Pablo Piccaso
-
Upload
joyita-dey -
Category
Documents
-
view
129 -
download
0
description
Transcript of Pablo Piccaso
![Page 1: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/1.jpg)
CUBISM
![Page 2: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/2.jpg)
Cubism was a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music and literature.
Avant-garde is used to refer to people or works that are experimental or innovative, particularly with respect to art, culture, and politics.
Cubism
![Page 3: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/3.jpg)
1. Analytic Cubism, was both radical and influential as a short but highly significant art movement between 1907 and 1911 in France.
2. Synthetic Cubism, the movement spread and remained vital until around 1919, when the Surrealist movement gained popularity.
Two Major Branches of Cubism
![Page 4: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/4.jpg)
Three Phases of Cubism
Phases of Cubism
‘’Early Cubism", (from 1906 to 1908) when the movement was initially
developed in the studios of Picasso and Braque.
"High Cubism", (from 1909 to 1914) during which time Juan Gris
emerged as an important exponent.
"Late Cubism" (from 1914 to 1921) as the last
phase of Cubism as a radical avant-garde
movement.
![Page 5: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/5.jpg)
1. Objects are broken up, analyzed, and re-assembled in an abstracted form
2. Instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context.
3. Often the surfaces intersect at seemingly random angles, removing a coherent sense of depth.
4. The background and object planes interpenetrate one another to create the shallow ambiguous space.
Characteristics of Cubist Art
![Page 6: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/6.jpg)
Three Most Popular Cubist Artists
Pablo Picasso Georges Braque Juan Gris
![Page 7: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/7.jpg)
Some Examples of Cubist Painting
Portrait of Daniel-Henry Kahnweiler by
Picasso
Still Life with Fruit Dish and Mandolin, by
Juan Gris
Women with a Guitar by Georges Braque
![Page 8: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/8.jpg)
Cubism in Other Field
Sculpture - Woman's
Head, Otto Gutfreund,
Cubist House of the Black Madonna,
Prague, Czech Republic
A part of the enormous
Creators of the Bulgarian
State monument
near Shumen
![Page 9: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/9.jpg)
![Page 10: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/10.jpg)
Early YearsPablo Picasso was born on October 25, 1881 in Malaga, Spain.
Picasso’s father José Ruiz y Blasco was also a painter himself. He taught him the basics of formal and academic art training.
Picasso attended many art schools during his childhood. He never finished his studies at the Academy of Arts in Madrid, dropping out after only a year.
![Page 11: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/11.jpg)
The Blue Period1901 - 1904
![Page 12: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/12.jpg)
Characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes.
This particular pigment is effective in conveying a somber tone.
The psychological trigger for these depressing paintings was the suicide of Picasso's friend Casagemas.
The Blue Period
![Page 13: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/13.jpg)
La Vie (1903)
![Page 14: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/14.jpg)
The Blind Man's Meal (1903)
![Page 15: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/15.jpg)
Woman with A crow (1903)Toledo Museum of Art
![Page 16: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/16.jpg)
The Rose Period
1904 - 1906
![Page 17: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/17.jpg)
Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses.
His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive.
The generally upbeat and optimistic mood of paintings in this period is reminiscent of the 1899–1901 period.
The Rose Period
![Page 18: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/18.jpg)
Family of Saltimbanques (1905)
![Page 19: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/19.jpg)
Garcon a la Pipe (1905)
![Page 20: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/20.jpg)
The Beginnings of Cubism
![Page 21: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/21.jpg)
In late 1906, Inspired by Cézanne's flattened depiction of space, and working alongside his friend Georges Braque, he began to express space in strongly geometrical terms.
These initial efforts at developing this almost sculptural sense of space in painting are the beginnings of Cubism.
The Beginnings of Cubism
![Page 22: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/22.jpg)
Gertrude Stein (1906)
Other Proto-Cubist Works
![Page 23: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/23.jpg)
Self-Portrait with Palette (1906)
Other Proto-Cubist Works
![Page 24: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/24.jpg)
The famous "Demoiselles d'Avignon" is often represented as the seminal Cubist work.
The Painting was inspired by African artifacts.
it was a major first step towards Cubism it is not yet Cubist.
Demoiselles is the logical picture to take as the starting point for Cubism, because it marks the birth of a new pictorial idiom, because in it Picasso violently overturned established conventions and because all that followed grew out of it.
Les Demoiselles d'Avignon
![Page 25: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/25.jpg)
![Page 26: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/26.jpg)
Self-Portrait (1907)
Other Proto-Cubist Works
![Page 27: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/27.jpg)
Other Proto-Cubist Works
Composition with Skull (1908)Oil on canvas. 116.3x89 cm
France. 1908 State Museum of New Western Art, Moscow. 1948
![Page 28: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/28.jpg)
Analytic Cubism
(1909–1912)
![Page 29: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/29.jpg)
objects were deconstructed into their components.
In some cases, this was a means to depict different viewpoints simultaneously
In other works, it was used more as a method of visually laying out the FACTS of the object, rather than providing a limited mimetic representation.
The aim of Analytical Cubism was to produce a conceptual image of an object, as opposed to a perceptual one.
Analytic Cubism
![Page 30: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/30.jpg)
Accordionist (1911)
![Page 31: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/31.jpg)
The Guitar Player (1910)
![Page 32: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/32.jpg)
Girl with a Mandolin (Fanny Tellier) (1910)
![Page 33: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/33.jpg)
Portrait of Daniel-Henry Kahnweiler (1910)The Art Institute of Chicago
![Page 34: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/34.jpg)
"Ma Jolie" (Woman with a Zither or Guitar) (1911)
![Page 35: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/35.jpg)
The Glass (1911)
![Page 36: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/36.jpg)
Synthetic cubism
(1912–1919)
![Page 37: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/37.jpg)
In 1912, Picasso took the conceptual representation of Cubism to its logical conclusion by pasting an actual piece of oilcloth onto the canvas.
It was a further development of the genre, in which cut paper fragments—often wallpaper or portions of newspaper pages—were pasted into compositions.
Some of the finest Synthetic Cubist work, both visually and conceptually, are the collages.
Synthetic Cubism
![Page 38: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/38.jpg)
Woman in an Armchair (1913)
![Page 39: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/39.jpg)
Portrait of a Girl (1914)
![Page 40: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/40.jpg)
Harlequin and Woman with a Necklace (1917)
![Page 41: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/41.jpg)
Glass and Bottle of Suze (1912)
![Page 42: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/42.jpg)
After Cubist Period
![Page 43: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/43.jpg)
Classicism and surrealismAfter the war, Picasso, reflecting society's disillusionment and shock with the technological horrors of the war, reverted to a Classicist mode of representation.
During the '30s Picasso became tangentially connected with the Surrealist movement.
After 1935 he returned to Classicism.
By the late '30s, Picasso was the most famous artist in the world.
![Page 44: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/44.jpg)
Three musicians (1921)
![Page 45: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/45.jpg)
Guernica (1937)
![Page 46: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/46.jpg)
Sculptor Picasso
![Page 47: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/47.jpg)
Picasso explored other artistic styles to express himself, including sculpture.
Mandolin and Clarinet and Chicago Picasso are two examples of cubist sculpture.
Sculptures
![Page 48: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/48.jpg)
Mandolin and Clarinet
![Page 49: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/49.jpg)
Chicago Picasso
![Page 50: Pablo Piccaso](https://reader038.fdocuments.us/reader038/viewer/2022102608/54c740fc4a7959c27e8b45cc/html5/thumbnails/50.jpg)
Thank You
By Joyita Dey