Neil: What is your dream project? Donna: Working with young people to indulge their spirit of creativity. We have already begun this process by working with the smARTS program (Idyllwild School) and have committed ourselves to future sessions in the coming school year. The parents are so supportive

and the students (and us) simply have fun with it. Neil: I never know when to stop. How do you tell when a work of art is finished? Donna: When someone has purchased it. Neil: Name three artists you’d like to be compared to and why. Donna: Georgia O’Keefe – she was a pioneer and took so many risks with her art. She made a real difference in the art world with her imagination and her artistic vision. Gustav Klimt – I love his use of gold in his exotic and erotic paintings. Jane Davenport – She is a young Australian mixed-media artist who makes art fun and is happy to share her knowledge and talent. Neil: What do you hope viewers take from your art? Donna: I want viewers to remember the unique patterns, unusual textures, vibrant colors and the sometimes thought-provoking subject matter of my art, or simply the fun of some of it. I hope any or all of this stays in their minds so much that they feel they must own a particular work and return to purchase it. Neil: We’ve probably been to a hundred art museums and galleries around the world. Do you have a favorite? Donna: The Tate Britain in London is the first museum where I can remember a distinct epiphany in respect of art. It contains a wide selection of Pre-Raphaelite Brotherhood paintings. Their colors are so vibrant and their stories and subject matter so intimate and intricate. I have had many other epiphanies since then, but those are due more to champagne than art. Neil: What makes a great artist? Donna: This is such a subjective notion. You think that Picasso is a great artist and yet I don’t see it. However, there is greatness in being able to generate an emotional or intellectual response to a work of art and to inspire people to feel something, change the way they think, discuss it with others, research the artist

See Two lifestyles, page 14

Mountains and Art ..A Tale of Two Lifestyles

Donna, keeping up on her art history.PHOTO BY NEIL JENKINS


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TWO LIFESTYLESContinued from page 12

or a particular piece, or react in some way, such as purchasing it. It reminds me of a passage in the book “Eleanor & Park” by Rainbow Rowell: “Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.” Neil: The first successful parachute jump to be made from a moving airplane was made by Captain Berry at St. Louis, in 1912. You are from St Louis, have you ever thought about jumping out of a perfectly serviceable aircraft as a piece of performance art? Donna: I inadvertently engaged in performance art after I took up paragliding. I provided no end of amusement to those watching my landings. Neil: The 1904 World's Fair in St. Louis introduced the waffle cone, cotton candy and Dr Pepper to the world. Do you think any lingering guilt from this has given a sharper edge to your art? Donna: Why do you think we are hiding out in Europe going to the art museums and galleries here? Neil: Aunt Jemima pancake flour was invented in St. Louis in 1889. It was the first ready-mix food to ever be sold commercially. What's for dinner? Donna: Pancakes. Neil: Your current favorite medium is alcohol ink? Should we read anything into this? Donna: Yes, we need more champagne… Neil: What is your favorite quote either about art or anything else? Donna: “I am an Artist. This means I live in a perverse fantasy world with unrealistic expectations. Thank you for understanding.”

Donna interviews Neil Donna: Okay, Neil. I’ve known you for some 18 years. Your best subjects at school were mathematics and physics. You are a planner, a left-brainer, worked in technical ballistics in the British Army, in management consultancy, training and insurance. What in the world made you think you had any talent for art? Neil: I don't see what the conflict is. The flight of an artillery shell is a beautiful thing, a curve as sensuous as

any that graced Marilyn Monroe. And fractals, shapes generated by complex mathematical formula, appear in every living thing: the leaves on the trees, the mountains and the rivers. What's confusing is why there aren't more mathematicians who paint? Donna: You and five other people like Picasso’s abstract paintings. WHY? Neil: I'd like to know who they are and why they're not attending the therapy sessions with me? For me there are two parts to creating greater art; first you must develop your skills, then you have to have the imagination to create something new. Put the two together and you get real genius. Look at Picasso's unfinished Harlequin portrait of Jacinto Salvador from 1923 and you see his incredible skills, then to invent a new style of painting in cubism, what imagination! Donna: Picasso’s own words should help you understand his work: Neil: “The world today doesn’t make sense, so why should I paint pictures that do?” Donna: You’ve been through an “Aspen” period, a “Blue” period, a “Hummingbird” period, a “Masque” period, a “Steam Punk” period, a “Nymph” period, and heaven knows what else. What’s next? Neil: I'm thinking about a red period or perhaps green. It depends on what paints are on offer at the art supply store. To be honest, I have no idea what will be next; I may be walking down the street and see something that inspires me or I'll see a movie or something will come up in conversation. That's the thing about inspiration, it can't be predicted. It's what makes art fun. Donna: Lucian Freud painted a

portrait of the British Queen, Elizabeth II. NOBODY liked it. Why did you choose to paint your self-portrait in his style? Neil: Because nobody would like it and then I wouldn't have to sell it. Instead I can hang it on the wall and admire it. I just don't understand why you insist on it being in that dark corner of the basement. Donna: You create art with watercolors, acrylics, pastels and pencils. What is your favorite medium and why? Neil: That's an impossible question to answer. Right now it's probably watercolor because I'm seeing things all around me that would be perfect for the medium: cloud-shrouded mountains and misty forests. In a month it may be acrylics that I can spread with a pallet knife as my energies spike and I need to splash out. Or perhaps I'll get to a point where the quiet contemplation of pastels is the best fit. For me, the choice of medium is not about what you are using, but where your head is at and what you're thinking. I don’t choose what to do; it chooses me! Donna: What memorable responses have you had to your work (other than my “what were you thinking” response)? Neil: The most memorable was: "you must have been in a bad place when you did that." This pleased me, as it was a painting in memory of a great friend who had recently died. I don't mind what the response is as long as it is a strong one. To me the purpose of art is to produce an emotional response. It doesn't matter if the response is positive or negative, either way, the stronger the better. Donna: What is your dream project? Neil: I would love to be the artist in residence at one of the national parks. To be able to be in one of the places where we have climbed and spend time simply painting the landscape while having no pressure to get up the mountains would be so liberating. Donna: What’s the best piece of advice you have been given? Neil: I have been given many pieces of advice, some of which I have ignored and some I have followed. As you never know what would have happened if you followed the opposite course, it's hard to know what was best. Some of my favorites are: “Don’t screw it up” and “Don’t listen to anyone else’s advice.” Donna: Name three artists you’d like to be compared to and why.

See Art, page 17

Neil’s self portrait in the style of Lucian Freud.


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Ask Jerry to say “coffee” and you are treated to his delightful East Coast Rhode Island-ness. His Italian heritage shines through if you are lucky enough to

enjoy one of his home-cooked meals. Own a piece of his beautiful and unique art, and you are well and truly fortunate. Unlike many people who stumble into art later in life, Jerry’s enjoyment of and gift for design and creativity was obvious from an early age. How many parents would be grateful if their four-year-old son was excited about getting a box of 72 crayons for Christmas and that was all he wanted? Wow, 72 colors! What a great start in life for someone who now boasts some 200+ bottles of paint! Jerry tells of his first art project in fourth grade that actually began as a history project: “It was to build something that was historical in the State of Rhode Island. I built a replica of Slater Mill, the first mill in Rhode Island. It even had its own water wheel to generate power. I built the roof out of small twigs and cut them to look like slate.” Jerry got an A+ for his project and he held onto it for some 15 years, along with a castle he had created using pieces of colored cellophane on parchment paper. But such treasures disappeared with time and his many moves. Their memory and the praise he received from his teacher still linger, though. Not many people can say that their passion becomes their profession and they get paid for doing something they love! Most of the jobs Jerry had used his creative talents. He trained as a model maker/designer and started designing costume jewelry for a company in Rhode Island, as well as for Givenchy, Barneys, Macy’s of New York and other major department stores. Jerry was transferred to California and continued to design for various companies. Lucky for us the sunshine and friendships he made agreed with him and he eventually settled in Rancho Mirage. Retirement brought Jerry new opportunities to use his creative energy. He started painting small trinkets, boxes, animal figurines and designs on canvas. We have a Heron porcelain catalogue to thank for what led to Jerry’s signature style: dots, dots and more dots! The Wikipedia definition of “Pointillism” is “a technique of painting in which small, distinct dots of color are applied in patterns to form an image.” It seems Jerry has created his own form of this style. His intricate, raised dots can be seen on a multitude of surfaces: vases, antiques, pottery animals, wooden horses, teapots, stands, furniture, paintings and, well, just about anything. Don’t stand too long next to him … you might come away looking like a Papua New Guinea tribal warrior (unless, of course, that is the very look you are seeking, then Jerry’s your guy)! Other inspiration came from his job with Goebel Miniatures (owned by Hummel Figurines) and from Sascha Brastoff, a mid-century artist famous for his 1950s-inspired abstract designs on ceramics. I’m not surprised about the latter. Words such as “flamboyant, adventurous, bold and colorful” have been used to describe Brastoff’s creations. The same words may be used to describe Jerry’s innovative and whimsical designs. At the 2014 Art Alliance of Idyllwild (AAI) “Eye of the Artist” event, Jerry won a First Place Ribbon for his whimsical “Topsy Turvy” piece. This was the first of several ribbons he has won since. Despite his growing success, Jerry never forgets his early days: “about six years ago, my very first showing of my art was at

the Rancho Mirage Art Affair in Whitewater Park. It was exciting and frightening at the same time. The jitters went after selling my first piece.” Jerry has been selling his artwork ever since then, through art shows and fairs, cafes and galleries. His biggest challenge, however, came when he was invited to paint one of the 22 deer as part of the Idyllwild Deer Sightings public art project. The theme for Jerry’s doe was the flora and fauna of Idyllwild’s native flowers and plants. It proved to be a labor of love. He first went to the Idyllwild Public Library to research the indigenous flowers of the area. They kindly referred him to the Idyllwild Garden Club. Jerry recalls “it was very difficult to paint on the doe since it wasn’t a very smooth surface. It took hours to paint one flower. The most time I spent on one flower was 4 to 5 hours.” He wanted his art to be perfect. He spent approximately 144 hours on making it so, sometimes working 10 hours a day on it. Jerry picked up the doe in May and completed it in August. Halfway through painting the doe, Jerry saw how very beautiful she looked with all the painted flowers and beetles and named her “Bella,” which is Italian for “beautiful.” This reminds me of an apt quote: “We all die. The goal isn’t to live forever. The goal is to create something that will.” Jerry had never done anything so big and intricate before and Bella’s beauty continues to inspire an entire community. Idyllwild residents and visitors can visit “Bella” at her mountain home in front of La Casita Mexican Restaurant on North Circle Drive. Being part of the Idyllwild art community has motivated Jerry in so many ways. Other artists inspire him. Local art fairs and galleries create sales opportunities for his artwork. Judged art shows are a demonstrable appreciation of his talent. The fresh air, friendships and flair of Idyllwild encouraged Jerry to buy a home here. It is filled with many of his own creations as well as those of his fellow artists. With so many talented artists about, no doubt he is running out of wall space like the rest of us! What advice would he give to a young student or artist? “Never let anyone tell you that you are not good enough.”

