Nael9 v2 Toc
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1 COMPLETE LONGER WORK * NEW AUTHOR OR WORK ** NEW TRANSLATION THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2 Volume 2: The Romantic Period through the Twentieth Century and After The Romantic Period (1785–1830) Introduction Timeline BALLADRY AND BALLAD REVIVALS Lord Randall Bonny Barbara Allan The Wife of Usher’s Well The Three Ravens Sir Patrick Spens * The Daemon Lover ANNA LETITIA BARBAULD (1743–1825) The Mouse’s Petition An Inventory of the Furniture in Dr. Priestley’s Study A Summer Evening’s Meditation Epistle to William Wilberforce Esq. on the Rejection of the Bill for Abolishing the Slave Trade The Rights of Woman To a Little Invisible Being Who Is Expected Soon to Become Visible Washing-Day * The Caterpillar CHARLOTTE SMITH (1749–1806) Written at the Close of Spring To Sleep To Night Written in the Church-Yard at Middleton in Sussex On Being Cautioned against Walking on an Headland Overlooking the Sea, Because It Was Frequented by a Lunatic The Sea View * The Swallow Beachy Head MARY ROBINSON (1757?–1800) January, 1795 London’s Summer Morning The Poor Singing Dame The Haunted Beach * The Poet’s Garret To the Poet Coleridge * THE SLAVE TRADE AND THE LITERATURE OF ABOLITION * JOHN NEWTON: Faith’s Review and Expectation (Amazing Grace) * THOMAS CLARKSON: Essay on the Slavery and Commerce of the Human Species * [“Imaginary conversation with an African”] * [“The dimensions of a slave vessel”; The Zong Incident] * WILLIAM COWPER: The Negro’s Complaint * OLAUDAH EQUIANO: The Interesting Narrative of the Life of Olaudah Equiano * [Arrival in England] * [His Sale] * [Cruelty of the West Indian Planters] * HANNAH MORE AND EAGLESFIELD SMITH: From The Sorrows of Yamba * SAMUEL TAYLOR COLERIDGE: From On the Slave Trade (The Watchman) * WILLIAM COBBETT: From Slave Trade (The Political Register) WILLIAM BLAKE (1757–1827) All Religions Are One There Is No Natural Religion [a] There Is No Natural Religion [b] Songs of Innocence and of Experience From Songs of Innocence Introduction The Ecchoing Green The Lamb The Little Black Boy The Chimney Sweeper The Divine Image Holy Thursday Nurse’s Song Infant Joy * On Anothers Sorrow From Songs of Experience Introduction Earth’s Answer The Clod & the Pebble Holy Thursday The Chimney Sweeper Nurse’s Song The Sick Rose The Fly The Tyger My Pretty Rose Tree Ah Sun-flower The Garden of Love London The Human Abstract Infant Sorrow A Poison Tree To Tirzah A Divine Image The Book of Thel Visions of the Daughters of Albion The Marriage of Heaven and Hell A Song of Liberty Mock on, Mock on, Voltaire, Rousseau Never pain to tell thy love I askèd a thief And did those feet Two Letters on Sight and Vision ROBERT BURNS (1759–1796) Green grow the rashes Holy Willie’s Prayer To a Mouse To a Louse Auld Lang Syne Tam o’ Shanter: A Tale Such a parcel of rogues in a nation Robert Bruce’s March to Bannockburn A Red, Red Rose Song: For a’ that and a’ that THE REVOLUTION CONTROVERSY AND THE “SPIRIT OF THE AGE” RICHARD PRICE: From A Discourse on the Love of Our Country EDMUND BURKE: From Reflections on the Revolution in France MARY WOLLSTONECRAFT: From A Vindication of the Rights of Man THOMAS PAINE: From Rights of Man * JAMES GILLRAY: Prints and Propaganda * Smelling Out a Rat * French Liberty, British Slavery * Zenith of French Glory * John Bull Hum-Bugg’d in Both Ears * The Plumb-Pudding in Danger MARY WOLLSTONECRAFT (1759–1797) A Vindication of the Rights of Woman * From To M. Talleyrand-Perigord Introduction Chap. 2. The Prevailing Opinion of a Sexual Character Discussed From Chap. 4. Observations on the State of Degradation . . . Letters Written during a Short Residence in Sweden, Norway, and Denmark Advertisement Letter 1 * From Letter 5 MARIA EDGEWORTH (1768–1849) The Irish Incognito WILLIAM WORDSWORTH (1770–1850) Lyrical Ballads * Goody Blake and Harry Gill Simon Lee We Are Seven Lines Written in Early Spring Expostulation and Reply The Tables Turned The Thorn Lines Composed a Few Miles above Tintern Abbey Preface to Lyrical Ballads (1802) [The Subject and Language of Poetry] [“What Is a Poet?”] [“Emotion Recollected in Tranquillity”] Strange fits of passion have I known She dwelt among the untrodden ways Three years she grew A slumber did my spirit seal I travelled among unknown men Nutting The Ruined Cottage Michael Resolution and Independence I wandered lonely as a cloud My heart leaps up Ode: Intimations of Immortality The Solitary Reaper Elegiac Stanzas Sonnets Composed upon Westminster Bridge, September 3, 1802 It is a beauteous evening To Toussaint l’Ouverture September 1st, 1802
Transcript of Nael9 v2 Toc
1 COMPLETE LONGER WORK* NEW AUTHOR OR WORK** NEW TRANSLATION COMPLETE LONGER WORK* NEW AUTHOR OR WORK** NEW TRANSLATION
THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2
Volume 2: The Romantic Period through the Twentieth Century and After
The Romantic Period (1785–1830) Introduction Timeline
BALLADRYANDBALLADREVIVALS LordRandall BonnyBarbaraAllan TheWifeofUsher’sWell TheThreeRavens SirPatrickSpens * TheDaemonLover
ANNALETITIABARBAULD(1743–1825) TheMouse’sPetition AnInventoryoftheFurniturein Dr.Priestley’sStudy ASummerEvening’sMeditation EpistletoWilliamWilberforceEsq.onthe RejectionoftheBillforAbolishingthe SlaveTrade TheRightsofWoman ToaLittleInvisibleBeingWhoIsExpected SoontoBecomeVisible Washing-Day * TheCaterpillar
CHARLOTTESMITH(1749–1806) WrittenattheCloseofSpring ToSleep ToNight WrittenintheChurch-YardatMiddletonin Sussex OnBeingCautionedagainstWalkingonan HeadlandOverlookingtheSea,BecauseIt WasFrequentedbyaLunatic TheSeaView * TheSwallow BeachyHead
MARYROBINSON(1757?–1800) January,1795 London’sSummerMorning ThePoorSingingDame TheHauntedBeach * ThePoet’sGarret TothePoetColeridge
*THE SLAVE TRADE AND THE LITERATURE OF ABOLITION
*JOHNNEWTON:Faith’sReviewand Expectation(AmazingGrace)
*THOMASCLARKSON:EssayontheSlavery andCommerceoftheHumanSpecies * [“ImaginaryconversationwithanAfrican”] * [“Thedimensionsofaslavevessel”; TheZongIncident]
*WILLIAMCOWPER:TheNegro’sComplaint*OLAUDAHEQUIANO:TheInterestingNarrative oftheLifeofOlaudahEquiano * [ArrivalinEngland]
* [HisSale] * [CrueltyoftheWestIndianPlanters]
*HANNAHMOREANDEAGLESFIELDSMITH: FromTheSorrowsofYamba
*SAMUELTAYLORCOLERIDGE:FromOnthe SlaveTrade(The Watchman)
*WILLIAMCOBBETT:FromSlaveTrade (The Political Register)
WILLIAMBLAKE(1757–1827) AllReligionsAreOne ThereIsNoNaturalReligion[a] ThereIsNoNaturalReligion[b] SongsofInnocenceandofExperience FromSongsofInnocence
Introduction TheEcchoingGreen TheLamb TheLittleBlackBoy TheChimneySweeper TheDivineImage HolyThursday Nurse’sSong InfantJoy * OnAnothersSorrow FromSongsofExperience Introduction Earth’sAnswer TheClod&thePebble HolyThursday TheChimneySweeper Nurse’sSong TheSickRose TheFly TheTyger MyPrettyRoseTree AhSun-flower TheGardenofLove London TheHumanAbstract InfantSorrow APoisonTree ToTirzah ADivineImage TheBookofThel VisionsoftheDaughtersofAlbion TheMarriageofHeavenandHell ASongofLiberty Mockon,Mockon,Voltaire,Rousseau Neverpaintotellthylove Iaskèdathief Anddidthosefeet TwoLettersonSightandVision
ROBERTBURNS(1759–1796) Greengrowtherashes HolyWillie’sPrayer ToaMouse ToaLouse AuldLangSyne Tamo’Shanter:ATale Suchaparcelofroguesinanation RobertBruce’sMarchtoBannockburn ARed,RedRose Song:Fora’thatanda’that
THE REVOLUTION CONTROVERSY AND THE “SPIRIT OF THE AGE”
RICHARDPRICE:FromADiscourseontheLoveof OurCountryEDMUNDBURKE: FromReflectionsonthe RevolutioninFranceMARYWOLLSTONECRAFT:From AVindication oftheRightsofManTHOMASPAINE: FromRightsofMan
*JAMESGILLRAY:PrintsandPropaganda * SmellingOutaRat * FrenchLiberty,BritishSlavery * ZenithofFrenchGlory * JohnBullHum-Bugg’dinBothEars * ThePlumb-PuddinginDanger
MARYWOLLSTONECRAFT(1759–1797) AVindicationoftheRightsofWoman * FromToM.Talleyrand-Perigord Introduction Chap.2.ThePrevailingOpinionofa SexualCharacterDiscussed FromChap.4.ObservationsontheStateof Degradation... LettersWrittenduringaShortResidencein Sweden,Norway,andDenmark Advertisement Letter1 * FromLetter5
MARIAEDGEWORTH(1768–1849) TheIrishIncognito
WILLIAMWORDSWORTH(1770–1850) LyricalBallads * GoodyBlakeandHarryGill SimonLee WeAreSeven LinesWritteninEarlySpring ExpostulationandReply TheTablesTurned TheThorn LinesComposedaFewMilesabove TinternAbbey PrefacetoLyricalBallads(1802) [TheSubjectandLanguageofPoetry] [“WhatIsaPoet?”] [“EmotionRecollectedinTranquillity”] StrangefitsofpassionhaveIknown Shedweltamongtheuntroddenways Threeyearsshegrew Aslumberdidmyspiritseal Itravelledamongunknownmen
Nutting TheRuinedCottage Michael ResolutionandIndependence Iwanderedlonelyasacloud Myheartleapsup Ode:IntimationsofImmortality TheSolitaryReaper ElegiacStanzas Sonnets ComposeduponWestminsterBridge, September3,1802 Itisabeauteousevening ToToussaintl’Ouverture September1st,1802
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THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2
London,1802 Theworldistoomuchwithus Surprisedbyjoy Mutability Steamboats,Viaducts,andRailways ThePrelude,orGrowthofaPoet’sMind (1805version) BookFirst.Introduction,Childhood, andSchool-time BookSecond.School-timecontinued [Boyhoodadventures;addressto Coleridge] BookFifth.Books [TheDreamoftheArab] [TheBoyofWinander,TheDrowned Man] BookSixth.Cambridge,andtheAlps [“HumanNatureSeemingBornAgain”] [CrossingSimplonPass] BookSeventh.ResidenceinLondon [TheBlindBeggar.BartholomewFair] BookTenth.ResidenceinFranceand FrenchRevolution [Retrospect:FirstImpressionofthe Revolution;TheOutbreakofWar BetweenFranceandBritain] [Crisis,Breakdown,andRecovery] BookEleventh.Imagination,How ImpairedandRestored[SpotsofTime] BookThirteenth.Conclusion [ClimbingofMountSnowdon; Prophesy] * the versions of the prelude * TheCrossingoftheAlps [1850PreludeVI.592–616] * TheClimbingofSnowdon [1805PreludeXIII.41–72and1850 PreludeXIV.40–77]
DOROTHYWORDSWORTH(1771–1855) FromTheAlfoxdenJournal FromTheGrasmereJournals Grasmere—AFragment ThoughtsonMySick-Bed
SIRWALTERSCOTT(1771–1832) TheLayoftheLastMinstrel:Introduction ProudMaisie Redgauntlet WanderingWillie’sTale
SAMUELTAYLORCOLERIDGE(1772–1834) TheEolianHarp ThisLime-TreeBowerMyPrison TheRimeoftheAncientMariner KublaKhan Christabel FrostatMidnight ThePainsofSleep ToWilliamWordsworth Epitaph BiographiaLiteraria Chapter4 [Mr.Wordsworth’searlierpoems] [Onfancyandimagination—the investigationofthedistinction importanttothefinearts]
Chapter13[Ontheimagination,or esemplasticpower] Chapter14.OccasionoftheLyrical Ballads,andtheobjectsoriginally proposed-prefacetothesecond edition—theensuingcontroversy,its causesandacrimony—philosophic definitionsofapoemandpoetrywith scholia. Chapter17 [Examinationofthetenetspeculiarto Mr.Wordsworth] [Rusticlife(aboveall,lowandrustic life)especiallyunfavorabletothe formationofahumandiction—the bestpartsoflanguagetheproductsof philosophers,notclownsor shepherds] [ThelanguageofMiltonasmuchthe languageofreallife,yea, incomparablymoresothanthatof thecottager] LecturesonShakespeare [FancyandImaginationinShakespeare’s Poetry] [Mechanicvs.OrganicForm] TheStatesman’sManual [OnSymbolandAllegory] [TheSatanicHero] * SpecimensofTable Talk * Materialism * DifferencebetweenStoriesofDreamsand Ghosts * Hamlet.PrinciplesandMaxims.Love * Painting * Poetry * Thelwall * Mr.Coleridge’sSystemofPhilosophy
CHARLESLAMB(1775–1834) FromOntheTragediesofShakespeare DetachedThoughtsonBooksandReading OldChina
JANEAUSTEN(1775–1817)LoveandFriendship:ANovelinaSeriesof Letters PlanofaNovel,AccordingtoHintsfrom VariousQuarters
WILLIAMHAZLITT(1778–1830) * Coriolanus(fromCharactersofShakespeare’s Plays) MyFirstAcquaintancewithPoets
THOMASDEQUINCEY(1785–1859) ConfessionsofanEnglishOpium-Eater PreliminaryConfessions [TheProstituteAnn] IntroductiontothePainsofOpium [TheMalay] ThePainsofOpium [OpiumReveriesandDreams] OntheKnockingattheGateinMacbeth
THE GOTHIC AND THE DEVELOPMENT OF A MASS READERSHIP
HORACEWALPOLE:FromTheCastleofOtrantoANNALETITIAAIKIN(laterBARBAULD)and JOHNAIKIN:OnthePleasureDerivedfrom ObjectsofTerror;withSirBertrand,a Fragment
WILLIAMBECKFORD:FromVathekANNRADCLIFFE FromTheRomanceoftheForest FromTheMysteriesofUdolphoMATTHEWGREGORYLEWIS:FromTheMonk SAMUELTAYLORCOLERIDGE FromReviewofThe MonkbyMatthewLewis FromBiographiaLiteraria GEORGEGORDON,LORDBYRON(1788–1824) WrittenafterSwimmingfromSestosto Abydos Shewalksinbeauty Darkness So,we’llgonomorearoving ChildeHarold’sPilgrimage Canto1 [“Sin’sLongLabyrinth”] Canto3 [“OnceMoreUpontheWaters”] [Waterloo] [Napoleon] [Switzerland]Manfred DonJuan Fragment Canto1 [JuanandDonnaJulia] Canto2 [TheShipwreck] [JuanandHaidee] * TheVisionofJudgment(Stanzas1–10, 16–47,85–106) January22nd.Missolonghi Letters ToThomasMoore(Jan.28,1817) ToDouglasKinnaird(Oct.26,1819) ToPercyByssheShelley(Apr.26,1821)PERCYBYSSHESHELLEY(1792–1822) Mutability ToWordsworthAlastor;or,TheSpiritofSolitude MontBlanc HymntoIntellectualBeauty Ozymandias * OnLove StanzasWritteninDejection—December 1818,nearNaples Englandin1819 * TheMaskofAnarchy ToSidmouthandCastlereagh OdetotheWestWind PrometheusUnbound Preface Act1 Act2 Scene4 Scene5 Act3 Scene1 FromScene4 FromAct4 TheCloud ToaSky-Lark ToNight819 To—[Music,whensoftvoicesdie] OWorld,OLife,OTime ChorusfromHellas Theworld’sgreatage
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THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2
Adonais Whenthelampisshattered ToJane(Thekeenstarsweretwinkling) FromADefenceofPoetry JOHNCLARE(1793–1864) * TheLamentofSwordyWell TheNightingale’sNest PastoralPoesy [Mouse’sNest] AVision IAm AnInvitetoEternity ClockaClay ThePeasantPoet
FELICIADOROTHEAHEMANS(1793–1835) England’sDead Casabianca * IndianWoman’sDeath-Song * ProperziaRossi TheHomesofEngland CorinneattheCapitol ASpirit’sReturnJOHNKEATS(1795–1821) OnFirstLookingintoChapman’sHomer SleepandPoetry [OforTenYears] OnSeeingtheElginMarbles Endymion:APoeticRomance Preface Book1 [AThingofBeauty] [The“PleasureThermometer”] OnSittingDowntoReadKingLearOnce Again WhenIhavefearsthatImayceasetobe ToHomer * OnFame(“Fame,likeawaywardgirl,willstill becoy”) TheEveofSt.Agnes WhydidIlaughtonight?Novoicewilltell Brightstar,wouldIwerestedfastasthouart LaBelleDamesansMerci:ABallad SonnettoSleep OdetoPsyche OdetoaNightingale OdeonaGrecianUrn OdeonMelancholy OdeonIndolence Lamia ToAutumnTheFallofHyperion:ADream Thislivinghand,nowwarmandcapable Letters ToBenjaminBailey(Nov.22,1817) ToGeorgeandThomasKeats(Dec.21,27 [?],1817) ToJohnHamiltonReynolds(Feb.3,1818) ToJohnTaylor(Feb.27,1818) ToJohnHamiltonReynolds(May3,1818) ToRichardWoodhouse(Oct.27,1818) ToGeorgeandGeorgianaKeats(Feb.14– May3,1819) ToFannyBrawne(July25,1819) ToPercyByssheShelley(Aug.16,1820) ToCharlesBrown(Nov.30,1820)
MARYWOLLSTONECRAFTSHELLEY(1797–1851) TheLastMan:Introduction TheMortalImmortal
LETITIAELIZABETHLANDON(1802–1838) Love’sLastLesson * LinesofLife * TheFairyoftheFountains
The Victorian Age (1830–1901) Introduction Timeline
THOMASCARLYLE(1795–1881) SartorResartus TheEverlastingNo CentreofIndifference TheEverlastingYea PastandPresent Democracy CaptainsofIndustryJOHNHENRYCARDINALNEWMAN(1801–1890) TheIdeaofaUniversity FromDiscourse5.KnowledgeItsOwnEnd FromDiscourse7.KnowledgeViewedin RelationtoProfessionalSkill FromDiscourse8.KnowledgeViewedin RelationtoReligion
JOHNSTUARTMILL(1806–1873) WhatIsPoetry? OnLiberty FromChapter3.OfIndividualityasOneof theElementsofWell-Being TheSubjectionofWomen FromChapter1 Autobiography FromChapter5.ACrisisinMyMental History.OneStageOnward
ELIZABETHBARRETTBROWNING(1806–1861)TheCryoftheChildren ToGeorgeSand:ADesire ToGeorgeSand:ARecognition SonnetsfromthePortuguese 21(“Sayoveragain,andyetonceover again”) 22(“Whenourtwosoulsstanduperect andstrong”) 32(“Thefirsttimethatthesunroseon thineoath”) 43(“HowdoIlovethee?Letmecountthe ways”)TheRunawaySlaveatPilgrim’sPoint AuroraLeigh Book1 [TheEducationofAuroraLeigh] Book2 [Aurora’sAspirations] [Aurora’sRejectionofRomney] Book5 [PoetsandthePresentAge] MotherandPoet
ALFRED,LORDTENNYSON(1809–1892) Mariana TheLadyofShalott TheLotos-Eaters Ulysses Tithonus Break,Break,Break TheEpic[Morted’Arthur] LocksleyHall ThePrincess Tears,IdleTears NowSleepstheCrimsonPetal [“Thewoman’scauseisman’s”] FromInMemoriamA.H.H. TheChargeoftheLightBrigade IdyllsoftheKing TheComingofArthur ThePassingofArthur CrossingtheBar
ELIZABETHGASKELL(1810–1865) TheOldNurse’sStory
ROBERTBROWNING(1812–1889) Porphyria’sLover SoliloquyoftheSpanishCloister MyLastDuchess TheLostLeader HowTheyBroughttheGoodNewsfrom GhenttoAix
TheBishopOrdersHisTombatSaintPraxed’s Church AToccataofGaluppi’sLoveamongtheRuins
“ChildeRolandtotheDarkTowerCame”FraLippoLippiAndreadelSartoCalibanuponSetebosRabbiBenEzra
EMILYBRONTË(1818–1848) I’mhappiestwhenmostaway TheNight-Wind Remembrance Stars ThePrisoner:AFragment Nocowardsoulismine
JOHNRUSKIN(1819–1900) ModernPainters [ADefinitionofGreatnessinArt] [“TheSlaveShip”] FromOfthePatheticFallacy TheStonesofVenice [TheSavagenessofGothicArchitecture]
GEORGEELIOT(1819–1880) MargaretFullerandMaryWollstonecraft FromSillyNovelsbyLadyNovelists
MATTHEWARNOLD(1822–1888) Isolation.ToMarguerite ToMarguerite—Continued TheBuriedLife MemorialVerses LinesWritteninKensingtonGardensTheScholarGypsy DoverBeach StanzasfromtheGrandeChartreuse
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THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2
PrefacetoPoems(1853) FromTheFunctionofCriticismatthePresent Time CultureandAnarchy FromChapter1.SweetnessandLight FromChapter2.DoingAsOneLikes FromChapter5.PorroUnumEst Necessarium FromTheStudyofPoetry LiteratureandScience THOMASHENRYHUXLEY(1825–1895) ScienceandCulture [TheValuesofEducationintheSciences] AgnosticismandChristianity [AgnosticismDefined]
*PRE–RAPHAELITISM
*WILLIAMMICHAELROSSETTI:ThePre- RaphaeliteBrotherhoodManifesto
*CHARLESDICKENS:FromOldLampsforNew Ones
*JOHNRUSKIN* LettertoThe TimesonThe Awakening Conscience* Pre-Raphaelitism
DANTEGABRIELROSSETTI(1828–1882) TheBlessedDamozel MySister’sSleep Jenny TheHouseofLife TheSonnet NuptialSleep 19.SilentNoon 77.Soul’sBeauty 78.Body’sBeautyCHRISTINAROSSETTI(1830–1894) Song(“Shesatandsangalway”) Song(“WhenIamdead,mydearest”) AfterDeath DeadbeforeDeath Cobwebs ATriad InanArtist’sStudio ABirthday AnApple-Gathering Up-Hill GoblinMarket “No,ThankYou,John” PromisesLikePie-Crust InProgress ALife’sParallels LaterLife 17(“Somethingthisfoggyday,asomething which”) CardinalNewman SleepingatLast
WILLIAMMORRIS(1834–1896) TheDefenceofGuenevere HowIBecameaSocialist
ALGERNONCHARLESSWINBURNE(1837–1909) HymntoProsperpine Hermaphroditus AveatqueVale
WALTERPATER(1839–1894) StudiesintheHistoryoftheRenaissance Preface [“LaGioconda”] Conclusion
GERARDMANLEYHOPKINS(1844–1889) God’sGrandeur TheStarlightNight AsKingfishersCatchFire Spring TheWindhover PiedBeauty HurrahinginHarvest BinseyPoplars DunsScotus’sOxford FelixRandal SpringandFall:toayoungchild [CarrionComfort] Noworst,thereisnone Iwakeandfeelthefellofdark,notday ThatnatureisaHeracliteanFire Thouartindeedjust,Lord FromJournal VICTORIAN ISSUES EVOLUTION CharlesDarwin:TheOriginofSpecies FromChapter3.StruggleforExistence FromChapter15.Recapitulationand Conclusion CharlesDarwin:TheDescentofMan [NaturalSelectionandSexualSelection] LeonardHuxley:TheLifeandLettersof ThomasHenryHuxley [TheHuxley-WilberforceDebateat Oxford] SirEdmundGosse:FromFatherandSon INDUSTRIALISM:PROGRESSORDECLINE? ThomasBabingtonMacaulay:AReviewof Southey’sColloquies [EvidenceofProgress] TheChildren’sEmploymentCommission [ChildMine-WorkerinYorkshire] FriedrichEngels:FromtheGreatTowns CharlesKingsley:AltonLocke [ALondonSlum] CharlesDickens:HardTimes [Coketown] Anonymous:PovertyKnock HenryMayhew:LondonLabourandthe LondonPoor [BoyInmateoftheCasualWards] AnnieBesant:The“WhiteSlavery”ofLondon MatchWorkers AdaNieldChew:ALivingWageforFactory GirlsatCrewe
THE“WOMANQUESTION”:THEVICTORIAN DEBATEABOUTGENDER SarahStickneyEllis:TheWomenofEngland: TheirSocialDutiesandDomesticHabits [DisinterestedKindness] CoventryPatmore:TheAngelintheHouse TheParagon JohnRuskin:FromOfQueens’Gardens
HarrietMartineau:FromAutobiography Anonymous:TheGreatSocialEvil DinahMariaMulock:AWoman’sThoughts aboutWomen [SomethingtoDo] FlorenceNightingale:Cassandra [NothingtoDo] MonaCaird:FromMarriage WalterBesant:TheQueen’sReign [TheTransformationofWomen’sStatus between1837and1897] EMPIREANDNATIONALIDENTITY ThomasBabingtonMacaulay:Minuteon IndianEducation WilliamHowardRussell:MyDiaryinIndia, intheYear1858–9 Anonymous:[ProclamationofanIrish Republic] MatthewArnold:FromOntheStudyofCeltic Literature JamesAnthonyFroude:FromTheEnglishin theWestIndies JohnJacobThomas:Froudacity FromSocialRevolution Alfred,LordTennyson:OpeningoftheIndian andColonialExhibitionbytheQueen T.N.Mukharji:AVisittoEurope [TheIndianandColonialExhibition] WilliamErnestHenley:Invictus * SirHenryJohnNewbolt:VitaiLampada JosephChamberlain:FromTheTrue ConceptionofEmpire
J.A.Hobson:Imperialism:AStudy [ThePoliticalSignificanceofImperialism]
LATE VICTORIANS MICHAELFIELD(KatharineBradley:1846–1914;andEdithCooper:1862–1913) [Maids,nottoyoumyminddothchange] [Agirl] Unbosoming [ItwasdeepApril,andthemorn] ToChristinaRossetti NestsinElms Eros ROBERTLOUISSTEVENSON(1850–1894)TheStrangeCaseofDr.JekyllandMr.Hyde OSCARWILDE(1854–1900) ImpressionduMatin TheHarlot’sHouse TheCriticasArtist [CriticismItselfasArt] PrefacetoThe Picture of Dorian Gray TheImportanceofBeingEarnest FromDeProfundis BERNARDSHAW(1856–1950)MrsWarren’sProfession
*SIRARTHURCONANDOYLE(1859–1930)* TheSpeckledBand
MARYELIZABETHCOLERIDGE(1861–1907) TheOtherSideofaMirror
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THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2
TheWitch
RUDYARDKIPLING(1865–1936) TheManWhoWouldbeKing DannyDeever TheWidowatWindsor Recessional TheWhiteMan’sBurden If— ERNESTDOWSON(1867–1900) Cynara TheyAreNotLong
The Twentieth Century and AfterIntroductionTimeline THOMASHARDY(1840–1928) OntheWesternCircuit Hap NeutralTones DrummerHodge TheDarklingThrush TheRuinedMaid ATrampwoman’sTragedy OneWeKnew ChannelFiring TheConvergenceoftheTwain Ah,AreYouDiggingonMyGrave? UndertheWaterfall TheWalk TheVoice DuringWindandRain InTimeof‘TheBreakingofNations’ HeNeverExpectedMuch JOSEPHCONRAD(1857–1924) PrefacetoThe Nigger of the Narcissus [TheTaskoftheArtist]HeartofDarkness A.E.HOUSMAN(1859–1936) LoveliestofTrees WhenIWasOne-and-Twenty ToanAthleteDyingYoung Terence,ThisIsStupidStuff EpitaphonanArmyofMercenaries
VOICES FROM WORLD WAR I
RUPERTBROOKE(1887–1915) TheSoldierEDWARDTHOMAS(1878–1917) Adlestrop TheOwl Rain TheCherryTrees AstheTeam’sHeadBrassSIEGFRIEDSASSOON(1886–1967) ‘They’ TheRear-Guard TheGeneral
GloryofWomen EveryoneSang
OnPassingtheNewMeninGateMemoirsofanInfantryOfficer
[TheOpeningoftheBattleofthe Somme]
IVORGURNEY(1890–1937) ToHisLove TheSilentOneISAACROSENBERG(1890–1918) BreakofDayintheTrenches LouseHunting Returning,WeHeartheLarks DeadMan’sDumpWILFREDOWEN(1893–1918) AnthemforDoomedYouth ApologiaProPoemateMeo Miners DulceEtDecorumEst StrangeMeeting Futility Disabled FromOwen’sLetterstoHisMother PrefaceMAYWEDDERBURNCANNAN(1893–1973) Rouen ROBERTGRAVES(1895–1985) GoodbyetoAllThat [TheAttackonHighWood] RecallingWar DAVIDJONES(1895–1974) InParenthesis
FromPreface FromPart7:TheFiveUnmistakeable Marks
MODERNIST MANIFESTOS
T.E.HULME:FromRomanticismandClassicismF.S.FLINTANDEZRAPOUND:Imagisme;AFew Don’tsbyanImagiste ANIMAGISTCLUSTER T.E.Hulme:Autumn EzraPound:InaStationoftheMetro H.D. Oread SeaRose Blast LongLivetheVortex! Blast6 MINALOY FeministManifesto * SongstoJoannes * I * III * XIV * XXVI
WILLIAMBUTLERYEATS(1865–1939) TheStolenChild DownbytheSalleyGardens TheRoseoftheWorld TheLakeIsleofInnisfree TheSorrowofLove WhenYouAreOld WhoGoeswithFergus? TheManWhoDreamedofFaeryland Adam’sCurse NoSecondTroy TheFascinationofWhat’sDifficult ACoat September1913 Easter,1916 TheWildSwansatCoole
InMemoryofMajorRobertGregory TheSecondComing APrayerforMyDaughter LedaandtheSwan SailingtoByzantium AmongSchoolChildren ADialogueofSelfandSoul Byzantium CrazyJaneTalkswiththeBishop LapisLazuli UnderBenBulben ManandtheEcho TheCircusAnimals’Desertion FromIntroduction[AGeneralIntroduction forMyWork]
E.M.FORSTER(1879–1970) TheOtherBoat VIRGINIAWOOLF(1882–1941) TheMarkontheWall ModernFiction * Mrs.Dalloway * ARoomofOne’sOwn * Shakespeare’sSister ProfessionsforWomen JAMESJOYCE(1882–1941) Araby TheDead * PortraitoftheArtistasaYoungMan Ulysses * FromPenelope D.H.LAWRENCE(1885–1930) OdourofChrysanthemums TheHorseDealer’sDaughter WhytheNovelMatters LoveontheFarm Piano BavarianGentians Snake HowBeastlytheBourgeoisIs TheShipofDeath T.S.ELIOT(1888–1965) TheLoveSongofJ.AlfredPrufrock SweeneyamongtheNightingalesTheWasteLand TheHollowMen JourneyoftheMagi FourQuartets LittleGidding TraditionandtheIndividualTalent TheMetaphysicalPoets KATHERINEMANSFIELD(1888–1923) TheDaughtersoftheLateColonel TheGardenParty JEANRHYS(1890–1979) TheDayTheyBurnedtheBooks * OnNotShootingSittingBirds STEVIESMITH(1902–1971) SuntLeones OurBogIsDood NotWavingbutDrowning
6
THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2
COMPLETE LONGER WORK* NEW AUTHOR OR WORK** NEW TRANSLATION
ThoughtsAboutthePersonfromPorlock Pretty GEORGEORWELL(1903–1950) ShootinganElephant PoliticsandtheEnglishLanguage SAMUELBECKETT(1906–1989)* WaitingforGodot W.H.AUDEN(1907–1973) Petition OnThisIsland Lullaby Spain AsIWalkedOutOneEvening MuséedesBeauxArts InMemoryofW.B.Yeats TheUnknownCitizen September1,1939 InPraiseofLimestone TheShieldofAchilles [PoetryasMemorableSpeech] DYLANTHOMAS(1914–1953) TheForceThatThroughtheGreenFuse DrivestheFlower TheHunchbackinthePark PoeminOctober FernHill DoNotGoGentleintoThatGoodNight
VOICES FROM WORLD WAR IIVIRGINIAWOOLF(1882–1941) * ThreeGuineas * [AsaWomanIHaveNoCountry]EDITHSITWELL(1887–1964) StillFallstheRain HENRYREED(1914–1986) LessonsoftheWar 1.NamingofPartsKEITHDOUGLAS(1920–1944) Vergissmeinnicht Aristocrats
NATION, RACE, AND LANGUAGE
CLAUDEMcKAY(1890–1948) OldEngland IfWeMustDie LOUISEBENNETT(b.1919) JamaicaLanguage Dry-Foot
Bwoy ColonizationinReverse JamaicaOmanKAMAUBRATHWAITE(b.1930) [NationLanguage] CalypsoWOLESOYINKA(b.1934) TelephoneConversationNGUGIWATHIONG’O(b.1938) DecolonisingtheMind FromTheLanguageofAfricanLiterature
*NOURBESEPHILIP(b.1947) * DiscourseontheLogicofLanguageSALMANRUSHDIE(b.1947) * [TheBritishIndianWriteranda Dream-England]
[EnglishIsanIndianLiteraryLanguage]*GRACENICHOLS(b.1950) * Epilogue * TheFatBlackWomanGoesShopping * WhereverIHang
*HANIFKUREISHI(b.1954) * [YouWillAlwaysBeaPaki] DORISLESSING(b.1919) ToRoomNineteen PHILIPLARKIN(1922–1985) ChurchGoing MCMXIV TalkinginBed Ambulances HighWindows SadSteps HomagetoaGovernment TheExplosion ThisBetheVerse Aubade NADINEGORDIMER(b.1923) TheMomentbeforetheGunWentOff A.K.RAMANUJAN(1929–1993) Self-Portrait ElementsofComposition THOMGUNN(1929–2004) BlackJackets MySadCaptains FromtheWave StillLife TheMissing DEREKWALCOTT(b.1930) AFarCryfromAfrica TheSchoonerFlight 1Adios,Carenage TheSeasonofPhastasmalPeace Omeros 1.3.3[“‘Maisquiçaquirivait-’ous, Philoctete?’”] 6.49.1–2[“Shebathedhiminthebrewof theroot.Thebasin”] TEDHUGHES(1930–1998) Wind Relic Pike Out Theology Crow’sLastStand Daffodils HAROLDPINTER(1930–2008) TheDumbWaiter CHINUAACHEBE(b.1930) * CivilPeace ALICEMUNRO(b.1931) WalkerBrothersCowboy GEOFFREYHILL(b.1932) InMemoryofJaneFraser
RequiemforthePlantagenetKings SeptemberSong V.S.NAIPAUL(b.1932) OneOutofMany TOMSTOPPARD(b.1937) Arcadia LESMURRAY(b.1938) Morse Corniche * TheKitchenGrammars SEAMUSHEANEY(b.1939) Digging TheForge TheGrauballeMan Punishment Casualty TheSkunk StationIsland 12(“Likeaconvalescent,Itookthehand”) Clearances TheSharpingStone * AnythingCanHappen
*MARGARETATWOOD(b.1939) * DeathbyLandscape * MissJulyGrowsOlder J.M.COETZEE(b.1940) FromWaitingfortheBarbarians EAVANBOLAND(b.1944) FondMemory TheDollsMuseuminDublin TheLostLand SALMANRUSHDIE(b.1947) TheProphet’sHair
*IANMcEWAN(b.1948) * FromEnduringLove PAULMULDOON(b.1951) * Anseo MeetingtheBritish * 7,MiddaghStreet * [AndwereYeatslivingatthishour] * TheSonogram * TheLoaf * Turtles
*HANIFKUREISHI(b.1954) * [AsiansinBritainTurningtoIslam] * MySontheFanatic CAROLANNDUFFY(b.1955) WarmingHerPearls * Valentine Medusa MrsLazarus
*KIRANDESAI(b.1971) * TheSermonintheGuavaTree
7 COMPLETE LONGER WORK COMPLETE LONGER WORK* NEW AUTHOR OR WORK** NEW TRANSLATION
THE NORTON ANTHOLOGY OF ENGLISH LITERATURE: VOLUME 2
*ZADIESMITH(b.1975) * TheWaiter’sWife APPENDIXES GeneralBibliography * LiteraryTerminology GeographicNomenclature BritishMoney TheBritishBaronage TheRoyalLinesofEnglandandGreatBritain ReligionsinEngland
