Oboi

Fagotto

Corno 1 in F

Corno 2 in C

TimpaniG, Bb

Violini I

Violini II

Viole

Bassi

f p

Largo (e = 60) 5 10 15

f p

f

f

f

pf mfp

pf

mfp

p f mfp

p f mfp

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Vni I

Vni II

Vle

Bassi

Allegro moderato (h = 60)20 25 30

p

p

p

p

p

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

p cresc. f

35 4540

cresc. f p

f

f

f

cresc. f p

cresc. f p

cresc. f p

cresc. f p

SinfoniaJan Tegtmeyer

Vc.

tutti

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Vni I

Vni II

Vle

Bassi

f

50 55

f

f

f

f

f

f

f

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Vni I

Vni II

Vle

Bassi

p f

60 65 70

p f

f

f

p f

p f

p f

p f

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Vni I

Vni II

Vle

Bassi

75 80

mp

mp

mp

mp

a2

Vc.

2

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

p f

85 90 95

f

p f

p f

f

p f

p f

p f

p f

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

mf mp

100105

mf mp p

mf mp p

p

mf mp p

mf mp p

mf mp p

mf mp p

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Vni I

Vni II

Vle

Bassi

p cresc. f

110 115 120

p cresc. f

p cresc. f

p cresc. f

p cresc. f p

p cresc. f p

p cresc. f p

p cresc. f

a2

tutti

3

Ob.

Fag.

Vni I

Vni II

Vle

Bassi

p

125 130 135

p

p

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

cresc. f

140 145 150

cresc. f

f

f

f

cresc. f p

cresc. f p

cresc. f p

cresc. f p

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

f f

155 160 165

f f

f f

f f

f

f fp f

f fp f

f fp f

f fp f

a2

Vc.

a2

con Cb.

4

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

170 175

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

f

180 185

p cresc. f

f

f

p cresc. f

p cresc. f

p cresc. f

p cresc. f

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Vni I

Vni II

Vle

Bassi

p

190 195 200

p

fp fp fp

fp fp fp

fp fp fp

fp fp fp

5

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

f

Tempo primo /Largo/ 205 210

f

f

f

f

pf mfp

pf

mfp

p f mfp

p f mfp

Ob.

Fag.

Cor. 1 in F

Cor. 2 in C

Timp.

Vni I

Vni II

Vle

Bassi

p mp cresc. mf

215 220225

p mp cresc. mf

mp cresc. mf

mp cresc. mf

mp mf

mp cresc. mf

mp cresc. mf

mp cresc. mf

mp cresc. mf

To Corno in G

To Corno in Eb

6

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bassi

Vivo con fuoco (h = 80) 5

f

f

f

f

f

f

f

f

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Bassi

10

p f p f

p f p f

p f

f p f p f

f p f p f

p f p f

ACT I

Introduction

7

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Bassi

f

15

p f

p f

p f

p f

p f

p f

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bassi

20

f

f

f

No! I say no. This can not- be! My wife, now my

f

8

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bazzo

Bassi

p

25 30

f p

p

p

p

p

p

p

son No! This can not- be! My wife, now my son No! This can not- be!

He was ri ding- from

p

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Bazzo

Bassi

35

bat tle- When his horse threw a shoe When his horse threw a shoe The moun tain- pass was of ice, there was

9

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bazzo

Bassi

40

p

p

decresc.

decresc.

decresc.

Where’s the mer cy?- Where’s the mer cy?- Where’s the mer cy,- how can this be?

no thing- they could do

decresc.

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Bazzo

Bassi

p

45

p

p

p

p

p

p

p

He fell from the edge with his horse hand in hand He dropped out of site

p

10

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bazzo

Bassi

Recit. 50

He was at the

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bazzo

Bassi

p

55

p

f

f p

f p

f

No! No!

edge When it reared and he fell He fell by de fault.- An ac ci- dent!-

f p

1°

His horse threw a shoe? Where is the blacksmith?

They are still searching for him, my lord. But Sire, you must be aware, it was nobody’s fault!

11

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bassi

60

Bring me the man who is to blame!

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bassi

65 70

Bring me the black smith!- Or I shall hang you for that in sult,- or I shall hang you for that in sult-

12

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bazzo

Bassi

No! No! This can not- be!

An ac ci- dent,- an ac ci- dent!-

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bassi

75

No! This can not- be! Bring him to me, his nail caused this

13

Fl.

Ob.

Fag.

Cor. 1 in G

Cor. 2 in Eb

Vni I

Vni II

Vle

Adami

Bassi

p cresc.

80 85

p cresc. f

p cresc. f

p cresc. f

p cresc. f

p cresc. f

p cresc. f

p cresc. f

fate, his poor work’s at fault, bring him to me!

p cresc. f

Cl. in Bb

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

p pp f

Andante non troppo (e = 80) 5 10

mf mf f

mf p mp mf p pp f p

mf p mp mf p pp p

mf p mp mf p f

mf p mp mf p f

How could you do such a

mf p mp mf pp f p

Cl. in Bb

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

1520

f

mf f mf

mf f mf p

mf f mf p

mf f mf p

thing, did you nothave the cour age- to face me? Not a son, but a King! Not a son, but a King! How could you do this to

mf f

To Corno in Eb

a2

Air

a2

a2

14

Cl. in Bb

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

p f

25

f

p f

f

f

f

me? A boy that has al ways- fought for thee. Not a son but a King, a boy that has al ways- fought for

p f

Cl. in Bb

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

pp

30 35

decresc.

decresc.

decresc.

decresc. pp

decresc. pp

thee, that has al ways- fought for thee, that has al ways- fought for thee!

decresc.

How could you do such a thing? Did you nothave the cour age- to

decresc. pp

Cl. in Bb

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

f

40 45

f

p pp p pp p pp f

p pp p pp p pp f

p pp f

p pp f

face me? Not a son, but a King, but a King. How would you? How could you? How would you? How

p pp p pp

a2

15

Cl. in Bb

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

pmf

pp

50

mf pp

p mf p pp

p mf p pp

mf p pp

mf p pp

could you? How could you do such a thing, how could you do such a thing?

p mf p pp

Fl.

Ob.

Cor. 1, 2in C

Timp.Bb

Vni I

Vni II

Vle

Adami

Bassi

ff

Vivace5

ff

pp cresc. molto ff

ff

pp cresc. molto ff

pp cresc. moltoff

pp cresc. molto ff

pp cresc. molto ff

Fl.

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bassi

10

f

fz

mf fz

mf fz

mf fz

mf fz

To Cl. in A

a2 To Corni in C

Melologue

You areno more!

1°

16

Fl.

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Adami

Bassi

pp

15

p pp

pp

pp

p pp

p pp

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

f p

Allegretto con moto (q = 150)5

f p

f p

f p

f p

The woods are a live,- with each leaf and each branch As they sway and they swing, as they

f p

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

p

10

pp

pp

pp

sway and they swing, as they sway and they swing, with out- breeze Cast in deep oiled- wood, e very- e le- ment- drawn from a spe ci- men- found on his

pp

To Corni in D

You are no more! Do you hear me!

