Music technology meets ; Vol. 2 - GBV-anapproachtoanintegratedformal description Bernd Harpfer 1024...

Anastasia Georgaki and Georgios Kouroupetroglou (Eds.)

Music Technology Meets Philosophy:

From digital echos to virtual ethos

Proceedings ofthelCMC | SMC 12014

40th International Computer Music Conference

joint with the

11th Sound and Music Computing conference

14-20 September 2014, Athens, Greece

Volume II

National and Kapodistrian University of Athens

Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece

Music and Sound Perception

A paradigm shift for modelling sound sensation

John Mourjopoulos 878

About the different types of listeners for rating the overall listening experienceMichael Schoeffler, Juergen Herre 886

Alarm/will/sound: perception, characterization, acoustic modeling, and design of modified

car alarms

Alexander Sigman, Nicolas Misdariis 893

Color and emotion caused by auditory stimuli

Elena Partesotti, Tiago Fernandes Tavares 901

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Evaluating perceptual separation in a pilot system for affective composition

Duncan Williams, Alexis Kirke, Eduardo Miranda, Ian Daly,

Etienne Roesch, James Weaver, SlawomirNasut 905

Human perception of the soundscape in a metropolis through

the phenomenology of neural networks

Enrica Santucci, Luca Andrea Ludovico 912

Loudness Normalization: Paradigm Shift or Placebo for the Use

of Hyper-Compression in Pop Music?

Malachy Ronan, Robert Sazdov, Nicholas Ward 920

Musical timbre and emotion: the identification of salient timbral features in

sustained musical instrument tones equalized in attack time and spectral centroid

Bin Wu, Andrew Horner, Chung Lee 228

muTunes: a study of musicality perception in an evolutionary context

Kirill Sidorov, Robin Hawkins, Andrew Jones, David Marshall 935

Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches

John Mourjopoulos, Charalambos Papadakos, Gavriil Kamaris,

Georgios Chryssochoidis, Georgios Kouroupetoglou 941

Perception of interactive vibrotactilecues on the acoustic grand and upright piano

Federico Fontana, Federico Avanzini, Hanna Jarvelainen,

Stefano Papetti, Francesco Zanini, Valerio Zanini 947

Perceptual characterization of a tactile display for a live-electronics

notification system

Emma Frid, Marcello Giordano, Marlon Schumache, Marcelo Wanderley 954

Resolving octave ambiguities: a cross-dataset investigation

Li Su, Hsin-Yu Lai, Li-Fan Yu, Yi-Hsuan Yang 962

Study of the perceptual and semantic divergence of digital audio processed by restoration