Note: Jerry will be opening his new gallery -"JerryArt" Gallery – the first week in October. It will be located in Oakwood Village , 54425 North Circle Drive, Suite 8, Idyllwild. It will also be home to Graybill Jewelry Designs and other local artists of Idyllwild.

Bravissimo, Jerry Baccaire!

One of Jerry Baccaire’s sculptures (left corner) took first place in an Art Alliance of Idyllwild event.FILE PHOTO


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ARTContinued from page 14

Neil: Lucian Freud - you may not like what he does, but you can't ignore it. Pablo Picasso - I hope people one day say of my art: "How did he think of that?" David Bellamy - the best landscape artist I have ever seen. Donna: What do you hope viewers take from your art? Neil: Two things: an empty wallet and a heart full of emotion. Donna: We’ve probably been to a hundred art museums and galleries around the world. Do you have a favorite and why? Neil: That's a tough question. Like every individual artist, they all have something unique to offer. I love all the museums of modern art because they are so challenging and the British National Gallery is so all encompassing. But if forced to choose one, it would have to be the British National Portrait Gallery because it covers portraits from every era. You get the same type of subject but in almost every style from a portrait of Henry VII painted in 1505 to a video of David

Beckham sleeping filmed in 2004. From oils to photography to sculpture, it is a real journey through the world of art. Donna: You were inspired to create “Rocky I” and “Rocky II.” How so? Neil: Rocky I's inspiration was easy. I think it went like this: Donna - "Neil, we're going to paint a deer." Neil - "OK, dear." Donna: Rocky II was just as simple, from a cast of 22, the thief chose to steal ours. It would have been remiss not to produce another even better Rocky. Donna: What was your mother’s favorite childhood drawing of yours? Neil: I seem to remember she liked a portrait of our dog. That confused me as I set out to draw a dinosaur. Donna: What is your favorite quote either about art or life? Neil: I'm not sure this will make it into print but Monty Python had a sketch that ended: "I don't think any of our contestants this evening have succeeded in encapsulating the intricacies of Proust's masterwork, so I'm going to award the first prize this evening to the girl with the biggest t--s.” Donna: To be serious Scott Adams said: "Creativity is allowing yourself to

make mistakes. Art is knowing which ones to keep." I produce a lot of paper to light the fire. Neil : You are Welsh. Shouldn’t you have taken up singing? Donna: There seems to be a misconception about the Welsh. We can sing when we have had a few beers. We can sing even better when the audience has had a few. Unfortunately, I have been sober for a long time and so has my audience.

Feel free to contact us if you want to discuss the meaning of life, art, love, Monty Python, or whatever. Don’t forget the champagne!

Neil and Donna on top of Alspitz in Germany.Photo by Neil Jenkins


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Artist Marcia Gawecki is a conundrum as artists go. Since she prefers to write and talk about other artists, interviewing her is a bit like trying to herd cats.

Persistence, however, does pay off, and Marcia finally accepts her role as interviewee. Growing up in Omaha, Neb., the second of seven children, Marcia saw art and her proficiency at it as a way to shine in her large family. “ I started with landscapes, painting the Base Lake and back alleys, and still life, but art wasn’t cool back then,” she said. “I started winning awards, and it was great for a shy person to get some attention that way. After a time at the University of Nebraska studying art, Marcia pursued another talent she possessed - writing. “I became a writer in advertising and I minored in art. Then I just worked for corporations and agencies and I always wrote, but I always did art on weekends and during the holidays to make extra money,” she said. A move to Chicago and a gig freelancing for the Sun Times and the Chicago Reader interviewing Latin American artists followed. While conducting the Latin American artist interviews as a freelancer, Gawecki, who did not speak Spanish, took classes to acquire that skill. “I was taking Spanish lessons but I wasn’t learning fast enough and I’d talk to the curators, and [the artist] would talk for like 20 minutes and the curator would say, ‘Oh, he liked it.’ And you’re like, ‘I’m missing something,’” she laughed. “So I moved to Chile for two years.” To fund her move, Gawecki painted a lot of portraits. “I think that’s when my style developed,” she said. On her return to the states, Marcia moved in with her mother who lived in Temecula. On the suggestion of her mother, the two took a trip to Idyllwild after seeing the work of a local bear carver. “My mother showed me a photo in the paper of the bear carver [in Idyllwild] who had done an eagle,” Marcia said. Her mom said, “It’s only about an hour away, let’s go.” And the rest, as they say, is history (in this case, “herstory”). “I fell in love with Idyllwild,” she exclaimed. Marcia’s passion has always been her art. Her portraits employ bright colors (reds, oranges, pinks and greens) in a somewhat Andy Warhol-ish style. Celebrity portraits include Idyllwild’s own Casey Abrams (Gawecki is friends with Casey’s Mom), Billy Holiday, Louis Armstrong, Michael Jackson, Frankenstein (yes, the monster) and many others. Over the past two months, she has taken her Pop Art jazz portraits from a local gallery to the open road. "I realized there are hundreds of arts and crafts shows in California, where I could sell my art firsthand and get to see more of California," Gawecki says. Since most of her portraits are of jazz legends and local musicians, Marcia is targeting art and jazz festivals. The first one this summer was Jazz in the Pines in Idyllwild. At Jazz in the Pines on Aug. 15-16, Marcia shared a booth with Marshall Hawkins and Casey

Abrams, who were both performing. Many of the prints she sold that weekend were of local musicians like Hawkins, A b r a m s , Barnaby Finch and Chuck Alvarez. She also had 10 d o o r - s i z e d banners of jazz musicians d e c o r a t i n g the French Quarter. "It was so great to see them all together around the per imeter w h i l e p e o p l e were in the middle dancing and having a good time," Marcia said. The large banners are created with hardware acrylics on tab-topped curtains. Each takes about 70-80 hours to create because she uses tiny brushes to get the hard-edged lines that look like they've been printed, not painted by hand. Her success at Jazz in the Pines gave Marcia incentive to try other jazz festivals further from home. On Oct. 3-4, she will be traveling eight hours to Pleasanton in Northern California. She hopes to talk her mom into going along since it's her birthday weekend. In November, a Pop Art portrait of Paderewski will be auctioned off at the Paderewski Festival in Paseo Robles. The portrait of the Polish pianist and diplomat came out of a contact in Idyllwild in 2013, part time resident Les Widerynski saw Marcia asking Tim Weisberg if she could hang up a banner of him. He took her picture and told her about the Paderewski Festival. He thought the bright colors of her artwork would reach out to young people. Besides festivals, Gawecki also shows her work online at Saatchi Art. You can look at new works at www.saatchiart.com/marciagawecki.

The Colorful Marcia Gawecki

At top: Marcia Gawecki in her studio.Above: A portrait of Miles Davis, in Gawecki’s signature style.


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At the ripe young age of 65, Gary Glasheen found himself tired of watering the plants in his Japanese garden in San Diego, so he put down the hose, picked up a paintbrush,

and began a celebrated career as an artist. After all, according to Gary, his brother had drawn a picture that he liked; and his other brother also did a picture that was “pretty good,” so Gary thought that maybe he also could paint. “I went to the Senior Citizens Adult Education Center in San Diego and that’s where I started painting; I’m still in touch with my teacher there.” In 2001, Gary and his wife of 53 years, Bobbie, moved to Idyllwild full-time after decades of visits. “We’ve been coming to Idyllwild for over 50 years and we celebrated our 25th wedding anniversary here,” Gary smiled. “Then we celebrated our 50th a couple of years ago so I figure we’ve been in and out of Idyllwild for over 50 years.” The couple met while both lived in San Diego and have three sons and a couple of grandchildren. “People would ask why we left San Diego because it’s so beautiful, but Idyllwild is also pretty. We’re both from the eastern part of the country; I’m from New York and Bobbie is from Chicago. The seasons, that’s what we missed and we’re just very, very happy to be living here,” said Gary. While taking a yoga class at an Idyllwild studio that doubled as a gallery, Gary was drawn to a spot in the room where several pictures hung. “I thought, ‘Gee, this is good, I like this, I like his colors.’ As luck would have it, Gary discovered that the artist, Jim Robinson, was actually coming to Idyllwild to do a demonstration, which he attended. Eventually, private lessons followed and Glasheen credits Robinson to this day for being the most influential person in his art career. At 80 years young, Glasheen is always hungry for more knowledge about his craft, having attended classes taught by Audrey Winkler, who specialized in abstracts and acrylics, and Betty Pilley, whose specialty is watercolors. Both are involved with the Hemet Valley Art Association. “I can see where if you don’t continue learning you can just slip away from it. Go to different people. That’s what I do,” offered Gary. “I’m starting back next week with my abstract teacher.” Lea Deesing, predecessor to Gary Kuscher as president of the Art Alliance of Idyllwild, introduced Gary to AAI. “A group from Hemet came here and painted on our porch and [Deesing] came. From that occasion I joined AAI,” he said. “I think the last couple of years I have participated in everything [AAI has] had and entered my pictures.” Winner of the AAI People’s Choice Award given on Dec. 22, 2013, in conjunction with the Winter Solstice Concert hosted by the Idyllwild Master Chorale, Gary’s “Walking Lake Fulmor” painting was inspired from a photograph. “My grandson took that picture of me walking at Lake Fulmor on a snowy day. When I

developed the picture I decided, ‘Gee, I think I’ll paint that.’ I thought the picture was just good and people really, really like that,” said Gary. Gary’s painting of mailboxes hanging in the Idyllwild Post Office has garnered him a lot of recognition. “I decided to give that picture to the postmaster. If I didn’t do anything else, that is my claim to fame,” he said, smiling. Currently, Gary’s work is on display at the Forest Furniture Gallery located in the Fort. For the AAI Uncorked event in July of this year, Gary did something out of the ordinary - an abstract. “No one knew it was mine,” he said laughing. “It was very different from my usual style.” The style change was the result of one

of the many lessons he takes. “I’ve always taken lessons, I have to have a teacher to keep going,” Gary explained. “One of my teachers had a heart attack and she was the more abstract in her style. I think it came from there. ” Not long ago Kaiser Hospital in Riverside contacted Gary about his work and dispatched a contingent of five women who are the art directors for the hospital in Redlands. “It’s great, I’ve had calls from some of these places and they have come to look,” Gary said excitedly. “I think it’s encouraging that my name is getting out there.”