Song

sotto voce

sotto voce

a2

17

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

15

land, from a spe ci- men- found on his land It is beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- It is beau ti- ful,- mag ni- fi- cent,- com -

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

20 25

plete, it is fi nished,- it is fi nished,- it is fi nished.- No two fi gures- the same No pat tern- to be car ried- a-

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

p

30

p

p

p

p

way, Each holds its own, each holds its own, each holds its own lit tle- tale I’m a crafts man- by trade, though I car ried- the blade In a

p

a2

pizz.

arco

pizz.

arco

a2

18

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

35

much diff’ rent way years a go,- In a much diff’ rent way years a go- It is beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- It is

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

40

beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- it is fi nished,- it is fi nished.- I

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

45 50

have an i dea- from whence this gift has come But not e ven- I be lieve,- but not e ven- I be lieve,- but not

pizz.

pizz.

arco

arco

pizz.

pizz.

arco

arco

19

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

55

e ven- I be lieve- in ghosts. When the car vings- steal my thoughts for a time to re turn- and find the work’s com plete,- to re-

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

60

turn and find the work’s com plete- It is beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- It is beau ti- ful,- mag ni- fi- cent,- com plete, it is fi nished,-

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Carpenter

Bassi

65

it is fi nished,- it is fi nished.-

1°

To Corni in Bb alto

pizz. arco pizz. arco

pizz. arco pizz. arco

20

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

f

Allegro (q = 150) 5 10

f

f

f p

f p

f p

f p

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

15 20

p

p

f

To night,- to night- the Crown of the land will take in his hand the peo ple- be low- will take in his hand the

To night,- to night- the Crown of the land will take in his hand the peo ple- be low- will take in his hand the

To night,- to night- the Crown of the land will take in his hand the peo ple- be low-

To night,- to night- the Crown of the land will take in his hand the peo ple- be low-

f p

Chorus

21

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

f

2530

f

f

f

f

p f

peo ple- be low- will take in his hand the peo ple- be low- To night- is the night, to night- we shall raise our cups to the King for the

peo ple- be low- will take in his hand the peo ple- be low- To night- is the night, to night- we shall raise our cups to the King for the

To night- is the night, to night- we shall raise our cups to the King for the

To night- is the night, to night- we shall raise our cups to the King for the

f

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

35 40 45

ri ches- be stowed- our cups to the King for the ri ches- be stowed,- our cups to the King for the ri ches- be stowed.-

ri ches- be stowed- our cups to the King for the ri ches- be stowed,- our cups to the King for the ri ches- be stowed.-

ri ches- be stowed-

ri ches- be stowed-

22

Ob.

Cor. 1, 2 inBb alto

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

mf

5055

mf

mf

mf

mf

For the young and the old and most

For the young and the old and most

The can dies,- the bles sings- For the young and the old The ci der!- The wheat! and most

The can dies,- the bles sings- For the young and the old The ci der!- The wheat! and most

mf

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

60 65

cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -

cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -

cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -

cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -

a2

23

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

70 75

night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our

night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our

night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our

night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Adami

S.

A.

T.

B.

Bassi

cresc.f

80 85

f

f

cresc. f

cresc. f

cresc. f

To

f

night- is the night the gree dy- shall bear the wrath of the

King

King

King

King

cresc. f

1°

24

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Adami

Bassi

fp

90 95

fp

f

fp

fp

fp

King and the death of the heir, their wants and their needs con fused- as the same no more have I pa tience- there’ll be no more’f the

fp

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Adami

S.

A.

T.

B.

Bassi

fp

100 105

fp

f

fp

fp

fp

same no more have I pa tience- there’ll be no more’f the same No more have I

To night- is the night, to night- we shall sing the

To night- is the night, to night- we shall sing the

To night- is the night, to night- we shall sing the

To night- is the night, to night- we shall sing the

fp

25

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Adami

S.

A.

T.

B.

Bassi

110115

pa tience!- There’ll be no more’f the same, no more have I pa tience,-

praise of the glo ry- for the gifts from our King the praise of the glo ry- for the gifts from our King the praise of the

praise of the glo ry- for the gifts from our King the praise of the glo ry- for the gifts from our King the praise of the

praise of the glo ry- for the gifts from our King

praise of the glo ry- for the gifts from our King

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Adami

S.

A.

T.

B.

Bassi

120

no more… no more! is the night the

glo ry- for the gifts from our King to night,- to night,- to night,- is the

glo ry- for the gifts from our King to night,- to night,- to night,- is the

To night,- to night,- to night,- to night,- to -

To night,- to night,- to night,- to night,- to -

26

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Adami

S.

A.

T.

B.

Bassi

fp fp

125 130

fp fp

fp fp

fp fp

gree dy- shall bear the wrath of the King, and the death of the heir no more have I pa tience,- there’ll be no more’f the

night, to night- we shall sing the praise of glo ry- for the gifts from our King.

night, to night- we shall sing the praise of glo ry- for the gifts from our King.

night is the night, to night- the praise of glo ry- for the gifts from our King.

night is the night, to night- the praise of glo ry- for the gifts from our King.

fp fp

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Adami

S.

A.

T.

B.

Bassi

fp fp

135 140

f p

f

fp fp p

fp fpp

fp p

same, no more, no more!

To night- is the night, to night- we shall sing the praise of glo ry- for the

to night- we shall sing the praise of glo ry- for the

the praise of glo ry- for the

the praise of glo ry- for thefp

solo 1°

27

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

f

145 150

f

f

f p

f p

f p

gifts from our King for the gifts from our King, for the gifts from our King!

gifts from our King for the gifts from our King, for the gifts from our King!

gifts from our King for the gifts from our King!

gifts from our King for the gifts from our King, for the gifts from our King!

f p

Ob.

Cor. 1, 2 inBb alto

Timp.Bb

Vni I

Vni II

Vle

Bassi

f

155160

f

f

f

f

f

f

To Corni in A

3 3 3 3

3 3

3 3

28

Vni I

Vni II

Vle

Mary

Bassi

f fp fp fp fp f p

Andante con moto (e = 144) 5 10

f fp fp fp fp p

f fp fp fp fp p

No, Sire, I have but a son, No, Sire, I have but a

f fp fp p

Vni I

Vni II

Vle

Mary

Bassi

f meno f

15 20

f meno f

f meno f

son, a beau ti- ful- son, a beau ti- ful- son, from a sol dier- so true, from a sol dier- so true from a sol dier,- from a sol dier- so true, from a sol dier- so true.

f f

Vni I

Vni II

Vle

Mary

Bassi

p f p

25 30

p f p

p f p

He’s a beau ti- ful,- beau ti- ful- boy, on ly- months by his age. He’s my breath! He’s my

p f p

Vni I

Vni II

Vle

Mary

Bassi

cresc. f meno pp

35 40

cresc. f meno pp

cresc. f meno pp

joy! He’s my soul, my stay, my breath, my joy, my soul, my soul, my stay, my breath, my joy! He’s a beau ti- ful- boy, my soul, my stay.

cresc. f

meno

pp

Vni I

Vni II

Vle

Adami

Bassi

f p pp

restare in tempo45

50

f p pp

p f p pp

I had a son, a beau ti- ful-

f p pp

Duet

Amicus (spoken): It should be known, Sire, the locals are cruel. They treat

a woman with child and no husband worse than a mule!

Adami:

29

Vni I

Vni II

Vle

Adami

Bassi

55 60

son, he was my breath, my breath and my joy, from a wo man- so true, from a wo man- so true, from a wo man,- from a wo man- so true Yet,

Vni I

Vni II

Vle

Adami

Bassi

f

65

f

f

yours lives in squa lor,- and mine is now dead. Where’s the mer cy,- where’s themer cy?- I see no

f

Vni I

Vni II

Vle

Adami

Bassi

p

70

p

p

mer cy- in dread! Where’s the mer cy- in this? Where’s the mer cy- I see no

p f

Vni I

Vni II

Vle

Adami

Bassi

f p pp f

75 80

f p pp f

f p pp f

mer cy- in dread. Where is the

p pp f

Vni I

Vni II

Vle

Adami

Bassi

85

kind ness- that I have shown to these wretch es- of e vil,- You, that take, that take with such greed

Amicus (spoken): I’ve tried to persuade her, this much is true, yet,

she will not listen, I ask you, what more shall I do?

30

Vni I

Vni II

Vle

Adami

Bassi

pp pp

90 95

pp pp

pp

you, you, that take with such greed! No one has come for ward- to help this wo man.- No one, not a one cares for

pp

Vni I

Vni II

Vle

Adami

Bassi

cresc. f f p

100 105

cresc. f f p

cresc. f f p

her and her son? Yet, yours lives, yours lives in

cresc. f f p

Vni I

Vni II

Vle

Adami

Bassi

p

110 115

p

p

squa lor- And mine, and mine’s now dead. Where’s the mer cy,- where’s the mer cy,- where’s the

p

Vni I

Vni II

Vle

Adami

Bassi

cresc. f pp

120 125

cresc. f pp

cresc. f

mer cy- in this the mer cy,- where’s the mer cy,- the mer cy,- the mer cy,- the mer cy,- the mer cy- in this? I see no mer cy,- no mer cy- in dread

cresc. f

Amicus (spoken): No one, Sire, not a one!