algorithms

Sonia Cenceschi, Giorgio Klauer 967

Test Methods for Score-Based Interactive Music Systems

Clement Poncelet Sanchez, Florent Jacquemard 974

Timbre features and music emotion in plucked string, mallet percussion,

and keyboard tones

Chuck-jee Chau, Bin Wu, Andrew Horner 982

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Computational Musicology

Algebraic Mozart by tree synthesis

Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka 991

Algorithmic cross-mixing and rhythmic derangement

Zlatko Baracskai 998

An idiom-independent representation of chords for computational music

analysis and generation

Emilios Cambouropoulos, Maximos Kaliakatsos-Papakostas, Costas Tsougras 1002

Analysis of the simultaneity, voice/layer balance and rhythmic phrasing

in works for guitar by, Rodrigo, Brouwer and Villa-Lobos

Sergio Freire, Lucas Nezio, Anderson Reis 1010

AutoChorus Creator: four-part chorus generator with musical feature control,

using search spaces constructed from rules of music theory

Benjamin Evans, Satoru Fukayama, MasatakaGoto,

NagisaMunekata, Tetsuo Ono 1016

Computing musical meter - an approach to an integrated formal description

Bernd Harpfer 1024

Corpora for music information research in Indian art music

Ajay Srinivasamurthy, Gopala Krishna Koduri, Sankalp Gulati,

Vignesh Ishwar, Xavier Serra 1029

Fine-tuned control of concatenative synthesis with CataRT using

the Bach Library for Max

Aaron Einbond, Christopher Trapani, Andrea Agostini,

Daniele Ghisi, Diemo Schwarz 1037

FugueGenerator - collaborative melody composition

based on a generative approach for conveying emotion in music

NiklasKlugel, Gerhard Hagerer, Georg Groh 1043

Improving accompanied flamenco singing voice transcription

by combining vocal detection and predominant melody extraction

Nadine Kroher, Emilia Gomez 1051

Interval scale as group generators

Tsubasa Tanaka, Kiyoshi Furukawa 1057

Landmark detection in hindustani music melodies

Sankalp Gulati, Joan Serra, Kaustuv Ganguli, Xavier Serra 1062

Modality

Marije Baalman, Till Bovermann, Alberto de Campo, Miguel Nergao 1069

Modulus p rhythmic tiling canons and some implementations in

OpenMusic visual programming language

Helianthe Caure, Carlos Agon, Moreno Andreatta 1077

xxxiv


Probabilistic harmonization with fixed intermediate chord constraints

Maximos Kaliakatsos-Papakostas, Emilios Cambouropoulos 1083

Real time tempo canons with Antescofo

Christopher Trapani, Jose Echeveste 1091

Sampling the extrema from statistical models of music with variable,

neighbourhood search

Dorien Herremans, Kenneth Sorensen, Darrell Conklin 1096

Some perspectives in the artistic rendering of music scores

Gianpaolo Evangelista 1104

Spatial transformations in simplicial chord spaces

Luis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta 1112

Spatialization symbolic music notation at ICST

Emile Ellberger, German Toro Perez, Johannes Schuett,

Giorgio Zoia, Linda Cavaliero 1120

The counterpoint game: rules constraints and computational spaces

Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Pesericop 1126

The notion of Ethos in Arabic music: computational modeling of

Al-Urmawi's modes (13th Century) in Csound

Raed Belhassen 1134

Music Information Retrieval

A history of emerging paradigms in EEG for music

Kameron Christopher, Ajay Kapur, Dale Carnegie, Gina Grimshaw 1142

A study on cross-cultural and cross-dataset generalizability of music

mood regression models

Xiao Hu, Yi-Hsuan Yang 1149

An experimental classification of the programing patterns for scheduling

in computer musicprogramming

Hiroki Nishino 1156

Automatic singer identification for improvisational styles based

on vibrato timbre and statistical performance descriptors

Nadine Kroher, Emilia Gomez 1160

Distance in pitch sensitive time-span tree

Masaki Matsubara, Keiji Hirata, Satoshi Tojo 1166

Estimation of Vocal Duration in Monaural Mixtures

Anders Elowsson, Ragnar Schon, Matts Hoglund,

Elias Zea, Anders Friberg 1172

xxxv


Instantaneous detection and classification of impact sounds:

turning simple objects into powerful musical control interfaces

Nikolaos Stefanakis, Yannis Mastorakis, Athanasios Mouchtari 1177

Merged-output hidden Markov model for score following of MIDI

performance with ornaments desynchronized voices, repeats and skips

Eita Nakamura, Yasuyuki Saito, Nobutaka Ono, Shigeki Sagayama 1185

Method to detect GTTM local grouping boundaries based on

clustering and statistical learning

KouheiKanamori, Masatoshi Hamanaka 1193

Power-scaled spectral flux and peak-valley group-delay methods

for robust musical onset detection

Li Su, Yi-Hsuan Yang 1198

Short-term and long-term evaluations of melody editing method

based on melodic outline

Tetsuro Kitahara, Yuichi Tsuchiya 1204

Teaching robots to conduct: automatic extraction of conducting

information from sheet music

Andrea Salgian, Laurence Agina, Teresa Nakra 1212

Towards SoundScape Information Retrieval (SIR)

