Multi-cam Multi Cam 5

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Transcript of Multi-cam Multi Cam 5

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I will doing multi-cam live event. It is a year 8 school production.It is called the pop project, it consists of 12 bands selected whichis one from each form to be in the final and there is judging panelto decide which band is the best. The event will take place 21st of July and will on during period 5 and 6.

My target audience for this multi-cam live event would be aimedat the years

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Floor Manager - The floor manager represents the director in the studio and makes sure that the 'talent'and crew know what they are doing. She/he is also there to sort out any problems there may be on thestudio floor, and to state clearly what the director wants crew members and 'talent' to do.

Assistant Floor Manager - An assistant floor manager helps the floor manager with their duties and makessure that the 'talent' have everything they need.

Camera Ops - Camera Operators operate the cameras during the show and try to get a variety of shots thatthey have been told to get by the director.

Camera Assistant - Camera Assistants help the Camera Ops to move their camera during filming and alsohold the cables out of the way so that noon trips on them.

Talent - The 'talent' are guests on the live TV show, so their job is to answer the questions and make theshow as entertaining as possible. The presenter also counts as 'talent' and his/her job is to deliver thequestions clearly and keep the show upbeat as well as being able to focus the contestants if they side-trackfrom the questions.

Sound Op - A Sound Op operates the Audio mixing desk, and makes sure that all the microphones areworking before the show.

Vision Mixer - A Vision Mixer, cuts from one shot to the next using the visual mixing desk and can also use

various wipes and transactions to go from the titles into the studio.

DVD Op - a DVD Operator operates the DVD player and makes sure that the clips are played at the correcttime.

Lighting Op - The Lighting Operator operates the lighting desk and makes sure that the lights go on/off oncue from the director.

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Judgestable

Boommic

Vision mixer

Onstagemic

cameraon Dolly

Cameraon tripod

Cameraon jib

CameraonShoulder

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Here is where the judging panel sit,could use a camera on a dolly.

View of audience, could use jib to recordthis area.

Here is a view of the stage, this is an

area for a camera on a tripod to film

Here is the view of the whole stage

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The main consideration is to make sure all wires from the equipment aretaped down to allow people to walk over them without tripping and so theequipment like the dolly can go over them relatively easier. Also make surethe equipment is away from the audience and the equipment on stage toprevent injuries and equipment damage. The last consideration is forpeople participating in a multi cam event need be hydrated to prevent

problems with health due to lots of electrical equipment can make the roomhot and it is important all members of the team are 100% focused.

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Band Vision mixer Communication Cameras

9e2 band Tom Montgomery Alex caple Alan,joe,sam,

Swag Nans Tom Montgomery Alex caple Alan,sam,joe

Jarz Alex caple Tom Montgomery Alan,sam,joe

Soul girls Sam Innes George Alex Joe tom

Smile George reay Sam Innes Alex Joe tom

Girlz next door Alan reading Joe kowalski Tom Alex Sam

ForeverJoe kowalski Alan reading Tom Alex Sam

Only exception Tom Montgomery Alex caple Alan,sam,joe

Soundproof  Alex caple Tom Montgomery Alan,sam,joe

Sons of God George reay Sam Innes Alex Joe tom

The miracle Makers Sam Innes George Reay Alex Joe tom

Enigma tom Montgomery Alex caple Alan,sam,joe

The lipsys Alex caple Tom Montgomery Alan,sam,joe

Identity Sam Innes Geor e Rea Alex tom Joe

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band Vision mixer Communication camerasScarlett George reay Sam Innes Alex Joe tom

The reckless Saints Alan reading Joe kowalski Tom Alex Sam

The fallen angels Joe kowalski Alan reading Tom Alex Sam

Staff band Billy askew Alan reading Tom Alex Sam

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4 hd cameras

4 tapes

One dolly

One jib

4 tripods

Vision mixer

Up loader

laptops with chargers

Script

Tally lights with microphone

Extension leads

Back up camera

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Title: Year 8 pop project 

Production Date:21/7/2011 Date of Risk Assessment  Risk Assessment conducted by: Joe Kowalski

Hazard  Persons who

may be

harmed 

Property which

may be

damaged 

Risk controls

already in place Risk Assessment

LOW,

MODERATE,

HIGH,

EXTREME (see table) 

Further action

required to

control risk

*** 

Equipment inthe way

crew andaudience

Other equipmentto do withpop project

make sure equipment 

isn't near music 

equipment  

moderate Before the multi-cam showmake sureequipment isset up

Tripping overwires

crew andaudience

equipment Make sure wires areout of the way

from audience

moderate Tape the wiresdown so

people can seethem and soequipment cango over them

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For multi-cam events 3 or more camera’s are used and they are all linked tovision mixer and they are all shown up on the vision mixer. Multi-cam sets upsuse a variety of different cameras, the normal cameras used Sony hdv which areput on tripods and have a steady shot. There are also other camera set ups likea dolly where there a wheels on the bottom of the tripod that allows the tripod tomove around an area with the camera still. There is also a jib where you put acamera on top of a pole and you control the camera by moving the pole up anddown. This is best used to get footage of a crowd at a live event like a concert.Another type is a wire camera and it is attached to a long wire and is controlledby a controller for the camera to move along the wire to capture the live actionthis is frequently used in live sports events like football and rugby. The lastcamera set up is a blimp balloon and this is normally a big hot air balloon in thesky with a camera on it, this is used frequently to get views in the sportsstadiums. Sky sports use the blimp often to get a whole view of a footballstadium.

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Live sound mixing is the art of combining and processing a number ofaudio signals together to create a "mix" that the audience or performers ata live show hear. There can be a variety of different mixes required,depending on the performance requirements. Three types are: Front ofHouse which is primarily for the audience; monitor, which is exclusively forthe performer(s); and recording or broadcast (cue), for special purposes