31

Vni I

Vni II

Vle

Mary

Adami

Bassi

f p pp mf

130 135

f p pp mf

pp f p pp mf

Where’s the mer cy,- I see no mer cy- in dread Where’s the mer cy?- Where’s the mer cy?- No, Sire, I have but a son, No,

I had a son,

pp f p pp mf

Vni I

Vni II

Vle

Mary

Adami

Bassi

p

140 145

p

p

Sire, I have but a son, a beau ti- ful- son from a sol dier- so true, a beau ti- ful- son from a sol dier- so true,from a sol dier,- from a sol dier- so true.

a beau ti- ful- son, a beau ti- ful- son from a wo man- so true a beau ti- ful,- beau ti- ful- son from a wo man so true.

p

Vni I

Vni II

Vle

Mary

Adami

Bassi

pp p mp mf

150

pp p mp mf

pp p mp mf

Please let me go to his care!

p

Please show mer cy!- Please show mer cy!- Please let me

Where’s the mer cy? Where’s the mer cy? Where’s the mer cy? I see no

pp p mp mf

Vni I

Vni II

Vle

Mary

Adami

Bassi

f pp f

155

f pp f

f pp f

go to his care! Please let me go to his care!

mer cy- in dread! Where’s the mer cy?- I see no mer cy- in dread!

f pp f

sotto voce ord.

Amicus (spoken): So you still defy my plendering plea? Sire, I fear she’ll become a whore, ask them, I’m sure they’ll agree!

32

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

p

Lento (q = 80)5 10

p

p

p

p

p

From your star look ing- down up on- me, You’ve

p

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

15 20

cresc. f

cresc. f

cresc. f

left me a world I now dis a- vow,- I now dis a- vow.- Come to me! Take us home! You’ve left me a

cresc. f

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

25 30

p

p

p

world I now dis a- vow.- Your friends de si- re,- your foes they laugh

p

Air

con sord.

con sord.

33

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

35 40 45

p

swords leave their sheaths on no one’s be half- his boots so cold, his heart torn off side, hell’s

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

p f

50 55

p f

f

f p

f p

f

mi nions- have come ta king- our king from the light. From your star look ing- down at my

f p

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

6065

p

fate you’ve left me a world I now dis a- vow,- I now dis a- vow.- Come to me! Take us home! You’ve

a2

34

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

f

Vivace (h = 80)70 75

f

f

f

f

f

left me a world I now dis a- vow.- For give- me! For give- me! I know not what I’ve done. Show

f

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

sf sf

80 85

sf sf

sf sf

sf sf

mer cy,- not for me, but as a man that once had a son! Take me! I beg you, take me, not my boy! Take me,

sf sf

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

sf

90 95

sf

sf

sf

take me, take me, take me in his stead! For give- me! For give- me! I know not what I’ve done. Take me, I

sf

senza sord.

senza sord.

/ 0

a2

35

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

sf

100 105

sf

sf

sf

beg you! Take me, not my boy, take me, take me, take me, take me, take me, take me in his stead! Show mer cy,- not for

sf

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

Lento (q = 80) Vivace (h = 80)110

p

p

p

me! Show mer cy,- not for me, not for me! But as a

p

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

115 120

man that once had a son, but as a man that once had a son. Take me, take me not my boy, take me, take me in his stead! Take me,

Vc.

36

Cl. in A

Fag.

Cor. 1, 2in A

Vni I

Vni II

Vle

Mary

Bassi

125

take me not my boy, take me, take me in his stead!

Ob.

Cor. 1, 2in Bb

Timp.Bb

Vni I

Vni II

Vle

S. A.

T. B.

S.

A.

T.

B.

Bassi

p

Allegro (q = 150)5 10 15

p

p

p

p

Vni I

Vni II

Vle

S. A.

T. B.

Bassi

20 25

What have you done? Blame fools for your pain! We’re poor hun gry- pea sants,- please take us in vain, please Si re,- your

What have you done? Blame fools for your pain! We’re poor hun gry- pea sants,- please take us in vain, please Si re,- your

To Cl. in Bb

To Corni in Bb

tutt’i bassi

1°

Chorus

37

Ob.

Cor. 1, 2in Bb

Timp.Bb

Vni I

Vni II

Vle

S. A.

T. B.

S.

A.

T.

B.

Bassi

f

3035

f

f

f

f

f

mer cy- is all that we ask a migh ty- King must fol low- his task!

mer cy- is all that we ask a migh ty- King must fol low- his task!

To night,- to night- the Crown of the land will

To night,- to night- the Crown of the land will

To night,- to night- the Crown of the land will

To night,- to night- the Crown of the land will

f

Ob.

Cor. 1, 2in Bb

Timp.Bb

Vni I

Vni II

Vle

S. A.

T. B.

S.

A.

T.

B.

Bassi

f

40 45 50

f

f

p f

p f

f

What have you done? Blame fools for your pain! We are poor hun gry- pea sants,- please take us in vain!

What have you done? Blame fools for your pain! We are poor hun gry- pea sants,- please take us in vain!

take in his hand the peo ple- be low- To night- is the

take in his hand the peo ple- be low- To night- is the

take in his hand the peo ple- be low- To night- is the

take in his hand the peo ple- be low- To night- is the

p f

38

Ob.

Cor. 1, 2in Bb

Timp.Bb

Vni I

Vni II

Vle

S. A.

T. B.

S.

A.

T.

B.

Bassi

p

55 60

f

f

f

f

p f

What have you done? Blame fools for your pain! We are poor hun gry- pea sants-

What have you done? Blame fools for your pain! We are poor hun gry- pea sants-

night, to night- we shall raise, To night- is the night, to night- we shall raise our

night, to night- we shall raise, To night- is the night, to night- we shall raise our

night, to night- we shall raise, To night- is the night, to night- we shall raise our

night, to night- we shall raise, To night- is the night, to night- we shall raise our

p f

Ob.

Cor. 1, 2in Bb

Timp.Bb

Vni I

Vni II

Vle

S. A.

T. B.

S.

A.

T.

B.

Bassi

cresc. f

65 70

f

f

p cresc. f

p cresc. f

p cresc. f

please take us in vain, please take us in vain! Si re,- please

please take us in vain, please take us in vain! Si re,- please

cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the

cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the

cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the

cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the

p cresc. f

39

Ob.

Cor. 1, 2in Bb

Timp.Bb

Vni I

Vni II

Vle

S. A.

T. B.

S.

A.

T.

B.

Bassi

f

7580

f

f

p f

p f

p f

take us in vain!

take us in vain!

rich es- be stowed.- To night!-

rich es- be stowed.- To night!-

rich es- be stowed.- To night!- To night!-

rich es- be stowed.- To night!- To night!-

p f

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

p

Andantino (h = 68) 5

p

p

Let us pass it is our right, to en ter,- to en ter,- to en ter,- to en ter- to en ter- to -

Let us pass it is our right, please let us pass it is our right to en ter- to -

Let us pass, ‘tis our right, to en ter,- to en ter,- to en ter,- to en ter,- to en ter- to -

Let us pass, ‘tis our right, to en ter- to -

p

To Corni in G

3 3 3 3

3 3

3 3

Chorus

Vlc. con Cb.

