Music Categories for IIITP

l. Celtic (including Ethnic)

2. Children's Music

3. Christmas

4. Classical

5. Country/ Western

6. Hymns

7. New Releases

8. Oldies

9. Opera

10. Patriotic

11. PopularlBroadway

Potential New Category: Prescriptive (includes Medieval)

I

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IHTP OATEOORIE.g OF MUSIS OR SPRINC 2OO2

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OtDIBg NEU RELEASES

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ETHNIGREPENTOIRB MEMORIZED NOR THE COURS&

PATRIOTIO

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MISCELLANEOUS NOTES & INFORMA?IONTqLASSICAt

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Music Categories for IHTP

CLASSICALIonian:

One Heart, One Soul - Strauss 3/4On The Beautifirl Blue Danube - Strauss 3/4Emperor Waltz - Strauss 3/.1Gold and Silver Waltz - Lehar 3 / 4Allegro Maestoso (Water Music) - Handel 3/2Grand Waltz - Chopin 3/4PlaisirD'Amor - Martini 6/8The Skaters Waltz 314The Four Seasons lst Move. - Vivaldi 4/4The Four Seasons 2nd Move. - Mvaldi 4/4Air from Water Music - Handel 4/4Sonata in A Major -Mozart 6/8Sheherazade - Korsakov 6/8Pachelbel's Canon - 4/4Clair De Lune 9/8Bach's AriosoChopin's RainfallSheep May Safely Graze 4i4Minuet in G 3/4Ode to JoyJesu, Joyof Man's DesiringFinlandia - Sibelius 4/4Brandenburg Concerto - Bach 1218In The Bleak Midwinter 4/ 4

Aeolian:

Reverie - Debussy 4/4 (Ionian,Dorian,Aeolian)Traumerai - Schumann 4/4The Happy Farmer - Schumann 4/4Eine Kleine Nachtmusik - Mozart 4 / 4Alleluia -Mozart 2/4Rondeau -Mouret2lZTo A Wild Rose - MacDowell 214Liebestraum -Lizst 614Toyland - Herbert 6/8Surprise Symphony - Hay dn 2 | 4The Heavens Are Telling -Haydn 4/ 4Where'er You Walk - Handel 4/4Hallelujah Chorus -Handel 414For Unto Us A Child Is Born -Handel 414Theme From Norwegian Dance - Gieg 21 4Ave Maria -Bach 414Amaryllis -Ghys2/2Panis Agnelicus - Franck 4/4Pomp and circumstance March -Elgar 2/4Toreador Song - BizetNew World Symphony - Dvorak 4/4

Moldau - Smetana 6/8Sicilianna - BachPolovetzian Dances - Borodin 2/2Pavane -Fawe4/4Swan Lake - Tchaikovsky 4/4

ETIIMClonian.

Sweden- Children of theHeavenly Father 3/4Wales - Immortal, Invisible, God only Wise 3/4Vivel Amour 6/8Volare -ltm.lian2/2That's Amore - French 3/4Last Rose of Summer 3/4When IrishEyes Are Smiling 3/4Sweet Rosie O'Grady 3/4Santa Lucia 3/4Quando, Quando, Quando 212O Sole Mio 2/2My Wild Irish Rose 3/4My Love, Forgive Me2/2Molly Malone 6/8Mexican Hat Dance 6/8A Little Bit of Heaven 4/4The Japanese Farewell Song 4/4Funiculi, Funicula 6/8Frere Jacques 4/4Christmas In Killamey 2/ 2The Campbells Are Coming 6/8Arriverderci, Roma 2/2Alouette 4/4Skyeboat Song 6/8Loch Lomond 4/4O Danny Boy 4/4Believe Me If All Those Andearing Young CharmsYe Barks and BraesAll Through The Night 4/4TheMinstrel BoyLaPaloma-2/4

Dorian:Miya Sama 4/4

Aeolian:Tarantella - Italian 6/8SholomAlaichem 2/2El Cumbanchero 2/2Besame Mucho 2/2Come Back To Sorrento 3/4

OPERACavaliera RusticanaI AmThe Sun -MikadoEntracte -Bizet

Ionian:The Merry Widow Waltz3/4Little Buttercup 3i4Can Can - Otrenbach2/2Musetta's Waltz - Puccini 3/4Suzy, Little Suzy - Hansel & Gretel6/8Bacarolle - Offenback 6/8Bei Mir Bist Du Schon 2/2Toreador - Carmen -Bizet4/4

Aeolian:Farandole -Bizet 4/4

Classical SelectionsBach's AriosoChopin's RainfallShedp May SafelY GrazeMinuetin GOde to JoyCanon in DConcerto #l - TchaikovslcYJesu Joy of Man's DesiringBosihsd- Air and RondoTrumpet VoluntarySslgillana - J.S. BachAdaeietto - DamaseJovfil Overnne - GrandjanYeritumn from For.u Seasons - VivaldiFinlandia-Sibelius6th Symphony - BeethovenLareo-HandelChaison4randjanyAria In Classic Style-GrandjmYMasterpiece Theare

Celtic TunesFanny PoerDani/ Bov-Londondeqv AirBelieve VG If All Those EndearingYoune CharmsSoudririndFareweilSuo GanYe Banks and BraesAt Early DawnFlow Gently Sweet AftonThe CuckooMaids of Mourne ShoreNeil Gows LamertMarket DavAugusta W-altzHervlettAsheroveLord-lnciquinThugamarCon O'Leary's LamentEileen OgeSlrye boat SongLochLomondHow Sweet The Winds Do BlowAll Througtr The NightBlow the wind southerlvFish FeislntheGloaningDeils AwaThe lvlinstrel BoyLadv DearTis ihe Top of the VlorningWhen Irish Eyes Are SmilingMollyMalone

b r ci f", r., j L r, I 'a, o,i

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t - c , icr i r . h i l I 'a,as

