MAKE YOUR OWN DSLR LENS with Dave Hanagan January 18, 11am–3pm WATCH

LEARN MAKE

2014/2015 SEASON CALENDAR DEC /JAN

1515 12TH AVENUE SEATTLE, WA 98122 NWFILMFORUM.ORG

CIN

EMA

FEST

IVA

LCLA

SSES

#@20 YEARS

FROM OUR START AS A

SMALL PRODUCTION

COLLECTIVE, WE’VE

GROWN INTO SEATTLE’S

MOST COMPREHENSIVE

FILM ARTS CENTER.

CELEBRATE OUR

ANNIVERSARY YEAR

STARTING THIS DECEMBER,

WITH A LOOK BACK AT

CINEMA CLASSICS,

EXPERTS FROM FILM

FORUM HISTORY LEADING

OUR CLASSES, THE 10TH

BIRTHDAY OF OUR

ANNUAL FAMILY FILM

FESTIVAL AND A CHANCE

TO LAUNCH THE NEXT 20

YEARS OF INDEPENDENT

FILM IN SEATTLE AT OUR

ANNUAL HOLIDAY PARTY

ON DEC 12.

WELCOME TO THE FUTURE OF FILM: NORTHWEST FILM FORUM IS 20 YEARS YOUNG IN 2015, AND WE HAVE A YEAR OF CELEBRATION AHEAD.

W IN

TERFilm In

LETTER FROM THE EXECUTIVE DIRECTOR

Lyall Bush Executive Director

This winter, new films by two cinematic lions will premiere at the Film Forum: Frederick Wiseman’s National Gallery, a three-hour immersion in the London art institution, arrives in December, while Jean-Luc Godard’s 3-D film, Goodbye to Language, winner of critical accolades and the Jury Prize at Cannes, comes on January 12. In a kind of Godardian flourish we will present the film along with Seattle Art Museum and Cinerama, as a special event on a single night. Both masters have had their work screened at the Film Forum over our history, which, with this calendar, amazingly, rounds to 20 years. In two decades, film has evolved dizzyingly as an art and a practice; in 1995, filmmaking was still about film, and practices were not far from those of the 1960s. Godard, it’s true, began using video in the 1970s, but that was the departure of a true radical. When we opened our doors in 1995 we kept film in a fridge, for filmmakers. Either of our two lions would have been able to make work as visiting filmmakers, on one of our commissions of work. By the time I came on board, in 2008, we were showing a dizzying spectrum of moving picture stories, from classic 35mm and 16mm to work that sometimes came to us on thumb drives. In our two decades, we have watched filmmaking evolve from a “fine art” to a “humanity” at some of our top universities. But film also belongs, more than ever, to the people: legitimate movies can be made now (they have been) with pocket cameras, with the cameras on smart phones. So what if you still love film, love its living, biochemical properties, its reds and blacks and autumn leaves, its smell? Hope that it will return one day, like vinyl? It could: film’s capacity for holding visions is infinite, and, as National Gallery invites you to see, the infinite belongs in the hands of the everyday and the living: us. And as for Northwest Film Forum, we will support the making of films and filmmaking, for as long as it is with us, even as we also screen, teach and support the making of great new stories on any medium, in any format, on any data streaming from any Cloud.

A HISTORY OF EXPLOITATION CINEMA with David Church DECEMBER 2 - JANUARY 20 Tuesdays, 6:30pm–8:30pm *no class Dec 23 & 30 TUITION $150 / $125 NWFF Member

Exploitation films emerged across the 20th century as an outlet for issues and imagery that more mainstream films would not address. Today, these films are often seen as campy or outrageous schlock, but this film history course illustrates their place as important documents of the social anxieties of their time. Film topics include 1930-40’s sex-hygiene films, 1950’s rock ‘n’ roll teen pics, 1960’s sexploitation, 1970’s blaxploitation, 1970’s vigilante films, and 1980’s slasher films.

PART-TIME PRODUCING with Michael Seiwerath JANUARY 21 WEDNESDAY, 6:30pm-9:30pm TUITION $60 / $45 NWFF Member

In this workshop, seasoned producer Michael Seiwerath (Police Beat, The Immaculate Conception of Little Dizzle, My Last Year with the Nuns) will talk through his experience on feature films, from the creative inception and fundraising to the premiere at Sun-dance and other International Film Festivals. Expect war stories and advice on balancing film producing with other gainful employment.