40

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

f

ad lib.1015

f

f

night! To en ter,- to en ter,- to en ter- to night!- Let us pass it is our right to

night! To en ter,- to en ter,- to en ter- to night!- Let us pass, let us pass to

night! To en ter,- to en ter,- to en ter- to night!- Let us pass, let us pass to

night! To en ter,- to en ter,- to en ter- to night!- Let us pass it is our right to

f

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

20 25

en ter,- to en ter- to night,- to night,- to en ter- to en ter- to en ter- to en ter- to night!-

en ter,- to en ter- to night,- to night,- to en ter- to en ter- to en ter- to en ter- to night!-

en ter,- to en ter- to night,- to night,- Let us pass to night!-

en ter- - to night,- to night!- Let us pass to night!-

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Carpenter

Bassi

f

Larghetto (q = 54) 5 10

f

pp f p

pp f p

pp f p

pp f p

Melologue

Mary (spoken): I feel my heart pounding…

41

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bassi

15 20 25

sf

sf

sf

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bassi

30 35

Ob.

Vle

Carpenter

pp

Allegretto con moto (q = 128) 40

pp

Vni I

Vni II

Vle

Mary

Bassi

pp

Larghetto (q = 54)

4550

pp

pp

pp

My blood is astoundly warm on the back of my hand…

Each breath is beleaguered…

Each cry is as eager…

1°

to rise and float me away.

Yet from this place I hug dearly awaiting the sun to rise warmly…

I feel a strange embrace

Carpenter: (from afar) It is beautiful, magnificent, complete, it is finished… It is finished.

What is happening? Your voice courses my veins.

Oh my dear, I cannot see you, yet I feel you

42

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bassi

f

55 60

f

f pp

f pp

f pp

f pp

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Carpenter

Bassi

pp

Allegretto con moto (q = 128)65 70

pp

pp

pp

pp

pp

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Carpenter

Bassi

a2

Hold me!

Take meaway…

Or leave me Voice of whisper, cruel joke, I banish you…

pizz.

arco

pizz.

arco

pizz.

arco

Be gone, words of desire

Carpenter: (from afar) It is beautiful, magnificent, complete, it is finished…

pizz.

(pizz.)

pizz.

Who are you? Did you not hear? They want my boy! My boy in trade for the heir!

It is finished.

43

Fl.

Cor. 1, 2in G

Vni I

Vni II

Vle

Carpenter

Bassi

mf

Andantino (e = 108) 5 10

mf p mf

mf p

mf p

mf p

Oh Ma ry,- oh Ma ry- poun ding- heart, need not fear.

mf p

Fl.

Cor. 1, 2in G

Vni I

Vni II

Vle

Carpenter

Bassi

15

p

Oh poun ding- heart need not fear. Rise up bring the boy as re ques- ted- I’m here, as re ques- ted- I’m here rise up bring the boy! Oh

Fl.

Cor. 1, 2in G

Vni I

Vni II

Vle

Carpenter

S.

A.

T.

B.

Bassi

f

20 25

fp

p f p

p f p

p f p

poun ding- heart, need not fear! Rise up! Rise up! As re

Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,

Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,

Rise up! Rise up! Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,

Rise up! Rise up! Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,

p mf p

Air with Choir

arco

arco

Vc.

44

Fl.

Cor. 1, 2in G

Vni I

Vni II

Vle

Carpenter

S.

A.

T.

B.

Bassi

30 35

mf p

mf p

mf p

ques ted,- I’m here you shall see that I have come

Rise up, bring the boy, as re ques- ted,- we’re here. Now cast your eyes and you shall see

Rise up, bring the boy, as re ques- ted,- we’re here. Now cast your eyes and you shall see

Rise up, bring the boy, as re ques- ted,- we’re here. Now cast your eyes and you shall see

Rise up, bring the boy, as re ques- ted,- we’re here.

mf p

Fl.

Cor. 1, 2in G

Vni I

Vni II

Vle

Carpenter

S.

A.

T.

B.

Bassi

fp fp

40

fp fp

p fp fp pp p f

p fp fp pp p f

p fp fp pp p f

That will save but a son

Bring ing- words, hid den- words Bring ing- words, hid den- words That will

Bring ing- words, hid den- words Bring ing- words, hid den- words That will

Bring ing- words,hid den- words Bring ing- words,hid den- words That will save but a son That will

Bring ing- words,hid den- words Bring ing- words,hid den- words That will save but a son That will

pp p

tutti

45

Fl.

Cor. 1, 2in G

Vni I

Vni II

Vle

Carpenter

S.

A.

T.

B.

Bassi

p mf

45 50

p pp mf

mf

p mf

p mf

And it is beau ti- ful,- mag ni- fi- cent,- com plete,- and fi nished,- and it is beau ti- ful.- And they are

save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear

save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear

save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear

save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear

f p mf

Fl.

Cor. 1, 2in G

Vni I

Vni II

Vle

Carpenter

S.

A.

T.

B.

Bassi

p

55

p mf pp p

p

p

p

beau ti- ful- And they arebeau ti- ful,- so beau ti- ful- and they arebeau ti- ful,- mag ni- fi- cent,- so beau ti- ful.-

need not fear Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.

need not fear Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.

Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.

Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.

p

Corno 1 muta in Bb altoCorno 2 muta in Bb

46

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

fp

p

mf

Calmo (e = 98)5

p

p

p mf

p mf

p mf

fp mf

To be a child like this, a child so pure, a child with out- care, to have a heart so sweet, a mind so clear, a

fp mf

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

mf

10 15

mf

mf

mf p mf

mf p mf

mf p mf

p mf

mo ment- like this is rare. When earth ly- con cerns- are left to the old and life is but a taste

p

And stairs all rise to the wisps of the clouds where the sun warms your

p mf

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

20 25

pp f p

pp f p

pp f p

pp f p

face, where the sun warms your face. And rain be gins- ra ther- than falls and gains are shared by

pp f p

AirACT II

pizz. arco

47

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

Più mosso (q = 92)30 35

f

f

f

f

f

f

all. To be a child like this, a child so pure, to be a child be fore- the fall. In stead- of a King that

f

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

4045

p

p

rules the land and sends sons off in fear this is my world, my feet in the ground wheredears to- me- dis ap pear,- where dears to- me- dis ap- pear.- Sur roun ded- by things that

p

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

50 55

f

f

mf

mf

p mf

p mf

live and live likewhat is be hind- this door, re min- ding- me of all I’ve lost, of the lives that are no more, of the lives that are no more.

mf p

48

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

6065

f

f

f

f

f

f

In stead- of a King that rules the land and sends sons off in fear this is my world, my feet in the ground wheredears to- me- dis ap- pear,- where dears to- me- dis ap- -

f

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

p

Tempo I (Calmo e = 98)70 75

p

p

p

p

pear, where dears to- me- dis ap- pear,- where dears to- me- dis ap- pear.-

p

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

mf

80 85

p

mf

mf

mf

mf

You knownot what comes from out of your lips, please, A mi- cus- speak no more! To be a child like this, a child so pure is what all of us should wish

mf

a2

a2

49

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

90

for. No lon ger- fin ding- new rhyme in all this time, as they en ter- lives’ dark hold, where you be come- a lea der- or King with a tar nished,- de ser- ted-

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

95

pp cresc.

pp cresc.

pp cresc.

pp cresc.

soul, with a de ser- ted- soul. To be a child like this, a child so

cresc.

Cl. in Bb

Cor. 1 in Bbalto

Cor. 2 in Bb

Vni I

Vni II

Vle

Adami

Bassi

f p pp

100

p

f p

f p pp

f p pp

f p pp

f p pp

pure, a child so pure, is what all of us should wish for.

f p pp

To Corno in C

To Corno in C

50

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

fp

h = 90 5

fp

f p

f p simile

f p

f p

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

Bassi

10 15

You looked in to- her face, you struck him down, for this you will be shmooood, for this you will be

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

Bassi

cresc. f

20

cresc. f

fp cresc. f p

fp cresc. f p

fp cresc. f p

shmooood, for this you will be shmooood! That does n’t- sound so bad, that does n’t- sound so bad, it is pro ba- bly- not so good. Ei ther- way, ei ther-

cresc. f p

Air with Choir

solo

51

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

cresc.

