Music Theory Study-comparison of common notes in...
1
The bottom half is a music theory study showing the common notes between the Key of G and Major Keys related by various intervals: minor 3rd; major 3rd; whole tone(major 2nd); perfect 4th or perfect 5th; tritone & minor 2nd. The common notes are analyzed in relationship to each key right below the note names.(1 2 4 5 6 7 2 3) The common notes are arranged into: P4ths(perfect 4ths); pentatonic scales & triads. The “Root” note of each of the modes listed in the diagram below is C. For ex: C mixolydian is derived from the Key of F C dorian is derived from the Key of Bb C aeolian is derived from the Key of Eb C phrygian is derived from the Key of Ab The “Root” note of each of the modes listed in the diagram below is G. For ex: G mixolydian is derived from the Key of C G dorian is derived from the Key of F G aeolian is derived from the Key of Bb G phrygian is derived from the Key of Eb
Transcript of Music Theory Study-comparison of common notes in...
The bottom half is a music theory study showing the common notes between the Key of G and Major Keys related by various intervals: minor 3rd; major 3rd; whole tone(major 2nd); perfect 4th or perfect 5th; tritone & minor 2nd. The common notes are analyzed in relationship to each key right below the note names.(1 2 4 5 6 7 2 3) The common notes are arranged into: P4ths(perfect 4ths); pentatonic scales & triads.
The “Root” note of each of the modes listed in the diagram below is C.For ex:C mixolydian is derived from the Key of FC dorian is derived from the Key of BbC aeolian is derived from the Key of EbC phrygian is derived from the Key of Ab
The “Root” note of each of the modes listed in the diagram below is G.For ex:G mixolydian is derived from the Key of CG dorian is derived from the Key of FG aeolian is derived from the Key of Bb G phrygian is derived from the Key of Eb