Tae Hong Park, Jun Hee Lee, Jaeseong You 1217

Transient analysis for music and moving images: considerations

for television advertising

Andrew Rogers, Ian Gibson 1225

Violin fingering estimation according to skill level based on

hidden Markov model

Wakana Nagata, Shinji Sako, Tadashi Kitamura 1233

Artificial Intelligence SystemsA multi-agent Interactive composing system for creating "expressive"

accompaniment

Michael Spicer 1240

An automatic singing impression estimation method using factor

analysis and multiple regression

Ai Kanato, Tomoyasu Nakano, MasatakaGoto, Hideaki Kikuchi 1244

Automatic competency assessment of rhythm performances of

ninth-grade and tenth-grade pupils

Jakob Abesser, Johannes Hasselhorn, Sascha Grollmisch,

Christian Dittmar, Andreas Lehmann 1252

xxxvi


HMM-based automatic arrangement for guitars with transposition

and its implementation

Gen Hori, Shigeki Sagayama 1257

Intelligent exploration of sound spaces using decision trees and

evolutionary approach

Gordan Krekovic, Davor Petrinovic 1263

Laminae: a stochastic modeling-based autonomous performance rendering

system that elucidates performer characteristics

Kenta Okumura, Shinji Sako, Tadashi Kitamura 1271

Machine improvisation with formal specifications

Alexandre Donze, Rafael Valle, Sophie Libkind, llge Akkaya,

Sanjit Seshia, David Wessel 1277

ML* machine learning library as a musical partner in the

computer-acoustic composition flight

Benjamin Smith, Scott Deal 1285

Planning human-computer improvisation

Jerome Nika, Jose Echeveste, Marc Chemillier, Jean-Louis Giavitto 1290

Tempo prediction model for accompaniment system

Shizuka Wada, Yasuo Horiuchi, Shingo Kuroiwa 1298

Sound Analysis, Synthesis and ProcessingA bowed string physical model including finite-width thermal friction

and hair dynamics

Esteban Maestre, Carlos Spa, Julius Smith 1305

A flexible and modular crosslingual voice conversion system

Anderson Machado, Marcelo Queiroz 1312

A framework for music analysis/resynthesis based on matrix factorization

Juan Jose Burred 1320

A research of automatic composition and singing voice synthesis

system for Taiwanese popular songs

Chih-Fang Huang, Wei-Gang Hong, Min-Hsuan Li, Wei-Po Nien 1326

A Method of Timbre-Shape Synthesis Based On Summation of Spherical

Curves

Lance Putnam 1332

ATK reaper: The ambisonic toolkit as JSFX plugins

Trond Lossius, Joseph Anderson 1338

Audio signal visualisation and measurement

Robin Gareus, Chris Goddard 1346

xxxvii


Audio-rate modulation of physical model parameters

Edgar Berdahl 1353

Detection of random spectral alterations of sustained musical

instrument tones in repeated note contexts

Chung Lee, Andrew Horner 1361

Effects of different bow stroke styles on body movements of a viola player:

an exploratory study

Federico Visi, Esther Coorevits, Eduardo Miranda, Marc Leman 1368

Evaluating HRTF similarity through subjective assessments:

factors that can affect judgment

Areti Andreopoulou, Agnieszka Roginska 1375

Gamma: a C++ sound synthesis library further abstracting

the unit generator

Lance Putnam 1382

Gene expression synthesis

AloAllik 1389

Modular physical modeling synthesis environments on GPU

Stefan Bilbao, Alberto Torin, Paul Graham, James Perry, Gordon Delap 1395

Musical audio denoising assuming symmetric a-stable noise

Nikoletta Bassiou, Constantine Kotropoulos 1404

Musical audio synthesis using autoencoding neural nets

Andy Sarroff, Michael Casey 1411

On the playing of monodic pitch in digital music instrument

Vincent Goudard, Hugues Genevois, Lionel Feugere 1418

Parameter estimation of virtual musical instrument synthesizers

Katsutoshi Itoyama, Hiroshi Okuno 1426

Sonification of controlled quantum dynamics

Alexandros Kontogeorgakopoulos, Daniel Burgarth 1432

Sound shapes and spatial texture: frequency-space morphology

Stuart James 1437

The sound effect of ancient Greek theatrical masks

Fotios Kontomichos, Thanos Vovolis, Eleftheria Georganti,

John Mourjopoulos 1444

The TR-808 cymbal: a physically-informed, circuit-bendable, digital model

Kurt James Werner, Jonathan S. Abel, Julius 0. Smith 1453

Timbre-invariant audio features for style analysis of classical music

Christof Weiss, Matthias Mauch, Simon Dixon 1460

xxxviii


Touchpoint: dynamically re-routable effects processing as a

multi-touch tablet instrument

Nicholas Suda, Owen Vallis 1469

Toward real-time estimation of tonehole configuration

Tamara Smyth, Cheng-i Wang 1477

Towards a dynamic model of the palm mute guitar technique

based on capturing pressure profiles between the guitar strings

Julien Biral, Nicolas D'Alessandro, Adrian Freed 1483

Understanding and tuning mass-interaction networks through

their modal representation

Jerome Villeneuve, Claude Cadoz 1490

Visualization and manipulation of stereophonic audio signals

by means of IID and IPD

Giorgio Presti, Davide Andrea Mauro, Goffredo Haus 1497

HarmonyMixer: mixing the character of chords among polyphonic audio

Satoru Fukayama, Masataka Goto 1503

Computer Environments and Languages for Sound and Music Processing

A Protocol for creating multiagent systems in ensemble with pure data

Pedro Bruel, Marcelo Queiroz 1512

Audio rendering/processing and control ubiquity? a solution built using

Faust dynamic compiler and JACK/Netlack

Stephane Letz, Sarah Denoux, Yann Orlarey 1518

Comparing models of symbolic music using probabilistic grammars and

probabilistic programming

Samer Abdallah, Nicolas Gold 1524

Connecting SUM with computer-assisted composition in PWGL: recreatingthe graphic scores of, AnestisLogothetis

Sara Adhitya, Mika Kuuskankare 1532

DIMI-6000: an early musical microcomputer by Erkki Kurenniemi

Kai Lassfolk, Jari Suominen, Mikko Ojanen 1538

Extending Aura with Csound opcodesSteven Yi, Roger Dannenberg, Victor Lazzarini, John Fitch 1542

Flocking: a framework for declarative music-making on the Web

Colin Clark, Adam Tindale 1550

GenoMeMeMusic: a memetic-based framework for discovering the

musical genome

Valerio Velardo, Mauro Vallati 1558

xxxix


LC: a new computer music programming language with three core features

Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu 1565

Model-view-controller separation in Max using Jamoma

Trond Lossius, Theo de la Hogue, Pascal Baltazar, Tim Place,

Nathan Wolek, Julien Rabin 1573

Mostly-strongly-timed programming in LC

Hiroki Nishino, Ryohei Nakatsu 1581

New tools for aspect-oriented programming in music and media

programming environments

John MacCallum, Adrian Freed, David Wessel 1587

o.io: A unified communications framework for music, intermedia

and cloud interaction

Adrian Freed, Rama Gottfried, John MacCallum, Jeff Lubow,

Derek Razo, David Wessel 1592

Programmation and control of Faust sound processing in OpenMusic

Dimitri Bouche, Jean Bresson, Stephane Letz 1598

Representation of Musical Computer Processes

Dominique Fober, Yann Orlarey, Stephane Letz 1604

SoDA: A sound design accelerator for the automatic generation

of soundscapes from an ontologically annotated sound library

Andrea Valle, Paolo Armao, Matteo Casu, Marinos Koutsomichalis 1610

Sound processes: a new computer music framework

Hanns Holger Rutz 1618

Using natural language to specify sound parameters

Jan-Torsten Milde 1626

Vuza: a functional language for creative applications

Carmine-EmanueleCella 1631

Interaction Design

3DMIN - Challenges and interventions in design development and

dissemination of new musical instruments

Till Bovermann, HaukeEgermann, Alexander Foerstel, Sarah-lndriyati Hardjowirogo,

Amelie Hinrichsen, Dominik Hildebrand Marques Lopes,

Andreas Pysiewicz, Stefan Weinzierl, Alberto de CampoHMI 1637

A design exploration on the effectiveness of vocal imitations

Stefano DelleMonache, Stefano Baldan, Davide Andrea Mauro,

Davide Rocchesso 1642

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A Recursive Mapping System for Motion and Sound in a Robot between