OperaivlGetta's WaltzCavaliera Rusticanafm CAteA Uttle ButtercupToreador-CarmenI An The Sun-lvlikadoEntracte - Bizet

ChristmasIn The Bleak Mid-WinterFlow Gentty Sweet Aftono Come e[ Ye FaithftlO Come Litde ChildrenSilentNigbtGreensleeves

PatrioticThis land Is My LadAmerica The BeautifulThis Is My CormtryGod Bless AnericaDixieBanle H1.rnn of the RepublicGod Save The Queen

HvmnsHoiv Grea Thou ArtAmazing GraceCome & Jor:merrSimpleGfeeairtiful SaviorAbide With MeOde to JovWind drdush the Olive TreesThe Lord Is-lvty ShepherdJesus Loves MeAll ThroughThe NigbtO. Sacred He{tAll Things Brieht & BeautifulMorning Has BrokenIn The Garde,nLet There Be Peace On EarthThe Old Rugged CrossQoi ia l \c i : i5 Pa<9m

PopularPhaftom of tre OperaAll I ask of youMe,moryPerhaps LoveHlmn bv VaneelisTfrere's Somedring ThereFrom A DistaceChaiots of FireThe Mr:sic ofThe Nightlvlusic Box DancerEdelweisSunrisb. SunsetTzmmVA Tima For UsTurn Turn TurnBeauw & The BeastLes MiserablesBearles SonssSongs bv Elt6n John

1-Lolorol lne wmc

T, v, eosstb(e 0ream

Other MusicKum Ba Yahllichael Row Your Boat

AshoreLouis & Katlrvn's WdtzScarbourough FairShenandoahOver The Hills and Far AwavBeautiftl DreamerSakuraOtr- How Lovelv Is The

EvenindSwing Low, Sieet ChariotHappy BirdrdayAll The Pretty Liule Horses

Countrv WesternTake Me horie Cormtry RoadsTennessee WaltzI'm A Stand By Womm, lr'tmI Will alwavs lovevouThe Devil Wem O6wn toGeoreiaAnni;Dary CrockettRed River Vallet-v

OldiesAs Time Goes B,vGoing To Take A SentimentalJournwYou Aie My SunshineBicvcle Built ForTwoOn Top of Old SmokyAura LeeGood Nieht IreneWe Are Foor Litde SheepLove's Old Sweet SongAuld Lang SpeSurnmertimeLad"v of Spain

9gg The Beguine _Tiptoe Through The TulipsStandine On a CornerUnchainledMel@

Children's MusicDo. Re- MiSupercalafragilisticTwinkle.TwinkleRow Yor.r Boat AshoreOn Top of SpaghettiMickw ivlouseB.rn.y, the hrrple Dinosaur

(This Old Mo. Heplay one)Tend€r ShepherdOld MacDonaldWhen You Wiih Upon A StarSomewhere Out ThereShe'll Be Coming.Around the

MountainLionKineThe Linl6 MermaidqioJi

MODES

Modes are scale pattems with different half- and whole-step combinations. An easy way to

them is to use a c tuning on your harp, and play as indicated below.

Start on the indicated note and play up one octave.

Ionian mode - start on C (this is the major scale)

Dorian mode - start on D (this sounds like minor but has a raised 6'h)

Phrygian mode- start on E (this sounds like minor but has a lowered 2"0)

Lydian - start on F (this sounds like major but has a raised 4'h)

Mixolydian - start on G (this sounds like major but has a lowered 7'n)

Aeolian - start on A (this is the natural minor scale)

hear

Locrian - start on B (this just sounds different!)

44

PATRIOTICIonian:

America (God Save The Queen) 3/4The Star-Spangled Banner 3/4AmericatheBeautiful 4/4This Is My countryGod Bless AmericaDixieRussianNational Anthem 4/4National Anthem of Syria 4/4National Anthem of Swttzerland 314National Anthemof Sweden 4/4National Anthem of Spain 4/4National Anthem of Saudi Arabia 414National Anthem ofPortugal 4/4National Anthem of Peru 4/4National Anthem of Niaragua 4 / 4Netherlands National Anthem 4/4MexicanNational Anthem 4/4National Anthem of Venezuela 2 I 4Italian National Anthem 4/4National Anthem of Haiti 4/4ColombianNational Anthem 4/4Nation"al Anthemof Guatemala 4/4National Anthem of Greece 3/4LaMarseillaise 4/4National Anthem of Egypt 4/4National Anthem of Germany 4 / 4Candian National Anthem 4/4National Anthem of Bolivia 4/4National Air of Beleium 4/4

Dorian:Japanese National Hymn 4/4

Aeolian:Turkish National Anthem 4/4

LT]LLABIESIonian:

Suo Gan 4/4Brahm'sLullaby 4/4

Aeolian:All The Pretty Little Horses

COUNTRYNMESTERNIonian:

I Can't Stop Loving You2l2Tennessee Waltz 3/4Your Cheatin'Heart 2/2Take Me Home, Country Roads 2/2I'm A Stand By My Woman, ManI Will always Love youThe Devil Went Down to GeorgiaDavie CrocketRedRiver Valley

CERISTMASThe First NowellO ComeAll YeFaithfitlO Come Little ChildrenSilentNightWhat Child IsThisO Holy NightO Christmas TreeHark The Herald Angels SingO Little Town of BethlehemIt Came Upon AMidnight ClearJoy To The WorldDeck The HallsAway In A Manger