1OTH BIRTHDAY CELEBRATION!

January 22 - Feabruary 7

6OTH ANNIVERSARY SCREENING!

December 4

SEVEN SAMURAI16MM PRINT! Skype intro by author Richard D. Pepperman! Sponsored by the Seattle Film Institute!Akira Kurosawa, 1954, Japan, 16mm, 207 min

One of the most thrilling movie epics of all time, Seven Samurai tells the story of a sixteenth-century village whose desperate inhabitants hire warriors to protect them from invading bandits. This three-hour ride from Akira Kurosawa—featuring legendary actors Toshiro Mifune and Takashi Shimura—seamlessly weaves philosophy, entertainment, delicate human emotions and relentless action into a rich, evocative and unforgettable tale of courage and hope.

1OOTH ANNIVERSARY SCREENING—TO THE DAY!

December 7

IN THE LAND OF THE HEAD HUNTERSEdward S. Curtis, 1914, United States/Canada, 65 min

In 1911, famed Northwest photographer Edward S. Curtis travelled to Vancouver Island to visit the Kwakwaka'wakw, and decided to make one of the first motion pictures while documenting their way of life. It look three years of preparation for Head Hunters to come to life on a grand scale, including the weaving of the costumes; building of the war canoes, housefronts, poles; and the carving of masks, all for the silver screen.

Don your party hat and get ready to pin the filmstrip on the projector at our blowout 10th birthday party edition of Children's Film Festival Seattle!

CINEMA/HIGHLIGHTS nwfilmforum.org / 206.329.2629

MAKE YOUR OWN DSLR LENS with Dave Hanagan JANUARY 18 Sunday, 11am–3pm TUITION $85 / $70 NWFF Member

Bored with your run-of-the-mill high definition video? Liven up your filming with handmade lenses! In this class, students will use DIY methods to create their own lens from easily available and affordable materials. The lenses we create will not have the sharp focusing properties that commercial manufacturers aspire to; rather, we’ll make creative use of different lens deficiencies to create images that suggest antique portraits or dreamy, other-worldly effects.

DRUMROLL PLEASE…As we count down to 2015, and our 20th Anniversary!

IN THE YEAR TO COME, please join us in looking back over the last two decades, and—if you’ll pardon the pun—projecting into the future. As a not-for-profit, membership-based organization, when we look back we see the impact that our supporters have had, we see the growth in our membership as it parallels the growth of our regional filmmaking community and we see the demand for programs geared toward a steadily younger filmmaker.

YOUR CONTRIBUTION TO OUR ANNUAL FUND IS IMMENSELY APPRECIATED,and during the coming year of increased screenings, classes and events in celebration of our first two decades, your support will have an even greater impact on the region’s filmmakers and film lovers of all ages.

FOR THOSE OF YOU WHO ARE NEW TO NORTHWEST FILM FORUM: PLEASE JOIN US! An annual donation of $50 or more makes you a member, and helps us continue to grow as an internationally recognized home for the next generation of media makers.

HOW TO GIVE- DONATE ONLINE at nwfilmforum.org- BY MAIL ATTN: Development, 1515 12th Avenue, Aeattle, WA 98122- OVER THE PHONE 206.329.2629- OR IN PERSON!

This one-of-a kind celluloid ride around the globe, is the largest international festival of its kind on the West Coast—a celebration of family films that are inspiring, magical, and definitely not available on Netflix. Come see how we've grown since we got our start in 2005! This year, we'll show you more than 175 films from all over the world, plus a mind-blowing mélange of live performances, animation, features, shorts, meet-and-greets with filmakers and hands-on workshops, all crafted with care to appeal to the next generation of cinematic globe-trotters.

Full schedule available online December 5.

2OTH ANNIVERSARY SCREENING!

December 19 –21 New digital restoration!

HOOP DREAMSSteve James, 1994, United States, DCP, 170 min

Roger Ebert said it best: Hoop Dreams’ depiction of two high school ball players trying to make it in the preju-diced cauldron of Chicago in the ‘90s is “the great American documentary” (the Oscars snubbed it entirely). Steve James’ vision of the pipeline of poor, black basketball talent brings to mind the Windy City from Upton Sinclair’s The Jungle. In high school, black athletes are still cheap enough to treat like penny stocks, and we watch as two of them brave the ringer of all-white private schools, poverty and the constant risk of injury for a shot at a scholarship.