Gary Glasheen It’s never too late


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Idyllwild visual artist and musician Kathy Harmon-Luber waits for the perfect moment, when the natural light dances

with the slightest breeze, to illuminate and stir the subjects in her frame. “I’ve spent many a golden hour watching the light, waiting for just the right moment of illumination and a puff of breeze,” she explained. Her portfolios of romantic and wonderingly mysterious photographs are the beginnings of a story about which the viewer yearns to learn more. And “yearn” is the most aptly descriptive word, since her images convey a sense of longing, of dreaming and of questioning what comes next. “In a Whisper,” is one of Kathy Harmon-Luber’s mysterious and alluring dual exposure photographs. Photo courtesy Kathy Harmon-Luber Harmon-Luber cites a quotation by French impressionist painter Claude Monet as inspiration for her work: “The best use of mystery is to evoke an object little by little in order to reveal a state of mind.” So a diaphanous dress shimmering on a clothesline in early morning light leaves a viewer wondering about the woman to whom the dress belongs – what was she thinking as she hung the dress on the line, where would she go next wearing the dress and with whom, and more importantly, who is she? “I am passionate about capturing imaginative, and often fleeting, images of beauty and light,” she explained. “I hope to share with the viewer a moment of joy or hope, a reminder of a lovely memory, a vicarious travel adventure, a dream come true, or simply a tranquil respite from the stress of everyday life.” Her extraordinary collection of photographs, often double-exposures with “a whisper” of golden light shimmering through them, can be found at www.kathyharmonluber.com and in an online gallery www.etsy.com/shop/KathyLuber. Harmon-Luber is the Art Alliance of Idyllwild’s 2012 Artist of the Year and has

exhibited widely in Idyllwild, Los Angeles, Hollywood, Santa Monica, Sacramento, Charlotte, North Carolina, and at Tartt Gallery in Washington, D.C. She is a native of Rochester, Pennsylvania, and a graduate of the University of North Carolina in Wilmington with a bachelor’s degree in Marine Sciences and of George Washington University with a graduate certificate in publishing. Harmon-Luber is the quintessential Idyllwild supporter, giving back in many ways – as smARTS volunteer, as a key member of the Idyllwild Community Fund Advisory Committee, current member of the Art Alliance of Idyllwild, flute player for major Idyllwild Master Chorale concerts, local flute instructor, art workshop instructor for Idyllwild Middle School students and a former member of the Associates of Idyllwild Arts Foundation. Harmon-Luber’s professional career, apart from creating artwork, is as a fundraiser. She has worked in D.C. for the Smithsonian as director of marketing for its education arm, Norman Lear’s People for the American Way and for the Democratic National Committee for which she raised $28 million in 1992. As a fundraiser for the Bill Clinton campaign, Harmon-Luber was given the opportunity to look at the “Plum Book” of choice assignments in the upcoming administration. “There was nothing that really interested me,” said Harmon-Luber. Instead she moved to Santa Monica, California, and joined a consulting firm. She later became executive director

for the Achievable Foundation, in charge of fundraising for the organization’s mission of assisting people with developmental disabilities such as autism and cerebral palsy. She also worked for the Pediatric AIDS Foundation founded by Elizabeth Glaser. During her career as a fundraiser, Harmon-Luber has raised more than $100 million for organizations advocating the arts, education, children, health and social services, the homeless and for political change in both California and in Washington, D.C. In view of her fundraising career and her volunteer activity, one could ask how she found time to create the stirring portfolio of photographs and collaged images. Harmon-Luber said, “I’ve always done my art, but two years ago I made the conscious decision to treat my art as a personal client, setting aside time to do the work and market my portfolio. “It’s all about the light,” she said of her art. The same could be said about her life – the contributions she has made to charitable causes, her prioritizing of giving back to her community, teaching young artists both in music and in the visual arts, and her quest as an artist to find the magic and mystery in everything she creates. Harmon-Luber and husband Ken Luber have been Idyllwild residents for more than 13 years. Ken Luber is a talented professional writer and director. He most recently directed “Durang, Durang” for the Idyllwild Actors Theatre. Harmon-Luber’s work is currently exhibited at Idyllwild’s Artspresso Gallery.

Harmon-Luber finds Rare,

Fleeting Moments of Beauty


By Jay Pentrack

;

Idyllwild artist David Graybill, with his wife of 12 years, Marie, transforms fabric into paper and paper into art, jewelry, origami and sculptures. The fabric

used in David’s process is collected from a multitude of sources. “We used to travel around to thrift shops, but it seems now that every time we go home to visit family they have a bag or two for us,” he said. The process of converting fabric to the paper pulp David uses for his art is extremely time-consuming. David explains, “You have a thread and then you separate that thread into 100 fibers. That’s what I do with a full pair of jeans or a sweater. Everything gets broken down into individual fibers. It’s quite a process.” Each batch takes a minimum of eight hours to break down and David can usually do only one color a day. To create one of his art pieces, a colorful rendering of a tree, it takes at least 120 different articles of clothing to make the pulp, about 20 different colors of pulp, and a minimum of 20 days to make. David makes his own molds and castings to create his sculptures. Two weeks after starting Graybill Paper Design, the Graybills participated in their first show. “The show was held at the Agua Caliente Casino for the Rancho Mirage Women’s Club. It was a fashion show so we were trying to figure out what we were going to make for the ladies that they could wear. It was actually Marie’s idea to do the jewelry. She looked online for all of the settings and we started experimenting right away,” he said. David grew up in Palm Springs where he learned his craft by taking paper-making courses at College of the Desert. “After a couple of semesters of classes, I started thinking of all the different ways I could use [paper making] as a medium for my artwork. One thing turned into another.” David and Marie moved to Idyllwild over eight years ago. “We looked from San Diego to the desert because we had family in both areas. We were looking for somewhere right in between so we could see our families sometime, but not all the time, “ David laughs. “Idyllwild was a perfect fit because of the ties to art here and it was a really peaceful area.” Revisiting his roots, David is in Palm Springs as a vendor at Village Fest. Graybill Paper Design also has joined the website, www.etsy.com/shop/GraybillPaperDesign and over the last two weeks has already begun getting orders. “We couldn’t have done this without the help of everybody in Idyllwild. They’ve been really supportive of what we’re doing and they are a big part of us being able to do this,” said David. “I am still trying to push the limits of what I can

create with clothing and various fabrics. I’ve been trying my “floated” technique on canvas and have tripled the depth of these fibers to cast huge shadows within, by moving the light it can change the entire piece. I am also working on a new series- Illuminated light through the paper. I have created single sheets of paper that show colors that you won’t expect to see without light.” In April 2015 the Graybill’s were excited to launch their website and online store at graybillpaperdesign.com. “It has been great to have a place for people to visit that showcases my art as well as a 24/7 shopping experience for our jewelry,” David said. With a very busy and successful season the last year in the desert the Graybills will continue as vendors at Villagefest every Thursday night. They are also participating as vendors at the College of the Desert Street Fair from October- May every Saturday and Sunday from 7am-2pm. At College of the Desert Street fair David is only a few hundred yards from the classroom where he began his fiber art and paper making journey. In Idyllwild the Graybills are participating in the Idyllwild 2nd Saturday shows as well as the Mountain Quilters Quilt show in October.

Graybill Crafts Fabric Into Art

PHOTO BY JENNY KIRCHNER


by Jay Pentrack

;

A rtist Millie Shaw and husband Larry live in a beautiful, ranch-style home in Garner Valley and have spent 25 years making it their perfect slice of heaven.

The couple’s warm welcome and Millie’s easy Southern drawl typifies the kind of hospitality found deep in the South; it’s like a big, warm hug. The view from virtually every window is

breathtaking as is the Western art collection the couple continues to grow. “We lived in Los Angeles in the early ’80s and we started going to art shows like the San Dimas Art Show. Some famous artists used to participate in that show, people like Joe Biehler and Neil Boyle, so we started collecting art and it’s like a snowball; it’s very addictive,” said Millie last week. “This weekend we’re going to Scottsdale to a big auction. It’s so much fun and it seems like the people in the art world are so nice, so down to earth. You rarely meet anybody who is even slightly pretentious. They are just ordinary folks.”

In addition to the extensive art collection the couple has amassed, Millie has quite a body of work herself, having spent a large part of her life painting. Her love of art was born early, inspired and encouraged by her mother, who painted in oils. “She was a big influence in my life because by the time I was 13 or 14 I got really interested in painting and although money was scarce she was always willing to buy paint brushes, canvases,” Millie said. “She loved music, she loved travel, she loved art and she loved to read. Even though she grew up on a farm in North Georgia, she loved Hemingway and all of these great writers. She lived to be 92. Naturally, I hope that I can do the same,” Millie said with a smile. Larry and Millie met on a ski trip after Millie joined a ski club and the two have been together since then. Millie loves animals, the subject of most of her art. “I did still life, I did landscapes. When we started collecting Western art and traveling around, I started noticing the wildlife art and I kept looking at it and thinking, ‘You know, I might be able to do that.’ So little by little I got to know some of the wildlife artists so that helped; they were a big influence, especially the teachers,” she said. “We started going to animal parks, Yellowstone and the Grand Tetons, and you see the elk and the moose and I just connect with them. They are nicer than most people,” Millie said laughing. “My favorite is the wolves.” Millie’s work has been show in a number of fine art shows in the last year including Settler’s West Gallery in Tucson, the San Dimas Wildlife Art Show, the Phippen Museum fine art

show in Prescott, and the Southwest Art Show in Indio. Currently, her paintings are being shown in Mountain Trails Fine Art Gallery in Santa Fe. Western Art Collector Magazine featured Millie in their May 2015 issue. Her art will also be featured in the Wildlife Artists section of their September issue. August and December issues of Southwest Art Magazine will include Millie’s work. Millie and husband Larry travel frequently to Arizona and the Northwest states as well as Alaska to take photographs wildlife, which she uses for reference. She has been an animal lover all her life and appreciates all wildlife. Millie is a member of the American Women Artists, and the California Art Club. She is active in the Idyllwild Art Alliance and the Palm Springs Art Center. No matter where Millie and Larry travel, their favorite part is coming back home. “We come home and especially in the summertime, you go down to the desert and go shopping and we come back and sit out here on the patio and put our feet up and say, ‘Ah, thank God,’” Millie said. “I love the quiet and I love it when it snows; it’s so quiet and the view is so pretty.” Millie’s advice to young artists, “I would say just don’t let anybody discourage you. Just keep-a-going because it’s out there. You can do it. But you can’t be lazy. If you’re lazy you’re in the wrong field. You’ve got to work hard to make it work.”