25 30

p f fp cresc.

f fp cresc.

f fp cresc.

f fp cresc.

way, it cer tain- ly- fits the mood! It’s pro ba- bly- not so good! Shmoood, shmoood?

It does n’t- sound so bad, it does n’t- sound so bad, it is

It does n’t- sound so bad, it is

It does n’t- sound so bad, it does n’t- sound so bad, it is

It does n’t- sound so bad, it is

f fp cresc.

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

f p

35 40

f p

f decresc. p

f p

f decresc. p

pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be

pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be

pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be

pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be

f p

pizz. arco pizz. arco

52

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

f fp

45 50

fp

f p pp fp fp fp

f p pp fp fp fp

f p pp fp fp fp

Shmoood, shmoood? Who is this prude a ny- way?- Who is this prude a ny- way?-

him. It does not sound so bad. It’s

him. It does not sound so bad. It’s

him. It does not sound so

him. It does not sound so

f p pp fp fp fp

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

cresc. f

55

fp cresc. f

fp p cresc. f

fp p cresc. f

fp p cresc. f

It sounds, it sounds, it sounds a lit tle- bit

pro ba- bly- not so good. It does not sound so bad, it does not sound so bad, it is pro ba- bly- not so good.

pro ba- bly- not so good. It does not sound so bad, it does not sound so bad, it is pro ba- bly- not so good.

bad. It’s pro ba- bly- not so good, it does not sound so bad, it is pro ba- bly- not so good.

bad. It’s pro ba- bly- not so good, it does not sound so bad, it is pro ba- bly- not so good.

fp p cresc. f

53

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

p

60 65

f p

p f decresc. p

p f decresc. p

p f p

rude. Shmood, shmood? We should leave! We should leave this hor ri- ble- place, we should leave this hor ri- ble-

Shmood? Shmood? Shmood?

Shmood? Shmood? Shmood?

Shmood? Shmood? Shmood?

Shmood? Shmood? Shmood?

p

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

f p

70

f p

f p

f p

f p

place Let us feast, let us feast, let us feast! Si re,- come a -

we should leave this hor ri- ble- place! Let us feast, come a long,- let us feast, come a long,- come a -

we should leave this hor ri- ble- place! Let us feast, come a long,- let us feast, come a long,- come a -

We should leave, we should leave this hor ri- ble- place! let us feast, come a long,- come a -

We should leave, we should leave this hor ri- ble- place! let us feast, come a long,- come a -

f p

a2

54

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

sf sf sf

p

75

sf p

sf sf sf p

sf sf sf p

sf sf sf p

long! Let us feast, let us feast, come a long,- Si re- come a long!- Let us

long! Let us feast, come a long!-

long! Let us feast, come a long!-

long! Let us feast, come a long!-

long! Let us feast, come a long!-

sf sf sf p

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

Bazzo

S.

A.

T.

B.

Bassi

f

80 85

f

f

f

f

feast, Si re- come a long!-

Come a long,- Si re,- come a long!-

Come a long,- Si re,- come a long!-

Come a long,- Si re,- come a long!-

Come a long,- Si re,- come a long!-

f

a2

solo

a2

To Corni in D

55

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

fff

Vivace (q = 172) 5

ff f

ff f

ff f

fff

fff

ff f

Get out! Get out! Get out! Get a way- from me, you

ff f

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

ff f

10 15

ff f p

ff f

ff

fff

p

ff f p

ff f p

fools! Get out! Get a way,- a way,- a way,- get a way- from me you fools! I’m sur roun- ded- by i diots,- by je sters,- by

ff f p

Air

3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3

3

3 3

3

3 3 3

3

3 3 3

3

3 3

3

3 3

3

3 3

3 3

3 3

3 3

3 3

ten.

ten.

ten.

ten.

ten.

ten.

ten.

56

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

ff f

20

ff f p sfp

ff f

ff

ff fp sfp

ff fp sfp

ff f p sfp

mules. Get out! Get out! Get out! I com mand- you, go, get a -

ff f p sfp

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

f

25 30

f

f

f

cresc.

cresc. f

cresc. f

way! Send for the bi shop!- He’s from Rome, un like- you, he will

cresc. f

3

3 3

3

3 3

3 3

3 3

3 3

3 3

3

3 3

3

3 3

3 3

3 3

3 3

3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3

3

3 3

3 3

3 3

3 3

3 3 3 3

3 3 3

3

3 3 3

3

3 3 3 3

57

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

p

35

p

p

p

p

p

know what it should say. He will know what it should say. I’m sur roun- ded- by i diots,- by jes ters,- by mules.

p

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

ff f

40

ff f

ff f

ff

ff f

ff f

ff

Get out, get out! Go, get a way,- go, get a way- from me you

f

3 3

3 3

3 3

3 3

3 3 3

3

3 3 3

3

ten.

ten.

ten.

ten.

ten.

ten.

ten.

58

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

45 50

fools, get a way- from me you fools!

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bishop

Bassi

f

Molto vivace (h = 108) 5

f

f p

f p

f p

The King has gone mad, we must leave, we must hide!

I’ve heard, do not wor ry!- A die-

f p

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bishop

Bassi

10 15

But the heir has fal len,- his horse threw a shoe, he slipped from the edge, the

will not leave your side.

To Corni in D

3 3 3 3 3 3 3

3 3 3 3 3 3 3

3

3 3 3

3

3 3

3

3 3

3 3

3 3

Dialogue

59

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bishop

Bassi

f

20 25

f sf p f

f sf p f p f

f sf p f p f

f sf p f p f

King now blames you! No,

It was an ac ci- dent,- an aw ful- mis hap!- I will speak with the King, I will take up the case.

f sf p f p f

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bassi

30

no, he’s gone mad, the prince is now dead. He wants A die,- your grand son,- your grand son-

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bishop

Bassi

p

35 40

p

p

p

p

in his stead. He is not the same. We must leave! We must flee!

I still don’t be

p

a2

60

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bishop

Bassi

f

45

f

f

f

f

No, he’s gone

lieve it, he’s a God fea- ring- man. This is our home, this is our land.

f

Ob.

Fag.

Vni I

Vni II

Vle

Mary

Bassi

5055

mad. He wants your grand son- in his stead.

p cresc.

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Adami

Bishop

Choir ofPriests

Bassi

p f decresc. p

Grave, ma mosso (q = 50) 5

f decresc. p

pp f decresc. p

pp f decresc. p

pp f decresc. p

...a man ...more po wer- ful-

Who... has carved ...this

Who …has carved

Who …has carved

pp f decresc. p

secco

secco

secco

secco

Duet with Choir

61

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Adami

Bishop

Choir ofPriests

Bassi

fmp

f decresc. p

10

f mp f decresc. pp

f mp f decresc. pp

f mp f decresc. pp

f mp fdecresc.

pp

...and ca pa- ble ...than you or I!

mas ter- piece ...so beau ti- ful?- Who’s

…this mas ter piece- ...so beau ti- ful?- Who has carved? Who’scarved this mas ter- piece, so beau ti- - ful?-

…this mas ter piece- ...so beau ti- ful?- Who has carved? Who’scarved this mas ter- piece, so beau ti- - ful?-

f mp f decresc. pp

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Adami

Bishop

Bassi

cresc. f

15

cresc. f

cresc. f decresc.

cresc. f decresc.

cresc.f decresc.

A man more po wer- ful- than you or I! …than you or

carved this mas ter- piece- so beau ti- ful?-

cresc. f decresc.

Ob.

Cor. 1, 2in D

Vni I

Vni II

Vle

Adami

Choir ofPriests

Bassi

p

20

p

p pp

p pp

p pp

I! ..A man more po wer- ful- than you or I.

Who has carved this mas ter- piece- so beau ti- ful?-

Who has carved this mas ter- piece- so beau ti- ful?-

p pp

To Corni in Eb

62

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

f p f p f

Maestoso (q = 132) 5

f p f p f

f p f p f

f p f p f

f p f p f

f p f p f

f p f p f

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Carpenter

Bassi

p cresc.