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY

O1/ DECEMBER = Class Start Date

O2 A History of Exploitation

Cinema

O3 O4 Seven Samurai

O5 National Gallery

O6 National Gallery

Intro To FCP X

O7 In the Land of the Head Hunters National Gallery Holiday High Notes

08 National Gallery Next Dance Cinema

Audio Recording

09National Gallery Next Dance Cinema

1O National Gallery Down for Dada

11 National Gallery Down for Dada CAPITOL HILL ARTWALK

1220TH ANNIVERSARY HOLIDAY LAUNCH PARTY

13 Next Dance Cinema

Beginning Adobe Premiere Pro iPhone Production

14 Robert Williams Mr. Bitchin'

15 16 17 18 19 Hoop Dreams

2O Hoop Dreams

21 Hoop Dreams

22 23 24 25 26 27

28 29 30 31 O1/ JANUARY

O2 O3

O4 O5 Arri Light Kit Certification

06 Citizen Journalist Editors Collective

O7 Intro To FCP X

DLSR Filmmaking and 60D Certification

O8 Intro to Screenplay Pitch and

Queries CAPITOL HILL ARTWALK

O9 My Last Year with the Nuns

1O My Last Year with the Nuns

11 My Last Year with the Nuns

Working With Green Screen Intro to Screenplay Pitch and

Queries

12 My Last Year with the Nuns The Homestretch Adieu Au Language 3D

Red Digital Cinema Basics Post-Production Sound and

Audio Editing

13 My Last Year with the Nuns

14 My Last Year with the Nuns

15 My Last Year with the Nuns

16 17 Beginning Adobe Premiere Pro

18 Make Your Own DSLR Lens

19 2O 21Part-Time Producing

22 23 24

25 26 27 28 29 30 31

DEC /JAN

BUY FILM TICKETS General Admission: $11.00 Member: $6.00 Child/Senior/Student w/ID: $8.00www.nwfilmforum.org or call Brown Paper Tickets at 1.800.838.3006Event dates and times are subject to change so don't forget to check our website!

REGISTER FOR CLASSESAll classes and workshops are held at Northwest Film Forum (1515 12th Ave.). Students must register and pay tuition in advance. Tel: 206.329.2629 email: craig@nwfilmforum.org

Film Forum Office Closed WINTER HOLIDAYS December 25 – January 1

Children's Film Festival Seattle January 22 – February 7

Children's Film Festival Seattle January 22 – February 7

Film Forum Office Closed WINTER HOLIDAYS December 25 – January 1

RENT GEARIt’s easy. Just schedule filmmaking gear in advance through phone or email, and note that some gear requires certification before you can rent it. Members get 50% off regular rental prices. Browse listings on our website and inquire at equipment@nwfilmforum.org, or call us at 206.329.2629. Pick Up/Drop Off by appointment only, 10am–6pm M-F.

CL A

S S E S

@20 YEARS#

CL A

S S E S C

I NE M A

RED DIGITAL CINEMA BASICS with Brody Willis JANUARY 12 & 14 Mon & Wed 6:30pm-9:30pm TUITION: $140 ($125 NWFF Members

Learn the fundamentals of set-up and operation of the Red Epic digital camera in this introductory course.

POST-PRODUCTION SOUND AND AUDIO EDITING with Nate Eiford

JANUARY 12 & 15 Monday & Thursday, 6:30pm-9:30pm TUITION: $100 / $85 NWFF Members

This class will cover the fundamentals of audio editing and sound mixing for video, including using the post-production mixing and processing tools that will enable you to clean up noise and achieve consistency of sound.

iPHONE PRODUCTION with Jay Hix Jones DECEMBER 13 & 14 Saturday & Sunday, 12p–4pm TUITION: $150 / $130 for Members

Turn your smart phone into a movie-making power-house. From lens adapters and external mics to shoulder mounts, you will learn how to shoot quality videos on your phone, without breaking the bank.

INTRODUCTION TO SCRIPT ANALYSIS with Peter Tolfree JANUARY 8 & 15 Thursdays, 6:30pm–9:30pm TUITION: $75 / $60 for Members Learn the fundamental building blocks of screenplay writing. Through the study of short films and script analysis, we will explore how our favorite feature films convey stories through a balance of visual and spoken language.