Artist Millie ShawSouthern Comfort in SoCal


By Jay Pentrack

;

Trish discovered Idyllwild quite by accident really. An L.A. businesswoman at the time, she

and a co-worker went to Palm Springs for a little RnR (rest and relaxation). Bored with just lying by the pool, Trish took out her map and noticed the Highway 74/243 loop. Ever the adventurer, off she went landing in Idyllwild a short time later. “I just fell in love with Idyllwild immediately,” she recalls. And for the remainder of her business career, she vowed to one day live in the community that had captured her heart. In 1993, Trish left the business world and moved to the Pacific Northwest, mainly so she could experience the rain forest. “That’s where I got into photography. I borrowed a camera from my boyfriend at the time and my dog and I went out every day shooting and hiking and exploring,” Trish said. “Then I started thinking, ‘Hmm, I wonder if I can do anything with it.’” After much encouragement from folks with whom she shared her photos, she kept at it. With no formal education, Trish was a frequent visitor to the local library, devouring books by Ansel Adams and Galen Powell. “The black and white guru was Ansel Adams and the color guru was Galen Powell. He was a rock climber and photographer extraordinaire,” she explained. “I just did what they said to do.” Oregon and Washington, as beautiful and inspiring as Trish found them, were just not right for her. “I really love those two states, but I guess they didn’t love me. It wasn’t the right vibe,” she explained. “So I went to my favorite beach back up in Washington and I asked, ‘What’s next,’ and Idyllwild popped in my head. So I jumped in my car and I came to Idyllwild. Driving up the Hill, I felt like I was coming home.” In Idyllwild, Trish met residents, Alaska and her husband/partner, who helped out-of- towners find rental property. “About a month later when I got back to Oregon. [Alaska] called and said, ‘I found your house,’” said Trish excitedly. “She found a house for $400 a month, it was on a dead end street, and it was perfect for me and my dog. I could walk to the Ernie Maxwell Trail, it was wonderful.” Years later, 21 to be exact, and Trish has never looked back. Trish’s work has been displayed at the Courtyard Gallery for the past 18 years and she has had many exhibitions at galleries throughout California over the years. She published her first book in 2003, Healing

Ground, A Visionary Union of Earth and Spirit. Her second book is in the works. “The working title is “Echos and Gratitude” and it is photographs from our mountain exclusively and the writers are all from our mountain,” Trish shares. “It’s fairly complete, but finding a publisher is the stumbling block right now.” Bisti, New Mexico and Death Valley, California, are favorite subjects of Trish’s photography. “[Bisti] is in the Northwest corner not too far from Farmington. It is truly in the middle of nowhere. I would go there with my dog and we would be there a week and not see another person,” Trish said. “It’s being discovered now. It’s the same thing with Death Valley. It’s a huge huge valley and on the West side there are all of these roads that go up into the Hills. It takes so long to get to the end of the road and that’s it. That’s where you stay for 4

Trish TuleyNature’s Champion

days.” In 2010 Trish produced a DVD of music and images on Death Valley called Death Valley, A Sacred Journey. “There is a quality to that solitude in Death Valley. It is pretty much indescribable and I think that’s why I shoot it instead of trying to describe it,” Trish offers. Husband and metal artist Dore Capitani and Trish have found a beautiful way to work together; the result is a stunning combination of Trish’s breathtaking photography and Dore’s dynamic metal work. Their collaboration won 2nd Place in the “Realism” category at the Art Alliance of Idyllwild’s show “Uncorked” held in July of this year. The subject of Trish’s photography is always nature and the intimate relationship we share. “When I can help to awaken that in others, my spirit soars,” Trish offers. “Nature is my church, my inspiration.”


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By Marshall Smith

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Scott and Kimberlee Finnell started “2nd Saturday” in 2013 with the goal of attracting new visitors to the Hill

and adding to Idyllwild’s reputation as an art destination. “It was also a way to help local merchants and restaurants, and to publicize the town,” said Scott. The event has grown significantly since debuting in 2013. “The first year we had three events — August, September and October — with 13 participating artists,” said Finnell. He explained that the event expanded to six months, May through October, in 2014 with 37 artists. “Our July 2015 event already has 35 registrants with a week to go.” Finnell noted new exhibitors are adding to the ranks of approved exhibitors on a regular basis. “We have four new exhibitors for July. With the current layout [of the Community Park site] we could max out at 42 to 44 artists. “The intent was and still is for local artists to have a venue to show and sell their work,” said Scott. “It’s a juried show. Before anyone can exhibit, a five-member jury reviews and approves their work for showing. It adds quality control to the event.” Scott said each 2nd Saturday features a musician. “Not too amplified,” he stressed, “but enough to provide some pleasant background music. And we pay the musicians, we don’t ask them to do it for free.” He credited the Idyllwild Community Park setting, the music and the participating artists with creating a colorful and vital experience for all attendees. The Finnells are originally from Brawley where Kim taught fifth and sixth grade and Scott worked with his father in a petroleum distribution business that served both the agriculture and construction

industries. The couple first became aware of Idyllwild when Kim brought her sixth-grade class, including her son, to Astrocamp for a field trip 20 years ago. “We fell in love with this little town,” said Scott. “We rented for five summers, then purchased a second home 10 years ago. We’ve been here now for five years as full-time residents.” Both Finnells are passionate about advancing the Idyllwild art scene, but were not themselves artists. Scott explained, “I think I’ve always had an artistic bent, but being in the corporate world for my career,

my left brain dominated. But then I created this stained glass panel for our

home. That was pretty successful and my art just grew from there.” Now Scott works on commission creating both stained glass windows and doors as well as fused or “warm” glass-art pieces. “This isn’t about me though,” he said. “I love art and want to promote it and to help grow this town back to what it was before the economic downturn.” Beginning in 2015, the name of the event will change to Idyllwild Art in the Park. This will allow us to add more dates, including 2-day events. Upcoming dates are: September 12, October 3 and December 12. For more information about 2nd Saturday visit www.idyllwild2ndsaturday.com.

Top: Scott Finnell in his studio.PHOTO BY JENNY KIRCHNER

Above: The 2nd Saturday Art Fair. At left: A swan sculpture by Jerry Baccaire.

PHOTOS BY JOHN DRAKE


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23 Years Experience

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At the age of 5, Marshall Hawkins instinctively knew that music was his

destiny. One could easily argue that Marshall was born with music in his bones. Born in Washington DC as Marshall Foreman, he was adopted at the age of 6 months old and lived 2 blocks from his biological mother until his mid-twenties. Exposed early on to great music including classical and gospel, he formed a deeply rooted love for all styles of music. Marshall has played with legends including Shirley Horn, Miles Davis, Eddie Jefferson, Richie Cole and Roberta Flack. A jazz musician, father of six, husband of 47 years, educator of many, and conductor for 36 years he is an Idyllwild icon. Originally hired as the athletic coach at Idyllwild Arts in 1986 when it was called ISOMATA, he ultimately became an integral part of creating the jazz department at Idyllwild Arts Academy (idyllwildarts.org). A soft spoken man with a contagious laugh, at the age of 76 he is a constant teacher. A lifelong contributor to the world of jazz and music he has received numerous awards and continues pursue selflessness. Here is a peak into musical bones and tones of Marshall Hawkins. Why did you choose the upright bass? I didn’t. It chose me.

How did you learn to play? I played by ear until the string bass came into my life at the age of 24. My mentor, Fred Williams, helped me start reading music and six months after being introduced to the bass I was considered a professional musician.

What was your first paid job and how old were you? I was a newspaper boy in 6th grade, but even then I used to hum the lines of music.

If you loved schools, why did you not finish High School? I was one of 20 black students among 11,000 students. I was very aware of my blackness and the history of blackness, yet the history being taught did not acknowledge it. One could say that I was a victim of the era. Now as a teacher I build off my past and try to inspire kids by encouraging them to use their education and recognize how fortunate they are to get an education.

Were you aware of you skin color as a child? We moved to the project or ghetto when I was young. It was World War II and in those

Music in His Bones



days the ghetto had tulips and grass. My father worked at a Jewish grocery store and was respected as part of their family. In those days you took care of each other. I remember people coming through my house who were Italian, Jewish, and every other nationality or faith. I was too young to fully understand that this was unique because white only and black only establishments were the norm.

How many instruments do you play and what is your favorite and/or most challenging? I play five instruments and the piano is my favorite because it is the “mother instrument.” Bass is the most challenging because it was how I have made my living. Bass also has the most enormous responsibility in music because it is the “anchor” that sets up a foundation of how the music will sound.

What do you strive to learn? I am aware of one thing about music. I will never learn it all. The more I learn the less I know. It is like looking at the ocean and understanding that you can’t drink it all. My goal is to take a snippet of music and find my own sound so that others walk away saying “Oh, that’s Hawkins!”

What is your biggest regret? That I didn’t come to Idyllwild sooner.

What is your greatest joy in life? Getting everything done that I desire to get done in one day, or at least coming close to achieving completion. My goal is to accomplish as much in my day as possible because I understand that tomorrow is not a given.

What is the worst advice you have been given? “You may not want to pursue a music career because it is really hard.”

What is the best advice you have been given as a musician? Miles Davis told me to “Play what I hear.”

What do you hear? I hear the entire orchestra. I hear everything not just the one note.

When faced with challenges, what advice do you give your students? To not be in a hurry, be thorough, and be willing to tell the truth. As the late Louis Armstrong once said, “Live as long as you can to make a positive contribution to all of mankind.”