BROADWAYEdelweiss - 3/4Memory - Cats 6/8Phantom of the OperaAll I ask of YouThe Music of the NiehtSunrise, SunsetLesMiserable

CELIICAtEarlyDawnThe CuckooNeil Gows Lament

Ionian:Hewlett 3/4A Rosebud By My Early Walk 6/8TheRendezvous 4/4FannyPoerSouthwindFlow Gently Sweet AftonMaids ofMourne ShoreLordlnchiquinCastle of Dromore 3/4Cockles and Mussels 3/4Spinning Wheel Song 3/4

Dorian:Mist covered Mountains of Home 3/4Chanter4/4Arran Boat Sone 6/8

Mi.rolydian:Mairi'sWedding 4/4Sweet CarnlockBay 3/4My Lagan Love3l4She Moved Through The Fall 3/4

Aeolian:Over the Hills and Far Away 4/4RightsofMan 4/4The Foggy Dew 414TheFamine Song 4/4Avenging and Bright

POPULARUnchainedMelody 4/4Perhaps LoveHymnbyVangelisFrom A DistanceChariots of FireMusic Box DancerTammyA Time For UsTurn Turn TurnBeauty & The BeastBeatles songsSongs by Elton JohnImpossibleDreamMoon River

OTHT.,RIonian:

Happybirthday 3/4AtraLee 4/4The Anniversary Waltz 3 / 4ShenandoahBlue Tango 4/4

Dorian:Scarborough Fair 3/4the Next Market Dav 3/4

SPIRITUALS/IIYMNSIonian:

Come, Thou Almighty King - Italian 3/4We Gather Together - Dutch 3/4All Creatures of Our God and King 3/2All Glory Laud, andHonor 414Tis A Gift ToBe Simple 4/4Swing Low, Sweet Chariot 2/4How Great Thou Art 4/4Amazing Grace 3/4 (Pentatonic)KumBaYah 4/4Michael row Your Boat Ashore 4/4Dona Nobis Pacem 314He's Got The Whole World In His HandsChrist The Lord Is risen Today 4/4O Worship The King - Haydn 3/4O God, OurHelp In ages Past4/4Doxology 2/2

Aeolian:Jewish Round 3/4Let All Mortal Flesh Keep Silence 2/2

MEDIEVALSumer is Icumen In 6/8Victimae Paschali Laudes - Medieval ChantDies Irae - Medieval Chant

Phrygian:Pange Lingua (Tantum Ergo)

CHILDREN'S MUSICDo. Re. MiBarney, the Purple dinosaur

(This Old Man, He play one)SupercalafagilisticTwinkle, TwinkleMichael Row Your Boat AshoreOn Top of spaghettiMickey MouseOldMacDonaldWhen You Wish Upon A StarSomewhere Out ThereShe'll Be Coming Around theMountainLionKingLittleMermaidAlouette

OLDIESAs Time Goes ByGoing To Take A Sentimental JourneyYou Are My SunshineBirycle Built For TwoOn Top of Old SmokyGood Night IreneWhiffenpoof SongLove's Old Sweet SongAuldlang SyneSummertimeLady ofspainBein The BeguineTiptoe through The TuilipsStanding On a CornerFive Foot Two, Eyes of BlueI've Been Working On The RailroadDeep In The Heart of TexasBillBaileyTake Me Out to The Ball GameTheOld GreyMareMyBonnieSinging In The RainDaisyBeer Barrel PolkaYes Sir, That's My BabyFour LeafCloverShow Me The Way To Go HomeHome on the RangeShe'll Be Coming Around the MountainPolly Wolly DoodleSide By SideOh SuzannaSidewalks of New YorkAin't She SweetBye Bye BlackbirdMoonlightBayShine OnHarvest MoonYankee Doodle DandyGrandOldFlag

Give My RegardsLittle Brown JugMarine'sHymnInThe Goodold Summer

timeCamptownRaces

1. FiVi FOOT Tl^/O, EYES OF BLUE

FIVE FOOT T}. I0, EYES OF BLUE,BUT OH, WHAT THOSE FIVE FOOT CAN DO.HAs ANYBODY SEEN I.fY GAL?TURNED IJP NOSE, TURNED DOl, lN HOSE,FLAPPER, YES SIR, ONE OF THOsE,HAS ANYBODY SEEN MY GAL?

NOt,' IF YOU RUN INTO A FIVE FOOT TI,JO,COVERED WITH FUR,DIAI ' IOND RINGS AND ALL THOSE THiNGSBETCHA LIFE iT ISN'T HER.COULD SHE LOVE,COULD SHE WOO,COULD SHE, COULD SHE, COULD sHE COO,HAS ANYBODY SEEN I'[Y GAL?

2. I 'VE BEEN I . IORKING ON THE MILROAD

],VE BEEN WORKING ON THE MILROADALL THE LIVE, LONG DAY.i .VE BEEN I , IORKING ON THE MILROADJUST TO PASS THE TII'IE AI^IAY.CAN'T YOU HEAR THE I, IHISTLE BLOWING"RIsE UP SO EARLY iN THE I ' IORN.' 'CAN'T YOU HEAR THE CAPTAIN SHOUTING,DINAH BLOW YOUR HORN.

OiNAH I.ION'T YOU BLOI,I, DIMH I,JON'T YOU BLOI{,DiNAH I, ION'T YOU BLOW YOUR HORNDiNAH I^ION'T YOU BLOW, DINAH I, ION'T YOU BLOH,DiNAH l , lON'T YOU BLOI,I YOUR HORN.