EDITORS COLLECTIVE with Dina Guttmann JANUARY 6 - 27 Tuesdays, 6:30pm – 9:30pm TUITION: $200/$185 for Members

Bring your own footage to class, as we look at how different editing styles are used in all types of videos (from silly commercials to avant-garde wonders). With the support of a professional editor, you will spend time editing your own material, and work together as a class to improve your craft.

CERTIFICA-TIONS

ARRI LIGHT KIT CERTIFICATION

with Casey Schmidt

JANUARY 5 Monday 6:30–8:30pm

TUITION $40/$30 Members

The Arri Soft Bank light kit is an industry standard for professional shoots. Master the techniques used with this versatile light kit, and you will be able to deliver professional results for almost any location. In this certification class, learn the fundamentals of lighting for video, and the basics of setting up these lights, with common terminology.

DLSR FILMMAKING

AND 60D CERTIFICATION

with Craig Downing

JANUARY 7 Wednesday 6:30pm-8:30pm

TUITION $40/$30 for Members

Learn the basic skills of DSLR video filmmaking. Using our Canon 60D, this certification class covers standard camera functions and the artistic possibilities of DSLR cameras. Students will learn how to manually control the necessary exposure functions to create professional video content.

WORKING WITH GREEN SCREEN: THEORY & PRACTICE with Bernard Mann JANUARY 11 Sunday, 11am–5pm TUITION: $180 / $160 NWFF Members

In this one-day workshop, you will learn all the industry methods for lighting and shooting your subject, using a green screen. Afterwards, you will learn how to composite your footage using an advanced keyer over a background. In post, you will learn how to effectively position the subject over the new background, resulting in movie-making awesomeness.

INTRO TO SCREEN-PLAY PITCH AND QUERIES with Erik Bernard JANUARY 11 & 18 Sundays, 6pm-9pm TUITION: $90 / $70 NWFF Members

This class will show screenplay pitches and queries that produce results, discuss screenplay structure, and review the process of getting a screenplay written, developed and into pre-production.

INTRO TO FINAL CUT PRO X with Bernard Mann DECEMBER 6 & 7 Saturday & Sunday, 11am–5pm

JANUARY 7, 14, 21 & 28 Wednesdays, 6:30pm–9:30pm TUITION: $330 / $295 NWFF Members

Final Cut Pro X is an ideal non-linear digital editing program, with an interface that allows aspiring filmmakers to produce polished and well-told stories in no time. In this class, you will learn how to import footage and organize your media while mastering editing techniques for digital video and sound.

BEGINNING ADOBE PREMIERE PRO CS6 with Chris Julian DECEMBER 13 & 14 Saturday & Sunday, 10am-3pm

JANUARY 17 & 18 Saturday & Sunday, 10am-3pm TUITION: $330 / $295 NWFF Members

Learn to edit with Premiere Pro, a professional digital media editing tool. This class will provide training and give you the skills to confidently, efficiently and effectively edit films, as you focus on the basics of the interface, the timeline, work-flows and how to refine your cut

AUDIO RECORDING FOR FILM AND VIDEO with Nate Eiford DECEMBER 8 & 11 Monday & Thursday, 6:30pm-9:30pm TUITION: $100 / $85 NWFF MEMBERS

Learn the essentials of audio, microphones, recorder technology and recording techniques, and enable your production (no matter the budget) to sound professional.

CITIZEN JOURNALIST: AN INTRODUCTION TO INDEPENDENT JOURNALISM with Alex GarlandJANUARY 6 & 8 TUES & THURS, 6:30pm – 9:30PM TUITION: $80 ($60 NWFF MEMBERS

In the age of electronic media, facts are editorialized, opinions are confused with news, and much goes unreported or misrepresented. In this class, we'll better prepare students to document the world around them and pursue independent journalism, including optional tools for the job, your rights as a citizen journalist and how to best share your work.

Welcome to Northwest Film Forum: our mission is to discover and champion the work of visionary filmmakers, and to engage the general public and artists alike in deeper exploration of the art of film.

RENT OUR VENUEOur two cinemas are yours to rent for public and private events—we offer discounts for non-profits and our members. Enquiries: matt@nwfilmforum.org.