10

p cresc.

p cresc.

p cresc. sf sf p

p cresc. p

p cresc. p

How I preached to you and still you ig

p cresc. p

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

f

15 20

f

f

fp fp cresc. f p

fp fp cresc. f p

fp fp cresc. f p

Stop this pre side- ful-

nore it. Have you not learned a thing? Have you not learned a thing?

fp fp cresc. f p

Duetto

63

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

25

cresc.

cresc.

cresc.

im pu- dence,- here on earth I’m still your King! If I pos sessed- the de mon- that will hang but a

cresc.

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

f

30

f

f

f p

fp

f p

child would I not swing my sword at you? Would I not swing my sword at you? With out- your scorn ful- ban ter- are

f p

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

35

these the words of God? Tell me, tell me, tell me are they true? Tell me, tell me are they

64

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

Lento Tempo I40 45

sub.p f fp fp fp fpsf

sub.p f fp fp fp fp sf

sub.p f fp fp fp fp sf

true? Are they true? Then all I ask is a sin gle- word, a sin gle-

Yes, oh yes! God’s words, they are so.

sub.p f fp fp fp fp sf

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Bassi

cresc. f p f p

50

cresc. f p f p

cresc. f p f p

cresc. f p f p

cresc. f p f p

word I can not- find. And if you know it not leave my site for’t will be

cresc. f p f p

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

f p f p cresc.

55

f p f p cresc.

p cresc.

f p f p cresc.

f p f p cresc.

f p f p cresc.

pro ven!- You know God no more than I, you know God not more than I!

You

f p f p cresc.

(spoken aside)

The King is vulnerable!This my chance …

65

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Carpenter

Bassi

p sub. f

60 65

p sub. f

p sub.f

f

f

f

asked for an ans wer- that saves you from hell. I can not- pro vide- some false word to re lieve- you from this spell.

f

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

p cresc.

70

p cresc.

p cresc.

p cresc.

p cresc.

Stop this pre ten- tious- rank!

Do you not lis ten- to your self?- Fall on your knees! I can not-

p cresc.

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

f

75 80

f

f

f

f

f

I’ve fal len- to my knees, you need not to tell me

beg for your life to be spared, if you will not pay the fee. If you will not pay the fee.

f

66

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

f

85

f

this. I’ve read and re spon- ded- to it. It e choes- my quiv’ ring- fist. I can feel it sur rounds- me like

Have you not learned a thing? Do you not lis ten- to your self?- I can not-

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

90

mil lions- of sighs. Tell me! Tell me, tell me will I die? Tell me,

beg for your life to be spared.

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

p

95

p f p

cresc. p f p

p f p

p f p

p f p

tell me will I die, will I die? Damn you! Will I die?

So I shall die and you shall die! Did you be lieve- your self- a God? Well

p f p

67

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

p p

100 105

p

p

p fp fp fp fp fp

p fp fp fp fp fp

p fp fp fp fp fp

Damn you! Tell me the word! Damn you, damn you, tell me the word! Damn you,

I shall die and you shall die! Did you be lieve- your self- a God? Did you be lieve- your self- a God? Did you be

fp fp fp fp fp

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Adami

Carpenter

Bassi

f p f p

110

f p f p

f p f p

f p f p

f p f p

f p f p

damn you, tell me the word!

lieve your self- a God?

f p f p

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Bassi

f p cresc.

f p cresc.

fp

cresc.

f p cresc.

f p cresc.

f p cresc.

f p cresc.

68

Cl. in Bb

Fag.

Cor. 1, 2in Eb

Vni I

Vni II

Vle

Bassi

f

115

f

f

f

f

f

f

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Carpenter

Bassi

p

Maestoso (h = 54) 5

p

fp

fp

p

p

p

The child must be spared, thy son the right ful- heir sprin kled- with the wa ter- that I give to

p

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Carpenter

Bassi

mf cresc. f

10 15

mf cresc. f

mf cresc. f

mf cresc. f

mf cresc. f p

mf cresc. f p

mf cresc. f p

thee, and you A da- mi,- from this mo ment- say I, step down and beg for give- ness- from me! And

mf cresc. f p

Corno 2 muta in C

Monologue

69

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Carpenter

Bassi

p

20 25

p

p

p

if you do not heed these words that I seed you shall be coun ted,- a sin ner- in deed.-

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Adami

Bassi

Allegro giusto (h = 80) 5

fp

fp

sf sf sf sf sf sf sf sf sf sf sf sf

sf sf sf sf sf sf sf sf sf sf sf sf

sf sf sf sf sf sf sf sf sf sf sf sf

You speak of things made by man kind.- For this rea son- I will let you a mend- your plea

sf sf sf sf sf sf sf sf sf sf sf sf

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Adami

Bassi

10 15

What of my sol diers,- dead in the fields, a way- from your wa ter?- Though they have kneeled, do they pe rish- by

Response

70

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Adami

Bassi

f fz

20 25

f fz

f fz

f fz

f p fz

f p fz

f p f

death? For all sin, I at test.- Are they damned to hell no mat ter- how they plea? What a bu sy- place

f

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Adami

Bassi

fz fz fz fz

30

fz fz fz fz

fz fz fz fz

fz fz fz fz

fz fz fz fz

fz fz fz fz

hell must be, next to Faust, Naust and me… For I as sure- you, I as sure- you, I as sure- you I

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Adami

Bassi

fp

35

cresc. fp

fp

fp

cresc. fp

cresc. fp

cresc.

shall not, I shall not beg thee! Get a way,- Bi shop,- get a way- from me! Get a -

cresc. fp

71

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Adami

Bassi

fp cresc.

40

fp cresc.

fp

fp cresc.

fp sf sf sf sf sf cresc.

fp sf sf sf sf sf cresc.

fp sf sf sf sf sf cresc.

way! Go! Get a way- from me! Bi shop,- get a way- from me! Go! Go! Get a -

fp sf sf sf sf sf cresc.

Cl. in Bb

Fag.

Cor. 1 in Eb

Cor. 2 in C

Vni I

Vni II

Vle

Adami

Bassi

sf f

45 50

sf f

sf f

sf f

sf sf f

sf sf f

sf sf f

way from me! Get a way!- Get a way!-

sf sf f

Vni I

Vni II

Vle

Mary

Bassi

Andante non troppo (h = 82) 5

Shee, shee, shee, shee, now close your eyes, now close your eyes and leave your cares shee, shee, shee,

To Corno in D

To Corno in F

Song

72

Vni I

Vni II

Vle

Mary

Bassi

2nda voltacol canto10 15

shee, and let them rise to wave them, wave them all a good bye- Where the springs are all blue,

Vni I

Vni II

Vle

Mary

Bassi

20 25

rain bows- of dew glis ten- like stars, bright and new where the fish flip and

Vni I

Vni II

Vle

Mary

Bassi

30 35

flop, and moon sha dows- hop to flik ker- a top- calm waves that roll with the tide, like

Vni I

Vni II

Vle

Mary

Bassi

40

weaves of thread that co ver- your bed and keep you safe and sound.

Vni I

Vni II

Vle

Bassi

45 50

73

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Demons’choir

Bassi

sf

Grave (q = 52) 5

sf

sf fp fp

sf fp fp

p cresc. sf f f

p cresc. sf f f

sf f

Kee ya! Kee! Kee!

Kee ya! Kee! Kee!

sf f

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Demons’choir

Bassi

fp

10

f p

f f

f

f f

f f fp fp fp

f f fp fp fp

Ba nished- I have learned you beg my re turn-

Why? Why? Why? Why?

Why? Why? Why? Why?

f

Scene

74

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Bassi

f

15

f mf

mf

f p mf

f p mf

f p

Your coun cil- has failed and I’m the last one to be

Why? Ask the de mons- you call! If you can not- see my past, then you’re no see’r of all.

p mf

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Demons’choir

Bassi

cresc.