Human Interaction Design

Sinan Bokesoy 1648

Ambient culture: Coping musically with the environment

Marcus Maeder 1654

Association of Sound movements in space to Takete and Maluma

Amalia de Gotzen 1662

Augmented exercise biking with virtual environments for elderly users:

considerations on the use of auditory feedback

Jon Ram Bruun-Pedersen, Stefania Serafin, Use Busk Kofoed 1665

Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional

Sound for Play and Ubiquity

Daichi Misawa, Kiyomitsu Odai 1669

Ecologically grounded multimodal design: the Palafito 1.0 study

Damian Keller, Joseph Timoney, Leandro Constalonga, AriadnaCapasso,

Patricia Tinajero, Victor Lazzarini, Marcelo Soares Pimenta,

Maria Helena de Lima, Marcelo Johann 1677

Ethos in sound design for brand advertisement

Elio Toppano, Alessandro Toppano 1685

Implementation and evaluation of real-time interactive user interface

design in self-learning singing pitch training appsKin Wah Edward Lin, Hans Anderson, Hamzeen Hameem, Simon Lui 1693

Modes of sonic interaction in circus: three proofs of concept

Ludvig Iblaus, Maurizio Goina, Marie-Andree Robitaille, Roberto Bresin 1698

N-gon waves - audio applications of the geometry of regular polygonsin the time domain

Dominik Chapman, Mick Grierson 1707

PheroMusic: navigating a flexible space of active music

Kristian Nymoen, Arjun Chandra, KyrreGlette, Jim Torresen,

Alexander Refsum Jensenius, ArveVoldsund 1715

POLISphone: Creating and performing with a flexible soundmaps

Filipe Lopes, Paulo Rodriguez 1719

Sonic scenography - equalized structure-borne sound for aurally

active set design

Otso Lahdeoja, Aki Haapaniemi, Vesa Valimaki 1725

SoundScapeTK: a platform for mobile soundscapes

Thomas Stoll, Teri Rueb 1731

Takt: a read-eval-play-loop interpreter for a structural/procedural

score languageSatoshi Nishimura 1736

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Computers and Music Education

Learning musical contour on a tabletop

Andrea Franceschini, Robin Laney, Chris Dobbyn 1743

Music technology's influence on flute pedagogy: a survey of their interaction

Diana Siwiak, Ajay Kapur, Dale Carnegie 1751

Recommending music to groups in fitness classes

Berardina De Carolis, Stefano Ferilli, Nicola Orio 1759

The "Harmonic Walk": an interactive educational environment to discover

musical chords

Marcella Mandanici, Antonio Roda, Sergio Canazza 1766

The Effectiveness of visual feedback singing vocal technology in Greek

elementary school

Sofia Stavropoulou, Anastasia Georgaki, Fotis Moschos 1773

The use of apprenticeship learning via inverse reinforcement

learning for musical composition

Orry Messer, Pravesh Ranchod 1781

Part C: Demos and Studio Reports

Demos

Mobile Instruments Made Easy: Creating Musical Mobile Apps with

LIBPD and iOS, No Experience Necessary

Danny Holmes 1788

Demo: Using Jamama's MVC features to design an audio effect interface

Trond Lossius, Theo de la Hogue, Pascal Baltazar,

Nathan Wolek, and Julien Rabin 1792

SYSTab: A proactive real-time expert system for ancient Greek music

theory and notation

Martin Carle 1796

Making People Move: Dynamic musical notations

Richard Hoadley 1801

Listening otherwise: Playing with sound vibration

Pascale Criton 1805

Spinphony

Mark Nilsen 1809

i-score, an Interactive Sequencer for the Intermedia Arts

Pascal Baltazar, Theo de la Hogue, Myriam Desainte-Catherine 1814

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Studio Reports

Sound and Music Computing at Aalborg University in Copenhagen

Stefania Serafin, Sofia Dahl, Amalia de Gotzen, Cumhur Erkut,

Dan Overholt, Hendrik Purwins, and Bob Sturm 1818

The Centre Iannis Xenakis's establishment at the University of Rouen

Cyrille Delhaye, Rodolphe Bourotte, and Sharon Kanach 1822

CeMFI and Earquake: (Epi-)Centers for Experimental Music,

Media and Research

Aristotelis Hadjakos, Steffen Bock, and Fabien Levy 1828

University of Helsinki Music Research Laboratory and Electronic

Music Studio - The first 50 years and beyond

Kai Lassfolk and Mikko Ojanen 1832

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Music technology meets ; Vol. 2 - GBV-anapproachtoanintegratedformal description Bernd Harpfer 1024...

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Transcript of Music technology meets ; Vol. 2 - GBV-anapproachtoanintegratedformal description Bernd Harpfer 1024...