VOLUNTEERVolunteering at the Film Forum is an opportunity for anyone interested in learning more about movies and/or making films on a budget, and a great way to meet fellow filmmakers and film lovers. Enquiries: volunteer@nwfilmforum.org.

BECOME A MEMBEROur members play an important role in the growing independent film scene in the Northwest, while enjoying benefits that include 50% off film tickets & rentals. Annual memberships start at $45! Enquiries: membership@nwfilmforum.org.

MORE INFORMATIONWeekly screening information: 206.267.5380 Administrative offices: 206.329.2629 (Mon–Fri, 10am–6pm) Find us on Facebook @Northwest Film Forum Find us on Twitter @nwfilmforum Find us on Flickr @nwfilmforum

Send mail to: Northwest Film Forum, 1515 12th Avenue, Seattle, WA 98122

For our full schedule, visit nwfilmforum.org

FOUNDERSJamie Hook & Deborah Girdwood

BOARD OF DIRECTORS

Sheppard Salusky President

Peter J. Vogt Vice President

John DeShazo Secretary

John C. Comerford Treasurer

AJ Epstein, Megan Griffiths, Nicholas Hanauer, Brad Lenz, Alan Pruzan, Chanel Reynolds, Lance Seth Rosen, Sudeshna Sen, Angela Russell

BOX OFFICE VOLUNTEERSStephen Anunson, Andrew Birchall, Catherine Creason, Stanwood Dolph, Bryce Erlandson, Rachael Guerrieri, Michael Hoerr, Michael Lorefice, Dana McLeod, Sean McBride, Louie Romo, JP Schmidt

OFFICE VOLUNTEERSAmy Billharz, Madeline Berman, Gisella Bustillos, Adam Chimeo, Tavis Hamilton, Bryson Michael, Sarah Strunin, Kyle Franklin, Peter Moran

COMMUNITY SPLENDORRandy Allmon, Jon Francois and Mat Griesse DJ Services

Andrew Dimitrov Bartending

Elisa Huerta-Enochian, Bernard Mann & Margaret Schuler Photography

Lee Thelen Bookkeeping and CPA Consulting

Hilary Pickerel & Dana Standish Proofreading

Lars Berg Andersen, Vanessa and Alistair McMeekin, Eduardo Sandoval, Paul Siple and John Ned Videography

Michelle Yang Design

STAFFLyall Bush Executive Director

David Falcon Ayala Business and Systems Manager

Matt Cunningham Technical Director

Christopher Day House Manager

Craig DowningEducation Manager

Jonah Kozlowski Equipment Coordinator

Molly Michal Marketing Manager and Development Associate

Line Sandsmark Development Director

Courtney Sheehan Program Director

Liz Shepherd Youth Programs Dir.

INTERNSJesse Chappelle EducationMaritza Carina Chavez Youth ProgramsAdam Chimeo Volunteer CoordinatorCharles Adam Conatzer ProgramsBernard Mann StudioKatie Pappageorge Youth ProgramsVera Petukhova ProgramsBritt Rynearson GrantsGrace Stetson Membership CoordinatorAustin Sveilis Youth ProgramsBradetta Vines Education

PROJECTIONISTSAmber Adams, David Ayala, Brenan Chambers, Ryan Davis, Samantha Herndon, Catherine Matson, Vera Petukhova, Spencer Sundell, Matthew Witschonke

SEATTLE PREMIERE!

December 14

ROBERT WILLIAMS MR. BITCHIN’Artist Robert Williams in person!Co-presented with Fantagraphics

Mary C Reese, Doug Blake, Nancye Ferguson, Michael LaFetra, Stephen Nemeth, 2013, United States, 89 min

A revealing look into multiple American counter-cultures, this documentary follows the great American artist and underground legend Robert Williams, from LSD to the top of the art world.

January 9 - 15

MY LAST YEAR WITH THE NUNSBret Fetzer, 2014, United States, 75 min

This quintessential Capitol Hill coming-of-age story is an adaptation of local thespian Matt Smith’s popular one-man show. Through his animated recollections, Matt brings to life 1960s Capitol Hill, when Roy Street divided populations and nuns ruled with righteous anger.

January 12

THE HOMESTRETCH Co-presented with the Committee to End Homelessness

Anne de Mare, Kristen Kelly, 2014, United States, 89 min

Three homeless teens fight to stay in school, graduate and build a future. Each of these smart, ambitious teen-agers—Kasey, Anthony and Roque—will surprise, inspire and challenge you to rethink stereotypes of home-lessness, as their stories connect with larger policy issues of juvenile justice, immigration, foster care and LGBTQIA rights.