20

fz fz cresc.

fz fz fz cresc.

cresc. fz fz fz

cresc. cresc.

cresc. cresc.

cresc. cresc.

hailed. This pro phet- sent by the one he reads from the air, I un der- stand- your de spair.- This chi se- ler- ofwood leaves a tale not un der- -

Kee, I see… like a God… your de spair.-

Kee, I see… like a God… your de spair.-

fz cresc.

pizz. arco

pizz. arco

pizz. arco

pizz. arco

1°

75

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Bassi

p f

p f

p

p

p fp cresc. f

p fp cresc. f

p fp cresc. f

stood. But like chill in the

Do not tell me what I know, mor ning- light is soon to show.

p fp cresc. f

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Bassi

p f

25

f

p f

p f

p f p

p f p

rain, I can’t re lieve- you, your pain. I can’t… Be sides…- I’d ra ther- burn in my pot than loo sen- this car pen- ter’s-

p f

1°

76

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Bassi

f f

Vivace (q = 150)30 35

f f

p f p f p

p f p f p

p f p f p

knot.

If you don’t o bey- my de si- re,- I a lone- will light the fi re- and with these hands

p f p f p

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Bassi

f p f

40 45

f f

f f

f f

f ff pp f

f ff pp f

f ff pp f

You will pe rish- and no - -

hold you be low.- Now… de mon,- what must I know?

f ff f

a2

pizz. arco

77

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Demons’choir

Bassi

ff

50

ff

ff

ff

ff

cresc. ff

one shall care.

So you as sume- this word holds my fate re veal- ing- re venge- for my hate. But

Keee!

Keee!

cresc. ff

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Bassi

55 60

f sf p sf p sf

f sf p sf p sf

f sf p

Do not con fuse- Baz zo- and me, do not con fuse- Baz zo- and me, a sim ple- mes sen- ger,- I’m not

make no mis take,- damned sa yer- of fear!

f sf p sf p sf

78

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Demons’choir

Bassi

sf sf

65

sf sf

sf sf

sf sf

sf sf

sf sf

sf sf

he!

Bats and vi pers,- vi pers- and bats, which shall be de ployed- with

Bats and vi pers,- vi pers- and bats, which shall be de ployed- with

sf sf

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Adami

Demons’choir

Bassi

70 75

f

f

You foul crea ture- of the night,

pow ers- o ver- you

that have you de stroyed,- that have you des troyed!-

pow

pow

ers- -

ers- o

o

ver

ver

-

- you that have you that have you de stroyed!-

79

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Bassi

80 85

Dear A da- mi,- I see, it is as ea sy- as can be: do you not find it but a

tell me the word or leave my sight!

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Bassi

p

90 95

p

muse what this car pen- ter- has done? Chiseled in wood be fore- the i dol- was struck and you de man- ded- her

Vc.

a2

+ Cb.

80

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Demons’choir

Bassi

ff

100 105

ff p

ff

ff

cresc. molto ff p

cresc. molto ff p

cresc. molto ff p

son!

No, you can not- have my soul. Re lease- me, you

Clear your eyes and you shall see!

Clear your eyes and you shall see!

ff p

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Adami

Bassi

cresc. f

110

f p cresc. f

cresc. f

fp cresc. f

fp cresc. f

fp cresc. f

vi per,- I de mand- you, re lease- your hold!

fp cresc. f

81

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Bassi

Grave (q = 52)115

You shall know your fate, but you must first a gree.- On re turn- of the heir, he’ll have no po wer- o ver-

Ob.

Fag.

Cor. 1 in D

Cor. 2 in F

Vni I

Vni II

Vle

Medea

Bassi

120

me. Pro mise- my place, re turned,- next to the throne, or I shall not tell you, or I shall not tell you this word he has

Ob.

Fag.

Vni I

Vni II

Vle

Medea

Adami

Bassi

125

sown!

My God, she does not know, she can not- see, as I be lieved- so.

82

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Medea

Adami

Bassi

f sf sf

Presto (h = 110)130 135

f sf sf

f sf sf

f

f

f

f

f

Now

Leave me, leave me, leave this place! No, no lon ger- I em brace.-

f

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Medea

Adami

Demons’choir

Bassi

mf f

140

mf f

mf f

f

f

p mf f

p mf f

p mf f

you shall see!

Foul

I see at the base, the base of the cliff you’ve fal len- as one

I see at the base, the base of the cliff you’ve fal len- as one

p mf f

1°

3 3

83

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Medea

Adami

Demons’choir

Bassi

145 150

sf sf sf

sf sf sf

f f

p f

p f

p f

Kee, I see! Kee, I see! I see, I

crea ture,- do not speak, hold fast to your tongue! You ser pent- do not speak, slink back to your hole!

Kee! Kee! Kee! Kee! Kee!

Kee! Kee! Kee! Kee! Kee!

f

Fl.

Ob.

Fag.

Cor. 1, 2in D

Vni I

Vni II

Vle

Medea

Adami

Bassi

p

155 160

p

p

p

p

p

p

see your fate. You shall pe rish!- No one shall care!

Wings meet my fold, death I’m not rea dy,- re lease- me your hold, re lease- me your

p

3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 33 3

84

Fl.

Ob.

Fag.

Vni I

Vni II

Vle

Medea

Adami

Demons’choir

Bassi

165 170

p cresc.

p cresc.

cresc.

cresc.

cresc.

You struck the girl, de man- ded- her son.

hold! No! No! No! No!

You struck the girl, de man- ded- her

You struck the girl, de man- ded- her

f cresc.

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Medea

Adami

Demons’choir

Bassi

f

175

f

f

mf f

f

f

f

f

At the base of the cliff you have fal len- - as one.

No! you can not- have my soul, re lease,- re lease- me your hold!

son.

son.

f

a2

85

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Adami

Bassi

180185

You have seen, you have seen the heir, you have seen,

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Medea

Adami

Bassi

Andante (h = 46)190 195

p

p

cresc. p

cresc. p

p

A son? No, A da- mi,- I see you just as your wife’s death came

you have seen but a son!

p

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

a2

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

86

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Medea

Bassi

Adagio in quattro (q = 46)

true. My site is now clear just as the o ther- - I

Fl.

Ob.

Fag.

Cor. 1, 2in D

Timp.d, A

Vni I

Vni II

Vle

Medea

Bassi

200205

knew. I saw you as you now are, fal len.- - -

Vni I

Vni II

Mary

Adami

pp mp

Tempo ad lib. attacca5

pp mp

a2

To Corni 1, 2 in Bb alto

Melologue Ia

Beauty can be deceptive whenattached to an ultimatum.

What does itsay to you, Sire?

A carpenter gave me a gift last nightfor which he demanded no payment,nor words of thanks.

But it was a trick, concealinga riddle that my council couldnot decipher, and yet I’m sureto know its wrath in a moment.

Can you tell me whatthey were unable to?

87

Cl. in Bb

Fag.

Adami

Bassi

f p

Andante non mosso (q = 52) 10

f p

f p

Cl. in Bb

Fag.

Vni I

Vni II

Mary

Adami

Bassi

sf p

ten. ten.15 20 25

sf p

pp

pp

sf p

Vni I

Vni II

Mary

Adami

Tempo ad lib.

Vni I

Vni II

Mary

Adami

fz ff

poco stringendo30

fz ff

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

Bassi

f

Allegro (q = 150) 5 10

f

f

f

f

f

f

Melologue II

1. Fall onyour knees…

2. For mercy'llbe shown…

1. and hear theangels sing…

2. not asgranted…

1. this night is divine (even)for those that haveforgotten him…

2. under a star the child wasborn and you believedit true…

Vc. only

for this you will be...

For this you wereblessed with kingdom…

but this nightyou lookedinto her face…

and struckhim down...

Melologue Ib

What does itsay to you, Sire?

The words are of life,are of love. You are free!

There is no riddle, it is of hope, you are a lucky man!

What I've done cannot be willed away. I struck him down and now I shall pay.

I don’tthink so.

Hope? You speak wordsthat I never thought Iwould hear again, but Ihear no hope in them.

Then surely your priests have taught you nothing. You were pardoned, Sire!

If it were onlythat simple

(The hinged panels move)

Present yourself, demon!Behind the door!Show yourself to me!

Take me!

FinaleChorus

88

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

15 20

To night,- to night- the towns of the land will take in their hand the King be stowed,- will take in their hand the

To night,- to night- the towns of the land will take in their hand the King be stowed,- will take in their hand the

To night,- to night- the towns of the land will take in their hand the King be stowed,-

To night,- to night- the towns of the land will take in their hand the King be stowed,-

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

25 30

f

King be stowed,- will take in their hand the King be stowed.- To night- is the night, to night- we shall raise our cups to the

King be stowed,- will take in their hand the King be stowed.- To night- is the night, to night- we shall raise our cups to the

To night- is the night, to night- we shall raise our cups to the

To night- is the night, to night- we shall raise our cups to the

f

89

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

35 40 45

King, and the God we know, our cups to the King and the God we know, our cups to the King and the God we know.

King, and the God we know, our cups to the King and the God we know, our cups to the King and the God we know.

King, and the God we know,

King, and the God we know,

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

5055

for the young and the old!

for the young and the old!

The can dies,- the bles sings,- for the young and the old! The ci der,- the wheat!

The can dies,- the bles sings,- for the young and the old! The ci der,- the wheat!

90

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

60 65

And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!

And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!

And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!

And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

70 75

To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King, the praise of his glo ry- to the

To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King, the praise of his glo ry- to the

To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King,!

To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King,!

91

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

80 85

God of our King, the praise of his glo ry- to the God of our King. To night- we shall sing. To night- is the night, to -

God of our King, the praise of his glo ry- to the God of our King. To night- we shall sing. To night- is the night, to -

To night,- to night,- to night,- to night.- To night- is the

To night,- to night,- to night,- to night.- To night- is the

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

90 95

night we shall sing the praise of his glo ry- to the God of our King, to the God of our

night we shall sing the praise of his glo ry- to the God of our King, to the God of our

night, to night- the praise of his glo ry- to the God of our King.

night, to night- the praise of his glo ry- to the God of our King.

92

Ob.

Cor. 1, 2in Bb alto

Timp.in Bb, F

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

100105

King, to the God of our King.

King, to the God of our King.

...of our King, to the God of our King.

...of our King, to the God of our King.

Fag.

Vni I

Vni II

Vle

Bassi

Andante (h = 60) 5

Fag.

Vni I

Vni II

Vle

Bassi

10 15

To Corni 1, 2 in C

To Tambourine

Gavotte

93

Vni I

Vni II

Vle

Bassi

Allegretto (q. = 56) 5 10 15

f p f f p f

f p f f p f

f p f f p f

Ob.

Tamb.

Vni I

Vni II

Vle

Bassi

Allegro (q = 120) 5

Ob.

Tamb.

Vni I

Vni II

Vle

Bassi

10 15

Fl.

Tamb.

Vni I

Vni II

Vle

Bassi

5

Passepied

I

Two Musettes with Tambourin

Fine

II

94

Fl.

Tamb.

Vni I

Vni II

Vle

Bassi

1. 2.

Musette I D.C.10

15

Ob.

Tamb.

Vni I

Vni II

Vle

Bassi

fp

L'stesso tempo 5 10

f f f

p f p f p f fp

p f p f p f fp

p f p f p f fp

f f f fp

Ob.

Fag.

Cor. 1, 2in C

Vni I

Vni II

Vle

Mary

Bazzo

Blacksmith

Choir

Bassi

mf

Andantino (e = 144) 5 10 15

mf

mf p

mf p mf

mf p mf

mf p mf

Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!

Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!

Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!

Filled with glo ry- and

Filled with glo ry- and

mf p mf

Bridge

To Timpani

a2

Vaudeville

95

Ob.

Fag.

Cor. 1, 2in C

Vni I

Vni II

Vle

Blacksmith

Choir

Bassi

f p

20 25 30

p

mf

p f p

p f p

f p

I have carved and I have whit tled.- I’ve said what I’ve said, but re mem- ber- the mes sage,- you ne ver-

clear’s this night, so clear at last!

clear’s this night, so clear at last!

decresc. p f p

Ob.

Fag.

Cor. 1, 2in C

Vni I

Vni II

Vle

Mary

Bazzo

Blacksmith

Choir

Bassi

35 40 45

Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!

Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!

know who will be next. Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!

Filled with glo ry- and clear’s this

Filled with glo ry- and clear’s this

a2

a2

a2

96

Ob.

Fag.

Cor. 1, 2in C

Timp.in c, G

Vni I

Vni II

Vle

Bazzo

Choir

Bassi

ff

50 55 60

f p f

f f

f f

f p f

f p f

f p f

Now look on thebright side, there’s drink, there’s food, our King is safe, he is safe

night, so clear at last!The King’s re turned,- re turned- to his fold. The King’s re -

night, so clear at last! The King’s re -

f p f

Ob.

Fag.

Cor. 1, 2in C

Timp.in c, G

Vni I

Vni II

Vle

Mary

Bazzo

Choir

Bassi

p

65 70

p

p

p

p

p

‘Tis all a bout- love and all a bout-

and for got- ten- a bout- shmood.

turned, re turned- to his fold and for got- ten- a bout- shmood.

turned, re turned- to his fold and for got- ten- a bout- shmood.

p

3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3

3 3 3 3 3 3 3

97

Fl.

Ob.

Fag.

Cor. 1, 2in C

Vni I

Vni II

Vle

Mary

Bazzo

Blacksmith

Bassi

75 8085

f

f p

f

f p

fp

f p

joy, lift up your hearts, lift them high! Light the can dles,- light the lan terns!- Filled with

Light the can dles,- light the lan terns!- Filled with

Light the can dles,- light the lan terns!- Filled with

f p

Fl.

Ob.

Fag.

Cor. 1, 2in C

Vni I

Vni II

Vle

Mary

Bazzo

Blacksmith

Choir

Bassi

90 95 100

glo ry- and clear’s this night, so clear at last!

glo ry- and clear’s this night, so clear at last!

glo ry- and clear’s this night, so clear at last!

Filled with glo ry- and clear’s this night, so clear at last!

Filled with glo ry- and clear’s this night, so clear at last!

a2

98

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

mf f

Allegro (q = 144) 5 10

f

mf f p

mf f p

mf f

Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!- He’s re turned,-

Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!- He’s re turned,-

Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!-

Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!-

mf f p

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

15 20 25

p

p

p

he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!-

he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!-

ce le- brate- in ce le- bra- tion!- Fal len,- fal len,- he has ri sen- and a ri- sen- he’s re -

ce le- brate- in ce le- bra- tion!- Fal len,- fal len,- he has ri sen- and a ri- sen- he’s re -

p

a2

Chorus

99

Ob.

Cor. 1, 2in C

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

p f

30 35 40

f

f

f

cresc. f

Ce le- brate- in ce le- bra- tion!- Ce le- -

Ce le- brate- in ce le- bra- tion!- Ce le- -

turned, ...and a ri- sen- he’s re turned.- Ce le- brate- in ce le- bra- tion!- Ce le- -

turned, ...and a ri- sen- he’s re turned.- Ce le- brate- in ce le- bra- tion!- Ce le- -

cresc. f

Ob.

Cor. 1, 2in C

Timp.in c, G

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

p

45 50 55

p

p p

p p

p

brate in ce le- bra- tion!- He’s re turned,- he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-

brate in ce le- bra- tion!- He’s re turned,- he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-

brate in ce le- bra- tion!- Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-

brate in ce le- bra- tion!- Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-

p p

a2

100

Ob.

Cor. 1, 2in C

Timp.in c, G

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

60 65 70

Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and

Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and

Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and

Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and

Ob.

Cor. 1, 2in C

Timp.in c, G

Vni I

Vni II

Vle

S.

A.

T.

B.

Bassi

75 80

he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!

he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!

he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!

he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!

101