SOMEONE'S IN THE KiTCHEN I^I ITH DINAH,SOMEONE'S IN THE KITCHEN I IOIO},I ,SOMEONE'S IN THE.KITEHEN WITH DiNAHSTRUMI' I iN ON THE OLD BANJO.

SiNGING, FE FI FIDDLY-I-OFE FI FIDDLY.I-0, FE FI FIDDLY-I-OSTRUMI4IN ON THE OLD BANJO.

4. BILL BAILEY

l^lON'T YOU COME HOME BILL BAILEY,l , lON'T YOU COME HOME?I }4OANED THE WHOLE NIGHT LONG.I 'LL DO THE COOKING HONEY, I 'LL PAY THE

RENT.i KNOI,I I DONE YA l,lRONG.REMEI'IBER THAT MINEY EVENING I THREI'I YOU OUTI^' ITH NOTHING BUT A FINE TOOTHED COMB.I KN0W I'l ' l T0 BLAJ'IE; N0l,l AIN'T THAT A SltAl'lE?BILL BAILEY I, ION'T YOU PLEASE COME HO}' IE?

I4Y },IILD IRISH ROSE, THE SWEETEST FLOI,IER THATGROI,IS.

YOU I'IAY SEARCH EVERY|,IHERE, BUT NONE CANCOMPARE

I,JiTH MY.I{ ILD IRISH ROsE.

MY I, I ILD IRISH ROSE.MY l . l iLD IRISH ROsE, THE SI, 'EETEST FLOI^IER THAT

GRoHS,AND SOMEDAY FOR HY SAKE, SHE MAY LET I,IE TAKETHE BLOOH FROM I ' fY WILD IRISH ROSE.

5. MY WILD IRISH ROSE

5. TAKE HE OUT TO THE BAI I GAMF

TAKE ME OUT TO THE BALL GA},IETAKE ME OUT TO THE FAiR.BUT I.IE SOI'IE POPCORN AND CRACKER JACKSI DON'T CARE IF I EVER GET BACK.WE WiLL ROOT TOOT FOR THE HOI,IE TEMIF THEY DON'T WIN ITS A SHAME.FOR ITS ONE, TI,JO, THREE STRIKES YOU'REAT THE OLD BALL GAI'IE.

OUT

3. DEEP IN THE HEART OF TEXAS

THE STARS AT NIGHT, ARE BIG AND BRIGHTDEEP IN THE HEART OF TEXAS.THE PRAiRIE SKY IS I.IIDE AND H76H ///DEEP IN THE HEART OF TEXAS.THE SAGE IN BLOOM, I5 LIKE PERFUI{E / / /DEEP IN THE HEART OF TEXASREI'IINDS I'IE OF THE ONE I LOVE ///DEEP IN THE HEART OF TEMS

THE COYOTES I, IAiL, ALONG THE TMTL / / /DEEP iN THE.HEART OF TEXAS.THE RABBITS RUSH AROUND THE BRUSH / / /DEEP IN THE HEART OF TEMS.THE COI,IBOYS CRY KI-YiP-PEE-YII / / /DEEP IN THE HEART OF TEXAS.THE DOGGIES BAWL, AND BAI.IL AND BAWL // /DEEP ]N THE HEART OF TEY"AS

7 . THE OLD GREY I ' {ARE

OH, THE OLD.GREY MARESHE AiN'T WHAT SHE USED TO BE,I / / AIN'T WHAT SHE USED TO BE.AIN'T WHAT SHE USED.TO BE:CH, THE OLD GREY MARESHE AIN'T I , IHAT SHE USED TO BEMANY LONG YEARS AGO.UANY_LqNG YEARS AG0, MANY LoNG YEARS AGo.OH, .THE OLD GREY I, IAREsHE AIN'T h 'HAT SHE USED T0 BE}4ANY LONG YEARS AGO.

8. K-K_K-KATY

K-K-K-KATY, BEAUTIFUL KATYIqulRE THE oNLy c-G-c-crRL THAT r ADoRE.I^IHEN THE I ' I I . I -M-M-MOON SHiNES.OVER THE COI. I SHEDI'LL BE }^IAiTING AT THE K-K-K-KITCHEN DOOR.

9. MY BONNIE

I'IY BONNi E LI ESMY CONNiE LIESMY EONNIE LIESOH, BRING BACK

OVER THE OCEAN,OVER THE SEAOVER THE OCEAilI ' {Y BONNIE TO HE.

BRING BACK, BRING BACKOH, gNTNE BACK I 'TY BONNIE TO HE, TO MEBRING BACK, BRING BACKBRING BACK MY BONNIE TO I ' IE!

10 SINGING IN THE MiN

lH srNGINe IH txr RRiN,JUST SINGING IN THE MIHI. IHAT A GLORIOUS FEELING, I 'H HAPPY AEqIN,i ' l ' l LAUGHING AT CL0UDS,SO DARK UP ABOVETHE SUN'S IN I ' IY HEART,AND I.'}'I READY FOR LOVE.

LET THE STORIry CLOUDS CHASEEV-RY ONE FROM THE PLACECOI'IE ON I,iITH THE RAINi,VE A SI4ILE ON MY FACE.

I 'LL I^IALK DOI{N THE LANE|.JiTH A HAPPY REFRAIN,AND SINGiNG, JUST SiNGING IX THE RAIN.

i1. pAisY

DAISY, DAiSY, GiVE ME YOUR ANSI^IER DO.I 'M HALF CRAZY ALL FOR THE LOVE OF YOU.iT I.JON'T BE A STYLISH I.IARRIAGE,I CAN'T AFFORD A CARRIAGEBUT YOU'LL LOOK S}IEETUPON THE SEAT0F A BICYCLE'BUiLT FOR Ti '10-

.]IM}'IY, JII'IMY, HERE IS I'fY AHSI.IER DO. -.YOU'RE HALF CMZYiF YOU THiNK T'H IN LOVE I{ ITH YOUiF YOU CAN'T AFFORD A CARRIAGE,YOU CAN'T AFFORD A I'IARRIAGEAND I 'LL BE SI, I ITCHEDIF I 'LL BE HITCHEDON A BICYCLE BUiLT fOR T1.IO.

12. .

BEER BARREL POLKA

ROLL OUT THE BARREL,LirE'LL HAVE A BARREL 0F FUN.ROLL OUT THE BARRELI,JE'VE GOT THE BLUES ON THE RUN.ZING BOO},I TA-M-EL,SING OUT A SONG OF GOOD CHEER,NOl,] I , IE'LL HAVE TO ROLL OUT THE BARREL.CUZ THE GANG'5 ALL HERE!

13. YES SIR, THAT'S MY BABY

YES SIR, THAT'S I 'TY BABY,NO SIR, I DON'T I4EAN I ' IAYBE,YES S I R, THAT 'S I ' {Y BABY NOW.

YES I '1A'A] ' I WE'VE DECIDEDNO I'IA'A}'I I^IE I,ION'T HiDE IT,YES I ' IA'AI ' I YOU'RE INVITED NOW.

BY THE I^IAY, BY THE MY,IF YOU I ' , IEET THE PREACHER I 'LL SAY,

YES SIR, THAT'S MY BABY,NO SIR I DON'T MEAN MYBE,YES SIR, THAT'S I ' f f .BABY NOl, l .

14. I0!X_!EAI_C!0IEiI 'M LOOKING OVER A FOUR LEAF CLOVERTHAT I OVER-LOOKED BEFORE.ONE LEAF IS SUNSHINE, THE SECOND IS MiNTHIRD iS ROSES THAT BLOOI4 IN THE LANE.NO NEED EXPLAINiN' THE ONE REI ' IAININIS SOMEBODY i ADORE.I ' I . I LOOKING OVER A FOUR LEAF CLOVERTHAT I OVER-LOOKED BEFORE.

15. SHOI,J I'IE THE I.IAY TO GO HOI'IE

SHOW I'IE THE l,lAY TO GO HOME,I 'M TIRED AND I WANNA GO TO BEDI HAD A LITTLE DRINK ABOUT AN HOUR AGOAND IT I^IENT RIGHT TO I'{Y HEAD.WHERE EVER I I4AY ROA}'ION LAND OR SEA OR FOA}'I,YOU CAN AL},IAYS HEAR I4E SINGING THIS SONGSHOW ME THE l,lAY TO GO HOME.

16. HOME ON THE MNGE

OH GIVE I4E A HOME, WHERE THE BUFFALO ROAM,I. IHERE THE DEER AND THE ANTELOPE PLAY.I,IHERE SELDOI'I iS HEARD A DISCOURAGING I,JORDAND THE SKiES .ARE.NOT

CLOUDY ALL DAY.

i iOME, HOME ON THE MNGEI,JHERE THE DEER AND THE ANTELOPE PLAY.WHERE SELDOH IS HEARD A DISCOURAGING WORDAND THE SKiES ARE NOT CLOUDY ALL DAY

WHERE THE AIR IS SO PUREAND THE ZEPHYRS SO FREEAND THE BREEZES SO BALI ' fY AND LIGHT,THAT I WOULD NOT EXCHANGEi' iY HOME ON THE MNGE,FOR ALL THE CITIES SO BRIGHT.

OH, GIVE ME A LAND,|, lHERE THE BRIGHT DIMOND SANDFLOI,IS TEISURELY DOWN THE CLEAR STREAM,: 'l^ lHERE THE GRACEFUL WHITE SHANGOES SLIDiNG ALONGLIKE A MA]D IN A HEAVENLY DREA}' I .

SHE'LL BE COMIIIG 'ROUND THT I ' IOUNTAIH

SHr. 'LL BE COMIl l6 'R0UND THE f IOUNTAINHHEN SHE COHES

Sii : , fL BE COHI}I6 'ROUND THE HOUNTAINWHEN S}iE COHES,

Sl i : 'LL BE c0HIHE 'R0UND THE I ' I0UNTAINSHi 'LL BE COI' I IN6 'ROUND THE }, IOUNTAINSHi' i I - BE COI' I IHG 'ROUND THE HOUNTAIN

HHEN sHI COHES.

SH.. 'LL 8E DRIVIH' SIX I ' IHITE H0RSESHHEN SHE C0HE5.. . . . .

OH. i , IE'LL ALL GO OUT TO I ' IEET HER-IIHEN SH: COHES.. , . . .

I {E } I ILL KITL TBE OLD RED ROOSTERI.]HEN SI{E COHES

I{E I^/ ILL ALL HAVE CHiCKEH AND DUI4PLINGSI,IHEN SHT COHES

18. LET htE CALL YOU SI,JEETHEART

LEr HE CALL YOU SI^IEETHEART,i 'H iN LOVT I. I ITH YOULiT HE HEAR YOU WHISPERTFII.T YOU LOYE HE TOO.KETP THE LOYE LIGHT SHiNINGiI I YOUR EY:s 50 BLUE,LET }4E CALL YOU SI,IEETHEART, :I 'H IN LOYE I . I ITH.YOU.

i9. POLLY }IOLLY DOODLE

2I. SIDE BY SIDE

OH i , IE AI}{ 'T GOT A BARREL OF I , IONEYI'IAYiE },IE'RE TIRED AND FUNI.TY,BUT }/E'LL TMYEL ALON6, SINGiNG A SONGSiDT BY SIDE.

I.iE DON'T KNOI.I hTIAT'S COI'IING TOHORROHHAYEE IT'S TROUBLE AND SORROW,BUT }JE'LL TMYTL THE ROAD, SHARING A LOADSIDE BY SIDE-

. IN tLL KIHDS OF I,IEATHERI,IHAT IF THE ShY SHOULD FALL.

. AS LONG AS }. IE'RE TOGETHER,I rr DOESN'T I'IATIER AT ALL..j

] WE'YE ALL HAD OUR TROU8LES AND PARTEDj l.JE',LL BE THE SA"l'tE AS t{E STARTED,I !U5I IRAYE-LIN' AL0NG, SINGING A s0HG,. SIDE BY SIDE.

22. EDELI4EISS

E-DEL.HEISS, E-DEL-I. IEiSSEVERY HOPJ{ING YOU GREil ME.S}4,A.LL AND }^IHITT, CLEAN AND BRIGHTYOU LOOK HAPPY TO HEET HEBL00il AND GR0l'l F0REVERE-DEL-I. IEISS, E-DEL-I. IEiSSBLESS I'ff HOI'IELT.ND. FORTYER. :

c)H ] I,IENT DOWN SOUTHSiHGING POLLY HOLLYHY SALLY AH A SPUNKYSiHGING POLLY I+OLLY

FOR TO sEE I.fYDOODLE ALL THEGAL

DOODLE ALL THE

5ALDAY.

DAY

DAY.

23 . OH SUZANN-I

i CA}IE FROH ALI3AJ'{A I,IITHI ' } ' I 6OING TO LOUISIAM,HY TRUE LOVE Fl ,R TO SEE.

iT RAiNED ALL XIGHT THETHE I{EATHER IT I,IAS DRYTHE SUN SO HOT, I FROZESUZAHT{A DON'T YOU CRY.

(cH0RUS)

HY BANJO ON I4Y KNEE

DAY I LEFT

TO DEATHFAR.E THEE YELL. FARE THEE I ' IELL,Flp.r rnrr HELL l{Y FERRY DAYFOR I ' I ' I GOif iG TO LOUISIAMFOR TO SEE HY SUZYANNAi i i ieixe-Fouv t*ootY DooDLE ALL THE

20. FTY DARLiNG CLEHENT]NE

iI{ A CAVERX, iX I CANYON,EXCAVATINC FOR A HINE,i ,JaLT A HrNaR, 'F0RTY- NiNEE _Ai i I HIS DAU€HTER CLEHENTINE.

oH MY DARLIIIG, 0H l f i DABLING,OH HY DARLi i lG CLEI4ENTiNE,You'ARE L0ST AND G0NE F0BEVER,DR-..ADFUL S0RRY CLEI' IENTIl iE.

Li iHT SHE i iAS, AND LiKE 4 FAIBYAri l urR sHots f . iERE NUMBEB NINEHirniHe Boxis l l rTHouT ToPSESSrionts I IEP.E FoR cLEHENTINE.

( CiORUS)

DNJVE SHE IUCKLINGS TO THE I 'ATER,IY:RY HORII iHG JUST AT HiNEITi i HEN FOIT AEAI}IST A 5PLINTERFELL INTO THE FOAMING ERINE.

OH 5UZANNA. OH DON'T YOU CRY FOR MEFOR i'VE COHE FROI'I ALA3AMI.IITH HY BANJO O,\ Fff ruEE

i HAD A DREA}4 THE OTHER NIGHTIIHEN EVERYTHIN€ WAS STILL,i THOUGHT I SAH SUZANMA COHIN' DOWN THE HILL.THE BUCKWHEAT CAKE WAS iN HER HOUTHTHE TEAR WAS i} i HER EYESAY' i 'H COHIN' FROH THE SOUTHSUZA}i I{A DON'T YOU CRY.

(CHORI.JS)

24. SIDEWALKS OF }IEI. I YORK

EAST SIDE, I ,JEST SIDE, ALL AROUND THE TOWNTHE TOTS SANG RING-AROUND-ROSIE,LOTiDO!{ BRI DGE i5 FALLiNG DO TN.BOYS i .ND GIRLS, TOGETHER,.HE AI i ] I ' IAHIE O'ROARKETRIPP'O THE LIGJiT FANTASTICON TI i : SIDEWALKS OF NFJ YORK.

2). D0 RE MI

LET'S START AT THE VERY BEGINNINGiTS A VERY GOOD PLACE TO sTART.;"HEN YOU READ YOU BEGIN WiTH A-B-C},"HEN YOU SING YOU BEGIN I , I ITH DO-RE-I ' I IDO-RE-HI THE FIRST THREE NOTESJUST HAPPEN TO BE DO-RE-I ' I IDO RE I. IE FA SOL LA TI. . . .

DOE_ A DEER A FEHALE DEERRE- A DROP OF GOLDEN SUNHI- A N.A-I'IE I CALL I'fYSELFFA- A LONG, LONG I.IAY TO RUN5EW- A NEEDLE PULLING THREADLA- A NOTE THAT FOLLOI,IS SOLTi- A DRINK l,lITH JA}'I AND BREADTIIAT BRING US BACK TODOE -OH .OH -OH

R:PEAT CHORUS

?6. I {HEN IRI5H EYES ARE SI ' | iLING

I#JEN iRiSH EYES ARE SI ' I ILiNGSURE ITS LIKE A HORN iN SPRiNGIN THE LILT OF IRISH LAUGHTER\,OU C.AN HEAR THE ANGILS SING

K'HEN IRISH HEARTS ARE HAPPY,ALL TIIE I . IORLD STEFIS tsRiGHT AND GAYAND L'HEN IRISH EYES ARE SMILING,SURE THEY STEAL YOUR HEART AI, IAY.

27. AIH'T SHE SI, IEET

AIN'T SHE SWEET,SEE HER COHING DOI,IN THE STREETI{OI^I I ASK YOU YERY CONFIDENTIALLY.AIN'T SHE SI. IEET.

A.IN'T sHE NICE,LOOK HTR OVER ONCE OR TI, I ICE,NOI.I I ASK YOU VERY CONFIDENTIALLY,AIN'T SHE NiCE.

JUST CAST YOUR EYE IN HER DIRECTIONOH I'IE OH HY!

AIH'T THAT PTRFECTION.}IOI,I i REPEAT. DON'T YOU THINK

S!.:E'5 SORTA NEATAND i AsK YOU VERY CONFIDENTIALLY,AIN'T SHE SI,JEET

?8. YOU ARE HJ SUNSHiNE

YOU I.RE MY SUNSHiNE, h'Y ONLY SUNSHINE),OU'I IAKE FIE HAPPY I.{HEN SKIES ARE GRAY.YOU'LL HEYER ff iO}. I DEAR, HOI,I I4UCH I LOYE YOUPLEA5E DON'T TAKE I ' IY SUNSHINE AI^IAY.

IHE OTHER NIGHT DEAR, AS I LAY SLEEPINGi DREA.I'JTD i HELD YOU iN }{Y AR}4Sl ' 'HEN I A' 'JOKE DEtR, I1{AS l ' I ISTAKENi.ND i HUNG MY HEAD AND CRi ED.

29 . BYE ELACKEI RD

PACK UP ALL YOUR CARES AND | . IOES,HERE I GO SINGING LOI, IBYE, BYE BLACKBIRDIi . iJERE SOHEBODY l .JAiTS FOR ME5UGAR'S SI, IEET AND SO IS sHEBYE, BYE BLACKBiRD.

NO ONE HERE CAN LOVE AND UNDERSTAND ME.0F HHAT HARD-LUCK ST0RIES THEY ALL HAND l ' l tHAKE HY BED AND LIGHT THE LiGHTi,LL BE HOHE LATE TONIGHT JBYE, BYE BLACKBIRD, BYE, BYE J

30. } ' IOONLIGHT BAY

I{E I , IERE AILING ALONG ON MOONLIGHT BAYYOU COULD HEAR THE VOICES SiNGINGTHEY SEEM TO SAYYOU HAYE STOLEN I ' fY.HEARTNOI.I DON'T GO AI.IAYAS I,IE SANG LOVE'S OLD SI,IEET SONG ::

ON HOONLIGHT BAY.

31. '5HINE ON HARVEST MOON

SHINE ON, SHINE ON HARVEST MOONUP IN THE SKYi AIN'T HAD NO LOVIN'SIHCE JANUARY, FEBRUARY, JUNE OR JULY.SNOI,I TiHE, AIN'T I{O TIMETO SIT OUTDOORS AND SPOONSO SHINE ON, SHINE ON HARVEST I ' IOONFOR HE AND I'fY GAL.

3?. YANKEE DOODLE DANDY

I'H A YANKEE DOODLE DANDY,YANKEE DOODLE DO OR DIEA REAL LIVE NEPHEW OF } ' f f UNCLE SAJ"I,BORN ON THE 4TH OF JULY.I 'VE GOT A YANKEE DOODLE SI^IEETHEART.sHE'S I ' IY YANKEE DOODLE JOY.YANKEE DOODLE I, IENT TO LONDONJUST TO RIDE A PONYi A}'I A YANKEE DOODLE BOY.

33. GRAND OLD FLAG

YOU'RE A GMND OLD FLAGAND A HIGH FLYING FLAGAND FOREVER IN PEACE I'IAY YOU }'IAVE.YOU'RE THE E4BLEH OF THE LAND I LOVETHE HOHE OF THE FREE fu{D THE BPJVE.EVERY HEART BEATS TRUE UNDER RED,

I. /HITE AHD BLUE,hIHERE THERE'S NEVER A BOAST OR BRAG.AND SHOULD OLD ACOUA]NTA}ICE BE FORGOTKEEP YOU EYE ON THE GMND, OLD FLAG.

34. GIVE I ' fY REGARDS

GIVE F,Y REGARDS TO BROADI.JAY,REHEHBER HE TO HAROLD'S SOUARE.TELL ALL T} iE BOYS ON 42ND STREETTHAT I I , I I LL SOON B E TH ERI .WHISPER OF HOW i , I ' I YEARNiNG,TO HIHGLE I^I ITH THE OLD Ti I . IE THRONG.GIVE HY REAARDS TO OLD BROADWAY,AND TELL 'EH I 'LL BE THERE 'ERE LONG!

35. MARINE'S HYMN

iF'i+ilsrHthi'sf; iEltiiiiT BATTLESP,l i+F, ++B*fl?'g*'lE'*iEfit AND FREED'M[],^ie'rF5l,uvl Hll[ lhE T,,,-,6F iii i irti i-Sr-lrrs HARiNES'

35. AI ' IERICA

{il,E?ullfil oi'i'8 E*lV"ilnil'EF'iri4l irrrnl: - ? iiB'Fiiijt't EVEnV ltouNfArN. sIDELET FREEDOM RING.

37 . AMERICA THE BLAUTIFUL

isi,gilii i :ifi liifi'iF$ii :il. "'ll5;iig*qtiffi g*qtih Er3'nHnE# " "

38..YANKEE DOODLE i2

YANKEE DOODLE WENT TO TOI,INRiDING ON A POHY,Srucx A FEATHER IN HIs HATAND CALLED IT I'iACARONI

YAfiKEE DOODLE KEEP iT UPYANKEE DOODLE DANDYNiHO THT HUSIC AND THE STEPAxo wrrH THE GrRLs BE HANDY.

39. IN THE GOOD OLD SUFII ' IER TiME

IN THE GOOD OLD SUMER TII ' IE,IN THE GOOD OLD SU}'['IER TII.IESiRot- l rxe IHRU' THE sHADY LANES,I. l iTH YOUR BABY I ' I INE.Vou uot-o HER HAND AND sHE HoLDs YoURS'AND THAT'S A YERY.COOD SiGNrHer surs YouR TooTsEY l. loorsIE,iN THE GOOD OLD SU}$IER TII ' IE.

40. CMPTOWN RACES

THE CAI' IPTOI{N LADIEs SING THIS SONGDOO-DAH, DOO-DAHiHr cmproxn McE is NINE l l ILEs LoNGOH, DOO-DA DAY.

GOING TO RUN ALL NIGHT,GOING TO RUN ALL DAYi eEr Hy HoNEY'oN THE BoB-TAIL NAG'sOHEONE BET ON THE BAY.

41. ON TOP OF OLD SHOKEY

0N ToP 0F oLD SMoKEY, ALL CoVEILED- t',lIJH SNoWi"Loir mv inui tovER' roR coURTING T00 sLotlFon couRriH's A FLEASUREBUT PARTiNG IS GRIEFA FALSE HEARTED LOYERis woRsr THAII A Ti l iEF.

42. LITTLE BROI^IN JUG

MY WiFE AND I LI i ry ALL ALQNF,TN [-LirrLE Bnown HUT llE cALL ouR ol' lN--SHr lovrs GIN AND r LoYE BUU -.iEll-vou Notf DoN'T I, lE HAvE FUN?

HA! HA!LITTLE

HA! 'TIS YOU AND MEEROWI'I JUG DON'T I LOVE THEE!

A possible progression based on4l4 ttmefor those who like classicaVceltic music.

IONIANFindlandia - SibeliusIn The Bleak Midwinter - HolstLondonderry AirNew World Symphony - DvorakCome Back to Sorrento (3l4but works)Lullaby - BrahmsSheep May Safely Graze - Bach

AEOLIANSwan Lake - TchaikovskvReverie - DebussyTheme from Polovetzian Dances - BorodinFoggyDew

DORTANMiya Sama - SullivanFamine SongChanter

MD(OLYDIANMairi's Wedding

transition from C to Am using B for passing tone

transition from Am to C by using G to C (or G to F to G toC)AEOLIAN TO IONIAN 4|4timeAm234 Am234 Am234 G234Am234 Am234 G234 4m234Am234 G234 F234 E234F234 G234 G234 C234c234 c234 G234 A234c234 c234 G234 c234

AEOLIAN TO DORIAN 4/4 timeAm234 Am234 Amzz+ GzlqAmzzq Gzzq 4m234 G234Am234 G234 Em234 D234D234 F;m234 D234 8m234Dz34 Cztq Dn4 Dz34

A possible progression based on3l4time for celtic music

IONIANWhen Irish Eyes Are SmilingLast Rose of SummerSpinning Wheel SongMy Wild Irish RoseCastle of DromoreCockles and Mussels

AEOLIANAvenging and Bright

DORIANScarborough Fair

MXOLYDIANSweet Carnlock BayMy LaganloveShe Moved Through The Fair

Aeolian to Mixolydian 414aagagaaggagoofot b^D

Dorian to Mixolydiandddaddcddagaggfg

-4-

. Pentatonic scale: raised 3rds, Tths of a scale' Is always ccnrplete'

Patient/therapist can nrake a ccnrplete and pleasant sound'

. Middle Eastern mode: sharpen levers on 2nd, 4th and 6th. (In C' this is

D,F and A. B beccrnes the tonic of tLr:is npde.)

. Jazz chord Progression:

(RH) ii V I

-A ^B nc

cDt DF* EG^

(U{)DGC

. Inlater fall sor:nd: play evenly, repeat pattern'

[ )G5r$,

. Arrange nn:sic jn classification of Celtic, Classical

By tenpo - 414 and 3/4

By various modes

. Transitioning between modes:

1 i-n C lonian (C) to aeolian (Am)

B transition note

2 irr C Aeolian (em) rc ionion(C)

AAAGIA A G AJ esLablishes aeolian

A G F EIF G G C j transition (best to go below the G)

need space and tjme to get back to ionianCCGC establ ishesionian

tr- ) -

3 irl C Aeolian (Ann) to dorian (Dn)

A A A GIA A G G j esbblishes aeoli-an ( soulfu1)

A G.F or E.D IDED E J t ransi t ion

D C D D C anchors it into dorian (nore rooLed' Incregrounded nrode)

4 irr C Aslian(Am) to mixolvdian (G)

AAAGIAG A Aj establ ishes aeol ian

G G A GIG G F G J F anchors it j11to mixolydian

5 irr C Dorian (Dn) to mixolydian (G)

D D D AID D C Dr establishes dorian

D A G ATG F G G -J F anchors it into mixolydian

. In a hospice, Locrian mode (B in key of C) is pleasant. A is the turn

aror.md note. It has an Oriental qualiLy to it.