December 5 - 11

NATIONAL GALLERYFrederick Wiseman, 2014, France/United States, 173 min

Frederick Wiseman’s latest in-depth documentary takes us behind the scenes of a London institution, on a journey to the heart of a museum inhabited by masterpieces of Western art from the Middle Ages to the 19th century.

December 7

HOLIDAY HIGH NOTESNorthwest Boychoir Apprentices sing in the season! Live music!Various directors and countries, 50 min

Our annual Holiday High Notes concert is the perfect way to celebrate the holiday season. Join us as we welcome the renowned Northwest Boychoir Apprentices to our cinema to sing in joyful accompaniment to a new collection of vintage and classic holiday film footage. The choir's seasonal repertoire and angelic voices are the the perfect soundtrack to a cinematic wonderland of silent film Santas, animated elves and giddy children from days gone by.

Special prices: $12 General Admission/$8 Film Forum members and Northwest Boychoir members.

December 8, 9, 13

NEXT DANCE CINEMAVelocity Dance Center and Northwest Film Forum pair up to present the 6th annual Next Dance Cinema, offering insight into how contemporary dance con-tinues to expand the possibilities of the screen. Presenting new, short dance films from the region/country/world, Next Dance Cinema is a part of Velocity's annual December festival Next Fest NW.

December 10 & 11

DOWN FOR DADACo-presented with The Sprocket Society!Live accompaniment by Lori Goldston!

Two nights of explosive dada moods and rhythms emblazoned on film—an appropriately radical 1920s film movement that ties nicely to our 20th anniversary celebrations. We'll feature canonical shorts by Viking Eggeling, Hans Richter, Man Ray, René Clair, plus a rare screening of Richter's feature Dreams That Money Can Buy.

SEATTLE PREMIERE!

16MM PRINTS!

Matt Drews in “Nightingale” by Jacob Rosen and Kate Wallich.

WE GRATEFULLY ACKNOWLEDGE OUR DONORS$40,000+ 4Culture, The Andy Warhol Foundation for the Visual Arts, National Endowment for the Arts

$30,000–$39,999 The Paul G. Allen Family Foundation

$10,000–$29,999 Anonymous, Lenore Hanauer, Nicholas and Leslie Hanauer, Office of Arts and Culture Seattle, Vogt Family Foundation

$5,000–$9,999 Peter Adkison, Ames Foundation, ArtsFund, The Boeing Company, James Brown & Mary Ingraham, A.J. Epstein, KCTS 9, Sheppard Salusky, Carlo and Eulalie M. Scandiuzzi, Washington State Arts Commission

$2,000–$4,999 Anonymous, Kim Bishop, Tom Challinor, Flying J Foundation, Glenn Fox, Tony and Daisy Fulgham, Janet Galore & Demi Shaft Raven, Brad Lenz & Kristie Gamer, Karen & Dave Howe, Carole Fuller, Alan Pruzan & Juliet Waller Pruzan, The Pruzan Foundation, Herman and Faye Sarkowsky, Mary-Claire Van Leunen & Mark Brown, Peter J. Vogt, Wendi Wills

$500–$1,999 Sherman Alexie, Richard and Karla Aylen, Bad Animals, Ken Birdwell, John Henry Browne & Rikki Harmon, Lyall Bush, Capitol Hill Chamber of Commerce, John Comerford, John DeShazo & Susannah Anderson, Elizabeth Fergus Foundation, Laura and John Hammarlund, Jim Haven, Jewish Community Foundation, Jack & Pam Jolley, Steven Kessler, Koerner Camera Systems, Elizabeth Linke, David Meissner, Kaelyn Langer- & Anthony Mendonca, Jane Orvis and Steve Luke Hanson, Julie & Mike O’Brien, Deborah Person, Chanel Reynolds, Lance Rosen & Kristen Parsons, Jennifer Roth & Mark Goodermote, Cathy Sarkowsky, Lynn Shelton & Kevin Seal, Nicole Stellner & Peter Eberhardy, Aron Michael Thompson, Richard Vender Meer, Case van Rij, Branson Veal, Curtis Vredenburg, Edwin and Noreen Weihe, Jennessa & Rob West, Philip & Christina Wohlstetter