How do you use music to transcend language barriers? I don’t try. My plight is to play as if this is my last opportunity. Most importantly I try to lead with my heart. Before I play I always step onto stage to capture a subject matter. I want the music I play to tell a story so that there are no language barriers. I never play empty handed. Who are your musical icons? They are all bass players - Paul Chambers, Butch Warren, Fred Williams. My musical hero is Ahmad Jamal because he changed everyone’s life by virtue of his music.

Who have been some of your best teachers? My students.

What is your most memorable performance(s) as a professional? Wow. There are three separate performances where the music took me out of my body – Shirley Horn, Donnie Hathaway, and Harry Pickens.

What made these performances different? As a professional musician, you strive to become part of the music, yet remain invisible. In these performances I remember looking down on myself and fully understanding that pure music is about selflessness. It is about the music not about you and this leads to not missing a single note or a single moment.

See Hawkins, page 35




When it comes to being a craftsman, Scott Padgett is in a league of his own. It is amazing how he can get wood to do

almost anything he wants it to; it is as though he possesses some mysterious power that forces the wood to bend because he wills it to. The curvilinear deck he built around his mountain home is testament to his woodworking skill; put simply, his work is jaw dropping. Equally impressive is his knowledge of the art form and the work of the designers who have influenced him. In high school Scott discovered Japanese prints and their use in Frank Lloyd Wright designs; Wright had an extensive collection of the prints. In the early 1920s, Wright built the Imperial Hotel in Japan and, thanks to his design genius the hotel survived the 1923 earthquake there. Another early influence was the work of the Green Brothers. The step motif (also called the “cloud lift”) is a Japanese design element used frequently by Charles Sumner Green in his work. Scott’s designs reflect their influence and his artistic interpretation of them. Scott was born in Olympia, Washington, and came to California in 1960. His introduction to Idyllwild came through his Aunt Catherine, a resident of the small mountain community. For Scott, it was love at first sight. The year 1976 would prove to be a turning point in his career. “I started buying little cabins and remodeling them. The first little cabin I bought was only 300 square feet,” he recalled. “The total price was $14,500 so I borrowed money from friends and relatives to fix it up and add on to it. I made it 800 square feet and I did some

nice brickwork and some nice woodwork and just kind of taught myself how to do it.” Fast-forward to the early 1990s and a chance entry of a rectilinear deck he built for a deck building contest. “A contractor friend of mine gave me an entry form for a deck contest and on a fluke I entered it and won the grand prize; that was in 1992,” Scott said shaking his head. “I did another [deck], my second one — that was in 1994 — and I entered the contest again and I won the grand prize again. Then I won the grand prize again in 1996, and again in 1999 for this one [the curvilinear deck he built for his home]; and I won it in 2001. All of [the decks] were curvilinear because nobody was doing that kind of work at the time.” Much notoriety would follow; photos of his decks have been published numerous times in “Fine Home Building” as well as in “Sunset Magazine” and multiple times in “This Old House.” “The California Redwood Association” created a national campaign out of one of his decks, and Behr Paint and Stain, the Behr Process Corporation, and Olympic Paint and Stain continue to use his work in their promotional collateral. What Scott truly enjoys is the design process and he is willing to work with people on a tight budget. “I do small, regular, rectilinear stuff for regular people; it doesn’t have to be a million-dollar budget; that’s what I would like to get across to people,” he said emphatically. “Most people can’t afford that kind of budget in this economy. I can work very reasonably; I can adjust [the work] to fit the budget.” In addition to his construction and deck-building prowess, Scott also builds custom furniture he displays proudly throughout his home — dressers, a bed frame, headboard and side tables, bench seating, a fireplace mantle, window frames, an stairway and railing. It’s hard to imagine Scott as a history teacher – his original career choice as a young man. “Only problem was that I hated the thought of being tied down to a desk and I enjoy being my own boss,” he admitted. “Plus, I get to meet new people and learn new things all the time. I think sawdust is in my blood.” Scott Padgett can be reached at Padgett Construction, 951-205-4948 or 951-659-4278.

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HAWKINSContinued from page 33

What is your favorite type of jazz? When I started playing music, I was interested in the edgy free-form music of the time. I still am, but didn’t realize until after joining professional forces that there was more types of music such as swing, b-bop, and music of the 1920s. It is not just the song but the style. I guess you could say that I really like jazz that is played really well. It has nothing to do with style or age.

What is the biggest challenge as a musician? As a musician you must honor the styles of music and be as authentic as possible.

What is the biggest misconception about jazz? In the past, Jazz was called “Devil’s Music” and, while other descriptions are now being used, it is still misunderstood. Sadly, there are those that don’t understand that Jazz is part of our American Heritage. It was born here in America, unlike other forms of music.

Is there such a thing as practicing too much? Yes. Students need to prioritize

things, like studying, around their music. If you practice too much you could be on the verge of creating bad habits. I try to teach my students to become cognizant of when they need to gain perspective by stepping away. Listening and letting the music, not necessary the instrument, be part of you is essential.

Do you still practice? Yes. I am practicing a lot more lately because I am preparing for the next level in my growth as a musician which will be a solo bass and piano recital. Where I am today didn’t come over night. I believe one must list to comments, criticisms, and praises to develop.

When you play you often close your eyes. What is going through your mind? I am totally unaware of it, but I am singing the notes. While it seems that my eyes are closed, I am peeking through and making eye contact. Because light travels faster than sound or notes played, a musician must make eye contact with others to see the impact of the music and to make sure the story is being heard.

Do you always connect with your students? I try to be authentic. I give them individual focus, love, and respect. I

ask pertinent questions that will lead my students to answers without fearing judgment that will ultimately allow me to service their respective needs. If they can’t answer them, I will try a different approach. The relationship I build with each student is a sanctuary and is why I remember every kid and their uniqueness.

What do you try to teach your students? As a musician, you are to give. The music doesn’t belong to you and you are to give away what you really love. The gift takes on greater meaning when you give away something you love versus discarding the notes. Also, be careful what you say because you can’t get it back.

What would others be surprised to learn about you? That I love a lot of different thing besides just music! More surprisingly is that I love some items equally, if not more than music. As for revealing what those items are, I encourage people to figure it out.

When all is said and done, what three words would you like people to use when describing “Marshall Hawkins”? Tenacity. Honesty. Selflessness.


By Chris Trout

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This is a personal story, a love story. This story began 35 years ago in 1980. The saga is filled with the

wonders of discovery, of tentative exploration, appreciation, enjoyment, and anticipation. It has all of the trials, tribulations and apprehensions inherent in any developing relationship. It ends with a lifetime commitment and a level of passion that begs to be shared. Come along on my journey. I want you to fall in love, too. In 1980, I was invited to spend a weekend in Idyllwild, a small mountain village in the San Jacinto Mountains. Having spent my youth living near Yosemite, I longed for pine trees, blue skies, and mountains. I found a charming, quiet haven at the end of a winding road with a downtown area trapped in the ’40s-a pizza place with chairs at an outside rail

Fall in Love Againto view Tahquitz rock and rustic accommodations hosted by innkeepers who put freshly made banana bread in my room and built a fire for me every night. Further exploration revealed treasured trails, creekside paths and an amazingly innovative summer school for the arts called USC-ISOMATA, Idllywild School of Music and the Arts At that very moment, it was a done deal. Someday, I would live in Idyllwild. In the meantime, with four couples, called the Idyllwild Getaway group, we visited several times a year for rest and respite in this mountain paradise. In 1998 I made the plunge, leaving the beauty and uniqueness of Hawaii for a place that already felt like home.

Only then did I learn about the history of Town Hall, the only gathering place in the village. Built in the 1940s as an old fashioned barn raising effort for a population of approximately 400, it was well loved and well worn. Idyllwild had grown, and in fact was now the crown jewel for visitors to the area. ISOMATA was now the Idyllwild Arts Academy, a renowned boarding high school for the visual and performing arts. Artists and musicians were drawn to the area where

creativity was fostered. The Art Alliance of Idyllwild….with its Art Walk and Wine Tasting and other gallery and artist events helped Idyllwild be named one of the 100 Best Art Towns in America. Family

Ribbon Cutting: Happy Idyllwild children race to check out their new playground, built by the community in the spring of 2013.PHOTO BY CID CASTILLO

Chris Trout rallies for the fundrais-ing effort.


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owned boutique inns and restaurants with intriguing menus opened and welcomed visitors. And yet, something was missing. There was no special, central place that, by creating vibrant recreational, cultural and social opportunities, would enhance the quality of life for every resident of the hill communities and visitors to the area. What I didn’t know was that a local family also recognized the need for the development of programs, facilities and activities that would serve the needs of people of all ages, interests and abilities. In 2008 Dave and Loie Butterfield donated a uniquely beautiful and accessible 5-acre parcel in downtown Idyllwild for use as the Idyllwild Community Center site. In a carefully planned and well-articulated design process, this singular property is becoming the heart and soul of the community. Step by step, as funding becomes available, the programs, facilities and activities are evolving to serve the needs of people of all ages, interests, and abilities.

Segments completed as of July 2015 include: 1. An 18-station par course with walking paths 2. An imaginative playground with age appropriate areas 3. Designated spaces for pickle ball, horseshoe games, summer concerts, yoga and tai chi 4 A gazebo for birthday parties and small group gatherings 5. A dog park on leased property 6. A skate park on leased property

Segments in the permitting process and awaiting final funding as of July 2015: 7. Site development with landscaped parking and walkways 8. Outdoor amphitheater for musical and theater events 9. The Butterfield Family Center, the community’s place to come together in a multi-use facility for activities and programs that serve the needs and interests of our diverse and deserving citizens and visitors.

Segments designated for future stages of development 10. Recreation center/gymnasium. 11. Indoor pool.

It has been my honor and a lifetime challenge to serve as the marketing and public relations advisor to the amazing array of village volunteers who are working so hard to make the Idyllwild Community Center a reality. Visit the majestically beautiful site on Highway 243 as you enter Idyllwild, email me at [email protected] for a personal tour. Visit our website, idyllwildcommunitycenter.org for a video of the proposed facilities. Come see us at The Village Kiosk in the center of town from 10-2 on Saturdays. Site development and construction of the first segments will begin in the Spring of 2016. Come fall in love again.


Story and Photos by Dr. Jennifer Gee

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There is art in nature. Like performance art, the natural world is a live performance that began before we were born and will

continue long after we die. Natural beauty is the result of gradual but massive changes, such as the formation of the rugged mountains and canyons of California, as well as the state’s more unique features, such as the Salton Sea. Beauty can also be found in the momentary and fleeting transformations of the natural world, such as the transition from day to night. At sun down along the Banning-Idyllwild Panoramic Highway, California State Route 243, the view to the west is breathtaking. The sky is never the same. The colors change across the mountains and hills, impossible to track but unforgettable. In the San Jacinto and Santa Rosa Mountains, the mountain experience and its charm emanate from its communities as well as our natural surroundings. There is something constant and solid about “the hill,” both the place and the people, that is grounding to visitors and residents alike. Though the hill serves as an unwavering anchor, mountain life is marked by wildly unpredictable change. Last year’s dustings of late snowfall cannot tell us anything about what to expect next winter. Nature is not just another item to cross off on the tourist bucket list, such as California’s Redwood Forests, the Galapagos Islands or Himalayas Mountains. It’s not a place to simply take in particular sights at ‘vista points’ along the scenic highways. Too often, visitors miss the true beauty by focusing only on the iconic features and viewing points, atop the Grand Canyon or Mt. Whitney. Once the visit has been documented with a selfie in front of those iconic vistas, the visit is over. Nature is art that lives. It is full of delightful surprises, a close encounter with a hummingbird, a glimpse of a bobcat casually licking its paw like an overgrown housecat. To catch these vignettes, you have to lock away all your devices and tune in to your surroundings. Only then will you be able to see the splendor unfold around you from moment-to-moment, across the days, seasons and years. Like Monet who painted the ordinary—haystacks, cathedrals—from many angles and in changing light, you will only see this special dynamic beauty when you give it your attention. Look up at the sky and sink roots into the natural world. Stop and listen to the wind and the birds. Spend time taking it all in and you will understand why so many of us have made the hill our home.

The View from Idyllwild: The Natural World and Life as Art

C limb the mountains and get their good tidings. Nature’s peace will flow into you as sunshine flows into trees. The winds will flow into you as sunshine flows into trees. The

winds will blow their own freshness into you, and the storms their energy, while care will drop away from you like the leaves of Autumn.

– John Muir, The Mountains of California

W hat wonders lie in every mountain day!– John Muir, Mountain Thoughts


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Palms to Pines: A Gift Shop? Great idea – what made you take the leap? Phil Weber: Being a guest driven business, we listen very carefully to the comments, suggestions, and constructive criticisms our guests share with us. This operating philosophy has led to us taking things out as well as implementing new ideas, such as the new seasonal Gluten-Free, Vegetarian/Vegan menu. We have many diners who are either visiting for the first time or are coming back for a special occasion (Café Aroma holds many special memories for people). Regardless of the reason, all of these diners and visitors have asked for Café Aroma logo memorabilia to take home. Initially, we were just going to do a tee shirt, based on the wonderful design that (local graphic artist extraordinaire) Mark Biley created for us in 2014. We had a more comprehensive concept in mind - we wanted to do it right or not at all – so we waited until phase 1 & 2 of our renovations were complete to roll the shop out. P2P: Where in the restaurant is the shop located? Phil: With the additional guaranteed

seating provided by our covered deck and library remodel, the far corner of the main dining room became the least requested spot to sit. Additionally, there were only eight seats in that area (as in year’s past, it’s still called the Casey Abrams Corner) so we weren’t losing much from that standpoint. Additionally, it’s separate from the other areas, so people’s dining experience isn’t compromised and that is, obviously, our primary concern. P2P: How’d you decide what items to sell? Phil: Well, it’s been terra incognita for us to some degree, so we placed minimum orders on everything we initially stocked. We knew we wanted several tee shirt and hat designs and again, Mark Biley was instrumental in assisting us. After that, we wanted items that were primarily food and wine related and ensure they were unique and high quality. We also wanted to feature local artisans, so we have cool Les Walker created olive oil cruets and oil

dishes that make great sets with the olive oil we serve and now have available in bottles. In addition, we have a couple of beautiful pieces of art from Dore Capitani and Trish Tuley, photo notecards from local photographers Lissa Evans and Peter Szabadi. I’m sure it’ll evolve as the seasons change and we

learn what items do best. P2P: Any deals for locals? Phil: Heck yeah! At the bottom of every receipt is a 15% discount (no minimum purchase required) and for anyone with local ID (Idyllwild, Pine Cove, and Mountain Center) gets another 10% off, so those living in the area can receive 25% off any of the logo items. The only things currently exempt are Dore’s artwork and the photo cards. We’re looking at having a rack with CDs made by the musicians who play at the café too. As we do with our art galleries, we feel it important to feature the amazing work that’s being produced locally.

There’s Something New at Café Aroma: A Sit Down with GM Phil Weber


By Christopher Morse

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One of the great theatrical masterpieces of the last fifty years will be presented by Idyllwild's own Stratford Players this September. James

Goldman's The Lion in Winter weaves the tale of an embattled royal family whose exploits changed the face of Europe. At stake: which of the king and queen's scheming sons will succeed their father to the British throne? Lion was filmed in 1968 with Katherine Hepburn (Best Actress), Peter O'Toole, and Anthony Hopkins. Allen Purchis (profiled in the last issue of Pines to Palms) offers a bold portrayal of King Henry II. Broadway veteran Kathleen Walker is the perfect foil as Eleanor of Aquitaine, one of history's most powerful women. A strong ensemble of Stratford veterans and guests rounds out the cast. The show is directed by the troupe's founder and Artistic Director, Marsha Kennedy. “Lion makes extraordinary demands on its actors” says Kennedy, “You have to be adept at comedy, tragedy and passionate drama. I can't tell you how much I appreciate this cast's talent and professionalism. Audiences are going to be blown away to see this level of performance in community theatre.” The Lion in Winter is made possible through the generous support of Stratford's patrons, Doug and Pat Austin. An accomplished actor himself, Mr. Austin will perform as Charles Dickens in the troupe's Christmas show this December. Lion runs for only five performances, September 13 th thru 27 th. As their tag line says, “Theatre is good. Come play with us.” For reservations and further information visit Stratford’s website: www.stratfordplayers.com.

The Lion Roars in Idyllwild Fall means stunning sunset skies and fun games at Cahuilla Casino

at Mountain Sky Travel Center in Anza. Football fans will find a new favorite mountain getaway to watch the game on the big

screen while enjoying a little friendly casino action. Players can play $100,000 Football Fury weekends in September, or join the mid-week fun in the $10,000 First and 10 Slot Tournament. Then the payouts go even higher with October’s $131,000 Haunted Mansion giveaway. Just next door to the casino, construction is wrapping on Mountain Sky Travel Center, the property’s new 24-hour convenience store and gas station. Day trippers will soon be able to fuel up, pick up tasty carry-out pizza and fried chicken, and shop at the convenience market. Cahuilla Smoke Shop also moves into Mountain Sky Travel Center and continues to carry a large selection of native tobacco products at low prices. Cahuilla Casino recently celebrated its 19th anniversary and is known for its small size, laid back atmosphere, and extremely friendly staff. As opposed to bigger casino properties, players come to Cahuilla because it is an easy casino to navigate with convenient parking, a wide variety of slot machines, and it’s a place where staff and players alike know your name and greet you with a smile. The casino adds new games frequently and recently added popular games Rock Around the Clock, Quick Strike Quad, Hammer Festival and Engine Ablaze (Konami). For non-gamers looking for a mountain stop for great food and drinks, Roadrunner’s Bar & Grill serves all-American fare seven days a week and is best known for generous portion entrees, sandwiches and salads. Diners’ favorites include the burgers in eight varieties including Western, Guacamole Bacon and classic Patty Melt, and 50 cent wings on Thursdays, Sundays and Mondays. The restaurant also serves dinner specials on Saturday nights plus brunch every weekend. Cahuilla Casino likes to take care of its loyal players with generous weekly player’s club rewards. Club Cahuilla offers $20 in rewards to new members upon signup, plus all members receive weekly MatchPlay and Restaurant Rewards. Member’s benefits also include birthday slot play, bonus and gift offers, and eligibility in monthly giveaways. The casino has giveaways, promotions and slot tournaments year-round. Cahuilla Casino at Mountain Sky Travel Center is open 24 hours, 365 days a year for players 21 and older. More information and directions can be found at: cahuillacasino.com. Address: 52702 Highway 371, Anza, CA 92539. Phone (951) 763-1200.

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Idyllwild Events: Sept.- Oct. 2015Banning Stagecoach KOA Firefighters Benefit WeekendSeptember 11-13 – 4 p.m.1455 S. San Gorgonio, BanningHonoring firefighters past and present. Live music, games, food vendors. Fun for the whole family.Call 951-849-7513 for details

Pilates Classes – Friday Mornings at 9:00 a.m.Instructor Sandi Fulcher teaches a free community class at the Tarah Jade Boutique located at 54245 N. Circle Dr., Idyllwild and Saturdays at 10:20 a.m., at Idyllwild Yoga Studio, 54445 N. Circle Dr. For more information contact Sandi Fulcher at 760-218-0141 or [email protected]

Stratford Players present The Lion in WinterSeptember 13, 19, 20, 26, 27Tickets are available online at www.StratfordPlayers.com

2nd Saturday/Idyllwild Art FairSeptember 12; October 3 (Change

to 1st Saturday in October)10 a.m. to 5 p.m.Idyllwild Community Center54201 Ridgeview Dr. at Hwy 243

16th Annual Idyllwild Home TourSaturday, Sept. 19 10 a.m. - 4 p.m. www.idyllwildhistory.org

Mountain Flea MarketSeptember 26, Saturday29470 Highway 243Mountain Center

Art Alliance of Idyllwild - Art Walk and Wine TastingOctober 10, Saturday 10 a.m. to 6 p.m.Ticket Booth @ 54295 North Circle Drive, Idyllwild

2th Annual Quilt Show Mountain Quilters of IdyllwildOctober 17-18Buckhorn Camp, 24641 Hwy 243, Idyllwild, CA 92549 www.sccqg.org

The Art Alliance of Idyllwild’s annual Art Walk & Wine Tasting continues to gain popularity.PHOTO BY JOHN DRAKE

The Mountain Quilters of Idyllwild’s 12th annual Quilt Show is sure to be a treat for the eyes.

PHOTO BY JOHN DRAKE

Soroptimist International Basket Festival & Free Spaghetti DinnerWednesday, October 21 – 5 p.m.Buckhorn Camp24641 Highway 243Idyllwild


The Highway 62 Open Studio Art Tours, held in the Southern California high desert region just north of Palm Springs

and adjacent to Joshua Tree National Park, has been a tradition since 2001. Each fall, a large number of the artists who live and work in the Morongo Basin communities along Highway 62 open up their studios for the public to visit. The area’s biggest art event, now in its fourteenth year, attracts an estimated 7,000 people to the self-guided tour. Many consider the tours an art adventure filled with unique discovery and return year after year. There are many aspects that make it such a worthwhile event. One is the diversity and vibrancy of the art in the area. There are painters, sculptors, fiber artists, conceptual artists, photographers, jewelers, ceramicists, furniture makers and even artists dedicated to land art and installation. Growing in numbers, this year’s open studio event is truly a rare treat with over

140 artists participating. These artists can be found at 94 different studio locations, some with a single artist, some with multiple artists. With so many artists to visit there is sure to be an artist whose work will suit your taste and budget. For some of the artists who work here, the solitude and quiet that play the largest part in their studio practice. For others, the landscape and the wildlife are direct sources of inspiration and imagery. The rugged desert surroundings are likely to captivate you too, and you will see for yourself why so many creative people are drawn to this magical place. You will be able to spend time in this unique environment – full of other worldly rock formations, wide open skies, spiked Joshua Trees and prickly things. Wildlife abounds. Another key aspect of the Tours is the opportunity to experience art in a close up and personal way. When you enter the studios you get a chance to meet the

artists and talk to them about their work. You experience not only where the art is created, but also you get a glimpse into how it is created. It is much different from seeing art in a gallery setting, where you

See the Desert’s finest artists at Hwy. 62 tour“Desert Mirage” by Alita Van Vliet

“Rainbow” by Mark Doolittle


may not have the opportunity to meet the person who created the art. On the tours you have a chance to hear first-hand about the artist’s inspiration and see what kinds of materials are used to produce the finished work. The Art Tours spans a large geographic area – from Morongo Valley, through Yucca Valley, Pioneertown, Landers, Joshua Tree, Twentynine Palms all the way to Wonder Valley. Dirt roads abound, so don’t bother washing your car first. Make sure you read the maps and directions carefully and look for the numbered Hwy 62 Art Tours signs – your GPS navigation won’t always work out here! No need to worry though, when you get hungry there are plenty of restaurants to grab a bite to eat. If you are from out of town, there are numerous hotels, B&Bs and vacation rentals in case you‘d like to stay a while. In addition to the studio tours during the day, be sure to save some energy to experience the evening events that are planned. The first weekend will include evening theater performances for example. Check the catalog’s ‘Special Events page for details. Maybe you’ll even want an extra day or two to explore neighboring Joshua Tree National Park.

Choose your outings carefully though, as you will be driving a lot. There is more to see during the two tour weekends than you will be able to take in, so we recommend that you get a catalog and plan ahead. Intrigued? Mark your calendars for two weekends: October 17th & 18th and October 24th and 25th. During those four days, from 9 am to 5 pm, be sure to stock your car with plenty of cold water and snacks so you can head out on Highway 62 and discover the wonders of the thriving art community rooted in this high desert environment. The Official Hwy 62 Open Studio Art Tours catalog will be available about a month before the Tours. The catalog serves as your guide and includes photos featuring examples of each artist’s artwork and a detailed map showing studio locations. The catalogs are free and will be available at the following locations: Desert Art Center and Gallery (DAC) and Palm Springs Visitor Center in Palm Springs, Venus Studios Art Supply in Palm Desert, Blue Agave Gallery/Cactus Mart in Morongo Valley, MazAmar Art Pottery in Pioneertown, Rainbow Stew, ArtFX & Furnishings, California Welcome Center, and Oasis Office Supply in Yucca Valley, Joshua Tree Art Gallery (JTAG) and

Gallery 62 in Joshua Tree, 29 Palms Art Gallery and Artist Guild, 29 Palms Creative Center and Gallery, and 29 Palms Visitor Center in 29 Palms. You can also view an online catalog at www.hwy62art.org The Hwy 62 Open Studio Art Tours is proudly brought to you each year by the MBCAC – the Morongo Basin Cultural Arts Council. The MBCAC is a non-profit 501(c)(3) organization that relies on grants, memberships, donations, and proceeds from sales from its Art In Public Places Program and Gallery 62. Want to find out more? Visit the MBCAC at www.MBCAC.org or www.Hwy62Art.org or on Facebook at Hwy 62 Open Studio Art Tours The Official Page.

Left: “Desert Center” by Bill Leigh Brewer

Top: “True Love” by Audrey GreenCenter: “Untitled” by Dabah Simi

Above: “No Absence” by Vera Topinka

Below: A painting by Karine Swenson


By Sally Hedberg

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The Desert Art Center, a non-profit cooperative art gallery, has 138 juried artists displaying numerous works of art in a spacious 2,000 square foot gallery. Located in Palm Springs

the DAC is closed in the summer months but will reopen to a redecorated gallery and a colorful new show in October. From 6 - 8 pm, Friday, October 2, 2015, the DAC gallery will host an opening reception to honor the artists and their creations. It promises to be a lively evening with everyone enjoying refreshments and music while entering the unique and exquisite world of paintings, sculpture, pottery, jewelry, art glass, photography, and mixed media. The artists are from the desert, surrounding towns or mountain areas. The spectrum of art is everything from representational to mid-century modern and is quite affordable. The reception is free. During the opening weekend Artist Antoinette Hanson will show her silk paintings in the adjoining small gallery. Antoinette, who resides in Forest Falls near Big Bear, had painted and worked in many mediums before she discovered silk. “I was introduced to silk painting 8 years ago and immediately felt the connection. The silk captured me,” states Hanson. She has been a gallery member since 2010 and won many awards throughout the country for her vibrant paintings. Moira Johannessen, well known for her watercolors depicting Palm Springs area, has been the coordinator for the Adult Classes for many years. The classes she has lined up for this season are: Drawing in all media, acrylics, oil. Watercolor, sculpture, stained flass, art media and life drawing. All classes charge a reasonable fee. For those who would rather go out in nature to paint, Elaine Mathews, ethereal oil landscape painter, takes a Plein Air group out monthly. There is no fee for this and the public is invited. Artists must have their own supplies. Palm Desert resident Susan Smith Evans taught Painting, Photography, Printmaking and Mixed Media at College of the Desert for 24 years. After retiring she joined the DAC as a gallery member in Printmaking, another first for the gallery. Susan began teaching this ancient art to adults, and in the last 3 years has taught Printmaking and Drawing classes to middle school students. Other members also teach Clay and Watercolor classes at the Center to 6th through 8th graders from the Palms Springs School District.The DAC Middle School Art Program is funded by a grant from Anderson’s Childrens’ Fund and classes are free. Susan explains, “My artwork is based on observations of nature and our relationship to nature. My observations tell me

that nature is complex and dynamic, composed of many layers with multiple layers of meaning. My most recent art uses botanical forms to symbolize t r a n s f o r m a t i o n , growth, decline, permanence and possibility.” Susan believes in the power of art to change lives and to make the world a better place. She serves as Secretary for

the DAC Board. The DAC offers free monthly programs as a sharing of art with the community. From 1:30-3:00 pm, Saturday, October 10, the program will be a panel of five artists discussing different crafts In recognition of American Craft Week. Both Saturday and Sunday artisans will be displaying and selling their fine crafts. At 4:00 pm on Saturday, November 7, four Watercolor artists will paint the same subject in a one hour challenge. The audience will be able to move around and observe these painters at work. There will be a MC to ask questions of the artists during the event. At the end of the hour, the paintings will be displayed on easels and will be for sale to the highest bidder and a time for socializing and refreshments. All proceeds go to the DAC Education Fund. The four gallery artists are: Kathleen Scoggins, Alicia Siegler, Ian Cooke and Moira Johannessen. A general meeting will be held at 3 pm before the challenge. Whether interested in becoming a regular/supporting member or a juried artist, you are invited to the meeting to ask questions, meet members and find out what DAC is all about. There are

See Desert Art Center, next page

Palm Springs’ Desert Art Center Awaits You

“Water Tree II” by Susan Smith Evans. At left: More artwork featured at the Desert Art Center.


DESERT ART CENTERContinued from previous page

101 current regular members who volunteer time and money to support the activities in addition to the 138 gallery members. These gatherings will take place in the auditorium on the grounds. The gallery has four new shows a year. The winter opening reception will be from 6-8 pm, Friday, Dec. 4, and during December the hours will be extended to 8pm on Friday nights. The Desert Art Center, 550 North Palm Canyon Drive in Uptown Palm Springs, is part of the historic complex in Frances Stevens Park and has been in existence since 1950. The actual gallery site was the first grammar school in the area. The Colonial Spanish architecture with views of the park, palms and mountains lends an aura of history and beauty to the whole art experience. The gallery is open daily and staffed by DAC members who volunteer one day a month to be gallery greeters. According to DAC President, Adele Hill, “We can do so much as an organization because it is based on volunteers. Our gallery members are required to staff the gallery, but they also commit many hours on committees and assist with events held throughout the season. Our Board and members are dedicated to making it a place where everyone can learn and enjoy art. Every year the DAC surpasses its goals in gallery sales and is proud of the high quality art for viewing. Our successful Middle School Art Program is now in its 4th year and our Outreach Programs such as our Annual High School Student Art Show and Scholarship Awards continue to meet the DAC mission and goals.” For a list of classes, events and more about the artists and their artwork go to www.desertartcenter.org or call 760-323-7993. The gallery is open 7 days a week from 10 am- 4 pm. Please stop by and visit us.

By Sally Hedberg

;

Donald Dietz "Don" was the first artist to bring the art of stained glass to the Desert Art Center 10 years ago. Until

then the gallery housed only paintings, sculpture, ceramic and photography. When he visited the gallery for the first time he noticed the big windows which would be a natural for hanging the stained glass. He asked about joining and went through the jury process. His stained glass was accepted. He literally broke "The Glass Ceiling," and redefined the meaning of Fine Arts. Currently the gallery has a variety of artists who work in Glass, 3 Dimensional Art, Representational and Abstract Painting, Printmaking, Jewelry, Mosaics, Wood and Fabrics. The DAC is considered one of the finest art galleries in the area because its artists go through a rigorous jury process. Don started his journey in glass in 1996 after he retired from teaching Crafts, Graphic Arts, and Drafting at the high school level for 34 years. He and Sally, also a retired teacher, traveled in a RV throughout the United States, including

Alaska, Canada and Mexico. "We were on the road full time for 10 years, and I needed something to do. We bought a Dolphin motor home, and Sally wanted a stained glass window of a dolphin for the RV door. I had some experience with stained glass in the Craft's class, but I hadn't really worked at it. Even though I had minimal tools the RV window came out great, and I was hooked on glass." Don purchased the right equipment and was able to make glass art and do commissions from his studio on the road. In the last 20 years, Don's work has sold nationally, internationally and is displayed in galleries throughout California and the Southwest. In 2004 the Dietzs moved from the RV into a park model in Desert Hot Springs where Don had a small studio in back. In 2007 Don found a house with a three car garage, and Sally liked the floor plan. Finally he has a large studio where he creates his art, does commissions and teaches stained glass classes to his students on Thursdays and Saturdays. Don says, "As an artist I enjoy the challenge of "painting" with glass. I

develop many of my designs and patterns from my own digital photography. Many of my pieces reflect my love of the desert, nature, and mountains. When choosing the glass I take into consideration how the glass appears in the natural light. I work within the glass to achieve the overall effect in the subject." His latest passion is Fused Glass. After seeing the fused glass artwork done by Idyllwild artist Scott Finnell, he bought a glass kiln and loves creating functional art pieces in the shape of different size bowls, plates and assorted dishes. He has added teaching Fused Glass Workshops to his repertoire. Don is a gallery member of the Desert Art Center, a cooperative gallery in Palm Springs. Part of his volunteerism is to oversee the DAC Education Outreach Programs. In coordination with the Palms Springs School District's Visual and Performing Arts Specialist, Louisa Castrodale, the DAC has brought about three important programs: The Annual High School Student Art Show, the Scholarship Program for graduating seniors continuing in an art related field and the Middle School Art Program.

Stained Glass with Donald Dietz


By Lydia Kremer

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Mother Nature has always been a remarkably powerful force but she has also been

an inspirational muse to artists for centuries. Barbara Weightman is among the legion of artists who have been inspired by Nature and has tried to capture its beauty in her paintings. She was born and raised in Montreal where she earned a Bachelor of Arts (BA,) with a Child Psychology major from Sir George Williams University, Montreal, Quebec, Canada. She also earned her Teaching Certificate from McGill University Teachers College in Montreal; as well as a Fine Arts Specialist Certificate; and took courses from the Council of Drama Educators. She spent 32 years as an educator in Canada. After spending most of her life in Canada, she came to the United States – where she worked in Delaware and Pennsylvania to continue her career in education. Before Barbara began painting, her professional life as a teacher and administrator was focused on inspiring creativity among her students. During her career as a dedicated educator, she worked to ignite the imaginations of youngsters. She taught creative drama, helping her students develop their creative skills, all the while developing her own. By the time she began painting 17 years ago, her skills and talent were firmly established. For many artists, mastery of their chosen medium is a life-long endeavor. For Barbara that medium was watercolor botanical painting, specializing on the delicate intricacies of botanical painting, an exacting medium. Botanical painting requires a feather-weight delicacy of brush strokes that she has mastered in her work for which she has received several awards and accolades. Among the notable awards she has received for her botanical paintings, Barbara received a third place ribbon for her “Orchid” painting from the prestigious National Capital Orchid Society Show in Washington D.C. in 2000.

Her love of flowers and gardens became her passion while living in England for two years where she studied flower arranging and china painting. Barbara’s botanical work has also been exhibited at the Chester County Art Association, for twelve years at the Philadelphia Flower Show, the Morris Arboretum of the University of Pennsylvania, at The Chanticleer Gardens, and various galleries in the Tri-State area.

She is a member of the Philadelphia Society of Botanical Artists and the Pennsylvania Horticultural Society. Barbara and her husband, Clive, a retired senior partner in a global professional services firm, relocated to the California desert three years ago and are now residents of Indian Wells. Despite her success in the field of botanical paintings, when she relocated

See Weightman, next page

Barbara Weightman Takes Inspiration from Nature

An award-winning orchid watercolor by Weightman


Advertiser Index ......... Page #

New Spirit Vacation Homes ......... IFC/Pg 1

Morongo Casino .............................. ................................................. IBC

Agua Caliente Band of Cahuilla Indians ......................................... BC

Highway 62 Open Studio Art Tours ............................................... 3

Art Alliance of Idyllwild .............. 5

Alhatti Christian Retreat Center ........................................... 19

Artists of Idyllwild ........................ 5

Banning Stagecoach KOA.......... 23

Bill Cochran ................................. 21

Bob Hughes .................................. 29

Café Aroma ................................. 29

Cahuilla Casino ........................... 19

Desert Art Center ..................... 45

Fern Creek Medical .................... 35

Ferro Restaurant ........................ 31

Grand Idyllwild Lodge .................. 2

Higher Grounds Coffee House 29

Idyll Awhile Wine Shoppe & Bistro ............................................. 9

Idyllwild Arts Academy .............. 27

Idyllwild Clothing ........................ 37

Idyllwild Hypnotherapy .............. 37

Idyllwild Ice Cream and Jerky ... 23

La Casita Mexican Restaurant .. 11

Lake Hemet Water Park ........... 15

Living Free Animal Sanctuary ... 21

Muirs Mountain Real Estate ...... 23

Mile High Café ............................. 37

Miracle Ear ................................... 15

Palm Springs Subaru ................... 39

Ross-Clunis .................................. 11

Ruth Martin Design .................... 31

Scott Padgett ............................... 15

Silent Valley Club ........................ 17

Sky Island Organics .................... 19

The Fort ....................................... 13

Thousand Trails .......................... 21

Tommy’s Kitchen ........................ 15

Town Real Estate ........................ 33

Trish Tuley ................................... 11

Village Properties-Johnny Wilson........................................... 31

Palms to Pines advertiser index

By Greg and Lynn Adams

;

I n the January/February 2015 edition of Palms to Pines, you may have read of the history

of Idyll Awhile Wine Shoppe & Bistro. Unbeknownst to us and Dave and Julie Dillon at the time, my husband Greg and I would take ownership of the wine bar mid-July! We just want to say thank you to all of our family and friends for your support through this transition and a BIG thank you to all of the local patrons who have made us feel very welcomed and supported. Dave and Julie have been friends of the family for many, many years. In fact, I used to change their eldest son’s diapers growing up in Idyllwild (we don’t have to mention that part to Bryant though)! It is for that reason that we feel as though we’ve inherited the great challenge and responsibility to “take it to

Here’s To New Adventur e s . . .Cheers!the next level” as Julie told me. We really do consider them family and have each other’s best interests at heart. We take pride in knowing that they will frequent the bar and know that it’s being taken care of! We also see the advantage of our years of living in the area and look forward to seeing faces we know as well as meeting new people! Dave and Julie have made wine their passion for the last 4 years and we have every intention of making it ours. In fact, when they told us they were considering buying IA we were shocked and excited for them (and frankly, a little jealous). You see, it has always been our dream to own a bar! We have been preparing for this for years and we are excited to seize this is chance to make it a reality. Dave and Julie have created an awesome environment and we have watched them make changes over the last 4 years that have made it even more wonderful.

We agree will continue to uphold their vision of an upscale and classy establishment without being “snobby.” We want IA to remain a “Cheers” type atmosphere where people feel comfortable stopping in after work for some wine or a pint of beer. For those of you who are looking to celebrate a special occasion we are very excited to be a part of your event! We have added many new menu items, so stop in and see us for a hearty and healthy lunch or dinner! Among other things, we look forward to continuing and expanding the Tuesday evening wine tastings/pairings that Dave and Julie have started. We are also working on expanding our live music to include more nights during the week. However, much of what you have come to know and love about IA will remain the same. We have fallen in love with this bar just like you have, and we cannot wait to make it a part of our every day.

Desert Events: Sept.-Oct. 2015Memorable nights at the Village Festival in downtown Palm Springs are a must. PHOTO COURTESY PALM SPRINGS BUREAU OF TOURISM


WEIGHTMANContinued from previous page

to the desert in 2012 she turned her talents to the creative pursuit of oil painting. The desert beauty offered her new inspiration in the light and hues of the extraordinary landscape. In three short years, Barbara Weightman is learning to master this medium as well. As a member of the Idyllwild Arts Alliance, she participated in the inaugural Art Uncorked event which took place in July. Barbara’s “Mountain Stream” oil painting received third place in the Representational category.

“Winning a third place ribbon at Idyllwild’s ‘Art Uncorked’ art show was very special, and totally unexpected. I'm thrilled to have had the privilege to be exhibited with such a talented group of artists,’ Barbara says. Shanna Robb, President of the Art Alliance of Idyllwild commented, “Barbara's artwork conveys her enthusiasm and passion about her surroundings. You can see it in every stroke of paint and in her final creation.” “My Mountain Stream painting was inspired by many beautiful walks in the woods. The varieties and intensities of color and light playing on the shapes

fascinated me. Painting on a red canvas with a palette knife demonstrates my feelings,” Barbara adds. What her collectors say about her work: “I want to see her paintings everyday and share them with my clients,” says a physician who has two of Barbara’s paintings in her office. “I love the different feelings each of Barbara’s images invokes.” Please visit Barbara Weightman’s website to see more of her exquisite paintings, and to find out about her various art events this coming 2015/2016 season. Email: [email protected] or online www.barbara-painter.com

Morongo Casino Resort & Spa49500 Seminole Dr., Cabazon800-252-4499September 18 – Noel TorresSeptember 20 – Ivy LiveSeptember 25 - Cassadee PopeOctober 23 - Mo5aic

Cinema DiverseSeptember 17-20Camelot Theatres2300 E. Baristo Road

Palm Springswww.cinemadiverse.org

Palm Springs ModernismFall PreviewOctober 9 -12www.modernismweek.com

Palm Springs Women’s Jazz FestivalOctober 9 – 11For ticketing and more information: visit: www.pswomensjazzfestival.com

Palm Springs VillageFestPalm Canyon Drive, Palm SpringsThursdays to 10 p.m.

Certified Famers’ MarketOpen each Saturday from 8am to 12:30pmPalm Springs Pavilion400 S. Pavilion Way, Palm Springshttp://certifiedfarmersmarket.org/

September-October 2015 \ Palms to Pines Magazine 3WWW. .COM

Visit www.morongo.com to see our special anniVersary promotions.

MORONGO.COM 888.MORONGO RATED BY AAA


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Palms to Pines Magazine September-October 2015

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