$250–$499 David Brewster, Joshua Brevoort, Robin Cole, Michael Cozzi & Karen Moskowitz, S.J. Chiro, Robert and Grace Cumbow, Alice Cunningham & Blair Osborn, Sara Dickerman, Kyla Fairchild & Ron Wilkowski, E. Steven Fried, Chris & Amy Gulick, Kurt Guenther, Nancy and Joe Guppy, Jennifer Haight & Josh Windsor, Travis Kannier, Brynn & Iyabo Karch, Susanne Keller & Al Williams, KidFlixGlobal, Stan Larsen, William Lewis, Amanda Mason, Ryan McMackin, Julie O'Brien & Mike O'Brien, Judy Pigott, Babu Rajendran & Jeanette Idiart, Eleanor Poley, Deborah Relyea, Matthew and Janet Richter, Deborah Ro, Michael Seiwerath, Sudeshna Sen, Adam Sekuler & Shannon Stewart, Amit Shah, Karin S Nelson, Spencer Sundell, Andrea Weatherhead, Michael Weidemann,

In–Kind Support 3RTechnology, ACT Theatre, Eric Ames, Susannah Anderson, Anthology Film Archives, Arabica Lounge, ARCADE, AIA Seattle, AIGA Seattle, ArtsWest, Bakery Nouveau, BAMRoseCinemas, Bluesky Guest House, BMann Photo, Book-It Theatre, James Brown & Mary Ingraham, Café Pettirosso, Café Presse, Caffé Vita, Capitol Hill Seattle, Captain Lenz & First Mate Gamer, Carole McClellan Atelier, Century Plaza Hotel & Spa and Absolute Spa Group, Chinook Book, The Confectional, Cupcake Royale, Dahlia Bakery, John DeShazo, Earshot Jazz, Earthbox Inn & Spa, Film Forum, Film Society of Lincoln Center, Galvin Flying Services, Gary Manuel Salon, Graham & Dunn PC, Grand Central Bakery, Megan Griffiths, Hammerquist Studios, Greenworks Co-operative, Hard Rock Café Seattle, High Five Pie, Hilliard’s Beer, Holiday Inn, Honest Tea, Honey Crumb Cake Studio, Honey Hole Sandwiches, Hot Cakes Molten Chocolate Cakery, Hotel LeSoleil Portland, Hotel DeLuxe Portland, Hotel Sorrento, Elisa Huerta-Enochian, Husky Deli, IFC Center, IMDB.com, Jodee’s Desserts, Britta Johnson, KPLU 88.5, KUOW 94.9, Le Fournil Bakery, Rebecca Luke, Macrina Bakery, McMenamin’s, McRae Theater Equipment, Meyer Wells, Mighty House Construction, Mighty-O, Naked City Brewery & Taphouse, New Century Theatre Company, The North American Post Publishing, Inc., Oddfellows Café + Bar, Oola Distillery, ORArchitects, Pagliacci Pizza, Paradigm Studio, PICA TBA Festival, Pratt Fine Arts Center, Alan Pruzan, Publicola, Chanel Reynolds, Scarecrow Video, Seattle Art Museum, Seattle Met, Seattle Public Theater, Seattle Repertory Theatre, Seattle Shakespeare Company, Seattle Theatre Group, See Kai Run, Carrie Seidler/East Village Hospitality, Sentinel Hotel Portland, Shanik Restaurant, Lynn Shelton, SMITH’S, Eric Stapelman/Shibumi Izakaya, Sugarpill, Talarico’s Pizzeria, Tallulah’s, Telisa Steen, The Stranger, Taproot Theatre, Theo Chocolate, Three Dollar Bill Cinema, unclebob.tv, VAIN Salon, Vancouver International Film Centre, Victoria Marriott Inner Harbor Hotel, Peter J. Vogt, Walla Walla Vintners, West of Lenin, Whole Foods, YWCA Hotel Vancouver, Zebra Club

ADA FILMS, LLC

THE VOGT FAMILY

FOUNDATION

THE PRUZAN FOUNDATION

Major Funding Support provided by

NON-PROFIT

U.S. POSTAGE

PAIDSEATTLE, WA

PERMIT NO. 952

nwfilmforum.org

THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS

THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS